Kurtág – Kurtág Jr. – cuendet fOr PErUSAl Only - For perusal.pdf · E D I T I O M U S I C A B U D A P E S T K-122. score. Kurtág – Kurtág Jr. – cuendet. zwIEgESPrÄ. Ch

E D I T I O M U S I C A B U D A P E S T

K-122

score

Kurtág – Kurtág Jr. – cuendet

zwIEgESPrÄCh – DIAlOgUE fOr SynThESIzEr AnD OrChESTrA

FOR PERUSAL ONLY

EDITIO MUSICA BUDAPESTUniversal Music Publishing Editio Musica Budapest Ltd

H-1370 Budapest, P.O.B. 322 • Tel.: (361) 236-1100 • Telefax: (361) 236-1101E-mail: [email protected] • Internet: www.emb.hu

GyörGy KUrTáG – GyörGy KUrTáG Jr. –

OLIvIEr CUEnDET

zwIEGESPrÄCH – DIALOGUE fOr SynTHESIzEr

AnD OrCHESTrA

score

FOR PERUSAL ONLY

1

NOTES

The original version of Zwiegespräch is written for string quartet and synthesizer. This version was done on the request and with the approval of György Kurtág father and György Kurtág son.

The recorder (sopranino, tenor) can also, if necessary, be replaced in I and IX by third flute and in IV by a solo violin

I. Introduction – Tears

In the Introduction the main voice is performed by the natural harmonics of the solo strings. The first solo violin is only a shadow of it. All the others should be hardly heard – only air for the winds and caressing the body of the instrument with the bow for strings, with the hand or a cloth for keyboards, percussion and harp.

In case a recorder player, other then the 3d flute, performs the recorder part, the 3d flute could double it in the 4 first bars (everybody should be performing these quasi silencious bars !).

In Tears, the rests are every time different ; it should sound like drops falling irregularly.

« Sonagli » - small bells, crotales… - should sound very far, with irregular and unclear rythms.

The notation of the synthesizer part corresponds to one possible performance; the timing and coordination can be sligthly different from one performance to another. In any case, in this movement, the synthesizer follows the orchestra and not the contrary !

II. Visions (Hokusai)

The orchestra should be very incisive, every note well designed. The general dynamic is forte, in order to be adapted to the dynamic of the synthesizer; but the character should remain fugitive and mysterious as if performed pianissimo! The sign V means a short cesure, everytime a bit different, without breaking the flow of the music !

III. Babel

The piece starts with 3 contrabasses and bass drum alone (I 0); after a few seconds the first solo violin starts (I 1).

The piece ends - after a precise cut off of the Tutti (V 4)– with 3 contrabasses and bass drum alone, as at the beginning; stop without any diminuendo.

Each number (I 1, I 2 etc.) corresponds to a sign of the conductor to cue new events.

The second entry (I2, 1st solo of second violins) should start just before the end of the first violin solo phrase. Then the duration between the cues is up to the conductor (wait from 1’’ until circa 5’’); in any case it shouldn’t be regular and one should have time to notice the change in density and colour by each new entrance.

In case of a tutti group (for instants first violins 2-14, 3 horns…), the players start all together but then don’t try to coordinate within the group; each one plays independently.

Each player can add small interruptions between phrases; once all phrases of a part have been performed, the players should start them again, possibly changing order, until the stop (V4).

For some instruments it might be necessary to take away some notes or phrases which don’t fit the instrument (for instance the bass clarinet can either play one octave higher or skip the notes out of range); it is also possible to skip a complete phrase.

Every note, phrase, gesture should be performed with the maximum of intensity, passion, rubato and sempre ff !

The bass drum (as large and low as possible) and the 3 first contrabasses should play all the time p-mf but it should be noticeable. When the tutti stops suddenly in the end, they remain alone, sempre p-mf for a few seconds and then stop all together on the sign of the conductor, senza diminuendo (like a light turned off). The 3 contrabasses are not synchronised : each one plays in a very calm and independent tempo.

The solo parts at IV1 (1st solo violin), IV2 (2d solo violin) and IV4 (piccolo) are to be played p- mf but noticeable (adapt the dynamic to the tutti).

As the music is very small in the score of nr 3 the conductor will find the entire musical material used in Babel on supplementary pages.

IV. Love song

Sometimes, the woodwinds imitate a percussion instrument : using the tongue with almost no air. The melody played by recorder, pianino and solo violin should always be elastic, singing, expressive. If it is too high for the recorder and get too strident the solo violin will play the ossia. In this case, the second solo violin should take over the d♯ harmonic.

V. Birds

The strings should sound as a resonance from the birds songs. All other instruments should be well balanced, transparent and delicate.

VI. Ombra dell’ombra

Fast but always well pronounced. The caesuras (V) should be every time different, suspended but not stopping the line.

Bar 21 (distinto, superarticolato) can be a bit slower (eight note).

Bar 28 for Contrabass : the sign ↑ or ↓ means a bit higher or lower (less then a ¼ ton, like a slow and large vibrato with one finger).

Tearing and then creasing paper should remain very discret ( a colour rather then an effect).

VIII. Féerie

The synthesizer part is preregistrated, so that the conductor has to follow its timing precisely (seconds in bracket at the end of each bar show the duration of the whole bar including fermata (). It is recommended to slow down some bars rather then to have to make a too long rest.

The synthesizer plays the chords indicated within a complex polyphony.

IX. Solace

Here as well, the synthesizer is preregistrated and cannot variete.

The group consisting of recorder (ossia 3d flute), percussion 2, harpe, solo violin, viola and violoncello plays untill bar 24 with the synthesizer. They should try to be with it as much as possible, starting each note from almost nothing with a very small crescendo and going back to nothing.

All the other parts play chords as a comment to the melody of the synthesizer.

From bar 26, very soft but full sound. Last bar, keep the resonance of crotales and gong together with the slow fade out of the synthesizer.

Olivier Cuendet, November 2015

ZWIEGESPRÄCH – DIALOGUE FOR SYNTHESIZER AND ORCHESTRA

FOR PERUSAL ONLY

Recorders ad libitum (tenor and sopranino)

FOR PERUSAL ONLY

6

Score in CStand: 15.12. 2015

© Copyright 2014 by Editio Musica Budapest K-122

Flute 1

Flute 2

Tenor Recorderad lib. Fl.3

Oboe

English Horn

2 Clarinets in Bb

Bass Clarinet in Bb

Basson 1

Basson 2

3 Horns in F

3 Trumpets in C

2 Trombones

Tuba

Timpani

Sonagli,small bells

Triangle (large)

3 Cymbals (high, middle, low)

Tam-tam (large)

1 Tom-tom (middle)

2 Bongos (middle, high)

Snare Drum

Bass Drum (large)

Harp

Pianinocon supersordino

Synthesizer

Violin I Solo

Violin I Tutti

Violin II Solo

Violin II Tutti

Viola Solo

Viola Tutte

Violoncello Solo

Violoncello Tutti

Double bass Solo

Double bass Tutti

only air pppp

Introduzione h = 26 cca 5'' (in each bar different!)

Tears (Recitativo)2 3 4 1 2

only air pppp

only air pppp

only air pppp

only air

only air pppp

only airpppp

pppp

only air

only air

only airpppp

only air

only air

only air

almost no sound

pppp possibile, irregular

simile

ppppp

almost no sound pppp

almost no sound pppp

ppppp, ponticello, come un ombra

almost no sound

Introduzione h = 26 Tears (Recitativo)

cca 5'' (in each bar different!)

ppp

in rilievo

almost no sound

ppp

in rilievo

almost no sound

ppp in rilievo pppppppp

almost no sound ppppppppin rilievo

ppp

almost no sound

flzg.

György KURTÁG (1926) György KURTÁG Jr. (1954)Olivier CUENDET (1953)

I. Introduction – Tears

ZWIEGESPRÄCH – DIALOGUE FOR SYNTHESIZER AND ORCHESTRA

Solo

echo ton

1.2.

1-3. con sord. (cup)

con sord.

rub softly, slowly and continuously on various timpani

far away

softly with a thin metal stick

rub softly with a thin metal stick

rub softly, slowly and continuously on the body of the instrument

rub softly, slowly and continuously on the body of the instrument

(synth follows freelx orchestra)

souffle -----------------------------------------------------------------------------------------------------------

con sordinodi metallo


with the bow softly, slowly and continuously on the body of the instrument Tutti


IV


with the bow softly, slowly and continuously on the body of the instrument

Tutti


IV IV IV


with the bow softly, slowly and continuously on the body of the instrument Tutti


III II

I



Tutti


I



7

Fl

T. Rec

Ob

E.h

Cl

B.Cl

Bsn 1

Bsn 2

Hn

Tpt

Tbn

Tba

Timp

Son

Tri

Cym

Tamt

Tomt

Bong

S.D

B.D

Hp

Pianino

Synth

Vln I Solo

Vln II

Vln II Solo

Vln II

Vla Solo

Vla

Vc Solo

Vc

Db Solo

Db

delicatissimo

3 4 5 6 7 8 9 10

delicatissimo

delicatissimo

sempre pppp p espr. cant.

delicatissimo

p espr. cant.

pppp sempre ppppp espr. cant.

pppp sempre pppp

p, cuivré

pppp sempre pppp

sempre pppp

pppp

delicatissimo

rinf poco

pppp

pppp

pppp

rinf

pppp sempre pppp

rinf

(marimba)

ppppdelicatissimo

ppppdelicatissimo

pppp delicatissimo

pppp delicatissimo

pppp delicatissimo

delicatissimo poco rinf

delicatissimo poco rinf

poco rinf

flzg.

ord.

flzg.

ord.

flzg.

ord.

Solo

Solo1.

2.3.

c.s.1.2.

1.

with a thin metal stick

with a drumstick

with metal stick

super ball

bongo (middle)

between 2 pedalsarracher la corde

(souffle) ------------------------------------------------------------------------------------------------------------------------------------

(synth together with orch)

(souffle) ---------------------

c l batt. (jeté)

c.l. tratto ord.

c l tratto

7

c l batt. (jeté)

c.l. tratto ord.

c l tratto

7

c l tratto

pizz.

arco

c l tratto

pont. ord. c l tratto

pont.

ord. c l tratto

div.

III non div.

ord. c l tratto

ord.

div. III non div.

ord. c l tratto

ord.

Solo (gliss. slowly!)

K-122

4

FOR PERUSAL ONLY

8

Fl

T. Rec

Ob

E.h

Cl

B.Cl

Bsn 1

Bsn 2

Hn

Tpt

Tbn

Tba

Timp

Son

Cym

Tamt

Bong

Hp

Pianino

Synth

Vln I Solo

Vln II

Vln II Solo

Vln II

Vla Solo

Vla

Vc Solo

Vc

Db Solo

Db

ppp pp

11 12 13 14 15

pp

pp

ppp

ppp pp

pp

p, dolce espr.

pppp, dolce espr.

ppp p, dolce espr.

p, dolce espr.

pp

pppp

ppp

pp

poco rinf pp

ppp poco rinf pp

poco rinf pp pp

ppp

poco rinf ppppp-pp

poco rinf pp

ppp-pp

poco rinf pp

poco rinf pp ppp-pp

poco rinf pp

ppp-pp

poco rinf pp

ppp ppp-pp

3.

1.

con sord. Solo

(souffle) -----------------------------------------------------------------------------------------------------------------

ord. Solo

col legno tratto

ord.

col legno tratto

ord.

col legno tratto

ord.

col legno tratto

Solo

col legno tratto

K-122

58

9

Fl

T. Rec

Ob

E.h

Cl

B.Cl

Bsn 1

Bsn 2

Hn

Tpt

Tbn

Tba

Timp

Son

Tomt

S.D

B.D

Hp

Pianino

Synth

Vln I Solo

Vln II

Vln II Solo

Vln II

Vla Solo

Vla

Vc Solo

Vc

Db Solo

Db

rinfppppp

mf dim. molto16 17 18 19

rinf

rinf

rinf

rinf

rinf ppppp

rinf ppppp

rinf

rinf

rinf ppppp

rinf ppppp

rinf

rinf

rinfppppp

rinfppppp

pp

rinf ppppp

rinf ppppp

rinf ppppp

rinf

ppppp

rinf ppppp

rinf

mf dim. molto

rinf ppppp

rinf

rinfppppp

rinf

rinfppppp

rinf

rinf

rinf

3 3 3 3

3 3

3 3 3 3 3

3 3 3

3 3

3 3 3 3 3 3

3 3 3 3 3 3

3 3 3 3

3 3

3 3 3 3 3 3

1.2. 3 3 3 3 3

3

c.s.

1.2.

3. 3.

1.

1.

3 3 3

3 3

2. 3

3

3

3

3

3 3 3 3

c.s.

3

3 3 3 3 3

c.s.

3 3 3 3 3 3

with super ball

3 3 3 3 3 3

3 3 3

3 3 3 33

Synth. attacca Visions (Hokusaï)

ord.

Tutti jeté sim.

one desk less every time

one desk

ord.

jeté one desk less every time one desk

ord.


ord.


ord.

div: pizz/arco one desk less every time

K-122

69

FOR PERUSAL ONLY

10

Flute 1

Flute 2

Flute 3

Oboe 1

Oboe 2

Clarinet in Bb 1

Clarinet in Bb 2

Bass Clarinetin Bb

Bassoon 1

Bassoon 2

Horn in F 1

Horn in F 2

Horn in F 3

Trumpet in C 1

Trumpet in C 2

Trumpet in C 3

Trombone 1

Trombone basso

Wind machine

Chimes (Glass/Wood)

2 splash cymbals

4 Cymbals

Wood-block

Snare Drum

3 Tom-toms

Bass Drum (large)

Marimba

Vibraphone

Piano

Harp

Synthesizer

Violin I

Violin II

Viola

Violoncello

Double bass

rinf.

Synthesizer

Presto incisivoq. = ca. 1041 2 3 4 5

rinf.

rinf.

rinf.

fmolto

rinf.molto

rinf. molto

f rinf.molto

f

f

moltorinf.

molto

f

f

f

f

f

sf

mf

f

f f

f

ff

f f

f

ff

f

molto

Presto incisivoq. = ca. 104

rinf. f

f f

rinf. f

rinf. f

on the beat

II. Visions (Hokusaï)

on the beat

ordinary flute on the beat

To A. Fl

on the beat

before the beat

5

before the beat

on the beat fltzg.

before the beat

To Cbsn

con sord.

con sord.

con sord.

before the beat

près de la table

ord.

gliss

.

senza sord.

col legno battuto c.l.b

non div.

senza sord.

sul pont. c.l.b

senza sord. col legno battuto c.l.b

senza sord. c.l.b

senza sord. pizz.

c.l.b

K-122

7

11

Fl 1

Fl 2

Ob 1

Ob 2

Cl 1

Cl 2

B. Cl

Hn 1

Hn 2

Tbn 1

Tbn 2

W.m

Ch

Spl

Cym

W.B

S. D

Tomt

Mar

Vib

Pno

Hp

Vln I

Vln II

Vla

Vc

Db

mf rinf.

q . = q q . = q q = q .6 7 8 9 10 11 12 13 14 15

mf

rinf.

mfrinf.

mfrinf.

mff

rinf. rinf.

rinf.

rinf. rinf.

rinf. rinf.

rinf. sf

mf

rinf.

p f

rinf.

rinf. fmf mf

crescendo...

p

p f mf crescendo...mf rinf.

pf

mf

f crescendo

rinf.molto

rinf. mf rinf.

q . = q q . = q q = q .

rinf. molto rinf. rinf. mfrinf.

rinf. mf, crescendo rinf.

mf rinf. mf, crescendo rinf.

f, crescendo

3

on the beat

To Picc

3

on the beat

3

on the beat

on the beat 3

con sord.

con sord.

con sord.

con sord.

scratched

3

2 W.Bl.

ord.

senza Ped.

3

près de la table

ord.

3

1/2 pizz.

1/2 arco

arco

before the beatrinf.

sul pont.Solo

Tutti

1/2 pizz. 1/2 arco ord.

1/2 pizz.1/2 arco

before the beat

arco

Solo sul pont. 1/2 pizz.

1/2 arco ord.Tutti

1/2 pizz.1/2 arco

Solosul pont. 1/2 pizz.

1/2 arco ord.Tutti

battuto col legno 1/2 pizz.1/2 arco

Solosul pont. 1/2 pizz.

1/2 arco ord.Tutti

sul pont. Solo

K-122

8

FOR PERUSAL ONLY

12

Fl 1

Cl 1

Hn 1

Hn 2

Tpt 1

Tpt 2

Tpt 3

Tbn 1

Tbn 2

Ch

Spl

Cym

Tomt

Mar

Vib

Pno

Hp

Vln I

Vln II

Vla

Vc

Db

mf p

q = q . q . = q q = q .e = e16 17 18 19 20 21 22 23 24

mf

mp p

mp pp

mp

mp

mf

p

rinf.

mf

mf

f

p

mf

p

f mf mp f f

q = q . q . = q q = q . e = e

mf f

f

f

p ma sentito f

Piccolo

fltzg.

ord.

fltzg.

on the beat

on the beat

fltzg.

fltzg.

Wood-chimes

(ad lib. xyl.)

col l'arco

on the beat

pizz.

l.v.

arco

batt. col legno molto pont. Solo

ord.

Tuttibatt.

Solo

arco

molto pont. batt.

arco jeté

batt.

arco jeté

batt.

Solo (ombra)

Solo

K-122

9

13

Picc

Fl 2

Fl 3

B. Cl

Bsn 1

Cbsn

Hn 1

Hn 2

Hn 3

Tbn 1

Tbn 2

Tomt

B.D

Mar

Pno

Vln I

Vln II

Vla

Vc

Db

Più presto, feroce25 26 27 28 29 30 31 32 33 34 35 36

p

p

p

p

p

p

p simile pp sub. simile

p simile pp sub. simile

p pp sub.

ppppoco

pp pp

pp

Più presto, feroce

mf simile

mf simile

Contrabassoon

senza sord.

senza sord.

senza sord.

con sord.

gliss. late!

con sord.

gliss. late!

arcoSolo, in rilievo

arcoSolo, in rilievo

K-122

10

FOR PERUSAL ONLY

14

Picc

Fl 2

Ob 1

Ob 2

Cl 1

Cl 2

B. Cl

Bsn 1

Cbsn

Hn 1

Hn 2

Hn 3

Tbn 1

Tbn 2

Cym

Tomt

B.D

Mar

Pno

Hp

Vln I

Vln II

Vla

Vc

Db

p

Più agitato37 38 39 40 41 42 43 44 45 46 47 48 49 50

p

mf, marcato

mf, marcato

mf, marcato

mf, marcato

p più p mf, marcato

p più pmf, marcato

p mf, marcato

p

p

p

p

p

pp

p

p

p

mfmf

Più agitato

mfmf

mf

p, marcato mf

mf mf

Piccolo To Fl

marcato, come prima

marcato, come prima

Solo

Tutti

Solo

Tutti

Tutti

Tutti div.

Solo

Tutti

K-122

11

15

Fl 1

Fl 2

Fl 3

Ob 1

Ob 2

Cl 1

Cl 2

B. Cl

Bsn 1

Hn 1

Hn 2

Hn 3

Tpt 1

Tpt 2

W.m

Cym

B.D

Vln I

Vln II

Vla

Vc

ancora più mosso51 52 53 54 55 56 57 58

pp

pp

pp

pp

mp

ppin rilievo

pppoco

pp

mp

ancora più mosso

mptremolando sempre agitato, febbrile!

mf

mpin rilievo

Alto Flute

con sord.

ppin rilievo

con sord.

Wind machine

col l'arco

sul pont.non div.Tutti

tremolando sempre agitato, febbrile!

sul pont.

non div.Tutti

batt. col legno

Tutti

Solo sul tasto

K-122

12

FOR PERUSAL ONLY

16

Fl 1

Fl 2

A. Fl

Ob 1

Ob 2

Cl 1

Cl 2

B. Cl

Bsn 1

Hn 1

Hn 2

Hn 3

Tpt 1

Tpt 2

W.m

Cym

B.D

Vln I

Vln II

Vla

Vc

p

59 60 61 62 63 64

mpin rilievo

mpin rilievo

sub. mp

mp

p

p

p

pp etc. sempre più agitato et crescendo al fine

ppppoco

pp

sub. p

sub. p

sub. mf

sub. p

with soft mallets

K-122

13

17

Fl 1

Fl 2

A. Fl

Ob 1

Ob 2

Cl 1

Cl 2

B. Cl

Bsn 1

Cbsn

Hn 1

Hn 2

Hn 3

Tpt 1

Tpt 2

Tpt 3

Tbn 1

Tbn 2

W.m

Spl

Cym

Tomt

B.D

Mar

Pno

Hp

Synth

Vln I

Vln II

Vla

Vc

Db

cresc. molto ff

quasi senza rit.65 66 67 68 69 70

mp cresc. molto ff

mp cresc. molto ff

cresc. molto ff

cresc. moltomp f ff

mp ff

mp cresc. molto ff

cresc. molto ff

f ff

f ff

cresc. molto ff

cresc. molto ff

cresc. molto ff

pin rilievo cresc. molto ff

in rilievomp cresc. molto

f ff

pcresc. molto

ff

mp cresc. molto ff

f

ff

ff

ff

mp

mf

before the beat

f

mf ff

mf cresc. molto ff

f

mf cresc. molto

f

ff

cresc. molto ff

quasi senza rit.

cresc. moltoff

cresc. molto ff

cresc. moltoff

f ff

6-8'

attacca III. Babel

arco, sul pont.

Tutti

batt.

K-122

14

FOR PERUSAL ONLY

18

1

III. Babel Recitativo appassionato, molto Rubato I 0 I 1 I 2 I 3 I 4 II 1 II 2 II 3 II 4 III 1 III 2 III 3 III 4 Piccolo Fl, Ob. 3 Tr. all soli and independent

Alto Fl, E.H.,2 Clar. all soli and independent

B Clar. Bassoon all soli and independent

Cbassoon Tuba

Horn I-III all soli and independent

Tromb. I-II all soli and independent

Timp. x (rim shot ff) Bass Drum roll, sempre p fino alla fine ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ Synth. Piano with plectrum

ff with plectrum on the strings (together with entrance of winds) Vl I , Solo

Vl I 2 – 14 all soli and independent

Vl II , Solo

Vl II 2-12 all soli and independent

Viola, Solo

Viola 2-10 all soli and independent

Cello solo

Celli 2-4 all soli and independent

Celli 5-8 all soli and independent

ff

Double bass 1-3, independent

Db. 4-6 I 0 I 1 I2 I3 I4 II 1 II 2 II 3 II 4 III1 III2 III 3 III 4

K-122

K-122

19

2

IV 1 IV2 IV 3 IV 4 V 1 V 2 V 3 crescendo tutti-------------------------------------------------- HP ’ V4, around 5’’ Piccolo

Stop

on

the

sign

of t

he co

nduc

tor

Fl, Ob. 3 Tr.

Alto Fl, E.H., 2 Clar.

B Clar. Bassoon

Cbassoon. Tuba

Horn I-III Tromb. I-II

Timp. 4 Cy ♩♬♩♫♪free sempre ff ------------------------------------------------------------------------------------------------ Bass Drum -----------------------------------------------------------------------------------------------------------------------------------------------------------senza dim

(around 5’’), stop on a sign Piano / Harp with plectrum

ord.

Stop

on

the

sign

of t

he co

nduc

tor

Vl I , Solo

Vl I 2 – 14

Vl II , Solo

Vl II 2-12

Viola, Solo

Viola 2-10

Vc solo Vc 2-4 Vc 5-8

Db 1-3 ---------------------------------------------------------------------------------------------------------------------------------------------------sempre mf, senza dim

(around 5’’), stop on a sign Db. 4-6 all soli and independent

ff

stop

Conductor IV1 IV2 IV3 IV4 V1 V2 V 3 crescendo tutti-------------------------------------------------- HP ’ V4, around 5’’

attaca syntheziser>>>IV Love song K-122

attacca synthesizer ››› IV Love songK-122

FOR PERUSAL ONLY

Sopranino recorder ad lib. (ossia Vl solo)

Piccolo

Clarinet in Eb

Clarinet in Bb

Bass Clarinet in Bb

Tuba

2 Gueros

2 high Bongos

2 high Wood blocks

Bass Drum

Pianinocon supersordino

Synthesizer

Violin I solo

Violin I soloOssia if no recorder!

Violin II solo

Viola solo

Violoncello solo

Double bass solo

ppp, dolce, espr, morbido, cantabile

Sostenuto, Tempo I Vivacissimo, Tempo II, flexibleq = circa 54 e. = circa 1042 3 4 5 6

ppp, sempre quasi legato, poco articolato



pppp, molto delicato, with fingers

mp

pppp

ppp, dolce, espr, morbido, cantabile

pppp

pppp, flautando

pppp, flautando

IV. Love Song

sputato

sputato

sputato

con sord. di metallo

ossia if no recorder con sord. di metallo




K-122

2220

Sopn. Rec

Picc

Cl Eb

Cl

B.Cl

Tba

W.bl

Pianino

Synth

Vln I

Vln I Ossia

Vln II

Vla

Vc

Db

Tempo primo Vivacissimo, Tempo II Tempo primo7 8 9 10 11


pppp, molto delicato, with very thin sticks

ppp, dolce, espr, cantabile, morbidoin rilievo

mp

sputato

K-122

2321

FOR PERUSAL ONLY

22

Sopn. Rec

Picc

Cl Eb

Cl

B.Cl

Tba

B. D

Pianino

Synth

Vln I

Vln I Ossia

Vln II

Vla

Vc

Db

Vivacissimo, Tempo II (sempre a tempo) Tempo primo12 13 14 15 16

pppp

ppp

ppp

ppp

ppp

pppp

pppp

pppp

pppp

pppp

ppp

= a little bit too flat (giusto)



con sord.

= a little bit too flat

= a little bit too sharp

(giusto)

(a) almost center, b) border, c) center)

a)

b)

c)




(giusto)


(giusto)


(giusto)


= a little bit too sharp

(giusto)

K-122

24

Sopn. Rec

Picc

Cl Eb

Cl

B.Cl

Tba

Bong

Pianino

Synth

Vln I

Vln I Ossia

Vln II

Vla

Vc

Db

ppp, dolce, espr.

Vivacissimo, Tempo II17 18 19 20

pppp

ossia

ppp, dolce, espr.

pppp

sputato

sputato

sputato

ossia if no recorder


K-122

2523

FOR PERUSAL ONLY

Sopn. Rec

Picc

Cl Eb

Cl

B.Cl

Tba

Bong

Pianino

Synth

Vln I

Vln I Ossia

Vln II

Vla

Vc

Db

Tempo primo21 22 23

K-122

2624

Sopn. Rec

Picc

Cl Eb

Cl

B.Cl

Tba

Guer

W.bl

Pianino

Synth

Vln I

Vln I Ossia

Vln II

Vla

Vc

Db

pp, sempe cantabilein rilievo

Vivacissimo, Tempo II Tempo primoVivacissimo,Tempo II

24 25 26 27 28

ppp, come prima

ppp, come prima

ppp

pppp, molto delicato

in rilievo ppp,sempre quasi legato

pppp

pp cantabielein rilievo

pppp

pp

ppp

sputato

pizz. vicino pont.

K-122

2725

FOR PERUSAL ONLY

Sopn. Rec

Picc

Cl Eb

Cl

B.Cl

Tba

Guer

Pianino

Synth

Vln I

Vln I Ossia

Vln II

Vla

Vc

Db

29 30 31 32

pppp

pppp (più dolce che viola!)

poco

pp

ppp

in rilievo

ord.

Echo ton

gliss. gliss. gliss.


gliss.

III IV III III IV III IV III

III IIIII

simileIV

IIIIII

IIIII

IV

K-122

2826

Sopn. Rec

Picc

Cl Eb

Cl

B.Cl

Tba

Guer

Pianino

Synth

Vln I

Vln I Ossia

Vln II

Vla

Vc

Db

33 34 35

gliss. gliss. gliss. gliss. gliss.

gliss. gliss. gliss. gliss. gliss.

III IV III III IV III IV III

IIIII III

simileIV

III

K-122

2927

FOR PERUSAL ONLY

Sopn. Rec

Picc

Cl Eb

Cl

B.Cl

Tba

Guer

Pianino

Synth

Vln I

Vln I Ossia

Vln II

Vla

Vc

Db

smorzando, senza rit.!

36 37 38

poco

Synth attacca >>>>> V. Birds

gliss.

gliss.gliss. gliss. gliss.

gliss.

gliss. gliss.


gliss.

III

IIIII

IV III IV III III IV III IV IIIIII II III

K-122

3028

29

Piccolo

Clarinet in Bb

2 Triangles

3 Cymbals

3 pieces of metaldry and high

Crotales

Glockenspiel(keyboard)

Xylophone

Marimba

Harp

Piano

Celesta

Synthesizer

Beat(conductor)

Violin I, solo 1

Violin I, solo 2

Violin II,solo 1

Violin II, solo 2

Viola solo

Violoncello solo 1

Violoncello solo 2

pp

Transitionx = circa 152

Leicht, flüchtig, zart

1 2

pp

pp

pp

Transition

x = circa 152Leicht, flüchtig, zart

pp ppp

ppp

ppp

V. Birds

muted with finger ord.

con sord. pizz.

II arco

I

con sord. II

con sord.

con sord.

con sord. II

con sord.

con sord.

K-122

31

FOR PERUSAL ONLY

Picc

Cl

Tr

Cym

Met

Crot

Glock

Xyl

Mar

Hp

Pno

Cel

Synth

Vln I 1

Vln I 2

Vln II 1

Vln II 2

Vla

Vc 1

Vc 2

dolce, cantabile

3 4 5 6

pp rinf

ppp

pppp

pp rinf

pp

pp ppp

ppp

ppp

ppp

with very thin sticks

(Stricknadel)

ord.

pizz.II

arcoI I

II II

III

1 Solo II

II

K-122

3230

31

Picc

Cl

Tr

Cym

Met

Crot

Glock

Xyl

Mar

Hp

Pno

Cel

Vln I 1

Vln I 2

Vln II 1

Vln II 2

Vla

Vc 1

Vc 2

pp, legg. pppppoco

7 8 9 10

pp dolce, cantabile

ppp

ppp

più rinf

rinf ppp

pp

pp

pp dolce, cantabile

sempre cantabile

mf rinf pp

rinf più rinf pp

rinf più rinf

ppp ppp

ppp

I II III I

II

II I II

I I I I

IV

II IIIIV

II

III

K-122

33

FOR PERUSAL ONLY

32

Picc

Cl

Tr

Cym

Met

Crot

Glock

Xyl

Mar

Hp

Pno

Cel

Vln I 1

Vln I 2

Vln II 1

Vln II 2

Vla

Vc 1

Vc 2

pp ppp

11 12 13

pp ppp pp ppp

ppp

pp

pp

pppp, delicatissimopppp, delicatissimo ppp (eco)

pppp, delicatissimopp

ppppp

pppp, delicatissimo ppp

pppp, delicatissimo

pppp, delicatissimo

pp

pppp, delicatissimo

con l'arco

pizz. ord.

III

sul tastoI II III IV II

IV

sul tasto

III

sul tasto

sul tasto

IV

IV

ord.IV III II I

IV

sul tasto

K-122

34

33

Picc

Cl

Tr

Cym

Met

Crot

Glock

Xyl

Mar

Hp

Pno

Cel

Vln I 1

Vln I 2

Vln II 1

Vln II 2

Vla

Vc 1

Vc 2

attacca Ombra14 15 16 17

ppp

ppp

pppp ppp

ppp legg. ppp

pppp ppp

pppp

pppp

ppp

attacca Ombra

pppp senza cresc.

pppp

pppp senza cresc.

ppp pppp

pp

with very thin sticks(Stricknadel)

I II

I III

I IV II

III

I

pizz.IV

K-122

35

FOR PERUSAL ONLY

Piccolo

Flute

Alto Flute

Oboe 1

Oboe 2

Clarinet in Bb

Clarinet in Bb

Bass Clarinetin Bb

Bassoon

Contrabassoon

Horn in F 1-3

Trumpet in C 1-3

2 Trombones

Tuba

Timpani

2 Triangels(large, small)

3 Cymbals(low, middle, high)

3 Wood-blocks(low, middle, high)

2 Tomtoms(middle, high)

1 Bass drum

Crotales

Marimba

Celesta

Pianinowith

supersordino

Harp

Synthesizer

Violin Icon sord. metallo

Violin IIcon sord. metallo

Violacon sord. metallo

Violoncellocon sord. metallo

Double basscon sord. metallo

pppp pppp eco

Presto q. = 144-152

erstarren(lunga)2 3 4 5

pppp eco

ppp

ppp

ppp ppp

ppp

ppp

ppp

ppp

ppp

ppp

ppp

ppp

eco

ppp

pp

Presto q. = 144-152erstarren(lunga)

pp ppp

ppp pp ppp

ppppp ppp

ppp

wistle sound

VI. Ombra dell’ombra

Echo ton

Echo ton

(sempre 8va sotto!)

I.

Solo

Solo non div. Tutti

Solo IV. III. Tutti

Solopizz.

col legno batt.

Tutti ord.

K-122

3634

35

Picc

Fl

A. Fl

Ob 1

Ob 2

Cl

Cl

B. Cl

Bsn

Cbsn

Hn

Tpt

Tbn

Tba

Timp

Tri

Cym

W.B

Tomt

B.D

Crot

Mar

Cel

Pianino

Hp

Synth

Vln I

Vln II

Vla

Vc

Db

ppp eco

6 7 8 9 10 11 12

ppp eco

ppp

ppp

ecoppp

ppp

eco ppp

eco ppp ppp

ppp eco

ppp

ppp

mp-mf

eco ppp

pppp

ppp mp-mf

eco

mp-mf

ppp

mp-mf

pp

pppeco

ppp

eco mp-mf ppp pochiss.

mp-mfppp

pochiss.



ppp ppp mp-mf ppp pochiss.

eco

eco

(con sord.)

1.2. con sord.

con sord.

col legno

with very thin stick

bordercenter

To Vib.

eco

Solo III II Tutti

pizz. arco

Tutti pizz.

Solo III

pont.

Solo III Tutti pizz.

pont. Solo

Tutti

pizz.

Solo

Tutti

arco pizz.

K-122

37

FOR PERUSAL ONLY

Picc

Fl

A. Fl

Ob 1

Ob 2

Cl

Cl

B. Cl

Bsn

Cbsn

Hn

Tpt

Tbn

Tba

Timp

Tri

Cym

W.B

Tomt

B.D

Crot

Vib

Cel

Pianino

Hp

Synth

Vln I

Vln II

Vla

Vc

Db

ppppeco

febbrile più agitato13 14 15 16 17 18 18a

ppp

ppp pp egualmente

ppp minaccioso

on bass drum:

pp

ppppeco

ppp minaccioso

ppppeco

ppppeco

ppp

ppppeco

ppp minaccioso étouffé (choked)

febbrile più agitato

ppp minaccioso étouffé (choked)

pppeco ppp minaccioso

étouffé (choked)

ppp minacciosoétouffé (choked)

étouffé (choked)

2.3.

senza sord.

Verge

Wood

Vibraphone coll'arco Marimba ord.

ord.

III.Solo

Tutti

Solo Tutti

arco

K-122

3836

Picc

Fl

A. Fl

Ob 1

Ob 2

Cl

Cl

B. Cl

Bsn

Cbsn

Hn

Tpt

Tbn

Tba

Timp

Tri

Cym

W.B

Tomt

B.D

Crot

Mar

Cel

Pianino

Hp

Synth

Vln I

Vln II

Vla

Vc

Db

fff pppp

distintosuperarticolato

Tempo primo19 20 21 22 23 24 25

fff pppp pppp

fff

sub. ff fff

sub. fffff

p mp - mf fffpppp

pp p mp - mf fff pppp


p mp - mf fff

pp p mp - mf sub. ff fff

mp - mf fff

fff

fff

sub. ff fff

fff

ppppp

sub. ff

sub. ff fff

pp p mp - mf fff

pppp

sub. ff fff

pp p mp - mf


pppp

mp - mf sub. ff fff pppp


Tempo primo

sub. ff fffpppp


pp p mp - mf sub. fffff

pppp

pp p mp - mfsub. ff fff pppp

secco

2.

1-3.

con sord.

col legno

2 perc. slowly tear pieces of paper

hammer on wood

rim shot

Verge

senza sord.

con sord.di met.

I. solo, sul tasto III.

senza sord.

con sord. di met. IV.

Solo, sul tastoIII.

senza sord.


Solo, sul tasto

secco, alla cordasul ponticello

senza sord.

con sord. di met. Solo, sul tasto


senza sord.

con sord. di met.solo, sul tasto

Tutti

K-122

39

Picc

Fl

A. Fl

Ob 1

Ob 2

Cl

Cl

B. Cl

Bsn

Cbsn

Hn

Tpt

Tbn

Tba

Timp

Tri

Cym

W.B

Tomt

B.D

Crot

Mar

Cel

Pianino

Hp

Synth

Vln I

Vln II

Vla

Vc

Db

fff pppp


Tempo primo19 20 21 22 23 24 25

fff pppp pppp

fff

sub. ff fff

sub. fffff

p mp - mf fffpppp



p mp - mf fff


mp - mf fff

fff

fff

sub. ff fff

fff

ppppp

sub. ff

sub. ff fff

pp p mp - mf fff

pppp

sub. ff fff

pp p mp - mf


pppp



Tempo primo

sub. ff fffpppp


pp p mp - mf sub. fffff

pppp

pp p mp - mfsub. ff fff pppp

secco

2.

1-3.

con sord.

col legno

2 perc. slowly tear pieces of paper

hammer on wood

rim shot

Verge

senza sord.

con sord.di met.

I. solo, sul tasto III.

senza sord.


Solo, sul tastoIII.

senza sord.


Solo, sul tasto


senza sord.

con sord. di met. Solo, sul tasto


senza sord.

con sord. di met.solo, sul tasto

Tutti

K-122

3937

FOR PERUSAL ONLY

Picc

Fl

A. Fl

Ob 1

Ob 2

Cl

Cl

B. Cl

Bsn

Cbsn

Hn

Tpt

Tbn

Tba

Timp

Tri

Cym

W.B

Tomt

B.D

Crot

Mar

Cel

Pianino

Hp

Synth

Vln I

Vln II

Vla

Vc

Db

pppp

sempre in tempo a tempo26 27 28 29 30 31 32

pppp

pppp pppp

pppp

ppp dim. al niente

ppppp

pppp pppp

ppppp

ppp dim. al niente

pppp, molto sul tasto

sempre in tempo a tempo




(Rundbogen)

ppp dim. = a little too high

= a little too low

al nientepppp

2da volta tacet

Solo

con sord.

Ped. slow gliss. around F# around G§

2 perc. slowly crease pieces of paper

with soft mallet

Bass drum

attaca VII. Tempest, Synthesizer solo

la metà 2da volta tacet

la metà

la metà

la metà

Solo

senza rit.sul tasto

K-122

4038

39

Zwiegespräch – Dialogue for Synthesizer and Orchestra Zwiegespräch – Dialógus szintetizatorra és zenekarra

VII. Tempest

György Kurtág jr. Solo Synthesizer :

circa 1’

K-122

VII. TEMPEST

FOR PERUSAL ONLY

Piccolo

Flute 1

Flute 2

Clarinet in Eb

Clarinet in Bb

Harmonica 1

Harmonica 2

Glass chimes

3 Cymbals(high, middle, low)

Drumwithout snare

Bass Drum

Marimba

Harp

Celesta

Pianino

Synthesizer

Violin I Solo

Violin I Tutti

Violin II Solo

Violin II Tutti

Violoncello Solo

Violoncello Tutti

pppp, lontano, cantabile (ombra)

Poco allegretto (esitando)e = 116 (poco mosso)1 2

pppp, lontano, cantabile (ombra)

pppp, sempre leggero, delicatissimo

pppp, leggero, delicatissimo



ppppppp, leggero, delicatissimo

pppp

pppp, sempre leggero, delicatissimo

(duration of the complete bar: 7'') (10'')

ppp, lontano, cantabile

Poco allegretto (esitando)e = 116

(poco mosso)


ppp, lontano, cantabile



VIII. Féerie

with brush

gliss.

gliss.

(chords in polyrythmic pattern)

Cue Synth.

2

slow

around 6''

gliss.

7 4

with metal mute

rest around 3''(never exactly the same!)

IVTutticon sord. (if possible metal)

gliss.

with metal mute

IVTutticon sord. (if possible metal)

gliss.

Tutti con sord. (if possible metal)

gliss.gliss.

gliss.

K-122

4240

41

Picc

Fl 1

Fl 2

Eb Cl

Cl

Cym

Hp

Cel

Pianino

Synth

Vln I Solo

Vln I Tutti

Vln II Solo

Vln II Tutti

Vc Solo

Vc Tutti

(esitando)3 4

pppp


pppp

(9'') (12'')

(esitando)

ppp

pppp

brushed

x (souffle)

gliss.

5

battutowith metal mute

K-122

43

FOR PERUSAL ONLY

42

Picc

Fl 1

Fl 2

Eb Cl

Cl

Harm

Harm

Cym

B. D

Mar

Hp

Cel

Pianino

Synth

Vln I Solo

Vln I Tutti

Vln II Solo

Vln II Tutti

Vc Solo

Vc Tutti

ppp

(più esitando)morendo senza rigore

e = 965 6

ppp

lontano

ppp ppp

ppp ppp

ppp

ppp

pp, armonioso

pp, dolcissimo

(10'')

pp, dolcissimo pp

(più esitando) morendo senza rigoree = 96

3 3 3 3 3

1.

tranquillo

in C sharp in C natural

with thin metal stick with bow

with brush

hirondelles

6 7

(with clar.)

K-122

44

43

Picc

Fl 1

Fl 2

Eb Cl

Cl

Harm

Harm

Gl.ch

Cym

D w s

B. D

Mar

Hp

Cel

Pianino

Synth

Vln I Solo

Vln I Tutti

Vln II Solo

Vln II Tutti

Vc Solo

Vc Tutti

7 8

ppp

ppp

(5'')

pp

pp

3 3 3 3 3 3 3 3

in E natural

in D natural

with bow with bow

hirondelle

(souffle)1

(with clar.) flautando

(with clar.) flautando

(with clar.)

K-122

45

FOR PERUSAL ONLY

44

Picc

Fl 1

Fl 2

Eb Cl

Cl

Harm

Harm

Gl.ch

Cym

D w s

B. D

Mar

Hp

Cel

Pianino

Synth

Vln I Solo

Vln I Tutti

Vln II Solo

Vln II Tutti

Vc Solo

Vc Tutti

ppp, dolce

Lentox = 84

Tempo primo (poco allegretto)e = 929 10 11 12 13 14 15

ppp, dolce

ppp, dolce

ppp, dolce

ppp

ppp

ppp

ppp

ppp, dolcissimo

(19'')

ppp

Lentox = 84 Tempo primo (poco allegretto)

e = 92

ppp

ppp, dolce

attacca Solace

3 3 3

in E natural

in D natural

with bow

x (souffle)

2

3

(with fl.)

(with clar.)

attacca Solace

(with fl.)

(with clar.)

col legno tratto, molto sul tasto

K-122

46

Flute 1

Flute 2

Oboe

English horn

Clarinet in Bb 1

Clarinet in Bb 2

Bass Clarinet in Bb

Bassoon 1

Bassoon 2

3 Horns in F

3 Trumpets in C

2 Trombones

Tuba

2 Crotales

Sonaglismall bells

1 Wood-block(high)

1 Triangle(small)

3 Tomtoms(Low, middle, high)

Bass Drum

Marimba

Pianinowith supersord.

Synthesizer

Gong (d)

5 Cymbals

Tam-tam(large)

Harpwith synth.

Tenor Recorderwith synth.

(ossia Flute 3)

Violin II Solowith synth.

Viola Solowith synth.

Violoncello Solowith synth.

Violin I Solo

Violin I Tutti

Violin II

Viola

Violoncello

Double bass

p

Lento (follow the synthesizer)h = 60

q = q q = q12 3 4 5 6 7

p

p p

p p

p p

p

p

p

p p

p

pp

pp

pp

p

p

pp

pp

pochissimo pochissimo pp

Lento (follow the synthesizer)h = 60 q = q

q = q1

pp, following synth.

pochissimo

ppp

ppp

ppp

pp

p

p

IX. Solace

con sord.

1. con sord.

con sord.

(Stricknadel)

with soft mallet

with bow

con sord. ord.

con sord. ord.

non divisi con sord. ord.



con sord. ord.

II

K-122

4745

FOR PERUSAL ONLY

46

Fl 1

Fl 2

Ob

E.h

Cl 1

Cl 2

B. Cl

Bsn 1

Bsn 2

Hn

Tpt

Tbn

Tba

Tri

Tomt

B. D

Mar

Pianino

Synth

Cym

Hp

T. Rec

Vln II Solo

Vla Solo

Vc Solo

Vln I Solo

Vln I Tutti

Vln II

Vla

Vc

Db

p p espr.

2 38 9 10 11 12 13 14 15

p

p espr. p mf

mp espr. p mf

p mp espr. p mf

pp mf

p mp espr.p mf

mp espr.

ppp p mf

p p

pp

pp p

pp

mp

mp

pochissimo

2 3

pochissimo pp

pochissimo

pochissimo pp

pmp p mf

pmp p mf

pmp

p mf

pp

p

p

Solo

in rilievo

in rilievo

1.

1.2.

1.

with very thin metal stick

with soft sticks

with soft mallet

with thin metal stick (Stricknadel)

con sord. ord.

arco

arcoIII

1/2 pizz.1/2 arco

arco

1/2 pizz.1/2 arco

arco

IIIIV

K-122

48

47

Fl 1

Fl 2

Ob

E.h

Cl 1

Cl 2

B. Cl

Bsn 1

Bsn 2

Hn

Tpt

Tbn

Tba

W.B

Tomt

B. D

Mar

Pianino

Synth

Cym

Hp

T. Rec

Vln II Solo

Vla Solo

Vc Solo

Vln I Solo

Vln I Tutti

Vln II

Vla

Vc

Db

dolce

4 516 17 18 19 20 21 22 23

dolce p

rinf p

rinf p

rinf p

rinf

rinf dolce p

dolce

dolce

rinf dolce

p

dolce p

dolcep

rinf

dolce p

p

rinf

dolcerinf

id. id.

4 5

pochissimo

dolce

dolce

dolcedolce

rinfp

p

To Picc

1.

1.2.

To Cel

with bow

IV

K-122

49

FOR PERUSAL ONLY

Fl 1

Fl 2

Ob

E.h

Cl 1

Cl 2

B. Cl

Bsn 1

Bsn 2

Hn

Tpt

Tbn

Tba

Crot

Son

Mar

Cel

Synth

Gong

Cym

Tamt

Hp

T. Rec

Vln II Solo

Vla Solo

Vc Solo

Vln I Solo

Vln I Tutti

Vln II

Vla

Vc

Db

pp

whistle

pp diminuendo

Strascinato, pesanteh = 60 e. = 40

624 25 26 27 28 29 30 32

31

pp dolcissimo ma intenso

dolcissimo ma intenso pp perdendosi

dolcissimo ma intenso



ppdolcissimo ma intenso


dolcissimo



dolcissimo

pp

perdendosi

pppp

pppp sempre irregolare, misterioso


Bird 1Bird 2(simile)

pppp

dolcissimo

mf p, in rilievo

Strascinato, pesanteh = 60

e. = 406

ppp perdendosi

dolcissimo ma intenso, sul tasto

mf p, in rilievo ppp perdendosi

dolcissimo ma intenso, sul tasto ppp, come un ombra

dolcissimo ma intenso, sul tasto ppp perdendosi



dolcissimo ma intenso, sul tasto ppp perdendosi

dolcissimo ma intenso, sul tasto pp perdendosi

Piccolo

ord.

1-3.

against eachother

Pianino

To Pianino

al fine

souffle

l.v. al fine

with big mallet

sul tasto

sord. ord.

I

sul tasto I

div. sul tasto

Solo

div.

div.

sul tastoSolo

Solo

K-122

5048

FOR PERUSAL ONLY

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The score and the related parts are the property of Editio Musica Budapest, and therefore may be used only for the occasions specified in the loan contract.

The material – may not be handed on to any other person or organization – may not be copied without permission – may not be altered, and any comments or performing instructions entered in the score or parts may be written only in pencil – must be returned intact and in good condition to the publishers by the date of expiry of the loan period.

Documents

Kurtág – Kurtág Jr. – cuendet fOr PErUSAl Only - For perusal.pdf · E D I T I O M U S I C A B U D A P E S T K-122. score. Kurtág – Kurtág Jr. – cuendet. zwIEgESPrÄ. Ch