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KS
UM
B 20
11 Staff
Director of the M
arching Band
Dr. F
rank Tracz
Associate D
irector M
r. Don L
innG
raduate Assistants
Andy F
eyesL
auran Assad
Sarah B
ernard-Stevens
Ryan L
aneyP
atrick Sullivan
Graduate A
ssistant-Percussion
Greg C
offeyA
dministrative A
ssistant D
eb Marshall
Classy C
ats Coordinator
Kathleen H
enaoC
olor Guard C
oordinatorB
ecca Rogers
Tw
irler Coordinators
Shannon M
eisJessica T
raczS
tudent Staff
Kaleb T
oddA
ndrew R
ickelA
lex Cook
Bryant K
niffin
Katie K
reisG
ameday M
anagerT
odd Halling
Gam
eday Assistant M
anagersT
ravis Green
Erin K
ornackiT
ess Kornacki
Drum
Major
Megan C
ahojA
ssistant Drum
Majors
Em
ily Riley
Kristen E
ckA
nnouncerJoe M
ontgomery
Photographers
Scott S
ewell
Leroy B
urke
AW
AR
DS
Most Inspirational A
ward: A
warded to the person w
ho exemplifies true
extrinsic and intrinsic motivation.
Wabash A
ward: A
warded to the student w
ho exemplifies outstanding school
spirit.
Marching P
ride Aw
ard: Aw
arded to the section with the strongest w
ork ethicand dedication.
Harry E
rickson Aw
ard: Aw
arded in honor of the student composer of
Wildcat V
ictory to the most “giving” student.
Rookie of the Y
ear Aw
ard: Aw
arded to the outstanding first year mem
ber ofthe band.
Section of the Y
ear Aw
ard: Aw
arded to the outstanding section of the year.
Section L
eader of the Year A
ward: A
warded to the outstanding section
leader of the year.
Assistant S
ection Leader of the Y
ear Aw
ard: Aw
arded to the outstandingassistant section leader of the year.
Music Instructor of the Y
ear Aw
ard: Aw
arded to the outstanding music
instructor of the year.
Marching and M
aneuvering Instructor of the Year A
ward: A
warded to the
outstanding marching and m
aneuvering instructor of the year.
1 st Year A
ward
– S
uccessful completion of one year in band (L
etter)2 nd
Year A
ward
– S
uccessful completion of tw
o years in band (Marching W
illie)3 rd Y
ear Aw
ard
– Successful com
pletion of three years in band (3rd Y
ear Plaque)
4 th Y
ear Aw
ard
– Successful com
pletion of four years in band (Blanket)
5 th Y
ear Aw
ard
– Successful com
pletion of five years in band (Ring)
6 th Y
ear Aw
ard
– Successful com
pletion of six years in band (Special A
ward)
Graduating S
enior Aw
ard: Each graduating senior w
ill receive a specialpurple and silver plum
e before pre-game of the last hom
e game. A
“holder”plaque w
ill be awarded at the banquet.
Dear “L
eader of the Pride,”
The "title" you have earned is one that reflects your years of hard
work, dedication, and com
mitm
ent to this band. Congrats. Y
ou havecertainly earned the honor and privilege to lead your peers. Y
ou will
now experience one of the m
ost challenging , frustrating, fulfilling, andw
onderful times of your young life. T
his experience will challenge you
to be your best when you do not feel like it. It w
ill ask you to motivate
people who you think are not easily m
otivated. It will push you to new
areas of "people skills" that you didn't know existed w
ithin you. Inshort, you w
ill become w
ho you will be for the rest of your life.
The college years m
ove by very quickly. Som
e of us never realizethe opportunity to learn and grow
that is afforded to us. This is one of
those times and experiences that w
ill change you and the people aroundyou. U
se this time and title w
isely. Use this responsibility to see w
hoyou are and see w
hat you will becom
e. Use this to better those around
you and learn who you are.
This is going to be great year and I am
excited to have you onm
y "team" to m
ake this band the best it can be.G
o Cats, G
o Band!!
DT
RE
AL
ITY
CH
EC
KA
s a leader of this band, YO
U help build us to becom
e the greatestw
e can be. You are no longer solely a follow
er in this organization! Everything
you do that might be seen by a fellow
bandsman on and off the field is a
reflection of what is deem
ed “OK
” by the leaders in this band. Think of how
you present yourself on a day-to-day basis and think of how a rookie m
ightperceive your actions and w
ords.Y
ou are a person of great ability, intellect, reliability, work ethic, and
responsibility. If not, you would never have m
ade it this far. Your insistence on
greatness is paramount to the success of this ensem
ble as both a performance
group and as a reflection of what this school represents. T
he fruits of yourlabor w
ill be seen by the 50,000+ fans that fill B
ill Snyder F
amily S
tadiumevery w
eek, and the millions that w
atch from around the w
orld.T
he apathetic, lethargic, and often asinine attitude of your peers will
test your abilities as both a teacher and a performer. K
eep your head held highand never settle for anything less than the best. N
ever be ashamed to ask for
help from your superiors, as their com
bined experiences are an undoubtedcache of resources for som
eone in your position.
SC
HE
DU
LE
OF
MA
ND
AT
OR
YK
SU
MB
PE
RF
OR
MA
NC
ES
& E
VE
NT
S
AU
GU
ST
13-15S
taff Workdays
16-21B
and Cam
p
SE
PT
EM
BE
R1
Purple P
ower P
lay on Poyntz
2P
urple Pow
er Play on P
oyntz3
Eastern K
entucky (Drum
line Day)
17K
ent State (B
and Day)
OC
TO
BE
R1
Baylor
8M
issouri15
Central S
tates Marching F
estival22
KU
@ L
awrence
29O
klahoma (H
omecom
ing)
NO
VE
MB
ER
12T
exas A&
M13
Marching B
and Concert
DE
CE
MB
ER
3Iow
a State
4B
and Banquet
TB
AB
owl G
ame
Know
that this is a tentative schedule and may have events
added, removed, or changed during the year.
When the W
ildcats play in a bowl gam
e this year, you will
be expected to be a part of the band for the trip. F
ailure to perform at the bow
l game and all related events w
illresult in a failing grade in the class and possible banishm
ent fromthe K
SU
MB
. T
hese dates are announced in early Decem
ber.
SC
HO
LA
RS
HIP
SS
ection Leaders: S
tipend award to S
ection Leader.
Assistant S
ection Leader: S
tipend award to A
ssistant Section L
eader.
Music Instructor: S
tipend award to M
usic Instructor.
Marching and M
aneuvering Instructor: Stipend aw
ard to each Marching and
Maneuvering Instructor.
Drum
Major: S
tipend award to the H
ead Drum
Major.
Assistant D
rum M
ajor: Stipend aw
ard to Assistant D
rum M
ajor.
Rod F
unk Mem
orial Scholarship
Rod F
unk was a part of the K
SU
Marching B
and for a number of years in the m
id-1970's. H
e was also the president of K
appa Kappa P
si, and the president of the bandw
hile he was here. H
e was diagnosed w
ith a hereditary heart condition in the late1980's and passed aw
ay in February 1993. H
e was a go-getter and a leader. H
e was
not a man of the biggest size physically, but certainly a m
an with a huge heart and
sense of drive. His fam
ily created this scholarship in 1993, shortly after his passing.
Midw
est Music S
cholarship
The M
idwest M
usic Com
pany in Salina, K
ansas sponsors this scholarship.
Horner F
amily S
cholarship
The H
orner family, in m
emory of their parents Jack and L
orraine, sponsors thisscholarship.
Stan F
inck KK
Y / T
B
Σ Scholarship
Sponsored by the endow
ment of the late S
tan Finck, D
irector of Bands at K
SU
from1982-1991.
Alum
ni Band S
cholarship
Sponsored by the M
arching Band A
lumni A
ssociation.
Shaw
nee Mission S
outh High S
chool Scholarship
This S
cholarship is sponsored by Karen N
ations, a Shaw
nee Mission S
outh High
School alum
nus and former m
ember of the K
SU
Marching B
and. This is aw
arded tothe oldest m
ember of the band from
Shaw
nee Mission S
outh High S
chool.
Skelton S
cholars
These aw
ards are for senior (4th year) and junior (3rd year) mem
bers of them
arching band. These scholarships are donated by supporters through an "adoption"
program. T
he award is designed to rew
ard longevity in the band and increase theupper class retention rate. E
ach "Scholar" w
ill wear an arm
patch identifying themas a "S
kelton Scholar".
2011 KS
UM
B S
ection Leaders
PIC
CO
LO
Carly P
ierce - SL
Crystal A
llison - AS
LL
indsy Liggett - A
SL
/MM
Jessica High - A
SL
/MI
CL
AR
INE
TB
en Kershner - S
LH
aley Conw
ay - AS
LA
my K
raus - AS
L/M
IE
than Levine - A
SL
/MM
AL
TO
SA
XA
lan Harkrader - S
L/M
MC
laire Mullender - A
SL
Bobbi E
hrlich - AS
L/M
I
TE
NO
R S
AX
Zane H
allauer - SL
Hollyann S
ewell - A
SL
/MI
Trevor S
teinbrock - AS
L/M
M
TR
UM
PE
TS
am M
ustain - SL
/MI
Sam
Shelley - A
SL
/MM
Caleb K
uhlman - A
SL
Alan M
artens - AS
LA
ustin Russell - A
SL
HO
RN
Brian R
oth - SL
Elizabeth H
uck - AS
L/M
IC
hris Miertschin - A
SL
/MM
TR
OM
BO
NE
Eric G
rusenmeyer - S
LT
abitha Vincent - A
SL
Peter W
einert - AS
L/M
IJam
ison Martinez - A
SL
/MM
BA
RIT
ON
EC
ameron A
delson - SL
/MI
Brianna G
reen - AS
L/M
M
SO
US
AP
HO
NE
Kasie G
epford - SL
/MI
Clark R
ogers - AS
LD
ane Sargent - A
SL
Tegan N
usser - AS
L/M
M
PE
RC
US
SIO
NJosh H
eath - Snare
Tyler Jam
es - Cym
balsS
teve Pearson - Q
uadsD
avid Rose - B
ass
CL
AS
SY
CA
TS
Morgan C
ombs - S
LH
aley Gam
ber - AS
LH
aley Lorenzini - A
SL
Kelsey N
icholson - AS
L
CO
LO
R G
UA
RD
Becca R
ogers - SL
Carlie G
aus - AS
LM
organ Scripsick - A
SL
Am
anda Sipes - A
SL
WIL
DC
AT
TW
IRL
ER
SK
atelyn Bradbury
Lauren M
eis
TH
E P
UR
PO
SE
OF
BA
ND
CA
MP
Band C
amp is a concentrated program
of physical and mental
conditioning for performances during the football season. T
he goalsinclude:-to review
and sharpen staff performance and teaching skills.
-to teach new m
ember the m
arching and playing fundamentals
necessary to successfully contribute to the KS
UM
B.
-to help new m
embers establish personal standards for
performance and achieve a sense of dedication to the
organization.
-to revitalize returning mem
bers by reviewing fundam
entals w
hile focusing their energy toward higher standards of
performance.
-to mold rookies and vets into one cohesive group.
-to establish rehearsal attitudes and procedures which w
ill allowfor m
aximum
accomplishm
ent during a minim
al timefram
e.
-to prepare music and drill for initial perform
ance.
This w
eek affords us the opportunity to accomplish w
hat would
normally take over five w
eeks of normal rehearsal tim
e in just one week.
As such, it is im
perative that we m
ake the most of this tim
e in order toensure a successful season ahead. T
his success begins with Y
OU
!
Make your rookies feel like a part of the group, never alienated.
Not only are they now
a part of a new m
arching band, but they are alsonow
living on their own for the first tim
e in their lives! Rem
ember w
hatit w
as like for yourself as a rookie and imagine the things that you
would have liked to see from
the vets at that time. H
elp them acclim
ateto their new
way of life, both on and off the field.
MU
SIC
SE
CT
ION
AL
S
What to W
atch For and F
ocus On:
1. Key S
ignatures and Accidentals
- Anything outside the “com
fort keys” (concert F, B
-flat, E-flat)
can cause problems. C
atch them before they get to that point!
-Be ready to explain necessary alternate fingerings before the
sectional takes place.-O
nce those accidentals are addressed, TU
NE
TH
EM
!2. T
ime S
ignatures-C
onstant or changing?-If it is in 6/8 or 12/8 be especially vigilant about accuracy.-W
here does the pulse lie? Are w
e in 4 or in 2? In 3 or in 6?3. R
hythm-Is the section playing together? Where is the problem
?-C
an YO
U play the part accurately?! H
ave your parts under your fingers before the rehearsal, as it sets a great exam
ple for your follow
ers.-Is your section releasing notes in rhythm
? Rem
ember that
notes have a beginning, middle, A
ND
an end.-R
hythmic accuracy A
S A
SE
CT
ION
is often the barrier betw
een mediocre bands and great bands.
4. Tone-Is that trum
pet sounding like a trumpet, or a m
essed up sax?-Is your section breathing properly? A
re they breathing T
OG
ET
HE
R?
-Is the section in tune with the rest of the band?
5. Musicality
-Are you addressing articulations?
-Do they know
what role they play at every point in the m
usic?-A
nyone notice those dynamics on the page...?
-What's the style?
Is the weather nice? G
O O
UT
SID
E!!!
MA
RC
HIN
G S
EC
TIO
NA
LS
What to W
atch For and F
ocus On:
1. Posture-Is the section standing high and tall, or slouching?
-Is there any unnecessary tension in their bodies?-W
here are they placing their weight?
-Are they balanced, or does it seem
like they might topple at any
second?2. M
ovement
-Watch for extraneous m
otions and quirks.-Is everyone m
oving smoothly? W
here are the hitches?-A
ddress problems from
the bottom up w
hen it comes to
movem
ent. A problem
in the back or shoulders make originate
from the knees or feet.
-Is everyone moving uniform
ly and in time? It should appear as
though each mem
ber is fixed to a grid of identical movem
ents.-A
re they moving the sam
e when there is a H
OR
N in their
hands, or in front of their faces?3. P
resentation -A
re they simply going through the m
otions, or is every m
ember of the group truly P
ER
FO
RM
ING
in their motions?
-Is everyone's horn carriage the same?
-Watch for sloppy horn angles (trum
pets, piccolos, cymbals!).
-Are all of the m
otions snappy and “on-a-dime,” or are they
sometim
es careless and lethargic?4. T
he Little S
tuff-S
ometim
es the smallest, m
ost miniscule details are w
hat make
a band look so great!-Is everyone keeping still at attention?-A
re people looking around, swaying, or standing w
ith one bent knee?-H
ow does the group look w
hen they march as a w
hole? Let
them m
arch for a little bit without interruption so that you can
see problems on a large and sm
all scale.-A
gain, check every mem
ber from head to toes (w
hich should betogether, by the w
ay).
US
E O
F T
HE
HA
ND
BO
OK
The K
ansas State U
niversity Marching B
and Student L
eaderH
andbook is designed to clarify details of marching fundam
entals andto im
prove teaching and leadership abilities of Section L
eaders.T
his handbook will address proven m
ethods to effectively teachyour section m
usic, marching m
aneuvers, and general “band how-to”
throughout band camp and the rest of the season. If you ever have any
questions about what is covered here, feel free to contact your superiors
for help or clarification.
SE
MIN
AR
GO
AL
S
1.P
olicies & P
rocedures2.
Band S
chedule for the Year
3.R
ehearsal Schedule
4.S
tudent Leader H
andbook5.
Band H
andbook 6.
Rosters &
Charting
7.A
uditions & P
art Placem
ent8.
Rehearsal T
ips9.
Instruments &
Uniform
s10.
Band C
amp S
chedule11.
Stand A
ctivities12.
Practice A
ttire & G
ameday A
ttire13.
Marching S
tyle14.
Stands M
usic & S
how M
usic15.
Pre-G
ame M
usic 16.
Rosters
17.M
otivation18.
Rookie L
ife19.
Vet L
ife20.
Our G
oals21.
EM
AW
!
SE
CT
ION
LE
AD
ER
S - T
OP
ICS
TO
DIS
CU
SS
It is important that you as veterans help orient the rookies in a
way that w
ill make them
feel welcom
ed and at home in the band.
Different students react in different w
ays to being away from
home for
the first time. M
any of these topics are things that will save you and
your section from grief and hassle in the future.
A. A
TT
EN
DA
NC
E-E
xplain to your section how im
portant each mem
ber truly is. O
ne person missing can com
pletely alter how certain sets are
dressed. There are no slackers or skippers in this band!
-You have been in this band long enough to know
how
attendance works. E
xplain when it is appropriate to fill out a
pink or yellow sheet, and w
hen it is not.-H
old the veterans to these same standards! D
on't let Johnny M
cFifth-Y
ear set a bad example for the rookies.
B. S
TA
ND
AR
DS
OF
PE
RF
OR
MA
NC
E A
ND
RE
HE
AR
SA
LS
Stress the im
portance of keeping high standards on both thepractice field and the perform
ance field. Do not becom
e a dictator!F
ind that balance between being a strong leader and being dow
nrightjerk. K
eep rehearsal standards high, but don't make your rank afraid to
come to m
arching band.
C. T
HE
WE
EK
EN
D H
OM
E
Be sure that your rookies have review
ed the schedule for theseason and start to plan out their trips hom
e so that no conflicts arise.M
ost rookies will w
ant to visit home at least once or tw
ice beforeT
hanksgiving Break (or m
ore if they've got a high school sweetheart
waiting for them
). Make sure that they know
their #1 priority is the
band.
D. B
AN
D T
RA
VE
LO
ctober 15--- C
entral States M
arching Festival
October 22
--- KU
@ L
awrence
TB
A--- B
owl G
ame
E. U
NIF
OR
MS
Each band m
ember m
ust have the following:
1. B
lack shoes with black soles. T
hese are available for purchase and fitting during band cam
p. If they already own a
pair, make sure they clear it w
ith a staff mem
ber.2.
Black calf-high socks.
3. E
ntire secondary uniform.
4.E
nsure that mem
bers keep their uniforms in top
condition for each performance. W
e may dry clean the band's
uniforms on our dollar if the need arises, but generally it is their
responsibility.5.
Make everyone aw
are that the uniform is to be w
orn IN
FU
LL
at all times that uniform
is required. No rolled up
sleeves or half-way zipped tops.
F. IN
ST
RU
ME
NT
SM
ake sure that your rank keeps excellent maintenance of their
instruments, including all the “little stuff” that goes w
ith them (lyres,
ligatures, straps, cases, etc.). Com
mon problem
s to watch for and
eliminate include:
-Piccolos being kept in a pouch or pants pocket.
-Trom
bones being leaned on during down tim
e.-S
ousaphones and drums set on the ground excessively hard.
- Mouthpieces getting jam
med into various leadpipes.
-Cases being carelessly tossed around during transportation.
Instrument repair can get expensive. H
elp us keep costs down!
G. A
CA
DE
MIC
& E
MO
TIO
NA
L P
RE
SS
UR
ES
Once again, rem
ember that m
any of your rookies may be
experiencing a form of culture shock. H
elp them get used to their
surroundings and explain the whole “college” thing to them
. Classes,
study time, w
ork loads, exams, projects, etc. are a part of every college
student's life, and they too can survive!D
espite how m
uch we hate it, people w
ill bring emotional
baggage to rehearsals. You've done it, I've done it, deal w
ith it. Help
people cope with these feelings in a w
ay that lets them focus m
ore onrehearsal and less on w
hatever it is that is bringing them dow
n.
WH
AT
MA
KE
S A
GO
OD
ST
UD
EN
TL
EA
DE
R?
-Enthusiasm
for what you do!
-Using a firm
, clear voice.-B
e prepared for what w
ill happen and what could happen!
-Becom
e a perfectionist when it counts.
-Don't expect your rank to do som
ething that you yourself cannot do or refuse to do.
-Lead by exam
ple. Rookies w
atch you more than you think.
-Specifics!! “M
ake the line straighter” instead of “Make it better.”
-Know
who in your group w
orks well together, and w
ho doesn't.
-Have fun, but be productive. It is not illegal to put a little bit of
personal touch or “flair” to your teaching style.-S
tress improvem
ent and focus on the positives. It has been proven that leaders w
ho use mostly positive language as
opposed to negative language yield greater results from
their followers.
-You are a leader; you are not allow
ed to be tired.
MA
KIN
G A
N E
FF
EC
TIV
E S
EC
TIO
NA
L
-Stretch and w
arm up before any sectional! T
his is not only aw
ay of loosening up the body but also a way of engaging the m
ind in aw
ay that says “OK
, I'm about to do som
ething different.”-H
ave a plan of attack before you even approach the group.P
eople can tell very quickly when som
eone is “winging it.” D
on't let thishappen to you, as the consequences are tough to recover from
.-W
atch time and adjust accordingly. T
hings that you think will
take 2 minutes m
ay end up taking 15, and vice-versa. A good leader is
flexible to the circumstances.
-Be thorough, patient, precise, and confident in w
hat you do.A
lways be ready to answ
er questions from the group in a w
ay thatm
akes sense and uses as few w
ords as possible.-D
on't showboat and/or play the w
hole time during a sectional.
Have the section play m
ore than anything else!-O
ur marching band is called the P
ride for a reason...
TE
AC
HIN
G F
UN
DA
ME
NT
AL
S1.
State the nam
e of the fundamental.
2.M
odel the comm
and in a CL
EA
R, S
TR
ON
G voice w
ith som
ething to give a beat. Repeat this several tim
es, addressing different sm
all points of the fundamental.
3.G
ive the comm
and and have your rank perform. R
emem
ber that S
PE
ED
KIL
LS
. Have them
go slowly at first, and “by the
numbers” if necessary.
4.S
tress the importance of clean, “snappy” m
otions in everything.5.
Continue this m
ethod until everyone in the rank can successfully perform
the fundamental m
ultiple times in a row
.6.
If there are mem
bers of the rank struggling, let an AS
L, D
M, or G
A
take them aside and w
ork with them
.7.
ST
AY
PO
SIT
IVE
. It can seem that som
etimes no m
atter how
many different tim
es and ways you present som
ething that the rank still does not understand. A
SK
TH
EM
what exactly they
don't understand if you are at your wit's end.
8.P
oint out superior form and help the rookies rather than berate
them. T
his is all new to them
!
FU
ND
AM
EN
TA
LS
TE
AC
HIN
G O
RD
ER
IN P
LA
CE
FU
ND
AM
EN
TA
LS
1. Parade R
est 2. A
ttention3. P
arade Rest from
Attention
4. Mark T
ime/H
alt5. L
eft Face/R
ight Face
6. About F
ace7. D
ress Center/R
ight/Left
MO
VIN
G F
UN
DA
ME
NT
AL
S1. F
orward M
arch/Band H
alt2. L
eft Flank/R
ight Flank
3. Backw
ards March
4. Pow
er Step
5. Slide
6. Step-F
orward-B
ack-Turn
HO
RN
MO
VE
S1. H
orns Up/H
orns Dow
n/Flash/S
pread & F
lash