Lighting Design by Tal Kendra for LEE Filters Lighting by ......230 super correction l.c.t. yellow 156 chocolate 017 surprise peach 746 brown 208 c.t. orange + .6 neutral density 207

Lighting by John Decker/Richard Rutherford, Rutherford Design

Lighting Design by Tal Kendra for LEE Filters

Lighting Design by Craig Wolf

Ivar Nite Club, Hollywood, CA Architect: Tag Front

IntrIntroductionoduction

Fluorescent Sleeves . . . . . . . . 1

Glass Series . . . . . . . . . . . . . . . 2

Quick Rolls . . . . . . . . . . . . . . . 4

Polyester Color Selector . . . . 5

Size & Format Summary . . . . 7

FAQs . . . . . . . . . . . . . . . . . . . . 8

Gel-LEE Rolls . . . . . . . . . . . . . 9

Storage . . . . . . . . . . . . . . . . . . 9

Comparator . . . . . . . . . . . . . . 10

Music Packs . . . . . . . . . . . . . . 13

Patterns (Gobos) . . . . . . . . . . 14

700 Series . . . . . . . . . . . . . . . . 16

Technical Filter Selector . . . . 18

Technical Filters . . . . . . . . . . . 19

Diffusion/Reflection . . . . . . . 21

Diffusion Selector . . . . . . . . . 23

Diffusion - Colored . . . . . . . . 24

Wide Rolls . . . . . . . . . . . . . . . 25

1” Core Rolls . . . . . . . . . . . . . 26

Lite Rolls . . . . . . . . . . . . . . . . 26

Cine Sheets . . . . . . . . . . . . . . 27

Acrylic Panels . . . . . . . . . . . . . 28

Lighting Packs . . . . . . . . . . . . 29

Protection Media . . . . . . . . . . 30

Swatches & Literature . . . . . . 31

Camera Product Overview . . 32

Index . . . . . . . . . . . . . . . . . . . 33

WWelcome to the LEE Filterselcome to the LEE FiltersLighting Catalog!Lighting Catalog!

LL EE Filters is the world’s leading producer ofpolyester, polycarbonate, acrylic, resin and glass

filters for the film, television, theatre and still photog-raphy markets. The LEE Filters factory in Andover,England is the only facility of its kind dedicated to thedevelopment and manufacture of these lighting control products.

At LEE Filters, we take great pride in our technicalexcellence and quality control. Our customers use ourfilters in exacting applications, such as motion pictureproduction and professional still photography. LEEFilters meets and exceeds our customers’ requirementswith constant production monitoring, innovation inmanufacturing and strict adherence to our exactingquality control standards.

LEE Filters maintains relationships with some of thetop professionals and educators in our industries. Thiscontact allows us to bring to the market exciting newproducts and innovations that benefit all our cus-tomers. Our popular 700 series of designer-createdlighting filters is just one of our latest product linesthat has come to fruition from these relationships.

We hope you use our Lighting Catalog as both a valuable technical resource and an artistic inspiration.Please do not hesitate to contact us if you have anyadditional questions about our products.

Table of Contents

U.S. Headquarters:2237 North Hollywood Way, Burbank, CA 91505www.leefiltersusa.com [email protected] (818) 238-1220 Fax: (818) 238-1228Toll Free: (800) 576-5055

International Offices:Central Way, Walworth Industrial EstateAndover, Hampshire, England, SP10 5ANwww.leefilters.comTel: +44(0)1264 366245 Fax: +44(0)1264 355058

Toronto, Ontario, Canadawww.leefilterscanada.comTel: (416) 361-9390 Fax: (416) 361-9745

LEE Filters Helpline: (800) 576-5055

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Lee®, CTO®, CTB®, CT Orange®, and CT Blue®, are registered trademarks of Panavision Inc. or its subsidiaries.

1

Flu

orescent Sleeves

FluorFluorescent Sleevesescent Sleeves

▼▼ All part numbers include the LEE color filter of your choice,a clear polycarbonate tube,and 2 end caps

▼▼ T12, T8, or T5 tube sizes

▼▼ Available in lengths up to 8’

▼▼ Pre-assembled - ready to install

▼▼ Available in any color from LEE’syellow swatch book

GG et creative with fluorescent lighting! LEE Filters offers any of the more than200 dynamic colors from our popular yellow lighting filter swatch book as

pre-cut inserts. LEE Filters pre-assembles these inserts into clear polycarbonatetubes with clear end caps. UV filter inserts are also available.

Material: Clear, rigid polycarbonate tube colored polyester thin film insert

Color: From LEE’s yellow swatch bookSizes: T-12, T-8, T-5 diameters (see Tip box)

6” - 8’ longPart Numbers:T-12: T12-xxx-yyT-8: T8-xxx-yyT-5: T5-xxx-yyxxx = LEE color number, yy = length in inchesexample:T8 -181-48 is a T8 tube, Color 181 Congo Blue, 48” long

UV inserts also available

OrOr dering In fordering In for mationmation▼▼

Not sure which s i z e tube

to choose for your f luorescent lamp?

T5 i s for 5/8” diameter lamps

T8 i s for 1” diameter lamps

T12 i s for 1 -1/2” diameter lamps

TTipip

Select Fluorescent Color from LEE’s yellow swatch book

T12, T5 and T8 tubes

Ivar Nite Club, Hollywood, CA Architect: Tag Front

2

Gla

ss S

erie

s G lass Ser iesGlass Ser ies

TT he glass filter is colored with a precision dichroiccoating. A dichroic coating is created by depositing

microscopic layers of metal on the glass. This processresults in spectacular colors that can last for years, andare often described as “clear” and “pure”. The glass basematerial is borofloat, a glass substrate known for its resis-tance to thermal shock and ability to withstand high tem-peratures over long service periods.

TT he Glass Series by LEE Filters offers lighting designers the most consistent and durable, innovative range of glass products available on the market. Created in colors chosen by lighting

professionals, the Glass Series’ exclusive polyester swatch book is an effective tool for color selection.All Glass Series colors are available in unframed, framed and, of course, custom shapes and sizes.

LD-DichrLD-Dichr oic Fi l t ersoic Fi l t ers

LP-Polyes ter Fi l t ersLP-Polyes ter Fi l t ers

Qual i ty & Consi s tency by Des ignQual i ty & Consi s tency by Des ign

AA ll Glass Series colors are also available inpolyester sheets and in a convenient polyester

swatch book. LEE Filters laboratories in Andover,England have used their years of experience toprovide the best possible matches to the dichroicglass filters. Use these polyester filters either as atool to aid in the selection of a glass color, or inlong-term, low temperature applications.

Muriel’s Supper Club, Palm Springs, CALighting by John Decker/Richard Rutherford, Rutherford Design

SWLP - Glass Series Polyester swatch book

3

Gla

ss SeriesGlass SeriesGlass SeriesC o n t i nC o n t i n u e du e d

LL EE Filters is pleased to offer a selection of innovative frames for dichroic glass. We offercolor slot frames for the most popular theatrical fixtures. Our color slot frames look

much like traditional gel frames, but feature an innovative silicone gasket which completelysurrounds the glass. This gasket protects the glass from both mechanical and thermal shock.

DichrDichroic Glass Filtersoic Glass FiltersPart numbers: Unframed Dichroic GlassLD - ###* - MR16 1.965” diameterLD - ###* - 2SQ 2” square

We also offer custom sizes and shapes of dichroic glass. Contact LEE Filters for more information.

Part numbers: Framed Dichroic GlassLSF - ###* - S4E Color slot framed glass, 6.25” x 6.25”LSF - ###* - 6EL Color slot framed glass, 7.5” x 7.5”LSF - ###* - PAR Color slot framed glass, 10” x 10”LSF - ###* - S4D Iris slot framed glass for

ETC Source 4 EllipsoidalLSF - ###* - SLD Gobo slot framed glass for

Strand SL Ellipsoidal

Note: S4E, 6EL, and PAR frames are also available with optional screens. Add “S” to the part number.*Use 3 digit Glass Series color numbers instead of ### when ordering.

No. * NameR50 Red 0R99 Flame 9O01 Sunset 1O08 Sunset 8O14 Peach 4O18 Peach 8O32 Apricot 2O42 Nectarine 2O43 Nectarine 3O59 Orange 9O89 Gold Amber 9Y02 Wheat 2G28 Lime 8G96 Jade 6C04 Blue Green 4C45 Turquoise 5C47 Turquoise 7B06 Lagoon 6

No. * NameB14 Steel 4B24 Crystal Blue 4B44 Royal Blue 4B53 Blue 3B64 Navy Blue 4B71 Cornflower 1B93 Congo 3V10 Indigo 0V28 Blueberry 8V43 Violet 3V67 Rose Purple 7V74 Plum 4V81 Lilac 1V98 Lavender 8M31 Fuchsia 1M56 Magenta 6M63 Carnation Pink 3M91 Salmon 1


Polyester FiltersPolyester FiltersPlease consult our Glass Series polyesterswatch book for our latest color offerings.These sheets are 24” x 24” (60.96cm x60.96cm) on a 75 micron base.

Part numbers:

LP - ###* - S 24” x 24” sheetSWLP 3” x 4” Glass Series

swatch book

Standard Colors :Red: O08 Sunse t 8

Blue : V28 Blueber r y 8Green: G28 Lime 8Cyan: C45 Turquoise 5

Magenta: V98 Lavender 8Ye l low: O89 Gold Amber 9

TTipip

*Use these numbers instead of ### when ordering.

Glass Series ColorsGlass Series ColorsThese color names and numbers apply to both dichroic glass and polyester materials of the Glass Series.

Framed Dichroic Glass

Framed GlassFramed Glass

4

Qu

ick

Rol

lsQuick RollsQuick Rolls

Material: Colored polyester thin filmColor: From LEE’s yellow swatch bookSize: 1” - 46” wide by 25’ long

Part No. Qty. DescriptionQRXXX # Quick Roll color XXX width # in inches

example:QR181 6.25 Quick Roll color 181, width 6.25”

Award Winning Quick Rolls

2001 ESTA Dealers' Choice Award -

Best Expendable / Widget

2001 LDI Awards - Widget of the Year

2001 EDDY Award - Lighting Accessory

Select Quick Roll colors from ourLEE’s yellow swatch book

▼▼ Save TSave TimeimeColor is ready to frame in just one cut..

▼▼ Save MoneySave MoneyAverage 20-30% cost savings over buying individual sheets, plus additional labor savings.

6.25" cuts: (48 per roll) save 29%7.5" cuts: (40 per roll) save 32% 10" cuts: (30 per roll) save 20%

▼▼ Less WLess WasteasteLess gel on the cutting room floor.

▼▼ Any WAny W idthidthWe sell it by the inch, up to 46" wide(our standard rolls are 48" wide).All rolls are 25' long.

▼▼ Any ColorAny ColorChoose any polyester base material color from our famous yellow swatch book - including the 700 Series!

Save TSave Time & Money with Less Wime & Money with Less Wasteaste


Per f ec t fo r cyc l ights !

For bes t co lor mixing, we recommend LEE Colors :

164, 119, 124 (Red, Blue , Green)

115, 128, 101 (Cyan, Magenta, Ye l low)

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5

Polyester C

olor SelectorPolyester ColorPolyester ColorSelectorSelector

003 LAVENDER TINT

169 LILAC TINT

136 PALE LAVENDER

704 LILY

052* LIGHT LAVENDER

170 DEEP LAVENDER

345 FUCHSIA PINK

048 ROSE PURPLE

126 MAUVE

797* DEEP PURPLE

798 CHRYSALIS PINK

707* ULTIMATE VIOLET

343 SPECIAL MEDIUM LAVENDER

180 DARK LAVENDER

058* LAVENDER

194 SUPRISE PINK

344 VIOLET

142 PALE VIOLET

137 SPECIAL LAVENDER

702 SPECIAL PALE LAVENDER

709 ELECTRIC LILAC

053* PALER LAVENDER

218 1/8 C.T. BLUE

203 1/4 C.T. BLUE

061* MIST BLUE

202 1/2 C.T. BLUE

063* PALE BLUE

117 STEEL BLUE

725 OLD STEEL BLUE

353 LIGHTER BLUE

140 SUMMER BLUE

172* LAGOON BLUE

724 OCEAN BLUE

144 NO COLOUR BLUE

118* LIGHT BLUE

183 MOONLIGHT BLUE

352 GLACIER BLUE

174 DARK STEEL BLUE

196 TRUE BLUE

281 3/4 C.T. BLUE

201 FULL C.T. BLUE

161 SLATE BLUE

165 DAYLIGHT BLUE

141* BRIGHT BLUE

143 PALE NAVY BLUE

366 CORNFLOWER

719 COLOUR WASH BLUE

712 BEDFORD BLUE

200 DOUBLE C.T. BLUE

132* MEDIUM BLUE

068 SKY BLUE

075 EVENING BLUE

197* ALICE BLUE

079* JUST BLUE

722 BRAY BLUE

714 ELYSIAN BLUE

721* BERRY BLUE

715* CABANA BLUE

716* MIKKEL BLUE

711 COLD BLUE

119* DARK BLUE

363* SPECIAL MEDIUM BLUE

195* ZENITH BLUE

120* DEEP BLUE

085* DEEPER BLUE

198 PALACE BLUE

713* J. WINTER BLUE

071 TOKYO BLUE

181* CONGO BLUE

729* SCUBA BLUE

116* MEDIUM BLUE-GREEN

354 SPECIAL STEEL BLUE

115* PEACOCK BLUE

131 MARINE BLUE

241 LEE FLUORESCENT 5700 K

728 STEEL GREEN

730 LIBERTY GREEN


219 FLUORESCENT GREEN

323 JADE

322 SOFT GREEN

325 MALLARD GREEN

327 FOREST GREEN

735 VELVET GREEN

090* DARK YELLOW GREEN

139* PRIMARY GREEN

089* MOSS GREEN

124* DARK GREEN


122* FERN GREEN

738* JAS GREEN

121* LEE GREEN

088 LIME GREEN

138 PALE GREEN

244 LEE PLUS GREEN

213 WHITE FLAME GREEN

245 1/2 PLUS GREEN

246 1/4 PLUS GREEN

278 EIGHTH PLUS GREEN

230 SUPER CORRECTION

L.C.T. YELLOW

156 CHOCOLATE

017 SURPRISE PEACH

746 BROWN

208 C.T. ORANGE

+ .6 NEUTRAL DENSITY

207 C.T. ORANGE


232 SUPER WHITE FLAME GREEN

285 3/4 C.T. ORANGE

009* PALE AMBER GOLD

205 1/2 C.T. ORANGE

442 1/2 C.T. STRAW

013* STRAW TINT

103 STRAW

443 1/4 C.T. STRAW

206 1/4 C.T. ORANGE

223 1/8 C.T. ORANGE

444 1/8 C.T. STRAW

159 NO COLOUR STRAW

130 CLEAR

763 WHEAT

212 L.C.T. YELLOW

007* PALE YELLOW

100 SPRING YELLOW

010* MEDIUM YELLOW

101 YELLOW

765 LEE YELLOW

764 SUN COLOUR STRAW

102 LIGHT AMBER

767 OKLAHOMA YELLOW

104 DEEP AMBER

015* DEEP STRAW

441 FULL C.T. STRAW

204 FULL C.T. ORANGE

236 H.M.I (TO TUNGSTEN)

179 CHROME ORANGE

020* MEDIUM AMBER

776 NECTARINE

147 APRICOT

105 ORANGE

779 BASTARD PINK

237 C.I.D. (TO TUNGSTEN)

134 GOLDEN AMBER

158 DEEP ORANGE

021* GOLD AMBER

777 RUST

778* MILLENNIUM GOLD

135 DEEP GOLDEN AMBER

022* DARK AMBER

025 SUNSET RED

166 PALE RED

781 TERRY RED

019* FIRE

164 FLAME RED

024* SCARLET

182 LIGHT RED

106 PRIMARY RED

026* BRIGHT RED

029 PLASA RED

027* MEDIUM RED

789 BLOOD RED

341 PLUM

748 SEEDY PINK

127 SMOKEY PINK

046* DARK MAGENTA

113 MAGENTA

148 BRIGHT ROSE

332 SPECIAL ROSE PINK

793 VANITY FAIR

128 BRIGHT PINK

795 MAGICAL MAGENTA

328 FOLLIES PINK

002 ROSE PINK

111 DARK PINK

192 FLESH PINK

036* MEDIUM PINK

110 MIDDLE ROSE

794 PRETTY N’ PINK

039 PINK CARNATION

247 LEE MINUS GREEN

035* LIGHT PINK

153 PALE SALMON

248 1/2 MINUS GREEN

249 1/4 MINUS GREEN

279 EIGHTH MINUS GREEN

162 BASTARD AMBER

152 PALE GOLD

154 PALE ROSE

151 GOLD TINT

004* MEDIUM BASTARD AMBER

108 ENGLISH ROSE

790 MOROCCAN PINK

176 LOVING AMBER

109 LIGHT SALMON

107 LIGHT ROSE

157 PINK

193 ROSY AMBER

008* DARK SALMON

238 C.S.I. (TO TUNGSTEN)

Neutral Density 298 .15 NEUTRAL DENSITY

209 .3 NEUTRAL DENSITY



299 1.2 NEUTRAL DENSITY

Colored Diffusion705 LILY FROST

224 DAYLIGHT BLUE FROST

221 BLUE FROST

217 BLUE DIFFUSION

720 DURHAM DAYLIGHT FROST

717 SHANKLIN FROST

718 HALF SHANKLIN FROST

191 COSMETIC AQUA BLUE

190 COSMETIC EMERALD

189 COSMETIC SILVER MOSS

775 SOFT AMBER KEY 2


188 COSMETIC HIGHLIGHT

791 MOROCCAN FROST

187 COSMETIC ROUGE

186 COSMETIC SILVER ROSE

185 COSMETIC BURGUNDY

184 COSMETIC PEACH

Also:

226 UV

269 Heat Shield

*Also available in HT (polycarbonate)

Printed colors are approximate only.See yellow swatch books for actual colors.See pages 21-23 for White Diffusions

ChrChromatic Oromatic OrderderRefer to page 7 for the Size & Format Summary

6

Pol

yest

er C

olor

Sel

ecto

r

002 ROSE PINK

003 LAVENDER TINT

004* MEDIUM BASTARD AMBER

007* PALE YELLOW

008* DARK SALMON

009* PALE AMBER GOLD

010* MEDIUM YELLOW

013* STRAW TINT

015* DEEP STRAW

017 SURPRISE PEACH

019* FIRE

020* MEDIUM AMBER

021* GOLD AMBER

022* DARK AMBER

024* SCARLET

025 SUNSET RED

026* BRIGHT RED

027* MEDIUM RED

029 PLASA RED

035* LIGHT PINK

036* MEDIUM PINK

039 PINK CARNATION

046* DARK MAGENTA

048 ROSE PURPLE

052* LIGHT LAVENDER

053* PALER LAVENDER

058* LAVENDER

061* MIST BLUE

063* PALE BLUE

068 SKY BLUE

071 TOKYO BLUE

075 EVENING BLUE

079* JUST BLUE

085* DEEPER BLUE

088 LIME GREEN

089* MOSS GREEN

090* DARK YELLOW GREEN

100 SPRING YELLOW

101 YELLOW

102 LIGHT AMBER

103 STRAW

104 DEEP AMBER

105 ORANGE

106 PRIMARY RED

107 LIGHT ROSE

108 ENGLISH ROSE

109 LIGHT SALMON

110 MIDDLE ROSE

111 DARK PINK

113 MAGENTA

115* PEACOCK BLUE

116* MEDIUM BLUE-GREEN

117 STEEL BLUE

118* LIGHT BLUE

119* DARK BLUE

120* DEEP BLUE

121* LEE GREEN

122* FERN GREEN

124* DARK GREEN

126 MAUVE

127 SMOKEY PINK

128 BRIGHT PINK

130 CLEAR

131 MARINE BLUE

132* MEDIUM BLUE

134 GOLDEN AMBER

135 DEEP GOLDEN AMBER

136 PALE LAVENDER

137 SPECIAL LAVENDER

138 PALE GREEN

139* PRIMARY GREEN

140 SUMMER BLUE

141* BRIGHT BLUE

142 PALE VIOLET

143 PALE NAVY BLUE

144 NO COLOUR BLUE

147 APRICOT

148 BRIGHT ROSE

151 GOLD TINT

152 PALE GOLD

153 PALE SALMON

154 PALE ROSE

156 CHOCOLATE

157 PINK

158 DEEP ORANGE

159 NO COLOUR STRAW

161 SLATE BLUE

162 BASTARD AMBER

164 FLAME RED

165 DAYLIGHT BLUE

166 PALE RED

169 LILAC TINT

170 DEEP LAVENDER

172* LAGOON BLUE

174 DARK STEEL BLUE

176 LOVING AMBER

179 CHROME ORANGE

180 DARK LAVENDER

181* CONGO BLUE

182 LIGHT RED

183 MOONLIGHT BLUE

184 COSMETIC PEACH

185 COSMETIC BURGUNDY

186 COSMETIC SILVER ROSE

187 COSMETIC ROUGE

188 COSMETIC HIGHLIGHT

189 COSMETIC SILVER MOSS

190 COSMETIC EMERALD

191 COSMETIC AQUA BLUE

192 FLESH PINK

193 ROSY AMBER

194 SUPRISE PINK

195* ZENITH BLUE

196 TRUE BLUE

197* ALICE BLUE

198 PALACE BLUE

200 DOUBLE C.T. BLUE

201 FULL C.T. BLUE

202 1/2 C.T. BLUE

203 1/4 C.T. BLUE

204 FULL C.T. ORANGE

205 1/2 C.T. ORANGE

206 1/4 C.T. ORANGE

207 C.T. ORANGE


208 C.T. ORANGE





212 L.C.T. YELLOW

213 WHITE FLAME GREEN

217 BLUE DIFFUSION

218 1/8 C.T. BLUE

219 FLUORESCENT GREEN

221 BLUE FROST

223 1/8 C.T. ORANGE

224 DAYLIGHT BLUE FROST

230 SUPER CORRECTION

L.C.T. YELLOW

232 SUPER WHITE FLAME GREEN

236 H.M.I (TO TUNGSTEN)

237 C.I.D. (TO TUNGSTEN)

238 C.S.I. (TO TUNGSTEN)




244 LEE PLUS GREEN

245 1/2 PLUS GREEN

246 1/4 PLUS GREEN

247 LEE MINUS GREEN

248 1/2 MINUS GREEN

249 1/4 MINUS GREEN

278 EIGHTH PLUS GREEN

279 EIGHTH MINUS GREEN

281 3/4 C.T. BLUE

285 3/4 C.T. ORANGE


299 1.2 NEUTRAL DENSITY

322 SOFT GREEN

323 JADE

325 MALLARD GREEN

327 FOREST GREEN

328 FOLLIES PINK

332 SPECIAL ROSE PINK

341 PLUM

343 SPECIAL MEDIUM LAVENDER

344 VIOLET

345 FUCHSIA PINK

352 GLACIER BLUE

353 LIGHTER BLUE

354 SPECIAL STEEL BLUE

363* SPECIAL MEDIUM BLUE

366 CORNFLOWER

441 FULL C.T. STRAW

442 1/2 C.T. STRAW

443 1/4 C.T. STRAW

444 1/8 C.T. STRAW

702 SPECIAL PALE LAVENDER

704 LILY

705 LILY FROST

707* ULTIMATE VIOLET

709 ELECTRIC LILAC

711 COLD BLUE

712 BEDFORD BLUE

713* J. WINTER BLUE

714 ELYSIAN BLUE

715* CABANA BLUE

716* MIKKEL BLUE

717 SHANKLIN FROST

718 HALF SHANKLIN FROST

719 COLOUR WASH BLUE

720 DURHAM DAYLIGHT FROST

721* BERRY BLUE

722 BRAY BLUE

724 OCEAN BLUE

725 OLD STEEL BLUE

728 STEEL GREEN

729* SCUBA BLUE

730 LIBERTY GREEN

735 VELVET GREEN

738* JAS GREEN

746 BROWN

748 SEEDY PINK

763 WHEAT

764 SUN COLOUR STRAW

765 LEE YELLOW

767 OKLAHOMA YELLOW



776 NECTARINE

777 RUST

778* MILLENNIUM GOLD

779 BASTARD PINK

781 TERRY RED

789 BLOOD RED

790 MOROCCAN PINK

791 MOROCCAN FROST

793 VANITY FAIR

794 PRETTY ‘N PINK

795 MAGICAL MAGENTA

797* DEEP PURPLE

798 CHRYSALIS PINK

Also:

226 UV

269 Heat Shield

Polyester Color SelectorPolyester Color SelectorC o n t i nC o n t i n u e du e d

*Also available in HT (polycarbonate)

Printed colors are approximate only.See yellow swatch books for actual colors.See pages 21-23 for White Diffusions

Numeric OrNumeric OrderderRefer to page 7 for the Size & Format Summary

7

Size & F

orma

t Sum

ma

ry

Sizes AvailablePage Product Rolls Sheets Other

Polyester FilmsPolyester Films5,6 Color Effect Filters 25’ x 48” 21” x 24”19 Tungsten to Daylight Conversion 25’ x 48” 21” x 24” Also Lite Rolls & Cine Sheets19 Daylight to Tungsten Conversion 25’ x 48” 21” x 24” Also Wide Rolls, Lite Rolls, & Cine Sheets19 Neutral Density 25’ x 48” 21” x 24” Also Wide Rolls, Lite Rolls & Cine Sheets19 Fluorescent Correction 25’ x 48” 21” x 24” Also Lite Rolls20 Arc Correction 25’ x 48” 21” x 24”30 Ultra Violet Absorption 25’ x 48” 21” x 24”30 Heat Shield 25’ x 48” 21” x 24”

Polycarbonate FilmsPolycarbonate Films5,6 Color Effect HT 13’ x 46” 22” x 21”

DifDiffusion/Reflectionfusion/Reflection21,22 Diffusion Media, Non-Flame Retardant† 25’ x 48” 21” x 24” Also Wide Rolls, Lite Rolls & Cine Sheets21,22 Diffusion Media, Flame Retardant† 25’ x 48” 21” x 24”22 Grid Cloth 22’ x 54” 21” x 24”22 Reflection Media 22’ x 60” 21” x 24” See page 25, regarding Mirror Gold

Glass SeriesGlass Series2 Glass Series Polyester n/a 24” x 24”2 Glass Series Dichroic n/a n/a Max 22” Diameter

Other PrOther Productsoducts28 Acrylic Panel n/a 4’ x 8’, 5’ x 8’19 Polarizer 19” Wide Sold by the foot1 Fluorescent Sleeve n/a n/a T5, T8, T12 up to 8’ long4 Quick Rolls 1” to 47” wide n/a 25’ long

† Tough Spuns in these rolls sizes by late 2003.

Using cheap imitations may rUsing cheap imitations may result in:esult in:

▼▼ Inaccurate color temperature shifts

▼▼ Premature fading and/or burning

▼▼ Poor color rendition

▼▼ Limited product availability

Look for these easy to identifymarkings to verify that yourproduct is Genuine LEE:

All roll cores area 2” or 1”diameter and have a labelinside with Lot and color ID

Sheets are labeled in the corner and separating tissue has color ID

Most cine products have color ID and length markings down one edge

Plastic sleeves (bags) are imprinted withLEE Filters and have product ID labels

Size & ForSize & For matmatSummarSummar yy

LL EE Filters is the ONLY lighting filter company in the world to own and operate its own factory.

LEE Filters - Quality and Consistency Guaranteed.

Genuine LEE

YYour Quick Guide to Rol l & Sheet S izesour Quick Guide to Rol l & Sheet S izes

8

FA

Qs FFAQsAQs

What colors frWhat colors from the LEE classic yellow swatch om the LEE classic yellow swatch work best for color mixing?work best for color mixing?Primary Colors: Red - 106 Mixing Primaries: Red - 164

Green - 139 Green - 124

Blue - 119/120 Blue - 119

NOTE: Above primary colors are very good choices when demonstratingcolor mixing theory.

Secondary Colors: Cyan - 115 Tricolor Filters: No. 25 = 026

Yellow - 101 (Lighting filter equiv. No. 47B = 195/120/085

Magenta - 128 to camera tri-colors.) No. 58 = 089/139

What is transmission vs. absorption?What is transmission vs. absorption?Transmission and absorption can be compared by their stop values.

Transmission (Y%) Absorption Example:

75% Y= .5 stop .15 abs = .5 stop Y = % Transmission

50% Y = 1 stop .3 abs. = 1 stop 767 Oklahoma Yellow Y=68.87%

25% Y = 2 stops .6 abs. = 2 stops 767 lets 68.87% of light pass

12.5% Y = 3 stops .9 abs. = 3 stops 767 has an absorption of .16, or .5 stops

What arWhat are the LEE colors used for chre the LEE colors used for chroma key?oma key?Chroma Key Blue: 132 or 119 Chroma Key Green: 089 or 124

What arWhat are the base material melting points?e the base material melting points?Polyester: 180° C; 356° F Polycarbonate: 280° C; 536° F

Some LEE colors are available on our “HT” base material; all of these colors arealso available on our standard polyester base material.

HT Filters are made with a polycarbonate base material instead of a polyester basematerial. The polycarbonate has a higher melting point allowing the filter to with-stand higher temperatures.

Manufactured to BS3944, the filter incorporates bright, powerful colorants on a modern base material of the highest quality. This, complemented by LEE Filters’high standards of color consistency and service, results in filters which exhibitflame retardancy, excellent reliability and extended life.

Tr y HT if the l ight ing

f ix ture you are us ing i s

quick to burn a ho l e

in the f i l t e r.

TTipip

What is High TWhat is High Temperaturemperature (HT) lighting filter?e (HT) lighting filter?

Y% Transmission located in swatch

Indication of HT availability inswatch book

Do you do custom colors? Do you do custom colors? We produce our lighting filters in high quantities to keep costs low.

Please call us if you have a need for a high quantity of a custom color.

9

Filter Stora

geFilter StorageFilter Storage

▼▼ Permanent, portable, and space saving

▼▼ Each module holds up to 500 sheets

▼▼ Features interlocking dowels that provide stability when stacking

▼▼ Caster base features heavy duty swivel locking casters

▼▼ Weight: 65 pounds per moduleDimensions: 25” x 23” x 16-3/4”

▼▼ Keep your loose sheets neat with this portable storage for 21” x 24” filter sheets

▼▼ Deep pocket - Holds up to 50 sheets of gel

▼▼ Secure velcro closures

▼▼ Convenient carrying handle

▼▼ Rugged, water resistant, 600D fabric

TT he LEE Filters’ Gel Module storage system is comprised ofindividual stackable modules and is designed to

provide permanent, portable storage and quick access whileoccupying minimum space. Each cabinet includes 10 shelveseach capable of holding 50 filter sheets, sized up to 21” x 24”.

GM Gel Module

GMD Gel Module Deluxe

GMCB Caster Base

GR Gel-LEE Roll


2 Gel Modules and a Caster Base

Gel-LEE Roll Interior

Gel Module DeluxeNewNew

Gel-LEE RollNewNew

Gel -LEE Rol lGel -LEE Rol lGel ModulesGel Modules

10

Com

pa

rato

r

The following pages enable you to identify the LEE Filters’ equivalents to other manufacturers’ products.The columns to the right of the product descriptions represent the following:

CLOse: Close match - color and density within 10%

SIMilar: Similar - LEE product is of a similar color density but may be of a different hue

COMbination: - Combination of LEE Filters required to give a similar comparison

The reverse, blocked numbers are those which LEE Filters have no direct comparison with any particular manufacturers’ product, and are placed relative to their nearest color type. An asterisk denotes that a color is available as an HT(polycarbonate filter).

Lighting Filter Comparator

RoscoluxNo. Name CLO SIM COM


ComparatorComparator

00 Clear 13001 Light Bastard Amber 17602 Bastard Amber 16203 Dark Bastard Amber 10804 Medium Bastard Amber 004*05 Rose Tint 15406 No Color Straw 21207 Pale Yellow 007*08 Pale Gold 10309 Pale Amber Gold 009*10 Medium Yellow 010*

76511 Light Straw 10212 Straw 010*13 Straw Tint 013*14 Medium Straw 10415 Deep Straw 015*16 Light Amber 20417 Light Flame 77618 Flame 14719 Fire 019*20 Medium Amber 02021 Golden Amber 021*22 Deep Amber 022*

15823 Orange 778*24 Scarlet 024*25 Orange Red 16426 Light Red 026*27 Medium Red 027*

74630 Light Salmon Pink 17631 Salmon Pink 10732 Medium Salmon Pink 19333 No Color Pink 035*34 Flesh Pink 036*35 Light Pink 035*36 Medium Pink 036*37 Pale Rose Pink 03938 Light Rose 24739 Skelton Exotic Sangria 128+17040 Light Salmon 176+17641 Salmon 193+19342 Deep Salmon 107+14843 Deep Pink 002+154

33244 Middle Rose 00245 Rose 128+23046 Magenta 046*47 Light Rose Purple 136+17048 Rose Purple 04849 Medium Purple 12650 Mauve 238+19251 Surprise Pink 248+053*

52 Light Lavender 052*53 Pale Lavender 053*54 Special Lavender 70255 Lilac 70956 Gypsy Lavender 180+20357 Lavender 19458 Deep Lavender 058*

707*59 Indigo 181*

19860 No Color Blue 20261 Mist Blue 061*62 Booster Blue 72563 Pale Blue 063*64 Light Street Blue 16165 Daylight Blue 19666 Cool Blue 11767 Light Sky Blue 16568 Sky Blue 06869 Brilliant Blue 141*

72470 Nile Blue 14071 Sea Blue 298+14472 Azure Blue 144

172*73 Peacock Blue 144+21274 Night Blue 119*76 Light Green Blue 183+24177 Green Blue 132*78 Trudy Blue 71279 Bright Blue 079*80 Primary Blue 079*81 Urban Blue 07582 Surprise Blue 137+197*83 Medium Blue 119*84 Zephyr Blue 197*85 Deep Blue 085*

73886 Pea Green 121*87 Pale Yellow Green 24588 Light Green 24489 Moss Green 089*90 Dark Yellow Green 090*91 Primary Green 090*+24192 Turquoise 117+24493 Blue Green 21994 Kelly Green 124+353

32595 Medium Blue Green 116*96 Lime 007*+24697 Light Grey 20998 Medium Grey 21099 Chocolate 156304 Pale Apricot 151

*Color is also available as an HT (polycarbonate) filter.

11

Com

pa

rator

ComparatorComparatorC o n t i nC o n t i n u e du e d


Rosco StoraroNo. Name CLO SIM COM

2001 VS Red 026*2002 VS Orange 147+1082003 VS Yellow 1042004 VS Green 090*2005 VS Cyan 241+1312006 VS Azure 079*2007 VS Blue 161+1702008 VS Indigo 345+3662009 VS Violet 048+1942010 VS Magenta 002+136


305 Rose Gold 154310 Daffodil 009*+244312 Canary 101

764316 Gallo Gold 236317 Apricot 237318 Mayan Sun 151+176321 Soft Golden Amber 134

789332 Cherry Rose 192+192333 Blush Pink 248+279336 Billington Pink 039337 True Pink 247+249

148339 Broadway Pink 128342 Rose Pink 192+332343 Neon Pink 002+192344 Follies Pink 002+003346 Tropical Magenta 795

797349 Fisher Fuchsia 128+202351 Lavender Mist 169355 Pale Violet 142356 Middle Lavender 137+248357 Royal Lavender 180358 Rose Indigo 343+048359 Medium Violet 165+048360 Clearwater 202362 Tipton Blue 174363 Aquamarine 117364 Blue Bell 063*+281365 Tharon Delft Blue 201+279367 Slate Blue 161370 Italian Blue 115*

729*371 Theatre Booster 1 201372 Theatre Booster 2 202373 Theatre Booster 3 203376 Bermuda Blue 354+248

715*378 Alice Blue 200382 Congo Blue 181*383 Sapphire Blue 120*385 Royal Blue 713*386 Leaf Green 121388 Gaslight Green 138+007*389 Chroma Green 203+122

327395 Teal Green 131+219397 Pale Grey 298398 Neutral Grey 209

GamColorNo. Name CLO SIM COM101 Lavender Blue 341103 Blue Rose 341+248104 Broadway Pink 003+039105 Antique Rose 247105X 3/4 Antique Rose 248+249106 1/2 Antique Rose 248107 1/4 Antique Rose 249108 1/8 Antique Rose 279109 Naked Pink 279110 Dark Rose 328120 Bright Pink 328130 Rose 002135 Soft Pink 110140 Dark Magenta 128

793150 Pink Blush 107+328152 Party Pink 039154 Baby Pink 035*155 Light Pink 248160 Chorus Pink 110170 Dark Flesh Pink 192180 Cherry 111+111190 Cold Pink 107195 Nymph Pink 107220 Pink Magenta 113235 Pink Red 148+166245 Light Red 026*250 Medium Red XT 026*

166260 Rosy Amber 153+153270 Red Orange 182280 Fire Red 781

025290 Fire Orange 135305 French Rose 151+249310 English Rose 176315 Autumn Glory 778*320 Peach 152+176

779323 Indian Summer 237+249324 Dark Bastard Amber 237325 Bastard Amber 152327 Pale Sepia 279+444328 Tan Tone 298+152330 Sepia 004*+209335 Coral 134+162338 Forever Amber 162340 Light Bastard Amber 162341 Cold Bastard Amber 443+279342 Cantaloupe 776343 Honey 204+223345 Deep Amber 778*350 Dark Amber 105

777355 Amber Flame 105360 Amber Blush 205363 Sand 223364 Pale Honey 206365 Warm Straw 103370 Spice 156+205375 Flame 147380 Golden Tan 232+206382 Brass 020*385 Light Amber 236386 Apricot 204388 Gold Rush 020*390 Walnut 147*+211395 Golden Sunset 103*+204

179355 Amber Flame 105

12

ComparatorComparatorC o n t i nC o n t i n u e du e d

Com

pa

rato

r

GamColorNo. Name CLO SIM COM

360 Amber Blush 205363 Sand 223364 Pale Honey 206365 Warm Straw 103370 Spice 156+205375 Flame 147380 Golden Tan 232+206382 Brass 020*385 Light Amber 236386 Apricot 204388 Gold Rush 020*390 Walnut 147+211395 Golden Sunset 103+204

179410 Yellow Gold 102+162420 Medium Amber 102430 Warm Ivory 298+205433 Double Ivory 206435 Ivory 223440 Very Light Straw 159450 Saffron 101455 Yellow Sun 013*+102460 Mellow Yellow 013*+244470 Pale Gold 013*+244475 Pale Yellow 007*480 Medium Yellow 010*

100510 No Color Straw 212515 Lime Yellow 159+278520 New Straw 245525 Lime Sun 246535 Lime 245540 Pale Green 244

088570 Light Green Yellow 121*650 Grass Green 090*655 Rich Green 139*660 Medium Green 122*670 Emerald Green 090*

735680 Kelly Green 117+243685 Pistachio 322690 Bluegrass 115*+213710 Blue Green 117+241720 Light Steel Blue 117

728725 Princess Blue 354730 Azure Blue 117+298740 Off Blue 118*

GamColorNo. Name CLO SIM COM

366750 Nile Blue 183

352760 Aqua Blue 143+159770 Christel Blue 353+218780 Shark Blue 140785 Beverly Blue 725790 Electric Blue 061*+061*810 Moon Blue 165815 Moody Blue 161820 Full Light Blue 063*830 North Sky Blue 061*835 Aztec Blue 079*840 Steel Blue 174841 Diamond Blue 174+201842 Whisper Blue 202+218845 Cobalt 721*847 City Blue 719848 Bonus Blue 719850 Blue (Primary) 195*855 Blue Jazz 713*860 Sky Blue 201870 Winter White 218872 Opera White 203880 Daylight Blue 201+249882 Southern Sky 201+053*885 Blue Ice 203888 Blue Belle 201890 Dark Sky Blue 085*

716*905 Dark Blue 120*910 Alice Blue 344+203915 Twilight 344+197*920 Pale Lavender 003925 Cosmic Blue 197*+058*

071930 Real Congo Blue 181*940 Light Purple 344945 Royal Purple 048+197*948 African Violet 048+197*950 Purple 058*960 Medium Lavender 003+052*970 Special Lavender 704980 Surprise Pink 136985 Ripe Plum 126+174987 Wild Plum 126+174990 Dark Lavender 345995 Orchid 126


Lighting Design by Rick Fisher

13

Mu

sic Pa

cksMusic PacksMusic Packs

TT hese convenient, pre-cut 10” x 10” sheets of LEE polyesterfilters come complete with instructions on how to use

color to enhance the mood of your music. They are perfect for use in small night clubs and are packaged in four different sets:Rock ’n Roll, Blues/Jazz, Soft Sides and the DJ Pack.

▼▼ Pre-cut 10” x 10” sheets of lighting filter

▼▼ 12 sheet per pack

▼▼ Per fect fit for any Par 64 light

▼▼ Packaging can be usedfor convenient storage

▼▼ Combine filters to makemany dif ferent colors

▼▼ Offers creative solutionsfor visual control of any stage show

Packs Include:

Rock ’n RollNo. Name116 Medium Blue-Green128 Bright Pink158 Deep Orange181 Congo Blue

Blues/JazzNo. Name009 Pale Amber Gold058 Lavender143 Pale Navy Blue195 Zenith Blue

Soft SidesNo. Name048 Rose Purple132 Medium Blue327 Forest Green341 Plum

DJ PackNo. Name015 Deep Straw020 Medium Amber024 Scarlet026 Bright Red048 Rose Purple068 Sky Blue116 Medium Blue-Green181 Congo Blue323 Jade325 Mallard Green328 Follies Pink343 Special Medium Lavender

Material: Various colors of polyester filmColor: From LEE’s yellow swatch bookSize: 10” x 10” squares

Part No. Description

RRP Rock ‘n RollBJP Blues/Jazz SSP Soft Sides DJP DJ Pack


New to Light ing Des ign?

DJ Packs are an ideal way

to exper iment wi th co lor !

TTipip

14

Pa

tter

ns

(Gob

os) PatterPatterns (Gobos)ns (Gobos)


LEE Filters PatterLEE Filters Patter ns arns are available in thre available in three sizes:ee sizes:(examples below are not actual size)

Size ASize ACan be used with:

• Altman Shakespeare• ETC Source 4 Ellipsoidal• Molelipso 5• Strand Alto, Brio,

4-1/2” Leko, Toccata• Colortran Ellipsoidal,

Mini Ellipse

Size BSize BCan be used with:

• Altman Shakespeare• Strand Leko• ETC Source 4 Ellipsoidal• Colortran Ellipsoidals

Size MSize MCan be used with:

• ETC Source IV Jr.• Strand Quartet

“Mesh” type patterns not available in size M

SS elect from more than 400 exciting LEE Patterns to add exotic texture, enhance sceneryand create new dimensions in your design. For your convenience, LEE Filters’ Patterns

are arranged in 15 groups: Shapes and Breakups, Landmarks, Windows, Trees, etc. LEEFilters Patterns are made from high quality stainless steel with a thickness of .006mm.

Contact LEE Filters for our latest Gobo Catalog.Material: Stainless SteelColor: NoneSize: See A, B, or M above

A86mminnerdia.

100mmouterdia.

66mminnerdia.

86mmouterdia.

66mmouterdia.

B

M49mminnerdia.

15

Pa

tterns (G

obos)PatterPatter ns (Gobos)ns (Gobos)C o n t i nC o n t i n u e du e d

Patterns can be used in different ways to enhance a stage design:

▼▼ Patterns create texture on stage. A ‘flat’ composition can appear tohave more depth due to the highlightand shadow created by a pattern.

▼▼ Patterns are often used in place of scenery to establish locale, season, or time of day.

▼▼ Patterns create great visuals on backdrops, cyclorama and otherscenic elements.

TTipsips



16

70

0

Seri

es700 Series 700 Series

LL ighting designers always have color in their minds. Whether they are creating aromantic moonlit setting or a feisty, angry backdrop, they know which colors they

need to achieve the effect. Although LEE Filters has a plethora of lighting filters available, the designer may sometime feel that the color is not quite right.

In 1998, Lee decided to offer lighting designers aunique opportunity - to turn their ideas into reali-ties. Over the last 5 years, more than 12 leadinglighting designers have used the company's facilitiesto turn the colors in their minds into reality.

The LEE Filters 700 Series of lighting filters is adirect result of the work undertaken by the design-ers at Lee's facilities in Andover, England. Within thecourse of a day, each designer was able to create aspecific solution to enhance a mood or effect.Working closely with Lee's research and develop-ment team, they took their ideas forward by mixingand blending, producing the samples for testing andfield trials, and fine tuning each color until they hadachieved exactly the effect they wanted. The colorswere named and added to the 700 series followingthe very stringent quality control process that LEE Filters is famous for.

Lighting Design by Durham Marenghi

Color CrColor Created by Designers, for Designerseated by Designers, for Designers


17

70

0 Series

700 Series700 SeriesC o n t i nC o n t i n u e du e d


Rick FisherRick FisherSteel Green, Velvet Green"I had a very productive day at Lee, resulting intwo colors which, although similar, spokedifferent languages."

David HerseyDavid HerseyOcean Blue, Old Steel Blue, Wheat, SunColour Straw, Nectarine, Bastard Pink"Most colors were chosen because of the differences in going from the old gel base to the more modern materials."

Andy LiddleAndy LiddleTerry Red, J. Winter Blue, JAS Green"After 20 years in lighting, I promise to neverthrow a piece of color on the stage again, nowI know what it takes to develop and make!"

DurDurham Marham MarenghienghiSpecial Pale Lavender, Lily, Lily Frost,Durham Daylight Frost, Durham Frost,Moroccan Pink, Moroccan Frost"...I appreciate you finding the time to talk todesigners such as myself about your products."

Notes FrNotes From a Few of the om a Few of the Lighting DesignersLighting Designers

No. Name

702 Special Pale Lavender704 Lily705 Lily Frost707 Ultimate Violet*709 Electric Lilac711 Cold Blue712 Bedford Blue713 J. Winter Blue*714 Elysian Blue715 Cabana Blue*716 Mikkel Blue*717 Shanklin Frost718 Half Shanklin Frost719 Colour Wash Blue720 Durham Daylight Frost

No. Name

721 Berry Blue*722 Bray Blue724 Ocean Blue725 Old Steel Blue728 Steel Green729 Scuba Blue730 Liberty Green735 Velvet Green738 JAS Green*746 Brown748 Seedy Pink763 Wheat764 Sun Colour Straw765 Lee Yellow767 Oklahoma Yellow

No. Name

774 Soft Amber Key 1775 Soft Amber Key 2776 Nectarine777 Rust778 Millennium Gold*779 Bastard Pink781 Terry Red789 Blood Red790 Moroccan Pink791 Moroccan Frost793 Vanity Fair794 Pretty ’n Pink795 Magical Magenta797 Deep Purple*798 Chrysalis Pink

700 Series Colors700 Series Colors

*Also available in HT (Polycarbonate).


Material: Thin polyester filmColor: Refer to 700 Series colors in LEE’s

yellow swatch bookSize: Sheets: 21” x 24”, rolls: 48” x 25’

S####* 21” x 24” sheetR####* 48” x 25’ rollSubstitute color number for ### when ordering.

18

Tec

hn

ica

l F

ilte

r Se

lect

orTTechnical Filterechnical FilterSelectorSelector

+400

+350

+300

+250

+200

+150

+100

+50

00

-50

-100

-150

-200

-250

-300

-350

-400

10000

9000

8000

7000

6000

5000

4000

3500

3000

2500

2000

2000

2500

3000

3500

4000

5000

6000

7000

8000

9000

10000

MIR

ED

SH

IFT

MIR

ED

SH

IFT

Clear Blue Sky

Daylight

ElectronicFlash

HMI

CID-5700k

Cool White/Daylight

Carbon Arc

White - 4300K

CSI

Warm White- 3600K

Tungsten Photoflood

Tungsten Lamp

Tungsten Lampat 80%

Tungsten Lamp65%

Tungsten Lamp50%

HouseholdLamp

High PressureSodium

Candle

Candle

High PressureSodium

Tungsten Lampat 50%

Tungsten Lampat 65%

HouseholdLamp

Tungsten Lamp at 80%

Tungsten Lamp

Tungsten Film

Tungsten Photoflood

Warm White - 3600K

White - 4300K CSI

Carbon Arc

Cool White / Daylight - 5700K

Electronic Flash

CID

HMI

Daylight

Clear Blue Sky

_

+ Converted SourceOriginal Source

DaylightFilm

+318 Twice full C.T.O.(204 + 204)

+268 One and a half C.T.O.(204 + 205)

+159 Full C.T.O.(204)Full C.T.O.+.3ND(207) Full C.T.O.+6ND(208)

+124 Three QuartersC.T.O.(285)

+109 HalfC.T.O.(205)

+64 Quarter C.T.O.(206)

+26 Eighth C.T.O.(228)

- 18 Eighth C.T.B.(218)

- 35 Quarter C.T.B.(203)

- 78 Half C.T.B.(202)

- 112 Three Quarters C.T.B.(281)

- 137 Full C.T.B.(201)

- 215 One and a half C.T.B.(201 +202)

- 274 Double C.T.B.(200)

+131(85B/85BN3/85BN6/85BN9)

+112(85/85N3/85N6/85N9)

+81(85C)

+53(81EF/81EFN3/81EFN6/81EFN9)+42 (81D)+35(81C)+27(81B)+18(81A)

+9(81)

-10 (82)

-21(82A)

-32(82B)

-45(82C)

-56(80D)

-81(80C)

-112(80B)

-131(80A)

(14) + 234

(13) + 219

(12) + 204

(11) +188

(10) + 173

(9) + 159

(8) + 144

(7) + 129

(6) + 113

(5) + 99

(4) + 83

(3) + 69

(2) + 54

(1) + 39

(FL5700-B) +137

(FL4300-B) + 80

(FL3600-B) + 35

(FL5700-D) + 6

(FL4300-D) - 51

(FL3600-D) - 96

(236)HMI to tungsten +134(237) CID to tungsten +131

(212) (Y1)L.C.T. to Yellow +62

(238) CSI to tungsten +49

3600 Kelvin -34

4300 Kelvin -79

5700 Kelvin -137

Daylight Conversion Tungsten Light Conversion Coral Tungsten to Fluorescent Conversion

ExampleExampleTo convert an original source of 6500K to 3200K. Theline has been drawn as an example. You will note that itcrosses the central band at just over +150 Mired Shift.This indicates that the Filter required is 204 Full CTO(also available with two degrees of Neutral Density).

KelvinKelvin

+160 FullC.T. Straw(441)

+81 HalfC.T. Straw(442)

+42Quarter C.T.Straw (443)+20 EighthC.T. Straw

C. T. Straws Fluorescent Light ConversionArc Correction Colour Temperature Adjustment inc Neutral Density

(243) Lee Fluorescent



How to useHow to useSimply draw a line from the Color temperature value of your original light source, tothat of the converted source. Where the line crosses the central band, read off theMired Shift value. For your convenience we have added the range of LEE LightConversion Filters at their relative appropriate positions.

MIRED SHIFT CALCULATIONTo calculate the Mired (Micro Reciprocal Degree)Shift value for any conversion, carry out the followingsimple calculation.

T1 is the colour temperature of the original lightsource in degrees Kelvin.

T2 is the colour temperature of the required source.

= Mired Shift Value1000000 100000T2 T1

19

Tech

nica

l Filters

TTechnical Filtersechnical Filters

TTungsten Light Conversionungsten Light Conversion(Sheets: 24” x 21” Rolls: 25’ x 48”, Lite Rolls available)

Product Description Kelvin Mired Transmission Absorption Chromaticity Co-ordinatesShift Y% x y

200 Double C.T.B. Converts Tungsten to Daylight 3200K to -274 16.2 0.79 0.179 0.15526000K approx

201 Full C.T.B. Converts Tungsten to 3200K to -137 34.0 0.47 0.228 0.233Photographic Daylight 5700K

281 3/4 C.T.B. Converts Tungsten to Daylight 3200K to -112 45.5 0.35 0.239 0.2585000K




Neutral DensityNeutral Density(Sheets: 24” x 21” Rolls: 25’ x 48”, Wide Rolls and Lite Rolls also available)

Product Description Transmission Absorption Chromaticity Co-ordinatesY% x y

299 1.2ND Reduces light 4 Stops, without changing color 6.6 1.18 0.308 0.315 211 .9ND Reduces light 3 Stops, without changing color 13.7 0.86 0.310 0.322210 .6ND Reduces light 2 Stops, without changing color 23.5 0.63 0.308 0.317209 .3ND Reduces light 1 Stop, without changing color 51.2 0.29 0.310 0.319 298 .15ND Reduces light 1/2 Stop, without changing color 69.3 0.16 0.311 0.319

PolarizerPolarizer(Rolls: 19” wide, sold by the foot.)

Product Description Mired Transmission Absorption Chromaticity Co-ordinatesShift Y% x y

239 Polarizer Made from 0.006” (150 micron) Triacetate +12.9 50.0 0.3 1 singleReduces glare and reflection. Use with LEE sheetPolarizing Camera Filter for increased 38.0 0.42 1-1/3 Axis uncrossedeffectiveness (double sheet)

<.05 >3 >10 Axis crossed(double sheet)

Daylight ConversionDaylight Conversion(Sheets: 24” x 21” Rolls: 25’ x 48”, Wide Rolls and Lite Rolls also available)

Product Description Kelvin Mired Transmission Absorption Chromaticity Co-ordinatesShift Y% x y

L85 Lee 85 Converts Daylight to 6500K to +159 55.9 0.25 0.421 0.389Tungsten Light 3200K

204 Full C.T.O. Converts Daylight to 6500K to +159 55.4 0.26 0.437 0.392Tungsten Light 3200K

285 3/4 C.T.O. Converts Daylight to 6500K to +124 61.3 0.21 0.400 0.387Tungsten Light 3600K




207 Full C.T.O. +.3ND Converts Daylight to Tungsten 6500K to +159 32.5 0.49 0.435 0.386and reduces light 1 stop 3200K

208 Full C.T.O. +.6ND Converts Daylight to Tungsten 6500K to +159 15.6 0.81 0.442 0.394and reduces light 2 stops 3200K

441 Full C.T. Straw Converts Daylight to Tungsten 6500K to +160 57.3 0.24 0.426 0.407Light with yellow bias 3200K

442 1/2 C.T. Straw Converts Daylight to Tungsten 6500K to +81 71.2 0.15 0.370 0.378Light with yellow bias 4300K



The following technical information applies to colored polyester filters found in LEE’s yellow swatch book, and also to the 7 colors of our Acrylic Panels. (see page 28).

20

Tec

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rs

ArArc Corc Cor rrection (Carbon-Regular)ection (Carbon-Regular)(Sheets: 24” x 21” Rolls: 25’ x 48”)


212 LC.T. Yellow (Y1) Reduces Color Temperature of low carbon arcs 88.7 0.05 0.340 0.363to 3200K

213 White Flame Green Corrects White Flame Carbon arcs by absorbing 80.0 0.10 0.317 0.359ultra violet

FluorFluorescent Corescent Cor rrection Systemection System(Sheets: 24” x 21” Rolls: 25’ x 48”)


241 LEE Fluorescent Converts Tungsten to Fluorescent light of 5700K 27.4 0.56 0.231 0.2905700 Kelvin (cool white/daylight)

242 LEE Fluorescent Converts Tungsten to Fluorescent light of 37.3 0.43 0.262 0.3464300 Kelvin 4300K (white)

243 LEE Fluorescent Converts Tungsten to Fluorescent light of 3600K 45.7 0.34 0.286 0.3703600 Kelvin (warm white)

219 LEE Fluorescent General Tungsten to Fluorescent correction for 31.0 0.51 0.219 0.334Green use when color temperature is unknown

Plus GrPlus Green - een - Used on Daylight and Tungsten light sources to provide green cast when used in conjunction with discharge lighting.(Sheets: 24” x 21” Rolls: 25’ x 48”, Lite Rolls also available)


244 LEE Plus Green Approximately equivalent to CC30 Green 74.2 0.12 0.324 0.388camera filter

245 1/2 Plus Green Approximately equivalent to CC15 Green 81.7 0.08 0.319 0.355camera filter

246 1/4 Plus Green Approximately equivalent to CC075 Green 84.6 0.07 0.315 0.337camera filter

278 1/8 Plus Green Provides very slight green cast 87.7 0.06 0.313 0.327

Minus GrMinus Green - een - Used on lighting to eliminate unwanted green cast created by discharge light sources on film.(Sheets: 24” x 21” Rolls: 25’ x 48”, Lite Rolls also available)


247 LEE Minus Green Approximately equivalent to CC30 Magenta 57.8 0.22 0.325 0.279camera filter

248 1/2 Minus Green Approximately equivalent to CC15 Magenta 72.0 0.14 0.317 0.297camera filter

249 1/4 Minus Green Approximately equivalent to CC075 Magenta 82.4 0.08 0.312 0.307camera filter

279 1/8 Minus Green Provides very slight correction 86.5 0.06 0.312 0.311

TTechnical Filtersechnical FiltersC o n t i nC o n t i n u e du e d

ArArc Corc Cor rrection (Carbon-Color Balanced)ection (Carbon-Color Balanced)(Sheets: 24” x 21” Rolls: 25’ x 48”)


230 Super Correction Converts Yellow carbon arc (of low color 41.9 0.38 0.367 0.368LC.T. Yellow temperature) to Tungsten

232 Super Correction Converts White Flame arc to 3200K, for use with 37.4 0.43 0.423 0.385Green to Tungsten Tungsten Film

ArArc Corc Cor rrection (Compact Sourection (Compact Source)ce)(Sheets: 24” x 21” Rolls: 25’ x 48”)


236 HMI(to Tungsten) Converts HMI to 3200K, for use with 58.2 0.24 0.426 0.376Tungsten film

237 CID (to Tungsten) Converts CID to 3200K, for use with 38.5 0.41 0.430 0.365Tungsten film (same as Rosco 3310 Fluorofilter)

238 CSI (to Tungsten) Converts CSI to 3200K, for use with 29.8 0.53 0.372 0.331Tungsten film

21

Diffu

sion

▼▼ White Diffusion (Complete over-all diffusion, eliminates beamedge and softens shadows)

▼▼ Spuns (Overall diffusion, softens shadows, leaves beam intact)

▼▼ Frosts (Softens beam edge, softens shadows, leaves beam intact)

▼▼ Grids (Fabric diffusion ideal for outdoor use)

▼▼ Silks (Spreads light uni-directionally along an axis)

▼▼ Reflection (Creates Diffusion by bouncing light)

▼▼ Colored Diffusion

LL EE Filters’ broad range of diffusion materials are designed to modify the harsh, directionalquality of entertainment lighting fixtures by softening and spreading the beam. Each of LEE

Filters several diffusion categories offers a comprehensive range, providing various levels of beamsoftening and spreading for precise control of highlights and shadows. Samples of all these products available in LEE’s yellow swatch book.

White DifWhite Dif fusionfusionUsed for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths.(Sheets: 24” x 21”, 25’ x 48”, Wide Rolls and Lite Rolls also available)

Item F-Stop Value Transmission

216 Full White Diffusion 1-1/2 36%416 3/4 White Diffusion 1 50%250 1/2 White Diffusion 3/4 60%450 3/8 White Diffusion 2/3 63%251 1/4 White Diffusion 1/3 80%252 1/8 White Diffusion 1/4 87.5%452 1/16 White Diffusion <1/4 >85%

No Diffusion

216 Full White Diffusion

Diffusion Categories

TTough Spunough SpunSoftens light, reduces intensity. Manufactured from non-woven Polyester.(Sheets: 24” x 21” Rolls: 25’ x 36”, Rolls: 25’ x 48” by Late 2003)

Item F-Stop Value Transmission

214 Full Tough Spun 2-1/2 18%215 1/2 Tough Spun 1-1/2 36%229 1/4 Tough Spun 3/4 60%

Non yellowing flame retardant spun Polyester material in five densities to givebetter light control.(Sheets: 24” x 21” Rolls: 25’ x 48”)

261 Full Tough Spun 2 25%262 3/4 Tough Spun 1-2/3 32%263 1/2 Tough Spun 1-1/3 41%264 3/8 Tough Spun 1 50%265 1/4 Tough Spun 3/4 60%

215 1/2 Tough Spun

DifDif fusionfusion

22

Dif

fusi

on

Other DifOther Dif fusionsfusions(Sheets: 24” x 21” Rolls: 25’ x 48”)

Item F-Stop Value Transmission Description

228 Brushed Silk 3/4 60% Directional soft light effects used for scattering light in one direction.400 LeeLux 1-1/2 36% A dense white diffuser used for soft light effects.

(125 micron Polyester base)

FrFrostost(Sheets: 24” x 21” Rolls: 25’ x 48”, Lite Rolls, also available)

Item F-Stop Value Transmission Description

253 Full Hampshire Frost 1/4 85% Light frost effect256 1/2 Hampshire Frost <1/4 >85% Extra Light frost effect257 1/4 Hampshire Frost <1/4 >85% Extra Light frost effect258 1/8 Hampshire Frost <1/4 >85% Extra Light frost effect

410 Opal Frost 1/2 71% Softens spotlight beam edges without altering shape.

420 Light Opal Frost 1/4 87% Similar to Opal Frost, but lessdiffuse.

255 Hollywood Frost <1/3 83% Light frost effect - Softens edge.

129 Heavy Frost* 1-2/3 25% Used for soft light effects. 220 White Frost* 1-1/3 41% Used for soft light effects.254 New Hampshire Frost* <1/4 >85% Used for soft light effects.750 Durham Frost* 1/4 >85% Almost completely softens

shutter edges and removes hot spots.*Indicates Flame Retardant Base Material

GridsGrids(Sheets: 24” x 21” Rolls: 22’ x 54”)

Item F-Stop Value Transmission Description430 Grid Cloth 2-1/2 18% A waterproof textile/fabric diffusion that is reinforced to432 Light Grid Cloth 1-3/4 30% allow it to be sewn or grommetted - ideal for attaching to434 1/4 Grid Cloth 3/4 60% large frames. Comes in three weights.

460 Quiet Grid Cloth 2-3/4 15% A textile/fabric diffusion that is reinforced to allow it to be sewn or 462 Quiet Light Grid Cloth 2-1/4 22% grommetted - ideal for attaching to large frames, but is quiet 464 Quiet 1/4 Grid Cloth 1-1/2 50% when used in windy conditions. Comes in three weights.

ReflectorReflectorUsed to bounce light with either hard or soft reflection

(Sheets: 24” x 21” Rolls: 22’ x 5’)Item Description

271 Mirror Silver Produces hard reflection. White backed.272 Soft Gold Reflector Produces soft reflection. White backed. Mired shift +45.273 Soft Silver Reflector Produces soft reflection. White backed.274 Mirror Gold* Produces hard reflection. White backed. Mired shift +45.

ScrimScrim(Sheets: 24” x 21” Rolls: 22’ x 60”)Item F-Stop Value Transmission Description

270 LEE Scrim 1-1/2 36% Perforated reflector producing a very soft reflection. Silver on one side and black on reverse.

275 Black Scrim 1-1/2 36% A flexible perforated material that is black on both sides. Can be used on windows to reduce light intensity, without causing any unwanted reflections.

Reflection Media

DifDif fusion/fusion/ReflectionReflection

253 Full Hampshire Frost

*available late 2003, currently 54” x 22’

23

Diffu

sion

EFF

EC

TS

DIF

FUSI

ON

FRO

ST

NON FLAME RETARDANT FLAME RETARDANT

REFLECTION MEDIA

TO

UG

H S

PUN

FRO

ST

252Eighth WhiteDiffusion

251Quarter WhiteDiffusion

255Hollywood Frost

253Hampshire Frost

256Half HampshireFrost

257QuarterHampshire Frost

258EighthHampshire Frost

420Light OpalFrost

410Opal Frost

HT 254NewHampshireFrost

265Tough SpunFR Quarter

250Half WhiteDiffusion

416Three QuarterWhite Diffusion

450Three EighthWhite Diffusion

400LeeLux

452SixteenthWhite Diffusion

228BrushedSilk

229QuarterTough Spun

264Tough SpunFR ThreeEighths

271Mirror Silver

274Mirror Gold

215HalfTough Spun

263Tough SpunFR Half

220White Frost

221Blue Frost

270Lee Scrim

216WhiteDiffusion

217BlueDiffusion

262Tough SpunFR ThreeQuarters

225NeutralDensity Frost

224Daylight BlueFrost

261Tough SpunFR Full

129Heavy Frost

273Soft SilverReflector

214FullTough Spun

272Soft GoldReflector

270Lee Scrim

280Black Foil

REF

LEC

TIO

N

1/2

3/4

1

11/2

2

21/2

3

>4

F -

STO

P

TO

UG

H S

PUN

229QuarterTough Spun

215HalfTough Spun

214FullTough Spun

GR

ID C

LOT

H

464QuietQuarterGrid Cloth

432Light GridCloth

430Grid Cloth

460QuietGrid Cloth

1/4

434QuarterGrid Cloth

462Quiet LightGrid Cloth

DifDif fusion Selectorfusion SelectorThis chart enables you to quickly establish the degree of diffusion you will require for any particularcinematographic, photographic or stage lighting situation. Each type of diffusion and reflection mediais listed relative to its approximate f-stop increase (on the central band) as a guide only. Refer to LEE’syellow swatch book for samples of these products.

24

Dif

fusi

onDifDif fusionfusion

C o l o r e dC o l o r e dD i f f u s i o nD i f f u s i o n

(Sheets: 24” x 21” Rolls: 25’ x 48”)

Item Transmission Absorption Chromaticity Co-ordinates DescriptionY% x y

184 Cosmetic Peach 58.6% 0.23 0.328 0.328 A warm highlight, good for warm front light-good for most skin tones

185 Cosmetic Burgundy 57.7% 0.24 0.324 0.319 A warm highlight, good for warm front light-complimentary for most skin tones-one of the most popular Cosmetics

186 Cosmetic Silver Rose 59.7% 0.22 0.323 0.308 A warm highlight, leaning towards pink-brings out pink pigments in skin tones

187 Cosmetic Rouge 58.8% 0.23 0.336 0.328 A warm highlight leaning towards apricot,good for warm front light-complimentary to most skin tones, beware ofpale skin, it tends to look pink (almost sunburned) under this color

188 Cosmetic Highlight 66.3% 0.18 0.330 0.327 A warm highlight, leaning toward amber-good for warm front light-good for complimenting most skin tones

189 Cosmetic Silver Moss 71.7% 0.15 0.327 0.347 A cool highlight, appears to be yellow greenavoid using on darker skin tonesor very pale skin

190 Cosmetic Emerald 67.1% 0.17 0.307 0.327 A cool highlight, appears to be blue green

191 Cosmetic Aqua Blue 65.8% 0.18 0.300 0.318 A cool highlight, leaning toward blue-good for cool front light

(Sheets: 24” x 21” Rolls: 25’ x 48”)

Item F-Stop Value Transmission Description217 Blue Diffusion 1-1/2 36% As White Diffusion, but with the addition

of 1/8 CTB.

221 Blue Frost* 1-1/3 42% As White Frost but with the addition of 1/8 CTB

224 Daylight Blue Frost 2-1/4 22% Soft light effect with tungsten correction using C.T. Blue.

225 Neutral Density Frost 2 25% Soft light effect with neutral density.

720 Durham Daylight Frost* 1-2/3 32.3% Smoothes PAR or flood washes of large areas. Useful for houselights; good for entrances fromnatural light.

Item Transmission Absorption Chromaticity Co-ordinates DescriptionY% x y

705 Lily Frost 38.5% 0.42 0.264 0.217 Smoothes PAR or flood washes or large areas. -useful for houselights, a good color wash for evening events

774 Soft Amber Key 1 70.6% 0.15 0.366 0.348 Used for producing a warm key light color

775 Soft Amber Key 2 58.4% 0.23 0.409 0.363 Used for producing a warm key light color

791 Moroccan Frost 57.2% 0.24 0.376 0.322 Smoothes PAR or flood washes or large areas. -useful for houselights, good for interiorcolor washes

*Indicates flame retardant base material

LL EE Filters has eight Cosmetic Colors specifically formulated to enhance skin tones without affecting the originalquality of light. Cosmetic Colors are used in a wide variety of applications, including theatre, motion

picture, video and still photographic.

These filters were developed to reduce the harsh “white” light look found in some television and film situations.Since the Cosmetic Colors have a relatively flat transmission across the full spectrum, they can be used withoutaffecting the overall “color” of the light. As indicated in the wavelength transmission chart in your swatchbook,each filter causes only minimal amounts of change to the color itself. The resulting pale tints are combinedwith a subtle amount of diffusion which softens the effect of the filter.

Refer to the LEE yellow swatch book for samples of these products.

Cosmetic Colors

Colored FrostsRefer to the LEE yellow swatch book for samples of these products.

25

Wid

e RollsWWide Rollside RollsMorMore coverage when you need it!e coverage when you need it!

FF or some applications, our standard 48” roll widths are just not enough. For theseapplications our CTO’s, NDs and 216 are also available in special 5’wide by 20’ long

rolls. In addition, our standard rolls of Reflection and Grid Cloth diffusions are alsowider than 48”. Refer to the complete list below for more details.

Daylight Conversion (5’ x 20’)RL85W LEE 85R204W Full CTOR205W 1/2 CTO R206W 1/4 CTOR223W 1/8 CTO

Neutral Density (5’ x 20’)R298W .15 NDR209W .3 NDR210W .6 NDR211W .9 NDR299W 1.2 ND

Diffusion (5’ x 20’)R216W Full White Diffusion

Reflection (5’ x 22’)R270 LEE Scrim (silver/black)R275 Black ScrimR274 Mirror Gold*R271 Mirror SilverR272 Soft Gold ReflectorR273 Soft Silver Reflector

Grid Cloth Diffusion (54” x 22’)R430 Grid ClothR432 Light Grid ClothR434 1/4 Grid ClothR460 Quiet Grid ClothR462 Quiet Light Grid ClothR464 Quiet 1/4 Grid Cloth


▼▼ CorCor rrectionsectionsDaylight Conversion

Neutral Density

▼▼ ReflectionsReflectionsScrims

Mirrors

Soft Reflectors

Silver and Gold

▼▼ DifDif fusionsfusionsFull White

Grid

Quiet Grid

Material: Various films and fabricsColor: Refer to numbers in LEE’s yellow swatch bookSize: See below

NewNew

*available late 2003, currently 54” x 22’

26

Lit

e R

olls

/1”

Cor

e R

olls

Lite Rolls/Lite Rolls/1” Cor1” Core Rollse Rolls

▼▼ Less waste, more af fordable

▼▼ All rolls 48” x 17’ - 69 sq. ft.on a compact, 1” core

▼▼ Available in the most popularcorrections & diffusions


When Space is a PrWhen Space is a Premium!emium!

Lite RollsLite Rolls 1” Cor1” Core Rollse Rolls

Tungsten Light ConversionR201/17 R201/1 Full CTBR202/17 R202/1 1/2 CTBR203/17 R203/1 1/4 CTBR218/17 R218/1 1/8 CTB

Daylight Conversionn/a RL85/1 LEE 85R204/17 R204/1 Full CTOR205/17 R205/1 1/2 CTOR206/17 R206/1 1/4 CTOR223/17 R223/1 1/8 CTOR441/17 R441/1 Full CT StrawR442/17 R442/1 1/2 CT StrawR443/17 R443/1 1/4 CT StrawR444/17 R444/1 1/8 CT Straw

Neutral DensityR209/17 R209/1 .3 NDR210/17 R210/1 .6 NDR211/17 R211/1 .9 ND

Plus GreenR244/17 R244/1 LEE Plus GreenR245/17 R245/1 1/2 Plus GreenR246/17 R246/1 1/4 Plus GreenR278/17 R278/1 1/8 Plus Green

Minus GreenR247/17 R247/1 LEE Minus GreenR248/17 R248/1 1/2 Minus GreenR249/17 R249/1 1/4 Minus GreenR279/17 R279/1 1/8 Minus Green

DiffusionR216/17 R216/1 Full White DiffusionR250/17 R250/1 1/2 White DiffusionR251/17 R251/1 1/4 White Diffusion

FrostR410/17 R410/1 Opal FrostR420/17 R420/1 Light Opal FrostR253/17 R253/1 Hampshire FrostR256/17 R256/1 1/2 Hampshire Frost

▼▼ New size – 1” core!

▼▼ Fits smoothly inside standard 2" core

▼▼ 48” x 25’

▼▼ Available in LEE’s most popular corrections & dif fusions

▼▼ Same product, same price, smaller core size!

Add /17 for Lite Rolls. Add /1 for 1” Core Rolls.Material: Various films and fabrics; refer to LEE’s yellow swatch bookColor: Refer to numbers in LEE’s yellow swatch bookSize: 48” x 17’ (/17) or 48” x 25’ (/1)

Lite Rolls - note special labeling

2” core, 1” core and 1” core inside 2” core

NewNew

27

Cin

e Sheets

LL EE Filters offers pre-cut 4’x4’ sheets of our most popular color corrections, diffusions,and frosts. They are packaged in roll cores and sold two 4’x4’ sheets per core.

▼▼ Standard size 4’ x 4’

▼▼ Save time and money

▼▼ Per fect when you only need two 4’ x 4’ frames

▼▼ Packed in roll cores for safe and easy storage

Tungsten Light ConversionCC201 Full CTBCC202 1/2 CTBCC203 1/4 CTB

Daylight ConversionCC204 Full CTOCC205 1/2 CTOCC206 1/4 CTO

CC441 Full CT StrawCC442 1/2 CT StrawCC443 1/4 CT Straw

DiffusionCC216 Full White DiffusionCC416 3/4 White DiffusionCC250 1/4 White DiffusionCC450 3/8 White DiffusionCC251 1/4 White DiffusionCC452 1/16 White Diffusion

FrostCC253 Hampshire FrostCC400 LeeLuxCC410 Opal FrostCC420 Light Opal Frost


Cine SheetsCine Sheets

Material: Various polyester filmsColor: Refer to numbers in LEE’s yellow swatch bookSize: 4’ x 4’ sheets, packaged 2 of the same sheets together

28

Acr

ylic

Pa

nel

s AcrAcr ylic Panelsylic Panels

LL EE Filters introduces color matched acrylic lighting filters, designed specificallyto suit the needs of the location lighting market. These panels are available in

seven correction colors: CTO’s, Neutral Densities (ND) and combinations of bothCTO and ND - a market exclusive!

▼▼ Seven technical colors

▼▼ 5’ x 8’ and 4’ x 8’ sheets, 1/8” thick

▼▼ Panels can be cut like wood or aluminum using power or hand tools

▼▼ Wash with mild soap or detergent and water

4’ x 8’

Daylight ConversionA204 Full CTOA205 1/2 CTO

ComboA207 Full CTO + .3 NDA208 Full CTO + .6 ND

Neutral DensityA209 .3 NDA210 .6 NDA211 .9 ND

5’ x 8’

Daylight ConversionA204/5 Full CTO

Neutral DensityA209/5 .3 NDA210/5 .6 NDA211/5 .9 ND


NewNew

NewNew

Material: Rigid acrylic sheetColor: See below, or refer to LEE’s yellow swatch bookSize: 4’ x 8’ or 5’ x 8’ (/5); 1/8” thick

29

Ligh

ting P

acks

Lighting PacksLighting Packs

EE verything you need to control common lighting conditions. Each pack contains a select assortment of12” x 12” precut sheets of LEE polyester lighting filter. Rugged vinyl pouch is ideal for portable storage.

Master LocationMaster LocationPackPackOur largest variety of color corrections,effect, and light shaping tools to provide the control you need to masterany lighting condition. (36 sheets)

No. Name200 Double CTB201 Full CTB202 1/2 CTB203 1/4 CTB204 Full CTO205 1/2 CTO206 1/4 CTO216 Full White Diffusion250 1/2 White Diffusion251 1/4 White Diffusion210 .6 ND106 Primary Red126 Mauve181 Congo Blue738 JAS Green187 Cosmetic Rouge188 Cosmetic Highlight791 Moroccan Frost775 Soft Amber Key 2720 Blue Durham Frost244 Plus Green245 1/2 Plus Green219 Fluorescent Green270 LEE Scrim280 Black Foil

TTungsten to ungsten to Daylight PackDaylight PackConvert tungsten light sources todaylight. (12 sheets)

No. Name200 Double CTB201 Full CTB202 1/2 CTB203 1/4 CTB218 1/8 CTB720 Durham Daylight Frost

Daylight toDaylight toTTungsten Packungsten PackConvert daylight sources to tungsten.(12 sheets)

No. Name204 Full CTO285 3/4 CTO205 1/2 CTO206 1/4 CTO223 1/8 CTO208 Full CTO + .6ND Combo

DifDif fusionfusion PackPackSoften shadows, adjust contrast, shape light. (12 sheets)

No. Name216 Full White Diffusion250 1/2 White Diffusion251 1/4 White Diffusion400 LEE Lux410 Opal Frost253 Hampshire Frost

Color EfColor Ef fects Packfects PackColor the backdrop or draw focus with color. (12 sheets)

No. Name106 Primary Red139 Primary Green119 Dark Blue010 Medium Yellow790 Moroccan Pink181 Congo Blue

Cosmetic PackCosmetic PackEnhance skin tone by combining paletints with subtle diffusion. (12 sheets)

No. Name184 Cosmetic Peach187 Cosmetic Rouge188 Cosmetic Highlight186 Cosmetic Silver Rose775 Soft Amber Key 2791 Moroccan Frost

Quick Location PackQuick Location PackA variety of color corrections, effect,and light shaping tools to control common lighting conditions. (24 sheets)

No. Name201 Full CTB202 1/2 CTB204 Full CTO205 1/2 CTO216 Full White Diffusion250 1/2 White Diffusion210 .6 ND106 Primary Red181 Congo Blue738 JAS Green187 Cosmetic Rouge188 Cosmetic Highlight791 Moroccan Frost775 Soft Amber Key 2720 Blue Durham Frost270 LEE Scrim280 Black Foil

Part No. DescriptionTDP Tungsten to Daylight PackDTP Daylight to Tungsten PackDIFP Diffusion Pack CEP Color Effects Pack

Part No. DescriptionCOSP Cosmetic Pack LOCP Quick Location Pack MLOCP Master Location Pack


Essent ia l TEssent ia l Toolki t s for Light ing Controolki t s for Light ing Contr o lo l

Material: Various polyester films and other materialsColor: Refer to numbers in LEE’s yellow swatch bookSize: 12” x 12” sheets

30

Pro

tect

ion

Med

iaPrProtection Mediaotection Media

Black FoilBlack FoilA heavy duty aluminum foil with a robust matte black coating.Used to reduce unwanted light spill or to control unwanted lightreflection. Available in rolls 26’ x 24” or 50’ x 12”.

Heat ShieldHeat ShieldA transparent flexible polyester film used to extend the life of a filter. The shield should be placed between thelight source and the filter allowing distance between the shield and the filter. Air should be allowed to circulatearound the LEE Heat Shield.

Item Transmission Absorption Chromaticity Co-ordinates Y% x y

269 91.0% 0.04 0.311 0.317

Ultra VUltra V iolet Absorptioniolet AbsorptionA transparent flexible polyester film used to extend the life of a filter. Not suit-able for permanent UV blocking. Transmission of less than 50% at 410nms.

Item Transmission Absorption Chromaticity Co-ordinates Y% x y

226 91.5% 0.04 0.314 0.321

Part No. Description SizeS269 Heat Shield Sheet 21” x 24”

R269 Heat Shield Roll 48” x 25’

R280 Black Foil Roll 24” x 25’

R280-12 Black Foil Roll 12” x 50’

S226 LEE UV Sheet 21” x 24”

R226 LEE UV Roll 48” x 25’


Many LEE co lors

are a l so avai lab l e as

HT/polycarbonate .

Tr y HT i f the l ight

quick ly burns a ho l e

in the f i l t e r.

TTipip

Use b lackfo i l to

e l iminate l ight l eaks

f rom o lder l ight ing

f ix tures

TTipip

NewNew Now Heavier Foil and Coating

Swa

tch &

Litera

ture

31

Swatch BooksSwatch BooksPostersPosters

LiteraturLiteraturee

LEE Filters offers a series of posters covering essentialfiltration topics, together with comprehensive product listings.

Posters include:Filter ComparatorConversion CalculatorDaylight ConversionTungsten Conversion

LEE Filters also offers a comprehensive Gobo/PatternSelector poster.

The Pocket Edition -The Pocket Edition -A handy sized listing of all lighting

filter products, together with acomparator section which identifies

LEE Filters’ equivalents to othermanufacturers’ products.

LL EE Filters offers a comprehensive array of resources created to assist users in making their artistic and technical decisions. Please contact us if you would like to receive our latest swatch and literature.

Information on all LEE Filters products can be found on our website: www.leefiltersusa.com

The Classic YThe Classic Yellow ellow Designers’ Edition - FREE!Designers’ Edition - FREE!

With colors in chromatic groupings to aid incolor selection. Numeric index in the backmakes it easy to look up any color number.

The Glass Series - FREE! The Glass Series - FREE! A convenient guide to the colors we offer as

dichroic glass filters.

The Master Edition -The Master Edition -Very large format swatch of

lighting products. 5.25” x 9.5”Limited availability

SwatchSwatch &&LiteraturLiteraturee

Please v i s i t the pdf l ib rar y

avai lab l e in our webs i t e

i f you need to download

informat ion immediate l y.

TTipip

Lighting Edition Catalog -Lighting Edition Catalog -A comprehensive technical and artisticreference for all our lighting products.

Filter Comparator Poster

Gobo Pattern Poster Lighting Edition Catalog

32

Ca

mer

a P

rod

uct

Ove

rvie

wCamera PrCamera ProductoductOverOverviewview

The LEE System GrThe LEE System Growsowswith Ywith Your Systemour System

AccessoriesAccessories

Lens Filters Lens Filters

II n addition to our complete line of lighting filtration products, LEE Filters also offers a compre-hensive line of pro-quality filters, filter holders, hoods and accessories for almost any camera.

The LEE System of Filter Holders, Hoods and Filtersconnects with innovative Adapter Rings to almostany camera lens, which means that as your cameracollection expands, your LEE accessories are neverobsolete! In addition, the filter holder is custom-con-figurable to hold as many filters as you need. TheLEE System also allows for counter rotation of filtersand precise placement of filter grad lines. The LEESystem also includes Standard and Wide Angle lenshoods, with and without integral filter slots.

LEE Filters manufactures a wide array of pro-quality,optically pure resin and polyester filters. Both techni-cal and effect filters are available, included graduat-ed, stripe and star filters. The LEE Filter range alsoincludes glass polarizers and soft focus filters.

The LEE Camera Productline also includes prod-ucts to clean and protectfilters, and specialized fil-ters for aiding in print-making, including ournew Viewing Kit.

Hood with FIlter Holder

Screen-Shade with Magnifier

Adapter Rings

Gel Snap

Viewing Kit, FilterCleaner & Cloth

Resin Filters

Polyester Filters& Gel Snap

Glass Filters

The Gel Snap - The Gel Snap - is it in YOUR Bag?is it in YOUR Bag?This affordable and adaptable lens filter holder alsodoubles as a flash filter holder. It is sold on its own,or as a great deal with one of our polyester filter sets.

Got a digital camera? Get a Screen-Shade! Ournew Screen-Shades comein sizes to fit most digitalcameras, and are alsoavailable with magnifiers.Screen-Shades are alsoavailable for laptopcomputers.

Get yours at –www.screen-shade.com

ScrScreen-Shadeeen-Shade TMTM

Screen-ShadeTM is a trademark of Panavision Inc. or its subsidiaries.

33

Ind

exIndexIndex

1” Core Rolls . . . . . . . . . . . . . . . . . . . . . 26700 Series . . . . . . . . . . . . . . . . . . . . . . . . 16-17Acrylic Panels . . . . . . . . . . . . . . . . . . . . . 28Arc Correction . . . . . . . . . . . . . . . . . . . . 20Black Foil . . . . . . . . . . . . . . . . . . . . . . . . 30Camera Products . . . . . . . . . . . . . . . . . . 32Cine Sheets . . . . . . . . . . . . . . . . . . . . . . . 27Color Filter Selector . . . . . . . . . . . . . . . . 5-6Comparator (equivalents) . . . . . . . . . . . 10-12Conversion Filters . . . . . . . . . . . . . . . . . 19Cosmetic Color Diffusion . . . . . . . . . . . . 24CTB Filters . . . . . . . . . . . . . . . . . . . . . . . 19CTO Filters . . . . . . . . . . . . . . . . . . . . . . . 19Dichroic Glass . . . . . . . . . . . . . . . . . . . . 2-3Diffusion . . . . . . . . . . . . . . . . . . . . . . . . . 21-24Diffusion Selector . . . . . . . . . . . . . . . . . . 23Diffusion, Colored . . . . . . . . . . . . . . . . . 24Equivalents (comparator) . . . . . . . . . . . 10-12FAQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8Filter Storage . . . . . . . . . . . . . . . . . . . . . 9Fluorescent Correction . . . . . . . . . . . . . 20Fluorescent Sleeves . . . . . . . . . . . . . . . . 1Frost Diffusion . . . . . . . . . . . . . . . . . . . . 22Frost Diffusion, Colored . . . . . . . . . . . . . 24Gel Module . . . . . . . . . . . . . . . . . . . . . . 9Gel-LEE Roll . . . . . . . . . . . . . . . . . . . . . . 9Genuine LEE . . . . . . . . . . . . . . . . . . . . . 7Glass Series . . . . . . . . . . . . . . . . . . . . . . . 2-3Gobos . . . . . . . . . . . . . . . . . . . . . . . . . . . 14-15Grid Diffusion . . . . . . . . . . . . . . . . . . . . 22Hard Gel (Acrylic) . . . . . . . . . . . . . . . . . 28Heat Shield . . . . . . . . . . . . . . . . . . . . . . . 30HT Filters . . . . . . . . . . . . . . . . . . . . . . . . 8Introduction . . . . . . . . . . . . . . . Inside CoverLighting Packs . . . . . . . . . . . . . . . . . . . . 29Lite Rolls . . . . . . . . . . . . . . . . . . . . . . . . 26Literature . . . . . . . . . . . . . . . . . . . . . . . . 31Minus Green Filters . . . . . . . . . . . . . . . . 20Modular Filter Storage . . . . . . . . . . . . . . 9Music Packs . . . . . . . . . . . . . . . . . . . . . . 13Neutral Density Filters . . . . . . . . . . . . . . 19Patterns . . . . . . . . . . . . . . . . . . . . . . . . . 14-15Plus Green Filters . . . . . . . . . . . . . . . . . . 20Polarizer . . . . . . . . . . . . . . . . . . . . . . . . . 19Polyester Color Selector . . . . . . . . . . . . . 5-6Posters . . . . . . . . . . . . . . . . . . . . . . . . . . 31Protection Media . . . . . . . . . . . . . . . . . . 30Quality Assurance . . . . . . . . . . . . . . . . . . 7Quick Rolls . . . . . . . . . . . . . . . . . . . . . . . 4Reflection Media . . . . . . . . . . . . . . . . . . 22Scrim . . . . . . . . . . . . . . . . . . . . . . . . . . . 22Size & Format Summary . . . . . . . . . . . . . 7Storage, Filter . . . . . . . . . . . . . . . . . . . . . 9Swatch Books . . . . . . . . . . . . . . . . . . . . . 31Technical FAQs . . . . . . . . . . . . . . . . . . . 8Technical Filter Selector . . . . . . . . . . . . 18Technical Filters . . . . . . . . . . . . . . . . . . . 19-20Tough Spun Diffusion . . . . . . . . . . . . . . 21Ultra Violet Absorption . . . . . . . . . . . . . 30White Diffusion . . . . . . . . . . . . . . . . . . . 21Wide Rolls . . . . . . . . . . . . . . . . . . . . . . . 25

05-03-16m

Photo by Don Gale

Photo by John Adler for LEE Filters

Photo by John Adler for LEE Filters

Photo by Don Gale

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