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in a diri/ible an/ar 0 ile outide ?olly-ood, -a even ore
elaborate and
e -it The #a>> inger -a coin/ to anend. But, %o< ade
oney 4or year ellin/ toc" 4oota/e o4 te 4uturitic et,
recycled in te 1939Buck Rogerserial and any oter.
6aureen 7"ullivan and #ohn arrick
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@e Martian cotue could tart ne- 4aion trend i4 ti /ot -idely
o-n.
Ai/tnin/ bolt, *i"e and etallic *rint bi"ini i
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icard Barrio in i arvelou boo",A ong in the 3ark+de*ie Brendel,
-oe
#o"e, e aert, @-ore out teir -elcoe about te tie o4 =arlea/ne.@
Brendel
doen't boter e, *era* becaue don't ave to -atc a lot o4 i 4il in
uic"
ucceion. oe audience eber -o ave been coin/ to y creenin/
"no-
o- intereted a in coedy arceolo/y and te ytery o4 to*ical uor.
& little
bit o4 vaudeville never urt anyone, and any current coedian -ill
be conideredun4unny >0 year 4ro no-. Aeonard Maltin a**ear to
ave a o4t *ot 4or Brendel,
but de*lore te reel Hita*one coedie tat ucceeded i 4eatured
tatu, ayin/
e devolved 4ro a i*leton to an idiot. ?e 4ell 4urter do-n te
ladder into a erie
o4 =olubia ort, -ere e ubbed 4or te ree Stoo/e -en te ree
Stoo/e
-ere unavailable, altou/ one o4 i ort @e Blit; i@ -a noinated
4or an
&cadey &-ard in 19I8. Jo"e decontruction+ te car all ave
Je-i odel nae
a a di/ at ?enry %ord, a notoriou anti:Seite.
.6aureen 7"ullivan and Tomm% =lifford+ two little shamrocks from
the land of 8rin
who were brought to this countr% to pla% with #ohn 6c=ormack in
his first talkie;.
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& 4ar a can tell, ti 4il a never been on H?S or DHD, altou/
one o4 y
oviediva corre*ondent in4ored e tat it a**ear occaionally on te
%o< Movie
=annel. a- it 4or te 4irt tie -it y audience. ere i no oter ovie
li"e
#ust &magineand te cro-d loved it 4or it -ac"y uor
(intentional and oter-ie)
and bo//lin/ bi;arrity -itout #ud/in/ it 4ault too arly. t'
a*ered a bit by te
/lacial *ace o4 toe early tal"ie, and te trai/t lead (!arric"
and O'Sullivan) are
*retty ti44. But te coedy roantic cou*le, Mar#orie $ite and
%ran" &lberton are
a cou*le o4 *ar"*lu/, and teir duet, @ever S-at a %ly@ i te
uical i/li/t. &cience 4iction, it concentrate on te viual in a
an eye:*o**in/ -irl o4 MetaDeco.
But, li"e lot o4 early S%, te 4undaental attitudinal can/e o4 te
century re/ardin/
/ender and race are unia/inable. Moviediva, #r. *ointed out,
@tere are no &4rican
&erican in te 4uture@ nor any oter inority, and 4eini i a
non:iue. &nd, -e
till don't really -ant toe darned 2icture 2one, do -e6 My broter
ent e a i5. One on/ (4ro te teen6) @n 1999@
*ro*oed tree lau/able develo*ent o4 te 4uture+ -e'd ave a -oan
*reident, it
-ould be eay to /et a divorce, and -e -on't be in/in/ @May@ on/.
Jut
a/ine
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The .7ld ,ashioned irl. was a flapper+ of course;
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K
(Source include icard Barrio'A ong in the 3ark, The ,irst
1oll%wood 6usicalsby Ed-in M. Bradley, =elluloid k%lineby Jae
Sanders(---.celluloid"yline.coThe :s%chotronic 8nc%clopedia of
,ilm+ litin/ by
Micael $eldon,The reat 6ovie hortsby Aeonard Maltin ( tin" ti i
te title,y broter read it to e over te *one) and The Talkies,
edited by icard !ri44it.
2roduction Still 4ro Jerry Olin/er' Movie Material Store,
Joy;elle *oto 4ro
,ilm Architecture, an e
