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Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female
Physiognomy, c. 1792-93, color woodblock
with mica
ukiyo-e (floating world)/ “iki,” the idea
of “stylish chic”
Suzuki Harunobu. Evening Bell at the Clock, from Eight
Views of the Parlor series, c.1765,
woodblock
brocade prints/ haiku clubs in Edo/
diminutive features/ suggestion of voyeurism/ architecture composed of
diagonals
Suzuki Harunobu. Shimizu, from Seven Komachi, c.1767,
woodblock
a courtesan and her teenage apprentice/
inscribed verse suggests a melancholy mood/ the knots of an obi/ mitate
(parody)
Sakai Hoitsu. Kosode with
blossoming plum tree, early nineteenth
century, hand-painted ink and pigment on silk
satin
Furisode with scenes of tea cultivation,
early nineteenth
century, paste-resist dye on
habutae
Katabira with garden landscape,
mid-eighteenth century, paste-
resist and indigo dyeing, silk and metallic thread
embroidery, and pigment on plain-
weave ramie
Suzuki Harunobu. Pilgrimage on a Rainy Night, late
1760s, color woodblock print
Suzuki Harunobu. Whispering, c. 1766-68, color woodblock
Katsukawa Shuncho. Two Young Men by the Riverside, c. 1780s, hanging scroll, ink and color on
silk
kabuki actors/ wakashu/ gesture of greeting/ suggestion of male
innocence and sexuality
Katsukawa Shunsho. The Actor Ichikawa Danjuro in Shibaraku
Role, c. 1777, woodblock
archetypal aragoto role
Utagawa Kunisada. Hour of the Monkey, 1816-7,
oban
depiction of the onnagata/ oban
woodblock
Katsushika Hokusai. The Greave Wave off Kanagawa, from Thirty-six Views of Mount Fuji, c. 1826-33, woodblock print oban, ink and colors on
paper
influence of Western
perspective/Mount Fuji/ nature as an
active force/ meishoe/ Manga
Katshshika Hokusai. Mount Fuji in Clear Weather from the series Thirty-six Views of Mount Fuji,
1830-2, oban woodblock print
Katsushika Hokusai. Amida Waterfall on the Kiso Highway
from A Tour of Waterfalls in Various Provinces, c.1883-4,
color woodblock print
Amida waterfall/ geometry of nature
Ando Hiroshige. Fireworks over Ryoguku
Bridge, from One Hundred Famous Views of Edo, 1856, woodblock
Ando Hiroshige. Sudden Shower over Ohashi
Bridge, from One Hundred Famous Views
of Edo, 1856, color woodblock print
Famous views of Edo
Ando Hiroshige. Scattered Pines, Tone River, from
One Hundred Famous Views of Edo, 1856, color woodblock print
Ando Hiroshige. Plum Garden at Kameido, from One Hundred
Famous Views of Edo, 1856, color woodblock
the Sleeping Dragon Plum / emphasis on
negative space