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kulturvergnügen | spring/summer | 2014 1 spring | summer | 2014 kultur vergnügen german cultural events

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Page 1: kultur vergnügen - Auswärtiges Amtdownload.diplo.de/usa/Kucal-Summer-2014.pdf · PB kulturvergnügen | spring/summer ... Herbie Hancock, Joe Henderson, Tony William ... “Philly”

kulturvergnügen | spring/summer | 2014PB kulturvergnügen | spring/summer | 2014 1spring | summer | 2014

kulturvergnügen g e r m a n

c u l t u r a le v e n t s

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wel

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Wilfried Eckstein

Director, Goethe-Institut Washington Carsten Ruepke

Head, Cultural Department, German Embassy

As the East Coast’s unusually long winter finally loosens its grip, giving way to what we trust will be a beautiful spring and summer, we welcome you to a slate of vibrant German cultural programs.

A highlight of the spring is Blue Note @75, a citywide celebration of the 75th anniversary of the legendary German immigrant-founded New York jazz record label. An exhibition, concerts, and other events are organized by the Goethe-Institut in cooperation with the German Historical Institute, the Kennedy Center, and the Library of Congress.

This year’s Zeitgeist DC program presents participatory theater from Germany, Switzerland and Austria. Encouraging audience engagement and social action, Participatory Theater will be presented in collaboration with Georgetown University’s Laboratory for Global

Performance and Politics, Shakespeare Theatre Company, and Studio Theatre.

Mark your calendars now for Film|Neu, the city’s annual festival of new German cinema, taking place October 10-16. Until then, join us for Film|Neu Presents, featuring excellent German films throughout the year. Slam poetry, a form of poetry which brings literature to the stage in an entertaining and competitive performance format, traveled from the U.S. to Germany 20 years ago. To celebrate, Bas Böttcher, one of Germany’s original slam champions, comes for a week of performances and discussions.

Role-playing games are both fun and a powerful teaching tool. Together with the Centre for Systems Solutions and the Worldwatch Institute, the Goethe-Institut hosts Harvest Game and Lords of the Valley, two games focusing on climate issues and ways humans can work together to devise mean-ingful solutions.

In August, the exhibition Postcards from the Trenches: German and American Soldiers Visualize the Great War at Pepco’s Edison Place Gallery marks the 100th anniversary of World War I. The series Film Captures the Great War examines aspects and reactions of the Great War by artists and soldiers.

Sprechen Sie Deutsch? The Goethe-Institut offers German language courses at all levels. Deutsch am Mittag and Toastmasters auf Deutsch! provide further opportunities to practice.

From jazz piano and violin virtuoso to the digital concerts of the Berlin Philharmonic and of Kraftwerk, a highly diverse musical program awaits you this spring and summer. Back by popular demand, the Calmus Ensemble will perform in Alexandria, while jazz pianist and composer Florian Höfner comes to Washington, DC. Classical music devotees will appreciate concerts by the Henschel Quartett and the Auryn Quartett, and the appearance of acclaimed German violinist Augustin Hadelich. Friends of choral music should join the Washington Sängerbund at its traditional Spring concert with dance and German food.

Don’t miss the opportunity to experience German culture up close during EU Open House Day and a one-of-a-kind exhibition about German Karneval at the German-American Heritage Museum.

Visit our websites, www.goethe.de/washington and www.germany.info for updates and additional offerings. We look forward seeing you soon!

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Goethe-Institut 4 – 23 German Embassy 32 – 38 Events at a Glance 24 – 25

Goethe-Institut Events

Films n Blue Note @75 5 - 7n Shorts – Courts – Kurz 13 n EuroAsia Shorts 13n Film|Neu Presents 20 - 21 n Film Captures the Great War 22 – 23

Musicn Blue Note @75 7 - 9n Berlin Philharmonic 10 - 11n Electronic and Audio Festivals 12

Exhibitionsn Search for a New Sound. The Blue Note Photographs of Francis Wolff 5n AppArtAward 11n Postcards from the Trenches: German and American Soldiers Visualize the Great War 22

Performancen Zeitgeist DC: Participatory Theater 14 - 16n Bas Böttcher: 20 Years of Slam Poetry in Germany 17

Languagen German Courses 28 - 31n Toastmasters auf deutsch 42

American Goethe Society 27

German Embassy Events

n Music 32 – 35n Lecture 35n Exhibitions 36n Special Events 36 - 38

Friends of the Goethe-Institut 26Addresses 44Tickets and Electronic Newsletter 45Rentals 45About Us 47

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Cover Image: Hank Mobley and Alfred Lion, Soul Station, Feb. 7, 1960 © Courtesy of Mosaic Images LLC.psd

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BLUE NOTE@75BLUE NoTE RECoRDS CELEBRATES ITS 75TH ANNIVERSARy IN 2014. ITS RooTS

LIE IN BERLIN, WHERE ALFRED LIoN, A TEENAGER IN THE THRALL oF SWING

music, met Francis (Frank) WolFF, a young photographer With similar

MUSICAL INTERESTS, IN 1924. THEIR MUTUAL LoVE oF AMERICAN jAZZ FED A

strong Friendship. Both men moved to neW york in the 1930s, Where

BLUE NoTE RECoRDS WAS BoRN IN 1939.

Through Blue Note Records, Lion and Wolff helped

shape the world’s musical, social and cultural di-

rection from the mid- to the late-twentieth century.

Today a new generation of jazz aficionados has re-

discovered Blue Note, with many of Lion’s vintage

recordings enjoying recent reissues. As Herbie

Hancock recalled on learning of Alfred’s death: “He

was a German, from the old school, who had a gift,

a real insight into the qualities that the great black

artists of his day were exhibiting. The world of

music won’t be the same without him - I don’t

suppose we’ll ever see his like again.”

Blue Note @ 75 is a citywide

celebration organized by the

German Historical Institute,

the Goethe-Institut,

the Kennedy Center, and

the Library of Congress.

Events at the Goethe-Institut

are made possible with the

proud support of Friends of

the Goethe-Institut.

E X H I B I T I O N

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BLUE NOTE@75

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n E X H I B I T I o N

May 3 – july 3, 2014Goethe-Institut, FotoGalerie

Search for a New Sound. The Blue Note Photographs of Francis Wolff

As Lion’s behind-the-scenes partner, Francis Wolff is best known for his iconic candid photographs of Blue Note musicians, usually captured during recording sessions. Wolff’s sensitive and evocative images were significant to Blue Note’s marketing strategy, creating a branded identity of jazz as hip and cool. The use of Wolff’s photos as album cover graphics also broke through a racially-stereotyped portrayal of the African-American jazz musician that had predominated the media during the first half of the twentieth century.

The images in the exhibition, curated by Michael Cuscuna and Tom Evered, are from what is acknowledged as Blue Note’s golden years of jazz recording. No other jazz label combined such inspired and impeccable musicianship with such distinctive photo-graphy and cover design. Francis Wolff’s photographs capture the instant of creative inspiration of some jazz music’s great ge-niuses.

Saturday, May 3, 6 – 8 pm Goethe-Institut, FotoGalerie

opening Reception

With curators Michael Cuscuna and Tom Evered. Followed by a concert with Jason Moran (pianist), the Kennedy Center’s Artistic Advisor for Jazz and current Blue Note Records artist.

No charge. RSVP to www.goetheinstitutwashington.eventbrite.com

Organized in cooperation with the German Historical Institute

n F I L M S

THESE FILMS FoCUS oN THE HISToRy oF

jAZZ, FRoM THE IMPACT oF BLUE NoTE

RECoRDS To jAZZ’S GLoBAL REACH.

All films are either in English or have English subtitles.

Monday, May 5, 6:30 pmGoethe-Institut, GoetheForum

Blue Note – A Story of Modern jazzGermany, 1996/1997, 90 min, Director: Julian Benedikt

Introduced by Larry Applebaum, Senior Music Reference Specialist, Library of Congress

Since its establishment in 1939, Blue Notes Records has been the epitome of jazz music. Blue Note has influenced musicians, film-makers, actors and even athletes. Yet hardly anyone knows that two German emigrants founded the label. Today the list of artists reads like a “Who’s Who” of jazz: Bud Powell, Thelonious Monk, Art Blakey, Horace Silver, Sonny Rollings, Hank Mobely, Ornette Coleman, Lou Donaldsen, Freddie Hubbard, Herbie Hancock, Joe Henderson, Tony William – they all began their musical career as nobodies in the recording studio of Alfred Lion. Julian Benedikt’s film tells the story of the legendary New York record label. Musicians, friends, partners and fans

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Art Blakey, Lee Morgan’s “Lee Way”, April 28, 1960, Photograph by Francis Wolff © Mosaic Images LLC

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F I L M S

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Revolution to today’s fast-paced economy, the band members have seen the many faces of China and withstood the govern-ment’s suspicions of jazz.

Uli Gaulke (b. 1968) was born in Schwerin, and studied computer science, film and theatre. Gaulke’s graduation film, Havana, Mi Amor, won the prestigious German Film Award LOLA 2001 for Best Documentary.

Tickets see page 45.

n C o N C E R T S

Monday, May 5, 8:30 pmGoethe-Institut, FotoGalerie

Lennie Cujé Band

Jay Cooley: piano, Bruce Swaim: flute, Paul Langosh: bass

Lennie Cujé was part of the New York jazz scene throughout the 1960’s. He performed and recorded with artists such as Larry Coryell, Dave Amram, Hank Mobley, and “Philly” Joe Jones.

Cujé returned to the Washington, D.C. area in the seventies, where he was a guest artist with the US Navy Commodores several times and played all the local jazz venues, including the Kennedy Center Kool Jazz Festival, Ethel’s in Baltimore and the Starlite Room in Boston. His Quartet was the weekly Sunday night feature at the famous “One Step Down” from 1984-1994.

Tuesday, May 6, 8:30 pmGoethe-Institut, FotoGalerie

The Allyn johnson Trio:A Tribute to the Music of jutta Hipp

Allyn Johnson: piano, James King: bass, Nasar Abadey: drums

Jutta Hipp (1925-2003) was a German jazz pianist. She moved to New York in 1955

of Blue Note revive an era of American cul-tural history.

julian Benedikt (b. 1963) studied classical music in Detmold and Frankfurt am Main, Blue Note won the prestigious Peabody Award and was nominated for a Grammy.

Monday, May 12, 6:30 pmGoethe-Institut, GoetheForum

one Night With Blue Note: The Historic All-Star Reunion Concert (1985)USA, 2004, 120 min, Director: John Jopson

Introduced by Larry Applebaum, Senior Music Reference Specialist, Library of Congress

Considered one of the greatest nights in jazz history, this film documents the reunion of 30 jazz greats from the Blue Note label at Town Hall in New York City on February 22nd, 1985. Included are performances by Art Blakey, Ron Carter, Jack DeJohnette, Herbie Hancock, Stanley Jordan, Woody Shaw, Grover Washington Jr., and many more.

john Charles jopson (b. 1954) studied film and theatre and furthered his theatre studies at the Stella Adler Conservatory in New York. is best known for the jazz film One Night with Blue Note and his music videos from the 1980s.

Monday, May 19, 6:30 pmGoethe-Institut, GoetheForum

As Time Goes By in ShanghaiGermany, 2013, 93 min, Director: Uli Gaulke

This film accompanies the Peace Old Jazz Band, a Chinese band on its greatest ad-venture yet: an appearance at the North Sea Jazz Festival Rotterdam, the most im-portant festival of its kind. Against the backdrop of great jazz hymns, the film charts the fascinating life stories of these six exceptional musicians, many of whom have been playing jazz since the 1940s and have seen the world transform: from the Japanese occupation and the Cultural

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C O N C E R T S

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and signed with Blue Note Records. Disillusioned by the music business, she abandoned jazz in 1958 to work in a garment factory and focus on painting and photog-raphy. Allyn Johnson, one of the nation’s most in-demand pianists, pays homage to Jutta’s music; Hipp’s biographer Katja von Schuttenbach will introduce the program.

Wednesday, May 28, 8:30 pmGoethe-Institut, FotoGalerie

Shannon Gunn and the Bullettes Quintet:A Tribute to Curtis Fuller and Hank Mobley on Blue Note

Trombonist Curtis Fuller (b. 1934) and sax-ophonist Hank Mobley (1930-1986) both signed with Blue Note Records in the mid-50s. Fuller later joined other labels, but Mobley remained with Blue Note for the rest of his career. Trombonist Shannon Gunn and the Bullettes Quintet perform a retrospective of their Blue Note recordings, including music from their collaborations such as Fuller’s The Opener.

The May 6 and 28 concerts were curated by Bertram Uberall.

Admission is charged for each of the concerts.

Tickets see page 45.

n D I S C U S S I o N

Wednesday, May 28, 6:30 pmGoethe-Institut, FotoGalerie

The Role of Music in Cultural Diplomacy

Panelists:Wolfram knauer, director, Jazz Institute DarmstadtPenny Von Eschen, professor of history and American culture, The University of MichiganLarry Appelbaum, Senior Music Reference Specialist, Library of Congress

Since the 1950s, the U.S. State Department has sent black and white musicians around the globe. Jazz was the musical diplomat of the free world and simultaneously the argument against the accusation of racism in the United States. The medium and the art are the purpose of diplomatic commit-ment themselves.

No charge. RSVP to www.goetheinstitutwashington.eventbrite.com

n A D D I T I o N A L A R E A E V E N T S

concerts at the kennedy center

Friday, May 9, 7:30 and 9:30 pm

Terence Blanchard Quintet

Saturday, May 10, 8 and 10 pm

The Crossroads Club: Robert Glasper Experiment

Sunday, May 11, 7 pm

Blue Note at 75, The Concert

n L E C T U R E A N D M U S I C A L P E R F o R M A N C E

Wednesday, May 21, 6 – 8 pmGerman Historical Institute, 1607 New Hampshire Ave NW, Washington DC 20009

jazz - the Classical Music of Globalization

Reinhold Wagnleitner (University of Salzburg) and Tom McDermott (Piano, New Orleans)

Additional events are scheduled through-out the city, including free concerts on the Kennedy Center’s Millennium Stage and events at the Library of Congress.

Details: www.kennedy-center.org/jazz

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on One. On Christmas Day 1945, American ser-viceman Frank Hayostek stuffed a note into a bottle and tossed it from his troop carrier. Eight months later it was found on a beach near Dingle in County Kerry by Breda O’Sullivan–and so a trans-Atlantic friendship started.

n M U S I C

April 25 – june 27, 2014Goethe-Institut, GoetheForum

Berlin Philharmonic: Digital Concert Hall

The Berlin Philharmonic (Berliner Philharmoniker), in partnership with Deutsche Bank, is now making its live performances available on the Internet via the Digital Concert Hall. As principal conduc-tor Sir Simon Rattle and acclaimed guest con-ductors take up the baton, the concerts are cap-tured by six HD cameras controlled from inside the video studio in the Berliner Philharmonie.

DIGITAL

Draves Electric Sheep

Bundle of Letters © RTÉ Radio

Simon Rattle © Michael Trippel

kulturvergnügen | spring/summer | 201410

Hear Now, an informal group of local produc-ers and radiophiles, presents cutting-edge lis-tening experiences and discussions as well as a chance to hear what’s going on in public ra-dio across the country and around the world.

RSVP to www.goetheinstitutwashington.eventbrite.com

Wednesday, April 9, 7 – 8:30 pmGoethe-Institut, GoetheForum

An evening with Bilal Qureshi (NPR, All Things Considered)The Culture Question: New Stories from Pakistan

Bilal Qureshi shares excerpts of his recent re-porting and personal travels through Pakistan. Pakistani artists and writers are becoming in-creasingly prominent on the international stage. But how do these artists reconcile their work with Pakistan’s enduring crises – and what role do international organizations like the Goethe-Institut play in Pakistan’s cultural life?

Wednesday, june 11, 7 – 8:30 pmGoethe-Institut, GoetheForum

The Best of Prix Europa 2013

Two outstanding Programs from the Czech Republic and Ireland

Every year Hear Now presents programs from the annual Prix Europa competition, held in Berlin’s historic Broadcasting House, the Haus des Rundfunks. This year, Bill Gilcher will play two complete programs.

Trinksaifen Was Home for Us, a radio documen-tary by Eva Blechová produced and broadcast on Czech Radio Vltava in March 2013, tells the story of three ethnic German women from Trinksaifen capturing the changes in one place and its inhabitants in the frame of one century.

A Message in a Bottle, a documentary by Peter Mulryan and Liam o’Brien, first broadcast in August 2012 on the RTÉ series Documentary

n L I S T E N I N G E V E N T

Hear Now! Spring 2014

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n E X H I B I T I o N

june 5 – july 3, 2014Goethe-Institut, FotoGalerie

AppArtAward

App goes art // Art goes app

Apps, the application software for smartphones and tablets, have become a popular medium, transforming the way people use media and pointing the way to a mobile future. Artists have been quick to recognize the creative potential of apps, particularly as a new form of communication and participation in con-temporary art.

The AppArtAward is bestowed upon apps which best represent advanced artistic applications. The Award considers the artistic aspect, creative integration, and the use of new technologies. From among more than 100 submissions from several dozen countries, the AppArtAward is given in three categories: “Prize for Artistic Innovations”, “Special Prize Crowd Art” and “Special Prize Augmented Reality Art”.

This exhibition presents the 2011-2013 award-winning apps and several other outstanding entries.

In cooperation with the ZKM | Center for Art and Media Technology, Karlsruhe

This monthly series presents streaming perfor-mances, some live and some hand-picked from the archives of the Digital Concert Hall, in the ambience and surround sound of the Goethe-Forum.

Please note that the concerts listed below are subject to change.

No charge. RSVP to www.goetheinstitutwashington.eventbrite.com

Friday, April 25, 4:30 pm

Members of the Berlin Philharmonic with Sir Simon Rattle

Friday, May 30, 3 pm

Bundesjugendorchester with Alexander Shelley

Friday, june 27, 3 pm

Berlin Philharmonic with Sir Simon Rattle

Kohlberger, Field

Snibbe, Oscillo Scoop

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ELECTRoNICMUSIC

FESTIVAL

n E L E C T R o N I C F E S T I V A L

Wednesday, May 14, 6 – 12 pmGoethe-Institut, GoetheForum and FotoGalerie

FoRWARD Festival: Perspective

This year’s FORWARD festival, an annual cele-bration of electronic creative culture, presents mixes responding to the human struggle to main-tain perspective. Whether trying to accept the incredible lows in life to reach and celebrate the highs, or to embrace the battles with others and within one’s own mind, body, and soul, de-veloping new perspectives generates powerful solutions in a topsy-turvy, complicated, and confusing world. Over five days, FORWARD presents live A/V performances by national and international artists and DJs responding with their mixes to this year’s theme, “Perspective”. Opening at the Goethe-Institut, the 7th edition of this festival continues at various Washington, DC venues through May 18.

www.forwarddc.com

n A U D I o F E S T I V A L

Saturday, May 17, 7 – 11:30 pmGoethe-Institut

Sound Scene VII: Privacy Settings

What’s behind the door? The 2014 edition of Sound Scene, DC Listening Lounge’s annual in-teractive audio exploration, sneaks into “Privacy Settings.” Using sound, it throws open the doors of personal spaces, draws back the curtains and recalibrates concepts of security and secrecy. The audio extravaganza will feature live music, interactive audio exhibits, community noise-making, found sounds, headphone listening sta-tions and maybe some spying.

Finnish-based audio artist AGF (Antye Greie-Ripatti) will be the festival’s featured guest. The German-born AGF is a vocalist, digital songwriter, pro-ducer, performer, e-poet, calligrapher, digital media artist and curator. She is known for artistic exploration of digital technology through the deconstruction of language and communication. Her work has been presented through perfor-mances and sound installations in museums, theaters, concert halls and clubs in Europe, America and Asia.

Suggested $10 donation at the door.

About DC Listening Lounge: Started in 2004, this rag-tag group of audio enthusiasts, found sound collectors, radio jour-nalists, musicians, artists and sound apprecia-tors meets monthly, experimenting, learning and sharing with audio. For more information: [email protected]

AGF courtesy Lumi Charlotte Ripatti

Sound Scene Ear

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E U R o P E

n S o C C E R

june 12 – july 13, 2014Goethe-Institut

FIFA Soccer World Cup 2014

After repeatedly being eliminated in the final rounds since their last victory in 1990, the German players are hoping to finally win their fourth Cup.

The Goethe-Institut will show most of the games where Germany is represented. Bring your re-freshments and join us to watch the broadcasts.

Visit www.goethe.de/washington, www.facebook.com/GoetheDC and www.fifa.com for updates.

Preliminary Round:

Monday, june 16, 12 pmGermany – Portugal

Saturday, june 21, 3 pmGermany – Ghana

Thursday, june 26, 12 pmGermany – USA

n F I L M

Saturday, April 26, 2 – 5 pmGoethe-Institut, FotoGalerie

shorts-courts-kurzan afternoon of new international short films

Shorts-Courts-Kurz presents a broad array of the best interna-tional short films from the 2014 Clermont-Ferrand and the 2013 Dresden festivals, two of the most significant short film festivals in France and Germany. All films are subtitled in English.

Shorts-Courts-Kurz will be comprised of two hour-long screenings of short films, divided by a telephone bridge with the directors of the Dresden and Clermont-Ferrand festivals.

Moderated by William Gilcher, Independent Producer, former director of media projects, Goethe-Institut Washington.

General Admission: $10; Alliance Française and FOGI members, seniors and students with ID $7.

Films from Filmfest Dresden come from a selection of this year’s international and national competition entries. The festival takes place April 15 – 20, 2014.

Presented by the Alliance Française and the Goethe-Institut Washington.

n F I L M

june 2 – 6, 2014 various venues

EuroAsiaShortsShort Films from Europe, Asia and

the United States

Six nights. Nine cultures. One theme: Journeys and Travels

Discussions following each evening’s screenings compare and contrast the films and the topics with several panelists.

No charge; reservations requested. Seating is limited. More: www.euroasiashorts.com

Partners: Japan Information and Culture Center, the Alliance Française, the Korean Embassy’s KORUS House, Istituto Italiano di Cultura, the Chinatown Community Cultural Center, the Confucius Institute at George Mason University, the Spanish Embassy, the Embassy of Vietnam, Reel Plan and the Goethe-Institut Washington.

AGF courtesy Lumi Charlotte Ripatti

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May 10 - 12, 2014Various venues

Participatory Theater: The Intersection of Theater and Social Action

International Festival and Symposium

In participatory theater, audience members interact and engage with the performance and the artists. This shift in the artist-audience relationship opens up opportunities to question form, aesthetics, and content in theater art, civil engagement and social justice.

This festival brings theater innovators from Germany, Switzerland and Austria into collaboration with Washington, DC actors, directors, and audiences to create unique theater events.

organized by Zeitgeist DC, a collaboration of the Goethe-Institut Washington, the Embassy of Switzerland and the Austrian Cultural Forum, in partnership with the Laboratory for Global Performance and Politics (Georgetown University), the Shakespeare Theatre Company, the Studio Theatre, dog & pony dc, and New york’s Sojourn Theater. Festival artistic director: Gillian Drake.

ZEITGEIST DC

15’000 Gray © Machina eX

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sss

n P E R F o R M A N C E

Saturday – Sunday, May 10 – 11, 11 am/1 pm/3 pmGoethe-Institut

Switzerland: Coffee & Prejudice and Germany: 15’000 Gray

Audiences limited to 8 participants rotate through two performances every two hours.

Coffee & Prejudice invites the audience to test its powers of judgment live in a 1:1 confrontation. Each participant is alone with a performer at a table, listening to his/her story, unable to really (re)act or escape. And then, this performer leaves, and the next one enters. Four scenarios in all for the audience member to confront and absorb.

Developed by Karin Arnold & Jessica Huber from MerciMax, a Swiss theater collective that displays a special interest in theatre forms beyond the stage while playfully experimenting with the spectators’ perspective, in collabora-tion with The Shakespeare Theatre Company.

In 15’000 Gray, the audience members solve a mystery in the office/laboratory of Professor Hövel and prevent his groundbreaking discovery from falling into the wrong hands using tech-niques familiar to them from classic point and click video games.

Developed by Laura Schaeffer & Philip Steimel from machina eX, a group of young German media and theatre artists designing computer games in real life environments, in collaboration with The Studio Theatre.

Tickets ($10): www.boxofficetickets.com/goethe

Saturday, May 10, 6 pmGoethe-Institut

dog & pony dc

dog & pony dc is an ensemble of artists who devise innovative performances that incorporate new ways for audiences to experience theatre. They will present a devising workshop, lead by Ringleader Rachel Grossman and several other dog & pony dc company members, that gives the audience an insight into the process of developing a par-ticipatory theatre project by putting them in the middle of the action.

RSVP to www.zeitgeistdc.eventbrite.com

Saturday, May 10, 9 pmGoethe-Institut, FotoGalerie

Austria: Love Club

This performance is based on a version of Fight Club, but with lovers instead of fighters. There is a table to place bets, there is a bar for drinks, there is a spot for two audience members to take control of a pair of joysticks and begin to control the “Avatars” in a round of loving.

Developed by God’s Entertainment, an

Love Club © God’s Entertainment

Coffee and Prejudice courtesy Jessica Huber

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n T H E A T E R

july 10 – 27, 2014various venues

The Capital Fringe Festival

The Goethe-Institut is proud to be a participating venue for the ninth annual Capital Fringe Festival. Once again, Fringe will bring Downtown DC alive with hundreds of performances by adventurous and innovative performing artists from the Washington DC metro area, elsewhere in the United States and overseas.

The Capital Fringe Festival joins a proud tradi-tion of Fringe festivals that take place through-out the world.

www.capfringe.org

experimentalist theater group in Austria that seeks to transcend (theater) conventions, in col-laboration with Georgetown University’s Laboratory for Global Performance and Politics.

Tickets ($10): www.boxofficetickets.com/goethe

n S y M P o S I U M

Monday, May 12, 11 am – 6 pmLocation TBA

The Performer/Audience Relationship: Politics, Intimacy, and the BarriersBetween Private and Public

This symposium will alternate between planned audience integrative techniques and experiments led by visiting artist teams and reflective response sessions. Visiting experts from MerciMax and machina eX and local theater artists from dog & pony dc will give interactive presentations of their audience integrative techniques. Reflective response discussions will be facilitated by Rachel Grossman and Michael Rohd.

Sabine Heymann (Managing Director, Center for Media and Interactivity, Giessen, Germany) will speak on Urban Performances: The Intersection between Art and Politics, introducing different aspects of this cultural phenomenon with several video examples (from Russia’s Pussy Riot to Turkey’s Standing Man).

Love and Revolution © Kemal Aslan

Additional Participants: Gus Heagerty, Assistant Director, Shakespeare Theatre CompanyDerek Goldman, Co-Artistic Director, Laboratory for Global Performance and Politics, Georgetown UniversityRachel Grossman, Ringleader, dog & pony dcjessica Huber & karin arnold, Playwrights, MerciMaxDrew Lichtenberg, Literary Associate, Shakespeare Theatre CompanyMichael Rohd, founding Artistic Director, Sojourn Theater NYCLaura Schaeffer & Philip Steimel, Artistic Directors, machina eXCynthia Schneider, Co-Artistic

Director of the Laboratory for Global Performance and Politics, Georgetown UniversitySerge Seiden, Associate Producing Artistic Director, Studio Theatre

RSVP to www.zeitgeistdc.eventbrite.com

More: www.zeitgeistdc.org

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june 15 – 20, 2014various venues

Bas Böttcher: 20 years of Slam PoetryTo Germany and Back Again

Poetry slams bring literature to the stage in an entertaining and competitive performance format. Like techno music, slam poetry originated in New York and Chicago in the 70s and 80s, and arrived in Germany after the fall of the Berlin Wall.

One of the first to bring slam to the German-speaking stage was the 1997 German Slam Poetry Champion Bas Böttcher.

Today slams in Berlin and urban metropolises of North Rhine Westphalia attract huge crowds that generate an impressive roster of new poetry stars. Böttcher’s visit to Washington celebrates twenty years of slam poetry in Germany.

Sunday, june 15, 5 pmBusboys and Poets, 14th & V streets NW

sunday kind of love: Bas Böttcher and Regie Cabico

A nationally-renowned pioneering spoken word poet, Washington, DC-based Regie Cabico took top prizes in the 1993, 1994 & 1997 National Poetry Slam, was the first Asian and openly queer Nuyorican Poetry Cafe Grand Slam Cham-pion, and has appeared on two seasons of HBO’s Def Poetry Jam and NPR’s Snap Judgement.

Presented in cooperation with Split This Rock

Tickets: $5, www.busboysandpoets.com

n P o E T R y

Theresa Hahl © MFA+FilmDistribution e.K.

Monday, june 16, 6 pmGoethe-Institut, GoetheForum Rhymers and Rivals (Dichter und Kämpfer: Das Leben als Poetry Slammer in Deutschland)Germany, 2011, 88 min., German with English subtitles, Director: Marion Hütter

With introduction by Bas Böttcher

This film follows four of Germany’s leading slam poets during the course of a year as they partic-ipate in two German Slam Poetry Championships.

Rhymers and Rivals is Marion Hütter’s first feature-length documentary.

Tickets see page 45.

Friday, june 20, 7:30 pmThe Writer’s Center, 4508 Walsh St., Bethesda

Poem|Poema|Poème|Gedicht: An Evening of Performance Poetry

Germany’s slam champion joins DC bilingual poets for a multilingual poetry performance and discus-sion of how a poem transforms across languages and from one language to another. Moderated by Yvette Neisser Moreno.

Born in El Salvador, Carlos Parada Ayala is the author of the poetry book La luz de la tormenta/The Light of the Storm, and a recipient of Washington, DC’s Commission on the Arts Larry Neal Poetry Award.

Pages Matam is an award-winning slam poet, multidimensional creative writing and bilingual performance artist, originally from Cameroon, Africa. He coaches the DC Youth Slam Team.

Presented in cooperation with The Writer’s Center.

RSVP to www.goetheinstitutwashington.eventbrite.com

Bas Böttcher © Felix Warmuth

Philipp Scharri © MFA+FilmDistribution e.K

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n G A M E S A F T E R N o o N

Sunday, june 22, 3 – 6 pm Goethe-Institut

Games Afternoon (Spielenachmittag)

Board and card games by German designers, in-cluding favorites such as Asara, Settlers of Catan, Lost Cities and Carcassonne, will be taught by staff from Labyrinth Games and Puzzles. The climate variation of Settlers of Catan, Oil Springs, will be taught by its creators, Erik Assadorian and Ty Hansen. And a first, the role-playing Harvest Game, designed to show the problems related to the exploitation of natural resources in the realm of competition, will challenge players to develop their fishing companies without com-promising environmental sustainability.

In cooperation with Labyrinth Games and Puzzles and the Centre for Systems Solutions.

Drinks and snacks will be offered. Tickets $5 RSVP to www.goetheinstitutwashington.eventbrite.com

n G A M E S D A y

Monday, june 23, 10 am – 5 pmGoethe-Institut

Lords of the Valley

This role-playing simulation board game was de-veloped by the Poland-based Centre for Systems Solutions, and has been used by public and private organizations in Hungary, Poland, Belgium, Spain, Netherlands, Germany and Austria for improving communication and collaboration. Players take the roles of people living in a river valley prone to droughts and floods. Participants in this day-long event, including a debriefing, will learn how to align goals, negotiate and coordinate actions to achieve success for their organization and its partners.

No charge. RSVP to www.goetheinstitutwashington.eventbrite.com

In cooperation with the Embassy of Poland, the Centre for Systems Solutions and the Worldwatch Institute.

C LI M A T E

Images courtesy Centre for Systems Solutions.

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Wednesday, April 23, 12 – 1 pmMeet at the National Building Museum (401 F St. NW, Metro: Judiciary Square)

From Red Brick to Plain Black Box: German-Born Architects in Downtown DC

In the mid-19th century, many talented archi-tects fleeing repressive regimes in Germany settled in Washington, DC, where they designed and built everything from private residences to large government buildings. A century later, in the same tradition, Mies van der Rohe’s starkly monumental Martin Luther King, Jr. Memorial Library added a distinctly modern and interna-tionalist note to DC’s old German immigrant neighborhood. Local historian and tour guide Elizabeth Sherman will reveal first-hand how architects Julius Germuiller, Julius Wenig, Ludwig Mies van der Rohe—and especially Adolf Cluss—left their indelible stamp on the built identity of our nation’s capital.

No charge. RSVP to www.goetheinstitutwashington.eventbrite.com

In conjunction with AIA DC Architecture Week

Saturday, May 10, 3:30 – 5:30 pmMeet at the Heurich House Museum entrance (1307 New Hampshire Ave. NW; Metro: Dupont Circle)

Das komfortable Haus - How German Americans built Residential Washington in the Gilded Age

Residential Washington’s distinctive look came into being after the Civil War. This tour starts with a 45-minute visit to the Heurich House Museum (1892-94), a beautifully preserved high Victorian house with many original furnishings. Led by local historian and tour guide Elizabeth Sherman, the tour will then continue through the Dupont Circle neighborhood to see creations of German residential architects Albert Beers, George Lewis Heins, Horace Trumbauer, and Cluss pupil T. F. Schneider - whose whimsical 1893 “residential skyscraper” the Cairo still causes a stir.

No charge. RSVP to www.goetheinstitutwashington.eventbrite.com

More about these and other German-American heritage sites in Washington: www.goethe.de/germanrootswashington

n E X H I B I T I o N

Until April 25, 2014 Goethe-Institut: FotoGalerie

gute aussichten: new german photography 2013-2014

Works by the nine award winners of Germany’s annual graduate photography competition.

www.guteaussichten.org

Gallery hours: M-Th 9-5; F 9-3

NEWPHoToGRAPHy

Nadja Bournonville, A Conversion Act, 2012,

© www.guteaussichten.org

n W a l k i n g t o u r

german-AMERICANHERITAGE

Martin Luther King Library (l.) Heurich House (r.) courtesy William Gilcher/Goethe-Institut Washington

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Monday, April 28, 6:30 pm

Hanna’s journey (Hannas Reise)Germany/Israel, 2014, 99 min, Director: Julia von Heinz

Hanna, a young German woman, goes to Israel to advance her career by working with disabled people. Her colleague Itay, an Israeli social worker, picks on her, making Holocaust jokes and cynical comments about German history, while at the same time flirting with her. Hanna initially refuses to respond, but slowly finds herself becoming in-terested in her family’s history, and also in Itay.

After studying cinematography, julia von Heinz (b. 1976) worked as an assistant to Rosa von Praunheim at the Konrad Wolf University of Film and Television in Potsdam-Babelsberg. She re-ceived the German Film Award (for her film debut Nothing Else Matters), Bavarian Television Award (for Noble Commitments) and Golden Sparrow (for the Enid Blyton adaptation Hanni & Nanni 2).

Screening as part of “Holocaust Remembrance and German-Jewish Dialogue”, a discussion event with Action Reconciliation for Peace in

commemoration of Yom Hashoah. With the support of the German Information Center.

No charge. RSVP to www.goetheinstitutwashington.eventbrite.com.

See www.goethe.de/washington for more details.

Monday, May 19, 6:30 pm

As Time Goes By in Shanghai

Screening as part of the Blue Note @ 75 film series. See page 7 for details.

Monday, june 23, 6:30 pm

Break Up Man (Schlussmacher)Germany, 2013, 110 min, Director: Matthias Schweighöfer

Schweighöfer appears in front of the camera as Paul, a professional “separator” who works for an agency in Berlin assisting couples in breaking up. The end of each relationship brings him one step nearer to his long-awaited promotion as a partner in the company. That is, until he encounters the extremely clingy Toto who, in one fell swoop, turns Paul’s career plans and life topsy-turvy.

Film|Neu, Washington’s annual festival of new German-language cinema, is slated for october 10 – 16, 2014. But there are far too many excel-lent new german films to fit into just a week. This season kicks off Film|Neu Presents, a series showcasing new german films year-round.

n F I L M

April 28 – july 7, 2014Goethe-Institut, GoetheForum

Film | Neu Presents

FI L M |N E U

Break Up Man © Pantaleon Films GmbH

Hanna’s Journey © WJFF

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Matthias Schweighöfer (b. 1981) is considered as one of the most promising talents of European film and has worked with established directors such as Peter Greenaway. Alongside Til Schweiger, he is one of Germany’s most popular male actors. Break Up Man received German Film and German Bambi awards in 2013.

Monday, june 30, 6:30 pm

kokowääh 2Germany, 2013, 123 min, Director: Til Schweiger

In this sequel to the 2011 film Kokowääh, two years have passed since Henry, Katharina, Tristan and Magdalena have become a family. Working as a film producer, Henry (played by Til Schweiger) is confronted with the eccentric young actor Matthias Schweighöfer. When Katharina leaves him and his friend Tristan, experiencing his own midlife crisis, moves in and finds himself a hot young woman, Henry becomes overwhelmed. It doesn’t help when his daughter, ten-year-old Magdalena, finds herself falling for a boy for the first time.

Til Schweiger (b. 1963) is a multi-talented actor, producer, writer and director. A star of German film, Schweiger has appeared as an actor in a number of recent successful German and inter-national films, including Inglourious Basterds and Phantom Pain.

Monday, july 7, 6:30 pm

Turkish for Beginners (Türkisch für Anfänger)Germany, 2012, 105 min, Director: Bora Dağtekin

German emancipation meets Turkish machismo. After an emergency landing in the Indian Ocean, sensible but slightly neurotic teenager Lena finds herself stranded on a deserted island with a Turkish macho, Cem, his deeply religious sister, Yagmur, and a stuttering Greek, Costa. While they need to work together to survive in the tropical paradise, Lena’s mother, a hippie psychologist, meets Cem’s dad, a police officer, and together they look for their missing children.

Bora dağtekin (b. 1978) became internationally renowned for the German TV series Turkish for Beginners. This film adaptation won the 2012 Bavarian Film, Bambi, and German Comedy awards. Dağtekin’s most recent production, Fack ju Göhte, was Germany’s biggest box office hit in 2013, with more than 6.9 million visitors.

Tickets see page 45.

Kokowääh 2 © Beta Film

Turkish for Beginners © Beta Film

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World War I

World War I dramatically changed the course of the 20th and 21st centuries. The magnitude of material destruction and the staggering loss of lives, combined with the use of censorship, propaganda, and new technologies of war, has had repercussions lasting to this day. The Great War has profoundly affected our culture and our politics.

n E X H I B I T I o N

August 15 – September 12, 2014Pepco Edison Place Gallery, 708 8th St. NW

Postcards from the Trenches: German and American Soldiers Visualize the Great War

This exhibition seeks to highlight one aspect of the war experience: the imagery produced by ordinary soldiers who were drafted or commis-sioned into the conflict.

One of those soldiers was the German painter Otto Schubert. A rising star in Dresden’s pre-war modernist movement, Schubert served in the German army from the end of 1914 to mid-1916, when he was severely injured.

Soon after the United States entered the war in 1917, the Army commissioned eight artists as

captains in the Corps of Engineers to record their impressions of the conflict beginning in March 1918. Subjected to danger just like ordinary sol-diers, these eight individuals produced more than five hundred depictions of their experi-ences on the Western Front.

In addition to a large selection of postcards, the exhibit will feature graphic works, posters, sheet music and objects. Lectures, film series, and discussions will take place during the exhibition.

Co-Curators: Marion F. Deshmukh, George Mason University & Irene Guenther, University of Houston

n F I L M S E R I E S

August 18 – September 8, 2014Goethe-Institut, GoetheForum

Film Captures the Great War

Three films - two German and one American - will examine aspects and reactions of the Great War by artists and soldiers. Käthe Kollwitz, who lost a son to the war, literally rendered the loss war caused by creating a series of powerful graphics and sculptures.

World War I. Otto Schubert postcards courtesy Private Collection, USA.

World War I.US Military Artists Andre Smith

W o R L D W A R I

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The sculptor Ernst Barlach’s expressionist human figures also captured the horrors of the conflict. Forty years later, the American filmmaker Stanley Kubrick directed a classic anti-war film Paths of Glory, examining the coercive use of killing soldiers by their commanders for refus-ing to go to battle.

Each film will be introduced by Marion Deshmukh.

Monday, August 18, 6:30 pm

käthe kollwitz – images of a life (Käthe Kollwitz – Bilder eines Lebens)GDR, 1986, 96 min., Director: Ralf Kirsten

Käthe Kollwitz was 47 years old, and already a well-established artist in Germany and abroad when Peter, her youngest son, volunteered to join the German army in WWI and was killed two weeks later. This painful tragedy changed Kollwitz’s life and art forever.

Director and writer ralf kirsten (b. Leipzig 1930) was an East German film director. Other films include Wo andere schweigen (1984), and Lachtauben weinen nicht (1979).

Monday, August 25, 6:30 pm

The Lost Angel (Der verlorene Engel)GDR, 1966|71, 59 min., Director: Ralf Kirsten

In the summer of 1937, the expressionist German sculptor and author Ernst Barlach was living an isolated life when he learned that the Nazis had dragged his famous sculpture The Hovering Angel—a memorial for WWI victims—out of the Güstrow cathedral.

Monday, September 8, 6:30 pm

Paths of GloryUSA, 1958, 87 min., Director: Stanley Kubrick

Adapting Humphrey Cobb’s novel to the screen, director Stanley Kubrick and his collaborators Calder Willingham and Jim Thompson set out to make a devastating anti-war statement. In the third year of World War I, the erudite but morally bankrupt French general Broulard (Adolphe Menjou) orders his troops to seize the heavily fortified “Ant Hill” from the Germans. When, after witnessing the slaughter of their comrades, a handful of the French troops refuse to leave the trenches, Mireau very nearly orders the artillery to fire on his own men.

Tickets see page 45.

Käthe Kollwitz © DEFA Film Library

The Lost Angel © DEFA Film Library at UMassPaths of Glory © Park Circus Limited

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Enjoy German language and culture

by becoming a member of Friends

of the Goethe-Institut (FOGI)

special membership benefits include the following:

n Invitations to special Goethe-Institut events such as our Sommerfest

n Free or reduced admission to events by Goethe- Institut and its partner organizations

n Invitations to a regular Deutsch am Mittag

n Discounts at selected cultural events in the city

n Discounts at restaurants near the Goethe-Institut n Exclusive members-only events and private tours of German-related exhibitions in Washington

n Additional benefits for Inner Circle members

FoGIFriends of the Goethe-Institut

Camilo Correa

Dieter Dettke and Gale Mattox

John Parisi

John Schmitz

Tracey Trautman

Ellie Walton and Joy Haynes

FoGI would like to thank the following friends for their

especially generous support:

Member Highlight jeanne Abel and jürgen Zilling

Visit and join Friends of Goethe at www.goethe.de/washington or email [email protected] to request a membership application.

After spending the summer months enjoying nature and family in Sweden, we are always eager to return to Washington for culture and intellectual stimulus. The Goethe-Institut is a little island of Heimat for us, and we really enjoy the great team.

The events, parties, and our favorite, the old movies, add so much to our life in DC. We love art and enjoy seeing what the Goethe-Institut has on display, even when it’s not quite our taste! It’s fun meeting new people and speaking German – and Jeanne, who learned it as an adult, never tires of hearing: “Aber du sprichst sehr gut deutsch.” (“But you speak German very well.”) We’ll never forget the retrospective “Selling Democracy: Films of the Marshall Plan 1948-1953”. It made such an impression on us, in

part because we remember this period of history. No matter your interest, by joining Friends of the Goethe-Institut you support im-portant cultural dialogue and have access and discounts to a number of interesting events!

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www.americangoethesociety.org

American SocietyGoethe

The American Goethe Society presents four public lectures and events annually on German literature, philosophy, art, or music. In addition, members meet at regular

Saturday poetry luncheons (“Lunch mit Lyrik”), at DC cafes and restaurants. The Society is the proud sponsor of the “Goethe Prize”, an award program which

recognizes outstanding students of German in DC, Maryland and Virginia.

For more information about the American Goethe Society, please visit and join us at

Wednesday, April 16, 6:45 – 8:45 pm

Paul Tillich – the Idea of Faith

Lecture by Dr. Martin J. De Nys, Professor of Philosophy, George Mason University.

Paul Tillich (1886-1965) was a philosopher and theologian of primary importance. Born and educated in Germany, he immigrated to the United States in 1933, where he taught at major universities. Dr. De Nys’ lecture will discuss Tillich’s life and some of the key ideas in his philosophical and theological thought, with a focus on his idea of faith and his understanding and interpretation of the symbolic nature of religious language.

Followed by refreshments.

Free of charge but registration is required.RSVP: [email protected] or call 443.542.2263

P H I L O S O P H Y L E C T U R E (in English)

TillichPaulBy artist James Rosati

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ALL RoADS LEAD To THE FUTURE.LEARN GERMAN - SEIZE oPPoRTUNITIES.

WWW.GoETHE.DE/WASHINGToN

Courses at all levels begin

the week of 2 june 2014.

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In our exam prep German language courses participants will thoroughly prepare themselves for one of the Goethe-Institut’s certificate examinations, while reviewing the material covered in those levels. Fee includes exam which is offered the week after the course ends.

Start: 6 June 2014 Frequency: one class per week (3 UI per week) 27 total UI (UI = units of instruction per 45 minutes) Enrollment: minimum 8 to maximum 16

Course Fee $ 475 – $495**

EXAMINATION PREPARATION COURSES

GENERAL LANGUAGE COURSES

STANDARD COURSES

NINE WEEKS Twice a week

A1 A2 B1 B2

A 1.

1

A 1.

2

A 1.

3

A 2

.1

A 2

.2

A 2

.3

B 1.

1

B 1.

2

B 1.

3

B 2

.1

B 2

.2

B 2

.3

B 2

.4

Monday/Wednesday 2 June – 30 July

6:15 – 7:45 pm

8 – 9:30 pm

Tuesday/Thursday 3 June – 31 July

6:15 – 7:45 pm

8 – 9:30 pm

NINE WEEKS Once a week

Saturday 7 June – 2 August

9 am – 12:15 pm

1 – 4:15 pm

NINE WEEKS Once a week

A1 A2 B1 B2

A 1.

1

A 1.

2

A 1.

3

A 2

.1

A 2

.2

A 2

.3

B 1.

1

B 1.

2

B 1.

3

B 2

.1

B 2

.2

B 2

.3

B 2

.4

AN INTRODUCTION TO READING SCHOLARLY GERMANThursdays 5 June – 7 August

6:30 – 9:00 pm

READING SCHOLARLY GERMANFridays 6 June – 8 August

6:30 – 9:00 pm

CONVERSATION: CULTURE AND POLITICSSaturdays 7 June – 9 August

9:00 – 11:30 am

SPECIAL LANGUAGE COURSES

GERMAN COURSES AND EXAMS JUNE – AUGUST 2014

Learn German with the Experts: We offer German language courses for adults in modern, multi-media classrooms in downtown Washington, DC.. Our courses are based on the stan dards and levels of the Common Framework of Reference for European Languages and are structured progressively to meet the needs of beginners to advanced learners (A1–B2 levels). Internationally-recognized certificate exams are offered after completing each complete level. The language of instruction is German and our method follows a communicative approach.

9-Week Courses at the Goethe-Institut Start: 2 June 2014 Frequency: one or two classes per week (4 UI per week) 36 total UI (UI = units of instruction per 45 minutes) Enrollment: minimum 8 to maximum 16

Course Fee Monday – Thursday $ 455* Saturday $ 475*

GENERAL LANGUAGE COURSES

In small groups and one-on-one lessons, we offer qualified German instruction on your company’s premises or at the Goethe-Institut. We are happy to address your specific needs to create a tailor-made program just for you.

  CUSTOM-DESIGNED GROUP AND INDIVIDUAL COURSES 

In our special German language courses you can practice such skills as reading scholarly German or pratice your conversational skills while acquiring specialized knowledge of German politics and culture, for example.

Start: 5 June 2014 Frequency: one class per week (3 UI per week) 27 total UI (UI = units of instruction per 45 minutes) Enrollment: minimum 8 to maximum 16

Course Fee Monday – Friday $ 345* Saturday $ 365*

SPECIAL LANGUAGE COURSES

* New students pay a one-time registration fee of $20.

**Course price varies depending on level, based on included certificate exam fee.

* New students pay a one-time registration fee of $20.**Course price varies depending on level, based on included certificate exam fee.

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In our exam prep German language courses participants will thoroughly prepare themselves for one of the Goethe-Institut’s certificate examinations, while reviewing the material covered in those levels. Fee includes exam which is offered the week after the course ends.

Start: 6 June 2014 Frequency: one class per week (3 UI per week) 27 total UI (UI = units of instruction per 45 minutes) Enrollment: minimum 8 to maximum 16

Course Fee $ 475 – $495**

EXAMINATION PREPARATION COURSES

GENERAL LANGUAGE COURSES

STANDARD COURSES

NINE WEEKS Twice a week

A1 A2 B1 B2

A 1.

1

A 1.

2

A 1.

3

A 2

.1

A 2

.2

A 2

.3

B 1.

1

B 1.

2

B 1.

3

B 2

.1

B 2

.2

B 2

.3

B 2

.4

Monday/Wednesday 2 June – 30 July

6:15 – 7:45 pm

8 – 9:30 pm

Tuesday/Thursday 3 June – 31 July

6:15 – 7:45 pm

8 – 9:30 pm

NINE WEEKS Once a week

Saturday 7 June – 2 August

9 am – 12:15 pm

1 – 4:15 pm

NINE WEEKS Once a week

A1 A2 B1 B2

A 1.

1

A 1.

2

A 1.

3

A 2

.1

A 2

.2

A 2

.3

B 1.

1

B 1.

2

B 1.

3

B 2

.1

B 2

.2

B 2

.3

B 2

.4

AN INTRODUCTION TO READING SCHOLARLY GERMANThursdays 5 June – 7 August

6:30 – 9:00 pm

READING SCHOLARLY GERMANFridays 6 June – 8 August

6:30 – 9:00 pm

CONVERSATION: CULTURE AND POLITICSSaturdays 7 June – 9 August

9:00 – 11:30 am

SPECIAL LANGUAGE COURSES

GERMAN COURSES AND EXAMS JUNE – AUGUST 2014

Learn German with the Experts: We offer German language courses for adults in modern, multi-media classrooms in downtown Washington, DC.. Our courses are based on the stan dards and levels of the Common Framework of Reference for European Languages and are structured progressively to meet the needs of beginners to advanced learners (A1–B2 levels). Internationally-recognized certificate exams are offered after completing each complete level. The language of instruction is German and our method follows a communicative approach.

9-Week Courses at the Goethe-Institut Start: 2 June 2014 Frequency: one or two classes per week (4 UI per week) 36 total UI (UI = units of instruction per 45 minutes) Enrollment: minimum 8 to maximum 16

Course Fee Monday – Thursday $ 455* Saturday $ 475*

GENERAL LANGUAGE COURSES

In small groups and one-on-one lessons, we offer qualified German instruction on your company’s premises or at the Goethe-Institut. We are happy to address your specific needs to create a tailor-made program just for you.

  CUSTOM-DESIGNED GROUP AND INDIVIDUAL COURSES 

  2014 PREVIEW

In our special German language courses you can practice such skills as reading scholarly German or pratice your conversational skills while acquiring specialized knowledge of German politics and culture, for example.

Start: 5 June 2014 Frequency: one class per week (3 UI per week) 27 total UI (UI = units of instruction per 45 minutes) Enrollment: minimum 8 to maximum 16

Course Fee Monday – Friday $ 345* Saturday $ 365*

SPECIAL LANGUAGE COURSES

EXAMINATION OVERVIEW

Examination Date Registration Prices

C2 Goethe-Zertifikat C224 May, 9 August

until 17 May, until 2 August

$250.00

C1 Goethe-Zertifikat C124 May, 9 August

until 17 May, until 2 August

$180.00

B2–

C1

TestDaF (www.testdaf.de)11 June, 15 July

4/16 – 5/14/2014, 5/20 – 6/17/2014

175.00 €

B2 Goethe-Zertifikat B2

24 May, 9 August

until 17 May, until 2 August

$150.00

B1 Goethe-Zertifikat B1: 

Zertifikat Deutsch (ZD)24 May, 9 August

until 17 May, until 2 August

$130.00

A2 Goethe-Zertifikat A2: 

Start Deutsch 223 May, 8 August

until 17 May, until 2 August

$110.00A

1 Goethe-Zertifikat A1:  Start Deutsch 1

23 May, 8 August

until 17 May, until 2 August

$100.00

EXAMINATION PREPARATION COURSES

NINE WEEKS Once a week

A1 A2 B1 B2

A 1.

1

A 1.

2

A 1.

3

A 2

.1

A 2

.2

A 2

.3

B 1.

1

B 1.

2

B 1.

3

B 2

.1

B 2

.2

B 2

.3

B 2

.4

B1 REVIEW AND EXAM PREPFridays 6 June – 8 August

6:30 – 9:00 pm

B2 REVIEW AND EXAM PREPFridays 6 June – 8 August

6:30 – 9:00 pm

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STANDARD COURSES

NINE WEEKS Twice a week

A1 A2 B1 B2

A 1.

1

A 1.

2

A 1.

3

A 2

.1

A 2

.2

A 2

.3

B 1.

1

B 1.

2

B 1.

3

B 2

.1

B 2

.2

B 2

.3

B 2

.4

Monday/Wednesday 2 June – 30 July

6:15 – 7:45 pm

8 – 9:30 pm

Tuesday/Thursday 3 June – 31 July

6:15 – 7:45 pm

8 – 9:30 pm

NINE WEEKS Once a week

Saturday 7 June – 2 August

9 am – 12:15 pm

1 – 4:15 pm

NINE WEEKS Once a week

A1 A2 B1 B2

A 1.

1

A 1.

2

A 1.

3

A 2

.1

A 2

.2

A 2

.3

B 1.

1

B 1.

2

B 1.

3

B 2

.1

B 2

.2

B 2

.3

B 2

.4

AN INTRODUCTION TO READING SCHOLARLY GERMANThursdays 5 June – 7 August

6:30 – 9:00 pm

READING SCHOLARLY GERMANFridays 6 June – 8 August

6:30 – 9:00 pm

CONVERSATION: CULTURE AND POLITICSSaturdays 7 June – 9 August

9:00 – 11:30 am

Dates and fees are subject to change without notice. The Goethe-Institut maintains the right to cancel individual courses. For full course descriptions, as well as complete terms and conditions, please see our website: http://www.goethe.de/washington

Please read all of our Terms and Conditions before registering for a course.Please be advised that course materials are not included in the course fee nor are they generally available locally. We recommend purchasing materials (textbooks, CDs, etc.) from the International Book Import Service (IBIS) so that you receive them PRIOR to the first class meeting: http://www.ibiservice.com/category-s/90.htm.

EXAMINATION OVERVIEW

Examination Date Registration Prices

C2 Goethe-Zertifikat C224 May, 9 August

until 17 May, until 2 August

$250.00

C1 Goethe-Zertifikat C124 May, 9 August

until 17 May, until 2 August

$180.00

B2–

C1

TestDaF (www.testdaf.de)11 June, 15 July

4/16 – 5/14/2014, 5/20 – 6/17/2014

175.00 €

B2 Goethe-Zertifikat B2

24 May, 9 August

until 17 May, until 2 August

$150.00

B1 Goethe-Zertifikat B1: 

Zertifikat Deutsch (ZD)24 May, 9 August

until 17 May, until 2 August

$130.00

A2 Goethe-Zertifikat A2: 

Start Deutsch 223 May, 8 August

until 17 May, until 2 August

$110.00

A1 Goethe-Zertifikat A1: 

Start Deutsch 123 May, 8 August

until 17 May, until 2 August

$100.00

EXAMINATION PREPARATION COURSES

NINE WEEKS Once a week

A1 A2 B1 B2

A 1.

1

A 1.

2

A 1.

3

A 2

.1

A 2

.2

A 2

.3

B 1.

1

B 1.

2

B 1.

3

B 2

.1

B 2

.2

B 2

.3

B 2

.4

B1 REVIEW AND EXAM PREPFridays 6 June – 8 August

6:30 – 9:00 pm

B2 REVIEW AND EXAM PREPFridays 6 June – 8 August

6:30 – 9:00 pm

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n M U S I C

Tuesday, April 1, 7:30 pmSt. Paul’s Episcopal Church, 228 South Pitt Street, Alexandria, VA

Calmus Ensemble Leipzig

Founded in 1999, the Calmus Ensemble is a prize-winning a cappella quintet with a reper-toire spanning several centuries and musical styles. The ensemble, consisting of Anja Lipfert, soprano; sebastian krause, countertenor; Tobias Pöche, tenor; Ludwig Böhme, baritone; and joe Roesler, basso, has already captivated audiences on USA tours in 2011, 2012, and 2013.

Presented by Classical Movements as part of the Serenade! International Choral Series

Tickets: $25-$30For tickets and information: 703-683-6040 or www.classicalmovements.com

Friday, April 4, 10 pm9:30 Club, 815 V Street NW, Washington, DC

kraftwerk: 3-d concert

The Kraftwerk project was started in 1970 by Ralf Hütter and his former partner Florian Schneider at their Kling Klang Studio in Düssel-dorf, Germany. Within a few years, Kraftwerk had achieved international recognition for their revolutionary electronic “sound paintings” and musical experimentation with tapes and syn-thesizers. The Kraftwerk live experience is a perfectly synchronised audio-visual spectacle complete with pristine digital sound and 3-D projections. It is a pure electronic art-rave.

For tickets and information: 877-987-6487 or www.930.com

Calmus Ensemble Leipzig © Marco Borggreve

Kraftwerk perform a 3D concert in Poznan, Poland, 2013 © picture alliance / dpa

Jazz pianist Florian Höfner © Mike Meyer

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Wednesday, April 9, 8 pm & 10 pm Blues Alley, 1073 Wisconsin Avenue NW, Washington, DC

Florian Höfner: Solo Piano

The noted German jazz pianist and composer Florian Höfner returns to Washington for a one-night engagement at the legendary DC jazz club Blues Alley in Georgetown. Winner of mul-tiple prizes, including the ASCAP Young Jazz Composer Award, Höfner has toured exten-sively throughout Europe, the US, and Canada. His performances are featured on ten CD re-leases, including a collaboration with renowned guitarist Kurt Rosenwinkel. His latest album with the Florian Höfner Group, “Falling Up,” was released on OA2 Records in September 2013.u

For tickets and information: 202-337-4141 or www.bluesalley.com

Sunday, April 13, 6:30 pmNational Gallery of Art, West Garden Court, Constitution Avenue NW, Washington, DC

Auryn String Quartet: Music by Beethoven, Haydn, and Mendelssohn

An outstanding career spanning three decades has made the Auryn Quartet one of the most sought-after and respected ensembles per-forming around the globe. The Quartet has not changed its personnel over this long period, and continues with its fresh and pioneering approach to all genres of music. The Auryn’s main mentors were the Amadeus Quartet and the Guarneri Quartet, with which they studied between 1982 and 1987 in Cologne, Germany, and at the University of Maryland. Claudio Abbado was also an important influence on the Quartet’s musical development, under whose baton they performed as string principles in the European Union Youth Orchestra.

This program is free of charge and seating is first-come, first-served.

For information: 202-842-6941 or www.nga.gov

sss

Jazz pianist Florian Höfner © Mike Meyer Auryn String Quartet © Manfred Esse

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Saturday, May 3, 7 pmKena Ballroom, 9001 Arlington Blvd., Fairfax, VA

Spring Concert of the Washington Sängerbund: “Willkommen, schöner Monat Mai”

Join the Washington Sängerbund and conductor Nicholas A. Brown for an evening of springtime choral music by Beethoven, Brahms, Mendelsohn, Mozart, Schumann, Schubert and Stolz, to sweep you off your feet and treat you to German sounds of the season. After the concert, dance to music by Mike Surratt’s Continentals. German food, beer, wine, champagne and soft drinks avail-able for purchase. Tickets: $20 pp; $15 (students and seniors); $5 discount for tickets purchased in advanceFor tickets and information: 703-719-5488 or www.saengerbund.org

Monday, April 21, 7:30 pmThe Kennedy Center, Terrace Theater, 2700 F Street NW, Washington, DC

Fortas Chamber Music Concert: Augustin Hadelich, joyce yang & Pablo Sáinz Villegas: Tango, Song, and Dance

Acclaimed German violinist Augustin Hadelich is joined by dazzling pianist Joyce Yang and dynamic guitarist Pablo Sáinz Villegas for a multimedia recital featuring works by Previn, Rodrigo, Falla, Piazzolla, Ginastera, Ysayë, and Villa-Lobos.

For tickets and information: 800-444-1324 or www.kennedy-center.org

Augustin Hadelich © Rosalie O’Connor

Annual Spring Concert of the Washington Sängerbund, 2013 © Washington Sängerbund

Henschel String Quartet © Georg Thum / Wildundleise.de

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n L E C T U R E S

Friday, April 25, 8 pmEmbassy of Switzerland, 2900 Cathedral Avenue NW, Washington, DC

Méret oppenheim – Eine Surrealistin auf eigenen Wegen (in German)

Daniela Schmidt-Langels, noted documentary filmmaker, will screen and discuss her most recent film on the life and work of Méret Oppenheim (1913-1985), the great Surrealist artist known for her daring and provocative artistic creations, such as Breakfast in Fur, ac-quired by MOMA in 1935. Born in Berlin, Méret Oppenheim worked in Paris in the circle of Sur-realists around André Breton, Alberto Giacometti, Marcel Duchamp and Max Ernst and went on to produce more than 1,500 works.

Sponsored by the German Language Society in cooperation with the Embassy of Switzerland on the occasion of the opening of the exhibition “Méret Oppenheim: Tender Friendships” at the National Museum of Women in the Arts on April 26.

For information and reservations: 202-239-0432 or [email protected]

Sunday, May 11, 6:30 pmNational Gallery of Art, West Garden Court, Constitution Avenue NW, Washington, DC

Germany’s Henschel String Quartet: “Music by German Composers”

In 2014, the Munich-based Henschel Quartet celebrates its 20th anniversary year. The quar-tet’s musical journey has included many re-markable highlights, including a performance at the Vatican in the presence of Pope Benedict XVI in March 2010 and regular invitations to the Royal Palace of Madrid to perform on the four Stradivari of the royal collection. In June 2012 the Henschel Quartet was invited, as the first European quartet in twenty years, to perform Beethoven’s complete string quartets in the prestigious Suntory Hall in Tokyo.

This concert is part of the European Month of Culture.

This program is free of charge and seating is first-come, first-served.

For information: 202-842-6941 or www.nga.gov

Henschel String Quartet © Georg Thum / Wildundleise.de Meret Oppenheim © Estate of Meret Oppenheim

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n S P E C I A L E V E N T S

Friday, April 11, 3 pmGerman-American Friendship Garden, Constitution Ave NW, between 15th and 17th Streets NW

Inauguration of the German-American Friendship Garden

Come celebrate at the newly restored German-American Friendship Garden on the National Mall. Created in 1983 on the initiative of US President Ronald Reagan and German Chancellor Helmut Kohl to mark the tricenten-nial of the first German immigration to the American colonies, the Friendship Garden is now being refurbished thanks to a partnership between the German Embassy Washington, the National Park Service, and German-American associations, which together will organize the festivities.

This event is free of charge and no tickets are required.

n E X H I B I T S

Until April 12, 2014German-American Heritage Museum of the USA, 719 Sixth NW, Washington, DC

german karneval – then and now

Explore the roots of German Karneval and how it is celebrated today in the USA. Marvel at the colorful costumes, uniforms, and much more. This exhibit is made possible with the kind support of the Kölner Karnevalsmuseum and the Festkomitee Kölner Karneval von 1823 as well as the German-American Mardi Gras Association (GAMGA).

New! Long nights at the museum: As of January 9, 2014, the German-American Heritage Museum will offer extended hours on Thursdays from 11 am to 9 pm.

Opening hours: Tuesdays, Wednesdays, Fridays from 11 am – 5 pm, Thursdays from 11 am – 9 pm; Saturdays 12 – 5 pm. The museum is closed on Sundays and Mondays.

For information: www.gahmusa.org

German Carnival -Then and Now © Bruce Guthrie

German-American Friendship Garden on the National Mall © GIC

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Saturday, May 10, 10 am – 4 pmEmbassies of the European Union member states, Various venues

Embassy of France, 4101 Reservoir Road, NW, Washington, DC

Shortcut to Europe:8th Annual European Union Embassies’ open House

Experience the best Europe has to offer without the jetlag!

France and Germany showcase the best of their countries together at the Embassy of France. Discover the food, culture and diplomatic life of these two nations in a single stop.

Enjoy some of the best food and drink from each country off the Franco-German menu. Listen to French and German music as you enjoy the many offerings, such as taking a souvenir

picture of your ”trip” or trying out a few words of French or German. Find the perfect place for your #EUselfie! Face-painting and other activities will

entertain everyone. Join us for a day of fun for the entire family!

Free shuttle bus service between participating Embassies provided.

Admission is free. For information:www.Germany.info/openhouse

www.ambafrance-us.orgwww.euopenhouse.org

EU Open House 2013 © Zacarias Garcia / GIC

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Monday, May 26, 11 amProspect Hill Cemetery, 2201 North Capitol Street NE, Washington, DC

Memorial Day Service at the Prospect Hill Cemetery

The Prospect Hill Cemetery is a 150-year-old designated historical landmark and the burial site of many prominent German-Americans, including Julius Viedt, founding president of the Washington Sängerbund. The cemetery also has many burial sites of recently departed Sänger-bund members. The Washington Sängerbund and a pastor from the United Church will conduct the ceremony.

For information: 202-310-4691 or www.saengerbund.org

n P R E V I E W

Saturday, September 278617 Chateau Dr, Potomac, MD

5k oktoberfest Run and Fun Run of the German School Washington D.C.

Grab your lederhosen and running shoes and join the 3rd annual 5k Oktoberfest Run & Fun Run on September 27, 2014 hosted by the German School Washington D.C. and the German Language Courses (GLC)! All ages and running levels are welcome. Run as an individual or as a team.

Register online at www.dswashington.org/run

Memorial Day service at Prospect Hill Cemetery © Washington Sängerbund

5k Oktoberfest Run at the German School Washington D.C. © German School Washington D.C.

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Celebrating

50 years of

Excellence!

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Learn these skills and more in a sup-portive, self-paced, fun atmosphere in the only German-speaking Toastmasters club in the US!Visit us online for further information and meeting dates.Toastmasters International is a fee-based membership organization, but guests are always welcome so please drop in on us soon.

GoETHE-INSTITUT AND ToASTMASTERS INTERNATIoNAL-WHERE LEADERS ARE MADE

Where leaders are madewww.goethe.de/washington

In partnership with

sprache. kultur. deutschland.

• Become a better speaker and presenter auf Deutsch• Communicate with confidence auf Deutsch• Develop your leadership skills• Listen effectively

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www.heidelbergbakery.com

2150 N Culpeper Street(corner of 4900 Lee Highway)Arlington, VA 22207Phone: 703 527-8394www.heidelbergbakery.com

Hours:Tues. - Fri.: 6:30am - 6:30pmSaturday: 8am - 5 pmSunday: 8am - 1pmMondays closed

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AddressesThe German Historical Institute1607 New Hampshire Ave., NWWashington, DC 20009Phone: 202-387-3355Fax: 202-483-3430E-mail: [email protected] site: www.GHI-DC.org

The Institute holds a number of lecture series throughout the year.

The German Information Center2300 M Street, NW, Suite 300Washington, DC 20037Phone: 202-298-4000Fax: 202-471-5526Web site: www.Germany.info

Dedicated to fulfilling the public diplomacy mission at the German Embassy by offering Americans a window on modern Germany.

german national tourist office122 East 42nd Street, Suite 2000New York, NY 10168-0072Phone: 212-661-7200Fax: 212-661-7174E-mail: [email protected] site: www.germany.travelProviding German tourism infor-mation.

German Academic ExchangeService (DAAD)871 United Nations PlazaNew York, NY 10017-1814Phone: 212-758-3223Fax: 212-755-5780E-mail: [email protected] site: www.daad.org

A government-supportedorganization of colleges and uni-versities in the Federal Republic of Germany that promotes rela-tions with universities abroad through the exchange of students and scholars.

German School Washington, DC8617 Chateau Dr.Potomac, MD 20854Phone: 301-365-4400Fax: 301-365-3905E-mail: [email protected] site: www.dswashington.org

Kindergarten, elementary, and high school.

Deutsche Forschungsgemein-schaft (DFG) German Research Foundation1627 I Street NW, Suite 540Washington, DC 20006-4020Phone: 202-785-4206Fax: 202-785-4410E-mail: [email protected] site: www.dfg-usa.org

The main German funding organi-zation for scientific research.

german Book office72 Spring Street, 11th FloorNew York, NY 10012Phone: 212-794-2851Fax: 212-794 2870E-mail: [email protected] site: www.gbo.org

The German-American Heritage Museum of the USA719 6th Street NWWashington, DC 20001Phone: 202-467-5000Fax: 202-467-5440E-mail: [email protected] site: www.gahmusa.org

Television and Radio in GermanFor news information on the Internet: www.ardmediathek.de or www.zdf.de/ZDFmediathekNote: There are two German lan-guage televisionchannels available by satellite to Dish Network subscribers in the US: the privately funded ProSiebenSat1Welt, a mix of German language shows of the channels prosieben, kabel 1, n24 and Sat1; and Deutsche Welle Television, programming that

alternates between English and German by the hour from Germany’s international broadcaster.Deutsche Welle’s program is also rebroadcast via local public televi-sion stations in select cities (check with your local provider).More information at www.dishnetwork. com.

German Lutheran ChurchWashington DC5500 Massachusetts Ave. NWWashington, DC 20816Phone/Fax: 301-365-2678E-mail: [email protected] site: www.glcwashington.org

The United Church +die vereinigte kirche1920 G Street NWWashington, DC 20006-4303Phone: 202-331-1495Fax: 202-530-0406E-mail: [email protected] site: www.theunitedchurch.org

German Speaking Catholic Mission Washington, DCRectory: 6330 Linway Terrace, McLean, VA 22101Masses: Georgetown Preparatory School10900 Rockville PikeBethesda, MD 20852-3299Phone: 703-356-4473Fax: 703-356-4558E-mail: [email protected] site: www.kathde.org

Zion Church of the City of BaltimoreCity Hall Plaza400 East Lexington StreetBaltimore, MD 21202Phone: 410-727-3939Fax:: 410-468-0174E-mail: [email protected] site: www.zionbaltimore.org

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sign up......for our weekly

Electronic Newsletterwww.goethe.de/washington

Find us on Facebook and Twitter.

www.facebook.com/GoetheDC

www.twitter.com/GoetheDC

For Films at the Goethe-Institut 812 Seventh St., NW, Washington, DC

ticketsGeneral Admission: $7 Friends of the Goethe-Institut, seniors and students with ID: $4

Tickets: can be purchased right before the screenings, or during the Goethe-Institut’s office hours Monday-Thursday 10 am-5 pm and Friday 10 am-3

or online at: www.boxofficetickets.com/goethe (service charges apply)

For updates and more information:

www.goethe.de/washington

202-289-1200

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The newsletters of the German Embassy

are the best way to stay current on the latest

events and trends in Germany and

German-American relations:

• German Cultural Events, Washington DC

• The Week in Germany (in English)

• Deutschland-Nachrichten (in German)

• Germany in Class (for Teachers; in English))

Visit www.germany.info/newsletter and

sign up for the newsletters of your choice.

812 Seventh St. NW, Washington, DC 20001-3718Phone: 202-289-1200 Fax: 202-289-3535

Email: [email protected]: www.goethe.de/washington

www.facebook.com/GoetheDC

www.twitter.com/GoetheDC

opening Hours:Monday-Thursday 9 am – 5 pm; Friday 9 am – 3 pm We are located between H and I Streets, one block from Massachusetts Avenues in northwest Washington. Metro:Gallery Place/Chinatown (exit at 7th and H Streets)Red, Yellow, and Green Lines Car:Follow either Massachusetts or Independence Avenue to Seventh Street Parking:Either on-street or in the underground parking garage at the Renaissance Hotel, accessible from Seventh Street between I (Eye) Street and New York Avenue, or from I Street between 8th and 9th Streets. The Goethe-Institut Washington is wheelchair accessible.

The Goethe-Institut is a non-profit organization with headquarters in Munich. It is Germany’s opera-tional partner for the development and implemen-tation of a foreign cultural policy – one based on dialogue between Germany in the context of Europe and countries and cultures around the world. In addition to a grant from the German Foreign Office, the organization also generates its own funds. On behalf of the Federal Republic of Germany, cul-tural institutes around the world provide cultural programs, language courses, support to educators and local authorities instrumental in promoting the German language, as well as up-to-date information on Germany. Institutes all over Germany a variety of immersion language courses. There are six institutes in the United States. Founded in 1990, Goethe-Institut Washington pro-motes German culture and language.

Embassy of the Federal Republic of Germany

2300 M Street, NWWashington, DC 20037

Phone: 202-298-4000

Cultural Affairs Department: 202-298-4315

Fax: 202-298-4317

E-mail: [email protected]

Web site: www.Germany.info

Follow us on facebook and twitter:

www.facebook.com/GermanEmbassyWashington

http://twitter.com/GermanyinUSA

The German Embassy is wheelchair accessible from 23rd Street, NW

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