Lga3101 My Notes

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    Notebook:Notebook:Notebook:No t e bo ok: 2 PPG

    Created:Created:Created:Creat ed: 05/11/2012 8:49 AM Updat ed:Updated:Updated:Updated: 05/11/2012 9:45 AM

    A ut hor:Aut hor:A ut hor:Aut hor: Suhaimi Shaarani

    Tags:Tags:Tags:T ag s: exam, lga3101, sem3, tips

    LGA3101 Sem 3

    1. Definition of Children Literature

    It is literature designed specifically for children. There are different age

    groups and reading levels that they are categorized in and the subject matter

    pertains to children and the things they like.

    Childrens literature or juvenile literature is a variety of literature that comprisesbooks, stories, poems and riddles, and songs and plays meant for children.

    * The characteristics of childrens literature which makes it different from adultliterature is the voice, the language, the level of vocabulary, pictures, fewer amountof page numbers, larger font size and like I said previously, the subject matter.

    These are things which are crafted especially for children.

    2. E-Concept of Children Literature.It refers to the use of computer-based technology providing interactive childrensliterature; moving from print to electronic literacy.

    3. What are the personal values found in Children Literature?

    DeterminationCourageMoralFriendshipForgivenessPerseveranceGenerosityGratitudeHonestyKindness

    4. How do you motivate learning in your pupils?

    Be enthusiastic about the material and about teaching.Show care about the pupils and their learning.Know your pupils and their interests.Use a variety of teaching methods.Communicate high but attainable expectations and goals.Give pupils the chance to succeed.Create a learning community in the classroom.Use collaborative/ cooperative learningReward success publicly.

    Share exemplary work with pupils.

    5. What are the factors that motivate or demotivate?

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    Pupils fail when they do not know what to do (procedures) and what to learn (objectives)

    Motivation

    Have a sense of control over their own lives.

    The classroom is organized and they know what to do.The pupils feel secure in an organized environment they can trust.Even with no adult in the room, the pupils know how to help othersaccomplish things.Have a sense of responsibility to get their assignments done. This isbecause the teacher has1. provided objectives that give sense and purpose to the lesson,2. given a test that is aligned to the objectives, so the pupil knows what to learnor accomplish to earn a grade, and3. provided a scoring guide whereby the pupil is in complete control andstrives for a good grade.

    Feel secure and safe in an environment that is organized, predictable, andstructuredThey have the power to earn grades based on prior knowledge of lessoncriteria.

    Demotivation

    Someone else has control over their lives.For instance, the teacherrepeatedly scolds the pupil for doing somethingincorrectly, but no one structured the classroom with procedures so the pupil

    would know what to responsibly do.The teacherthreatens the class by instituting a disorganized environment,which the pupils do not trust.When given a test for which there are no objectives to study against andthey are subjected to a grade given externally. The teacherplaces the pupilsin a helpless position with meaningless assignments.The teacher can inflict punishment with the poweror threatto give outgrades.These teachers sometimes mistakenly believe that by holding a threat over apupils head they can force or scare a pupil into doing better.

    6. How to know your pupils have been motivated or demotivated?

    By observing their non-verbal cues or behaviour.The eagerness and excitement they show for each lesson.Active participation of pupils or otherwise.Feedback from pupils positive or negativeCapability to answerrelated comprehension questions.Beaming with confidence or uncertainty.

    7. Elements found in the literature text.

    Theme: The main idea of the work, or a specific message they authorattempts to convey.

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    Plot: What happens and why.

    Setting: The time, place, and the environment around the characters.

    Characters: The people who are used in the work, such as: protagonist, antagonist.

    Major characters and minor characters.

    Narrator: Who tells the story. It can be:

    First person narrator: The narrator is a usually a character in the work. Pronouns

    such as "I" and "we" are used. Found in autobiographies and some fiction.

    Second person narrator: When the narrator uses the pronoun "you." In effect,

    this comes across that the narrator is telling you the story.Third person narrator: when the narrator uses the pronouns "he," "she," or

    "they." The third person narrator is the most versatile because it can tell the

    story from any time and place.

    Style: The language of the work where it is modern, old, easy, or difficult. Also, the

    techniques the author uses to convey his or her message.

    Symbols: Symbols represent things and ideas for something which they are not. For

    example, a character can be symbolic of a particular idea, or an object can be symbolicof a concept.

    8. Selecting text for your pupils, explain briefly.

    Stimulates the imaginationHas fun language, rhyme, rhythm and patternsHas big, clear print and picturesIs developmentally appropriateKeeps a childs attentionGets children involved in the storyHas sensory appeal

    9. What type of plot do you think your pupils like?

    A Dramatic or Progressive Plot: This is a chronological structure which firstestablishes the setting and conflict, then follows the rising action through to aclimax (the peak of the action and turning point), and concludes with adenouement or resolution(a wrapping up of loose ends).

    10. Discuss how you would teach literature in a multiracial classroom.

    Be open-mindedColour blindLiterature texts must be diverse and varied comprising all culturesTolerance

    Fair and equal treatmentOpportunities for allEncourage maximum participation from all racesBe sensitiveBe respectfulAvoid controversies

    11. What are the different genres / What are 5 genres in teaching ChildrenLiterature?

    1. Picture books

    2. picture story books3. traditional literature4. modern fantasy

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    5. poetry

    12. Assessing Children's Literature

    Story: Are the stories interesting to children? Are there various conflicts for children to explore?

    How are the conflicts resolved?

    Characters: Do characters represent people from a variety of cultural groups? Do "good" characters reflect a variety of backgrounds? Are females as well as males depicted in leadership roles?

    Themes: Does the story offer children a variety of things to think about, to question,and to consider? Are values being explored instead of preached?

    Are there lessons to be learned?

    Settings: Do the stories reflect a variety of settings? Are urban, suburban, and rural settings represented realistically? Are cultural settings represented realistically?

    Illustrations: Are diverse populations represented? Is there diversity represented within cultural groups? Are characters realistically and genuinely represented?

    Do the illustrations avoid reinforcing societal stereotypes?

    Other Considerations: Will the stories encourage discussions? Are children exposed to multiple perspectives and values? Do the stories promote understanding of our diverse society? Are the stories age appropriate to ensure children can understand what ispresented?

    13. Elements of Literature:

    Characters1) Types of Characters:

    Protagonist (hero): the central figure with whom we usuallysympathize or identify Antagonist (villain): the figure who opposes the protagonist andcreates the conflict Foil Character: the figure whose personality traits are the oppositeof the main characters. This is a supporting character and usuallymade to shine the protagonist.

    2) The ways characters are portrayed: Flat Characters (stock, static characters orstereotypes): theyhave no depth and no change; we only see one side or aspect of them.Most supporting characters are portrayed in this way, for example, astrict teacher, a helpful policeman, and an evil stepmother.

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    Round Characters (dynamic character): they have more fullydeveloped personalities. We expect the protagonists and antagonists tobe rounded individuals who express a range of emotion and changethroughout the narrative, usually toward greater maturity.

    3) The ways characters are revealed: What the narrator says about the character What the other characters say about the character What the character says about himself or herself What the character actually does

    Setting1) The setting refers to the time, the geographical locations, and thegeneral environment and circumstances that prevail in a narrative. Thesetting helps to establish the mood of a story.

    2) Two types of setting: Integral Setting: the setting is fully described in both time and

    place, usually found in

    historicalfiction.

    Backdrop Setting: the setting is vague and general, which helpsto convey a universal, timeless tale. This type of setting is often found infolktales and simply sets the stage and the mood. For example, "longago in a cottage in the deep woods" and "once upon a time there was agreat land that had an Emperor."

    Narrative Point of View Internal Narrator(First-person Narrator; the narrator uses "I" to refer tohimself/herself): the narrator is a character in the story, often, but notnecessarily, the protagonist. This narrative point of view allows for a very

    personal touch in the story telling.

    Omniscient Narrator(multiple points of view; the narrator is "all-knowing"): the narrator is not a character in the story but knows everythingabout the story. The omniscient narrator can show the thoughts andexperiences of any character in the story. It permits the writer the broadestscope.

    Limited Narrator(External Subjective Narrator; the 3rd person point ofview): the narrator is not a character in the story but looks at things onlythrough the eyes of a single character. This type of narrative permits the

    narrator to quickly build a close bond between the protagonist and the reader,without being confined by the protagonists educational or languagerestrictions.

    Plot1) The plot of a story is a series of interconnected events in which everyoccurrence has a specific purpose. A plot is all about establishingconnections, suggesting causes, and showing relationships.

    2) Four types of plot structure:

    A Dramatic or Progressive Plot: This is a chronological structurewhich first establishes the setting and conflict, then follows the risingaction through to a climax (the peak of the action and turning point), andconcludes with a denouement (a wrapping up of loose ends).

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    An Episodic Plot: This is also a chronological structure, but itconsists of a series of loosely related incidents, usually of chapterlength, tied together by a common theme and/or characters. Episodicplots work best when the writer wishes to explore the personalities ofthe characters, the nature of their existence, and the flavor of an era.

    A Parallel Plot: The writer weaves two or more dramatic plots that

    are usually linked by a common character and a similar theme.

    A Flashback: This structure conveys information about events thatoccurred earlier. It permits authors to begin the story in the midst of theaction but later fill in the background for full understanding of the presentevents. Flashbacks can occur more than once and in different parts of astory.

    Conflict

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    1) Common types of conflicts: The Protagonist against Another The Protagonist against Society The Protagonist against Nature The Protagonist against Self

    2) A single story may contain more than one type of conflict, although one

    often predominates. The conflict provides the excitement and makes possiblethe growth and development of the protagonists character.

    Theme1) The theme is the main, underlying idea of a piece of literature.

    2) Among the frequently found thematic issues in childrens literature are theproblems of growing up and maturing, such as adjustment to society, love andfriendship, achieving ones identity, and finding one's place in the world.

    Style1) Word Choice

    2) Sentence Length and Construction Short sentences best convey suspense, tension, and swift action. Longer sentences work best when explanations and descriptionsare needed. Prose has rhythm just as poetry does. Its rhythm can be producedby the juxtaposition of sounds, the use of repetition with a slight variationof patterns, and the varied length of sentences.

    3) Exposition: the narrators passages that provide backgroundinformation and/or introduce characters to helpreaders understand the events of a story. Children prefer a balance betweenexposition and dialogue.

    4) Dialogue: the words spoken by the characters, usually to each other, notto the reader. Children especially enjoy dialogue as a realistic and convincingway of defining character.

    Tone1) Tone refers to the authors mood and manner of expression in a workof literature. The tone can be serious, didactic, humorous, satirical,caustic/sarcastic, passionate, sensitive, sentimental, zealous, indifferent,poignant, warm, agitated, and so on.

    2) Humor: Incongruity is the foundation of humor. We laugh at the tensionresulting from something out of the ordinary. Humor is elusive. Humor tends to be age specific. Humor can be either sympathetic or negative. One prerequisite isthat the victim must seem to deserve the fate or the harm must not becritical.

    Ten Types of humormost common in childrens books (Kappas, 1967):

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    Exaggeration Incongruity Surprise Slapstick Absurdity Situational humor Ridicule/satire

    Defiance Violence Verbal Humor: word play, name-calling, jokes and puns,malapropisms (the unintentional misuse of language), or themisinterpretation of language.

    3) Parody: A parody is a literary imitation of another piece of literature, usually usingexaggeration for comic purpose. A parody implies a degree of sophistication that deconstructs the original

    story and depicts the characters from a different perspective. Parodies can demonstrate the vitality of literature and can suggest newways of interpreting old tales.

    4) Condescending tones: Condescending tones are inappropriate for children's stories, placingthe adult narrator in a superior position. For examples, a moralizing, didactic, sentimental, or cynical tone is notappreciated in children's literature nowadays.