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LllOovVee aodán mccardle Smithereens Press

LllOovVee - Aodan McCardle

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Page 1: LllOovVee - Aodan McCardle

LllOovVee

aodán mccardle

Smithereens Press

Page 2: LllOovVee - Aodan McCardle
Page 3: LllOovVee - Aodan McCardle

LllOoVvee

Aodán McCardle

Smithereens Press 4

Page 4: LllOovVee - Aodan McCardle

LllOovVee

is first published by Smithereens Press

http://smithereenspress.blog.com

on 16th April 2013.

Copyright © Aodán McCardle.

All rights reserved.

Cover Image: McCardle/McCloskey family photograph.

Author photograph by Aodán McCardle.

Text set in Cambria.

[email protected]

Page 5: LllOovVee - Aodan McCardle

LllOovVee

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Page 7: LllOovVee - Aodan McCardle

The accident of birth

if we are really here at all and whats the worth of

thinking any different

and the seeming sleep state

that increases significance

the intimacy of importance

the awakeness of insignificance

the fear of not

the impossibility of protecting the significance of accident

the sheer violence

the how did they

how do they

assault intimate impotence

wave onto repeat

voyeur naive defeat

shame beauty waste

distort be done

feed grow fowl

use wrap clench

them mine theirs

wonder touch shrink

lessless worry suffer

ignore ache pain

hope hopeless

do shun

fleet wish less

nothing

eternal

the egotism of disgust

the egotism of the consideration of egotism

the disgust of egotism

the nothing of writing

the something of writing

the alternative of writing

the decision

the possibility

the space

the place

writing as other than

to make a line

Page 8: LllOovVee - Aodan McCardle

in time

inspace

inplace

rather than

to look at

to take time to

to be there helpless

in thrall

in of inability

in still

because what

what

how

how

to be there

here

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This

privilege

this sadness

fleet

Page 23: LllOovVee - Aodan McCardle
Page 24: LllOovVee - Aodan McCardle

is it to be there

is it to be there

is it to be there

is it to be there

is it to be there

is it to be there

is it to be there

is it to be there

is it to be there

is it to be there

Page 25: LllOovVee - Aodan McCardle

it to be there

it to be there

it to be there

it to be there

it to be there

it to be there

it to be there

it to be there

it to be there

it to be there

Page 26: LllOovVee - Aodan McCardle

to be there

to be there

to be there

to be there

to be there

to be there

to be there

to be there

to be there

to be there

Page 27: LllOovVee - Aodan McCardle

be there

be there

be there

be there

be there

be there

be there

be there

be there

be there

Page 28: LllOovVee - Aodan McCardle

there

there

there

there

there

there

there

there

there

there

Page 29: LllOovVee - Aodan McCardle

in the eye

in the eye

in the eye

in the eye

in the eye

in the eye

in the eye

in the eye

in the eye

in the eye

Page 30: LllOovVee - Aodan McCardle
Page 31: LllOovVee - Aodan McCardle

then

then

then

then

then

then

then

then

then

then

Page 32: LllOovVee - Aodan McCardle

now

now

then

now

now

now

then

now

then

then

then

Page 33: LllOovVee - Aodan McCardle

then

in the eye now

then

there

in the eye now

then there

to be there then

in the eye

now

it to be there then

in the eye now

what is it to be there

then in the eye now

still

Page 34: LllOovVee - Aodan McCardle

in the eyes now

to be there still

in the eyes now

it to be there still

in the eye now

what is it to still be there

in the eye now

what is it still

in the eye now

to be there still in the eye

now

to be there it

in the eye now still

in the eye now

still

Page 35: LllOovVee - Aodan McCardle
Page 36: LllOovVee - Aodan McCardle

Based in Donegal, Aodán

McCardle currently practices

improvisational Performance

Writing, making particular

use of the physical body of

writing, projected image, and

text sequences, along with

other multimedia

atmospheres. Aodán has two

books of poetry published to date, SHUDDERED and IS ing,

the latter being a responsive transcription of improvised

performances between 2007 and 2011.

LllOovVee is a performance piece/poem transcribed akin to

the poems from IS ing but without the fidelity to listening

which formalized the earlier book. Instead the impulse

towards score for future performance and the consideration

of the act of looking as a form of reading becomes the

resistance that needs to be negotiated.

http://smithereenspress.blog

[email protected]