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BLAKE’S THE GARDEN OF LOVE AND A POISON TREE Logan Brand and Cameron Ruether

Logan Brand and Cameron Ruether. Living in Britain, Blake wrote in one of the most liberal countries in Europe and the entire world. Despite this, England

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Page 1: Logan Brand and Cameron Ruether. Living in Britain, Blake wrote in one of the most liberal countries in Europe and the entire world. Despite this, England

BLAKE’STHE GARDEN OF

LOVE ANDA POISON TREE

Logan Brand and Cameron Ruether

Page 2: Logan Brand and Cameron Ruether. Living in Britain, Blake wrote in one of the most liberal countries in Europe and the entire world. Despite this, England

POLITICAL CONTEXT Living in Britain, Blake wrote in one of the most

liberal countries in Europe and the entire world. Despite this, England was still a very aristocratic society with a burgeoning middle class and an urban working class living in squalor. He lived in a politically charged age during which the French and American revolutions occurred, both of which were rebellions against monarchy. Although an initial supporter of the revolutions, Blake soon became disillusioned with them when he found that they had merely replaced monarchy with unrestrained mercantilism rather than remedying the abuses of class power.

Page 3: Logan Brand and Cameron Ruether. Living in Britain, Blake wrote in one of the most liberal countries in Europe and the entire world. Despite this, England

POLITICAL (CONTINUED) As a Dissenter, Blake was hostile towards the Church

of England and the English monarchy, finding that both institutions used religious dogma and the claim of divine authority as a means of controlling the public. He was also disgusted by industrialism, specifically by how it treated workers as machinery and alienated them from their work. Such liberal ideas were widespread at the time as many intellectuals called for labour reform after witnessing how cruelly the working class was treated. Many of Blake’s Songs of Experience reflect his feelings towards the oppression of the working class. The more naturalistic elements of Blake’s ideals would pervade the arts during the Romantic era (Blake is often seen as a pre-Romantic poet for this reason).

Page 5: Logan Brand and Cameron Ruether. Living in Britain, Blake wrote in one of the most liberal countries in Europe and the entire world. Despite this, England

ANALYSIS:THE GARDEN OF LOVE Allegorical Songs of Experience Symbolism used extensively

ChapelGreenFlowersGravesPriestsBriars

Page 6: Logan Brand and Cameron Ruether. Living in Britain, Blake wrote in one of the most liberal countries in Europe and the entire world. Despite this, England

ANALYSIS:THE GARDEN OF LOVE First Stanza

Attempt at LoveShock at what has changed

Second StanzaRealization of impactReminiscent of past experiences

Third StanzaDreadful understandingLifelong impact

Page 7: Logan Brand and Cameron Ruether. Living in Britain, Blake wrote in one of the most liberal countries in Europe and the entire world. Despite this, England

ANALYSIS:THE GARDEN OF LOVE Anaphora

And Internal Rhyme

Imagery Chapel

Represents the Church and it’s role as a societal authority figure. Also represents it’s oppressive role.

Green Innocence of youth. “play”

Flowers Pleasure, relationships, love.

Graves Death, loss.

Priests Interlopers, Interference.

Briars Painful rules and restrictions.

Page 8: Logan Brand and Cameron Ruether. Living in Britain, Blake wrote in one of the most liberal countries in Europe and the entire world. Despite this, England

ANALYSIS:THE GARDEN OF LOVE Other Interpretations

Blake rebelling against the church. Clergy members are holier than common

worshippersBlake relieving anger toward fatherly

society Priests represented selfish, hypocritical, fatherly,

etc. individuals

Page 9: Logan Brand and Cameron Ruether. Living in Britain, Blake wrote in one of the most liberal countries in Europe and the entire world. Despite this, England

http://idiotboard.blogspot.com/

http://123nonstop.com/pictures/Poison_Tree

http://idolator.com/tag/poison

Page 10: Logan Brand and Cameron Ruether. Living in Britain, Blake wrote in one of the most liberal countries in Europe and the entire world. Despite this, England

ANALYSIS:A POISON TREE First Stanza: here Blake compares anger with friends

versus anger with foes. -Anaphora (I was…/I told…/I was…/I told…)

Second Stanza: Blake frets and worries causing the anger to grow stronger

-Metaphor The anger is treated as though it is a cultivated plant.

Page 11: Logan Brand and Cameron Ruether. Living in Britain, Blake wrote in one of the most liberal countries in Europe and the entire world. Despite this, England

ANALYSISA POISON TREE (CONT.)

Third Stanza: Blake’s anger continues to grow “Till it bore an apple bright.”

-Symbolism/Allusion The Fruit of Knowledge (Biblical myth). Fourth Stanza: The foe creeps into the garden and presumable

dies. -Symbolism The foe (assumedly) dies when he/she steals the apple

(symbolizing knowledge of Blake’s anger).

Page 12: Logan Brand and Cameron Ruether. Living in Britain, Blake wrote in one of the most liberal countries in Europe and the entire world. Despite this, England

TECHNIQUE “A Poison Tree” appeared in Blake’s

Songs of Experience (1794). This establishes that the poem will have a bitter message and tone.

Blake’s techniques tend to be quite simple. (AABB CCDD EEFF GGHH) diction is almost entirely made up of mono-

and disyllabic words, which is not unexpected for this poet.

Page 13: Logan Brand and Cameron Ruether. Living in Britain, Blake wrote in one of the most liberal countries in Europe and the entire world. Despite this, England

SOURCES Bloom, Harold. William Blake. USA: Chelsea House

Publishers, 1985. http://www.suite101.com/content/william-blakes-a-poison-

tree-a63118 http://www.eliteskills.com/analysis_poetry/

A_Poison_Tree_by_William_Blake_analysis.php http://www.suite101.com/content/willilam-blakes-a-poison-

tree-a34108 http://www.novelguide.com/a/discover/pfs_0000_0024_0/

pfs_0000_0024_0_00023.html