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LittleRedRiddingHoodLiteracyUnit
CeceliaWhitman
CeceliaWhitmanDecember1,2009LiteracyMethods
LittleRedRidingHoodUnitPlans
Subject:IntegratedLiterature‐BasedUnit Grade:1Rationale:Thisunitprovidesanopportunityforchildrentoexploreretellingsofonestory,fromtheperspectivesofmanydifferentcultures.Theunitintroducesfairytalesasstoriesthatconveyamessageoramoral.StudentscanidentifytheenduringmessageormainideafromdifferentversionsofLittleRedRidingHood,whilecomparingandcontrastdifferentelementsofthestories.
EnduringUnderstanding(s): Fairytalesarefictionalstoriesthatmayfeaturefolkloricorfancifulcharacters. Fairytalesoftenhavetakeawaymessagesormorals,whichserveasthe
purposeorpointofreadingthestory. Storiesreflectthelandscape,traditionsandhistoryofthecultureinwhichit
waswrittenortold.
EssentialQuestions: Whatmakesastoryafairytale? WhatelementsofLittleRedRidingHoodremainthesameindifferent
retellingsofthestory?
MarylandLearningOutcomes: (SeeattachedlistforsampleReadingandsocialstudiesstandardsforgrade1)
UnitResources:
Books OnceUponaGoldenApplebyJeanLittleandMaggieDeVries OnceUponaGoldenAppleStoryboardSetA LittleRedRidingHood:TheClassicGrimm'sFairyTale;
PatriciaDeLisa,Illustrator;ChristopherBamford,Narrator;AndrewFlaxman,Afterword.
Wolves,byGailGibbons. LittleRedRidingHood:ANewfangledPrairieTale(StoriestoGo!)by,Lisa
CampbellErnst(Author,Illustrator) LonPoPo:ARedRidingHoodStoryfromChina,byEdYoung PrettySalma:ALittleRedRidingHoodStoryfromAfrica,byNikiDaly (Support:StrugglingReader):LittleRedRidingHood(Easy‐to‐Read,Puffin)by,
HarrietZiefert,Author;EmilyBolam,Illustrator. (Support:ELL):LittleRedRidingHood/CaperucitaRoja(BilingualFairyTales)
byJacobGrimm,Author;WilhelmGrimm,Author;PauEstrada,Author;JamesSurges,Author.
Resources PrintOutsoffairytalecharacterslistedinOnceUponaGoldenApple KWLChart Pictureofprairiegrasslands MapoftheUnitedStatesofAmerica PlotDiagramandpicturesfromstory
(http://www.readwritethink.org/materials/plot‐diagram/) Storysequencingtemplate CulturalComparisonsChecklist ComparisonChart:LonPoPoandLittleRedRidingHood VennDiagram InformationalvideoaboutGhana InformationalvideoaboutChina InspirationSoftware
LessonOneIndicators/Benchmarks:Studentswillbeableto:
Identifyelementsofafictionaltext Identifyelementsofafairytale Identifystorysequencingelementssuchasbeginning,middleandend Identifyeventsaspastorpresent Discussavarietyofdifferenttypesoffairytales.
Materials: OnceUponaGoldenApplebyJeanLittleandMaggieDeVries OnceUponaGoldenAppleStoryboardSetA PrintOutsoffairytalecharacterslistedinOnceUponaGoldenApple
PriorKnowledge:Studentsareexpectedtobefamiliarwithsomecommonfairytales.LessonComponents:Introduction:Withthewholeclass,lookatbookcoverandtitle.Doapicturewalk.Prereading:Dostudentsrecognizeanyofthecharacters?Wherehaveyouheardofthecharacters?Whatdoyouknowaboutthem?Reading:ReadOnceUponaGoldenApplealoud.AfterReading:Askstudentstoidentifywhichcharacterstheyrecognize.
‐ Whatkindofstoriesareallofthesecharactersfrom?o Realorfictional?o Didthesestoriestakeplacenow,oralongtimeago?o Couldtheeventsinthesestoriesactuallyhappen?
Teach1(FairyTales):Askthestudentstosingapopularjumproperhymeorcountingoutrhymesuchas"Eeenymeenymineymoe."Askthemhowtheyknowit‐didsomeonereadittothemfromabook?Ofcoursenot!Theylearneditfromsomeonewhosangittothem.WheredidTHATpersonlearnit?FromsomeoneELSE.Doesanyoneknowwhotheoriginalauthorof"Eenymeenymineymoe"is?It'sthesamewithmostofthefairytalesweknow.Fairytaleswerepassedalongandsharedbypeoplejusttellingthemtoeachotherformany,manyyearsandsometimescenturies.Finally,somepeoplebegantowritethemdownandmakethemintobooks.• Tellstudentsthatfolktalesandfairytalesareold,oldstories,passeddownbywordofmouthforhundredsofyears,andnobodyknowswhotheoriginalauthoris.
Showthestudentstheword"Retold"onthefrontcoverofafairytale.Whydoesitsayretold"insteadofjust"by"?WasRichardWalkerthepersonwhooriginallymadeupthestoryofJackandtheBeanstalk?No,hejustputitinhisownwordsandwroteitdownandmadeillustrationsforit.Somefairytalebooks"cheat"byNOTincludingtheword"retold."
Application:Askstudentstoidentifycommonelementsofafairytale:1. DoNOTneedtoincludefairies.2. Setinthepast;usuallysignificantlylongago.Maybepresentedashistoricalfact
fromthepast.3. Includefantasy,supernaturalormake‐believeaspects.4. Typicallyincorporateclearlydefinedgoodcharactersandevilcharacters.5. Involvesmagicelements,whichmaybemagicalpeople,animals,orobjects.Magic
maybepositiveornegative.6. Focustheplotonaproblemorconflictthatneedstobesolved.7. Oftenhavehappyendings,basedontheresolutionoftheconflictorproblem.8. Usuallyteachalessonordemonstratevaluesimportanttotheculture.
Askstudentstoidentifywhichfairytalestoriestheyrecognizedinthestory.
o Asstudentsmentiondifferentcharacters,postthemontheboardtoserveasa“picturebank”forthestoryboard.
Snow White The Three Little Pigs Goldilocks and the Three Bears Little Red Riding Hood Princess Briar Rose • (Or any other princess & prince story) The reluctant Dragon • (oOr another dragon story) Chicken Little The Frog Prince Cinderella
Gingerbread Boy Jack and the Beanstalk Little Red Hen Sleeping Beauty Wizard of Oz • (Or another wicked witch story) "Three Young Rats in Black Felt Hats" "Rock-a-Bye Baby" "Humpty Dumpty" "Little Miss Muffet" "The House that Jack Built"
UsingtheOnceUponaGoldenAppleStoryboardSetA
1. Focusonthebeginningmiddleandendofthestory2. Leadstudentsinretellingthestorybysequencingtheevents
a. Doapicturewalkifstudentsneedassistanceorprompting.3. Sharedwriting:recordstudents’responsesintheblanks,askingstudentsto
choosethecorrect/respectivecharacterfromthe“picturebank”ontheboard.
Closure:AskstudenttoindicatetheirfavoritefairytaleAssessments:1. Teacher will listen to students’ answers during whole group discussion to identify
whether students can make a distinction between elements of fiction and nonfiction. 2. Teacher will listen to students’ answers during whole group discussion to identify
whether students can differentiate between events as past or present. 3. Informal assessment: teacher will note whether students correctly identify a character
from well-known fairytales. 4. Informal assessment: teacher will note whether students could correctly sequence
events in their retelling of the story. Differentiation:Differentiatethefill‐in‐the‐blankquestionsforlow,mediumandhighstudents.Promptlowerstudentswithcluesaboutthenextupcomingcharacter.
(Continued…)
LessonTwoIndicators/Benchmarks:Studentswillbeableto:
Identifyelementsofafictionaltext Differentiaterealityfromfantasy Realizethatfairytalesarestoriesthatarepasseddownandthatmanypeople
arefamiliarwiththesestories.Materials:KWLchart,Wolves,byGailGibbons,InformationalbooksaboutWolves,LittleRedRidingHood:TheClassicGrimm'sFairyTale;PatriciaDeLisa,Illustrator;ChristopherBamford,Narrator;AndrewFlaxman,AfterwordPriorKnowledge:Haveknowledgeoffairytalesasagenre.Beabletodistinguishrealityfromfiction.LessonComponents:BeforeReading:Doesanyoneknowthisstory?Tellstudentsthatfairytalesarestoriesthatareoftenpasseddown;parentstelltheirchildren,whotelltheirchildren,andsoon.Therefore,fairytalessuchasLittleRedRidingHoodisacommonstorythatmanypeopleknow.Reading:ReadLittleRedRidingHood:TheClassicGrimm'sFairyTale;PatriciaDeLisa,Illustrator;ChristopherBamford,Narrator;AndrewFlaxman,AfterwordAfterReading:Askstudents,“Howdoyouknowthisstoryisafairytale?”Askingthemtorecalltheelementsofafairytalediscussed,yesterday.
Gooversomeofthecommonelementsoffairytalesasstudentsbringupdifferentcomponents.
Ifstudentsgetstuckask,“Whatpartsofthisstorywouldimpossibleinreallife?”
Application:TheWolfDiscussthewolfinLRRHwiththestudents.Isthisastoryaboutarealwolf?Howdoweknowthisisafictionalcharacter,orrepresentationofawolf?
Wholegroup:Fillinthe“K”and“W”sectionsofaKWLchart Independent:Havestudentsexploreinformationalbooksaboutwolves,attheir
tablesindependently.Askstudentstolookatpicturesofrealwolves;dothesewolveslookliketheoneinLRRH?
WholeGroup:ReadWolvesbyGailGibbons.Closure:Fillin“L”sectionoftheKWLchart.Homework:HavestudentsdrawpicturesofthewolfinLRRHandarealwolf.Assessments:Teacherwilltakeanecdotalnotesastowhetherstudentscandifferentiaterealityfromfantasyduringtheclassdiscussion.Similarly,students’homeworkwillindicatewhethertheycanpickoutthefeaturesofthewolfthatmakeitclearthatthestoryofLRRHisfictional.The“L”sectionoftheKWLchartwilltrackstudents’learning.Differentiation:Provideinformationalbookstomatchlow,mediumandhighstudents’independentreadingabilityfortheindependentexplorationoftheWolvesbooks.
LessonThreeIndicators/Benchmarks:Studentswillbeableto:
Identifycharactersandcharactertraits Usecharacteractionsasevidenceforascribingcharactertraits Useelementsofdramatoretellastory
Materials:ChartPaper,LittleRedRidingHood:TheClassicGrimm'sFairyTale;PatriciaDeLisa,Illustrator;ChristopherBamford,Narrator;AndrewFlaxman,Afterword.PriorKnowledge:Elementsofafairytale,howtousedramatoconveyastory.LessonComponents:Warm‐up:Injournals,Howwouldyoudescribeyourbestfriend?BeforeReading:Havestudentssharetheirjournalresponses.DuringReading:Rereadthestoryaloud,focusingoncharacters’personalitiesorqualitiesasyouread.
Modelhowyouwouldascribedifferentcharactertraits;verbalizetheprocessofidentifyingthosecharacteristics–orevidenceyouseektodeterminethecharactertraitsofeachindividualinthestory.
AfterReading:(WholeGroup)Onapieceofchartpaper,sectionedoffbythecharacters(LRRH,Mother,WolfandGrandmother)recordstudentsresponses:
Identifyandexplaincharactertraitsandactions. Howwouldyoudescribeeachcharacter?
o WhatwordswouldyouusetodescribeLRRH?Thewolf?TheGrandmother?
Whatevidenceorpartsofthestorymakeyouthinkthat?
Asaclass,generatealistofcharactertraitsandwritethemontheboardtoaidstudentsintheReaders’Theateractivity.Application:(SmallGroup)Readers’TheaterBreakstudentsintogroupsandassignthemaportionofthestorytoactout.Provideeachgroupabook.Studentswillrereadthestoryand/orlookatthepicturestogivethemcluesastothetraitsofeachofthecharactersintheirportionofthestory.
Encouragestudentsto“overact”tocommunicateemotions. Bigmotions,facialexpressionsandthewayyouuseyourvoiceshowemotion.
o Characters’emotionsandactionshelptheaudienceknowthetraitsofeachcharacter.
o Howdoyoumakeangrylookdifferentfromsad?
Closure:Havestudentspresenttheirskitstotheclass.Therestoftheclasswilltrytoguessthetraitsofeachcharacterintherespectiveskit.Studentsmayusethetraitsontheboardasprompts.Homework:Studentswillwriteaboutamemberoftheirfamilyorcommunity.Namefourcharactertraitsthatdescribethisperson.(Supportonetraitwithevidence):Whatdoesthispersondothatmakesyouthinktheyare_________?
Assessments:Informalcheckonunderstandingofwholegroupdiscussionofcharactertraits.Formallycheckastowhetherstudentscorrectlyidentifythetraitoftheirrespectivecharacter.Differentiation:Provideawordbank,orlistofcharactertraitsontheboard,withsimplepicturesthatcorrespondtothetrait.Thiswillbehelpfulforlowstudentstoreference.Askhighstudentstocomeupwithothertraitsthatwehavenotnamed.Askhighstudentstothinkofsynonymsforsomeofthetraitslistedontheboard.
LessonFourIndicators/Benchmarks:Studentswillbeableto:
Differentiatebetweenpastandpresent Recognizethatretellingsofastoryborrowfromgroupsandcultures Recognizehowretellingsarebothsimilaranddifferentfromtheoriginalstory. Identifystoryelements:setting Contributetoasharedwritingexperience
Materials:LittleRedRidingHood:ANewfangledPrairieTale(StoriestoGo!)by,LisaCampbellErnst(Author,Illustrator),Pictureofprairiegrasslands,MapoftheUnitedStatesofAmericaPriorKnowledge:RecallofeventsinLittleRedRidingHood.LessonComponents:Warm‐up:Thesettingdescribesthetimeandplaceinwhichthestorytakesplace.
WhatisthesettinginLRRH?o Foresto Estimatewhenthestorytookplace‐studentswillsimplyunderstandthat
thestorytookplacealongtimeago.o Winter–LittleRedRidingHoodiswearingacoat.
BeforeReading:ThisisanotherstoryaboutLittleRedRidingHood;itisaretellingofthestory.Thisstorytakesplaceinadifferenttimeandplacethantheoriginalstory.Thestoryisacalleda“prairietale”becauseittakesplaceontheparriesintheMidwest.
Showstudentsapictureofprairiegrasslands ShowstudentswheretheMidwestislocatedonamapoftheUnitedStates. Describethelandscape:flat,grasslandsthathavegrasses,herbs,andshrubs,
ratherthantrees.DuringReading:ReadLittleRedRidingHood:ANewfangledPrairieTale(StoriestoGo!)AfterReading:Askstudentstoidentifysomedifferencesbetweentheoriginalstoryandthisretelling.
Informstudentsthatthelandscape,orthesetting–wherethestorytakesplacechangesthestoryalittlebit.Thesameeventsoccur,butthetimeandplaceisdifferent.Therearen’tmanyforestshere–instead,thispartofthecountryisknownforitsgrasslands…
Application:Sharedwriting:HavestudentsbrainstormadifferentsettinginwhichLRRHcouldtakeplace.
RemindstudentsthatFairytalesarewellknownstoriesthatareoftenretold.Authorschangeelements,suchasthesetting,intheirretellingsofthewell‐knownstory.
o InformstudentsthatwewillbereadingretellingsofLRRHthattakeplaceindifferentcultures/countries.
Useastoryboardformtoreinforcesequencing,beginningmiddleandend. Onceuponatime,then,next,after,…finally. Askstudentstobrainstorm:Thinkaboutourretellingofthestory;whatwould
happeninthislocation?Whatactivitiesdopeopleusuallydointhissetting?HavestudentsnarratewhatwouldhappeninLRRHifthestorytookplace_________.Closure:Readtheclass’retellingofLittleRedRidingHood
Askstudents:Howdoesthesettingthatyouchosechangehowotherpartsofthestoryaretold?
Homework:Askstudentstodraworbringinapicturefromatriptheytook.Askthemtoindicatethesetting,includingthetimeperiod,theplace(country,state,orotherspecificlocation).Askstudentstorespondtothequestion:Whatdidyouwhenyouwereinthissetting?Assessments:Notestudents’useofsequencingwordsinthesharedwritingexperience.Studentinputdelineatesastowhetherornotstudentsunderstandthatthesettingistheplaceinwhichthestorytakesplace;especiallythatcertaineventstakeplaceinparticularsettings.Moreover,thehomeworkindicateswhetherstudentsunderstandthenumerouselementsthatcanfallunderthetopicof“setting.”Differentiation:Studentsmayhavetroublewiththehypotheticalsituation.Ifstudentshavetroublewiththewritingassignment,providestudentswithaconcreteaide,suchasapictureofasetting(beach,etc).Askstudentstopickasettingfromthestackof3‐4picturesthatyouhavetoprompttheirideas.Letlowerstudentsgofirstsothattheyhaveachancetoexpresssimpleorpredictableanswers.However,ifthestudentisunsureofthetask,choosemiddleand/orhighstudentstodemonstrateexpectations.
(Continued…)
LessonFiveIndicators/Benchmarks:Studentswillbeableto:
Identifyelementsofastory:plot Identifyelementsofastory:problemandsolution Sequenceimportantevents Listentoaextractimportantinformation
Materials:PlotDiagramandpicturesfromrespectivestory,InternetAccess,LittleRedRidingHood:TheClassicGrimm'sFairyTale;PatriciaDeLisa,Illustrator;ChristopherBamford,Narrator;AndrewFlaxman,Afterword.PriorKnowledge:Basicunderstandingofsequencing,familiarwiththestoryofCinderellaLessonComponents:Warm‐up:IntroducethePlotDiagram(http://www.readwritethink.org/materials/plot‐diagram/)Informstudentsthataplotdiagramisatoolthathelpsusorganizethemostimportanteventsinastory.
Vocabulary:risingconflict,conflict/problem,fallingconflictandsolution ModelhowtousethePlotDiagram,usingaproblemfromanotherfairytale.
o Example:Cinderella’sstepmotherwillnotlethergototheball. Conflict:Cinderella’sstepmotherdoesnotallowhertogotothe
ball Solution:Cinderellacangototheball
BeforeReading:Havestudentssitintheirseats;explainthattheywillhaveachancetoplotthestoryofLittleRedRidingHoodontheirown.Todaywewillbelisteningtothestory.Reading:HavetheclasslistentoLittleRedRidingHood:Read‐AlongPaperbacks(Read‐AlongStories)by,DKPublishing.DuringReading:Havestudentsarrangetheimages,correspondingtothepartsofthestory,astheylistentothestoryLittleRedRidingHood.Application:Studentswillmaptheelementsofthestoryontheirownbyplacingtheimagesonaworksheetthatincludesthediagram,correspondingtotheconflict/problemandsolution.Next,havestudentsmarkthebeginning,middle,andendontheplotdiagramsothatstudentscanseestorystructure,orhowstoriesusuallyprogress.
Problemsusuallyoccurinthemiddleofthestory,whilesolutionsusuallyoccurattheendofthestory.
Closure:Studentswillsharetheirplotdiagramwithapartner.Assessments:Teacherwillinformallyassessbycheckingtheaccuracyofstudentsplotdiagrams.Differentiation:Diagramwillbenumberedinsequenceandlabeledwiththevocabularycorrespondingtoeachelementofthestory.
LessonSixIndicators/Benchmarks:Studentswillbeableto:
Recognizethemainideaormessageofthestory Recognizesimilaritiesanddifferences Discusselementsofdifferentcultures Identifytraditionsandcustomsofdifferentcultures
Materials:CulturalComparisonsChecklist,StoryChecklist,InformationalvideoaboutChina,LonPoPo:ARedRidingHoodStoryfromChinaby,EdYoungPriorKnowledge:RecallinformationaboutLittleRedRidingHood,understandingthatregionshavedifferentculturesandtraditions.LessonComponents:Warm‐up:ShortinformationalvideoaboutChineseculture.BeforeReading:Gatherthestudentsonthecarpetorinagrouparea.ReviewwhattheylearnedaboutChineseculture.TellstudentsthatweheardfactualinformationaboutChina,buttherearealsoalotoffictionalstoriesfromChina.TodaytheywillbereadingaChinesestorysimilartoonethattheyalreadyknow.
TalkaboutChineseculture;howisitdifferentfromthewaywelive?Reading:ReadLonPoPo,byEdYoungDuringReading:AskstudentstolistenforsimilaritiesanddifferencesbetweenthisstoryandthestoryofLittleRedRidingHood.Application:(WholeGroup)Havestudentsretellthestory.Eachstudentshouldparticipateinretelling.
Promptstudentswithwordssuchas…o Beginning,middleandendo Next,then,after,before,duringo Onceuponatime…
Write1‐2sentencesonthebottomofeachpageofpaper.o Eachstudentwillreceiveonepagetoillustrate.o Bindallstudentworktocreateabooko UsetheStoryChecklisttoassessstudentwork.
Readthestoryasaclass.Askstudentstoidentifythebeginning,middleandendofthestory
Closure:FillinComparisonChartAssessments:Circulatearoundtheroomasstudentscompletetheirillustrations.AskstudentsaboutthestoryLonPoPo,andcompletetheCulturalComparisonsChecklist.Differentiation:Asklowstudentstotellyouaboutwhattheyaregoingtodrawbeforetheygettowork.Scaffoldstudents’understandingifneedbe.Askhighstudentstoexplainwhathappenedbeforeandaftertheeventthattheyaredrawing.
LessonSevenIndicators/Benchmarks:Studentswillbeableto:
Identifysimilaritiesanddifferences;makecomparisons Developandapplyvocabulary,throughexposuretoportionsoftext Realizethatdifferentversionsofastoryreflectelementsofthecultureabout
whichtheyarewrittenMaterials:ComparisonChart,LonPoPo:ARedRidingHoodStoryfromChinaby,EdYoungPriorKnowledge:RecallinformationaboutLittleRedRidingHood,LonPoPoandunderstandingthatregionshavedifferentculturesandtraditions.LessonComponents:Warm‐up:TherearemanyversionsofLittleRedRidingHoodaroundtheworld.Differentcountrieshavedifferentsettings,historiesandtraditions.Theretellingsofthestoriesincludethetraditionsofthepeopleandthecountrythatthestoryisabout.ThatiswhythisversionofLittleRedRidingHoodisdifferentthanthefirstversion,withwhichmostofuswerealreadyfamiliar.BeforeReading:DisplayLonPoPobyEdYoung.TellthestudentsthatthisistheChineseversionofLittleRedRidingHood.Instructthemtopaycarefulattentiontothestoryandnotethesimilaritiesanddifferences.TodaywewillcomparetheoriginalLittleRedRidingHoodtothisChineseversionofthestory.Reading:RereadLonPoPo,byEdYoungDuringReading:Asyoureadthestory,stoptoaskiftheyarenoticinganydifferences.Modelyourthinking,bythinkingoutloudsomeoftheconnectionsyoumaketotheWesternversion.Application:(WholeGroup)Discusswithstudentssomeofthewaysinwhichthestoriesaresimilarandsomeofthewaysinwhichtheyaredifferent.
(GuidedPractice):ModelhowtousetheComparisonCharto Example:firsttworows
(Independent):StudentsshouldusetheComparisonCharttohelpthemrememberdetailsastheycompleteaVennDiagramtocompareandcontrastthetwostories.
Closure:AskstudentstosharetheirComparisonChart.Whichstorydidtheyprefer?Why?Assessments:UseVennDiagramtocheckforstudentsunderstandingofthetwostories,aswellasfortheirabilitytocompareandcontrast.Differentiation:Numberlowerstudents’VennDiagramandcreatelinestohelpthemorganizetheirwriting.Scaffoldlowerstudents’comparisonswithquestionsastowheretoplaceeachdetail.Isthefactasimilarityordifference?Ifstudentsnameadifference,askwhatshouldgoonthecorresponding,oppositesideofthediagram.
LessonEightIndicators/Benchmarks:Studentswillbeableto:
Discusselementsofdifferentcultures Identifythemainidea,message Identifysimilaritiesbetweenthemessagesoftwosimilarstories Recognizethatindividualsandgroupsshareandborrowfromothercultures
Materials:PrettySalma:ALittleRedRidingHoodStoryfromAfrica,InformationalvideoaboutGhanaPriorKnowledge:RecallinformationaboutLittleRedRidingHoodLessonComponentsWarm‐up:ShortinformationalvideoaboutGhanaianculture.Gatherthestudentsonthecarpetorinagrouparea.ReviewwhattheylearnedaboutGhanaianculture.TellstudentsthatweheardfactualinformationaboutGhana,buttherearealsoalotoffictionalstoriesfromAfrica.TodaytheywillbereadinganAfricanversionofLittleRedRidingHood.
TalkaboutAfricanculture;howisitdifferentfromthewaywelive? Remindstudentsthatmostfairytaleshaveamessageormoral.
o Theeventsinthestoryaremeanttotelluswhattodoinourownlives.o Themoralisnotwritteninthestory;wehavetousetheeventsinthe
storyascluestofigureoutwhatthestoryistryingtotellus.
BeforeReading:Askstudentstolistenandtrytofigureoutthemoralofthestory.Reading:PrettySalma:ALittleRedRidingHoodStoryfromAfricaDuringReading:Drawstudents’attentiontoelementsofthestorythatconveythemessageofthestory.Focusonadviceorinstructionsfromadultsandeventinwhichtheprotagonistdisobeystheseorders.AfterReading:(StudentPairShare)Askstudentstobrainstormaboutwhattheythinkthemessageofthestorymightbe.IsthismessagethesameordifferentthanthemessageofLittleRedRidingHood?Havestudentssharewithaseatpartner.Application:(Independentwriting)Askstudentstoinfer;whatdoesthestorytellus?Whatadvicedoesthestorygive?
Instructstudentstowritealettertothemaincharacter,Salma,advisinghertofollowthemoralofthestory.Useeventsfromthestorytoinformherwhyitisimportantnottotalktostrangers.
Closure:FillinComparisonChartAssessments:Informalassessmentwouldincludeanevaluationofstudents’comprehensionastowhethertheycouldinferthemessageorthemoralofthestory.Amoreformalassessmentwouldbecenteredonthestudents’writingsample,consideringwhethertheynamedamoral,supportingevidenceandadheredtoconventions.
Differentiation:Lowerstudentsmyhavedifficultywithcomprehensionskills.Therefore,providestudentswiththemoralofthestoryandhavethemrecallthestoryandlookforreasonstofollowtheadvicethatthemoralprovides.
LessonNine
Indicators/Benchmarks:Studentswillbeableto:
Identifyandselectbasicstoryelementsthroughtheuseofstorymapsandstorywebs.
CompareandcontrastthebasicstoryelementsoftwosimilarstoriesMaterials:GraphicOrganizer,SoftwareforInspiration,instructionalstepsforusingInspiration,LittleRedRidingHood,PrettySalma:ALittleRedRidingHoodStoryfromAfricaandLonPoPo:ARedRidingHoodStoryfromChina.PriorKnowledge:RecallinformationaboutLittleRedRidingHood,understandingthatregionshavedifferentculturesandtraditions.LessonComponentsWarmUp:WehaveheardmanyversionsofLittleRedRidingHood.Todayyouwillgettoworkwithapartnertocomparetwoofthesestories.Activity:Useofstorymapsandstorywebstoidentifyandselectbasicstoryelements.Procedure:Studentswillbedividedintopairs,witheachpairselectingoneofthethreeversionofLittleRedRidingHood.
Afterreadingthestorywithintheirgroups,theywillidentifythemainstoryelementsoftheirversiontoincludesetting,characters,problem,beginning,middle,ending,andsolution.
EachgroupwillcompletetheirowngraphicorganizerusingthesuggestedsamplesfromthegraphicorganizersoftwareprogramInspirationonthecomputer.
Studentswillkeyinthestoryelementsinthecorrectlocationontheselectedgraphicorganizer.
Closure:Studentswillprintoutandsharecopiesoftheirfinishedgraphicorganizers.Completedcopieswillbemountedonapostertobedisplayedintheclassroom.Assessments:Graphicorganizers;Teacherwillassessfinalperformancethroughaninformalquestion/answersessionaboutthecompletedgraphicorganizerDifferentiation:Usedifferentresourcesfor…
(Support:StrugglingReader):LittleRedRidingHood(Easy‐to‐Read,Puffin)by,HarrietZiefert,Author;EmilyBolam,Illustrator.
(Support:ELL):LittleRedRidingHood/CaperucitaRoja(BilingualFairyTales)byJacobGrimm,Author;WilhelmGrimm,Author;PauEstrada,Author;JamesSurges,Author.
LessonTenIndicators/Benchmarks:Studentswillbeableto:
Comparetwoversionsofastory Makesuccessfulcomparisons,usingaorganizationaldevice Generate ideas in graphic organizer and make a plan for writing Writetoasimpleparagraph
Materials:Graphicorganizersworksheets,ComparisonChecklists,MultiplecopiesofPrettySalma:ALittleRedRidingHoodStoryfromAfrica,LittleRedRidingHood,MultiplecopiesofLonPoPo:ARedRidingHoodStoryfromChinaPriorKnowledge:RecallinformationaboutLittleRedRidingHood,understandingthatregionshavedifferentculturesandtraditions.LessonComponentsWarm‐up:ShortinformationalvideoaboutChineseculture.GuidedPracticeComparePrettySalmatoLittleRedRidingHoodinwholegroup.
ModeltheskillofcomparisonbycompletingtheComparisonChart. Fillthechartinasaclasstoprovideanopportunityforguidedpractice.
IndependentPractice:Studentswillhaveachancetocomparetwostoriesindependently.
Refertofullycompletedchart(LRRH,LonPoPoandPrettySalma) Gooverchartwithstudents
Independentwriting:PretendthatLittleRedRidingHoodispenpalswithacharacterfromanotherretellingofthestory(eitherthechildrenfromLonPoPoorPrettySalma).
PickaretellingtocomparetotheoriginalLRRH WhatmightthemaincharacteroftheretellingsaytoLRRHanotheraboutwhere
theyarefrom,theirculture,themselvesandtheirstory?Howwouldtheybesimilar?Howwouldtheybedifferent?
Drawstudents’attentiontotheComparisonChecklisttogivethemideas.Tellstudentstheymustcomparefouroftheitemslisted.
o Prewriting:Providestudentswithcopiestheretelling,andagraphicorganizertosortouttheirideas.PosttheComparisonChecklist.
o LetstudentsmovesotheycanaccesstheComparisonCharto Writing:Studentswillwriteabriefresponsecomparingthetwoversions
ofLRRH.
HavestudentsusetheComparisonChecklist______Icomparedthetwocultures.Pickatradition,food,clothes,orhouse______Icomparedthesetting.______Icomparedcharacters.______Icomparedanimals.______Icomparedtheconflict.______Icomparedtheresolutionortheendofthestory.
Studentsshowmasteryiftheycorrectlyshowedacomparisonbetween4ofthe6itemsshownabove.
Closure:(Extension/ReadAloud)PetiteRouge:ACajunRedRidingHood
YetanotherversionofLittleRedRidingHood;thisisanexampleofaCreolefairytale.
Assessments:1. UsetheComparisonChecklisttoassessstudents’Venndiagramsandresponses.2. Reviewstudents’VennDiagramstoassesstheirabilitytocompareandcontrast.
a. StudentsshouldhavecontentforallthreesectionsoftheVennDiagram3. StudentswillwriteabriefresponsecomparingthetwoversionsofLRRH.4. Usestudents’VennDiagramtolookforevidencethatthestudentaccessedthe
graphicorganizertogenerateideasfortheirbriefresponse.Differentiation:PlaceaheavieremphasisontheVennDiagram,orthesimpleexpressionofideasforlowstudents,whomighthavetroublewiththewritingprocessormovingtheirideasfromtheorganizationalstageintothewrittenproduct.