SOME FACTS ABOUT APARTHEID

EDUCATION Education Is Iree and compulsory for white children. For black children, It Is not compulsory and there Is a special education tax. All public education Is racially se&re· &ated with racially differentiated curricula. Per Capita Expenditure (1983): Whltes­$692-Afrlcans-$96.

HEALTH Health services are extensive and advanced for whites. (The first heart transplant was performed In South Africa.) The Infant mortality rate for whites Is 13 per 1,000 live births; for rural Africans It Is 240 per 1,000. Bet_en 30 and 50 percent of African children die before the a&e of five.

EMPLOYMENT Avera&e monthly Industrial waKes: Whltes-$701; Africans $186.

ECONOMY South Africa Is the _rid's leadln& pro· ducer of &old and &em diamonds. It Is a major producer of strate&lc minerals and ores like uranium.

In August, 1985, President Ronald Reagan compared the South African system of apart­heid with earlier "racial segregation" policies in the United States. He suggested that apartheid, like legislated segregation in our country, had been "eliminated:'

A short whi le later, the President publicly apologized for his misleading and inaccurate

remarks. When even the President of the United States finds it difficult to comprehend the reality of South Africa, how can the rest of us hope to understand it? Why is there a State of Em ergency inside South Africa, anda "sense of emergency" about South Africa all over the world?

The story of apartheid in South Africa is the story of a white minority that runs a govern­ment opposed to the legitimate needs of a majority of black people. Blacks, who out­number the whites almost five to one are ask­ing for justice and the end of tha t country's racially organized political and economic sys­tet1\. They are demanding the abolition of apartheid, not its reform.

The strategy of apartheid is to divide and conquer-to keep Africans divided along tribal lines and then to separate them from other, more privileged racial groups. 23 mil1ion Africans make up 74% of the population; 2.6 million people of mixed descent, called "coloureds," make up 8.5%, nearly a million people of Asian descent, primarily Indians, make up 2.5%, and the4.7 million whites make up 14.5%. Not all South African whitessupport apartheid .

317 LAWS . Africans are forbidden to vote, buy or sell

land in mostareas,orchoose where to live and

~::r\~~~1i~~~.<!fh~~~e:r~~1~'I;~~~~ ~~f:;~~ the subjugation of Africans. These laws permit the jailing of the government's opponents and allowthepolicetooperatewith impunity. But when you look at only the racial aspects of South African apartheid-asshocking as they are-you only get part of the story.

The reason? Apartheid is not only a system of racial domination-it's a lso 'a system of ecc> nomic exploitation. Apartheid is no more-or less-than a system of modern slavery. Blacks are used as cheap labor to dig out the gold, diamonds, and strategic minerals that have

made white South Africans rich. This low-cost, dependable, and controlled labor system has also made South Africa a very attractive investment to foreign corporations and banks. United States corporations, banks and indio viduals alone have more than fifteen billion dollars invested in South African apartheid

HOW THE SYSTEM WORKS: All Africans have been forced to register

with the government and to carry photo pass­books filled with an individual's work history and tax status. The government decides where they can live and work. 87 percent of the land is for whites only. The remaining 13 percent­the most barren and least usable land in the country, is allocated for African people. Many live in townships-huge, impoverished ghet­toes surrounded by military patrols like Soweto outsi de Johannesburg-and are allowed to commute to work in the cities but not to live t here.

If you are black in South Africa, and you are caught somewhere you are not authorized to be, or if your pass is not in order, you are ja iled. Such actions by the police are commonplace. In fact, every two-and·a-halfminutes, a black South African is arrested for a crime that, by definition, a white South African can never commit . Even if the pass system is modified, apartheid controls are unlikely to lapse.

In response to world-wide pressure, the South African government recently indicated an intent to relax certain restrictions imposed by apartheid. Black leaders have denounced these "reforms:' saying "they polish our chains but won't remove them:' For example, talk of giving people "citizenship" without givi ng them power over their lives is meaningless.

Millions of South African blacks have been forced to live in ten isolated "homelands" or bantustans. The South African government wants to regard these "homelands" as inde­pendent countries, and has already declared four of them to be so. But no other nation on earth recognizes their legitimacy.

Many of the Africans now living in these homelands have been moved there forcibly from the land they have lived on for genera· tions. Eighty percent of the families in the bantustans live at or under starvation levels. One of every four children dies at birth.

Each year, millions of male Africans leave the bantustans to work on contract as low-paid migrant workers in the mines and industry. The women and children, who are not a llowed to go along, barely survive. The old, ill and infirm donot survive at al l. Families are sepa­rated year after year by this system; they are together at most for short visits at the end of each contract.

SUN CITY One such artifici ll l country created by

the South African f~overnment is ca lled Bophuthatswana. Its showplace is Sun City, an internationally fl~ mous, Las Vegas· like casino resortcomplex.~un City caters to white South Africans and a rew wealthy blacks who travel from urban centers to indulge in gam· bling and other form:; of recreation such as concerts.

Audiences are not officially segregated in Sun City, butfew blacks can afford the high cost of the tickets. 1b maintain the appearance of integration, hotel owners have admitted giving blacks free tickets. Foreign performers and athletes reap rich rewards for appearances at the luxury complex. Many of these stars argue that they are not playing in the land of apartheid but to mixedaudiences in a separate nation.

The UnitedNationshascalledfora cultural and sports boycott of . 1I South Africa includ· ing Sun City; that boycott is monitored by the Special Committee Against Apartheid. Those who detestapartheid a:1d have chosen to honor the U.N. call know that Sun City was built to get around the boycott, as a way to win back international favor and break South Africa's isolation. The $90 million pleasure resort

is an oasis for the rich and privileged in t he middle of the vast rural slum of surrounding Bophuthatswana.

Sun City is a syrnbol of apartheid. It tries to camouflage the reality of South Africa and does more damage than good to the people of South Africa. Sun City is controlled by politi· cal and economic interests that are part and parcel of apartheid.

Not all performers have succumbed to the large sums they are offered to perform at Sun City. A growing list of stars have refused lucrative contracts, including Stevie Wonder, Thny Bennett, Ben Vereen, Gladys Knightand the Pips, Roberta Flack, the Kool (Newport) Jazz Festival, and the Harlem Globetrotters. Thnnis player John McEnroe has twice refused million-dollar offers toplay there. As protests mount against those who do go to Sun City, the ranks of those who choose conscience over dollars will also grow.

9·25·85

WHAT YOU CAN DO: • You can Inform yourself about South

Africa. • You can uree your elected representative

to take a strone stand a&alnst apartheid. • You can donate money to help meet the

needs of those .tru&&lIn& In South Africa, those forced Into exile, and those orean· Izln& a&alnst apartheid.

• You can send a tax·deductlble contrl· butlon to THE AFRICA FUND, 198 Broadway, N_ York, N.Y. 10038.

• With your donation, ask for a list of publications and a roster of the many oreanlzatlons fl&htln& a&alnst apartheid that need your help.

• One more thln&: " you're asked, don't play Sun City.

VIDEO PRODUCTION CREDITS Executive Prod~cer: STEPHEN REED - Producer: HART PERRY· A .. oclot. Producer: lOCK McLEAN · Line Producer: HILES SIEGEL· Loc.tIon Directors: 10NATHAN DEMME-New York· GODLEY AND CREME-London' HART PERRY-Loo Ans.l.o . TOM MASERVEY-Lo. An.ele •. Director. of

~~~:l!::nc;.g,~~~rG~~LDK~~~EC~~ 01 Pr .. o • Publicity: SAN BECKER · Asolotont 10 Executive Producer: DEBRA CARMODY· NEW YORK CREW Production M.n •• er .nd flr.t Asolotont DI.....tor: DENNIS BENAlAR· Director 01

~~~~mC~S~~~:'~Ec;:"C=:.~r:.~::.~ PAUL MANDEL · GARY MEEKINS, SALLY ROY, YIdoot: .. ph.rs: II1ICHAR BURNHAUPT· ..... _ R.cap: PAU L GOLDBERG· Ga".r: BOB LECTERMAN ·G~p/EI_ .. : 8.1.. DAVID WHITE · VIdeo Production: PAUL ALLAN· VIdeo Technician: GREG NORTS!!· Vld.o Mobil. unit: NEP SUPERSTARS· .Audlo Playb.ck: ALGIS KAUPIS . Mak. up: TOBI BENATAR . MATIKI . Asolotont to Jon.th.n Denlme: ED SAXON· Production Asolotoots: PAUL CHAPPELL· KIM COOPER· ED DRISCAL· ELIZABETH FIEFF· LAURIE HALDERMAN · FAITH 10NES . BERTA SEGAL·

~~.i:~'A~~YN~~N.·~=1~~f:'::!~~ STUDIO INSTr.UMENT RENTALS , ....... 1 Vano: IZV'S MIJTOR HOMES, S.curlty: GENE FlOCCA. STARWATCH· Sound Syst.m: AMERICAN SOUND SYSTEMS· G ••• rator: MOVIE MOBILE· Sp.clal tha_Io:Th.N .. YarilCltyOlllcooIFllm, Th.atre .nd B,..,.cte..tlnl.· Membersofthe New 'YortI. Police De.,.rtment Movie Unit .. Members of M.nh.ttan South T •• k Force .nd the 6th Precinct

~~=r_G.:!~a~-:~~I:"c'::=:fI~c~~ol~;::: Labo ... torle •. i,.m.ters Local •• 02-The.trlc.1 Drivers ·St.I'IItet·'o lArtMronChurdl·LOSANGRES CREW Asolotont Director: BOBBY KLEIN· Location

~r:~r::. ~~~l.~~l~·i~oE~llL~~t~~r:tah:! ~A~ MARLENE BAUMAN · Playback Op.rator: Nf!'D HALL· B.ot Boy: TOM TER · Production Asolotont: MARCY GENS:C . Vld.o ~u~m.nt: STACY

:ll:'~1ftir.::rC~Ai:~WE~LU:~S~K't~ · PAM BARTTLE· LONDON CREW Produc." LEXI GODFREY· Ca ... ra: IIICHARD TAYLOR · Cam ... Asolotont: LEE WELLER· Studio Manee.r . MIKE O'DONNELL' Production Aoolotant: SHRIMP BROWNE· fAItI~Fadl': IPC-NEWYORK ·Tha"

W(~~~ D~~~l:~ARt.~~~ 1~::g=A::~N SUZANNE MITCHELL· HOWIE STEIN . PAny IDO SMITH· ED VIGI)OR ' STEVE SWARTZ

All royalties will be donated to

The Africa Fund.

The Africa Fund Is a charitable

trust established by the ~merlcan

CommlHee on Africa In 1966 to

aid Africans stru&&lIne for freedom and Independence.

The fund Is a re&lstered

non&overnment ol'Kanlzatlon with the

United Nations.

The Income will benefit political

prisoners and their families In South

Africa, the educational and cultural

needs of South African exiles, and

educational work of antl·apartheld

croups In the U.S.

Additional tax·deductlble

contributions to further these projects

may be sent to:

The Africa Fund

198 Broadway

N_ York, NY 10038

(2121962·1210

© 1985 Karl·Lorlmar Home Video Inc. Printed In U.S.A.

AUDIO PRODUCfION CREDITS

Sun City Project:

LITTLE STEVEN, DANNY SCHECHTER,

ARTHUR BAKER, RICK DUTKA, OWEN EPSTEIN

SIDEA

SUN CITY NO MORE APARTHEID REVOLUTIONARY SITUATION

SIDEB

SUN CITY (VERSION II) LET ME SEE YOUR I.D. THE STRUGGLE CDNTINUES SILVER & GOLD

SUN CITY Words and Music by Little Steven

We're rocker. and rapper. united and Itrone (RUNDMC)

We're here to talk about South Africa we don't like what'. loln& on (MELLE MEL & DUKE BOOTEE)

It's time for some Justice It's tll .. e forthe truth (AFRIKA BAMBAATAA & KIIRTIS BLOW)

We've realized there'lonly onethlna: we can do (BIG YOUTH & ALL RAPPERS)

I ain't 1I0nna play Sun City I RelocaHon to phoney homeland.

(DAVID RUFFIN) Separation of famlll'l. can't understand

(PAT BENATAR) 23 million can't vote becaule they're black

(EDDIE KENDRICK) We're ltabbln& our brothers and II.ters In

the back (BRUCE SPRINGSTEEN) I ain't 1I0nna play Sun City Our lov,rnment tell. UI we're doln&' all we

can (GEORGE CLINTON) Con.trucUve Encacement Is Ronald Reacan'.

plan (JOEY RAMON E) Meanwhile people are dylnll and IIlvlnll

up hope (JIMMY CLIFF & DIIRYL HALL) This quiet diplomacy ain't not~lnll but a Joke

(DARLENE LOVE) I ain't 1I0nna play Sun City It's time to accept our responsibility

(BONNIE RAITT) Freedom Is a prlvllelle nobody rides for free

(RUBEN BLADES & JOHN OATES) Look around the _rid baby It can't be denied

(LOU REED) Why are we alway. on the wron& Iide

(BOBBY WOMACK) I ain't 1I0nna play Sun City Boputhuswana Is far away (RUN DMC) But we know It'. In South Africa no matter

what they say (KURTIS BUIW, RUN DMC, AFRIKA BAMBllATAA)

You can't buy mel don't care what you pay (DUKE BOOTEE, MELLE MEL, AFRIKA BAMBAATAA)

Don't a.k me Sun City becaufle I ain't 1I0nna play (LINTON KWESI JOHNSON & ALL RAPPERS)

I ain't 1I0nna play Sun City Relocation to phoney homeland.

(JACKSON BROWNE & BOil DYLAN) Separation of families I can't understand

(PETER GARRETT) 23 million can't vote because they're black

(NONA HENDRYX & KASHIIF) We're stabblnl' our brothers and .I.ters In

the back (BONO)

I was watchlnll T.V. the other nlllht and who .hould appear but Walter Cor,\crete with the blue ....

GIL SCOTT·HERON

Everybody u.e. black and white

To try to draw the line between wronI' and rllht ...

MELLE MEL

Let'. lIet down to the real nitty lIr1tty ... PETER WOLF

It's the death, .ome call It &enoelde •••

DUKE BOOTEE

Well we're sick and tired of what we heard ••. FAT BOYS

We're waltlnll for the day Apartheid will fade away ...

SONNY OKOSUNS

There will be a time When apartheid's a crime •••

It'a all In the con.clence It's all In the mind ...

KURTIS BLOW

BIG YOUTH

Politicians think they're slick by shaklnll your hand ...

Amandla Nllawetu ... (Power to the people ... )

SILVER AND GOLD Words and Music by Bono

SCORPIO

MALOPOETS

In a shit house, a shot I'un Praylnll hands hold me down If only the hunter was hunted In this tin can town

No stars In the black nlllht Look like the sky fall down No sun In the dayllllht Looks like It's chained to the llround

Broken back to the celllnil Broken nose to the floor I scream at the silence That crawls under the door Warden .ays, Uexlt la aold If you want a way out •. !' Sliver and Gold Sliver and Gold

There's a rope around my neck There's a trll'lIer In your I'un Je.us say aomethlnll 141 am .omeone" Seen the comlnll and the colnC The captains and the klnlls The navy blue uniform. Them brlllht and shiny thlnlls

Captains and klnllsln t he slave ship hold Coins to collect ... Sliver and Gold Sliver and Gold

The temperature Is rlllnil The fever white hot Mister I ain't 1I0t nothlnll But I've more than you &ot

Chain. no lonl'er bind me Not the shackles at m~ feet Outside are the prisoners Inside the free-set t~em free

Prize IIlIhter In a cornor Is told Hit where It hurts I Sliver and Gold Sliver and Gold

You can .top the worl~ from turnlnl' 'round You Just 1I0t a pay, a p~nny In the pound

NO MORE APARTHElq features Peter Gabriel, Shankar, Keith LeBlanc and Little Steven.

REVOWTIONARY SI~UATION complied and

:'!~:ct"!r~elth LeBlar c and The News

SUN CITY (VERSION II) features Pete Townshend, Rlnco Stirr, Zak Starkey, and Little Steven. I LET ME SEE YOUR I.I!. features Gil Scott· Heron, Mllea Davis, Melle Mel, Peter Wolf, Duke Bootee, The Fat ,.oys, Sonny Okoauns, Kurtis Blow, Bill Youth, Scorpio and the Malopoeb.

THE STRUGGLE CONTINUES features Miles Davl., Herbie Hancock, Ron Carter, Tony Wllliama, Stanley Jordan, Sonny Okoauna, Richard Scher.

SILVER & GOLD feat.re. Bono, Keith Richards and Ron Wood.

Producedby' LITTLE STEVEN and ARTltUR BAKER

Writtenby'

LITTLE STEVEN

SUN CITY mixed by Frank f'lIIpettl. NO MORE APARTHEID ml,ed by TOM LORD-ALGE. REVOLUTIONARY SITUATION mixed by JAY BURNETT. SUN CITY (VERSION II) mixed by FRANK FILIPETTI "lAY BURNETT. LET ME SEE YOUR I.D. mixed by CHRIS LORD-ALGE. THE STRUGGLE CONTINUES mixed by PETER DARMI. SILVER a GOLD mixed by TOM LORD-ALGE.

Special thank. to John Davenport (pre-mix). Special thank. to Bob Clearmountaln.

DRUMS, Rlnlo Starr' Zak Starkey· Keith Le Blanc . Tony William. GUITARS, Pete Town.hend . Stanley Jordan' Little Steven' Bono · K.lth Richard •. Ron Wood· Skip McDonald BASS GUITAR: DouC Wlmbl.h ACOUSTIC BASS: Ron Carter KEYBOARDS, Herbl. Hancock' Richard Scher' Robbie KUcore ADDITIONAL KEYBOARDS: Zoe Yanakl. TRUMP£n Mlle. Davia SAXOPHONE: CI.rence Clemona DOUBLE VIOLIN: Shankar CLARINE'f. Robert hlmer CONGA: Ray Barr.tto TALKING DRUM: Sonny Okoauna ROTO TOM aBOX: Steve Jordan

Jam Ma.t.r Jay' D.J. Ch •••• Drum Procr.mmlnc: Llttl. Steven' B.nJamln Newberry · K.lth L. Blanc B.cklround yocal. by BLl: B.J. N.I.on· Lotti. Gold.n . Tin. B Additional backcround voc.i.: D.ryl Hannah· Kevin McCormick Th. Dunn •• Stor •• Strlk.rs· Annl. Brody Dutka • Klr.ty M.cCall· Sharon C.I.nl And th.I.D. 3: GIL SCOTT·HERON · ROBERT GORDON · STEVE WALKER

LoCI.tlcs .xtr.ordlnalr. and production a •• I.tanc.: ZOEYANAKIS

Additional production a •• I.tance: KEITH LE BLANC/REVOLUTIONARY SITUATION · CHRIS LORD-ALGE· TOM LORD-ALGE · ROBBIE KILGORE/NO MORE APARTHEID

Equlpm.nt and cultar m.lnt.nanc.: BENJAMIN NEWBERRY

Edlt.dby: ALDOMARIN ALBERT CABRERA

Sp.cl.1 thank. to JACKSON BROWNE

M •• t.red.t MASTERDISK by BOB WDWIG

Record.d .t: SHAKEDOWN SOUND, NYC· THE HIT FACTORY, NYC · ELECTRIC LADY, NYC· Mal RECORDING, NYC · UNIQUE, NYC· RIGHT TRACK, NYC· SOUNDWORKS, NYC· POWER STATION, NYC · FALLOUT SHELTER, LONDON· THE OUTPOST, LOS ANGELES· WINDMILL LANE, DUBLIN· CHEROKEE, LOS ANGELES · SYNCRO SOUND, BOSTON' EEL PIE STUDIOS,

MIDDLESEX· ST" RTLING STUDIOS. ASCOT

Enlln.era: CHRIS LORD-ALCl · TOM LORD-ALCE ·,OHN DAVENPORT· PE'lER DARMI . ROB !'AUSTIN ·,EFF HENDRICKSON· ANDY WALLACE· MALCOLM POLLACK· JAMES GEDDES· STEVE KAHN· GEORGE TUTKO · BOBBY COHEN· PAT McCARTHY, MICHAEL SMITH· MIKE O'DONNELL· BILL PRICE· GARY WRIGHT· STEVE.PECK · ROEY SHAMIR

As.I.tant Enlln.~,.: KEN STEIGER· B~DGET DALY· JAMIE CHALEFF · LENNY BERNST~IN . MARK RUSSACK . DAVID SUSSMAN· STEVE BOYER· SCOTT CHURCH · BILL MIRANDA · ROB RUSHING· CHRIS LUNWINSKI · MIKE NICOLETTI· KEN COLLINS· STEYE ANTEBI · KEVIN MALONEY· MICHAEL WEBER· TONY YIAMONTES' STEPHEN SCHARROTT· BARBARA MILNE· ALAN FRfEDMAN

Sp.clal th.nks to,th. followlnl.tudlo own.,. without who •• h.lp thl. "lcord would not haye b •• n po •• lbl ••

EDDIE" TROY GERMANO HAL a ALAN SELBY BOBBY NATHAN" JOANNE GEORGIO BOB WALTERS a JONY BONGIOVI SIMON ANDREWS MITCH a IRA YUSPEH CHARLES BENArtTY

Sp.cla' th.nk. to!Lub.n a Lub.lI.

Special Than~. to STEPHEN RIVERS.

All photo. by DAV,D SEELIG/STARFILE

.xc.pt Nona H.ndryx, Stly Bator, Mlcha.1 Monroe by JOBY CORNEY. I Llttl. St ..... n a Arthur Bak.r In bl.ck and whJte by LOREN HAYNES. ht B.natar by LOREN HAYNES, court •• y of Spin Maluln •• Ray Barett~ Kurtla Blow, Lou Re.d, Bobby Womack with Men. M.I by CHASE ROE. Pet.r Wolf a TlnalB by STEPHEN GOLDSTEIN/ GOOD GRAPHICS STUDIO/BOSTON. Pet. Townsh.nd lind Bob G.ldof by JONATHAN ASHBY. Rlnlo Starr and lak Starkey by BARBARA BACH. Bono by DRISTE" STETLER. Sun City by CHRIS STEELE/MAGNUM. Shankar by CATHE IsHINO. Jackaon Brown. and Pet.r Garr.tt by SHELLEY ROSS. John Oat •• by NEIL WINODER. Ron C.rt.r, H.rb .. H.ncock and Tony William. by LISA PODGUR. Ron Wood and K.lth Richard. by ALAN ROGAN. F.t Boya by MARK WEXLER. Bob Dylan by DEBORAH FEINGOLD.

Cov.r art deal,n by TONY WRIGHT.

Art dlr.ctlon by ROSEMARY INTRIERI/KOPPEL ASCHER.

Thank you St ..... Wlld/Grac. Wild Studio ••

Th. Sun City ProJ.ct Iratefully acknowl.dl.S the

.upport of the Special Commltt •• A,.ln.t Aparth.ld of the UnJt.d Nation • •

In .ddltlon to the mu.lclans, .tudlo., .nlln •• ra and photolraph.,. we would al.o Ilk. to thank the followlnl peopl. who don.t.d their tim •• nd •• rvlc •• to h.lp In the completion of thl. r.cord.

Bill Adl.r, S •• n Murphy, hblo Guzman, N.laon a.ore .. M .... mb. FaIlIM ••• kool), hm John.ton, Vinnie Lonlobard~ Oble B.nz, Howl. W.lnberc, Jonathan D.mm .. Hart Perry, Eric Nurl, Jaml. D •• n., Rob hrtrldc., Joe McEwen, Chrl. Blackwell, M.rcl Curry, Ar.c.lly Santan., John Hey, Jonathan A.hby, M.x W.lnbere, Ed Eck.tlne, Tom SlIv.rman, Barry Reba. John Hili, J.ff ChJtoura., Robert Appelbaum, lNvor Wyatt, A.hley Newton, L •• B.lllnc.r, Dave M.rsh, Mary Cullum, Maure.n Van ZaneH, Cath. I.hln~ N.1I G.r.ld~ Th. Ca,., G.n. Amoros~ Monica Lynch, Steve MICIl~ Barbara Bach, J.rry Damm.,., 80b Slnc.rman, h.c.llmbert, Bruc. Lundv.II, G.rry Griffith, Yarn.1I John.on, Bruc. Garfl.ld, N.ncy W.ber, Mlch •• 1 Cu.cuna, G.off Bywater, Steph.n Re.d, SarIB.ck.r, Stan snyd.r, Bruc. Th.rlot, Jock McLean, Nicola Jo •• , R.cln. Moylettl, Andr.a Ambando., Yal.rl. Goodm.n, Steve D •••• II, Jay Col. man, L •• H.lman, Jo M.nu.I, Fr.nc •• Pennlncton, Vicky Gonion, Kat. Abl., John Kall.h, Rory O'Conn.r, Muffin, Jo.h Felc.nb.um, Dave Schulz, Jackl. Lau, Jo. D.r ••

I would Ilk. to e.pecl.lly thank Peter Gabrl.1 for the profound In.plr.tlon of hi. aoncBIKO which I. wh.re my Journey to Africa becan .nd to Pet.r Ritchie for belnca broth.r wh.n I n •• ded on. to I.t me th.re. Sp.clal th.nk. to Simon Buthul.zl.

-LITTLE STEVEN

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