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A short note of introduction
July 2008, this book wants to be like an outline of my various practices.I’m 25 year old and live in Paris and Berlin.In parallel with the visual arts, with the costume or the sculpture, I intervene regularly with various museums on the relative questions with the fixing, the presentation of works, the soclage, the archives and conditioning in reserve…Have fun discovering,
Leslie
Leslie Veyrat
SYNOPSISCOSTUME DESIGNSculpture and costumeCostume and cabaretCostume grotesqueCostume and disproportionCostume and operaCostume and theaterCostume and movementcostume and cinema
PREVENTIVE CONSERVATION Mannequin workSoclage of an armureSoclage of a chasubletextile Support Suspensions
SCULPTURE AND COSTUMECostume design in paper, between body - mouvement - sculptureand photographie
Costume design
COSTUME AND CABARETCostume design in 1920’ style
Study project- 2004 -
Supervision Patrick Térroitin,first year project DMA (diploma-trade of art)
Proposition of a vision, the feeling of the 1920s society . The patterns are used in a comtem-poraine way, aroundinfluences of the artistic scene of the « années folles ».
Principle of superposition of elements, giving an approach of the whole of the disciplines of the costume: kimono (huge volume),A structure on a belt(projected volume),A blouse (haute couture),A pair of pants (tailor work),A swimsuite (haute couture),Painting and textile design(hand made).
Costume design
COSTUME GROTESQUECreation for dance
Work in progress- 2005 -
This project of costumes proposes a treatment of the characters by the caricature, in reference to the proto-types of the middle of the XIXème century.The grotesque costume exagge-rates the body of an interpreter, according to the forms of the time and the spirit of the character.
Costumes created and realized with Elodie Sellier
Costume design
COSTUME AND DISPROPORTIONCreation of three sculpture - costumes
Théâtre National de Strasboug - 2006 -
Personal diploma project, in colla-boration with the students of the National Theater school Strasbourg (TNS) «Calderon» by Pier Paolo Pasolini(creation of Groupe XXXV director : Emilie Rousset).The second episode of Calderon is placed in the painting « Menines » of Velasquez.The setting in abyss: the principle is to use the idea of the frame and the fabric, the recto and the back of the painting; to play with a frontal, two-dimensional vision and the real space in 3D.
The three actors are placed on a revolving plate. When the spinner is activated, faking is discovered. After having impressed by its démesure, the image of Ménines, becomes funny.The actors being naked in their dresses, their nudity appears, as the plate turns.Removable, the dresses are then ta-ken off of each structure, to reveal a metal cage.
Costume design
COSTUME AND THEATERCreation for «La Douxième bataille d’Isonzo»
Cie Mala Noche- 2005 -
During the « Festival de Caves », Besançon. The spectators are invi-ted to be part of a unique theatrical experiment. In the half-light and the proximity, the text resounds, the spirits are untied.
La Douxième Bataille d’Isonzo, by Howard Barkerwith Pearl Manifold et Christian PageaultDirector, Guillaume Dujardin.
A very young woman and an old man, Tena and Isonzo, both blind, get married. The spectator assists at their meeting, between life and death.
Costume design
COSTUME AND OPERACreation for Opera, animalist costumes
Besançon Opera - 2006 -
«La Petite Flûte Magique»(The little magic flute),after theMozart opera, adapted for the young public.The production also turned in the area, to meet the children.This adaptation proposes the mix-ture between theatre and opera; where comedy, gestual, songs (in German and French) are punctuated by the interventions of an accessory narra-tor. He orchestrates the staging, the introduction of the characters and the history.The idea was to create animalist costumes, symbolizing the different characters.
Costume design
The young opera company ofBesançon, with:Alice Gulipian: PaminaPhilippe Talbot: TaminoChristophe Lacassagne: Papageno/the bird.Elise Gäbele: Queen of the night/the spider, Papagena/ the flower.Diana Higbee (Soprane): The Dame/ the praying mantisKyung Il Ko: Zarastro/ the lionChristian Pageault: Narratus
Musical advice: Dominique TrotteinChoirmaster: Elisabeth BrusselleDirector: Guillaume Dujardin
Costume of the Queen and the Dame,sketch for the costume of the Dame.
COSTUME AND AMBULATIONCreation for 4 marionettes on stilts
Cie Planète Pas Net- 2006 -
«Les Mamas » Ambulating marionette show . It is by dance, that these large women approach the spectator.
The puppeteer is completely inte-grated in the puppet, carried on its back like a small child.
Costume design
COSTUME AND CINEMACreation For a feature-length film
Les Chevaliers Errants au sud de l’Anamour- 2006 -
«Les Chevaliers Errants» by Antoine Fromantal.Oneiric fable, with multiple winks on film noir and the experimental cinema, this film wants to be like a play made up of figures of the genre cinema and pop culture.
Costume design
MANNEQUINAGES Conception of supports,Historical and contemporaine costumes
Musée de la Mode et du Textile- 2005 -
Interventions for the installation of the exhibition L’Homme Paré.
Realization of various mannequina-ges, according to the scenographic request for fixing and in the respectof deontologic principlesconcer-ning the preventive conservation of clothing and textiles.
Preventive conservation
Preparation of the mannequinage The costume after the intervention
SOCLAGE OF AN ARMOURCreation of a metal structure , covered
Ministère des Affaires Etrangères - 2006 -
Design of a body, made to measure, for the use of the permanent exposure of an armour of the XIXth century, according to the principles of the preventive conservation and according to the preexistent soclage.
Creation of a metal structure made of stainless steel for the unity of the complete body and mannequinage.
Stuffing, by polyester foam, entirely consolidated by hand, to give volu-mes able to maintain the armour.
Moulding and realization of textile covers (dismountable and washa-ble) for the body and the forearm.The element of the helmet is fixed by a curved stainless steel part.
Preventive conservation
SOCLAGE OF A CHASUBLECreation of a textile structure
Occitan chasuble of the XVIIth century- 2007 -
Design of a textile support on purpose of the exhibition of a very fragile chasu-ble, according to the principles of the preventive conservation.According to the constraints, the soclage is entirely dismountable and washable.
It is composed of a textile base, rein-forced with flexible metal bands, of a polyester foam mannequinage, entirely consolidated by hand.
Preventive conservation
interior sight of the supportwork in progress
SUPPORTS FOR TEXTILESDesign of frames, fixings…
Musée des Arts Décoratifs de Paris- 2007 -
Creation of various supports for texti-les and follow-up of the installation of the exhibition Purs Décors.
Presentation of textiles on frames, sheathed.Presentation of ethnological clothing on servants.
Preventive conservation
The frames, work in progress
SUSPENSIONSdesign of fixings
Les Arts Décoratifs- 2007 -
Intervention for the preparation and installation of the exhibitionToy Comix, Galerie des Jouets.
Creation of the fixings, with the artists Benoit Jacques and Stéphane Blanquet, in the respect of the principles of the preventive conser-vation.
Scenography and soclage of the presented objects in vitrines (toys of the collection and comic strips).
Preventive conservation
Vitrine of Benoît Jacques
Vitrine of Stéphane Blanquet
Wall vitrine, presentation of the comic strips and suspended toys
Education
2006 : Complementary degree as Preventive conservation / artistic conserva-tion-archivist.
2005 : D.M.A (Master in applied Art) Costume designer.With felicitations of the jury, lycée Paul Poiret, Paris.
2002-2003 : D.N.A.P (National degree in Fine Arts) at the University of Fine Arts, Rennes.Specialisation in sculpture- space, video, photography and multimedia.
2002 : CEAP ( Certificat degree in Fine Arts), at the University of Fine Arts, Rennes.
2000 : Baccalaureat general in French Literature, specialized in Fine Arts.
LESLIE VEYRATplasticienne - design textile
Curriculum Vitaë
Conservation préventive, scénographie...
2008: Creations and interventions/Artistic preventive conservation for La Galerie des Jouets «Jeux d’Eau» and for «Rouge» exhibitions, Musée des Arts Décora-tifs, Paris.
Creation of mannequinages for «Valentino» exhibition, Musée de la Mode et du Textile.
Créations and installation for the Musée Reattu (Arles) for Christian Lacroix and le Musée du Quai Branly.
2007: Creations and interventions/Artistic preventive conservation for La Galerie des Jouets «Toys Comix» and for «Purs Décors» exhibitions
Assistant to exhibition designer Michel Albertini for the exhibitions : «Christian Lacroix Costumier», Centre National du Costume de Scéne« La Duchesse de Berry », Château de Sceaux« J’aime les Militaires », CNCS Moulins and Invalides museum, Paris.
2006: Creations and mannequinage interventions, «Balenciaga Paris » exhibi-tion, Musée de la Mode et du textile.
Installation of first exhibition in La Galerie des Jouets, Musée des Arts Décoratifs.
Creation of a life-size sculpture for the Ministery of Foreign Affairs, Paris.
Workshop at the National Center of Costumes in moulins (03), before the open-ning. archives, preservative conservation of theater and opera costumes
2005: Mannequinage of historical and contemporany costumes for «L’Homme Paré» exhibition in the Musée de la Mode et du Textile de Paris.
2004 : Workshop with Joséphine Péllas, in preventive conservation, in the Mu-sée de la mode et du textile de Paris.
Née en 1982, en FranceIndépendante, Maison des Artistestel: +0033 (0)[email protected]
Le costume...
2007: Co-realisation of costumes the theater play «Parasites» by Marius von Mayenburg, director: Philippe Lanton, Théâtre Gérard Philipe, Orléans.
Costume designer for the Planet Pas Net Cie «Sueurs Moites».
2006: Costume designer for «La Petite Flûte Magique», Opera for children, adap-ted from « The Magic Flute» by Mozart, director Guillaume Dujardin, Besançon Opera.
Costume designer for «Les Milles Enfants Meilleurs», by Alexandre Friedrich, Cie Mala Noche, director Guillaume Dujardin the Mala Noche Cie.
Création des costumes pour «La Douzième Bataille d’Isonzo», d’Howard Barker, mise en scène par Guillaume Dujardin pour la Cie Mala Noche.
2005: Création de costumes pour le film «Les Chevaliers Errants», long métrage, réalisation Antoine Fromental.
Conception et réalisation des costumes «Les Ménines », pour «Calderon» de Pasolini, mise en scène Emilie Rousset, produit par le T.N.S, de Strasbourg.
2003 : Stage à la comédie Française (en tailleur), pour « Les Fables de La Fon-taine», mise en scène de Robert Wilson.
Assistante de la costumière Gabriel Dalton, pour «Wonderfull Town», m.e.s. An-tony Mac Donald, Grange Park Opéra Winchester, Angleterre.
1998-2000 : Stage chez le costumier Anatole Kysk, à Paris.Apprentissage des dessous-dessus, coupes historiques et contemporaines.
Expositions et événements...
2007: Exposition «Les Journées du Patrimoine», au Ministère des Affaires Etrangères.
2005 : Exposition “Les Métiers d’Art”, au centre culturel de Brie Comte Robert (94), exposition de costumes en papier et costumes grotesques .
Exposition de l’installation “Trans...”, à la Maison Rouge de Montreuil.
Présentation de vidéos, exposition «No Vidéo», Galerie du Cloitre,Rennes.
2000 : Création de l’événement «Pas Si Vite, Le Temps Défile…» à Montgeron (91), Les Paris de L’an 2000.
1998 : Projet «Un Défilé Pour Sandaré» , à Montgeron (91),lauréate du «projet Passion» accordé par la Région Ile de France.Organisation d’un défilé de mode au profit d’une association humanitaire et avec la participation de grandes maisons de couture.
