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Lecture 6: Art of Description Northern Art 15 th -17 th C Key Works Jan van Eyck, Arnolfini Wedding Portrait, 1434 Albrecht Durer, Knight, Death, and the Devil, 1513 Rembrandt van Rijn, Aristotle Contemplating the Bust of Homer, 1653 Jan Vermeer, The Milkmaid, c. 1665

Lecture 6: Art of Description Northern Art 15 th -17 th C Key Works Jan van Eyck, Arnolfini Wedding Portrait, 1434 Albrecht Durer, Knight, Death, and the

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Page 1: Lecture 6: Art of Description Northern Art 15 th -17 th C Key Works Jan van Eyck, Arnolfini Wedding Portrait, 1434 Albrecht Durer, Knight, Death, and the

Lecture 6: Art of DescriptionNorthern Art 15th-17th C

Key Works

Jan van Eyck, Arnolfini Wedding Portrait, 1434Albrecht Durer, Knight, Death, and the Devil, 1513Rembrandt van Rijn, Aristotle Contemplating the

Bust of Homer, 1653Jan Vermeer, The Milkmaid, c. 1665

Page 2: Lecture 6: Art of Description Northern Art 15 th -17 th C Key Works Jan van Eyck, Arnolfini Wedding Portrait, 1434 Albrecht Durer, Knight, Death, and the

Lecture 6: Art of DescriptionNorthern Art 15th-17th C

Key Terms

linseed oilengraving/etching

genre scenecamera obscura

Page 3: Lecture 6: Art of Description Northern Art 15 th -17 th C Key Works Jan van Eyck, Arnolfini Wedding Portrait, 1434 Albrecht Durer, Knight, Death, and the

Jan Van Eyck, Man in a Red Turban, 1433,National Gallery London

Self portrait of Jan Van Eyck the court painter and valet de chamber to Duke Phillip the Good of Burgundy.

Van Eyck was one of the first to use linseed oil as a paint medium. With the oil medium, it was possible to blend colors and achieve a more translucent effect, imitating the play of light.

Page 4: Lecture 6: Art of Description Northern Art 15 th -17 th C Key Works Jan van Eyck, Arnolfini Wedding Portrait, 1434 Albrecht Durer, Knight, Death, and the

Jan Van Eyck, Giovanni Arnolfini and His Bride 1434, oil on wood,National Gallery, London.

Secular image that memorializes a marriage. Painting serves as proof of the marriage as the presence of two witnesses are reflected in the mirror. Also, above the mirror – Jan van Eck signs, Johannes Eyck fuit hic – was here. Therefore, the painting itself becomes both pictorial and written proof, documenting the marriage.

Christian iconography abounds as many of the ordinary objects have sacred significance.

Page 5: Lecture 6: Art of Description Northern Art 15 th -17 th C Key Works Jan van Eyck, Arnolfini Wedding Portrait, 1434 Albrecht Durer, Knight, Death, and the

Hieronymus Bosch, Garden of Earthly Delights, creation of Eve at left,Garden at center, and hell at right, 1505-10 oil on wood

Three outer panels – work is a triptych format. The work is full of symbolic complexity and surreal images that depict the creation of the world.

Page 6: Lecture 6: Art of Description Northern Art 15 th -17 th C Key Works Jan van Eyck, Arnolfini Wedding Portrait, 1434 Albrecht Durer, Knight, Death, and the

Albrecht Durer, Self Portrait, 1500Durer was one of the first artists outside of Italy to become an international art celebrity. He was friends with many of the leading humanists of his day including Erasmus. Penetrating self portrait. Paints himself like Christ.

Page 7: Lecture 6: Art of Description Northern Art 15 th -17 th C Key Works Jan van Eyck, Arnolfini Wedding Portrait, 1434 Albrecht Durer, Knight, Death, and the

Durer, The Fall of Man, 1504, engraving

Two idealized figures of Adam and Eve standing poses reminiscent of classical statues yet blended with his northern well honed observational skills in his rendering of the background foliage and animals.Engraving: lines are cut into a polished surface of a copper plate with a burin or engraving tool

Page 8: Lecture 6: Art of Description Northern Art 15 th -17 th C Key Works Jan van Eyck, Arnolfini Wedding Portrait, 1434 Albrecht Durer, Knight, Death, and the

Durer, The Fall of Man, 1504Masaccio, Expulsion of Adam and Eve from Eden,

1425 – Brancascci Chapel, Florence, Italy.

Page 9: Lecture 6: Art of Description Northern Art 15 th -17 th C Key Works Jan van Eyck, Arnolfini Wedding Portrait, 1434 Albrecht Durer, Knight, Death, and the

Albrecht Durer, Knight, Death and the Devil, 1513,

EngravingKnight is a soldier of Christ. Armed with his faith, the warrior repels the threat of death who appears as the cadaver with snakes and the devil, the horned creature who follows him. Iconography would have been obvious to viewers at the time. Equestrian statues were a renaissance favorite.

Page 10: Lecture 6: Art of Description Northern Art 15 th -17 th C Key Works Jan van Eyck, Arnolfini Wedding Portrait, 1434 Albrecht Durer, Knight, Death, and the

Peter Brueghel, Hunters in the Snow, 1565, oil on panel.

We see a valley full of ponds, a winding river, steeply roofed houses and steepled churches, many people skating, many trees and hills, and some of the sharpest mountain crags ever.  Nature is closely rendered yet human activity takes center stage.

Good example of a genre scene – a scene of everyday life

Page 11: Lecture 6: Art of Description Northern Art 15 th -17 th C Key Works Jan van Eyck, Arnolfini Wedding Portrait, 1434 Albrecht Durer, Knight, Death, and the

Rembrandt van Rijn, Self Portrait in a Cap, 1630, etching

Etching: process where a metal plate is covered with a protective coating of acid resistant material. The artist than draws through the ground with a pointed tool exposing metal. The plate is then immersed in an acid bath which makes grooves where the metal was exposed.

The young Rembrandt mugs into a mirror, using his own face as a cheap model to practice the expression of various emotions. Rembrandt was interested in emotion and expression, and studied ways to express psychological states.

Page 12: Lecture 6: Art of Description Northern Art 15 th -17 th C Key Works Jan van Eyck, Arnolfini Wedding Portrait, 1434 Albrecht Durer, Knight, Death, and the

Rembrandt,

Nicholas Ruts 1631

Kind of portrait that made Rembrandt’s living. Ruts was a wealthy fur trader. An impression of immediacy and alertness. Use of subtle light is key.

Page 13: Lecture 6: Art of Description Northern Art 15 th -17 th C Key Works Jan van Eyck, Arnolfini Wedding Portrait, 1434 Albrecht Durer, Knight, Death, and the

Rembrandt, The Anatomy Lesson of Dr. Tulp, 1632

Members of the surgeons guild commissioned this work. Dr Tulp, a noted physician, is in the act of dissecting. Corpse is diagonal, foreshortened. Each of the students it specifically painted – great nuance in expression and facial detail.

Page 14: Lecture 6: Art of Description Northern Art 15 th -17 th C Key Works Jan van Eyck, Arnolfini Wedding Portrait, 1434 Albrecht Durer, Knight, Death, and the

Rembrandt Aristotle Contemplating the Bust of Homer, 1653 Metropolitan Museum

of Art

We see Aristotle in a unique costume, fingering the gold chain given to him by Alexander the Great, his most famous pupil. One hand on the chain, the other on the bust of Homer contemplating the world of the mind vs world of man and possessions. Autobiographical undertones. By the time Rembrandt did this work, Rembrandt’s fortunes had declined.

Page 15: Lecture 6: Art of Description Northern Art 15 th -17 th C Key Works Jan van Eyck, Arnolfini Wedding Portrait, 1434 Albrecht Durer, Knight, Death, and the

Jan Vermeer, The Letter, 1666

Genre picture - scene of everyday life. A maid has handed a well dressed woman a love letter. This is reinforced by various symbols. The woman plays the lute – the traditional symbol of the music of love, also the seascape behind n the back wall served as a symbol of love requited referring to a 1534 publication, Love Emblems.

Page 16: Lecture 6: Art of Description Northern Art 15 th -17 th C Key Works Jan van Eyck, Arnolfini Wedding Portrait, 1434 Albrecht Durer, Knight, Death, and the

Vermeer, Milkmaid,

c 1665

Vermeer is concerned with the play of light on objects and the rendering of optical illusions

He used a camera obscura – an ancestor to the modern camera based on passing light through a tiny pin hole or lens to project an image on a screen or the wall of a room. The use of the camera obscura helped him to rework the composition and place his figures and furniture in stable relationships – creating the classical serenity of his works.

Page 17: Lecture 6: Art of Description Northern Art 15 th -17 th C Key Works Jan van Eyck, Arnolfini Wedding Portrait, 1434 Albrecht Durer, Knight, Death, and the

Vermeer replicated the unfocused appearance of the motifs that he would have seen through the camera obscura by applying his famous pointillés or “circles of confusion” (small dots of paint employed to yield the effect of broken contours and dissolved forms in light).

Pointillés are used to impart an extraordinary tactile reality to such objects as the chunks of bread. The chunks are encrusted with so many pointillés that these dots of paint seem to exist independently of the forms they describe.

Page 18: Lecture 6: Art of Description Northern Art 15 th -17 th C Key Works Jan van Eyck, Arnolfini Wedding Portrait, 1434 Albrecht Durer, Knight, Death, and the

Vermeer, The Lacemaker,

1665-1670

Stylish woman makes lace which was popular among Dutch women. This is not for profit but as an indication that northern women were as accomplished at the production of luxury goods as their French and Flemish counterparts. Stylish woman absorbed in her task. Rich colors and fabrics reinforce the intimacy.