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Here are a few projects from my winter quarter at SCAD
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When I think of my role as a designer, I am not sure exactly what that entails. However, what I do know about myself at this point is that I am very meticulous about every aspect of my life. I am constantly breaking down and reconstructing my surroundings to analyze how I can better them. Because being a designer requires a great deal of diligence it is the perfect outlet to focus my energy; there are no boundaries.
WHO AM I? HOME VIRGIN ISLANDS
MY DESIGN PROCESS
STEP 1
RESEARCH IDEATE DEVELOP REVIEW
STEP 2 STEP 3 STEP 4
STEP 5
THE MONEY-Understand the problem (Brand/Situation) -Target Audience (Who is it for?-Direction (How to solve?)
-Find inspiration/Brainstorm-Sketch/Ref ine/Sketch-Def ine main concepts
-Sketch models 3D -Ref ine 2D sketches-CAD Visualize
-Measure twice, cut once-Step back (Is it right?) -Final 3D model
-Document
1 2
Since its establishment in 1964, Seletti has always distinguished itself with its tenden-cy for innovative solutions in the area of household products. The brand is purely known for its personality, activity, challenges and constant research. As a result of unique combinations, references to the world of ar t and care for daily needs, Seletti p roducts enter the homes of any consumers with f ine taste, who like creating fun and personal life styles.
THE BRAND
DESIGN a series of f ive products after any chosen company and create a cohesive bathing rituals set.
3 4
DESIGN LINGO
WITTY
ORNATE
QUIRKY
REVITALIZED
Seletti often takes everyday objects or items taken for granted and turns them into a hu-murous fun experience by simply adding a new “feel”.
One of there main concerns derives from tradition and the idea of not only envoloping it, but creating an innovative twist.
In almost every Seletti product there is a f lair of inspiration. They often produce worksthat are close to excessive.
Many of there product lines have unexpected and tacky traits.
MATERIALS
COLOR
PATTERN
COLOR THEORY
INSPIRATION
11 12
SELETTI creates unique products for a unique expeience. Their goal is to bridge the gap between product and consumer, facilitating an emotional relationship between the two.
Royal-etries
13 14
Rockets toGrinderssalt and pepper grinders that is...
DESIGN a salt and pepper grinder set that would follow the form, color, and overall feel of the rocket car era.
15 16
Rocket Era IDUS 250 | Tristan Ewald | Jesus Rojas
1959 GMC F i reb i rd I I I
1955 Ford La Tosca
1961 Ford Gyron
1959 Cad i l lac Cyc lone 1951 Bu ick XP-300
1957 Pont iac F i reb i rd I I 1951 GM LeSabre 1956 Oldsmob i le Rocke t
1954 Pont iac Bonnev i l le
Har ley Ear l
The Rocket Eraaerodynamic
f ins
jet pipes
dome shaped roofs
engineering
23 24
Summary During the initial stages of this project, the thought of designing after such an abstract concept like the rocket car era was both exciting and intimidat-ing. It gave way to a very outlandish line of ideas that became quite inter-esting. Think about it; rocket cars. As the design progressed into sketching several forms began to stand out; one being a subtle, but striking form similar to a cut off bullet shell. What was fantastic about this form was the fact that it had a piercing energy that retained the strong value of elegence.