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Longing for Home
I. Jerusalem
*II. Mother
III. Voyager Dust
IV. A Letter to Marianne Moore
V. Dancing Toward the Promised Land
Carol Barnett
A song cycle for mezzo, baritone, and piano
www.carolbarnett.net
MOTHER
I wish that I could talk with her again. That’s what I thought of when I thought of home,
Always supposing I had a home to come to. If she were here, we’d warm the Chinese pot
To brew a jasmine-scented elixir, And I would tell her how my life has been—
All the parts that don’t make sense to me, And she would let me talk until the parts
Fitted together.
That will never be. She couldn’t wait for me to come to her—
Ten years away. I couldn’t wish for her To wait, all blind and helpless as she was. So now I have come home to emptiness:
No silly welcome-rhyme, no happy tears, No eager questioning. No way to get
An answer to my questions. Silence fills The rooms that once were vibrant with her song,
And all the things I wanted to talk out With her are locked forever in my heart.
I wander through the rooms where she is not.
Alone I sit on the hassock by her chair, And there, at last, I seem to hear her voice:
“You’re a big girl now. You can work things out.”
Bea Exner Liu (1907-1997)
duration: c. 3:45
Composer’s note
Bea Exner Liu was born and raised in Northfield, Minnesota, and graduated from Carleton College. She moved to China in 1935 to teach English, since teaching positions were scarce in the United States during the Depression. While there, she married a Chinese classmate from Carleton, and witnessed the Japanese invasion of China during the years 1935 to 1945. The eventuality of a Communist takeover finally brought Liu and her family back to Minnesota. She later published an award-winning children's book as well as her memoir, Remembering China, 1935–1945.
Mother is the second of five songs comprising Longing for Home, a cycle written to celebrate
Source Song Festival’s fifth season. The texts all reference homecoming in various ways – the enduring wish to return to a place remembered with love and longing, as well as the
uncertainty, the impossibility of doing so. The music of Mother mirrors the unsettled sadness of a daughter’s long-delayed visit home, now bereft of its center of gravity. Memories of
beloved rituals, of a sympathetic ear, are brought to life once more by the nearness of familiar objects, and finally, the almost tangible sound of her mother’s voice: “You’re a big girl now.
You can work it out.”
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86
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mezzo-soprano ∑
‰ œ œb .œ
..œœ# œœ œb œ
q. = c 84; espressivo
q. = c 84; espressivo
F
∑
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Œ Jœb .œ
I wish
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F .œ œ œ œ œ4
that I could
œ œ œb .œ
..œœ# œœ œb œ
œ jœ œ jœ#talk with her a
‰ œ œb .œN
..œœ## œœ œ# œ
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mezzo
6
.˙gain.
6
‰ œ œb .œb
..œœNN œœ œ œb
Jœ ‰ ‰ Œ .
Œ jœb .œ
JœN œœ œœ œ œb
Œ . œ œ œ4
That's what I
‰ œ œ .œ
..œœ#N œœ œ œ#
œb jœ .œthought of
‰ œ œ ..œœb
..œœb œœ œb œ
œ œ œ œ jœwhen I thought of
‰œ œ .œb
..œœ# ‰ œb œn
LONGING FOR HOME
Carol Barnett
Poem © 1988 Bea Exner Liu. Used with permission. Music © 2018 Carol Barnett. All rights reserved.
II. Mother
Bea Exner Liu (1907-1997)
Celebrating the Fifth Anniversary of Source Song Festival, Mark Bilyeu and Clara Osowski, artistic directors.
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42
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mezzo
11
.œ œ ‰home,
11
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œ œ œ# Œ .
œ# .œ œ# œ œ œAl ways sup pos ing I
œ# jœ# ..œœ.œ# .œn
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p
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2
had a home to
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œ# jœ# .œcome to.
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∑
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∑ &
- - -
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42
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42
86
86
86
mezzo
16
∑
16 œœbb. œb . œœb
œbœb
œbœ
q = c 84
q = c 84
P
Œ ‰ Jœb
If
œb œb . œb ..œœb œ
œbœb
œœ
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p
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she were here, we'd
œœbb œœ
œbœb
œbœ
.œb œ œ œbwarm the Chi nese
œœbb œœbb
œb œb œb œ
.œb ‰ Jœ2
pot To
.œb œb jœ
‰ œb œb œb œb
2
(q = q.)
(q = q.)
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mezzo
21
œb œb œ œ œb2
brew a
21
..œœbb œœb œ
.œb œ jœb
œbJœb œb œ œb
jas mine scent ed e
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.
.œœbb ..œœbb
œb jœb .œlix ir,
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œ
∑
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jœ œ jœ œ
- - - - -
2 II. Mother
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mezzo
26
œ jœ œ# œ2
I would tell her
26
‰œ œ .œ
..œœ# œœ œ œ
œ œ œ œn jœhow my life has
‰œ œ .œ
..œœ# œœ œ œ
.œ œ ‰been,
‰ œb œ .œ
..œœ œœ œ œ
œJœ
œJœ
All the parts that
‰ œ œ .œ
..œœ œœ œ œ
œ# œ œ œ2 2
don't make
œ œ œ œ jœ.œ œ
œ œ
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42
42
42
mezzo
31
.œN œ œ .œsense to me,
31
.œ .œ œ œ
.œ œ œ œ
.œ jœ ‰ ‰
.œ œ œ .œ
.œ# .œ# œ œ
Œ ‰ jœAnd
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.œ jœ
(q. = q)
(q. = q)
.œ œ œ œshe would let me
œœ œœ# œœ
..œœ jœ
œ œ œ œtalk,
œœ œœœœ
..œœ jœ
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mezzo
36
œ œ .œ œah,
36 œœœœ œœ
..œœ jœ
œ ‰ Jœun
œœ œœ œœ
..œœ Jœ
.œ œ œtil the parts
œœ œœœœ
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F
P
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Fit ted to
œœ œœœœ
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Jœ.œ
geth er,
œœ œœ œœ
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dim. poco a poco
dim. poco a poco
œ ‰ jœto
œœ œœœœ
..œœ jœ
- - - - -
3II. Mother
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86
86
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42
42
42
mezzo
42 jœ .œgeth er,
42 œœœœ œœ
..œœ Jœ
œ ‰ jœto
œœœœ œœ
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.œ jœgeth er.
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p
p
˙
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(q = q.)
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Jœb œœ œœ œ œ
- - -
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43
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mezzo
48
∑
48
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(q. = q)
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∑
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p
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Œ Œœœ
˙ Œ
˙ Œ
˙˙b Œ
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42
42
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43
43
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42
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42
mezzo
54
œb œ œ .œ œShe could n't wait for
54
‰ jœ- ‰ jœ-
‰ Jœœbb-
‰ Jœœb -
p.œb œ œ œ
me to come to
‰ jœ- ‰ jœ-
‰ Jœœbb-
‰ Jœœb -
œb jœ ‰her,
‰ . rœ œ œ
‰ .Rœb œ œ
œ œ œ œb jœ ‰3
Ten years a way.
‰ Jœ- ‰ œœb Jœ
‰ Jœb -‰ Jœ œ œ
‰ œ œb œI could n't
‰jœœœb -
‰ jœœœ-œb œb
P
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4 II. Mother
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43
43
43
mezzo
59
.œb œb œ œwish for her to
59
‰ œœ# œ# ‰jœœœNn -
œ œ#
.œb Jœ
wait, all
‰jœœœN# -
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œ# œN œ
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‰ œœ## œn ‰ jœœ# -
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œ œb œ ‰ Jœ
as she was. So
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œ# œ# œ
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5
F
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mezzo
63 .˙
now
63
∑
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œ œ œœ# œ œ
6
F
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œ œ œ ˙3
∑
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∑
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.œ œb ˙emp ti ness:
Œ Œ œœ
∑
p
p
.˙
..˙̇
.˙#Œ œ œœ
- -
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mezzo
68
œ ‰ jœ# œ .œNo sil ly
68
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‰ Jœ# ˙
.œ# œ# ˙wel come rhyme,
œ# Œ œ œ
œœ Œ œb œ
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Œ
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tears,
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‰ jœ ..œœ# œ œœ# œ
Œ ‰ Jœœ œ
no ea ger
œœ œ ˙̇n
œœ œ ˙̇
F
- - - -
5II. Mother
&
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mezzo
73
.œ œ œ Jœ ‰
ques tion ing.
73
Œ Œœœœœ
Œ Œœœ
œ œ œ.œ œ3
No way to get an
Œ œœœœœ
Œ ˙̇
œJœ œ œ œ
3an swer to my
Œ ‰ jœœœœ
ŒJœœ
...œœœ &
œ Jœ ˙3
ques tions.
Œ ‰ Jœ..œœ œ
Œ ‰ jœ .œ œ
Jœ ‰ Œ Œ
œœ œ ‰ jœœœ-‰ jœ
œ œ Œ Œ ?
- - - -
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mezzo
78
Œ Œ œSi
78
˙̇˙
Œ
‰ Jœ œ œ‰ jœ
pœ œ .œ œ
lence fills the
Œ Œœ
œ˙
p
.œ jœ œ œrooms that once were
Œ jœ .œ˙
Œ Œ œ œœ
œ œ œ œvi brant with her
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œœ œ œœ .œ œ
œ Jœ ‰ ‰ Jœsong, And
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Jœœ ...
œœœ ..œœ
œ
F
- -
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mezzo
83
Jœœ
Jœ œ œ œ3
all the
83
œœ œœœ
œœœ
Œ œœ œœ..
˙˙
SP
F
.œ œ œ œ œ3
things I want ed to
Jœœœ ‰
œœœœœœ
jœœ ‰ œœ œœ..
˙˙
œ .œjœ
talk out with
..
.˙̇˙
..˙˙
.œ Jœ.œ œ
her are locked for
Œ œœœœœœ
Œ œœ œœ
- -
6 II. Mother
&
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42
42
42
mezzo
87
Jœ œ ˙3
ev er
87
Œœœ œ
Œ œœœœœœ
œ œ œin my
œœ œœ œ
œœœ œœ œ
.˙heart.
Œœ
œ
Œœ
œ
p
P dim.
˙Œ
.œ jœ œ
.œ jœ œ
∑
.˙Œ ‰ Jœ- Œ
.˙
∑
˙Œ
˙#
˙œ
-
&
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42
42
42
43
43
43
mezzo
93
∑
93
jœœ-‰ jœ-
‰
jœ-
‰ jœ- ‰p
∑
˙̇
Œœ
∑
œ œ‰ jœ
jœ-
‰ jœ- ‰
Œ ŒœI
˙˙bŒ
Œ œNœ
p
œ œ œ œwan der through the
.˙
œœ œ
.œ jœ œ œrooms where she is
œ œ œ
œ œ œ
-
&
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mezzo
99
.˙not.
99
œ œ œ œ œ
œ .œ Jœ
jœ ‰ Œ ‰ jœA
.œb jœ œ
œ œ œ
P˙ œ
lone I
œ œ œ
˙̇b œœP
œ œ œ œ œsit on the has sock
œ œ œœ œ œœb
œ œ œ œby her chair,
œ œ œ
œœ œœb œœœ
cresc. poco a poco
- -
7II. Mother
&
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mezzo
104
œ Œ œAnd
104
œ œœ œœ
œ œ œœ˙
˙ œ œthere, at
œœ œœ œœ
œœ œœ œœœ
F œ Jœ ‰ œ
last, ah
œœœœœœ
œœœ œ
.œJœ
œœ œ
.œJœ œ œ
.œ jœ œ œœœb œ œœ œœ
œœœbb œœœ
œœœ
f
F
dim.
dim.
.œ Jœ œ œI seem to
˙̇ œœ
œœœœ
œ
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&
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45
45
45
44
44
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43
43
43
mezzo
109
œ .œ jœ#hear her
109
˙̇ œœ
œœ
œ
.˙voice:
..˙̇Œ Œ œ
œ# ˙̇p
œ Œ œ œ"You're a
œœŒ Œ
œ
œœ Œ Œ
Pœ œ# ˙ jœ ‰
big girl now.
∑
∑
.œ jœ# œ œYou can work things
∑
∑
&
&
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43
43
43
42
42
42
mezzo
114
.˙#out."
114
Œ Œ Jœœœ# -
‰
∑ &
P
œ Œ
œœœ# œ œ
Œ ‰ œ œ3
dim.
∑
Œ jœœ# - ‰
˙?
rit.
rit.
∑
œ œb œ˙̇#
Œ ‰ œ œ3
∑
Œ œœœ#
˙̇p
∑
˙̇̇
˙̇
8 II. Mother