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106 PHI 3307

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3 "making art the beauty parlor of civilization" \!1n John Dewey, Art as Experience.

(Carbondale : Southern Illinois University Press, 1987), pp. 14-16. Quoted in Richard Shusterman,

"Pragmatism : Dewey" in Berys Gaut (ed.) The Routledge Companion to Aesthetics, p. 102. 4 "The museum conception of art", (Dewey, 1987: 12) in ibid., p. 101.

5 John Dewey, Art as Experience. (New York, 1934), p. 4. Quoted in Monroe C. Beardsley,

Aesthetics : From Classical Greece to the Present., p. 335.

PHI 3307 107

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6Dewey, 1987: 19-20. Quoted in Berys Gaut (ed.), The Routledge Companion to

Aethetics, p. 98. 7Richard Shusterman, "Pragmatism: Dewey" in Berys Gaut (ed.). The Routledge

Companion to Aesthetics, p. 100. 8Dewey 1987: 122. Quoted in ibid.

108 PHI 3307

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of art)

9Dewey 1987 : 9. Quoted in Richard Shusterman, "Pragmatism: Dewey", ibid., p. 103.

10John Dewey, Art as Experience. (New York: 1934), p. 64. Quoted in Monroe C.

Beardsley, Aesthetics: From Classical Greece to the Present, p. 337.

PHI 3307 109

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11John Dewey, Art as Experience. (New York, 1934), pp. 35-37, 39, 42. Quoted in ibid.,

pp. 336-337.

110 PHI 3307

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L "li'UffllTVi q

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12Dewey 1987: 100-1, 110, 325. Quoted in Richard Shusterman, "Pragmatism: Dewey"

in Berys Gaut (ed.) 1 The Routledge Companion to Aesthetics, p. 101. 13

1bid., p. 10. 14

" ... that art ... is the complete culmination of nature."

PHI3307 111

112

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PHI 3307

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.. q q

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ll'l'lli~1J1 '} 111

• ~hifLLE.Jnfl11liLL~nlii1\11::'VIi1\l.jU\11U~~tl:: (art product) rl1J\11Ui1~1J::';l~\l '}

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(art experience)

• \11Ui1Gl1J:: (work of art) ~ll1tltl\li1111::a'1Jn11ruLEJ\IL~tJ1J'l::a'1Jfi1'lmba\IJ'u bUU\11UftGltl::~m1 (real work of art)

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tJ,-::a-un11rn

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PHI 3307 113

LlJL'UL~c;~Lc;~ Lfi1L1i (Benedetto Croce, ~.fl. 1866-1952) Ltht1!n

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~1UL"ll£.JU'YI~1~ty"l1El~ fi1L"lf 3J Philosophy of the Spirit 6J1~3J 4 b~lJ ~El

Aesthetics (1902), Logic (1905), Philosophy of the Practical (1909), History-Its

Theory and Practice (1917), The Essence of Aesthetics (1913), My Philosophy

(1949)

114 PHI 3307

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A ...

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~ ~

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' ii1v.i'u t~1L"lf ~1111i'tZuii 2 LLUU

19 fia~1111i'~l~"i11na"lfni<nG1nnnrn (intuitive ~ ~ u

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15 Spirit vii a~ ~,r 'U.L 'U. ~1l'U.1'tmllfl't'l'ti'lli'"l1ty1 an1J1 tl' ii1 LU'U.~-il~-iliim1:1Jfl~ LLGI:: L 11 ~1i1'U.-il LUll.

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L 'VI~~a 'VI1am1llfa"U.Lil'U.i1na1-il . .. .. -=1 .... ....

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~~~flvihh::~n.Jm'jrumtie~u M~e~mw~i~fiflffh:~~ul.llw~ 1~w~a~lfu 1l.iLfltriJe~dli:w 4 4 Ql ~ !II 9)

'il1fi1'jeJ-iJ!flll1fl'\.J, IW-ilell~, 'H'\..11 47. 18

Benedetto Croce, Aesthetic as Science of Expression and General Linguistic, trans.

Douglas Ainslie, 2d ed. (London: 1922), p. 1. Quoted in Monroe C. Beardsley, Aesthetics: From

Classical Greece to the Present, p. 319. 19

Benedetto Croce, ibid., ch. 1 & ch. 2 Quoted in Milton C. Nahm, Readings in

Philosophy of Art & Aesthetics, p. 536.

PHI 3307 115

(intellect) Lihtfil111lj'~ Ltht~1 n~ LL~~Lihtfl1111j'L~ tnnlJfl1111 i:u¥rulf"ll v~i~ L;l rn:

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(concepts)

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~

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~ ~

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20Benedetto Croce, Guide to Aesthetics, trans. P. Romanell, (New York: Bobbs-Merrill,

1965), p. 25. Quoted in Gordon Graham "Expressivism" in Berys Gaut (ed.) The Routledge

Companion to Aesthetics., p. 120. 21

Douglas R. Anderson, "Benetto Croce" in David E. Cooper {ed.) A Companion to

Aesthetics, p. 96. 22

Gordon Graham, op.cit., pp. 120-121.

116 PHI3307

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PHI 3307 117

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"' 'II 'II

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., 'II "" 'II

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L ~11~i~ a".lfru~~n ru1mu~:n11 .,

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23 Art is symbol, all symbol, that is all significant.

Benedetto Croce, Guide to Aethetics, p. 23. Quoted in Gordon Graham, ibid., p. 122. 24

In short, The images of art proper are symbolic expressions of feeling.

Benedetto Croce, p. 23. ()oont<>rl in ihirl

25 Benedetto Croce, Aesthetic as Science of Expression and General Linguistic, pp. 96-

97. Quoted in Monroe C. Beardsley, Aesthetics: From Classical Greece to the Present, p. 323. 26

Benedetto Croce, Aesthetics as Science of Expression and General Linguistic, p. 9.

Quoted in ibid., p. 320.

118 PHI 3307

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q

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q 'II

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u

270ouglas R. Anderson, "Benetto Croce" in David E. Cooper (ed.) A Companion to

Aesthetics, p. 98.

PHI 3307 119

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'II

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120 PHI 3307

• fim.l:LuunTrrLLUUa"lrnJ!il~nnnm (Art is intuition) ~miJunTrt'Lv;ui.~m.'J ~ ~ ~

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· i.lii.iLuu"li' m .Yhr\11\I'Yl1\ln1 un1'Y'l

· i.a.ii.~Lilu~"~'Yi1 l!i!m~ u1"li' a\lnutl-:i::lu"lru 111 •111 "'~I .d • .,. ' L3J L!i!LuUL':iel\l"llEl\ln11n':i:'Y11'Yl1\lf/li;Hi':i':i3J

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• fi~tl::~an11LL~!ii\IEJEJn (Art is expression)

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Lrhuu .... A

• fl113J\113Jflan11LL~~"aan"lla.,'J~!il

• fiati::LiJUL~EJ.,'J"lJEJ\Ifi11Lv;Ui1Ufl"lrul!il~nru1nt ~\ILiJU~\I~Ln!ii,U111ULU~!iiVI~El "'

(process) ~aci1Ufl113J~!il LU~!il ~

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fiat!:: 3nnni1~~: 1~fl113J~1irunw.Ja\11ufiatl:: "'

PHI 3307 121

I 0 101

~1fi13J1JYIYI 5

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(intuition =expression)

122 PHI3307

PHI 3307 123

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