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Late Northern European Gothic By Tristan, Vanessa, Shaina, & Jessica

Late Northern European Gothic By Tristan, Vanessa, Shaina, & Jessica

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Late Northern European Gothic By Tristan, Vanessa, Shaina, & Jessica Slide 2 Slide 3 Slide 4 The Well of Moses by Claus Sluter, Chartreuse de Champmol (monastery) (Dijon, France) 1395-1406 Slide 5 Philip the Bold (a Duke of Burgundy, was very supportive of the arts) *this base supported a Crucifixion group above *wealth of descriptive information revealed (the promise of everlasting life as Christs blood washes over the prophets and cleanses them) *naturalism and differentiation in the textural surfaces. Slide 6 The Wilton Diptych, c. 1395, tempera on wood panel Slide 7 Limbourg Brothers. January, from Les Tres Riches Heures du Duc de Berry, 1413-16, illumination Created by the brothers as an advanced version of illuminated manuscripts. It displays objects of wealth Slide 8 Limbourg Brothers. February, from Les Tres Riches Heures du Duc de Berry, 1413-16, illumination bees, sheep and a dovecote(structure that houses doves or pigeons) Slide 9 Limbourg Brothers. April, from Les Tres Riches Heures du Duc de Berry, 1413-16, illumination Slide 10 Limbourg Brothers. May, from Les Tres Riches Heures du Duc de Berry, 1413-16, illumination images of the aristocracy Slide 11 Limbourg Brothers. June, from Les Tres Riches Heures du Duc de Berry, 1413-16, illumination identifiable architecture laborers sometimes referred to as Jacques Bonhomme as a derogatory term for the French peasants Slide 12 July Works like this illustrated the relationship the powerful had with the peasantry. The relationship was, at best, civil but peasants rose up against the elite in the late 14th century in some areas. Slide 13 Limbourg Brothers. August, from Les Tres Riches Heures du Duc de Berry, 1413-16, illumination peasants swimming in the nude Slide 14 Limbourg Brothers. St. Michael Battling the Dragon of the Apocalypse above Mont. St. Michel and Temptation of Christ, from Les Tres Riches Heures du Duc de Berry, 1413-16, illuminations Slide 15 Huntsmen Exercising and Brushing Dogs, from Livre de la chasse (written by Gaston Phebus), c. 1410, illumination Slide 16 Melchior Broederlam. Outer wings of the Retable de Champmol from the Chapel of the Chartreuse de Champmol (Dijon, France), installed 1399 Slide 17 Melchior Broederlam two different architectural styles attempt to render deep space on a two- dimensional surface Slide 18 Attributed to Robert Campin (also known as the Master of Flamalle) Virgin and Child before a Firescreen, c. 1425, panel Slide 19 Master of Flemalle (Robert Campin). Merode Altarpiece, c. 1425-1428, oil on wood Slide 20 Robert Campin (Master of Flemalle)/ focus on textures and surfaces/ a prosperous middle-class interior/ Northern use of symbolism/ absence of halos Slide 21 Joseph and his mousetrap/ detailed view of a Flemish town Slide 22 kneeling donors/ concepts of truth and reality in Flemish painting Slide 23 Merodes Altarpiece