Kinrara Art Village compilation by People Ideas Culture 人思文

Prepared By:A Project By:

-This spotted army quarter has been abandoned for morethan 10 years in Kinrara Emas. There are two massbuilding complex available with bushes.

-It’s considered valuable if we could turn it into our veryfirst artist village in Kinta Valley. It is not mean to be artistin residence space compared to Rimbun Dahan kind butmore like an art incubator.

-It’s envisioned to be the platform for emerging artists toshowcase their talent. The fundamental idea is to havethe commercial-inclined art element to compensatethose which are deemed less market driven. For example,the combination of industrial design and video artinstallation could take off from there.

-Another consideration is to bring in the emergingchorographer to rehearse their dance pieces there, sothat once a year, we can invite the international festivaldirector to come in and scouting the talents. Currently,the status of this property is a bit ambiguous.

-Nonetheless given the complexity of the project:concept of artist village, organization and management,business model and financial sustainability, it’s indeedtimely to seek for second round buy-in from the artistcommunity, further funding pointer, and heading towardsa formation of secretariat.

Kinrara Artist Village

ABANDONED ARMY QUARTER

Jalan Kinrara 1,

Puchong,

Selangor,

Malaysia.

Approx. 0.22 Arce of land

PROPOSED SITE &

SURROUNDING

Kinrara Mas Apartment

Kinrara BK5 LRT Station

SJK (T) Kinrara

Giant Supermarket

Jalan Puchong

Lebuhraya Bukit Jalil

Site

Jalan Kinrara 1

Prepared By:

Research Study

By SCAD

Prepared By:

“The adaptive reuse of

the former North

Kowloon Magistracy as

an international

university of the arts

has breathed new life

into a decommissioned

1960s government

building.”

Tim Curtis, head of the

culture unit for UNESCO

Bangkok

By SCAD

Students come from all over the world to study in this

global location, where SCAD Hong Kong offers the

region's largest concentration of art and design degree

programs, including courses in advertising, animation,

fashion, fashion marketing and management, graphic

design, illustration, interactive design and game

development, interior design, luxury and fashion

management, motion media design, painting,

photography, sequential art and visual effects.

This newest SCAD location is already a thriving member

of the city's academic community, having received

approval from the Hong Kong Education Bureau for

registration of its 21 programs of study.

Business Model

By SCAD

Floor Plan & Function

GROUND FLOOR PLAN

Main Lobby, Library,

Moot Gallery& Jail Cells,

Classrooms.

By SCAD

By SCAD

Moot

Moot provides a gathering place and café for

the students, faculty, and staff of SCAD Hong

Kong and also showcases artwork from SCAD

students, professors and alumni

Jail Cells

Function as classrooms, studio space, and

offices.

By SCAD

Library


First Floor Landing, Homework Lab,

Classrooms, Studios

& South Lobby

FIRST FLOOR PLAN

By SCAD

First Floor Landing:

An open lounge area for students, designed to

promote the open exchange of ideas among

students, professors and visitors.

By SCAD

Homework Lab:

A homework lab for students to complete their

projects and assignments. The sign and door

are both original.

General education classrooms

Serve as general education classrooms.

Classes include English, art history, speech and

communication, math, anthropology, business

management and entrepreneurship and many

more.


SECOND FLOOR PLAN

Green screen studio, Sound

design studio, Courtroom &

Classrooms.

By SCAD

Sound Design Studio

By SCAD

Green Screen Studio

Green Screen Studio is used by students

enrolled in the film and television minor, visual

effects, animation, motion media design, and

photography.

By SCAD

Courtroom

Function as daily heritage tours and faculty

presentations and also host distinguished local

and international artists and designers, as well

as provides a venue for events and talks.


THRID FLOOR PLAN

Administrative Offices

By SCAD


FOURTH FLOOR PLAN

Studios & Classrooms

By SCAD


FIFTH FLOOR PLAN

Photo, Dark Room, Studios &

Classrooms

By SCAD

By SCAD

Photography Studio

On the fifth floor, you'll find the photography

facilities.

Students learn the full spectrum of

photography, from traditional and analog

processes to the newest digital technologies

used today by professional photographers in

industries such as fine arts, advertising, and

fashion

By SCAD

Printing Studio

a digital printing studio with wide-format printers

Dark Room

A darkroom with 12 enlargers to let

students gain valuable experience in all aspects

of the image-making process.

Organization Structure & Management

Manage by: SCAD

The Savannah College of Art and Design (SCAD) is a private,

non profit, accredited institution conferring bachelor’s and

master’s degrees at distinctive locations and online to prepare

talented students for professional careers. SCAD offers

degrees in more than 40 areas of study, as well as minors in

nearly 60 disciplines in Savannah and Atlanta, Georgia; in

Hong Kong; in Lacoste, France; and online through SCAD

eLearning.

SCAD has more than 20,000 alumni and offers an exceptional

education and unparalleled career preparation. The diverse

student body, consisting of more than 11,000 students,

comes from all 50 United States and more than 100 countries

worldwide. Each student is nurtured and motivated by a

faculty of more than 700 professors with extraordinary

academic credentials and valuable professional experience.

These professors emphasize learning through individual

attention in an inspiring university environment. SCAD’s

innovative curriculum is enhanced by advanced,

professional-level technology, equipment and learning

resources and has garnered acclaim from respected

organizations and publications, including 3D World,

American Institute of Architects, BusinessWeek, Design

Intelligence, U.S. News & World Report and the Los Angeles

Times.

By SCAD

Prepared By:

The 2nd Emptyscape Art Festival – ‘Beyond the Village School’

EmptyScape goes in search, reveal the stories and

characteristics of emptyscape to search for the

possibilities to re-use, re-represent, reinterpret these

spaces through art intervention.

EmptyScape hope to reveal to the public the characters

of these typologies of both private and public emptied

spaces and what roles do they play within the city and

how are these spaces were related to the city and

people.

This is the second round of organizing Emptyscape Art

Village.

Business Model

Business Model

It is a common cycle in the built environment that some

buildings get knocked down and rebuilt. Some get restored

to retain its body, some get abandoned and quietly sits in

every other corners of the city.

“FOR WHATEVER

REASONS BEHIND

IT’S

UNINHIBITEDNESS,

THE EMPTIED

SPACE GOT

FORGOTTEN, IDLED

AND SOMETIMES

MISUSED.

There are total of 4 main category of activity area which

includes outdoor art installation, performances and

workshops.

Outdoor art installation:

(A) Information Center (Ping Yeung Public School)

(B) Village Space (I)

(C) Around Kao Kee Store

(D) Village Space (II)

Performance:

- Environmental Dance Theatre

Workshops

- Art Workshops

Map & Function

Artist Ng Ka

Chun

interacting

with

children

and parents

with his

artwork,

XXX beast

Map & Function

Guided

Walks: A

Guide to

the

Artworks

and Village

Space

Under tree stories-telling with

Uncle Hung

Cozy little

space for

resting

Map & Function

Guided

Walks: A

Guide to

the

Artworks

and Village

Space

Guided Walks: A Guide to the

Artworks and Village Space

Fragrant

Villages: a

concept

music festival

co-created by

independent

musicians

and villagers

from Ping

Che, Kwu

Tung & Ma

Shi Po

Map & Function


Manage by: Emptyscape

Emptyscape is a non-profit

organization. Established in

2011 by a group of multi-

disciplinary profession.

Emptyscape has produce

various of art and musical

events in sub-urban school or

villages to beautify and also

revive the places. Most

importantly, it is to allow

interaction for urban and

sub-urban people to

appreciate these places.

Prepared By:

The Mei Ho House was built after a devastating fire in December 1953 that left approximately 58000 of citizens homeless.

The Colonial government then provided a 29-block resettlement estate on the site of the burnt-down shanties to

accommodate the homeless victims. Eight blocks (Blocks A to H) including the Mei Ho House a.k.a Block H, later

renumbered as Blocks 10 through 13 and 35 through to 41, were constructed with the financial aid of the United Nations in

the year of 1954.

Mei Ho House is a place that preserves features of Hong

Kong’s early public housing through restoration, to pass

down the historical, cultural and humanistic values of

Mei Ho House, and to transform Mei Ho House into a

cultural landmark of the local community.

It is to set an example for revitalization of historic

buildings, and to facilitate collaborations among scholars,

experts and inhabitants in promoting community-led

conservation of historic buildings.

It invites people from different worlds to serve as docents

of YHA Mei Ho House Youth Hostel in a bid to strengthen

neighborhood bonding.

To boost economic growth of the local community by

attracting worldwide travellers through the Hostelling

International network. Creating jobs for the

underprivileged and to develop the hostel into a

sustainable community enterprise.

Business Model

Business Model

To arouse public awareness of the importance of conservation of tangible and

intangible cultural heritage, and to interpret the historical, architectural, cultural and

social significance of the historic building Mei Ho House through exhibitions, guided

tours, and various cultural activities.

“To provide safe,

simple, and

affordable

hostelling

services to young

people and

travellers from all

over the world. “


The 7-storey blocks were

constructed in an 'H'

configuration consisting of 2

residential wings, with

communal sanitary facilities

linking them.


FLAT FLOOR PLAN

The floor plan of the flats were

designed to accommodate the

basic privacy needs of the users.

Fullcup Cafe

after

revitalization

in 2013

Floor Plan & FunctionUnderground

reception

counter

YHA Mei Ho Youth Hostel

Underground

Multipurpose

Hall for varies

activities


Underground

Resting Area

Directory to

each

programmed

spaces


Manage by: Hong Kong Youth

Hostels Association

Hong Kong Youth Hostels

Association (HKYHA) was founded

in 1973 as a registered non-profit

and non-government-funded non-

profit organization, it is also one of

the 90 national associations

affiliated with Hostelling

International (HI), the worldwide

umbrella organization that provides

members with information covering

over 4,000 youth hostels and other

travel benefits.

Apparently, HKYHA operates 7

youth hostels (including Mei Ho

House) across Hong Kong and

currently has an individual

membership of more than 30,000

people and group membership of

over 600.

HKYHA also promises

that the hostels they

are providing also

serve as educational

platforms that allow

travellers to broaden

their horizons, to learn

about different

cultures, and to be in

touch with nature and

heritage conservation.


List of current Executive Committee members

CHAIRMAN, EXECUTIVE COMMITTEE OF YHA

Terry C.Y.LIU

VICE-CHAIRMAN

James A.CAMPBELL

HON. TREASURER & SECRETARY

Hang Yee AU

MEMBERS

Thomas C.S. CHAN, IDS

Anthony T.S. CHAN

Ben W.H.CHONG

Paxson N. S. FUNG

Dr. Desmond C.K. HUI

Wai Tin HUI

Wing Chow KWOK

Andy Leung

Imma K.S. LING

John E. STRICKLAND, GBS, JP

Michael Y.K.WONG

PAST HKYHA CHAIRMEN

Michael Y.K. WONG 2005-2014

Thomas C.S. CHAN 1995-2005

Gabrielle C. KEEP 1993-1995

Douglas A. ROOTS 1988-1993

Graham D. RICHARDSON 1987-1988

John L.G. MCLEAN 1978-1987

Gerald L. STRICKLAND 1973-1978

By Neri & Hu

Prepared By:

The renovated

brick building

named Design

Republic

Commune,

houses a

series of

design stores

and

showrooms.

By Neri & Hu

Design Commune is a critical dialogue and exchange

for designers in the center of Shanghai. A place where

they can have a discourse in architecture, in product

design and in interior design

In short it is a design gallery, shop and event space.

To provide a place where people could shop, rest, a

place where people could meander and wander.

A place to look for different shops and different stores,

different products, and at the same time be a part of an

exhibition, or be part of a gallery, or be part of a talk.

Business Model

By Neri & Hu

Business Model

It is initially be used to showcase the best of international

design in order to inform and educate Chinese

designers and consumers.

“BRING THE BEST

OF WHAT THE

WORLD CAN OFFER

TO CHINA AND

HOPEFULLY ONE

DAY BRING THE

BEST OF WHAT

CHINA CAN OFFER

BACK TO THE

WORLD," SAID NERI.

By Neri & Hu


GROUND FLOOR PLAN

Mainly covered by Neri & Hu’s own

furniture brand, Design Republic (2).

Alongside with a mixture of design-focused

retail concepts (4), including books, fashion,

lighting, accessories and flowers.By Neri & Hu


FIRST FLOOR PLAN

The Commune will also have a design

gallery, an event space, a café, a

restaurant by Michelin-Starred Chef

Jason Atherton.By Neri & Hu


SECOND FLOOR PLAN

The whole floor is a one-

bedroom Design Republic

apartment.

By Neri & Hu

The space is envisioned as a place

of dialogue and exchange

between designers Double

volume

walk way


By Neri & Hu

Gallery

Gallery

Cafe


By Neri & Hu

By Neri & Hu


Manage by: Design Republic

Design Republic offers a unique

collection of products created by

the world's best design talents,

many of which have never been

made available to consumers in

China.

Design Republic will also

collaborate with many designers

both foreign and local to create

products that will explore a new

modern Chinese aesthetic.

Design Republic is also a republic

of style - style that creates new

ideologies in design, retail, and

merchandising concepts

embodying a distinctive aesthetic

for contemporary China.

By Sol89

Prepared By:

The Madre de Dios convent was

rehabilitated into:

• Contemporary Art Exhibition Space

• Part of the extension for Castile-La

Mancha University's Faculty of Legal

and Social Sciences.

All these university and cultural facilities contributed to:

• Rehabilitation of old monumental buildings

• Revitalization of the northern area of the historic centre,

the conventual area with significant problems of de-population and large buildings vacated pending rehabilitation and destination of use.

Business Model

By Sol89

“The

intervention

is projected

like a

variable and

reversible

space.”

Business Model

In short, this historic

centre continues to be

the centre of activity in

the city by his expertise

in administrative,

educational, cultural

and economic

functions of tertiary

character.

By Sol89

By Sol89

1 Contemporary Art Exhibition Space


1

1

GROUND FLOOR PLAN

The existing building was

rehabilitated by demolishing some

of its divisions and building others

to accommodate offices,

classrooms, washrooms and

exhibition space etc.

By Sol89

“We think the

contemporary

exhibition space

shouldn’t be

projected like a

static room in time

but like a never

ending space in

ellipsis, waiting for

each exhibition

come for

completing it.”

-Sol89


Exhibition Space

The walls and ceiling are covered by slats of wood, the

separation between them will allow see the original brick

walls, showing the textures of the bricks and the wounds

caused by centuries.

By Sol89


Prepared By:

Treasure Hill | Taipei Artist VillageAn artist village is not a

temple of high art

– it is a forum rooted in

real life

Through the Artist-in-Residence program, Taipei Artist

Village and Treasure Hill Artist Village are building a

multinational network of associative participation. With

studios and accommodation for Taiwanese and

international artists, this is a place where cross-cultural,

cross-disciplinary forces collide and meld, generating

artistic energy. Building a civil aesthetic of community

engagement and local creativity, a perceptual world of

abundance and variation.

Taipei Artist Village provides freedom and opportunity for

innovation in the making of visual art, music, literature, and

performance art and fosters artistic and cultural exchange

between Taiwan and the rest of the world.

Business Model

Business Model

Treasure Hill is an altogether

different kind of settlement,

home to 14 artist studios,

exhibition and performance

spaces, a café and a youth

hostel, along with a handful of

long time residents who

maintain the same tile-roofed

houses and small patches of

farmland they built after 1949.

“ An artist village

is not a temple

of high art

– it is a forum

rooted in real

life”

There have three division areas of the neighborhood :

(A) Treasure Hill Artist Village

(B) Treasure Hill Community

(C) Treasure Hill Traveler’s Hostel

Map & Function

Map & Function

Map & Function

Treasure Hill Artist Village has 14 studios, where either

Taiwanese or international artists can work and live, as well

as a rehearsal room, exhibition room and outdoor exhibition

space.

Treasure Hill Community

visual art, music, literature, and performance art

Map & Function

14 studios, where either Taiwanese or international artists can

work and live, as well as a rehearsal room, exhibition room and

outdoor exhibition space.

Treasure Hill Artist Village

Many homely cafés that are scattered throughout the village

Studio

Exhibition Room

Treasure Hill Traveler's Hostel, offers a realistic experience of

life in the community, its historical development process, and

its unique "spirit of place" expressed through its location,

spatial arrangement and distinctive character.

Map & Function

Treasure Hill Traveller's Hostel


Manage by:Department of Cultural

Affairs, Taipei City Government

● SUPERVISOR／Ministry of Culture

● ORGANIZER／Department of Culture Affairs、Taipei Culture Foundation

● PLANNER／Taipei｜Treasure Hill Artist Village

● SUPPORT／Taipei Fine Art Museum、Art

Happening Production Ltd.

Department of Cultural Affairs is a governmental

department of Taipei City Government of Taiwan.

The department has been structured to include four

divisions, namely: First Division – International

Affairs and Policy Making; Second Division –

Cultural Preservation and Heritage; Third Division –

Arts and Humanities; and Fourth Division – Public

and Community Art Development.


According to the Department organization regulations, the Department consists of a

director, a deputy director, a chief-secretary, a senior executive officer to each division.

The Department is composed of 9 divisions as the followings:

1. Cultural Development Division

2. Cultural Heritage Division

3. Cultural Facilities Division

4. Arts Promotion Division

5. Visual and Performing Arts Division

6. Secretariat

7. Personnel Office

8. Accounting Office

9. Civil Service Ethics Office

By Theaster Gates

Prepared By:

The Stony Island Arts Bank is a hybrid of

• Hybrid Gallery

• Media Archive

• Library

• Cultural Community Center

• Exhibition Space

• Home for Rebuild’s archives and

collections

on the South Side of Chicago.

Originally designed by William Gibbons

Uffendell and built in 1923 as the Stony

Island Trust & Savings Bank, the building

had sat vacant for three decades before the

Rebuild Foundation took it over in 2012

Business Model

By TheasterGates

OPENING TIMES

TUESDAY

–

SATURDAY

11:00am - 6:00pm

Business Model

Its refurbishment and

programming were launched

by the Rebuild

Foundation under the direction

of artist Theaster Gates.

Reopened in October 2015,

the radically restored building

serves as a space for

neighbourhood residents to

preserve, access, reimagine

and share their heritage – and

a destination for artists,

scholars, curators, and

collectors to research and

engage with South Side history

"a laboratory for

the next

generation of

black artists

and culture-

interested

people; a

platform to

showcase

future leaders,“

- Theaster Gates

By TheasterGates

Business Model

Tour Service is provided

• Public Tours

Rebuild hosts free public tours of the Stony Island Arts Bank, including

current exhibitions and on-site collections, every Saturday from 1-2 pm

• Private Group Tours

Private tours of the Stony Island Arts Bank can be arranged for groups of up

to 30 people with a reservation fee of $250. This fee directly supports

Rebuild’s capacity to continue hosting public programs.

By TheasterGates

Business Model

The Arts Bank collections include:

• Johnson Publishing Archive + Collections: Books

and periodicals donated by the Johnson Publishing

Company, publisher of Ebony and Jet magazine.

• University of Chicago Glass Lantern Slides: Over

60,000 slides of art and architectural history from the

Paleolithic to Modern eras

• Edward J. Williams Collection: 4,000 objects of

“negrobilia” – mass cultural objects and artifacts that

feature stereotypical images of people of color

• Frankie Knuckles Records: “Godfather of House

Music,” Frankie Knuckles’ vinyl collection

By TheasterGates


The three-storey facility contains


• Libraries

• Reading room

• Offices for the Rebuild

Foundation

Ground Floor contains:


• Oak Bar

Double-height

atrium flanked

by columns and

topped with a

ceiling lined with

patterned cream-

coloured tiles.

By TheasterGates


First Floor contains:

• Library

Filled with books from the former

library of Johnson Publishing,

which specialises in texts on African-

American culture and publishes

Ebony and Jet magazines.

• Reading Room

• Storage Area

Store 60,000 antique glass lantern

slides donated by the University of

Chicago and the School of the Art

Institute of Chicago.

By TheasterGates

The second

storey features a

23-foot-high

(seven metre)

library .


Second Floor contains:

• Offices

• Additional Exhibition Space

• Collection room 1

with a collection of vinyl records by

the producer and DJ Frankie

Knuckles

• Collection room 2

with a collection of of racist

collectibles, called "negrobilia" by

Edward J Williams.

By TheasterGates

Wood-panelled

room with a

collection of vinyl

records by the

producer and DJ

Frankie Knuckles


Basement contains:

• Old Vault

By TheasterGates

The basement had

about five feet of

water in it when the

building was first

acquired.

A non-profit organization that Theaster Gates

started in 2010 with the aim of

• merging art practises with community

redevelopment,

• rebuild the cultural foundations of

underinvested neighborhoods

• incite movements of community revitalization

that are culture based, artist led, and

neighborhood driven.

Organization Structure & ManagementRebuild Foundation

By TheasterGates

Executive Director

Theaster Gates

Accomplish By

• Activating underutilized spaces in the community

with arts and cultural programming.

• Providing opportunities and spaces for neighbors

to come together and engage in meaningful

exchanges that spark collaborative action.

• Empowering artists and creative individuals to

realize their potential as community change agents.

• Investing in the development of the skills and

talents of local residents to catalyze

entrepreneurial efforts.


By TheasterGates

”

“We act as a catalyst

in local economies by

integrating arts and

cultural

programming,

workforce

enhancement,

creative

entrepreneurial

investment, hands-on

education, and

artistic

intervention.”

- Theaster Gates

Theaster Gates JrExecutive Director

Demecina BeehnOutreach and Engagement Manager

Sabrina CraigCinema Program Manager

Korvell CurrySecurity + Operations Coordinator

Jabari GrossProgram Assistant

Michael HollimanBuilder + Labor Services Coordinator

Kimia MalekiSpecial Collections Coordinator

Joyy NorrisProgram Assistant

Amy SchachmanDirector, Programs + Development

Kate Hadley ToftnessArchival Collections + Residency Manager

Maya LoriResidency + Exhibitions Assistant

Jon VealCommunications Assistant

Darren WallaceCinema Education Coordinator

Khris WilliamsFacilities + Maintenance Coordinator


Prepared By:

The design of the exhibition uses the grid

as a base onto which different meanings and

potentials are projected. The grid (a frame with

equal intervals in the x & y dimensions) signifies

the order and rationality with which Singapore is

planned. The grid however, also provides

openness and freedom. In the exhibition space,

we set up a grid that allows everyone to move

freely, to appreciate the diversity of stories that

thrive within.

VENICE

BIENNALE

2016

Space to Imagine,

Room for Everyone

by

Wong Yunn Chii,

Teo Yee Chin &

Tomohisa Miyauchi

Responding to the primary theme of 15th

International Architecture Exhibition,

‘Reporting from the Front,’ Singapore’s

presentation places the small “battles”

fought at the home-front. These efforts are

contributing to the emergence of an

invigorated Singapore.

SINGAPORE

PAVILLION

VENICE

BIENNALE

2015

SEA STATE by

Charles Lim Yi Yong

SEA STATE is a series of nine projects initiated in 2005 by artist and

former Olympian sailor Charles Lim, with the premise of inverting

perceptions of sea and land in the island city-state of Singapore.

It explores the biophysical, aspirational and cerebral contours of the

Southeast Asian city, through the visible and invisible lenses of the sea. Its

structure is inspired by the World Meteorological Organization’s code for

measuring sea conditions, which numbers the varying states ranging from

calm, to moderate, to the phenomenal. Considered together, SEA STATE is

an index of this extreme oscillation and a call to attention.

Singapore, with its impressive urban edifice but also as an island

located along the equator, has striven to deepen the imagination of the

tropical forces that compel and overwhelm it.

Created by maritime trade, both colonial and modern, Singapore has

found itself at the center of global debates surrounding resource use, climate

change and territorial sovereignty. Its architectural solutions, from the

reclamation of land from the sea to the most recent case of devising

undersea caverns, form paradigmatic examples - absolutely singular yet

potent prototypes for managing and navigating these challenges.

Singapore reclaims and recreates itself constantly - this is the

paramount expression of its will.

Singapore has taken a 20-years lease on space at the

Venice Biennale, making a long-term commitment to the

international arts festival.

The announcement was made on 6 MAY 2015, by Mr.

Sam Tan, Minister of State for Culture, Community and

Youth (MCCY).

“Having a long-term lease in Venice will enable future

editions of Singapore artists and curators to view the

space for themselves. They will be able to imagine the

creative possibilities for their works, and use the space to

play to their strengths.” Mr. Paul Tan, deputy executive

of Singapore National Arts Council.

Business Model

Business Model

Singapore has signed a lease for a 250 sq m space on

the first storey (one level above ground) of the 16th

century Sale d’Armi building at the Arsenale.

“Sale d’Armi building

at the Arsenale is a

historical complex of

shipyards and

military barracks”

Sale d’Armi

building.

Interior view of

exhibition hall

Location of Singapore Pavilion.


Satellit View

Sale d’Armi building

at the Arsenale,

Venice


Singapore

Pavilion


-Provide an international platform to Singapore Artist,

Designers, and Architects to showcase their ideas

towards international market.

-Strategically promotes Singapore’s value and idea to

people, creates more collaboration between artists of

Singapore and artists from overseas.

-Inhabitant art culture in Singapore.

-A similar concept of Cooperate Social Responsible,

Singapore government is invest in art & cultural industry

to react towards social issues.


Manage by: Singapore National Art Council

Collaboration with: Venice Biennale

The NAC aims to nurture the arts in Singapore, and to

make it an integral part of the lives of all Singaporeans.

We celebrate excellence in the arts and work to make it

accessible to all. We believe the arts to be a vital avenue

for self-expression, learning and reflection, and are

constantly striving to create a sustainable environment

within which the arts can thrive. We spur local artists on

towards entertaining, enriching and inspiring Singapore,

and the rest of the world as well.


National Arts Council Singapore is

a statutory board under Minister of

Culture, Community and Youth.

Q & A

Way Forward

Documents

Kinrara Art Village compilation by People Ideas Culture 人思文