MAY 2015

box officewww.ldif.co.uk

0333 666 3366

DIRECTOR’S NOTE

Welcome to Let’s Dance International Frontiers (LDIF) 2015 as we now celebrate our fifth birthday with an exciting new look that reflects our innovative programmes from around the world. Each year the programme will focus on a different theme, which reflects the issues being explored in our annual conference. In 2015 it is Blurring Boundaries: Urban Street meets Contemporary Dance. In 2016 it will be Black Women in Dance. LDIF embraces the eclectic fusions of contemporary dance today, bringing diversity to the forefront with a programme that reflects the cosmopolitan and international nature of Leicester.

This year LDIF features Kyle Abraham/Abraham.In.Motion. Based in New York, they will present Pavement, which explores the effects of gang culture, urban poverty and institutionalised racism, providing a raw commentary on current issues through interdisciplinary dance theatre. Kyle Abraham is a highly esteemed choreographer, having previously worked with Bill T. Jones and Alvin Ailey American Dance Theatre. In 2013 he received the prestigious MacArthur Foundation “Genius” Award. We are honoured that Kyle and his company will be making their UK debut at LDIF 2015.

In association with regional dance agency Dance4, Signatures returns for the fifth year, showcasing and supporting the work of emerging artists. This year features the work of two internationally based artists, alongside dancers and choreographers from across the UK and students from De Montfort University. We are also thrilled to announce the return of Autograph, featuring work from three talented choreographers who will share their next stage of developed work, having participated last year in Signatures.

We also celebrate the work of established dancers and choreographers, with an addition to the programme, Biography. Brenda Edwards MBE and Jackie Guy MBE collaborate on a new work inspired by techniques embodied within Caribbean dance styles. Their performance is inspired by the launch of the Creolizing Dance in a Global Age publication, which brought together leading academics and dance practitioners to explore the complex relationship between creolization and dance in the Caribbean.

We are also excited to announce our Dance Movie Marathon day featuring a line-up of films from across the decades highlighting pivotal transitions of dance cinematography in the mainstream. So come early for a hearty breakfast and bring plenty of snacks in preparation for a journey from the streets of New York to the glitzy world of Ballroom and back again.

The programme draws to a close with Blurring Boundaries: Urban Street meets Contemporary Dance, in partnership with De Montfort University. A debate between leading practitioners and university based researchers, which will explore and reflect upon the current state of Hip-Hop, B-Boying and Urban Street dance, embracing the influences and global developments in this sector that are leading to the diversity of current dance styles.

LDIF launches on International Dance Day, 29 April, with a beautiful new commission from New Orleans based dancer and choreographer, Maya Taylor. And also keep your eyes open for something exciting and a little bit different taking place around the streets of Leicester - Let’s Dance!

Pawlet Brookes Artistic Director

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Cover Image Credits: Abraham.In.Motion, Photographer Carrie Schneider; Fenfen Huang, Photographer Simon Richardson; Stopgap Dance Company; Repair:Move.

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7.00pm Wednesday 29 AprilCity Rooms By Invitation

LDIF launches with a specially commissioned solo by New Orleans based dancer and choreographer, Maya Taylor. As the founder of Maya Taylor Dance, Maya has choreographed several works and has worked on multiple performances throughout the United States and Europe.

Performing ‘Under The Glass Bell’ at this year’s LDIF Launch, Maya explores the journey of a traumatic event and finding life again, whilst battling the contrasting emotions that arise after losing a loved one. A deeply personal piece, looking at the feelings of isolation, danger, heartbreak and acceptance, accompanied by a beautiful original score by Dustin Gledhill, an American composer and pianist, and 2006 Gold Medal Winner of the New Orleans International Piano Competition.

2hrs 10 mins

LDIF 2015 LAUNCH

Image Credit: Photographer Justin Shiels

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LOOK OUT FOR...

REPAIR: MOVE (MEYER/RICHTER/MARX)

#ZIPITUP

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7.30pm Friday 8 May Curve RR2 Price: £10, £8 concessions, part of the £25 Ticket Bundle

Signatures, in partnership with Dance4, is a platform that nurtures and supports emerging dancers and choreographers with the development and showcasing of new work. Participating artists have all been selected on the innovative strength of their concepts and their potential to create diverse, engaging work. Alongside the work of two De Montfort University graduates and UK based artists, this year’s showcase also includes work by two internationally based choreographers, in what will be the fifth anniversary of the programme.

2 hrs 30 mins (approx. including intervals) 12+

SIGNATURES

Image Credit: Helen McCarron, Photographer Daniel McPake

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Foreign Bodies / Race Tracks Sean Graham

Exploring the social, political and historical dynamics that layer the notion of multiculturalism in Britain today, Foreign Bodies / Race Tracks intertwines national sporting pride, cultural taboos and an interrogation office in a humorous and dark piece of dance theatre.

On One Condition Dan Daw

Choreographed by Graham Adey and performed by disabled artist Dan Daw, On One Condition is a bare bones, stripped-back look at the world that we live in. In his undying attempts at perfection, one man attempts to hold the world on his shoulders in all its beauty and grotesqueness.

Sonder Jamaal Burkmar

Inspired by the ‘Dictionary of Obscure Sorrows’, a compendium of invented words by Canadian visual artist, John Koenig, ‘Sonder’ defines the sudden realisation that each passer by is living a life as vivid and complex as your own. This work explores the stories of strangers and the fleeting ‘extras’ of our lives.

A Little Too Close Edan Gorlicki

There is a layered cycle of patterns in our relationships of structure and control; but there is a fine line between healthy hierarchy and horrifying abuse of power. A Little too Close is an innovative duet exploring the two sides of an unknown role-playing relationship and an attempt to define and understand this fine line.

SIGNATURES

Image Credits: Dan Daw, Photographer Rasmus Vasli; Edan Gorlicki, Photographer Lukas Beyeler

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Hitsuzendo Cameron McKinney

Inspired by Zen Buddhism and Japanese calligraphy, Hitsuzendo strives for the “perfect meditative state” by reaching a high level of exhaustion and pushing past it. The body is the paintbrush, the stage is the paper. Hitsuzendo physically encapsulates the spiritual practice of self-realisation hidden in ‘ensou’, a circle painted in a single stroke.

Give Peace a Dance Helen McCarron

Give Peace a Dance is an immersive dance theatre experience. The audience will time travel to America in the early 1970s, exploring hippie culture and the Vietnam peace protests through the influential music and radio broadcasts of the time.

Tracing Rhian Comley

Choreographed by DMU Dance student Rhian Comley, Tracing emerged in response to comments made on her style of dance. Balancing sharpness and fluidity throughout, the piece plays with the use of focus to trace the pathway of the hands, and the audience is invited to do the same.

Molten Lucy Robins

Choreographed by DMU Dance student Lucy Robins, Molten is inspired by the potential for articulation in the body and an exploration of the contrast of extremes between rigidity and fluidity. Molten is created and performed live in collaboration with guitarist Alice Stubbs.

Cameron McKinney, Photographer Alan Kimara Dixon; Helen McCarron, Photographer Daniel McPake; Rhian Comley, Photographer Redpix.

7.30pm Saturday 9 MayCurve RR2 Price: £10, £8 concessions, part of the £25 Ticket Bundle

Autograph, in association with Dance4, is a showcase of work from selected previous participants of the Signatures programme. The artists in the programme were all chosen from last year’s cohort, and have had the opportunity to develop their concepts and ideas further under the guidance of Serendipity and Dance4. Here they present full length pieces of work and share their experiences.

2 hrs 30 mins (approx. including intervals) 12+

AUTOGRAPH

Image Credit: Fenfen Huang, Photographer Simon Richardson

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Wai Po Fenfen Huang

Fenfen Huang’s innovative choreography unites contemporary and traditional Chinese dance. In a development of her work from Signatures 2014, Fenfen explores her own relationship with her maternal grandmother, her intriguing life story and pays tribute to a generation of strong-willed and resilient women from the traditional society of China.

Persistence Chad Taylor

Persistence is a Hip Hop duet performed by professional artists Chad Taylor and Natasha Gooden. The dance duet explores Hip Hop Theatre and contemporary dance. The narrative of the piece takes the audience on an exciting journey of struggle, while remaining strong and having the fight to carry on, through all that they come across in life, right through to the end.

Trudy and Love Life TurnAround Dance Theatre

Once someone has gone, is that it? The end? Involuntary autobiographical memory is a subcomponent of memory that occurs when cues are encountered in everyday life; these could be reflected in certain smells, words, colours or tastes. Award-winning choreographer, Ellen Turner collaborates with her sisters Grace Turner and Lily Turner, reflecting memories of their grandmother, and Alzheimer’s sufferer, Trudy. TurnAround Dance Theatre will also be presenting their new work Love Life, in which three sisters explore and share their own intimate world of love; from the good, to the bad and to the beautifully ugly.

Image Credits: Photographer Simon Richardson,

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10.30am onwards Sunday 10 MayPhoenix Cinema Price: £5 per film or £20 for a Dance Movie Marathon Pass

Bringing you the best of dance on film, our LDIF Dance Movie Marathon takes a journey through the decades from the 60s to the 90s. Celebrating innovative choreography, ground breaking cinematography and social change, prepare to enjoy this collection of films exploring the changing representations of dance on the big screen.

West Side Story (1961)

Dir: Jerome Robbins, Robert Wise 2 hrs 31 mins, PGChoreographer: Jerome Robbins

Loosely based on Shakespeare’s Romeo and Juliet, West Side Story transports the action to the streets of 1950s New York, where Maria and Tony, from two rival street gangs, meet and fall in love. With intuitive choreography and extended dance scenes, this academy award winning film was a turning point for dance in musical films.

Chorus Line (1985)

Dir: Richard Attenborough 1 hr 53 mins, 12Choreographer: Michael Bennett

Chorus Line caused a stir when it premiered on Broadway; it sees young dance hopefuls eager to impress director Zach, who puts them through their paces as they audition for a part in a big production. It features exhilarating dance routines and sometimes witty, sometimes poignant, revelations distilling the essence of what drives people who dance.

DANCE MOVIE MARATHON

Image Credit: Mirisch Corporation / RGA

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Saturday Night Fever (1977)

Dir: John Badham1 hr 58 mins, 18Choreographer: Lester Wilson

In Brooklyn, New York, Tony Manero is king of the dance floor at his local Saturday night disco, where he escapes the realities of his dead-end job and difficult family relationships. With a brilliant soundtrack by the Bee Gees, sublime choreography and a gritty storyline, the film is celebrated for its showcase of the music, dancing and subculture of the disco era.

Strictly Ballroom (1992)

Dir: Baz Luhrmann 1 hr 34 mins, PGChoreographer: John O’Connell

Scott Hastings is a popular amateur ballroom dancer, although his moves are not strictly ballroom. With the Australian Pan-Pacific Grand Prix fast approaching, Scott is torn between dancing the steps that will please himself, or those of his family, when ballroom beginner and outsider, Fran approaches him and asks to be his partner. This heart-warming film mocks and embraces the brilliance of ballroom with equal measure.

All That Jazz (1979)

Dir: Bob Fosse 2 hrs 3 mins, 15Choreographer: Bob Fosse

In his pivotal film, Bob Fosse’s All That Jazz is a semi-autobiographical representation of his life as a director, choreographer and dancer. Exploring the darker side of show business, the film follows the story of Joe Gideon, a chain smoking, work-obsessed man who struggles to keep up with his busy schedule of balancing his Hollywood film with his latest Broadway Musical.

Image Credit: Paramount Pictures / RGA

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STOPGAP DANCE COMPANY

Sg2 in Exhibition

7.30pm Thursday 14 MayAttenborough Arts Centre (formerly Embrace Arts) Price: £10, £8 concessions, £5 for NUS

A new era of invention; Exhibition is a collection of eclectic dance miniatures featuring Stopgap’s emerging artist company Sg2.

Exhibition includes: The Garden, inspired by the haunting stillness of the Garden of Earthly Delights and the torturous hell induced by the forbidden fruit; Traces, reflecting the patterns and traces which we leave that interweave and connect us; Bound For… one man’s exploration of his relationship with his wheelchair; and Slide with the Sun that captures the individual acts of the dancers and their competitive relationships.

1 hr 15 mins. 8+www.stopgapdance.com

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Movement in Dialogue and Creolizing Dance in a Global Age Book Launch

7.30pm Wednesday 13 MayGuildhall Price: £10 or £18 with book, part of the £25 Ticket Bundle

Biography is a new commission platform that celebrates and recognises the work of experienced dance practitioners. This year features an especially commissioned choreography; Movement in Dialogue by Brenda Edwards MBE and Jackie Guy MBE. This new work captures the spirit of creolization whilst being very contemporary, bringing movement from the past to the forefront. The strength of the piece is grounded in the rich tapestry that we know as creolization which is evidenced in this piece as both artist draw on their wealth of experience in contemporary and Caribbean dance styles in this deeply spiritual, captivating and provocative new dance.

This event also celebrates the launch of Creolizing Dance in a Global Age, a new publication that brings together the thoughts of leading dance practitioners and academics to explore what it means to be creole, the complex relationship between creolization and dance, and the natural embodiment this has within the dynamics of Caribbean dance forms. With guest speaker Gladys M. Francis, Georgia State University.

Copies of Creolizing Dance in a Global Age will be available to buy on the evening, or can be pre-ordered for a special discounted price when purchased alongside tickets for the event.

BIOGRAPHY

Image Credit: Cuban Dancers, Copyright Photographer Gil Garcetti, www.garcetti.com.

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DANCE ON FILM

Dance on Camera

7.00pm Tuesday 12 May Phoenix Cinema Price: £5

Dance on Camera is a selection of innovative dance shorts from local, national and international practitioners. Featuring new and diverse work of local De Montfort University and Studio 79 students, alongside the work from other emerging and established choreographers and filmmakers from around the world, this collection showcases films that are engaging, innovative and thought-provoking.

Image Credit: Bookin’ Directed by John Kirkscey, Photographer Melissa Anderson Sweazy

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Believe – Documentary about Ben Wichert (2013)

Dir: Stefan Müller, 36 mins, TBC

This documentary is about Ben Wichert, a freestyle Hip-Hop dancer, who realized that only discipline, power, character and faith can make the difference. Growing up in Germany he promised his parents to graduate and take an ordinary job. Instead, he decided to follow his dreams, with the support of his friends. He is the winner of Juste DeBout Hip-Hop World Championship, and finalist on Got to Dance.

Dance Documentaries

2.00pm Sunday 17 MayPhoenix Cinema Price: £5

Stand

Dir: Melanie D’Andrea 21 mins, TBC

Full of stomps, jabs, and something called ‘the get-off”, Krump is a cathartic release of emotion. It’s a dance form that is aggressive and loud, but can also be an intimate portrait of individual struggle. Krump group, Demolition Crew offers young people a safe haven to express themselves, as an alternative to the rough streets of Los Angeles. STAND follows one of the crew’s leaders, ‘Krucial the Liberator’, a 24-year old South Los Angeles born and bred Krumper, as she uses her love of Krump to build a safer community in an area known for its history of violence.

There will be a Skype after this screening with Krucial and the director Melanie D’Andrea

@choosetostand #RAISEYOURSTAND

Culture for Hope

Dir: Steve Won23 mins, TBC

Culture of Hope explores the culture of Hip-Hop dance in Manila, Philippines. Organised by German based organisation Hip-Hop For Hope, Culture of Hope counteracts violence in the streets of Manila, with the street culture evolving around passionate teenage dancers. The film is commentated by Manila native, B-Boy Mouse, who tells his story of growing up in the Philippines and how Hip-Hop culture saved his life.

Image Credit: STAND, Cinematographer: Ruben Contreras.

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ABRAHAM.IN.MOTION: PAVEMENT7.45pm Friday 15 May – Saturday 16 MayCurve (Studio) Price: £12* – £8* £8.50 Groups 10+, 15% off for Curve Members

Choreographer Kyle Abraham and his company Abraham.In.Motion make their UK debut with Pavement. Drawing inspiration from John Singleton’s 1991 film Boyz N The Hood and W.E.B. Du Bois’ classic essay, The Souls of Black Folk, the piece explores the multidimensional issues of gang culture in the rivalling Homewood and Hill District neighbourhoods of Pittsburgh. Pavement reflects on the historical and cultural shifts through a juxtaposition of Hip-Hop and contemporary dance.

Kyle Abraham has worked with Bill T. Jones/Arnie Zane Dance Company and has choreographed for the Alvin Ailey American Dance Theater. In 2012, Abraham was named a United States Artists Fellow and became the 2012-2014 Resident Commission Artist for New York Live Arts. The following year, he received the prestigious MacArthur Foundation “Genius” Award.

1 hr. 12+www.abrahaminmotion.org

* Curve transaction fee is £3 for all card payments. Excludes Curve members, Groups 10+ and customers printing tickets at home

Workshop: Kyle Abraham

11.00am Wednesday 13 MayStudio 79 Price: £8

A unique chance to meet and work with esteemed dancer and choreographer Kyle Abraham, ahead of his company’s performances at Curve. Kyle Abraham/Abraham.In.Motion’s goal is to delve into identity in relation to personal histories, through sensual and provocative choreography layered in cultural multiplicity. With dance training in genres ranging from ballet to hip-hop, learn more about the techniques and inspiration behind Kyle Abraham’s work.

Image Credit: Abraham.In.Motion: Photographer Steven Schreiber

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Conference9.30am Monday 18 MayDe Montfort UniversityPrice: £45/£55 Early Bird £35*

Collaborating together, Serendipity and De Montfort University presents Blurring Boundaries, a one day conference, which will explore and reflect on the current state of Hip-Hop, B-Boying and Urban Street dance with a particular focus on its presentation in theatres. The conference aims to embrace the influences and global developments in this sector which are leading to the diversity of current dance styles.

Focusing predominantly on the sustained evolution of Hip-Hop culture, the conference will discuss and debate between practitioners and university based researchers, the context in which boundaries are disappearing between certain dance styles. Furthermore, the conference will explore the political and social setting of Urban Street dance, its popularity in youth and street culture and the increasing presence of female performers in Hip-Hop,

Kyle Abraham, Abraham.In.Motion; Ivan Blackstock, Birdgang Dance; Robert Hylton, dancer and choreographer; Jo Read, choreographer, teacher and researcher; and Danilo DJ Walde, composer and musical director for ZooNation will speak alongside a selection of contributors, and performances by Nicholas Marvel, to reflect the diversity embodied within Urban Street Dance.

* Early Bird Tickets available until 30 April

BLURRING BOUNDARIES: URBAN STREET MEETS CONTEMPORARY DANCE

Image Credit: Abraham.In.Motion: Photographer Carrie SchneiderImage Credit: Abraham.In.Motion: Photographer Steven Schreiber

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BOOK TICKETS

For Curve Shows, contact 0116 242 3595. For Attenborough Arts Centre shows, contact 0116 252 2455. All other shows, contact 0333 666 3366. Links to all available through www.ldif.co.uk

City Rooms Hotel Street

Leicester

LE1 5AW

CurveRutland Street

Leicester

LE1 1SB

Ticket Office: 0116 242 3595

E: tickets@curvetheatre.co.uk

W: curveonline.co.uk

De Montfort UniversityThe Gateway

Leicester

LE1 9BH

Attenborough Arts Centre (formerly Embrace Arts)Lancaster Road

Leicester

LE1 7HA

Ticket Office: 0116 252 2455

E: arts-centre@le.ac.uk

W: attenborougharts.com

RNID Type Talk service 18001

0116 252 2455

The GuildhallGuildhall Lane

Leicester

LE1 5FQ

Phoenix CinemaPhoenix Square

4 Midland Street

Leicester

LE1 1TG

Ticket Office: 0116 242 2800

W: phoenix.org.uk

Studio 7915 Midland Street

Leicester

LE1 1TG

* Please note that this telephone number is for the Ticket Source Box Office, and call costs may apply. To speak to the organisers please see details below. Tickets for each event are available at respective venues, with the exception of City Rooms, De Montfort University, Guildhall and Studio 79.

SUPPORTERS

Concessions

Concessions, where stated, are available to full-time students, in possession of a Student Card with photo, state pensioners, people with disabilities and their carers, unemployed, and children under 16. Please provide proof of

concessionary status.

Disclaimer

Please note all details were correct at time of going to press. Whilst every effort will be made to keep to the announced programme, it may be necessary to make changes without notice. No refunds or exchanges will be made to tickets once

issued unless the event is cancelled.

Access Information

LDIF venues offer access for people with mobility disabilities. In addition we are committed to our diversity policy and aim to ensure full access to all. If you are concerned with accessibility please

contact the venue or organisers.

Transaction Fees

Please be aware that Transaction fees may apply on tickets bought through by telephone through the Ticket Source Box Office and for all card payments made online, by telephone and in person at the Curve Ticket Office. Every effort is made to ensure that these costs are clear where they do apply.

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VENUE MAP

Let’s Dance International Frontiers is produced by Serendipity.

SerendipityRoom CL00.07a, Clephan Building,De Montfort University, The GatewayLeicester, LE1 9BH

info@serendipity-uk.com www.serendipity-uk.com @LetsDanceFront #LDIF2015 LetsDanceFrontiers

Serendipity Artists Movement Limited

Company Number in England and Wales 07248813. Charity Number in England and Wales 1160035

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