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Front Matter Source: Art Journal, Vol. 51, No. 4, Latin American Art (Winter, 1992), pp. 1-108 Published by: College Art Association Stable URL: http://www.jstor.org/stable/777269 . Accessed: 14/06/2014 20:28 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . College Art Association is collaborating with JSTOR to digitize, preserve and extend access to Art Journal. http://www.jstor.org This content downloaded from 62.122.79.90 on Sat, 14 Jun 2014 20:28:21 PM All use subject to JSTOR Terms and Conditions

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Page 1: Latin American Art || Front Matter

Front MatterSource: Art Journal, Vol. 51, No. 4, Latin American Art (Winter, 1992), pp. 1-108Published by: College Art AssociationStable URL: http://www.jstor.org/stable/777269 .

Accessed: 14/06/2014 20:28

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

College Art Association is collaborating with JSTOR to digitize, preserve and extend access to Art Journal.

http://www.jstor.org

This content downloaded from 62.122.79.90 on Sat, 14 Jun 2014 20:28:21 PMAll use subject to JSTOR Terms and Conditions

Page 2: Latin American Art || Front Matter

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Page 3: Latin American Art || Front Matter

ProgIramS

at EI0.T Gallery & Retail Art Administration

Museum Studies: Applied Arts

Museum Studies: Costume & Textiles

Name

Address

City State Zip

Phone

FIT., located in the heart of Manhattan, is a specialized college under the program of the State University of New York.

The college offers three graduate pro- grams: Gallery and Retail Art Administra- tion; Museum Studies: Applied Arts; and Museum Studies: Costume and Textiles. In all programs, FIT. takes advantage of the cultural richness of New York-its museums, galleries, libraries, archives, and professional and industrial resources- to create curricula in which the scholarly and the pragmatic have their place and strike a balance between the academic and the applied.

Gallery and Retail Art Administration offers professional training in the special- ized skills required by the art market. The curriculum concentrates on the private art market as it relates to careers in art galleries, auction houses, establish- ments dealing in antiques and objects, and related businesses in the sale and exchange of art. While addressing the relationship between art objects and the practical world, the curriculum calls upon the strengths of the history courses from the Museum Studies program.

The Museum Studies curricula are structured to develop professionals with interdisciplinary backgrounds in conserva- tion, preservation, historical research, and historical styles. The tightly interwoven pair of M.A. programs offers a choice between studies centered on costume and textiles or on the applied (i.e., decorative) arts. Within both, students have the further option of pursuing either a curato- rial or a conservation emphasis.

The tuition for full-time students who qualify as New York State residents is $4,000.00 per academic year; for non- residents, $7,316.00 per academic year. Limited tuition assistance is available. FIT. is an equal opportunity institution.

For further information please call or write:

Office of Graduate Studies, Room E315 Fashion Institute of Technology Seventh Avenue at 27 Street New York City 10001-5992 (212) 760-7714

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Page 4: Latin American Art || Front Matter

Published bi College Art Association

ff inter 1992 lol. 51 No. 4

Guest Editors Shifra M11. Goldman

and Luis Carnnitzer

art journal

Latin American Art Executive Editor Lenore Malen

Managing Editor Virginia Wageman Editor M. E. D. Laing Reviews Editor Ann Lee Morgan Associate Editor/Advertising Nancy B. Rotenier

Design Harakawa Sisco Production Russell Hassell Editorial Board Judith K. Brodsky, Cynthia Carlson, Samella Lewis, Irving Sandler, Gerald Silk, Robert Storr, Paul Tucker, Martha Wilson

Art Journal (ISSN 0004-3249) is published quar- terly by College Art Association, Inc., 275 Seventh

Ave., New York, NY 10001. Copyright ? 1992

College Art Association, Inc. All rights reserved. No part of the contents may be reproduced with- out the written permission of the publisher. Second-class postage paid at New York, NY, and at additional mailing offices. Printed by Waverly Press, Easton, Maryland.

POSTMASTER: Send address changes to Art Journal, 275 Seventh Ave., New York, NY 10001.

Art Journal is available as a benefit of member-

ship in the College Art Association. Subscriptions for nonmembers: individuals, $30 per year (add $6 for foreign postage); institutions, $45 per year (add $6 for foreign postage); single issues, $8 prepaid. For membership and subscription in-

formation, call or write CAA, 275 Seventh Ave., New York, NY 10001; 212/691-1051.

Correspondence for Art Journal should be ad- dressed to the Executive Editor at the College Art Association. Because each issue of Art Journal is

organized thematically under the editorial direc- tion of a designated guest editor, unsolicited

manuscripts cannot be accepted. Letters to the editor will be considered for publication, provided they are 500 words or less.

Advertising information and rates are available from the CAA office, 212/691-1051.

COVER: Juan Francisco Elso, Por Am6rica (detail). See p. 36, fig. 5.

I

rtst' aesg

Recent Latin American Art: Herman Braun-Vega, Guillermo G6mez- Pefia, Marina Gutierrez, Patricia Israel, Ricardo Rodriguez Brey, Nelbia Romero, Jonas dos Santos, John Valadez, Carlos Zerpa, edited by Luis Camnitzer 6

I . editors'statement

The Columbus Quincentenary and Latin American Art: A Critical Evaluation Shifra M. Goldman and Luis Camnitzer 16

Translating 1492: Mexico's and Spain's First National Celebrations of the "Discovery" of the Americas Oscar E. Vdzquez 21

Africa in the Art of Latin America Gerardo Mosquera 30

The Virgin of Guadalupe: Symbol of Conquest or Liberation? Jeanette Favrot Peterson 39

"Civilizing" Rio de Janeiro: Four Centuries of Conquest through Architecture David Underwood 48

Postmodern Disalignments and Realignments of the Center/ Periphery Nelly Richard 57

Beyond "the Fantastic": Framing Identity in U.S. Exhibitions of Latin American Art Mari Carmen Ramirez 60

Recapturing History: The (Un)official Story in Centemporary Latin American Art Susana Torruella Leval 69

exhibtion eview

Gertrude Kaisebier; Helen Levitt, reviewed by Gretchen Garner 83

Chiefly Feasts, reviewed by Allen Wardwell 91

Sbookml rviews

Albert Boime, The Magisterial Gaze; Elizabeth Johns, American Genre Painting; John Wilmerding, American Views, reviewed by David Tatham 95

Norma Broude, Impressionism; Hollis Clayson, Painted Love; Richard Kendall and Griselda Pollock, eds., Dealing with Degas, reviewed by Eunice Lipton 99

Timothy W. Luke, Shows of Force; Ivan Karp and Steven D. Lavine, eds., Exhibiting Cultures; Philip Fisher, Making and Effacing Art, reviewed by Howard Risatti 103

Jacqueline Vaught Brogan, ed., Part of the Climate, reviewed by Alan Michael Parker lo6

I bok n aaousrcie

109

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Page 5: Latin American Art || Front Matter

?ROSSGURRENTS OF MODERNISM FOUR LATIN AMERICAN PIONEERS

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Valerie Fletcher With contributions by James T. Demetrion, Olivier Debroise, Adolfo Maslach, Lowery S. Sims, and Octavio Paz "It informs subtly .... [and includes] some of the finest examples of the works of these modern masters.... Fletcher deserves kudos."-Washington Post

With more than 100 illustrations, most in color, Crosscurrents of Modernism follows-in Spanish and English-the biographical and artistic paths of four pioneers, Joaquin Tornes-Garcfa, Wilfredo Lam, Matta, and Diego Rivera. Their fusion of Latin American themes with the visual or formalist aspects of modernism affected the global development of modernist and postmodernist art. Like many other expatriates in Europe, these four artists at first embraced already defined modernist styles-Cubism, Neoplasticism, Surrealism-but then, turning toward their homes, redefined them in different ways. 93 color, 35 b&w illus. 336 pp. Cloth: 1-56098-205-5 $60.00 Paper: 1-56098-206-3 $29.95

NOBLE HERITAGE Five Centuries of Portraits from the Hosokawa Family Jared Lubarsky Introduction by Alan Fern This book features sixteen portraits and such objects as tea instruments, armor, and Noh costumes owned by the influential house of Hosokawa, which played an illustrious role in Japanese history from the family's beginning in the 14th century, as vassals to the Ashikaga shogunate, to the present. 36 color, 12 b&w illus. 112 pp. Paper: 1-56098-209-8 $19.95

GATHERED VISIONS Selected Works by African American Women Artists Robert L. Hall Foreword by Steven C. Newsome Gathered Visions brings together works by 15 District of Columbia women artists whose variety of styles, palettes, and forms express individual visions within the context of African American life and history. 32 color, 1 tritone, 20 b&w illus. 64 pp. Paper: 1-56098-106-7 $14.95

FACES OF AMERICA Photographs by Pablo Delano With an introductory essay by Robert Coles This collection of more than 100 duotone portraits of Americans of all ages and ethnic backgrounds and from every region of the country forms a visual sampler of American faces at the end of the twentieth century. 118 duotones 144 pp. Paper: 1-56098-179-2 $24.95

Photographers at Work Developed and produced by Constance Sullivan Editions

"An inside look at how photographers work and think."-American Photo

DANCE Photographs by Annie Leibovitz These portraits of Mikhail Baryshnikov and other dancers look at dance from the perspective of the most well-known celebrity photographer working today. Many of the portraits of Baryshnikov, taken over more than a decade, have not been previously published. 30 b&w illus. 60 pp. Paper: 1-56098-208-X $15.95

MARIA Photographs by Lee Friedlander Friedlander, well-known for his photographs of jazz musicians, cityscapes, and nudes, turns his camera to an in-depth series of portraits of his wife taken throughout their married life, revealing an intensely personal, little-known aspect of this brilliant innovator's work. 30 b&w illus. 60 pp. Paper: 1-56098-207-1 $15.95

THE ART OF THE CONSERVATOR Edited by Andrew Oddy Experts directly involved in the conservation of eleven important works of art in varying media (metal, wood, glass, ceramics, painting, textiles) describe the fusing of technology, art history, and craftsmanship involved in conserving such works as a Leonardo da Vinci cartoon, Michelangelo's frescoes in the Sistine Chapel, the Piranesi vase, the Sutton Hoo helmet, and other objects. 50 color, 120 b&w illus. 208 pp. Cloth: 1-56098-229-2 $39.95

PHOTO STORY Selected Letters and Photographs of Lewis W. Hine Edited by Daile Kaplan Foreword by Berenice Abbott Hine (1874-1940), an American photographer whose name is synonymous with images of the human condition, developed the "photo story" concept and successfully captured the reality behind significant social issues of the early 20th century-immigrants at Ellis Island, child laborers, European war refugees, and industrial workers. These letters reveal Hine's methodology and his pioneering efforts in photojournalism. 26 b&w illus. 256 pp. Cloth: 1-56098-169-5 $34.95

I SMITHSONIAN INSTITUTION PRESS Dept. 900 * Blue Ridge Summit, PA 17294-0900 800/782-4612 * 717/794-2148

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Page 6: Latin American Art || Front Matter

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Only Connect,... Art and the Spectator in the Italian Renaissance John Shearman

John Shearman makes a plea for a more engaged reading of art works of the Italian Renaissance, one that will recognize the presuppositions of Renaissance artists about their viewers. His book is the first attempt to construct a history of those Renaissance paintings and sculptures that are by design completed outside themselves in or by the spectator, that embrace the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. The A. W Mellon Lectures in the Fine Arts Bollingen Series Over 230 illustrations, 26 in color. Cloth: $49.50 ISBN 0-691-09972-3

The Mediation

of Ornament

Oleg Grabar In this richly illustrated book Oleg Grabar not only shares a veteran art

historian's love for the sheer sensuality of Islamic ornamentation, but also uses this art to show how omrnament in general enables a direct, immediate

encounter between viewers and art objects from any culture and time period. Grabar analyzes early and medieval Islamic objects, ranging from

recently discovered frontispieces in Yemen to tilework in the Alhambra, and compares them to Westemrn examples, treating all pieces as testimony of the

work, life, thought, and emotion experienced in one society. From this discussion ornament emerges as a consistent intermediary between viewers

and artistic works throughout time. The A. W. Mellon Lectures in the Fine Arts

Bollingen Series Over 220 illustrations, 23 in color.

Cloth: $49.50 ISBN 0-691-04099-0

a 02e

The Robert Lehman Collection at The Metropolitan Museum of Art

American Drawinjs and Watercolors Carol Clark

Maurice Prendergast's Large Boston Public Garden Sketchbook, a book of 140 sketches he made in Paris in the 1890s, and four of his drawings from the early 1900s are the highlights of Robert Lehman's collection of American drawings and watercolors. Mr. Lehman also acquired a book of sketches of Robert Henri's trip to Spain in 1906; a sketchbook of David Levine's from 1960; and several other twentieth-century drawings and watercolors, by James McNeill Whistler, Charles Prendergast, George Luks, William Glackens, James Preston, and other American artists. The Robert Lehman Collection Egbert Haverkamp-Begemann, Coordinator Published in association with The Metropolitan Museum of Art. 443 illustrations, with 52 in full color and 337 duotones. Cloth: $90.00 ISBN 0-691-03208-4

-----

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Maurice Prendergast, Large Boston Public Garden Sketchbook, The Metropolitan Museum of Art, Lehman Collection.

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Page 7: Latin American Art || Front Matter

m I

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The Mastery of Nature Aspects of Art, Science, and Humanism in the Renaissance Thomas DaCosta Kaufmann

Responding to ongoing debates over the role of humanism in the rise of empirical science, Thomas DaCosta Kaufmann explores the history of Renaissance art to help explain the complex beginnings of the "scientific revolution." In a rich collection of new and previously published essays addressing conceptions of the mastery of nature, he discusses the depiction of nature in works of art, scientific approaches to understanding the world, and imperial claims to world control. This interdisciplinary approach elucidates the varying ways art, science, and humanism interact. Princeton Essays on the Arts 69 halftones. Cloth: $39.95 ISBN 0-691-03205-X

The Portrayal of Love Botticelli's Primavera and Humanist Culture at the Time of

Lorenzo the Magnificent Charles Dempsey

Widely acknowledged as a prime manifestation of Florentine humanist culture under Lorenzo de'Medici, Botticelli's Primavera cannot be fully

interpreted without considering the poetics that expressed the Laurentian cultural program and, in tumrn, the Renaissance itself. In this analysis

Charles Dempsey examines the poetry written by Lorenzo and his literary clients in order to give definition to the cultural context in which the

Primavera was created.

"... .the best exploration I have encountered of the relationships between poetry and painting-each seen as distinct artistic forms, but each viewed as the product of a single historical moment and

culture. A superior book on a great painting, it should be assigned reading for all art historians and for students of Renaissance

civilization."--David Quint, Yale University Cloth: $39.50 ISBN 0-691-03207-6

The Ruthwell Cross Edited by Brendan Cassidy

The Ruthwell Cross, a late seventh- or eighth-century high cross in the kirk at Ruthwell in the Scottish Borders, is one of the most intriguing examples of sculpture to survive from the early Middle Ages. This illustrated volume addresses some of the most debated issues surrounding this major literary and artistic monument of Anglo-Saxon culture. Publications of the Department of Art and Archaeology, Princeton University Index of Christian Art, Occasional Papers. 70 illustrations. Paper: $17.95 ISBN 0-691-00038-7 Cloth: $39.95 ISBN 0-691-03211-4

Iconography at the Crossroads Edited by Brendan Cassidy

As art historians draw increasingly from such cognate fields as literary theory and anthropology for new modes of inquiry, scholars in fields as diverse as music and the history of medicine are turning to images in art as sources of information for their own disciplines. Focusing on the role of iconography in this cross-fertilization, these papers examine how students of the Middle Ages and Renaissance search for meaning in the subject matter of works of art. Publications of the Department of Art and Archaeology, Princeton University Index of Christian Art, Occasional Papers Over 125 illustrations. Paper: $19.95 ISBN 0-691-00037-9 Cloth: $45.00 ISBN 0-691-03212-2

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Page 8: Latin American Art || Front Matter

Parallel Visions Modern Artists and Outsider Art

Maurice Tuchman and Carol S. Eliel In 1912 Paul Klee declared that the art of the mentally ill, as well as the art of

children, "really should be taken far more seriously than are the collections of all our art museums if we truly intend to reform today's art."

This catalogue of an exhibit organized by the Los Angeles County Museum of Art reveals the considerable Influence that "outsider art" has had on the

development of twentieth-century art. Over 260 illustrations, 110 in color.

Paper: $24.95 ISBN 0-691-00039-5 Cloth: $75.00 ISBN 0-691-03213-0

New in paperback The Discovery of the

Art of the Insane John M. MacGregor

"John MacGregor's compelling, feisty, encyclopedic, lavishly illus- trated text is deserving of high accolades.... Venturing into and painstak-

ingly mapping out an untrodden, perhaps one might even say a forbidden territory, it seizes its reader by the the hand and by the heart...and takes her

on an adventure into an exotic new/old world that is both profoundly alien and at the same time disturbingly familiar....carefully researched, lovingly produced, scrupulously annotated...."--Ellen Handler Spitz, The Art Bulletin

Over 220 illustrations, 29 in color. Now in paper: $24.95 ISBN 0-691-00036-0

New in paperback Albrecht Durer A Biography Jane Campbell Hutchison

Albrecht DOrer was one of the world's great artistic geniuses and he counted most of Germany's leading humanists among his friends. This major biography links DOrer's artistic development to his personal life and to the turbulent history of pre-Reformation Europe.

"An Informative and engrossing narrative." -Ellen Shultz, The New York Times Book Review

Now in paper: $12.95 ISBN 0-691-00297-5

New in paperback Rembrandtk Self-Portraits A Study in Seventeenth-Century Identity H. Perry Chapman

H. Perry Chapman has produced the first comprehensive treatment of the entire body of Rembrandt's self-portraits in their cultural and historical setting and in the context of the artist's life.

"Chapman is a graceful writer. Her arguments are balanced, well documented, and vigorously pursued.... The publication of this book is cause for gratitude and joy." -Thomas D'Evelyn, Christian Science Monitor 180 illustrations. Now in paper: $24.95 ISBN 0-691-00296-7

Princeton University Press 41 WILLIAM ST., PRINCETON, NJ 08540 * ORDERS: 800-777-4726 * OR FROM YOUR LOCAL BOOKSTORE

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Page 9: Latin American Art || Front Matter

40

The Impressionist and the City Pissarro's Series Paintings Richard R. Brettell and Joachim Pissarro

This lavishly illustrated book focuses on Pissarro's serial paintings of Paris, Rouen, and the busy ports of Dieppe and Le Havre, placing them in their art- historical, literary, and social context and discussing Pissarro's attitudes toward these his final works. Full data is given for each painting. 10 b/w + 200 color illus. $50.00

Fauve Painting The Making of Cultural Politics

James D. Herbert

Fauve paintings, with their bold distor- tion of forms and exuberant color, created great controversy when they were first exhibited in the early years of this century. In this provocative new account of Fauvism, James D. Herbert examines significant paintings of the most famous members of the school- Matisse, Derain, and Vlaminck-and shows that what appeared to be their artistic simplicity in fact disguised an involvement in many of the pressing issues of the day. 75 b/w + 18 color illus. $40.00

Yale University Press 92A Yale Station, New Haven, CT 06520

Alfred Sisley Edited by Mary Anne Stevens

This handsome book presents a broad- ranging analysis of one of the least known of the major Impressionists. The book includes a biography of Sisley, a discussion of contemporary attitudes toward his art, a chronology of his works, and a catalogue of 65 of his paintings, each accompanied by full data. The book will be the cata- logue for the first major international exhibit of Sisley's work.

"[A] beautiful album."-Publishers Weekly 100 blw + 100 color illus. $50.00

Roman Sculpture Diana E. E. Kleiner

In this beautifully illustrated book-the first in almost a century devoted solely to Roman sculpture-Diana E. E. Kleiner discusses all the major public and private monuments in Rome, as well as many less well-known monuments in the capital and elsewhere in the empire. Throughout, Kleiner treats Roman sculpture in its cultural, political, and social contexts and, wherever possible, as an element of the architectural complex in which it was set.

"A superlative book. All art historians, teachers, scholars, and concerned readers will be richer for its appearance." -Cornelius Vermeule 421 illus. $55.00 Yale Publications in the History ofArt

Beyond Representation Chinese Painting and Calligraphy, 8th-I 4th Century Wen C. Fong This beautiful book surveys Chinese painting from the eighth to the fourteenth century, a period during which the nature of China's pictorial art changed dramati- cally?-from a realistic rendition of nature to imagery that drew on the artist's inner response to his world. Written by one of the world's most eminent scholars of Chinese art, the book is lavishly illustrated with works from the outstanding collec- tion of the Metropolitan Museum of Art, New York. 220 duotones + 220 color illus. $85.00

Copublished with The Metropolitan Museum ofArt

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Atget's Seven Albums Molly Nesbit

This stunning book-the first complete reproduction of Eugene Atget's seven photographic albums of Paris at the height of its belle 6poque-is at once a new kind of history of photography, and a social history of art and of Paris in the early twentieth century. 158 b/w illus. + 420 duotones $55.00

Yale Publications in the History ofArt

Anthropology and Photography, 1860- 1920 Edited by Elizabeth Edwards

This fascinating book is the first serious study of the place of photogra- phy in anthropology and the contribu- tion it can make to an understanding of the ethnographic past. 160 illus. $35.00

Published in conjunction with the RoyalAnthropo- logical Institute London

Art and Empire The Politics of Ethnicity in the U.S. Capitol, 1815-1860

Vivien Green Fryd In the first in-depth look at the public art of the U.S. Capitol, Vivien Green Fryd convincingly argues that the art was used to outline the course of the North American empire, justifying and reinforcing America's imperialistic ideals and actions with images that promoted the subjugation of Native Americans.

"This is the book on the art of the U.S. Capitol."-Michele Bogart 133 b/w illus. $45.00

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Page 10: Latin American Art || Front Matter

M asters of Photo raphy1 CONSUFLO KANAGA

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Consuelo Kanaga An American Photographer Barbara Head Millstein and Sarah M. Lowe Introduction by William Maxwell Afterword by Grace M. Mayer A pioneer of social photography as well as a still-life and

landscape photographer, the work of Consuelo Kanaga represents a legacy deeply rooted in photography's docu-

mentary tradition. This richly illustrated volume focuses on her sensitive, compassionate portraits of African American workers and includes a selection of still lifes and landscapes. Published with the Brooklyn Museum Paperback, $35.00

Optiks Zeke Berman Debra Heimerdinger Zeke Berman's photographs explore a world of visual invention influenced more by scientific theory and revela- tion than by any narrative ideas. Included are 21 black-and- white images that confront the dual nature of the photo- graph as simultaneously abstract and representational. Distributed for the Friends of Photography Paperback, $16.95

The Portrait in Photography Edited by Graham Clarke

Ranging from the earliest photography by pioneer figures such as Nadar and Cameron to the more recent works of

Winogrand, this book offers a variety of critical approaches and includes discussions of theories on photography held

by writers such as Roland Barthes, Susan Sontag, and Victor Burgin. Distributed for Reaktion Books Clothbound, $45.00 Paperback, $19.95

SEEING STRAIGHT

THE PORTRAIT IN PHOTOGR APHY

Seeing Straight The f.64 Revolution in Photography Edited by Therese Thau Heyman In the early 1930s, some of the most talented and distinctive

personalities in photography gathered together to form a

group known as f.64, arguably the most influential photo- graphic movement of the era. Drawing upon the work of Edward Weston, Ansel Adams, Imogen Cunningham, Brett Weston, and others, Seeing Straight is the first extensive examination of f.64's contribution to photography. Distributed for the Oakland Museum Paperback, $29.95

This Sporting Life, 1878-1991 Edited by Ellen Dugan

Featuring works by 120 photographers drawn from American and European public and private collections and the archives of Life and Sports Illustrated, this book examines the significant interrelationships between sports, photogra- phy, and culture since the late 19th century. Distributed for the High Museum of Art Paperback, $29.95

Available from your local bookstore or call 1-800-441-4115

P.. ox50969 eatl, A 914-59

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Page 11: Latin American Art || Front Matter

AMERICAN FOLK MASTERS The National Heritage Fellows By Steve Siporin. Color photography by Michel Monteaux. 0-8109-1917-6 $49.50

THE ATLAS OF ATLASES The Map Maker's Vision of the World By Phillip Allen. 0-8109-3918-5 $49.50

BACCARAT By Jean-Louis Curtis. 0-8109-3122-2 $95.00

BEYOND IMPRESSIONISM The Naturalist Impulse By Gabriel P. Weisberg. 0-8109-1922-2 $67.50 until 1/1/93; $75.00 thereafter

BONNARD/MATISSE Letters Between Friends 1925-1946 Translated by Richard Howard. Notes and Introduction by Antoine Terrasse. Preface by Jean Clair. 0-8109-2533-8 (paperback) $19.95

THE BRANCACCI CHAPEL By Umberto Baldini and Ornella Casazza. 0-8109-3120-6 $125.00

THE BRANDYWINE VALLEY An Introduction to Its Cultural Treasures By James S. Wamsley. 0-8109-3628-3 $60.00

COLLAGE, ASSEMBLAGE, AND THE FOUND OBJECT By Diane Waldman. 0-8109-3183-4 $85.00

FINE AND HISTORIC BOOKBINDINGS FROM THE FOLGER SHAKESPEARE LIBRARY By Frederick Bearman, Nati H. Krivatsky, and J. Franklin Mowery. 0-8109-3312-8 $49.50

First Impressions series

JOHN JAMES AUDUBON By Joseph Kastner. 0-8109-1918-4 $19.95

FRANCISCO GOYA By Ann Waldron. 0-8109-3368-3 $19.95

GREAT IRISH HOUSES AND CASTLES ByJacqueline O'Brien and Desmond Guinness. 0-8109-3365-9 $65.00

GREEK ART AND ARCHAEOLOGY By John Griffiths Pedley. 0-8109-3369-1 $55.00

A GUIDE TO ART A Handy Reference to Artists, Their Works, andnArtistic Movements from the Fourteenth Century to the Present Day Edited by Sandro Sproccati. 0-8109-3366-7 $29.95

IN AUGUST COMPANY The Collections of the Pierpont Morgan Library Edited by John Plummer. 0-8109-3863-4 $49.50

BRICE MARDEN Paintings and Drawings By Klaus Kertess. 0-8109-3627-5 $95.00

A NATION'S PRIDE Art in the White House Essays by William Kloss. 0-8109-3965-7 $49.50

1993 TRAVELER'S GUIDE TO ART MUSEUM EXHIBITIONS Edited by Susan Rappaport. 0-8109-2522-2 (paperback) $12.95

Selected Titles/Fall 1992

INDIAN MINIATURES OF THE MUGHAL COURT By Amina Okada. 0-8109-3461-2 $9500

CHARLES LE BRUN First Painter to King Louis XIV By Michel Gareau. 0-8109-3567-8 $8500

LOST LHASA Heinrich Harrer's Tibet By Heinrich Harrer. 0-8109-3560-0 $39.95

THE LURE OF ITALY American Artists and the Italian Experience, 1760-1914 By Theodore E. Stebbins, Jr. 0-8109-3561-9 $6500

MAGRITTE The Silence of the World By David Sylvester. 0-8109-3626-7 $75.00

OF HOUSES AND TIME Personal Histories ofAmerica 's National Trust Properties By William Seale. 0-8109-3671-2 $45.00

PICTURES FROM HOME By Larry Sultan. 0-8109-3721-2 $39.95

PIERO DELLA FRANCESCA By Marilyn Aronberg Lavin. 0-8109-3210-5 $22.95

FAIRFIELD PORTER An American Classic By John T. Spike. 0-8109-3719-0 $6750 until 1/1/93; $75.00 thereafter

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TOMB SCULPTURE Its Changing Aspects from Ancient Egypt to Bernini By Erwin Panofsky. 0-8109-3870-7 $75.00

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Page 12: Latin American Art || Front Matter

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NEW AND NOTEWORTHY MEADOWS OF MEMORY Images of Time and Tradition in American Art and Culture By Michael Kammen In three thought-provoking and innovative essays, Pulitzer Prize- winner Kammen ranges from the Renaissance to the twentieth century, from central Europe to the western United States, and from elegant oil painting to folk sculpture to show the transformations of Old World icons of time into New World images of social memory and tradition. 6 x 9 in., 220 pp, 125 b&w illus. $39.95 cloth ISBN 0-292-75139-7

THE SKELETON AT THE FEAST The Day of the Dead in Mexico By Elizabeth Carmichael and ChloW Sayer All over Mexico, early in November, families gather to welcome the souls of the dead on their annual visit home. One of Mexico's most important festivals since prehispanic times, the Day of the Dead is an occasion for celebrating and feasting. 8 1/2 x 11 in., 192 pp., 41 color and 149 b&w illus. $27.95 paper ISBN 0-292-77658-6

FRANQOIS DE NOME Mysteries of a Seventeenth-Century Neapolitan Painter Text by J. Patrice Marandel

Frangois de Nom6 (1593-after 1634) is best known for his eerily lit night scenes of the ruins of cities and of catastrophic visions. Marandel challenges the traditional understand- ing of de Nom6's work as that of an eccentric, instead interpreting it closely in the milieu in which the artist was formed. Distributed for the Menil Collection 8 1/2 x 9 in, 64 pp., 14 color and 5 b&w illus. $14.95 paper ISBN 0-939594-27-7

PREVIOUSLY ANNOUNCED YAXCHILAN The Design of a Maya Ceremonial City By Carolyn E Tate A comprehensive catalog and analysis of all Yaxchilan's extant buildings and sculpture that also explores the phenomenon of art within Maya society. 8 1/2 x 11 in., 328 pp., 15 color and 159 b&w illus. $35.00 cloth ISBN 0-292-77041-3

THE ROTHKO CHAPEL PAINTINGS Form as Meaning in the American Abstract Sublime By Sheldon Nodelman An examination of the interdepen- dence of painting, architectural setting, and light in the context of Houston's Rothko Chapel. Copublished with the Menil Foundation 8 1/2 x 11 in, 128 pp, 24 color and 20 b&w illus. $23.95 paper ISBN 0-292-77054-5

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Page 13: Latin American Art || Front Matter

"The World of Art is an extraordinarily rich and varied series of paperback books- published at impressively low prices, substantially illustrated, and well-produced-on the most

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National Gallery of Art Washington Foreword by J. Carter Brown. 312 illustrations, 309 in color. $14.95

Design Since 1945 By Peter Dormer. 170 illustrations, 25 in color. $12.95

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Native Arts of North America Updated Edition By Christian F Feest. 193 illustrations, 20 in color. $12.95

Encyclopedla of Graphic Design and Designers Alan and Isabella Livingston. 445 illustrations, 59 in color. $12.95

Latin American Art in the Twentieth Century By Edward Lucie-Smith. 175 illustrations, 25 in color. $12.95

The World of Art series offers more than 120 titles on virtually every artistic era, genre, and subject, from the ancient world to the most modern movements. The books are written by leading critics and scholars and are heavily illustrated. New books are added to the series on a regular basis and existing titles are kept up to date with timely revisions. All are available in paperback.

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Page 14: Latin American Art || Front Matter

THE COLLECTED WRITINGS OF

ED i .' . D BY S ... PHAN E T ERENZ O

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Illustrated with over a hundred halftones, this volume offers the first compre- hensive look at contemporary public sculture, ranging from the work of

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Page 15: Latin American Art || Front Matter

Past-Present Essays on Historicism in Art from Donatello to Picasso IRVING LAVIN In focusing on specific works such as Donatello's bronze pulpits in San Lorenzo, Bernini's image of the Sun King, and Picasso's lithographs ofbulls, Lavin addresses creations that seek to define the present expressly in terms of the past. Lavin's essays show the rich- ness of the artists' sources by tracing certain motifs and traditions back in time. Generously illustrated, this is a work of importance to both art histo- rians and lovers of art. Una's Lectures $65.00 cloth, illustrated

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Back in print The New York School A Cultural Reckoning DORE ASHTON "Ashton's book is a marvel, compared with the one-eyed speculation of most art history. She is so determined to place the New York School in a broad cultural context that at times her book seems as much a study of literature and politics as of art during the 1930s and 1940s."-Newsweek $15.00 paper, $35.00 cloth, illustrated

Surrealism and the Book RENEE RIESE HUBERT New in paper-"This first major study of 'the surrealist book' addresses a fer- tile selection of surrealist livres d'artiste and other variants such as the collage- novel and the photo-poem."

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The Eloquence of Color Rhetoric and Painting in the French Classical Age JACQUELINE LICHTENSTEIN Translated by Emily McVarish "An outstanding book, one of the most intelligent, penetrating, and intellec- tually rigorousstudiesofpictorialtheory in the literature of art history."

-Michael Fried, author of Absorption and Theatricality

The New Historicism: Studies in Cultural Poetics $45.00 cloth, illustrated

The Tall Building Artistically Reconsidered ADA LOUISE HUXTABLE New inpaper-"Since Lewis Mumford stopped writing about the subject, Huxtable has been our strongest voice on both the aesthetics and the ethics of our surroundings."

-Philadelphia Inquirer $15.00 paper, illustrated

Art Nouveau in Fin-de-Si cle France Politics, Psychology, and Style DEBORA L. SILVERMAN New in paper-"Ever so rarely a book appears that is destined to establish new parameters for intellectual dis- course as it challenges and dissects old views through its interpretations. [This] . . . is such a work.... Undoubtedly, this superb volume will become an essential text on turn-of-the-century art and its social implications."

-Art Journal Studies on the History of Society and Culture Winner 1990 Berkshire Conference Award $20.00 paper, illustrated

At bookstores or order toll-free 1-800-822-6657.

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Page 16: Latin American Art || Front Matter

SDIRECTIONS IN AMERICAN Elizabeth Broun, Wanda M. Corn, Elizabeth Johns, and John Michael Vlach,

Z Advisory Board

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AND THE SURVEYING OF THE AMERICAN WEST Joni Louise Kinsey

Presenting the first in-depth study of Moran's early western landscapes, Kinsey examines three monumental paintings- The Grand Canon ofthe Yellowstone (1872), The Chasm of the Colorado (1873-74), and The Moun- tain of the Holy Cross-that bespoke a new national identity and shaped the rest of Moran's career. Drawing on government documents, correspondence, photographs, and prints, Kinsey demonstrates as well

Sthe growing relationship at the century's end between art and commerce in the United States. 8 color, 101 b&w illus. 247 pp. Paper: 1-56098-170-9P $34.95

THE MAGISTERIAL GAZE Manifest Destiny and American Landscape Painting (c. 1830-1865) Albert Boime "Few studies [of American landscape painting] have been as intellectually provocative . . . Focusing on the period from the completion of the Erie Canal to the end of the Civil War, Boime eloquently contends that American landscape painting from the Hudson River artists to the Rocky Mountain painters may be distin- guished by a 'characteristic line of vision' that informs the viewer of both a compositional perspective and an ideological point of view.... The viewer looked down from above upon an environment or land that awaited subjugation as the nation fulfilled its 'Manifest

Destiny' to occupy and to subjugate all lands between the Atlantic and Pacific Oceans."-Choice 8 color, 47 b&w illus. 200 pp. Cloth: 1-56098-095-8H $24.95

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When published, the series will offer the most comprehensive survey of the art of American Realism available.

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Page 17: Latin American Art || Front Matter

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PICTURING TIME The Work of Etienne-Jules Marey (1830-1904) Marta Braun "An elegant cultural historical biography of the man who invented motion-picture technologies for studying the intriguing phenomenon of time itself, graphically enacted by the human body in motion. Braun corrects earlier misinterpretations of the photographs of Eadweard Muybridge. She provides a gripping account of the career of a heroic positivist whose photographs inspired some of the most blatantly antipositivistic images in modern art."- Stephen Kern, author of The Culture of Time and Space, 1880-1918 Cloth $65.00 472 pages 270 halftones, 65 line drawings

THE TEMPTATION OF SAINT REDON Biography, Ideology, and Style in the Noirs of Odilon Redon

Stephen F. Eisenman Eisenman brings into focus the interconnections between Redon's complex style and the culture and society of his time. He argues that Redon's graphic works are a conscious and con- sidered response to changing social realities-an attempt to find refuge from the forces of modernization in an imaginative world of the macabre and the fantastic. Cloth $55.00 289 pages 156 halftones, 1 map

CHICAGO The University of Chicago Press 5801 S. Ellis Ave., Chicago, IL 60637

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SADAKIICHI HARTMANN, CRITICAL MODERNIST Collected Art Writings Edited by Jane Calhoun Weaver Brilliant and controversial, art critic Sadakichi Hartmann wrote about American and European art and the shaping of American culture during the decades from 1890 to 1910. "So much critical writing on the visual arts in this country today

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Volume 2 THE HYDROGEN JUKEBOX Selected Writings of Peter Schjeldahl, 1978-1990 Edited by MaLin Wilson, Introduction by Robert Storr "Here's art criticism that dem- onstrates the power of art to evoke art, in the form of some of the most lusciously written re- sponses to visual beauty ever to hit print. Schjeldahl's voice is intimate, impressionistic, inven- tive, and impassioned. During a decade that defined art mostly through commerce, Schjeldahl consistently reminded readers of its necessary soul."

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Page 18: Latin American Art || Front Matter

"Great Artists and Themes in Art" is an CARAVAGGIO LEONARDO VERONESE CATS FLOWERS SHIPS Thm si r"i nby Janice Shell by John Nash Roger Quarm

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Bela Petheo, Mission and Commissions: Oskar Kokoschka in Minnesota 1949-1957. (Saint John's University, 1991. 8 color plates,

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