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Page 1: LANDSCAPE MODERN OIL PAINTING CANVAS PAINTING ABSTRACT OIL ...s3.amazonaws.com/contemporaryartgroup/wp-content/... · MODERN OIL PAINTING CANVAS PAINTING ABSTRACT OIL PAINTING WALL

LANDSCAPE MODERN OIL PAINTING CANVAS

PAINTING ABSTRACT OIL PAINTING WALL

HANGING

Page 2: LANDSCAPE MODERN OIL PAINTING CANVAS PAINTING ABSTRACT OIL ...s3.amazonaws.com/contemporaryartgroup/wp-content/... · MODERN OIL PAINTING CANVAS PAINTING ABSTRACT OIL PAINTING WALL

1. B

ertil

Oso

rio H

elto

ft, B

oth

side

s of

riv

er w

ith b

ells

on

(ple

in a

ir fr

om t

ram

), 20

17.

Graphite,laquer,canvas.26 × 20 cm.

2.

Ber

til O

sorio

Hel

toft

, Rev

erse

d liz

ard

and

tow

n ha

ll, 2

017

.

Graphite,stickerfrom

ram

allah,gesso.24,5 × 38 cm.

3.GordonDalton,T

hing

s w

e lo

st in

the

fire

, 20

16.

Acrylic,canvas.35 × 30 cm.

4.GordonDalton,N

ight

swim

min

g, 2

016

.

Acrylic,canvas.30 × 25 cm

.

5.GordonDalton,S

ubm

arin

e, 2

016

.

Acrylic,canvas.30 × 25 cm

.9.MagnusFrederikClausen,H

ow t

o gr

ass

feed

a h

orse

(eye

), 20

17.

Oil,coalstick,linen.139 × 86 cm.

6.JasonBurgess,Q

uart

er t

urn,

20

17.

Acrylic,oil,canvas.76 × 38 cm.

10.LasseBruun,M

orni

ngsw

im, 2

017

.

Phototransfer,glue,canvas.120

 × 125 cm

.

7.GordonDalton,Z

oolo

gica

l gar

dens

, 20

16.

Acrylic,canvas.30 × 25 cm

.11.LasseBruun,M

ask0

3, 2

017

.

Phototransfer,glue,spraypaint,plexiglass.49 × 5 cm.

8.FabianKuntzsch,S

tern

2, 2

016

.

Cherrycores,biscuits,fabric,glittery,m

olleton,wood.50 × 50 cm.

12.SarahMcN

ulty,S

hrnk

, 20

16.

Ink,sunreactivepaint,linen.70 × 70 cm.

1. B

ertil

Oso

rio H

elto

ft, B

oth

side

s of

riv

er w

ith b

ells

on

(ple

in a

ir fr

om t

ram

), 20

17.

Graphite,laquer,canvas.26 × 20 cm.

2.

Ber

til O

sorio

Hel

toft

, Rev

erse

d liz

ard

and

tow

n ha

ll, 2

017

.

Graphite,stickerfrom

ram

allah,gesso.24,5 × 38 cm.

3.GordonDalton,T

hing

s w

e lo

st in

the

fire

, 20

16.

Acrylic,canvas.35 × 30 cm.

4.GordonDalton,N

ight

swim

min

g, 2

016

.

Acrylic,canvas.30 × 25 cm

.

pain

of

itsel

f

ButIm

ustexplaintoyouhow

allthism

istaken

ideaofreprobatingpleasureandextollingpain

arose.Todoso,Iwillgiveyouacompleteaccount

ofthesystem,andexpoundtheactualteachings

ofthegreatexploreroftruth,them

aster-builder

ofhum

anhappiness.Noonerejects,dislikesor

avoidspleasureitself,becauseitispleasure,but

becausethosewhodonotknow

how

topursue

plea

sure

rat

iona

lly e

ncou

nter

con

sequ

ence

s th

at

areextrem

elypainful.Noragainisthereanyone

wholovesorpursuesordesirestoobtainpainof

itself,becauseitispain,butbecauseoccasion-

allycircum

stancesoccurinw

hichtoilandpain

canprocurehimsom

egreatpleasure.Totakea

trivialexam

ple,w

hichofuseverundertakesla-

boriousphysicalexercise,excepttoobtainsome

advantagefrom

it?Butwhohasanyrighttofind

faultwithamanwhochoosestoenjoyapleasure

thathasnoannoyingconsequences,oronewho

avoidsapainthatproducesnoresultantpleasure?

Ontheotherhand,w

edenouncewithrighteous

indignationanddislikemenwhoaresobeguiled

anddemoralizedbythecharmsofthepleasureof

themom

ent,soblindedbydesire,thattheycan-

notforeseethepainandtroublethatarebound

toensue;andequalblamebelongstothosewho

failintheirdutythroughweaknessofwill,w

hich

isthesam

eassayingthroughshrinkingfromtoil

andpain.Thesecasesareperfectlysimpleand

easytodistinguish.Inafreehour,w

henourpow-

erofchoiceisuntram

melledandwhennothing

preventsourbeingabletodowhatwelikebest,

every pleasureistobewelcomedandeverypain

avoided.Butincertainemergenciesandow

ingto

theclaimsofdutyortheobligationsofbusiness

itwillfrequentlyoccurthatpleasureshavetobe

repudiatedandannoyancesaccepted.Thewise

manthereforealwaysholdsinthesem

attersto

thisprincipleofselection:herejectspleasures

tosecureothergreaterpleasures,orelseheen-

durespainstoavoidworsepains.

note

s

ThetextisanEnglishtranslationofbook1,sections

32–33ofD

e fin

ibus

bon

orum

et m

alor

umbyRom

an

orator,politicianandphilosopherM

arcusTullius

Cicero:atreatisedating45B.C.onthetheoryof

Ethics.Amongothers,itraisesthequestionofwhat

isthehighestgood,ponderingwhetheritshouldbe

classifiedasvirtueorpleasure.T

hefirstbookof

De

finib

us b

onor

um e

t mal

orum

isadissertation

on

hedo

nism

,fromwhichL

orem

ipsu

misderived.

Lore

m ip

sumisafillertextusedbygraphicde-

signers,programmers

and

typographersfor

layoutsketchesandgraphicmock-ups.Itsm

ain

featureistooff

erauniform

distributionofletters

andtoapp

earasanormalreadabletextblock

whichcouldsimulatethefinaltextdatawithsuf-

ficientli

kelih

ood.

It is

a n

onse

nsic

altext,composedofwordsand

partsofwordsinLatinlanguage,pseudo-casively

takenfrom

theoriginalscriptandreassambled.

AsthelettersK,W

,orZarealientoLatin,these

andothersareinsertedrandomlyintothetextto

mimicthetypographicaspectofalargenumber

ofEuropeanlanguages.

Lore

m ip

sumwasusedforthefirsttimeinthe16th

centurybyananonym

oustypographer.Sincethen,

ithasbeenoneofthemostfundamentals

tand

ards

intheprintingindustry.Ithascom

ethroughthevar-

iousevolutionsinpublishingtechniques-including

thetransitionfrom

physicaltocomputer-aidedlay-

out-withnosubstantialchanges.

The

pre

sent

tra

nsla

tion

of D

e fin

ibus

bon

orum

et

mal

orum

isthatoftheLoebClassicalLibrary,H

ar-

vardUniversityPress,vol.XVII,second(revised)

edition,1931,byH

.HarrisRackham

.Itisinthe

publicdom

ainpursuanttothe1978revisionofthe

U.S.CopyrightCode,becausethec

opyr

ight

ex-

piredandwasnotrenewedattheappropriatetime,

whichwouldhavebeenin1958or1959.

PaolaPaleari,June20

18

5.GordonDalton,S

ubm

arin

e, 2

016

.

Acrylic,canvas.30 × 25 cm

.9.MagnusFrederikClausen,H

ow t

o gr

ass

feed

a h

orse

(eye

), 20

17.

Oil,coalstick,linen.139 × 86 cm.

6.JasonBurgess,Q

uart

er t

urn,

20

17.

Acrylic,oil,canvas.76 × 38 cm.

10.LasseBruun,M

orni

ngsw

im, 2

017

.

Phototransfer,glue,canvas.120

 × 125 cm

.

7.GordonDalton,Z

oolo

gica

l gar

dens

, 20

16.

Acrylic,canvas.30 × 25 cm

.11.LasseBruun,M

ask0

3, 2

017

.

Phototransfer,glue,spraypaint,plexiglass.49 × 5 cm.

8.FabianKuntzsch,S

tern

2, 2

016

.

Cherrycores,biscuits,fabric,glittery,m

olleton,wood.50 × 50 cm.

12.SarahMcN

ulty,S

hrnk

, 20

16.

Ink,sunreactivepaint,linen.70 × 70 cm.

Copenhagen

Code Art Fair30.08 – 02.09.2018

codeartfair.dk

Page 3: LANDSCAPE MODERN OIL PAINTING CANVAS PAINTING ABSTRACT OIL ...s3.amazonaws.com/contemporaryartgroup/wp-content/... · MODERN OIL PAINTING CANVAS PAINTING ABSTRACT OIL PAINTING WALL

13.AdrianneRubenstien,A

plu

s pa

intin

g, 2

017

.

Oil,panel,w

oodenfram

e.112 × 92 cm

.17.AdrianneRubenstien,H

oney

bees

eat

ing

hone

y ou

t of

a s

poon

, 20

17.

Oil,panel,w

oodenfram

e.112 × 92 cm

.

14.TorbenRibe,U

ntitl

ed (r

ed p

aint

ing)

, 20

17.

Acrylic,canvas,plasticpasta.110 × 100 cm.

18.TorbenRibe,U

nfini

shed

pai

ntin

g (w

ith e

nhan

ced

corn

er p

rote

ctio

n),2014.

Pizzamenu,acrylic,glitter,ducttape,canvas.160 × 120 cm.

15.JonPilkington,U

ntitl

ed, 2

016

.

Oil,waxcrayon,canvas,walnutfram

e.60 × 45 cm

.19.TorbenRibe,W

hite

rel

ief o

ver

blue

, 20

16.

Acrylic,pencil,bandages,rectalcream

,canvas,kitchendoorwithhandle.57 

× 40 cm.

16.LasseBruun,M

ask0

2, 2

017

.

Phototransfer,glue,spraypaint,plexiglass.41.5 × 6.5 cm.

20.JonPilkington.C

hez-

long

, 20

16.

Oil,lacquer,waxcrayon,canvas,walnutfram

e.92 

× 72 cm.

21.DanielPeder,A

skel

and

Unt

itled

, 20

17.

Oil,showercurtain,canvas.41 × 37 cm

.25.A

nnaØrberg,

Unt

itled

(tea

rdro

ps),20

13.

Acrylic,canvas.40 × 50 cm.

22. B

ertil

Oso

rio H

elto

ft, U

ntitl

ed, 2

017

.

Oil,canvas.99 × 80 cm.

26.D

anielPederAskeland,L

ine

sket

ch, 2

017

.

Oil,canvas.37 × 41 cm.

23.A

nnaØrberg,T

heor

y of

the

you

ng g

rung

e sk

ater

girl

/boy

, 20

10.

acrylic,spraypaint,canvas.40 × 50 cm.

27.AstridSvangren,S

umm

er t

ime

/ pi

gmen

t of

cor

nflow

er /

sum

mer

win

e /

cucu

mbe

r

and

flora

l spr

ay /

sum

mer

sad

ness

/ m

y ow

n lo

cus

amoe

mus,2013.Plastic,cloth,acrylic,steel

wire,foam,japanesesilkpaper,plexiglass,woodeneasel.194 × 103 × 41 cm.

24.A

nnaØrberg,U

ntitl

ed (c

at),

2010

.

Acylic,canvas.50 × 40 cm.

28.A

nnaØrberg,W

alls

ticke

r (m

isle

adin

g ne

olib

eral

ist

quot

es),20

15.

Oil,canvas.50 × 40 cm.

M R . K O I F I S H

new s ing le out august

13.AdrianneRubenstien,A

plu

s pa

intin

g, 2

017

.

Oil,panel,w

oodenfram

e.112 × 92 cm

.17.AdrianneRubenstien,H

oney

bees

eat

ing

hone

y ou

t of

a s

poon

, 20

17.

Oil,panel,w

oodenfram

e.112 × 92 cm

.

14.TorbenRibe,U

ntitl

ed (r

ed p

aint

ing)

, 20

17.

Acrylic,canvas,plasticpasta.110 × 100 cm.

18.TorbenRibe,U

nfini

shed

pai

ntin

g (w

ith e

nhan

ced

corn

er p

rote

ctio

n),2014.

Pizzamenu,acrylic,glitter,ducttape,canvas.160 × 120 cm.

15.JonPilkington,U

ntitl

ed, 2

016

.

Oil,waxcrayon,canvas,walnutfram

e.60 × 45 cm

.19.TorbenRibe,W

hite

rel

ief o

ver

blue

, 20

16.

Acrylic,pencil,bandages,rectalcream

,canvas,kitchendoorwithhandle.57 

× 40 cm.

16.LasseBruun,M

ask0

2, 2

017

.

Phototransfer,glue,spraypaint,plexiglass.41.5 × 6.5 cm.

20.JonPilkington.C

hez-

long

, 20

16.

Oil,lacquer,waxcrayon,canvas,walnutfram

e.92 

× 72 cm.

21.DanielPeder,A

skel

and

Unt

itled

, 20

17.

Oil,showercurtain,canvas.41 × 37 cm

.25.A

nnaØrberg,

Unt

itled

(tea

rdro

ps),20

13.

Acrylic,canvas.40 × 50 cm.

22. B

ertil

Oso

rio H

elto

ft, U

ntitl

ed, 2

017

.

Oil,canvas.99 × 80 cm.

26.D

anielPederAskeland,L

ine

sket

ch, 2

017

.

Oil,canvas.37 × 41 cm.

23.A

nnaØrberg,T

heor

y of

the

you

ng g

rung

e sk

ater

girl

/boy

, 20

10.

acrylic,spraypaint,canvas.40 × 50 cm.

27.AstridSvangren,S

umm

er t

ime

/ pi

gmen

t of

cor

nflow

er /

sum

mer

win

e /

cucu

mbe

r

and

flora

l spr

ay /

sum

mer

sad

ness

/ m

y ow

n lo

cus

amoe

mus,2013.Plastic,cloth,acrylic,steel

wire,foam,japanesesilkpaper,plexiglass,woodeneasel.194 × 103 × 41 cm.

24.A

nnaØrberg,U

ntitl

ed (c

at),

2010

.

Acylic,canvas.50 × 40 cm.

28.A

nnaØrberg,W

alls

ticke

r (m

isle

adin

g ne

olib

eral

ist

quot

es),20

15.

Oil,canvas.50 × 40 cm.

Follow @galleribenoniStore Kongensgade 40, 1264 København K

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29.R

asmusHøjMygind,U

T, 2

016

.

Acrylic,ink,pen,leathercoloring,PVCbanner,charcoal,canvas,wood.48 × 66 cm.

33.S

vendDanielsen,U

ntitl

ed, 2

017

.

Oil,canvas.35 × 42 cm

.

30.D

anielPederAskeland,A

llthe

gree

nallt

hegr

eena

llthe

gree

n, 2

017

.

Oil,canvas.73 × 63 cm.

34.SvendDanielsen,U

ntitl

ed, 2

017

.

Oil,cotton.60 × 80 cm.

31.DanielPederAskeland,C

oloC

olo,

20

17.

Oil,linen.43 × 39 cm

35.M

adsLindberg,U

ntitl

ed (o

ffici

al),

2017

.

Foundpainting,sticker,pigm

ent,resin,staples.39 × 30 cm.

32.SvendDanielsen,U

ntitl

ed (s

ide

2), 2

017

.

Oil,pencil,canvas.40 × 30 cm.

36.M

agnusFrederikClausen,P

.B. n

o. 2

, 20

17.

Acrylic,oil,oilstick,lacquer,pencil,linen.45 × 86 cm.

37.MagnusFrederikClausen,P

.B. n

o. 1

, 20

17.

Acrylic,oil,crayon,vinyl.32 × 54

 cm.

41.MichaelBoeltFischer,J

ohn

Lenn

on m

ed n

æb,

20

17.

Acrylic,textilecolor,rockwoolboard.60 × 49 cm.

38.M

agnusFrederikClausen,M

.C.,

2017

.

Oil,acrylic,crayon,linen.45 × 35 cm

.42.RasmusHøjMygind,E

hhur

o, 2

016

.

Acrylic,ink,paper,PVC,m

df,castalum

inum

,radiatorpaint,museumglass.31,4

 × 43,8 cm.

39.M

agnusFrederikClausen, T

wo

figur

es a

fter

Mat

isse,2016-2017.

Acrylic,crayon,oil,woodenfram

e,canvas.28 × 31,5 cm.

43.M

ichaelBoeltFischer,U

den

titel

, 20

17.

Acrylic,cd’s,masonite.71 × 52cm

.

40.M

ichaelBoeltFischer,U

den

titel

, 20

16.

Acrylic,oil,textilecolor,canvas.35 × 26

 cm.

44.M

ichaelBoeltFischer,F

rø, 2

017

.

Oilpastel,inkjetprint,spraypaint,cd’s.110 × 84 cm.

31 August - 2 September 2018Kunsthal Charlottenborg | Den Frie

29.R

asmusHøjMygind,U

T, 2

016

.

Acrylic,ink,pen,leathercoloring,PVCbanner,charcoal,canvas,wood.48 × 66 cm.

33.S

vendDanielsen,U

ntitl

ed, 2

017

.

Oil,canvas.35 × 42 cm

.

30.D

anielPederAskeland,A

llthe

gree

nallt

hegr

eena

llthe

gree

n, 2

017

.

Oil,canvas.73 × 63 cm.

34.SvendDanielsen,U

ntitl

ed, 2

017

.

Oil,cotton.60 × 80 cm.

31.DanielPederAskeland,C

oloC

olo,

20

17.

Oil,linen.43 × 39 cm

35.M

adsLindberg,U

ntitl

ed (o

ffici

al),

2017

.

Foundpainting,sticker,pigm

ent,resin,staples.39 × 30 cm.

32.SvendDanielsen,U

ntitl

ed (s

ide

2), 2

017

.

Oil,pencil,canvas.40 × 30 cm.

36.M

agnusFrederikClausen,P

.B. n

o. 2

, 20

17.

Acrylic,oil,oilstick,lacquer,pencil,linen.45 × 86 cm.

37.MagnusFrederikClausen,P

.B. n

o. 1

, 20

17.

Acrylic,oil,crayon,vinyl.32 × 54

 cm.

41.MichaelBoeltFischer,J

ohn

Lenn

on m

ed n

æb,

20

17.

Acrylic,textilecolor,rockwoolboard.60 × 49 cm.

38.M

agnusFrederikClausen,M

.C.,

2017

.

Oil,acrylic,crayon,linen.45 × 35 cm

.42.RasmusHøjMygind,E

hhur

o, 2

016

.

Acrylic,ink,paper,PVC,m

df,castalum

inum

,radiatorpaint,museumglass.31,4

 × 43,8 cm.

39.M

agnusFrederikClausen, T

wo

figur

es a

fter

Mat

isse,2016-2017.

Acrylic,crayon,oil,woodenfram

e,canvas.28 × 31,5 cm.

43.M

ichaelBoeltFischer,U

den

titel

, 20

17.

Acrylic,cd’s,masonite.71 × 52cm

.

40.M

ichaelBoeltFischer,U

den

titel

, 20

16.

Acrylic,oil,textilecolor,canvas.35 × 26

 cm.

44.M

ichaelBoeltFischer,F

rø, 2

017

.

Oilpastel,inkjetprint,spraypaint,cd’s.110 × 84 cm.

3401 Union Pacific Avenue, Los Angeles, CA www.rainbowinspanish.com | [email protected]

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upcoming @RP

Aug: RP, Marseille

Sept: Louis et nous 3, Cologne

more info:

www.realpositive.net

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45.SarahMcN

ulty,G

ren,

20

17.

Ink,gouache,acrylic,canvas.80 × 60 cm.

49.SarahMcN

ulty,T

rap,

20

17.

Oil,sunreactivepaint,canvas.135 × 65 cm

.

46.S

arahMcN

ulty,M

anho

le, 2

017

.

Oil,linen.37 × 33 cm

50.A

ntonMøller-Munar,D

o yo

u be

lieve

in a

coc

ktai

l sur

viva

l gui

de?,

20

17.

Oil,spraypaint,collage,canvas.300 × 160 cm.

47.SarahMcN

ulty,S

hipp

ing,

20

16.

Photogram

,cotton.49 × 72 cm

.51.TrevorShimizu,K

nock

kno

ck #

2,2015.Theworkconsistsofajokewrittenonabusinessreply

mailenvelope.Pen,envelope,canvas.30 × 22,5 cm

.

48.M

arieSøndergaardLolk,T

est

bille

de, 2

017

.

Paper,print,paint.Variabledimensions.

52.JasonBurgess,U

ntitl

ed, 2

017

.

Acrylic,oil,canvas.61 × 30 cm.

53.JasonBurgess,U

ntitl

ed, 2

017

.

Acrylic,oil,canvas.61 × 30 cm.

57.FabianKuntzsch,S

tern

11, 2

016

.

Cherrycores,lavender,fabric,glittery,m

olleton,wood.50 × 50 cm.

54.G

ordonDalton,U

nder

neat

h th

e w

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ng w

illow

, 20

16.

Acrylic,canvas.30 × 25 cm

.58

.LasseBruun,M

ask0

4, 2

017

.

Phototransfer,glue,spraypaint,plexiglass.30,5 × 12,5 cm.

55.JasonBurgess,Q

uart

er t

urne

d, 2

017

.

Acrylic,oil,canvas.76 × 38 cm.

59.LasseBruun,P

last

ic, 2

017

.

Phototransfer,acrylic,glue,board.89,5 × 62,5 cm

.

56.R

aeHicks,A

ccid

enta

l res

ervo

ir, 2

017

.

Acrylic,spraypaint,canvas.120

 × 150 cm.

60.LasseBruun,M

ask0

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Phototransfer,glue,spraypaint,plexiglass.52 × 5 cm

.

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45.SarahMcN

ulty,G

ren,

20

17.

Ink,gouache,acrylic,canvas.80 × 60 cm.

49.SarahMcN

ulty,T

rap,

20

17.

Oil,sunreactivepaint,canvas.135 × 65 cm

.

46.S

arahMcN

ulty,M

anho

le, 2

017

.

Oil,linen.37 × 33 cm

50.A

ntonMøller-Munar,D

o yo

u be

lieve

in a

coc

ktai

l sur

viva

l gui

de?,

20

17.

Oil,spraypaint,collage,canvas.300 × 160 cm.

47.SarahMcN

ulty,S

hipp

ing,

20

16.

Photogram

,cotton.49 × 72 cm

.51.TrevorShimizu,K

nock

kno

ck #

2,2015.Theworkconsistsofajokewrittenonabusinessreply

mailenvelope.Pen,envelope,canvas.30 × 22,5 cm

.

48.M

arieSøndergaardLolk,T

est

bille

de, 2

017

.

Paper,print,paint.Variabledimensions.

52.JasonBurgess,U

ntitl

ed, 2

017

.

Acrylic,oil,canvas.61 × 30 cm.

53.JasonBurgess,U

ntitl

ed, 2

017

.

Acrylic,oil,canvas.61 × 30 cm.

57.FabianKuntzsch,S

tern

11, 2

016

.

Cherrycores,lavender,fabric,glittery,m

olleton,wood.50 × 50 cm.

54.G

ordonDalton,U

nder

neat

h th

e w

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ng w

illow

, 20

16.

Acrylic,canvas.30 × 25 cm

.58

.LasseBruun,M

ask0

4, 2

017

.

Phototransfer,glue,spraypaint,plexiglass.30,5 × 12,5 cm.

55.JasonBurgess,Q

uart

er t

urne

d, 2

017

.

Acrylic,oil,canvas.76 × 38 cm.

59.LasseBruun,P

last

ic, 2

017

.

Phototransfer,acrylic,glue,board.89,5 × 62,5 cm

.

56.R

aeHicks,A

ccid

enta

l res

ervo

ir, 2

017

.

Acrylic,spraypaint,canvas.120

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60.LasseBruun,M

ask0

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Phototransfer,glue,spraypaint,plexiglass.52 × 5 cm

.

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61.LasseBruun,M

ask0

6, 2

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Phototransfer,glue,spraypaint,plexiglass.49 × 5 cm.

65.M

adsLindberg,U

ntitl

ed (d

unk)

, 20

17.

Oil,canvas,UVprint.58

 × 87 cm

.

62.TorbenRibe,U

ntitl

ed,2015.

Acrylic,cheerios,canvas,board.51 × 26 cm.

66.M

adsLindberg,T

OE

, 20

16.

Oil,silicone,enamel,canvas.142 × 108 cm.

63.LasseBruun,M

ask0

7, 2

017

.

Phototransfer,glue,plexiglass.45 × 10 cm.

67.PerKirkeby,U

ntitl

ed, 2

011

.

Oil,canvas.60 × 40 cm.

64.JonPilkington,A

n ex

celle

nt p

ortr

ain

with

jew

lled

hat,

2016

.

Oil,lacquer,waxcrayon,canvas,walnutfram

e.150

 × 120 cm.

68.PeterAcheson,U

ntitl

ed,2008.

Acrylic,canvas.51 × 40,5 cm.

69.PeterAcheson,U

ntitl

ed,2015.

Acrylic,collage,canvas.51 × 40,5 cm.

73.R

asmusHøjMygind,A

AS

B,2016.Acrylicpaint,ink,glasspaint,eraserpen,pencil,paper,

PVC,m

df,castalum

inum

,radiatorpaint,museumglass.31,4

 × 43,8 cm.

70.P

eterAcheson,U

ntitl

ed (R

de

K),

2016

.

Acrylic,canvas.61 × 45,5 cm

.74.MichaelBoeltFischer,B

unny

, 20

17.

Acrylic,m

asonite.71 × 52 cm

.

71.MagnusFrederikClausen,U

ntitl

ed (i

nver

ted)

, 20

17.

Oil,pencil,linen.86 × 45 cm

.75.RasmusHøjMygind,T

ræ, 2

016

.

Silkpaint,gutta,syntheticsilk,charcoal,fixativ,PVCbanner,wood.31 × 39 cm.

72.RaeHicks,A

fter

noon

wal

l, 20

17.

Oil,linen.90 × 110 cm.

76.SvendDanielsen,U

ntitl

ed (s

ide

1), 2

017

.

Oil,pencil,canvas.40 × 30 cm.

61.LasseBruun,M

ask0

6, 2

017

.

Phototransfer,glue,spraypaint,plexiglass.49 × 5 cm.

65.M

adsLindberg,U

ntitl

ed (d

unk)

, 20

17.

Oil,canvas,UVprint.58

 × 87 cm

.

62.TorbenRibe,U

ntitl

ed,2015.

Acrylic,cheerios,canvas,board.51 × 26 cm.

66.M

adsLindberg,T

OE

, 20

16.

Oil,silicone,enamel,canvas.142 × 108 cm.

63.LasseBruun,M

ask0

7, 2

017

.

Phototransfer,glue,plexiglass.45 × 10 cm.

67.PerKirkeby,U

ntitl

ed, 2

011

.

Oil,canvas.60 × 40 cm.

64.JonPilkington,A

n ex

celle

nt p

ortr

ain

with

jew

lled

hat,

2016

.

Oil,lacquer,waxcrayon,canvas,walnutfram

e.150

 × 120 cm.

68.PeterAcheson,U

ntitl

ed,2008.

Acrylic,canvas.51 × 40,5 cm.

69.PeterAcheson,U

ntitl

ed,2015.

Acrylic,collage,canvas.51 × 40,5 cm.

73.R

asmusHøjMygind,A

AS

B,2016.Acrylicpaint,ink,glasspaint,eraserpen,pencil,paper,

PVC,m

df,castalum

inum

,radiatorpaint,museumglass.31,4

 × 43,8 cm.

70.P

eterAcheson,U

ntitl

ed (R

de

K),

2016

.

Acrylic,canvas.61 × 45,5 cm

.74.MichaelBoeltFischer,B

unny

, 20

17.

Acrylic,m

asonite.71 × 52 cm

.

71.MagnusFrederikClausen,U

ntitl

ed (i

nver

ted)

, 20

17.

Oil,pencil,linen.86 × 45 cm

.75.RasmusHøjMygind,T

ræ, 2

016

.

Silkpaint,gutta,syntheticsilk,charcoal,fixativ,PVCbanner,wood.31 × 39 cm.

72.RaeHicks,A

fter

noon

wal

l, 20

17.

Oil,linen.90 × 110 cm.

76.SvendDanielsen,U

ntitl

ed (s

ide

1), 2

017

.

Oil,pencil,canvas.40 × 30 cm.

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85.ZachBruder,

Sill

, 20

16.

Acrylic,flashe,canvas.55.9 × 71.1 cm.

89.M

adsLindberg,G

uy w

ith t

owel

and

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aret

te, 2

017

.

Oil,canvas.130 × 90 cm.

86.ZachBruder,

Idle

, 20

16.

Acrylic,flashe,canvas.35.6 × 27.9 cm.

90.LasseBruun,M

ask0

5, 2

017

.

Phototransfer,glue,spraypaint,plexiglass.50 × 16,7 cm.

87.AnnaØrberg,U

ntitl

ed (b

-boy

s an

d fly

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s), 2

016

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Oil,canvas.63 × 50 cm.

88.B

ertilOsorioHeltoft, C

onta

iner

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n (f

rom

one

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e of

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er),

2017

.

Graphite,oil,canvas.35 × 50

 cm.

77.SvendDanielsen,U

ntitl

ed, 2

017

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Oil,crayon,canvas.27 × 56

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81.TrevorShimizu,L

eavi

ng t

he d

rug

deal

er’s

car,2009.

Oil,canvas.45,5 × 66 cm.

78.S

vendDanielsen,U

ntitl

ed,2014.

Oil,canvas.21 × 18 cm.

82.TrevorShimizu,K

nock

kno

ck #

1,20

15.Theworkconsistsofajokewritten

onabusinessreplymailenvelope.Pen,envelope,canvas.30 × 22.5 cm

.

79.SvendDanielsen,U

ntitl

ed, 2

017

.

Oil,canvas.61 × 78 cm.

83.JonPilkington, E

nglis

h sc

hool

c18

05,

20

16.

Oil,waxcrayon,lacquer,canvas,w

alnutfram

e.150

 × 120 cm.

80.SvendDanielsen,U

ntitl

ed,1989/20

14.

Oil,canvas.29 × 23 cm.

84.TrevorShimizu,M

ade

by a

ssis

tant

(wat

chin

g po

rn),20

13.

Oil,canvas.45.5 × 58

.5 cm.

85.ZachBruder,

Sill

, 20

16.

Acrylic,flashe,canvas.55.9 × 71.1 cm.

89.M

adsLindberg,G

uy w

ith t

owel

and

cig

aret

te, 2

017

.

Oil,canvas.130 × 90 cm.

86.ZachBruder,

Idle

, 20

16.

Acrylic,flashe,canvas.35.6 × 27.9 cm.

90.LasseBruun,M

ask0

5, 2

017

.

Phototransfer,glue,spraypaint,plexiglass.50 × 16,7 cm.

87.AnnaØrberg,U

ntitl

ed (b

-boy

s an

d fly

-girl

s), 2

016

.

Oil,canvas.63 × 50 cm.

88.B

ertilOsorioHeltoft, C

onta

iner

noo

n (f

rom

one

sid

e of

the

riv

er),

2017

.

Graphite,oil,canvas.35 × 50

 cm.

77.SvendDanielsen,U

ntitl

ed, 2

017

.

Oil,crayon,canvas.27 × 56

 cm.

81.TrevorShimizu,L

eavi

ng t

he d

rug

deal

er’s

car,2009.

Oil,canvas.45,5 × 66 cm.

78.S

vendDanielsen,U

ntitl

ed,2014.

Oil,canvas.21 × 18 cm.

82.TrevorShimizu,K

nock

kno

ck #

1,20

15.Theworkconsistsofajokewritten

onabusinessreplymailenvelope.Pen,envelope,canvas.30 × 22.5 cm

.

79.SvendDanielsen,U

ntitl

ed, 2

017

.

Oil,canvas.61 × 78 cm.

83.JonPilkington, E

nglis

h sc

hool

c18

05,

20

16.

Oil,waxcrayon,lacquer,canvas,w

alnutfram

e.150

 × 120 cm.

80.SvendDanielsen,U

ntitl

ed,1989/20

14.

Oil,canvas.29 × 23 cm.

84.TrevorShimizu,M

ade

by a

ssis

tant

(wat

chin

g po

rn),20

13.

Oil,canvas.45.5 × 58

.5 cm.

SECOND HAND RECORDS COPENHAGEN, DENMARK

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Eve

ntyr

OnceuponatimetherewasacafecalledCafé

Victor 1.A

ndonceuponatimethatCaféVictor

publishedapo

cketbo

okseriescalled

Eve

ntyr

 2 . E

vent

yrblossom

edfrom

CaféVictorinitsheyday,

aroundthemid1980s,butafteraseasonortwo

ofsuccessitfolded.

Iwouldliketousethisshorttextasanadvertise-

ment,anappetizerforthisoddcollectionofele-

gant,beautifulandsweetfairytalesandstoriesfrom

Iran 

3 ,Iceland 

4,Poland 

5 am

ongothercountries.

TheserieswasorchestratedbyKennAnd

Stilling 

6,publishedbyCaféVictor,sponsoredby

Carlsbe

rg 7 anddistributed

atCaféVictorand

byDSB 8 .

Eve

ntyrwasavehicleforsom

ething

else,andcouldbeseenasanexcusetopro-

motestories,artists,w

ritersandgatheringsina

1CaféVictoropenedinthecentreofCopen-

hagen,thecapitalofDenmark,in1981and

wasinspiredbybrassieres’inFranceand

Italy.C

aféVictorwasinitiatedbyKennAndré

Stilling,whonam

editafterV

icto

r B

. And

ers-

ens

Mas

kinf

abrik,them

agazinewhichStill-

ing

founded

in1976.MonsieurStilling

is

thefounderofForlagetSom

mersko(1973-

80),CaféSom

mersko(1976-2017),Victor

B. AndersensMaskinfabrik(1976-),Café

DanTurèll(1977-),G

alleriDanmark(1977-79),

CaféVictor(1981-),Victors’GarageBrasserie

(1982),E

vent

yr(1985-86)amongmanyother

things.S

tilling’sideaandphilosophybehind

thesenewcafésinCopenhagenwastotreat

them

asakindofsculpturewithstaff.

2D

anishforFairytales.

3O

fficiallytheIslam

icRepublicofIran

مجروه

یسا

مال ی

ریا نا

(Persian)

Jom

huri-

ye

Esl

āmi-y

e Irā

n.IranisasovereignstateinWesternAsia.

ThemajorityofthepopulationspeakPersian.

InnorthernIran,mostlyconfinedtoGilanand

Mazenderan,theGilakiandMazenderanilan-

guagesarewidelyspoken,bothhavingaffini-

tiestotheneighboringCaucasianlanguages.In

partsofGilan,theTalyshlanguage isalsowidely

spoken.VarietiesofKurdisharewidelyspoken

intheprovinceofK

urdistan andnearbyareas.

LurishandLari arealsospokeninsouthernIran.

4Iceland isaNordicislandcountryintheNorth

Atlantic,w

ithapopulationof348

,580

andis

103,000km2 (40,000sqmi).It isacountry

ofsharpcontrasts.Aplacewherefireandice

co-exist.W

heredarkwintersareoffsetbythe

summer›smidnightsun.Iceland’soffi

cialwritten

andspokenlanguageisIcelandic,aNorthGer-

maniclanguagedescendedfrom

OldNorse.In

gram

marandvocabulary,ithasremainedclos-

esttoOldNorseincom

parisontotheotherN

or-

diclanguages.

5O

fficiallythe RepublicofPoland.Polish (ję

zyk

pols

ki, p

olsz

czyz

na)isaSlaviclanguage spo-

kenprimarilyinPoland.ItbelongstotheLechitic 

subgroupofW

estSlaviclanguages.In1887L.L.

Zam

enhof(1859-1917),aPolish-Jewish ophthal-

mologist,createdtheinternationallanguage

Esperanto(translatesinto”Onewhohopes”)

underthepseudonym

Dr.Esperanto.

6KennAndréStilling(194

5-)isanartistandpub-

lishingwizard.

7C

arlsbergisaninternationalbeerbrewery.

Carlsbergwasfoundedin1847byJ.C.Jacob-

sen(1811-1887),whowasaphilanthropist,avid

artcollectorandfounderoftheam

azingNy

CarlsbergGlyptotek,C

openhagen.Thecom

-pany’sheadquartersislocatedinCopenhagen,

Denmark,andtheirsloganisP

roba

bly

the

best

be

er in

the

wor

ld.Thesloganwascreatedbythe

globalcom

municationsandadvertisingagency

Saatchi&SaatchiinLondonin1973.

8TheDanishnationalrailcom

pany.D

SBisan

abbreviationof D

ansk

e S

tats

bane

r,whichcam

eaboutin1885,andhaditsrootsinJysk-Fyenske

Jernbaner from1867.Thestatesteppedinand

boughtupthePeto,Brassey&Bettscom

pany,

aBritishcivilengineeringpartnership,whofive

yearsearliersuccessfullyhadopenedthefirst

traindestinationÅrhus-Langå-RandersinJut-

land,butwerethenforcedintoreceivership.

relaxedsocialenviro

nment.

Eve

ntyrw

asprint-

edonblack&white,thinpaperinaneditionof

10.000cop

iesandwasdistributedforfreesix

times.A

longsidetheCarlsberglogoonthefront

ofeachissue,therewere4full-pageadvertise-

mentswithinthemagazine–alwaysdisplayingthe

samewordingandim

ages:

1)

AltforD

amerne 9 .Insidefrontcover.Onecolour.

2)Hafnia 

10.Insidebackcovers.Fullcolour.

3)

Smirnoff

 11.Page3.B/W

.4)

HerregaardFlødeIs 12.Page4.B/W

.Eachissuewasdedicatedtofairytalesandsto-

riesfromonespecificcountry.T

hecontentwas

writteninDanish,butalsoinitsoriginallanguage.

Thecoverhadbetween2-3differenttypefac-

esand

twod

ifferenthandwritten

parts,the

Carlsbergfont 1

3andtheAldusfont 1

4, t

he la

tter

wasusedthroughoutthepublication.Thecover

hadawom

anorman,sharplydressedbutNOT

fashionable,northetypicalpin-upgirlsorpin-up

Chipp

endales 

15. T

he p

ortr

aits

on

the

cove

r po

r-trayedthetranslator,whooftenisunderestim

ated

withinthebookpublishinghierarchy.Thenam

eof

thetranslatorisusuallywritteninfineprintatthe

endofthecolophon,butinE

vent

yr th

ese

role

s ar

e reversed.Theonepersonthatactuallybridgesthe

gapbetweencultures,itsoriginallanguageand

content,andthroughtheactoftranslationmakes

usunderstandthestoriesfrom

adifferentculture,

istreatedasthestaronthefrontcover.Theback-

sidehasapostcardlayoutandprovidesforeasy

mailing.Thiswaythedistributionofthemagazine

couldreachevenbroaderaudiences.

9 A

lt fo

r D

amer

neisaweeklymagazinefor

wom

en.Itw

asfirstpublishedin194

6.

10HafniawasaD

anishinsurancecompany

establishedin1872.H

afniaHoldingsuffered

greatdeficitsin1991andwas,aftersev-

eralmonths/yearsoffinancialhanky-panky,

declaredbankruptin1993.Asaresponseto

thecriticism

DanskeBank(thelargestDan-

ishBank)placedtheadvertisem

ent

Ret

ort

in

dailyDanishnewspapersin1996.Hafniais

theoldLatinnam

eforK

øbenhavn(C

openha-

gen),m

eaningharbour(-

havn).Heisrambling.

12 HesselagerFæ

llesm

ejeri(co-operative dairy)

beganin1881andstartedtoproduceicecream

in1912.In196

9theicecreamproducersHes-

selagerIs,Pyram

ideIsandHellerupIsjoined

forcesunderthenameSolIs,whichin1971was

boughtbyFriskoIs.

13TheDanishartist,designerandarchitectThor-

valdBindesbøll(1846

-190

8)originallydidthe

designfortheHofbeerlabelin1904.Version

1.00,2012,initialrelease(freedownloadhttps://

www.ffonts.net/Carlsberg.font.dow

nload)

14ThefontAlduswasdesignedbyGermantype

designerandcalligrapherHermannZapf(1918

–20

15)andappearedwiththefontfoundry

D.S

tempelA

GinFrankfurtamM

ainin1954.

Zapfnam

edthisfontafterthefamousVenetian

printerAldusManutius,whoseworkisamong

themostimportantoftheRenaissanceperiod

aswellasZapf’sinspirationforAldus. Healso

designedP

alat

ino,

Opt

imaandZapfino

.

15Chippendales isatouringgroupofmalestrip-

teaseperformancesanddancers.C

hippen-

daleswasestablishedin1979.

Whym

akeanadvertisem

entforthefairytales

andstoriesinE

vent

yr inapublicationrelating

tothesho

wL

and

scap

e M

od

ern

Oil

Pai

ntin

g C

anva

s P

aint

ing

A

bst

ract

O

il P

aint

ing

W

all

Han

ging

 16 ?E

vent

yrisalreadypartofhistory,past

itsexpirationdateandthemagazinesthatwere

oncefreelydistributed,cannow

onlybefound

inw

ell-assorted

vintagebo

okstoresoronthe

bookshelvesofsweetoblivion-sowhy?Stillings’

engagementanduniqueapproachtopublishing,

artandlifeisobviouslyfunnyandtwisted.Stilling

attemptstoinverttheregularformats,sodo

es

Land

scap

e M

oder

n O

il P

aint

ing

Can

vas

Pai

ntin

g A

bstr

act

Oil

Pai

ntin

g W

all H

angi

ng.

WellifIdigdeepenoughwhileIsithereintheshade,

Imayfindtheansw

er,w

hichcouldbeassimpleas

this:Iamfascinatedbythepowerof (some)adver-

tisem

ents.Ilovethem

becausetheymanipulateus

andpresentuswithplaces,ideasandideologies

thatwecantapinto,believeinandthenalsobuy(…

ortheopposite,simplyrejectandignore).

Adsshowusidealsituations;p

roductsofwon-

derthatwillm

akeourfacesmootherandm

ake

uslookprettier.Makecreamwhipitselftoanairy

substanceormakethelivingroom

lookcleaner.

16 AnexhibitioncuratedbyJIRSANDELatGal-

leriBenoni.A

rtstorageroom

sandwarehouses

areparticularspacescharacterisedbyspecial

dynamics.O

ncestow

edthere,theartworks

ceasetobepreciousfortheiraestheticand

historicalvalues,andswitchtoadifferentlevel

ofexistence,thatseesthemasobjectstobe

safelyprotectedandcarefullyputawaydue

totheirmonetaryworth.A

longthetransition

from

thegalleryormuseumintothestorage

space,theworkofartshiftsfrom

represent-

ingasymboltobeinganitem

;atransitionthat

isreversedassoonasitisbroughtbacktothe

whitecube.Butwhatifthesetwolayers,usu-

allyclearlyseparated,physicallymergeintoone

singlelocation?

Iwascriticalinthepast,butIhavebecom

eatrue

softieforthem

.

IthinkitallbeganbackwhenIw

asakidlivingin

Silkeborg,Denmark,havingonlyoneChannelto

watchonTV,whichwascom

pletelyvoidofcom-

mercials.Backthen,intheearly80’s,w

ellbefore

thesocialmediaboom,Iwasattractedto

OBS! 1

7 . Especiallyitscatchyjingle 18andtheshortbreak

from

thegeneralflow

ofthetelevisionprogram

stheywouldaironthechannel.

TheseO

BS!adswereofcourseverydifferent

from

mostothertraditionaladvertisem

entsthat

generallypresentsocialvalues,relationships,

friendships,societalissues,safetyandeveryday

lifeasanon-stickslicksurface.

Iam

fascinatedbythepretty90210 19loo

k-a-

likeyouthswhobecom

esT

he F

resh

mak

er 20

in

Mentoscommercials 

21 ,ortheabstractTw

ix 22

commercialT

wo

for m

e. N

one

for y

ou. 2

3cam

paign,

andthebeautifulyellowcornfields,thebluesky

andtheDanishflaginanoldsafewiththedoor

halfwayopenedinaDanskFolkeparti 2

4com

mer-

cial.A

ndlet’snotforgetthecutepuppywithsoft

flappyears‘H

ERVOGTERJEG’(I’M

WATCHING

HERE) 2

5 .Theyallsellanabsurdideal,anidyllic,

constructedimageofdream

sandillusions,as

smoothasthelogoandmascotofMr.Clean 26

.

17 OBS!isanabbreviationforOplysningtilBorg-

erneomSam

fundet(InformationtoCitizensin

Society)andhasbeenrunningonDanishtele-

visionsince1977.Theyusedtoappearoften

ontelevisionandwereusuallya5minutesnon

commercialbreakwithpublicserviceinforma-

tionaboutsafety,Do’sandespeciallyDon’tson

theroad,atsea,usinglightswhilstbikinginthe

evening,avoidinggettingsick,abouthow

tobe

safelightingfirew

orksNew

Yearseve.They

werebanalandserious,butoftenwithafunny

twist.

18Jinglesareaform

ofsoundbranding,ashort

songortune.Ajinglecangetabrand’snam

eem

beddedintheheadsofpotentialcustom-

erseventhoughitdidnotfitintothedefinition

ofthetypicaladvertisem

entacceptedinthe

late1920

s.

19

90

210 isanAmericancaucasianteentelevision

seriesthatairedfrom

2008to2013.90210refer

tothezipcodeinBeverlyHills,averywealthy

neighbourhoodinWestLosAngeles.

20Internationaladvertisem

entcam

paignfrom

1992

ontelevisionandincinem

asbyMentos.https://

www.youtube.com

/watch?v=JqgqgcE8Z

ck

21 Mentos isabrandofprepackagedchewymints.

FirstproducedintheNetherlandsin1948.

22Tw

ix isachocolatebarcontainingbiscuit,car-

amelandchocolate.Itwasfirstproducedin

UnitedKingdom

in1967.

23Internationaladvertisem

entcam

paignfrom

1997

ontelevisionandincinem

asbyTw

ix.https://

www.youtube.com

/watch?v=rdTw7m

Mf7ZI

24DanishPeople’sParty isapoliticalpartyinDen-

markwhichisgenerallydescribedasright-wing

populistbyacadem

icsandfar-rightbyinterna-

tionalm

edia.Itisthemostright-wingpartyin

theDanishParliam

ent.Thepartywasfounded

byPiaKjærsgaardin199

5.

25

26Mr.Clean isabrandnameandmascotof

Procter&Gam

ble,acom

panyproducingclean-

ingproducts.In1957,HarryBarnhartconceived

theideaandErnieAllenintheartdepartment

attheadvertisem

entagency Tatham-Laird&

Kudnerin ChicagodrewMr.Cleanasamuscu-

lar,tanned, baldsailor-typeblue-eyedmanwith

goldearringwhocleansthingsverywell.

Manyartistshaveworkedwiththeideaadvertise-

ment,boththecleanandthequestioningtype.I

canonlyadvisethereadertoresearchanddive

intothisfieldofartisticpractise 

27.

WhileI’matit,Iw

ouldalsoliketoadvertisea

projectabo

utadsthatIhavedonecalled‘24

Advertisem

ents’ 2

8.H

eisram

blingagain.

Iliketheideaof‘L

ands

cape

Mod

ern

Oil

Pai

ntin

g C

anva

s P

aint

ing

A

bst

ract

O

il P

aint

ing

W

all

Han

ging

’beingaboutstorageanddisplay.How

do

wedistributethewordsandworksthatwepro-

duce?How

dowedisplayworksofart(thatwe

arefondof)athome,withinawhitecube,institu-

tionalspace,com

paniesorpublicspace?How

do

wepresentthemassocialspacesthatwecancall

sculpturesandareservedbystaff.Similarly,how

do

westoreworksofart(thatweneedabreak

from

)withinthesespheres?Thereisnorightan-

swertostorageanddisplay,ofcourse.Itmakes

methinkof“things”.Ingeneralwehaveto

omany

“things”,w

eow

n,borrow,lease,rentfartoomany

objects,objectsthatwethinksolveourproblems

andmakeoureverydaylifeeasier.W

ebasical-

lyhavetoomuchstuff,andwekeepgettingand

buyingmorestuff,w

hichtakesmefrom

theidea

ofstorageanddisplaytotheideaofself-storage.

Self-storages 29facilitiesremindmeofcem

eteries,

anonym

ousplacesforburiedmem

oriesandfor-

gottenstuff.TrytoGoogle 

30self-storage 

31 ,

clic

k im

agesandyouwillknowwhatIm

ean.Oreven

27Ifyouwouldlikealistofplacestosearch,art-

iststolookat,pleasedonthesitatetosendme

atext+4526210108.

28

24 A

dver

tisem

ents

:

2books

76pages(28 × 32.5 cm

)+60pages(20 × 27.3 cm

)fu

ll co

lour

1000ex

20

12

PublishedbyPorkSaladPress

ISBN978-87-9140

9-52-3

€28.95

Yourpackagecontains1keyring+1CD+1

stickers+1flyswatter+1rubberband.

Andlastbutnotleastw

orksbyÖzlem

Altin,TaubaAuerbach,IñakiBonillas,

Alejandro Cesarco,JayChung&

Q Takeki Maeda,KerenCytter,Andrea

Fraser,G

oldin+SennebywithIsmail

Ertürk,Tam

ar Guimaraes,Henriette

Heise,Jeuno JE

 Kim,LornaMacintyre,

Sara Mackillop,JonathanMonk,

Christodoulos Panayiotou,OliviaPlender,

MandlaReuter,DavidRobbins,Josef Strau,

WolfgangTillmans,SueTom

pkins,

Oraib Toukan,DahnVo,

YO

UNG-HAE CHANG HEAV

YIN

DUSTRIES.

MusicbyGoodiepalandMisakiKaw

ai

TextsbyNielsHenriksenandMarkvonSchlegell.

Ifyouwriteporkporkporkonthispage,tearitout,

writeyournam

eandsendittoPorkSaladPress,

Nr.Farim

agsgade39,4th,1364Copenhagen

youwillautom

aticallygeta3 × 24%

discount

on o

ne is

sue

of 2

4 A

dver

tisem

ents+plusapink

porkiemoneybank.

29Selfstorage isanindustryinwhichstoragespace

suchasroom

s,lockers,containers,and/orout-

doorspace.Modernself-storagefacilitiesdidnot

begintoappearuntilthelate1960

s

30GoogleInc.isanAmericanmultinationaltech-

nologycom

panythatspecializesinInter-

net-related

servicesand

products,which

include

online

advertising

technologies,

searchengine,cloudcom

puting,software,

andhardware. ItwasfoundedbyLawrence

Edw

ardPage(1973-)andSergeyMikhay-

lovichBrin(1973-)in1998.Theyear2012was

thefirsttimethatGooglegenerated$50

bil-

lioninannualrevenue,generating$38billion

the

prev

ious

yea

r.

31

https://www.goo

gle.dk/search?q=

self+

stor-

age&

source=lnm

s&tbm=isch&

sa=X

&ved=0a-

hUKEwin8uysm

_3bAhV

JjSwKHVCPCVsQ

_AUICygC&biw=130

6&bih=736

bettervisitBOXIT 32orPelicanSelfStorage 33

. Mostofthesefacilitiesbrandthem

selvesoneasy

access,cleanlinessandsafeenvironm

entswith

24/7surveillance.

Perfect.Thatishow

wewouldlikeourfuture

homestobetoo.Ideallywewantourhomesto

besom

ewhatpresentable,whichiswhyweturn

towardsself-storagesolutionsinthefirstplace.

32BOXITisaselfstorage facilitythatrentsout

storagespacesuchasroom

s,lockers,contain-

ers.

https://www.boxit.dk/Itwasestablishedin

Aalborg,Denmark,in2003.

33PelicanSelfStorageisaselfstorage facilitythat

rentsoutstoragespacesuchasroom

s,lockers,

cont

aine

rs. https://pelicanselfstorage.dk/Itwas

establishedinDenmarkin2009byNordicReal

EstatePartners(N

REP)w

ithacapitalinjection

byM3CapitalPartners,London.

AsIwritethis,I’msittinginagardensurround-

edbycypressesandslop

esoffreshlysunburnt

yellowgrasswiththepeakofamountainsticking

outovertheseainthedistance.Itcouldserveas

abackdropforanabstract,painterlylandscape.If

Icouldhavetakenapicture,orevenbetter,paint-

edamodernabstractoilpaintingoncanvasofthis

exactspot,thatwouldhavebeenmycontributing

essa

y fo

r La

ndsc

ape

Mod

ern

Oil

Pai

ntin

g C

anva

s P

aint

ing

Abs

trac

t O

il P

aint

ing

Wal

l Han

ging

. But

I can’t,soIleavemyheadhanginginstead.

Anyway,Ifyouevercomeacrossoneofthe

Eventyrmagazines;Ibegofyou,stealitandrun.

Takeatrainsom

ewhereandreadituntilyouget

caught,orhavereachedyourdestination 

34. 

Land

scap

e M

oder

n O

il P

aint

ing

Can

vas

Pai

ntin

g A

bstr

act O

il P

aint

ing

Wal

l Han

ging

Art

ists

PeterAcheson, DanielPederAskeland,

Zac

h Bruder,LasseBruun,Jason Burgess,

Magnus FrederikClausen,G

ordon Dalton,

Svend  Danielsen,M

ichaelBoeltFischer,

BertilOsorioHeltoft,RaeHicks,Per Kirkeby,

Fabian Kuntzsch,Mads Lindberg,

Marie SøndergaardLolk,SarahMcN

ulty,

Anton  Møller-Munar,Rasmus Høj Mygind,

Jon Pilkington,Torben Ribe,Adrianne Rubenstein,

TrevorShimizu,Astrid Svangren,AnnaØrberg

Advertisers

24Advertisem

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istia

n Andersen,AntagTherapeutics,

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leri Benoni,ViktoriaBorbely,Brennan & Griffi

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CCCprojects,Chris,ChartArtfair,CodeArtFair,

Foodoir,Gl. H

oltegaard,Marie  Kirkegaard G

alle

ry,

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TAB,

NosferatuHotline,OohAhhrecords,

Pretty Punk,Rainbow

 In Spanish,Real Positive,

Spaghetteria,TèrraCucina,WrongStudio

Texts

JacobFabricius,PaolaPaleari

Layout

WrongStudio

Inst

alla

tion

phot

oKristianTouborg

All

othe

r pho

tos

JIRSANDEL

ISBN978-87-92332-10-3

34Please,remem

bertopassE

vent

yr o

n.