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Oroua Valley / 15 October - 9 November 2011 / Exhibition Catalogue / Milford Galleries Dunedin / www.milfordgalleries.co.nz
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Milford Galleries Dunedin18 Dowling Street Dunedin (03) 477 7727 [email protected]
www.milfordgalleries.co.nz
Kar l MaughanOroua Va l ley15th October - 9th November 2011
1. KARL MAUGHAN, Apiti North (2011), oil on linen, stretcher (v x h x d): 1020 x 760 x 35 mm
2. KARL MAUGHAN, Apiti South (2011), oil on linen, stretcher (v x h x d): 1020 x 760 x 35 mm
3. KARL MAUGHAN, Awahou North (2011), oil on linen, stretcher (v x h x d): 915 x 710 x 33 mm
4. KARL MAUGHAN, Awahou South (2011), oil on linen, stretcher (v x h x d): 915 x 710 x 33 mm
5. KARL MAUGHAN, Loveday Avenue (2011) diptych; oil on linen, overall (v x h x d
v x h x d): 1220 x 1835 x 38 mm, stretchers (v x h x d): 1220 x 915 x 38 mm each
6. KARL MAUGHAN, Kawakawa Road (2011) diptych; oil on linen, overall (v x h x d
v x h x d): 1220 x 1835 x 38 mm, stretchers (v x h x d): 1220 x 915 x 38 mm each
7. KARL MAUGHAN, Pohangina East (2011), oil on linen, stretcher (v x h x d): 915 x 915 x 33 mm
8. KARL MAUGHAN, Pohangina West (2011), oil on linen, stretcher (v x h x d): 915 x 915 x 33 mm
9. KARL MAUGHAN, Waiata East (2011), oil on linen, stretcher (v x h x d): 1215 x 1215 x 33 mm
10. KARL MAUGHAN, Waiata West (2011), oil on linen, stretcher (v x h x d): 1215 x 1215 x 33 mm
The technical virtuosity and stylistic breadth of Karl Maughan’s painting is
unmistakeable. An acute combination of naturalism and invention is revealed
everywhere in his paintings.
Maughan’s paintings present notions of the cultivated ideal in which social
associations, cultural dynamics and suggestive narratives emerge and
simultaneously he reminds the viewer that each work is a world of painterly
invention. He positions colour side by side in a manner which is abstract in style
and delivery but which collectively establishes an environment so convincing in
its naturalism that the viewer comes to believe he can enter the works. And smell
them.
Maughan uses light to infuse pictorial height and depth, while also altering
perspective in ways which are exceptional. He establishes “an ultra realistic
chiaroscuro-modelled three dimensional space.”(1) He colours shadow and gets
away with the impossible by presenting this as pictorial fact. Likewise the flowers
perform a compositional role and as such are rendered by deliberate and
distinct brush-strokes that function in an abstract colour-field: yet collectively they
come to more than imply, they state everything about each flower.
Viewed close up, powerful rhythms and a sense of the painter’s hand making the
marks emerge. However with distance the paintings coalesce and the effect is
almost photographic. This dualism lies at the heart of Maughan’s work. The
paintings in “Oroua Valley” are powerful testimony to how considerable this
achievement now is.
(1) Christopher Harrod, “Karl Maughan, Jo Pegler, Emily Wolfe” NZ Art Monthly, Dec 2005/Jan 2006
All prices are NZD and include GST; Prices are current at the time of the exhibition
E X H I B I T I O N P R I C E L I S TE X H I B I T I O N P R I C E L I S TE X H I B I T I O N P R I C E L I S TE X H I B I T I O N P R I C E L I S T
1 Apiti North (2011) 12,000
2 Apiti South (2011) 12,000
3 Awahou North (2011) 9,500
4 Awahou South (2011) 9,500
5 Loveday Avenue (2011) 27,500
6 Kawakawa Road (2011) 27,500
7 Pohangina East (2011) 12,000
8 Pohangina West (2011) 12,000
9 Waiata East (2011) 15,000
10 Waiata West (2011) 15,000
Karl Maughan 2010 CV Milford Galleries Dunedin www.milfordgalleries.co.nz
KARL MAUGHAN b. 1964, lives Auckland
Skye Farm (2010)
Karl Maughan has been painting gardens since the mid-1980s and this accomplished concentration
on subject has made him a nationally and internationally recognised and recognisable New
Zealand artist. Maughan has been exhibiting with Milford Galleries Dunedin since 1993.
"Karl Maughan’s fascination with gardens has come through his wish to explore light and colour.
Photographing his chosen gardens in differing lights, Maughan records as much detail as possible. In
the studio he then collages selected elements into new composite images. Applying paint in small
areas of the canvas to avoid premature drying, he pieces the work together like a mosaic. Rather
than blending colours, he uses clean colours side by side, this ‘alla prima’ (wet onto wet) technique
was popular with the Impressionists." (1)
"With most of these paintings we are drawn into the work, impelled to walk towards the painting as
though into an actual garden. However, as one gets closer into the vista one discovers you are
actually entering a painting... Up close these works are like impressionist paintings, a combination of
gestural marks, pointillism, and the white of the canvas which gives the work its shimmering light." (2)
“Details dissolve into an abstract flourish of rhythmically applied paint. The paint is really more
important than the garden, but not entirely so.” (3)
After ten years in London, Maughan returned to New Zealand in 2005. He lives in Auckland. In 1997
he was a finalist in the John Moore Painting Award. (This award, whose previous winners include
David Hockney, is regarded as one of the two premier art awards in Britain, the other being the
Turner Painting prize.) His work is held in public and private collections in New Zealand and the UK.
In 1998 Maughan came to the attention of British arts benefactor Charles Saatchi who has
subsequently purchased several works. Maughan was included in the Saatchi Gallery, London
exhibitions The Neurotic Realism in 1998 and I’m a Camera in 2001. Also in 1998 he was offered the
opportunity to install a major six panel work A Clear Day in the Habitat store in Chelsea, London. This
work was bought by Te Papa in 2000.
Born Wellington, New Zealand 1964. Bachelor of Fine Arts, Elam School of Fine Arts, University of
Auckland 1986. He completed one year of Master of Fine Arts in 1987 and has exhibited regularly
since then.
1. Natalie Poland, Manawatu Art Gallery information sheet, April 1998
2. John Daly-Peoples, 'Karl Maughan's Garden's of Delight in Dunedin", NBR, March 2010
3. TJ McNamara, Small seas and giant gardens’, NZ Herald, 8 April 2002
Karl Maughan 2011 CV Milford Galleries Dunedin www.milfordgalleries.co.nz
P a g e | 2
KARL MAUGHAN b. 1964, lives Auckland
EDUCATION
1983 - 87 BFA and MFA, Elam School of Fine Arts, University of Auckland
SELECTED SOLO EXHIBITIONS
2011 Oroua Valley, Milford Galleries Dunedin
Idlewild, Gow Langsford Gallery, Auckland
2010 Karl Maughan, Page Blackie Gallery, Wellington
The Lost Path, Milford Galleries Dunedin
2009 Everyday is Like Sunday, Gow Langsford Gallery, Auckland
Blackbarn Gallery, Hawkes Bay, New Zealand
2008 Martin Browne Gallery, Sydney, Australia
New Works, milford galleries queenstown
2007/08 On A Clear Day, Te Manawa Gallery, Palmerston North
2007 New Paintings, milford galleries queenstown
Page Blackie Gallery, Wellington
Cross Hills, Milford Galleries Dunedin
Recent Paintings and Prints, Gow Langsford Auckland
2006 Outside, Martin Browne Fine Art Galler, Sydney, Australia
2005 Kimbolton, Milford Galleries Dunedin
2004 Karl Maughan: Recent Paintings, Gow Langsford Gallery, Auckland
2003 The Visitor, Gow Langsford Gallery, Sydney, Australia
Park Lane, Vertigo Gallery, London, UK
Blow Up. St. Pauls Gallery, Birmingham, UK
Walking in Light, Vertigo Gallery, London, UK
2002 Garden Centre, Gow Langsford Gallery, Auckland
2001 Yew, Milford Galleries Dunedin
Art Lab, Imperial College Exhibition, London, UK
2000 Gow Langsford Gallery, Auckland
Karl Maiughan, Art Hotel, Florence, Italy
1999 Crowd, Vynel St, London, UK
Karl Maughan, Habitat, London, UK
1999 Waterview, Milford Galleries Dunedin
1997 Great Outdoors, Tinakori Gallery, Wellington
1996 Love Lies Bleeding, Milford Galleries Dunedin
Day Night, Gow Langsford Gallery, Auckland
1995 Green Triumph, Brooker Gallery, Wellington
1994 Romance and Irony, Gow Langsford Gallery, Auckland
1993 New Paintings, Milford Galleries Dunedin
Brooker Gallery, Wellington
1992 Gow Langsford Gallery, Wellington
CSA Gallery, Auckland
1991 Brooker Gallery, Wellington
Gow Langsford Gallery, Auckland
1990 Brooker Galllery, Wellington
1989 Gow Langsford Gallery, Auckland
Brooker Gallery, Wellington
1988 Brooker Gallery, Wellington
Gow Langsford Gallery, Auckland
1987 Garden Series II,Brooker Gallery, Wellington
Karl Maughan 2011 CV Milford Galleries Dunedin www.milfordgalleries.co.nz
P a g e | 3
SELECTED GROUP EXHIBITIONS
2010 Small Works, Milford Galleries Dunedin
2009 Masterworks, milford galleries Queenstown
John Leech and Gow Langsford Galleries Spring Catalogue, Gow Langsford Gallery,
Auckland
2008 Clock the Ton, Gow Langsford Gallery, Auckland
2007 In Fluorescents, Gow Langsfor Gallery, Auckland
Auckland Art Fair
2006 Chosen, Milford Galleries Dunedin
Master Works, milford galleries queenstown
2005 Auckland Art Fair
Selected Artists, Tinakori Gallery Wellington
Recent Floral Works, milford galleries queenstown
2003 Is As: Landscape As Metaphor, Milford Galleries Dunedin
1999 Idlewild, The Approach Gallery London
1998 Saatchi Collection Catalogue Show, Saatchi Gallery, London, UK
Karl Maughan and Dick Frizzell, Gow Langsford Gallery, Auckland
1997 MNZA: Landscape, Milford Galleries Dunedin
John Moores Liverpool Exhibition 20, Walker Art Gallery, Liverpool, UK
Under Growth, Holy St Studios, London, UK
1996 NZ Real, Milford Galleries Dunedin
1995 Blindfield, Coventry Gallery, London, UK
Catalogue Exhibition, Gow Langsford Gallery, Auckland
Stop Making Sense, City Gallery, Wellington
1992 Waikato Museum of Art and History, Hamilton
1990 Robert McDougall Art Gallery, Christchurch
AWARDS
1997 Finalist John Moore Painting Award, Walker Art Gallery, Liverpool
COLLECTIONS
Te Papa Museum of New Zealand
British Council
University of Victoria Wellington
Robert McDougall Art Gallery Christchurch
District Court Wellington
Corporate Collections
Glaxo Industries
Yates
Fletcher Challenge Limited Auckland
NZ Police
PricewaterhouseCoopers Wellington
Saatchi & Saatchi Wellington
Saatchi Collection London
Sky City Casino
Sky City Grand
BIBLIOGRAPHY
2011 Wolfe, Richard and Stephen Robinson, Artists At Work, Penguin Books, London, England
2009 ‘Karl Maughn’, New Artland, Series 2, Episode 4
2008 Thomson, Joelle, Into the Garden, Mindfood, issue 2, May, pp136-139 (attached)
2008 Somerville, Jane, New Work; Karl Maughan, Artworld, issue 2, April/May, pp144-147
(attached)
Karl Maughan 2011 CV Milford Galleries Dunedin www.milfordgalleries.co.nz
P a g e | 4
2007 Jennings, Nicola, On a Clear Day, Exhibition Catalogue, Te Manawa Art Gallery, Palmerston
North
2006 Newton, Katie, Up the Garden Path, Sunday Star Times, February, pp 16 & 17 (attached)
2000 Wolfe, Richard, Interflora, Karl Maughan Paints in the Face of Nature, Art New Zealand 97,
Summer pg 62 – 65
1998 Lopdell House Gallery, (Re)visioning the Real, exhibition catalogue 1998 The Saatchi Gallery, The New Neurotic Realism, collection catalogue 1998 Gregg, Stacy, The Flower and the Glory, Sunday Star Times, February 1, (attached)
1997 Milford Galleries, 3 Major Surveys-Modern New Zealand Art, exhibition catalogue, 1997 1997 John Moores Liverpool, Exhibition 20, catalogue, 1997 1995 Brown, Warwick, 100 New Zealand Paintings, 1995, p49
Loveday Avenue (2011)