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Leicester Castle tells its story iBeacon-based mobile interpretation Maria-Anna Tseliou, Research Fellow ([email protected] iasemi Vavoula, Principal Investigator ([email protected]. School of Museum Studies, University of Leicester

Leicester Castle tells its story iBeacon-based mobile interpretation Maria-Anna Tseliou, Research Fellow ([email protected])[email protected] Giasemi Vavoula,

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Leicester Castle tells its story Digital R&D Fund for the Arts

Leicester Castle tells its storyiBeacon-based mobile interpretation

Maria-Anna Tseliou, Research Fellow ([email protected])Giasemi Vavoula, Principal Investigator ([email protected])School of Museum Studies, University of Leicester Take a few seconds to introduce yourself (give people time to note down contact details)1NESTA R&D Fund for the Arts125k R&D grant to develop ibeacons-based app to improve heritage interpretationTechnology currently used in retail sector. Grant was to develop it for heritage interpretationRequirement: replicability (many heritage venues experience similar interpretation challenges) Project partners: School of Museum Studies, University of Leicester (academic partner), Locly (technology partner) , Leicester City Council, Arts & Museums Service (arts partner), Metro-Boulot-Dodo (content developer)

Telling the Castles storyWe wanted the project to provide more engaging interpretation for casual visitors and ensure people left knowing more of the Castles rich history

Interpretation challengeListed building full of court furniture non-intrusive solution neededOpen once a month and for special events. No permanent staffSustainable & low costRange of audience types who are often time poorPersonalised visitor experience

Why iBeacons?Low costLow maintenanceInvisible (c.f. QR codes)AccurateEasy to re-programmeRequire no user action (c.f. QR codes)Require no specialist equipmentCan capture data

iBeacon is a new technology for location recognition, with many benefits compared to other, particularly indoor locative technologies: it is low cost, low maintenance, works while out of sight, gives high accuracy results, it is easy to programme and re-programme, it requires no action on the part of the user other than enabling bluetooth, it requires no other specialist equipment, and it can aid the capture of location-specific usage data.5What are iBeacons?In essence, iBeacon technology allows Mobile Apps to understand their position on a micro-local scale, and deliver hyper-contextual content to users based on location. Accurate location sensing, indoors and outdoors.The underlying communication technology is Bluetooth Low Energy(Just read it out).6How does it work?WiFiWiFiWiFiWiFiLoclyCMSupload content

ID

IDIDA quick overview of how it works:Our system uses Loclys ibeacon content management system and platform. The heritage site uploads location-specific content, and uses it to structure a user experience. We have installed WiFi in the Castle for visitor convenience (so that they can download the app free of charge). And have placed a number of beacons around the rooms.7Visitor experienceWiFiWiFiWiFiWiFiLoclyCMS

ID

App storedownload Castle app

ID

IDWhen a visitor enters the Castle, (Click to annotate), the can download the app from the iTunes store or Google Play. (Alternatively, they can borrow one of our devices).The visitor then starts the app, enables Bluetooth on their device, and starts moving around the Castle (Click to annotate).

8Visitor experienceWiFiWiFiWiFiWiFiLoclyCMSID

location IDprofile /historycontent requestcontent deliveryWhen they enter an iBeacons region, the beacon transmits its unique ID. The app reads that ID and thereby infers the visitors location. Depending on visitor preferences that the app already knows about (for example, which tour they are doing), the app then shows the visitor appropriate content from Loclys content management system.9Visitor analysisWiFiWiFiWiFiWiFiLoclyCMSID

usage datausagedataanalyse usageAt the same, the app stores usage data with a location mark (click to annotate) which the heritage site can then access and analyse to understand how visitors use the app, which locations work and which not, what content is popular, etc.10Research and Development

All concepts, content and functionality are informed by, and rigorously evaluated and tested on, the public

STAGE 1: Oct 2014 April 2015Audience research during Heritage Sundays (observation, survey); Literature review Requirements

STAGE 2: May 2015 July 2015Public testing of app versions: v1.0 in May, v2.0 in June, v3.0 in July; stakeholder / potential adopters; usability evaluationThis is a research and development project, with research closely aligned with development and the aim to inform as well as evaluate design decisions through public trials.At the moment we have just finished stage 2 of the research. The first stage included a range of surveys with Castle visitors and visitors to other heritage sites in Leicester, visitor observations, and a review of the literature on historic site interpretation. These activities led to a list of requirements for the iBeacon system, which fed into development.The second stage evaluated three different versions of the app during three Heritage Sundays at the Castle. I will tell you more about these later.11Insights from the research (Stage 1)

The majority of visitors are locals, first-time visitors, visiting in groups

First, let us have a look at the insights from the first stage of the research.We found out that the majority of Castle visitors are locals, coming mainly from Leicestershire, with fewer coming from further afield and only the odd international tourist. The majority are also first-time visitors, with only a fifth of visitors saying that they had visited a couple of times in the past.And the majority visit in groups of adults, with only approximately a fifth coming with families with children and just over 10% visiting alone.12Insights from the research (Stage 1)Seeing the Castle and learning about its history are the main reasons for visiting, fueled by a more general interest in historic buildings and the history of Leicester

Tours and trails, storytelling and thematically linking with other Leicester histories would encourage them to learn new things

(Read out the notes next to the graphs)13Insights from the research (Stage 1)More ways to learn, tours of the Castle, more ways for adults to engage, and improved signage would all encourage respondents to stay longerHistorical content, mobile tours and ease of use were among respondents top requirements for using a mobile app

(Read out the notes next to the graphs)14Insights from the research (Stage 1)

We observed visitors in the two Castle courtrooms and identified a number of locations that were popular stops. We also noted where visitors tended to stop first, as these could make potential starting points for the tours. The stop signs indicate points where visitors tend to stop, and their size indicates the popularity of the stop point. The rings indicate points that tend to be the first stop in a visitors path, with their size again indicating their popularity as starting points. Finally, we studies the paths of visitors inside each courtroom.The pictures on the left show movement in the criminal courtroom of the Castle, and the pictures on the right show movement in the civil courtroom.15What have we done with iBeacons?We have created 4 tours:

Historical TimelineFamily TrailGreen Bicycle MurderCastle Court Audio Tour

So what have we developed? Four tours, which guide visitors through one or both courtrooms plus the cells in the basement, and which make use of X number of iBeacons.16

1. Historical Timeline An Interactive Guidebook

Overview of the Castles history with key dates, events and distinguishing architectural features.

Enables user to select information in brief or in depth.

Macro-locative use of iBeacons, at room level.

This tour is an overview of the Castles history presented chronologically with key dates, events, and references to distinguishing architectural features.It targets visitors with an interest in history and utilizes beacon location identification at room-level only, i.e. a range of content items are available to explore once the visitor enters a courtroom. Content is presented in chronological order and is layered, with an overview presented at the first level, further detail at the second level, and further related historical information presented at the third level where available (see Fig 2). This exploration is not bound to locations (beacons) within the room, so the user can view the same, room-specific content, anywhere in the room. Content in this tour includes text, images and audio clips of an interview with archaeologist Professor Richard Buckley.172. Family TrailDesigned to engage children 5-12 yrsTreasure hunt task and reward game format Provides historical information about the Castle in bite sized chunksIncludes a King Richard III element (including an interactive feature to dig him up from the car park)

This tour targets families with children under 12, and includes a beacon hunt disguised as a find the courtroom location activity. The avatar of a fictional historian guides young visitors through different locations in the two courtrooms and reveals to them what historical research involves. At each location the avatar reveals information about one of the significant people from the past who were linked to the Castle: King Richard III, Simon De Montfort, John of Gaunt, Geoffrey Chaucer, and J.M. Barrie. After finding a location young visitors are presented with textual information about that locations significant person, and are then challenged to complete an interactive activity (solve a puzzle, do a virtual dig, solve a maze, or play a memory game). On successful completion, they see a second layer of more detailed, in-depth content. Finally, the avatar presents a map of the courtroom with the next location highlighted and invites the young visitors to meet him there.Content in this tour is thus bound to beacon locations, and young explorers are encouraged to find the courtroom locations where content and puzzles are hidden. The use of the map helps young users to discover the content and, in doing so, to learn what different parts of a courtroom are called.183. Green Bicycle Murder Audio tour featuring emotive dramatisation of the Green Bicycle Murder trial that took place in the Castle Courts in 1920

Visitors are invited to enter the dock, sit on the jury bench and stand in the witness box to hear key moments of this infamous trial

Some visitors expressed concerns over a mobile device requiring their attention at the expense of experiencing the site. This tour targets visitors who dislike, or are physically unfit for consuming textual/visual information on a mobile device (e.g. visually impaired). The tour tells the story of the trial for the murder of Bella Wright on the 5th July 1919. The story is told as an audio drama narrated by the victim, while a meta-narrator guides visitors through different beacon locations in the courtroom. This is an audio-based tour that visitors are encouraged to follow while wearing headphones. Interestingly, other visitors who are currently in other locations within the room, help the user to visually contextualise the experience: while sitting in the public gallery, listening to Bella Wright talk about the trial for her murder, the user may see other visitors occupying the Judges seat or the witness box, serendipitously adding to the atmosphere of the experience.194. Castle Court Audio TourMETRO-BOULOT-DODO interviewed 15 members of the public that worked at Leicester Castle Courts from 1962 1992.In this tour visitors listen to those memories related to specific areas of the court. For example the visitor can explore the cells whilst hearing from retired policemen describing how the criminals were detained.

This tour is also audio-based and focuses on the Castles recent history as a Crown Court from 1821, when the Great Hall was divided up into two separate courts (the criminal court where the green bicycle murder case was heard and a civil court), until 1992. The tour includes 15 oral testimonies of people who worked there (court clerks, reporters, etc.) As the visitor moves around the courtrooms and comes within a beacons range, audio content related to that location is triggered. Although the narrative is linked to location, it is not bound to a specific location sequence, therefore visitors can freely explore the courtroom. Content includes the narrators description of a location (e.g. In the area below the judge, sits the court clerk...) interspersed with personal testimonies. A content counter informs users of the number of content items that remain to be discovered at any time, however, the user is given no guidance or instructions on which location to look for next or how to find it.20What have we done with iBeacons?Four approaches to beacon-based navigation:Room-level location recognition only (Historical Timeline)Map-based ordered beacon discovery (Family Trail)Oral instructions-based ordered beacon discovery (Green Bicycle Murder)Unaided discovery with visual progress feedback (Court Audio)We have thus implemented four approaches to beacon-based navigation (read out from slide)21What have we done with iBeacons?Four approaches to interpretation:Interactive Guide (Historical Timeline)Game (Family Trail)Emotive dramatisation (Green Bicycle Murder)Oral histories (Court Audio)Each corresponding to four interpretation approaches (read out from slide)22Insights from the research (Stage 2)

The social profiles of the app trials participants were similar to those of the stage 1 surveys, with comparable percentages of visitors coming in adult groups, families with children, or visiting alone.What is remarkable is how clearly benefits increase with the degree of completion of the four tours: in the July trial, where all four tours were complete or near-complete, there are significant benefits in terms of on-site dwell-time, perceived learning benefits, and perceived level of enjoyment for visitors who used the app in July compared to visitors who had not used the app.23ReplicabilityInterviews and focus groups with potential adopters from the heritage, cultural and arts sector revealed the further potential of adopting such a digital system:

Available information through Beacons technology both indoors and outdoors 24/7Available interpretation and learning activities in multiple languages Layered interpretation and diverse learning opportunities responding to different visitors preferences and interests.

Next potential adopter workshop: 26 August 2015, Newarke Houses Museum LeicesterTo book, email [email protected] or [email protected]

I mentioned at the beginning of the talk that one main requirement for the project was replicability, i.e. that we end up with a system that is readily useful and usable by other heritage sites that face similar challenges as Leicester Castle. To this end, we are consulting with potential adopters from the heritage, cultural and arts sectors, through one-to-one interviews, focus groups, and workshops. The consultation has so far told us that:Potential adopters see the potential of iBeacon technology to offer visitors information 24/7, both indoors and outdoors.They also see the technologys potential to offer interpretation and activities in multiple languages.And they appreciate its capability to offer layered interpretation and diverse learning opportunities to cover different visitor preferences and interests.

Our next potential adopter workshop will include a demonstration and trial of the app, work sessions around technology adoption issues, and a practical, hands-on session where you can design and trial your own tour. If you are interested to participate, email us!

24Conclusions so farA half-finished app is not better than no app.iBeacon technology can successfully support different approaches to interpretation and different approaches to navigation guidance and support.Stay tuned for more findings soon

(read out the slide)25Next stepsFurther trials, development work and focus groups planned for August

Next focus group and workshop with potential adopters from other heritage, cultural and arts organisations in late August

Available to the public for City Festival at the end of August

Questions?For more information contact:Giasemi Vavoula, [email protected] (Research Lead)Sally Coleman, [email protected] (Arts Lead)Paul Long, [email protected] (Content Lead)Rheinallt Ffoster-Jones, [email protected] (Technical Lead)Track 2 Great Hallnull56162.332null126855.18null54568.945