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LANDSCAPE MODERN OIL PAINTING CANVAS
PAINTING ABSTRACT OIL PAINTING WALL
HANGING
1. B
ertil
Oso
rio H
elto
ft, B
oth
side
s of
riv
er w
ith b
ells
on
(ple
in a
ir fr
om t
ram
), 20
17.
Graphite,laquer,canvas.26 × 20 cm.
2.
Ber
til O
sorio
Hel
toft
, Rev
erse
d liz
ard
and
tow
n ha
ll, 2
017
.
Graphite,stickerfrom
ram
allah,gesso.24,5 × 38 cm.
3.GordonDalton,T
hing
s w
e lo
st in
the
fire
, 20
16.
Acrylic,canvas.35 × 30 cm.
4.GordonDalton,N
ight
swim
min
g, 2
016
.
Acrylic,canvas.30 × 25 cm
.
5.GordonDalton,S
ubm
arin
e, 2
016
.
Acrylic,canvas.30 × 25 cm
.9.MagnusFrederikClausen,H
ow t
o gr
ass
feed
a h
orse
(eye
), 20
17.
Oil,coalstick,linen.139 × 86 cm.
6.JasonBurgess,Q
uart
er t
urn,
20
17.
Acrylic,oil,canvas.76 × 38 cm.
10.LasseBruun,M
orni
ngsw
im, 2
017
.
Phototransfer,glue,canvas.120
× 125 cm
.
7.GordonDalton,Z
oolo
gica
l gar
dens
, 20
16.
Acrylic,canvas.30 × 25 cm
.11.LasseBruun,M
ask0
3, 2
017
.
Phototransfer,glue,spraypaint,plexiglass.49 × 5 cm.
8.FabianKuntzsch,S
tern
2, 2
016
.
Cherrycores,biscuits,fabric,glittery,m
olleton,wood.50 × 50 cm.
12.SarahMcN
ulty,S
hrnk
, 20
16.
Ink,sunreactivepaint,linen.70 × 70 cm.
1. B
ertil
Oso
rio H
elto
ft, B
oth
side
s of
riv
er w
ith b
ells
on
(ple
in a
ir fr
om t
ram
), 20
17.
Graphite,laquer,canvas.26 × 20 cm.
2.
Ber
til O
sorio
Hel
toft
, Rev
erse
d liz
ard
and
tow
n ha
ll, 2
017
.
Graphite,stickerfrom
ram
allah,gesso.24,5 × 38 cm.
3.GordonDalton,T
hing
s w
e lo
st in
the
fire
, 20
16.
Acrylic,canvas.35 × 30 cm.
4.GordonDalton,N
ight
swim
min
g, 2
016
.
Acrylic,canvas.30 × 25 cm
.
pain
of
itsel
f
ButIm
ustexplaintoyouhow
allthism
istaken
ideaofreprobatingpleasureandextollingpain
arose.Todoso,Iwillgiveyouacompleteaccount
ofthesystem,andexpoundtheactualteachings
ofthegreatexploreroftruth,them
aster-builder
ofhum
anhappiness.Noonerejects,dislikesor
avoidspleasureitself,becauseitispleasure,but
becausethosewhodonotknow
how
topursue
plea
sure
rat
iona
lly e
ncou
nter
con
sequ
ence
s th
at
areextrem
elypainful.Noragainisthereanyone
wholovesorpursuesordesirestoobtainpainof
itself,becauseitispain,butbecauseoccasion-
allycircum
stancesoccurinw
hichtoilandpain
canprocurehimsom
egreatpleasure.Totakea
trivialexam
ple,w
hichofuseverundertakesla-
boriousphysicalexercise,excepttoobtainsome
advantagefrom
it?Butwhohasanyrighttofind
faultwithamanwhochoosestoenjoyapleasure
thathasnoannoyingconsequences,oronewho
avoidsapainthatproducesnoresultantpleasure?
Ontheotherhand,w
edenouncewithrighteous
indignationanddislikemenwhoaresobeguiled
anddemoralizedbythecharmsofthepleasureof
themom
ent,soblindedbydesire,thattheycan-
notforeseethepainandtroublethatarebound
toensue;andequalblamebelongstothosewho
failintheirdutythroughweaknessofwill,w
hich
isthesam
eassayingthroughshrinkingfromtoil
andpain.Thesecasesareperfectlysimpleand
easytodistinguish.Inafreehour,w
henourpow-
erofchoiceisuntram
melledandwhennothing
preventsourbeingabletodowhatwelikebest,
every pleasureistobewelcomedandeverypain
avoided.Butincertainemergenciesandow
ingto
theclaimsofdutyortheobligationsofbusiness
itwillfrequentlyoccurthatpleasureshavetobe
repudiatedandannoyancesaccepted.Thewise
manthereforealwaysholdsinthesem
attersto
thisprincipleofselection:herejectspleasures
tosecureothergreaterpleasures,orelseheen-
durespainstoavoidworsepains.
note
s
ThetextisanEnglishtranslationofbook1,sections
32–33ofD
e fin
ibus
bon
orum
et m
alor
umbyRom
an
orator,politicianandphilosopherM
arcusTullius
Cicero:atreatisedating45B.C.onthetheoryof
Ethics.Amongothers,itraisesthequestionofwhat
isthehighestgood,ponderingwhetheritshouldbe
classifiedasvirtueorpleasure.T
hefirstbookof
De
finib
us b
onor
um e
t mal
orum
isadissertation
on
hedo
nism
,fromwhichL
orem
ipsu
misderived.
Lore
m ip
sumisafillertextusedbygraphicde-
signers,programmers
and
typographersfor
layoutsketchesandgraphicmock-ups.Itsm
ain
featureistooff
erauniform
distributionofletters
andtoapp
earasanormalreadabletextblock
whichcouldsimulatethefinaltextdatawithsuf-
ficientli
kelih
ood.
It is
a n
onse
nsic
altext,composedofwordsand
partsofwordsinLatinlanguage,pseudo-casively
takenfrom
theoriginalscriptandreassambled.
AsthelettersK,W
,orZarealientoLatin,these
andothersareinsertedrandomlyintothetextto
mimicthetypographicaspectofalargenumber
ofEuropeanlanguages.
Lore
m ip
sumwasusedforthefirsttimeinthe16th
centurybyananonym
oustypographer.Sincethen,
ithasbeenoneofthemostfundamentals
tand
ards
intheprintingindustry.Ithascom
ethroughthevar-
iousevolutionsinpublishingtechniques-including
thetransitionfrom
physicaltocomputer-aidedlay-
out-withnosubstantialchanges.
The
pre
sent
tra
nsla
tion
of D
e fin
ibus
bon
orum
et
mal
orum
isthatoftheLoebClassicalLibrary,H
ar-
vardUniversityPress,vol.XVII,second(revised)
edition,1931,byH
.HarrisRackham
.Itisinthe
publicdom
ainpursuanttothe1978revisionofthe
U.S.CopyrightCode,becausethec
opyr
ight
ex-
piredandwasnotrenewedattheappropriatetime,
whichwouldhavebeenin1958or1959.
PaolaPaleari,June20
18
5.GordonDalton,S
ubm
arin
e, 2
016
.
Acrylic,canvas.30 × 25 cm
.9.MagnusFrederikClausen,H
ow t
o gr
ass
feed
a h
orse
(eye
), 20
17.
Oil,coalstick,linen.139 × 86 cm.
6.JasonBurgess,Q
uart
er t
urn,
20
17.
Acrylic,oil,canvas.76 × 38 cm.
10.LasseBruun,M
orni
ngsw
im, 2
017
.
Phototransfer,glue,canvas.120
× 125 cm
.
7.GordonDalton,Z
oolo
gica
l gar
dens
, 20
16.
Acrylic,canvas.30 × 25 cm
.11.LasseBruun,M
ask0
3, 2
017
.
Phototransfer,glue,spraypaint,plexiglass.49 × 5 cm.
8.FabianKuntzsch,S
tern
2, 2
016
.
Cherrycores,biscuits,fabric,glittery,m
olleton,wood.50 × 50 cm.
12.SarahMcN
ulty,S
hrnk
, 20
16.
Ink,sunreactivepaint,linen.70 × 70 cm.
Copenhagen
Code Art Fair30.08 – 02.09.2018
codeartfair.dk
13.AdrianneRubenstien,A
plu
s pa
intin
g, 2
017
.
Oil,panel,w
oodenfram
e.112 × 92 cm
.17.AdrianneRubenstien,H
oney
bees
eat
ing
hone
y ou
t of
a s
poon
, 20
17.
Oil,panel,w
oodenfram
e.112 × 92 cm
.
14.TorbenRibe,U
ntitl
ed (r
ed p
aint
ing)
, 20
17.
Acrylic,canvas,plasticpasta.110 × 100 cm.
18.TorbenRibe,U
nfini
shed
pai
ntin
g (w
ith e
nhan
ced
corn
er p
rote
ctio
n),2014.
Pizzamenu,acrylic,glitter,ducttape,canvas.160 × 120 cm.
15.JonPilkington,U
ntitl
ed, 2
016
.
Oil,waxcrayon,canvas,walnutfram
e.60 × 45 cm
.19.TorbenRibe,W
hite
rel
ief o
ver
blue
, 20
16.
Acrylic,pencil,bandages,rectalcream
,canvas,kitchendoorwithhandle.57
× 40 cm.
16.LasseBruun,M
ask0
2, 2
017
.
Phototransfer,glue,spraypaint,plexiglass.41.5 × 6.5 cm.
20.JonPilkington.C
hez-
long
, 20
16.
Oil,lacquer,waxcrayon,canvas,walnutfram
e.92
× 72 cm.
21.DanielPeder,A
skel
and
Unt
itled
, 20
17.
Oil,showercurtain,canvas.41 × 37 cm
.25.A
nnaØrberg,
Unt
itled
(tea
rdro
ps),20
13.
Acrylic,canvas.40 × 50 cm.
22. B
ertil
Oso
rio H
elto
ft, U
ntitl
ed, 2
017
.
Oil,canvas.99 × 80 cm.
26.D
anielPederAskeland,L
ine
sket
ch, 2
017
.
Oil,canvas.37 × 41 cm.
23.A
nnaØrberg,T
heor
y of
the
you
ng g
rung
e sk
ater
girl
/boy
, 20
10.
acrylic,spraypaint,canvas.40 × 50 cm.
27.AstridSvangren,S
umm
er t
ime
/ pi
gmen
t of
cor
nflow
er /
sum
mer
win
e /
cucu
mbe
r
and
flora
l spr
ay /
sum
mer
sad
ness
/ m
y ow
n lo
cus
amoe
mus,2013.Plastic,cloth,acrylic,steel
wire,foam,japanesesilkpaper,plexiglass,woodeneasel.194 × 103 × 41 cm.
24.A
nnaØrberg,U
ntitl
ed (c
at),
2010
.
Acylic,canvas.50 × 40 cm.
28.A
nnaØrberg,W
alls
ticke
r (m
isle
adin
g ne
olib
eral
ist
quot
es),20
15.
Oil,canvas.50 × 40 cm.
M R . K O I F I S H
new s ing le out august
13.AdrianneRubenstien,A
plu
s pa
intin
g, 2
017
.
Oil,panel,w
oodenfram
e.112 × 92 cm
.17.AdrianneRubenstien,H
oney
bees
eat
ing
hone
y ou
t of
a s
poon
, 20
17.
Oil,panel,w
oodenfram
e.112 × 92 cm
.
14.TorbenRibe,U
ntitl
ed (r
ed p
aint
ing)
, 20
17.
Acrylic,canvas,plasticpasta.110 × 100 cm.
18.TorbenRibe,U
nfini
shed
pai
ntin
g (w
ith e
nhan
ced
corn
er p
rote
ctio
n),2014.
Pizzamenu,acrylic,glitter,ducttape,canvas.160 × 120 cm.
15.JonPilkington,U
ntitl
ed, 2
016
.
Oil,waxcrayon,canvas,walnutfram
e.60 × 45 cm
.19.TorbenRibe,W
hite
rel
ief o
ver
blue
, 20
16.
Acrylic,pencil,bandages,rectalcream
,canvas,kitchendoorwithhandle.57
× 40 cm.
16.LasseBruun,M
ask0
2, 2
017
.
Phototransfer,glue,spraypaint,plexiglass.41.5 × 6.5 cm.
20.JonPilkington.C
hez-
long
, 20
16.
Oil,lacquer,waxcrayon,canvas,walnutfram
e.92
× 72 cm.
21.DanielPeder,A
skel
and
Unt
itled
, 20
17.
Oil,showercurtain,canvas.41 × 37 cm
.25.A
nnaØrberg,
Unt
itled
(tea
rdro
ps),20
13.
Acrylic,canvas.40 × 50 cm.
22. B
ertil
Oso
rio H
elto
ft, U
ntitl
ed, 2
017
.
Oil,canvas.99 × 80 cm.
26.D
anielPederAskeland,L
ine
sket
ch, 2
017
.
Oil,canvas.37 × 41 cm.
23.A
nnaØrberg,T
heor
y of
the
you
ng g
rung
e sk
ater
girl
/boy
, 20
10.
acrylic,spraypaint,canvas.40 × 50 cm.
27.AstridSvangren,S
umm
er t
ime
/ pi
gmen
t of
cor
nflow
er /
sum
mer
win
e /
cucu
mbe
r
and
flora
l spr
ay /
sum
mer
sad
ness
/ m
y ow
n lo
cus
amoe
mus,2013.Plastic,cloth,acrylic,steel
wire,foam,japanesesilkpaper,plexiglass,woodeneasel.194 × 103 × 41 cm.
24.A
nnaØrberg,U
ntitl
ed (c
at),
2010
.
Acylic,canvas.50 × 40 cm.
28.A
nnaØrberg,W
alls
ticke
r (m
isle
adin
g ne
olib
eral
ist
quot
es),20
15.
Oil,canvas.50 × 40 cm.
Follow @galleribenoniStore Kongensgade 40, 1264 København K
29.R
asmusHøjMygind,U
T, 2
016
.
Acrylic,ink,pen,leathercoloring,PVCbanner,charcoal,canvas,wood.48 × 66 cm.
33.S
vendDanielsen,U
ntitl
ed, 2
017
.
Oil,canvas.35 × 42 cm
.
30.D
anielPederAskeland,A
llthe
gree
nallt
hegr
eena
llthe
gree
n, 2
017
.
Oil,canvas.73 × 63 cm.
34.SvendDanielsen,U
ntitl
ed, 2
017
.
Oil,cotton.60 × 80 cm.
31.DanielPederAskeland,C
oloC
olo,
20
17.
Oil,linen.43 × 39 cm
35.M
adsLindberg,U
ntitl
ed (o
ffici
al),
2017
.
Foundpainting,sticker,pigm
ent,resin,staples.39 × 30 cm.
32.SvendDanielsen,U
ntitl
ed (s
ide
2), 2
017
.
Oil,pencil,canvas.40 × 30 cm.
36.M
agnusFrederikClausen,P
.B. n
o. 2
, 20
17.
Acrylic,oil,oilstick,lacquer,pencil,linen.45 × 86 cm.
37.MagnusFrederikClausen,P
.B. n
o. 1
, 20
17.
Acrylic,oil,crayon,vinyl.32 × 54
cm.
41.MichaelBoeltFischer,J
ohn
Lenn
on m
ed n
æb,
20
17.
Acrylic,textilecolor,rockwoolboard.60 × 49 cm.
38.M
agnusFrederikClausen,M
.C.,
2017
.
Oil,acrylic,crayon,linen.45 × 35 cm
.42.RasmusHøjMygind,E
hhur
o, 2
016
.
Acrylic,ink,paper,PVC,m
df,castalum
inum
,radiatorpaint,museumglass.31,4
× 43,8 cm.
39.M
agnusFrederikClausen, T
wo
figur
es a
fter
Mat
isse,2016-2017.
Acrylic,crayon,oil,woodenfram
e,canvas.28 × 31,5 cm.
43.M
ichaelBoeltFischer,U
den
titel
, 20
17.
Acrylic,cd’s,masonite.71 × 52cm
.
40.M
ichaelBoeltFischer,U
den
titel
, 20
16.
Acrylic,oil,textilecolor,canvas.35 × 26
cm.
44.M
ichaelBoeltFischer,F
rø, 2
017
.
Oilpastel,inkjetprint,spraypaint,cd’s.110 × 84 cm.
31 August - 2 September 2018Kunsthal Charlottenborg | Den Frie
29.R
asmusHøjMygind,U
T, 2
016
.
Acrylic,ink,pen,leathercoloring,PVCbanner,charcoal,canvas,wood.48 × 66 cm.
33.S
vendDanielsen,U
ntitl
ed, 2
017
.
Oil,canvas.35 × 42 cm
.
30.D
anielPederAskeland,A
llthe
gree
nallt
hegr
eena
llthe
gree
n, 2
017
.
Oil,canvas.73 × 63 cm.
34.SvendDanielsen,U
ntitl
ed, 2
017
.
Oil,cotton.60 × 80 cm.
31.DanielPederAskeland,C
oloC
olo,
20
17.
Oil,linen.43 × 39 cm
35.M
adsLindberg,U
ntitl
ed (o
ffici
al),
2017
.
Foundpainting,sticker,pigm
ent,resin,staples.39 × 30 cm.
32.SvendDanielsen,U
ntitl
ed (s
ide
2), 2
017
.
Oil,pencil,canvas.40 × 30 cm.
36.M
agnusFrederikClausen,P
.B. n
o. 2
, 20
17.
Acrylic,oil,oilstick,lacquer,pencil,linen.45 × 86 cm.
37.MagnusFrederikClausen,P
.B. n
o. 1
, 20
17.
Acrylic,oil,crayon,vinyl.32 × 54
cm.
41.MichaelBoeltFischer,J
ohn
Lenn
on m
ed n
æb,
20
17.
Acrylic,textilecolor,rockwoolboard.60 × 49 cm.
38.M
agnusFrederikClausen,M
.C.,
2017
.
Oil,acrylic,crayon,linen.45 × 35 cm
.42.RasmusHøjMygind,E
hhur
o, 2
016
.
Acrylic,ink,paper,PVC,m
df,castalum
inum
,radiatorpaint,museumglass.31,4
× 43,8 cm.
39.M
agnusFrederikClausen, T
wo
figur
es a
fter
Mat
isse,2016-2017.
Acrylic,crayon,oil,woodenfram
e,canvas.28 × 31,5 cm.
43.M
ichaelBoeltFischer,U
den
titel
, 20
17.
Acrylic,cd’s,masonite.71 × 52cm
.
40.M
ichaelBoeltFischer,U
den
titel
, 20
16.
Acrylic,oil,textilecolor,canvas.35 × 26
cm.
44.M
ichaelBoeltFischer,F
rø, 2
017
.
Oilpastel,inkjetprint,spraypaint,cd’s.110 × 84 cm.
3401 Union Pacific Avenue, Los Angeles, CA www.rainbowinspanish.com | [email protected]
upcoming @RP
Aug: RP, Marseille
Sept: Louis et nous 3, Cologne
more info:
www.realpositive.net
45.SarahMcN
ulty,G
ren,
20
17.
Ink,gouache,acrylic,canvas.80 × 60 cm.
49.SarahMcN
ulty,T
rap,
20
17.
Oil,sunreactivepaint,canvas.135 × 65 cm
.
46.S
arahMcN
ulty,M
anho
le, 2
017
.
Oil,linen.37 × 33 cm
50.A
ntonMøller-Munar,D
o yo
u be
lieve
in a
coc
ktai
l sur
viva
l gui
de?,
20
17.
Oil,spraypaint,collage,canvas.300 × 160 cm.
47.SarahMcN
ulty,S
hipp
ing,
20
16.
Photogram
,cotton.49 × 72 cm
.51.TrevorShimizu,K
nock
kno
ck #
2,2015.Theworkconsistsofajokewrittenonabusinessreply
mailenvelope.Pen,envelope,canvas.30 × 22,5 cm
.
48.M
arieSøndergaardLolk,T
est
bille
de, 2
017
.
Paper,print,paint.Variabledimensions.
52.JasonBurgess,U
ntitl
ed, 2
017
.
Acrylic,oil,canvas.61 × 30 cm.
53.JasonBurgess,U
ntitl
ed, 2
017
.
Acrylic,oil,canvas.61 × 30 cm.
57.FabianKuntzsch,S
tern
11, 2
016
.
Cherrycores,lavender,fabric,glittery,m
olleton,wood.50 × 50 cm.
54.G
ordonDalton,U
nder
neat
h th
e w
eepi
ng w
illow
, 20
16.
Acrylic,canvas.30 × 25 cm
.58
.LasseBruun,M
ask0
4, 2
017
.
Phototransfer,glue,spraypaint,plexiglass.30,5 × 12,5 cm.
55.JasonBurgess,Q
uart
er t
urne
d, 2
017
.
Acrylic,oil,canvas.76 × 38 cm.
59.LasseBruun,P
last
ic, 2
017
.
Phototransfer,acrylic,glue,board.89,5 × 62,5 cm
.
56.R
aeHicks,A
ccid
enta
l res
ervo
ir, 2
017
.
Acrylic,spraypaint,canvas.120
× 150 cm.
60.LasseBruun,M
ask0
1, 20
17.
Phototransfer,glue,spraypaint,plexiglass.52 × 5 cm
.
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45.SarahMcN
ulty,G
ren,
20
17.
Ink,gouache,acrylic,canvas.80 × 60 cm.
49.SarahMcN
ulty,T
rap,
20
17.
Oil,sunreactivepaint,canvas.135 × 65 cm
.
46.S
arahMcN
ulty,M
anho
le, 2
017
.
Oil,linen.37 × 33 cm
50.A
ntonMøller-Munar,D
o yo
u be
lieve
in a
coc
ktai
l sur
viva
l gui
de?,
20
17.
Oil,spraypaint,collage,canvas.300 × 160 cm.
47.SarahMcN
ulty,S
hipp
ing,
20
16.
Photogram
,cotton.49 × 72 cm
.51.TrevorShimizu,K
nock
kno
ck #
2,2015.Theworkconsistsofajokewrittenonabusinessreply
mailenvelope.Pen,envelope,canvas.30 × 22,5 cm
.
48.M
arieSøndergaardLolk,T
est
bille
de, 2
017
.
Paper,print,paint.Variabledimensions.
52.JasonBurgess,U
ntitl
ed, 2
017
.
Acrylic,oil,canvas.61 × 30 cm.
53.JasonBurgess,U
ntitl
ed, 2
017
.
Acrylic,oil,canvas.61 × 30 cm.
57.FabianKuntzsch,S
tern
11, 2
016
.
Cherrycores,lavender,fabric,glittery,m
olleton,wood.50 × 50 cm.
54.G
ordonDalton,U
nder
neat
h th
e w
eepi
ng w
illow
, 20
16.
Acrylic,canvas.30 × 25 cm
.58
.LasseBruun,M
ask0
4, 2
017
.
Phototransfer,glue,spraypaint,plexiglass.30,5 × 12,5 cm.
55.JasonBurgess,Q
uart
er t
urne
d, 2
017
.
Acrylic,oil,canvas.76 × 38 cm.
59.LasseBruun,P
last
ic, 2
017
.
Phototransfer,acrylic,glue,board.89,5 × 62,5 cm
.
56.R
aeHicks,A
ccid
enta
l res
ervo
ir, 2
017
.
Acrylic,spraypaint,canvas.120
× 150 cm.
60.LasseBruun,M
ask0
1, 20
17.
Phototransfer,glue,spraypaint,plexiglass.52 × 5 cm
.
61.LasseBruun,M
ask0
6, 2
017
.
Phototransfer,glue,spraypaint,plexiglass.49 × 5 cm.
65.M
adsLindberg,U
ntitl
ed (d
unk)
, 20
17.
Oil,canvas,UVprint.58
× 87 cm
.
62.TorbenRibe,U
ntitl
ed,2015.
Acrylic,cheerios,canvas,board.51 × 26 cm.
66.M
adsLindberg,T
OE
, 20
16.
Oil,silicone,enamel,canvas.142 × 108 cm.
63.LasseBruun,M
ask0
7, 2
017
.
Phototransfer,glue,plexiglass.45 × 10 cm.
67.PerKirkeby,U
ntitl
ed, 2
011
.
Oil,canvas.60 × 40 cm.
64.JonPilkington,A
n ex
celle
nt p
ortr
ain
with
jew
lled
hat,
2016
.
Oil,lacquer,waxcrayon,canvas,walnutfram
e.150
× 120 cm.
68.PeterAcheson,U
ntitl
ed,2008.
Acrylic,canvas.51 × 40,5 cm.
69.PeterAcheson,U
ntitl
ed,2015.
Acrylic,collage,canvas.51 × 40,5 cm.
73.R
asmusHøjMygind,A
AS
B,2016.Acrylicpaint,ink,glasspaint,eraserpen,pencil,paper,
PVC,m
df,castalum
inum
,radiatorpaint,museumglass.31,4
× 43,8 cm.
70.P
eterAcheson,U
ntitl
ed (R
de
K),
2016
.
Acrylic,canvas.61 × 45,5 cm
.74.MichaelBoeltFischer,B
unny
, 20
17.
Acrylic,m
asonite.71 × 52 cm
.
71.MagnusFrederikClausen,U
ntitl
ed (i
nver
ted)
, 20
17.
Oil,pencil,linen.86 × 45 cm
.75.RasmusHøjMygind,T
ræ, 2
016
.
Silkpaint,gutta,syntheticsilk,charcoal,fixativ,PVCbanner,wood.31 × 39 cm.
72.RaeHicks,A
fter
noon
wal
l, 20
17.
Oil,linen.90 × 110 cm.
76.SvendDanielsen,U
ntitl
ed (s
ide
1), 2
017
.
Oil,pencil,canvas.40 × 30 cm.
61.LasseBruun,M
ask0
6, 2
017
.
Phototransfer,glue,spraypaint,plexiglass.49 × 5 cm.
65.M
adsLindberg,U
ntitl
ed (d
unk)
, 20
17.
Oil,canvas,UVprint.58
× 87 cm
.
62.TorbenRibe,U
ntitl
ed,2015.
Acrylic,cheerios,canvas,board.51 × 26 cm.
66.M
adsLindberg,T
OE
, 20
16.
Oil,silicone,enamel,canvas.142 × 108 cm.
63.LasseBruun,M
ask0
7, 2
017
.
Phototransfer,glue,plexiglass.45 × 10 cm.
67.PerKirkeby,U
ntitl
ed, 2
011
.
Oil,canvas.60 × 40 cm.
64.JonPilkington,A
n ex
celle
nt p
ortr
ain
with
jew
lled
hat,
2016
.
Oil,lacquer,waxcrayon,canvas,walnutfram
e.150
× 120 cm.
68.PeterAcheson,U
ntitl
ed,2008.
Acrylic,canvas.51 × 40,5 cm.
69.PeterAcheson,U
ntitl
ed,2015.
Acrylic,collage,canvas.51 × 40,5 cm.
73.R
asmusHøjMygind,A
AS
B,2016.Acrylicpaint,ink,glasspaint,eraserpen,pencil,paper,
PVC,m
df,castalum
inum
,radiatorpaint,museumglass.31,4
× 43,8 cm.
70.P
eterAcheson,U
ntitl
ed (R
de
K),
2016
.
Acrylic,canvas.61 × 45,5 cm
.74.MichaelBoeltFischer,B
unny
, 20
17.
Acrylic,m
asonite.71 × 52 cm
.
71.MagnusFrederikClausen,U
ntitl
ed (i
nver
ted)
, 20
17.
Oil,pencil,linen.86 × 45 cm
.75.RasmusHøjMygind,T
ræ, 2
016
.
Silkpaint,gutta,syntheticsilk,charcoal,fixativ,PVCbanner,wood.31 × 39 cm.
72.RaeHicks,A
fter
noon
wal
l, 20
17.
Oil,linen.90 × 110 cm.
76.SvendDanielsen,U
ntitl
ed (s
ide
1), 2
017
.
Oil,pencil,canvas.40 × 30 cm.
85.ZachBruder,
Sill
, 20
16.
Acrylic,flashe,canvas.55.9 × 71.1 cm.
89.M
adsLindberg,G
uy w
ith t
owel
and
cig
aret
te, 2
017
.
Oil,canvas.130 × 90 cm.
86.ZachBruder,
Idle
, 20
16.
Acrylic,flashe,canvas.35.6 × 27.9 cm.
90.LasseBruun,M
ask0
5, 2
017
.
Phototransfer,glue,spraypaint,plexiglass.50 × 16,7 cm.
87.AnnaØrberg,U
ntitl
ed (b
-boy
s an
d fly
-girl
s), 2
016
.
Oil,canvas.63 × 50 cm.
88.B
ertilOsorioHeltoft, C
onta
iner
noo
n (f
rom
one
sid
e of
the
riv
er),
2017
.
Graphite,oil,canvas.35 × 50
cm.
77.SvendDanielsen,U
ntitl
ed, 2
017
.
Oil,crayon,canvas.27 × 56
cm.
81.TrevorShimizu,L
eavi
ng t
he d
rug
deal
er’s
car,2009.
Oil,canvas.45,5 × 66 cm.
78.S
vendDanielsen,U
ntitl
ed,2014.
Oil,canvas.21 × 18 cm.
82.TrevorShimizu,K
nock
kno
ck #
1,20
15.Theworkconsistsofajokewritten
onabusinessreplymailenvelope.Pen,envelope,canvas.30 × 22.5 cm
.
79.SvendDanielsen,U
ntitl
ed, 2
017
.
Oil,canvas.61 × 78 cm.
83.JonPilkington, E
nglis
h sc
hool
c18
05,
20
16.
Oil,waxcrayon,lacquer,canvas,w
alnutfram
e.150
× 120 cm.
80.SvendDanielsen,U
ntitl
ed,1989/20
14.
Oil,canvas.29 × 23 cm.
84.TrevorShimizu,M
ade
by a
ssis
tant
(wat
chin
g po
rn),20
13.
Oil,canvas.45.5 × 58
.5 cm.
85.ZachBruder,
Sill
, 20
16.
Acrylic,flashe,canvas.55.9 × 71.1 cm.
89.M
adsLindberg,G
uy w
ith t
owel
and
cig
aret
te, 2
017
.
Oil,canvas.130 × 90 cm.
86.ZachBruder,
Idle
, 20
16.
Acrylic,flashe,canvas.35.6 × 27.9 cm.
90.LasseBruun,M
ask0
5, 2
017
.
Phototransfer,glue,spraypaint,plexiglass.50 × 16,7 cm.
87.AnnaØrberg,U
ntitl
ed (b
-boy
s an
d fly
-girl
s), 2
016
.
Oil,canvas.63 × 50 cm.
88.B
ertilOsorioHeltoft, C
onta
iner
noo
n (f
rom
one
sid
e of
the
riv
er),
2017
.
Graphite,oil,canvas.35 × 50
cm.
77.SvendDanielsen,U
ntitl
ed, 2
017
.
Oil,crayon,canvas.27 × 56
cm.
81.TrevorShimizu,L
eavi
ng t
he d
rug
deal
er’s
car,2009.
Oil,canvas.45,5 × 66 cm.
78.S
vendDanielsen,U
ntitl
ed,2014.
Oil,canvas.21 × 18 cm.
82.TrevorShimizu,K
nock
kno
ck #
1,20
15.Theworkconsistsofajokewritten
onabusinessreplymailenvelope.Pen,envelope,canvas.30 × 22.5 cm
.
79.SvendDanielsen,U
ntitl
ed, 2
017
.
Oil,canvas.61 × 78 cm.
83.JonPilkington, E
nglis
h sc
hool
c18
05,
20
16.
Oil,waxcrayon,lacquer,canvas,w
alnutfram
e.150
× 120 cm.
80.SvendDanielsen,U
ntitl
ed,1989/20
14.
Oil,canvas.29 × 23 cm.
84.TrevorShimizu,M
ade
by a
ssis
tant
(wat
chin
g po
rn),20
13.
Oil,canvas.45.5 × 58
.5 cm.
SECOND HAND RECORDS COPENHAGEN, DENMARK
Eve
ntyr
OnceuponatimetherewasacafecalledCafé
Victor 1.A
ndonceuponatimethatCaféVictor
publishedapo
cketbo
okseriescalled
Eve
ntyr
2 . E
vent
yrblossom
edfrom
CaféVictorinitsheyday,
aroundthemid1980s,butafteraseasonortwo
ofsuccessitfolded.
Iwouldliketousethisshorttextasanadvertise-
ment,anappetizerforthisoddcollectionofele-
gant,beautifulandsweetfairytalesandstoriesfrom
Iran
3 ,Iceland
4,Poland
5 am
ongothercountries.
TheserieswasorchestratedbyKennAnd
ré
Stilling
6,publishedbyCaféVictor,sponsoredby
Carlsbe
rg 7 anddistributed
atCaféVictorand
byDSB 8 .
Eve
ntyrwasavehicleforsom
ething
else,andcouldbeseenasanexcusetopro-
motestories,artists,w
ritersandgatheringsina
1CaféVictoropenedinthecentreofCopen-
hagen,thecapitalofDenmark,in1981and
wasinspiredbybrassieres’inFranceand
Italy.C
aféVictorwasinitiatedbyKennAndré
Stilling,whonam
editafterV
icto
r B
. And
ers-
ens
Mas
kinf
abrik,them
agazinewhichStill-
ing
founded
in1976.MonsieurStilling
is
thefounderofForlagetSom
mersko(1973-
80),CaféSom
mersko(1976-2017),Victor
B. AndersensMaskinfabrik(1976-),Café
DanTurèll(1977-),G
alleriDanmark(1977-79),
CaféVictor(1981-),Victors’GarageBrasserie
(1982),E
vent
yr(1985-86)amongmanyother
things.S
tilling’sideaandphilosophybehind
thesenewcafésinCopenhagenwastotreat
them
asakindofsculpturewithstaff.
2D
anishforFairytales.
3O
fficiallytheIslam
icRepublicofIran
مجروه
یسا
مال ی
ریا نا
(Persian)
Jom
huri-
ye
Esl
āmi-y
e Irā
n.IranisasovereignstateinWesternAsia.
ThemajorityofthepopulationspeakPersian.
InnorthernIran,mostlyconfinedtoGilanand
Mazenderan,theGilakiandMazenderanilan-
guagesarewidelyspoken,bothhavingaffini-
tiestotheneighboringCaucasianlanguages.In
partsofGilan,theTalyshlanguage isalsowidely
spoken.VarietiesofKurdisharewidelyspoken
intheprovinceofK
urdistan andnearbyareas.
LurishandLari arealsospokeninsouthernIran.
4Iceland isaNordicislandcountryintheNorth
Atlantic,w
ithapopulationof348
,580
andis
103,000km2 (40,000sqmi).It isacountry
ofsharpcontrasts.Aplacewherefireandice
co-exist.W
heredarkwintersareoffsetbythe
summer›smidnightsun.Iceland’soffi
cialwritten
andspokenlanguageisIcelandic,aNorthGer-
maniclanguagedescendedfrom
OldNorse.In
gram
marandvocabulary,ithasremainedclos-
esttoOldNorseincom
parisontotheotherN
or-
diclanguages.
5O
fficiallythe RepublicofPoland.Polish (ję
zyk
pols
ki, p
olsz
czyz
na)isaSlaviclanguage spo-
kenprimarilyinPoland.ItbelongstotheLechitic
subgroupofW
estSlaviclanguages.In1887L.L.
Zam
enhof(1859-1917),aPolish-Jewish ophthal-
mologist,createdtheinternationallanguage
Esperanto(translatesinto”Onewhohopes”)
underthepseudonym
Dr.Esperanto.
6KennAndréStilling(194
5-)isanartistandpub-
lishingwizard.
7C
arlsbergisaninternationalbeerbrewery.
Carlsbergwasfoundedin1847byJ.C.Jacob-
sen(1811-1887),whowasaphilanthropist,avid
artcollectorandfounderoftheam
azingNy
CarlsbergGlyptotek,C
openhagen.Thecom
-pany’sheadquartersislocatedinCopenhagen,
Denmark,andtheirsloganisP
roba
bly
the
best
be
er in
the
wor
ld.Thesloganwascreatedbythe
globalcom
municationsandadvertisingagency
Saatchi&SaatchiinLondonin1973.
8TheDanishnationalrailcom
pany.D
SBisan
abbreviationof D
ansk
e S
tats
bane
r,whichcam
eaboutin1885,andhaditsrootsinJysk-Fyenske
Jernbaner from1867.Thestatesteppedinand
boughtupthePeto,Brassey&Bettscom
pany,
aBritishcivilengineeringpartnership,whofive
yearsearliersuccessfullyhadopenedthefirst
traindestinationÅrhus-Langå-RandersinJut-
land,butwerethenforcedintoreceivership.
relaxedsocialenviro
nment.
Eve
ntyrw
asprint-
edonblack&white,thinpaperinaneditionof
10.000cop
iesandwasdistributedforfreesix
times.A
longsidetheCarlsberglogoonthefront
ofeachissue,therewere4full-pageadvertise-
mentswithinthemagazine–alwaysdisplayingthe
samewordingandim
ages:
1)
AltforD
amerne 9 .Insidefrontcover.Onecolour.
2)Hafnia
10.Insidebackcovers.Fullcolour.
3)
Smirnoff
11.Page3.B/W
.4)
HerregaardFlødeIs 12.Page4.B/W
.Eachissuewasdedicatedtofairytalesandsto-
riesfromonespecificcountry.T
hecontentwas
writteninDanish,butalsoinitsoriginallanguage.
Thecoverhadbetween2-3differenttypefac-
esand
twod
ifferenthandwritten
parts,the
Carlsbergfont 1
3andtheAldusfont 1
4, t
he la
tter
wasusedthroughoutthepublication.Thecover
hadawom
anorman,sharplydressedbutNOT
fashionable,northetypicalpin-upgirlsorpin-up
Chipp
endales
15. T
he p
ortr
aits
on
the
cove
r po
r-trayedthetranslator,whooftenisunderestim
ated
withinthebookpublishinghierarchy.Thenam
eof
thetranslatorisusuallywritteninfineprintatthe
endofthecolophon,butinE
vent
yr th
ese
role
s ar
e reversed.Theonepersonthatactuallybridgesthe
gapbetweencultures,itsoriginallanguageand
content,andthroughtheactoftranslationmakes
usunderstandthestoriesfrom
adifferentculture,
istreatedasthestaronthefrontcover.Theback-
sidehasapostcardlayoutandprovidesforeasy
mailing.Thiswaythedistributionofthemagazine
couldreachevenbroaderaudiences.
9 A
lt fo
r D
amer
neisaweeklymagazinefor
wom
en.Itw
asfirstpublishedin194
6.
10HafniawasaD
anishinsurancecompany
establishedin1872.H
afniaHoldingsuffered
greatdeficitsin1991andwas,aftersev-
eralmonths/yearsoffinancialhanky-panky,
declaredbankruptin1993.Asaresponseto
thecriticism
DanskeBank(thelargestDan-
ishBank)placedtheadvertisem
ent
Ret
ort
in
dailyDanishnewspapersin1996.Hafniais
theoldLatinnam
eforK
øbenhavn(C
openha-
gen),m
eaningharbour(-
havn).Heisrambling.
12 HesselagerFæ
llesm
ejeri(co-operative dairy)
beganin1881andstartedtoproduceicecream
in1912.In196
9theicecreamproducersHes-
selagerIs,Pyram
ideIsandHellerupIsjoined
forcesunderthenameSolIs,whichin1971was
boughtbyFriskoIs.
13TheDanishartist,designerandarchitectThor-
valdBindesbøll(1846
-190
8)originallydidthe
designfortheHofbeerlabelin1904.Version
1.00,2012,initialrelease(freedownloadhttps://
www.ffonts.net/Carlsberg.font.dow
nload)
14ThefontAlduswasdesignedbyGermantype
designerandcalligrapherHermannZapf(1918
–20
15)andappearedwiththefontfoundry
D.S
tempelA
GinFrankfurtamM
ainin1954.
Zapfnam
edthisfontafterthefamousVenetian
printerAldusManutius,whoseworkisamong
themostimportantoftheRenaissanceperiod
aswellasZapf’sinspirationforAldus. Healso
designedP
alat
ino,
Opt
imaandZapfino
.
15Chippendales isatouringgroupofmalestrip-
teaseperformancesanddancers.C
hippen-
daleswasestablishedin1979.
Whym
akeanadvertisem
entforthefairytales
andstoriesinE
vent
yr inapublicationrelating
tothesho
wL
and
scap
e M
od
ern
Oil
Pai
ntin
g C
anva
s P
aint
ing
A
bst
ract
O
il P
aint
ing
W
all
Han
ging
16 ?E
vent
yrisalreadypartofhistory,past
itsexpirationdateandthemagazinesthatwere
oncefreelydistributed,cannow
onlybefound
inw
ell-assorted
vintagebo
okstoresoronthe
bookshelvesofsweetoblivion-sowhy?Stillings’
engagementanduniqueapproachtopublishing,
artandlifeisobviouslyfunnyandtwisted.Stilling
attemptstoinverttheregularformats,sodo
es
Land
scap
e M
oder
n O
il P
aint
ing
Can
vas
Pai
ntin
g A
bstr
act
Oil
Pai
ntin
g W
all H
angi
ng.
WellifIdigdeepenoughwhileIsithereintheshade,
Imayfindtheansw
er,w
hichcouldbeassimpleas
this:Iamfascinatedbythepowerof (some)adver-
tisem
ents.Ilovethem
becausetheymanipulateus
andpresentuswithplaces,ideasandideologies
thatwecantapinto,believeinandthenalsobuy(…
ortheopposite,simplyrejectandignore).
Adsshowusidealsituations;p
roductsofwon-
derthatwillm
akeourfacesmootherandm
ake
uslookprettier.Makecreamwhipitselftoanairy
substanceormakethelivingroom
lookcleaner.
16 AnexhibitioncuratedbyJIRSANDELatGal-
leriBenoni.A
rtstorageroom
sandwarehouses
areparticularspacescharacterisedbyspecial
dynamics.O
ncestow
edthere,theartworks
ceasetobepreciousfortheiraestheticand
historicalvalues,andswitchtoadifferentlevel
ofexistence,thatseesthemasobjectstobe
safelyprotectedandcarefullyputawaydue
totheirmonetaryworth.A
longthetransition
from
thegalleryormuseumintothestorage
space,theworkofartshiftsfrom
represent-
ingasymboltobeinganitem
;atransitionthat
isreversedassoonasitisbroughtbacktothe
whitecube.Butwhatifthesetwolayers,usu-
allyclearlyseparated,physicallymergeintoone
singlelocation?
Iwascriticalinthepast,butIhavebecom
eatrue
softieforthem
.
IthinkitallbeganbackwhenIw
asakidlivingin
Silkeborg,Denmark,havingonlyoneChannelto
watchonTV,whichwascom
pletelyvoidofcom-
mercials.Backthen,intheearly80’s,w
ellbefore
thesocialmediaboom,Iwasattractedto
OBS! 1
7 . Especiallyitscatchyjingle 18andtheshortbreak
from
thegeneralflow
ofthetelevisionprogram
stheywouldaironthechannel.
TheseO
BS!adswereofcourseverydifferent
from
mostothertraditionaladvertisem
entsthat
generallypresentsocialvalues,relationships,
friendships,societalissues,safetyandeveryday
lifeasanon-stickslicksurface.
Iam
fascinatedbythepretty90210 19loo
k-a-
likeyouthswhobecom
esT
he F
resh
mak
er 20
in
Mentoscommercials
21 ,ortheabstractTw
ix 22
commercialT
wo
for m
e. N
one
for y
ou. 2
3cam
paign,
andthebeautifulyellowcornfields,thebluesky
andtheDanishflaginanoldsafewiththedoor
halfwayopenedinaDanskFolkeparti 2
4com
mer-
cial.A
ndlet’snotforgetthecutepuppywithsoft
flappyears‘H
ERVOGTERJEG’(I’M
WATCHING
HERE) 2
5 .Theyallsellanabsurdideal,anidyllic,
constructedimageofdream
sandillusions,as
smoothasthelogoandmascotofMr.Clean 26
.
17 OBS!isanabbreviationforOplysningtilBorg-
erneomSam
fundet(InformationtoCitizensin
Society)andhasbeenrunningonDanishtele-
visionsince1977.Theyusedtoappearoften
ontelevisionandwereusuallya5minutesnon
commercialbreakwithpublicserviceinforma-
tionaboutsafety,Do’sandespeciallyDon’tson
theroad,atsea,usinglightswhilstbikinginthe
evening,avoidinggettingsick,abouthow
tobe
safelightingfirew
orksNew
Yearseve.They
werebanalandserious,butoftenwithafunny
twist.
18Jinglesareaform
ofsoundbranding,ashort
songortune.Ajinglecangetabrand’snam
eem
beddedintheheadsofpotentialcustom-
erseventhoughitdidnotfitintothedefinition
ofthetypicaladvertisem
entacceptedinthe
late1920
s.
19
90
210 isanAmericancaucasianteentelevision
seriesthatairedfrom
2008to2013.90210refer
tothezipcodeinBeverlyHills,averywealthy
neighbourhoodinWestLosAngeles.
20Internationaladvertisem
entcam
paignfrom
1992
ontelevisionandincinem
asbyMentos.https://
www.youtube.com
/watch?v=JqgqgcE8Z
ck
21 Mentos isabrandofprepackagedchewymints.
FirstproducedintheNetherlandsin1948.
22Tw
ix isachocolatebarcontainingbiscuit,car-
amelandchocolate.Itwasfirstproducedin
UnitedKingdom
in1967.
23Internationaladvertisem
entcam
paignfrom
1997
ontelevisionandincinem
asbyTw
ix.https://
www.youtube.com
/watch?v=rdTw7m
Mf7ZI
24DanishPeople’sParty isapoliticalpartyinDen-
markwhichisgenerallydescribedasright-wing
populistbyacadem
icsandfar-rightbyinterna-
tionalm
edia.Itisthemostright-wingpartyin
theDanishParliam
ent.Thepartywasfounded
byPiaKjærsgaardin199
5.
25
26Mr.Clean isabrandnameandmascotof
Procter&Gam
ble,acom
panyproducingclean-
ingproducts.In1957,HarryBarnhartconceived
theideaandErnieAllenintheartdepartment
attheadvertisem
entagency Tatham-Laird&
Kudnerin ChicagodrewMr.Cleanasamuscu-
lar,tanned, baldsailor-typeblue-eyedmanwith
goldearringwhocleansthingsverywell.
Manyartistshaveworkedwiththeideaadvertise-
ment,boththecleanandthequestioningtype.I
canonlyadvisethereadertoresearchanddive
intothisfieldofartisticpractise
27.
WhileI’matit,Iw
ouldalsoliketoadvertisea
projectabo
utadsthatIhavedonecalled‘24
Advertisem
ents’ 2
8.H
eisram
blingagain.
Iliketheideaof‘L
ands
cape
Mod
ern
Oil
Pai
ntin
g C
anva
s P
aint
ing
A
bst
ract
O
il P
aint
ing
W
all
Han
ging
’beingaboutstorageanddisplay.How
do
wedistributethewordsandworksthatwepro-
duce?How
dowedisplayworksofart(thatwe
arefondof)athome,withinawhitecube,institu-
tionalspace,com
paniesorpublicspace?How
do
wepresentthemassocialspacesthatwecancall
sculpturesandareservedbystaff.Similarly,how
do
westoreworksofart(thatweneedabreak
from
)withinthesespheres?Thereisnorightan-
swertostorageanddisplay,ofcourse.Itmakes
methinkof“things”.Ingeneralwehaveto
omany
“things”,w
eow
n,borrow,lease,rentfartoomany
objects,objectsthatwethinksolveourproblems
andmakeoureverydaylifeeasier.W
ebasical-
lyhavetoomuchstuff,andwekeepgettingand
buyingmorestuff,w
hichtakesmefrom
theidea
ofstorageanddisplaytotheideaofself-storage.
Self-storages 29facilitiesremindmeofcem
eteries,
anonym
ousplacesforburiedmem
oriesandfor-
gottenstuff.TrytoGoogle
30self-storage
31 ,
clic
k im
agesandyouwillknowwhatIm
ean.Oreven
27Ifyouwouldlikealistofplacestosearch,art-
iststolookat,pleasedonthesitatetosendme
atext+4526210108.
28
24 A
dver
tisem
ents
:
2books
76pages(28 × 32.5 cm
)+60pages(20 × 27.3 cm
)fu
ll co
lour
1000ex
20
12
PublishedbyPorkSaladPress
ISBN978-87-9140
9-52-3
€28.95
Yourpackagecontains1keyring+1CD+1
stickers+1flyswatter+1rubberband.
Andlastbutnotleastw
orksbyÖzlem
Altin,TaubaAuerbach,IñakiBonillas,
Alejandro Cesarco,JayChung&
Q Takeki Maeda,KerenCytter,Andrea
Fraser,G
oldin+SennebywithIsmail
Ertürk,Tam
ar Guimaraes,Henriette
Heise,Jeuno JE
Kim,LornaMacintyre,
Sara Mackillop,JonathanMonk,
Christodoulos Panayiotou,OliviaPlender,
MandlaReuter,DavidRobbins,Josef Strau,
WolfgangTillmans,SueTom
pkins,
Oraib Toukan,DahnVo,
YO
UNG-HAE CHANG HEAV
YIN
DUSTRIES.
MusicbyGoodiepalandMisakiKaw
ai
TextsbyNielsHenriksenandMarkvonSchlegell.
Ifyouwriteporkporkporkonthispage,tearitout,
writeyournam
eandsendittoPorkSaladPress,
Nr.Farim
agsgade39,4th,1364Copenhagen
youwillautom
aticallygeta3 × 24%
discount
on o
ne is
sue
of 2
4 A
dver
tisem
ents+plusapink
porkiemoneybank.
29Selfstorage isanindustryinwhichstoragespace
suchasroom
s,lockers,containers,and/orout-
doorspace.Modernself-storagefacilitiesdidnot
begintoappearuntilthelate1960
s
30GoogleInc.isanAmericanmultinationaltech-
nologycom
panythatspecializesinInter-
net-related
servicesand
products,which
include
online
advertising
technologies,
searchengine,cloudcom
puting,software,
andhardware. ItwasfoundedbyLawrence
Edw
ardPage(1973-)andSergeyMikhay-
lovichBrin(1973-)in1998.Theyear2012was
thefirsttimethatGooglegenerated$50
bil-
lioninannualrevenue,generating$38billion
the
prev
ious
yea
r.
31
https://www.goo
gle.dk/search?q=
self+
stor-
age&
source=lnm
s&tbm=isch&
sa=X
&ved=0a-
hUKEwin8uysm
_3bAhV
JjSwKHVCPCVsQ
_AUICygC&biw=130
6&bih=736
bettervisitBOXIT 32orPelicanSelfStorage 33
. Mostofthesefacilitiesbrandthem
selvesoneasy
access,cleanlinessandsafeenvironm
entswith
24/7surveillance.
Perfect.Thatishow
wewouldlikeourfuture
homestobetoo.Ideallywewantourhomesto
besom
ewhatpresentable,whichiswhyweturn
towardsself-storagesolutionsinthefirstplace.
32BOXITisaselfstorage facilitythatrentsout
storagespacesuchasroom
s,lockers,contain-
ers.
https://www.boxit.dk/Itwasestablishedin
Aalborg,Denmark,in2003.
33PelicanSelfStorageisaselfstorage facilitythat
rentsoutstoragespacesuchasroom
s,lockers,
cont
aine
rs. https://pelicanselfstorage.dk/Itwas
establishedinDenmarkin2009byNordicReal
EstatePartners(N
REP)w
ithacapitalinjection
byM3CapitalPartners,London.
AsIwritethis,I’msittinginagardensurround-
edbycypressesandslop
esoffreshlysunburnt
yellowgrasswiththepeakofamountainsticking
outovertheseainthedistance.Itcouldserveas
abackdropforanabstract,painterlylandscape.If
Icouldhavetakenapicture,orevenbetter,paint-
edamodernabstractoilpaintingoncanvasofthis
exactspot,thatwouldhavebeenmycontributing
essa
y fo
r La
ndsc
ape
Mod
ern
Oil
Pai
ntin
g C
anva
s P
aint
ing
Abs
trac
t O
il P
aint
ing
Wal
l Han
ging
. But
I can’t,soIleavemyheadhanginginstead.
Anyway,Ifyouevercomeacrossoneofthe
Eventyrmagazines;Ibegofyou,stealitandrun.
Takeatrainsom
ewhereandreadituntilyouget
caught,orhavereachedyourdestination
34.
Land
scap
e M
oder
n O
il P
aint
ing
Can
vas
Pai
ntin
g A
bstr
act O
il P
aint
ing
Wal
l Han
ging
Art
ists
PeterAcheson, DanielPederAskeland,
Zac
h Bruder,LasseBruun,Jason Burgess,
Magnus FrederikClausen,G
ordon Dalton,
Svend Danielsen,M
ichaelBoeltFischer,
BertilOsorioHeltoft,RaeHicks,Per Kirkeby,
Fabian Kuntzsch,Mads Lindberg,
Marie SøndergaardLolk,SarahMcN
ulty,
Anton Møller-Munar,Rasmus Høj Mygind,
Jon Pilkington,Torben Ribe,Adrianne Rubenstein,
TrevorShimizu,Astrid Svangren,AnnaØrberg
Advertisers
24Advertisem
ents,3DPrinthuset,
Chr
istia
n Andersen,AntagTherapeutics,
Gal
leri Benoni,ViktoriaBorbely,Brennan & Griffi
n,
CCCprojects,Chris,ChartArtfair,CodeArtFair,
Foodoir,Gl. H
oltegaard,Marie Kirkegaard G
alle
ry,
MagasinLotus,M
r.Koiefish,Lauridsen
skilt
e,
LimitedWorks,LodretVandret,M
TAB,
NosferatuHotline,OohAhhrecords,
Pretty Punk,Rainbow
In Spanish,Real Positive,
Spaghetteria,TèrraCucina,WrongStudio
Texts
JacobFabricius,PaolaPaleari
Layout
WrongStudio
Inst
alla
tion
phot
oKristianTouborg
All
othe
r pho
tos
JIRSANDEL
ISBN978-87-92332-10-3
34Please,remem
bertopassE
vent
yr o
n.