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Page 1: WikiStrompfstrompf.com/images/9/93/Overzicht-toonladders-van-ronald.pdflike Robben Ford and Scott C Lydian Dominant The Altered Dominant Scale FORMULA: Altered Dominant/Super Locrian

Page 2: WikiStrompfstrompf.com/images/9/93/Overzicht-toonladders-van-ronald.pdflike Robben Ford and Scott C Lydian Dominant The Altered Dominant Scale FORMULA: Altered Dominant/Super Locrian

Page 3: WikiStrompfstrompf.com/images/9/93/Overzicht-toonladders-van-ronald.pdflike Robben Ford and Scott C Lydian Dominant The Altered Dominant Scale FORMULA: Altered Dominant/Super Locrian

Page 4: WikiStrompfstrompf.com/images/9/93/Overzicht-toonladders-van-ronald.pdflike Robben Ford and Scott C Lydian Dominant The Altered Dominant Scale FORMULA: Altered Dominant/Super Locrian

Page 5: WikiStrompfstrompf.com/images/9/93/Overzicht-toonladders-van-ronald.pdflike Robben Ford and Scott C Lydian Dominant The Altered Dominant Scale FORMULA: Altered Dominant/Super Locrian

Page 6: WikiStrompfstrompf.com/images/9/93/Overzicht-toonladders-van-ronald.pdflike Robben Ford and Scott C Lydian Dominant The Altered Dominant Scale FORMULA: Altered Dominant/Super Locrian

Page 7: WikiStrompfstrompf.com/images/9/93/Overzicht-toonladders-van-ronald.pdflike Robben Ford and Scott C Lydian Dominant The Altered Dominant Scale FORMULA: Altered Dominant/Super Locrian

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Altered Excerpt

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· Three Scale Approach to Soloing over a Majority of Standard Chord Changes The Scales Major Scale - All Diatonic Chords Melodic Minor - Tonic Minor, Lydian Dominant 7th, Altered

· Three Scale Approach to Soloing over a Majority of Standard Chord Changes The Scales Major Scale - All Diatonic Chords Melodic Minor - Tonic Minor, Lydian Dominant 7th, Altered

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Guitar.Report · Guitar.Report 1. G Dominant Scale Form 1 G . Dominant Arpeggio Form 1 G Dominant. Chord Form 1. GR-02 2. G Dominant. Scale Form 2 G Dominant . Arpeggio Form 2 G Dominant

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Michael Tracy · 2019. 8. 10. · augmented scale off the third of an altered dominant and the dimi- nished scale for a b9, 13 dominant will each contain both the b9 and the +9)

Michael Tracy · 2019. 8. 10. · augmented scale off the third of an altered dominant and the dimi- nished scale for a b9, 13 dominant will each contain both the b9 and the +9)

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Documents

$· 2016-10-26 · 6: voicing suspended and altered dominant chords as polychord fractions s. in . the c . application of polychord fractions in the ii7-v7-1 progression$

· 2016-10-26 · 6: voicing suspended and altered dominant chords as polychord fractions s. in . the c . application of polychord fractions in the ii7-v7-1 progression

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C Locrian n 2 Scale

C Locrian n 2 Scale

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Melodic Minor Applications Concept - John Scrivo Minor Applications... · 4 Melodic Minor Applications Concept Improvising over altered dominant chords In addition to other scales

Melodic Minor Applications Concept - John Scrivo Minor Applications... · 4 Melodic Minor Applications Concept Improvising over altered dominant chords In addition to other scales

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Harmonized Scales in Quartal Voicings - john-scrivo.de Scales in Quartal Voicings.pdf · Bb-Lydian #5 10 C-Lydian Dominant 10 D-Mixolydian b6 11 E-Locrian #2 11 F#-Superlocrian "altered"

Harmonized Scales in Quartal Voicings - john-scrivo.de Scales in Quartal Voicings.pdf · Bb-Lydian #5 10 C-Lydian Dominant 10 D-Mixolydian b6 11 E-Locrian #2 11 F#-Superlocrian "altered"

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Altered Project

Altered Project

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Altered Fingerprints

Altered Fingerprints

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Basic Scales - djesmusic.com · Minor Based Modes Harmonic Minor Phrygian Dominant (Fifth Mode of HM) Melodic Minor Lydian Dominant (Fourth Mode MM) Locrian #2 (Sixth Mode MM)

Basic Scales - djesmusic.com · Minor Based Modes Harmonic Minor Phrygian Dominant (Fifth Mode of HM) Melodic Minor Lydian Dominant (Fourth Mode MM) Locrian #2 (Sixth Mode MM)

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Altered thermoregulation

Altered thermoregulation

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Patterns of Dominant & Non-Dominant Cultures

Patterns of Dominant & Non-Dominant Cultures

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Reconceptualizing the Lydian Chromatic Concept: George ... fileLydian dominant Bm7f5 Locrian s2 DmM7 Melodic minor E7f9 – Harmonic major G7f9 E7alt. Dm7f5 F7 Acoustic G7s5 Bm7f5

Reconceptualizing the Lydian Chromatic Concept: George ... fileLydian dominant Bm7f5 Locrian s2 DmM7 Melodic minor E7f9 – Harmonic major G7f9 E7alt. Dm7f5 F7 Acoustic G7s5 Bm7f5

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Altered Sridhar

Altered Sridhar

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ALTERED SKETCHBOOKS

ALTERED SKETCHBOOKS

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Altered Technology

Altered Technology

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Altered Horizions

Altered Horizions

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Melodic Minor - My Jazz Guitar Journey · - Melodic Minor - Phrygian #6 - Lydian Augmented - Dominant #11 - Mixolydian b6 - Locrian #2 - Super-Locrian I - r1 ii - r1 III - r1 IV -

Melodic Minor - My Jazz Guitar Journey · - Melodic Minor - Phrygian #6 - Lydian Augmented - Dominant #11 - Mixolydian b6 - Locrian #2 - Super-Locrian I - r1 ii - r1 III - r1 IV -

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Education

RESEARCH ARTICLE Hand Function is Altered in Individuals ...€¦ · prior to gripping and lifting a light-weight object with the dominant right hand. Horizontal grip force, vertical

RESEARCH ARTICLE Hand Function is Altered in Individuals ...€¦ · prior to gripping and lifting a light-weight object with the dominant right hand. Horizontal grip force, vertical

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Project Altered

Project Altered

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Environment

Dominant SEP: Dominant CCC: Management Strategies to

Dominant SEP: Dominant CCC: Management Strategies to

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