Jung Society of Sydney Newsletter July to December 2007

8/14/2019 Jung Society of Sydney Newsletter July to December 2007

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2/32

Presidents Rep rt Dr ming h N w Welcome t Jung D wnunder,ur n w k

N ws tt r. Th r na ing and r r atting

th N ws tt r hav b n sugg st d

and i p nt d b Ti Hartridg , ur

c uni ati ns o i r, wh has s

g n r us v unt r d his pr ssi na

graphi d sign ski s, t pr du this

b auti u rst diti n Jung D wnunder.Th

c itt is thri d b th r su ts and w

h p u ar t . A big thank u t Ti ,

and t lu Dav wh has dit d.

As u r ad thr ugh Jung D wnunder u

wi appr iat n t n th n w k but

a s th xpand d nt nt. W hav thr

gr at ntributi ns in Weaving V ices r

ur b rs. P t r Di k rs arti Yearning

r Blue is a b auti u p ti and s u u

ditati n n th r s nan s th ur

b u . craig San R qu has giv n us th rst

his Dr W ng st ri s whi h s nthra d

us at th AGm ting in mar h, and ur

B ksh p o r J n marsha has writt n ani u inating b k r vi w R b rt B snaks

n w b k Emb died Imaginati n in Art,

Medicine and Travel.

Th th th nt p rar is a atur

ur up ing ca ndar ev nts. In Ju

P t r mann wi b ta king with Andr w

Gibs n ab ut th app i ati ns Jungs

p rs na it t p s in t da s w r d, whi

in August, l uis Fanning wi b hairing

a dis ussi n b tw n Ann N nan and

Barbara cr d in r sp ns t Pans Labyrinth,a

as inating vi . I urg u t at h up with

it n DVD i u iss d it n th big s r n.

In S pt b r H ath r F r aini ha ng s

th ath rs ps h ana ti th r n th

r ath rs, whi tting in th Chinese

Year the Pig ur o t b r sp ak r, mari

makins n, xp r s th w st rn and ast rn

th and s b g Babe and his trib .

R b rt B snak n ud s ur pr gra

in N v b r b bringing us v r x iting

r su ts r his r nt r s ar h n th r

dr a w rk in i un h a th.

In additi n, w wi a s b h sting a n

da w rksh p n Emb died Imaginati n and

Dreamw r k d b R b rt B snak. F r th s

u wh ar un a i iar with R b rts

gr undbr aking w rk, this is an x nt

pp rtunit t b intr du d t th th ds

and passi n h brings t his inn vativ

appr a h t dr a w rk.I d h p u an j in us r this

sti u ating ca ndar ev nts. P as

high ight N v b r 10 in ur diar wh n

w wi hav ur Christmas Party i diat

wing R b rt B snaks ta k. This is a wa s

a war and ri nd stivit . I h p t part

with u th r and t t as an u

as p ssib in th s ing nths.

Sally Gillespie,Pr sid nt.2


3/32

N wC.G.Jung S ciety Sydney

3

CertifiCates

Certi icates Attendance r diting

Pr ssi na D v p nt h urs

ar avai ab at a ur ta ks and

w rksh ps. P as h k with ur

pr ssi na rganisati n t s i

th wi r dit th s h urs. Th

C unsell rs and Psych therapists

Ass ciati n NSW has a r ad

indi at d that th wi a pt ur

Certifcates Attendance r r dit

t wards th ir b rs r quir d

pr ssi na d v p nt h urs.

t c v C c l

lk ,

w n k n w k .

from the CommitteeTh Jung S i t c itt is g ing

r str ngth t str ngth xpanding

t v n b rs, a h aking

x iting and p sitiv ntributi nsa rding t th ir int r sts and

ski s . As w as r d s igning

th JungD wnunder Newsletter

Ti Hartridg has a s tak n n

r sp nsibi it r ut w bsit whi h

h rigina d v p d in 2000.

F ding int th d v p nt ur

w bsit ar P t r manns inn vativ

id as r th n in ark ting

Jung S i t ta ks and stab ishing

r v nu -raising inks. As Tr asur r

and Assistant Tr asur r w ar

rtunat t hav th a unting

ta nts m ni a R an and mar

Abar a wh st p int th sh s

l s Ha n wh has d n a gr at

j b v r th ast ar. m thanks

t l s r a h r w rk; I a

d ight d that sh is sta ing n th

c itt . N w t ur c itt

is B R b rts n wh has tak n n th

r m b rship o r with gr at

nthusias t in r as ur ranks.

lu Dav and Jun R n ds

ntinu th ir ng ing ars

d di ati n as librarian and liais n

o i r r sp tiv , whi J n

marsha is running th b ksh p

with a th passi n th d di at d

bib i phi h is. l uis Fanning

ntinu s t nsur that w havsp ia v nts in ur a ndar a h

ar, su h as th S p siu n

Pans Labyrinth. K ping it a t g th r

ad inistrativ , w hav th i nt

ski s ur H n rariu l n r

Ku akauskas, wh s h r u and

pati nt ak s h r wa thr ugh a

u titud tasks. It is a privi g

and p asur t b th Pr sid nt

su h a hardw rking, ta nt d and

nthusiasti itt wh ar

d ing s u h t k p us g ing and

gr wing. Many thanks t them all.

LibraryTh cG Jung S i t S dn has

a b rs' ibrar . Th ti n

nsists b ks, in uding a

v u s Jungs C llected W rks,a

rang issu s j urna s n rn d

with Jungian ps h g , and tap s

past ta ks.

Th ibrar is avai ab b r and

a t r th nth tings h d

usua n th s nd Saturda ,

and r 12-2p n th Frida

i diat b r a h nth

ting.c untr b rs a

r qu st it s b p st d t th .

Assistan with th librar is u h

appr iat d, wh th r pra ti a h pwith b rr wing and r turn it s,

r d nati ns Jungian b ks and

th r r at d at ria s h p t

xpand h dings.

librar nta ts :

lu Dav (Ph. 9572 7210), r

gjung@jungd wnund r.


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ONe accOuNt r d b J ng

in Mem ries, Dreams, Re lecti n s

d rib n p ri n h h d wi hn q in n h n r d h

B p i r o h Or hodo in R v nn

(dir r vi i ing h omb o h

empr G P idi ):

Here, what struck me rst was the mild

blue light that lled the r m; yet I did

n t w nder ab ut this at all. I did n t

try t acc unt r its s urce, and s the

w nder this light with ut any visible

s urce did n t tr uble me. 2

J ng go on o d rib ur great

m saic resc es incredible beauty whi h h h d no r d ing on

pr vio vi i om w n r r i r.

H r nding or om w n

min b or h o r h o h

mo i , howing Christ h lding ut his

hand t Peter, wh was sinking beneath

the waves , nd di ing i d i

wi h hi q in n . I w on r

wh n h o gh o p r h om po

IN HIs extRaORDINaRy k no ddr o h IaaP congr

in s p mb r 2004, n i d The Azure Vault: Caelum as Experience,1

J m Hi m n nd r ook n p or ion o h v rio q i i o blue

p ri n d b J ng, Mon , Pro nd c nn , mong o h r .

B Yearning r by Peter Dicker

4


5/32

Baptist ry in Rav nna, Ita y

rd or pho o o h mo i h h

disc vered that the m saics that I had

described did n t exist . (MDR, p. 315)

In h o owing di ion J ng

gg h hi vi ion migh r o

p r i r in ion h h d h

im or h empr G P idi :

Her ate and her wh le being were vivid

presences t me. .. she was a suitable

emb diment r my anima. (MDR, p. 316)

H n on d :

Since my experience in the baptistery

in Ravenna, I kn w with certainty

that s mething interi r can seem t be

exteri r, and that s mething exteri r

can appear t be interi r. The actual

walls the baptistery, th ugh they must

have been seen by my physical eyes,were c vered ver by a visi n s me

alt gether di erent sight which was

as c mpletely real as the unchanged

baptismal nt. Which was real at that

m ment? (MDR, p. 318)

In h R v nn p ri n J ng

pp r o n o n r n p o b

h i h o i vi ion , h

kind h b r h norm r hbo nd

di in ion b w n hing ; in hi

di o ving h bord r b w n r i

nd n , rior nd in rior.

th p ri n r on wi h h

o h r earth shattering pi od in

J ng i wh n h in ho pi or

om w k o owing h r k,

hov ring b w n i nd d h. H

d rib d hi ini i vi ion in d i :

It seemed t me that I was high up

in space. Far bel w I saw the gl be

the earth, bathed in a gl ri usly blue

light. I saw the deep blue sea and the

c ntinents... and its utlines sh wn with

a silvery gleam thr ugh that w nder ul

blue light . (MDR, p. 320)

Wi h hi p ri n m ib r ion

rom r hbo nd imi ion , thewh le phantasmag ria earthly

existence, ell away r was stripped r m

me. (MDR, p. 321) th nigh vi ion ,

whi h on in d or bo hr w k ,

w r in i i p in or J ng b

im d o o b i , ving

him wi h pro o nd di ppoin m n

rw rd grey m rning is c ming

again; n w c mes the grey w rld with5


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its b xes!. (MDR, p. 326) a r rn o h

r h p n bro gh J ng b k o

hi o d wor d o divi ion , w nd

p r ion , o h p in nd dr b

imi ion o rr ri p nd im ;

nd b r o hi in n b i

b vi ion , the m st tremend us things

I have ever experienced. (MDR p. 326)

J ng wo d ndo b d h v

nd r ood h voi o Mon , i

i im gin d in h po m b M r

(Mon R h Op r ion): I will

n t return t a universe bjects that

d nt kn w each ther. 3 th v r d

wor d n n v r pp r h m r

on i p rmi d hi kind o r v ion,

bo h o h onn dn o hing

( h unus mundus ) nd o h ing r

n r o im in which present, past,

and uture are ne. (MDR, p. 327)

th p ri n n b ik n d o h

d p ning b o wi igh obj

o h ir di in p r n ndpp r mor nd mor o b ong o h

o h r. I w o d ho d hi vi b or

i d omp o b k w migh

b gin o gr p h universe bjects

h kn w each ther.

a J ng p ri n gg ,

on n on p h wondro

nd n h n ing r v ion wh n i

pr n i o h or gro nd o o r

p r p ion, or i i b ond o r r ion

nd r nding. It eels unimaginable,

incmprehensible. It simply happens, ut

the blue, simple and evident and truth ul

as the sky happens, un ath mable and

undeniable b th. A given, a gi t. 4

th v rio mbo i m ni ion

o b nno b vi w d in i o ion

or wi h ing ri o m ning.

tr di ion , b w bo h h o o r

o h Virgin M r dr nd o

h o o r mo o i d wi h h

in o . I i in r ing o no

h h word blue i b i v d o b

mo ogi r d o bo h b k

nd whi , nd p ho ogi nd

h mi v , Hi m n h gg d

h b n d o b n in r ion hip

o bo h, p r i r o b k:

The blue transit between black and

white is like that sadness which emerges

r m despair as it pr ceeds t ward

refecti n. 5 th b k, h nigred o h m , i

pi o fi ion d void o

wi or r ion; word nd ho gh

r di mbodi d nd , or h

won om , no po r or ong, no

p r p iv o igh n h b k.

th mo imp n r b r m o b k

r r in v r d ng ro p o

nd on , b h h mi im g o 6


7/32

Yearn ng r B ueh s l niger (b k n) o gg

h b k n rr i own min -

n , i own wi dom nd know dg

b ond h on in o r ion go

on io n . On on n d o r d

J ng obiogr ph o ppr i how

o n h w omp d o k om

d rk, on p h, o n i d wi h

n o gr n r in nd dr d, n-

r o wh h r h wo d om hro gh

o h o h r id . th o n h

giv o h ord r pr n om o

hi mo moving wri ing. th r mind

oo h h r i no r in o i -

min ion or r n orm ion ong h

d rk p h nd h h pro o nd igh o

on io n h m b o nd h r

i h kind h n n v r b p r d,

p r nd whi , rom i d rk in rior.

In r n in rvi w thom Moor

pok bo hi p r i r dmir ion

or Jung the Magus... his reverence r

magic, superstiti n, astr l gy, sance and psychic ability. H r h Jungs

understanding magic separates him

r m Freud and even th se Jungian

rati nalists wh are embarrassed by his

es tericism. 6

a w know, J ng him w divid d

b w n hi r ion i n i p r on

nd n pp r n inn gr vi ion

ow rd h dark arts.

th h b i h o o r mo

o n o i d wi h m gi h p o

b i d o r im g o b r in

p r m o on io n , o n mood

or n w r n , h n m rg rom

b k. How v r, i r m in om hing

o m r o how or wh n nd wh

b k m i d om hing p o b .

In r ion o mood nd , Hi m n

ob rv h blue emerges as the

nigred clears int the albed (white)

and the mute mind nds v ice, lightens

up and can sing the blues, express the

melanch ly. 7 thi gg h h

m rg n o b m rk h b ginning

o om r n orm ion o h d n nd

h v d p ir o b k. B m n ho i

wo d m o b n n ido o h

voi nigh nd p rh p

in n h mi mov m n ow rd h

b do.

Wh ho d o b nd r ood

i h b rri i own d ng r ,p r i r i m rg kind o

n w n rg rom h p r i o b k.

un p d hi o n

h igh n h ri k o -h rm. I i

q i w known mong p ri n d

m n h h pro ion , or

mp , h h r i n in r d ri k

o i id p r on mood b gin

o i , p r i r r o n i-7


8/32

d pr n m di ion. th d ng r i

in h in r d n rg nd kind o

di inhibi ion h pr d h g n in

i ing o mood.

th r i o h d ng r o p ri n -

ing om hing ik h r v r o wh

J ng p ri n d in ho pi , wh r

vi ion o blue m om r ong

p riod o oppr iv i in h grey b x.

a midd - g d wom n p ri n

m n w k o d rk d pr ion. On

morning h w k o b i d ;

h k i b nd h n rb o n i

m. sh d id h hi i good

d o nd h r i nd m b gin

pr p r ion o driv h r r in o h

o n. I i on r in h d h h

o h r p n r h r m mb r

h h h orgo n o r gi r h r r

nd i r h h wi b in ro b

i h i opp d b h po i .

a p rp ing nd di rbing p

o m n i id mp i h ri ndnd mi wi r por h in h ho r

or d prior o h mp h p r on

wi pp r o b om v r m, q i

nd r iv h r , d pi o n

h ving j p d hro gh ong

p riod o gr ng i h nd d pr ion.

th p r on m pp r mor di n or

d h d b o q i dd n r

o om ong nding onfi . I i

i h h v p ri n d om r

r v ion h h h pow r o ov rrid

pr vio p r p iv . u wi h

gr r nd d rmin ion, h

h n pro d o p n h d i o h ir

i id .

th r i om hing in r dib nd

dr m ik bo m n o h -

o n h , in m n w , h rk b k o

J ng r i r omm n r on hi n -

i mo i vi ion R v nn , wh r h

hing h w r ob rv d b hi physi-

cal eyes, were c vered ver by a visi n

s me alt gether di erent sight which

was as c mpletely real... and h n r

in h ho pi wh n h w fo ing in

p , g ing wi h wond r the gl be

the earth, bathed in a gl ri usly blue

light, wh r h on g in mph i d

h obj iv n r o h im g , d -

ribing h m utterly real nd n t a

pr duct imaginati n. (MDR p. 326)

a w h v no d, d ring hi inho pi J ng w n hro gh p riod o

rmoi in whi h the sense annihilati n

pred minated, b r im b g n o

p ri n n o gr p nd

d hm n rom r h on rn .

th im o hi vi ion w hi rriv

gr ro k mp fo ing in p .

H r h h d rong n h h

n n w r d q ion bo hi i8


9/32

Yearning r Blue wo d b n w r d: There I w uld at

last understand... what hist rical nexus

I r my li e tted int . (MDR, p. 322) J ng

w now g r or hi n o n r wi h

all th se pe ple t wh m I bel ng in

reality (p. 322) nd h vid n h d no

d ir o r rn o hi ph i i on

r h.

th n i o J ng r rn o

r h i on b m vid n

wh n h ob rv d ar bel w, r m the

directi n Eur pe, an image l ated

up o Dr H., hi r ing do or h

im : Dr H. had been delegated by earth

t deliver a message... there was a pr test

against my g ing away. I had n right

t leave the earth and must return.

(MDR, pp. 322-23) F or , b ond

o r nd r nding, m n h J ng

w r q ir d o r rn b k rom hi

higher o b ing, wh h r h w n d

o or no .

Hi m n no h b o n h v r i p , in, or mp , i

r n i ion po i ion b w n b k nd

whi , b i ho d r d b pp r n

h i mov m n i no w pw rd

nd w rom b k, b mor

jo rn o snakes and ladders hro gh

h r m o mood nd p hi n rg .

con id r h rom h o ring

h igh o ov o h m n ho o

ov h h oo d or r m in d k

nd nr q i d.

O r ng g nd o r p ri n

gg h h r i no on h

i b or h b o m n ho

nd dn b o h b o blue

m vies nd h o i d ero o blue

desire wh r mo d ring nd ob iv

rg k gr i ion in n id i d

nd imp r on ov obj . th n g in

h r i o blue murder, nd on v n

hink o h b o h h m n orp .

th h d o b r p rv r nd

d rk r on ing: h b o orbidd n

nd r h d ir or p ion .

Hi m n no : The transit r m black

t white via blue implies that blue

always brings black with it,nd o

gg h Blue pr tects white r m

inn cence. 8

th h m o h v rio

b ring pon h d v opm n o b

m i . F n nd pr i ion r o j ndb wi b mi i r wi h h m i

rm, h blue n te. a b ong i

pr domin n p d in h m jor k

b blue n tes o drop p r i r

no in h b h on . thi

ow h ong o mov b k nd or h

b w n m jor ( happy ) nd minor

( melanch lic ) no nd hord . M n

h v rg d h i i hi q i in h9


10/32

Yearn ng r B uem i h giv h b i blueness.

From h p r p iv o h o iv

p h on n o on id r h m r-

g n o b m i r pr n ing

n impor n r hi w rom

b k, rom h nr n ing d p ir o

n n v d nd oppr d p op nd

rom ong r di ion h pr d

n mo word m n , o mod

o pr ion h o d pr bo h

orrow nd h h pp kind o r i h

om rom imp nd in b ing

b o ing. I h o n b n id h

h b w r m n o b ng r h r

h n p d.

I i o r h r in r o no h h

in ion o h b in o whi r

w gr i i d b h r o

prohibi ion in h 1920 am ri . a h

im , whi o k ooking or n i g

do o oho gr vi d o r in

v rn or nigh b , h speakeasies

h w r d, wh r , oin id n ,m n o h m o h rd h b ( nd

j ) or h ir im . I m q i

ppropri h i w in h mok

nd orbidd n nd rwor d h h

whi r o am ri ( nd h n

h wor d) in go h b . On

nno nd r im h impor n

o hi r n mi ion o b k r

in o m in r m pr ion o m i ,

r nd ho gh in h 20 h n r . In

q i i r n , b g r d in h

r n i ion rom on o h o h r.

In on n or no h r, b o

r q i promin n in h

pop r ong o h hir i nd or i ,

rom h i M d Indig o h

pb Irving B r in ong, Blue Skies.

In M d Indig h ing r m n ,

Y u aint been blue, n , n , n ... till

y uve had that m d indig . .. N b dy

cares ab ut me, Im just as blue as blue

can be;whi Blue Skies m n g o

onv wo pr ion o b in h

on in Blue days all them g ne,

n thing but blue skies r m n w n. I

m d iron h hi h r

nd op imi i ong w h on on

v r on ip in 1929, j prior o h

r h o W s r .

Whi r r n o b m no

o n pp r in h ri o h o k

ong h h v b n m d mob h ik o P s g r nd Bob

D n, i n v r h o in h

m i o hi r di ion. Wh h r h

o k ong p k o ov , o i pro

or igni n v n in hi or , i o n

rri wi hin i d p mbiv n

n h r q ir bo h g ing

b kw rd, pi h in nd

wrong o im b or , nd ooking10


11/32

orw rd, r hing or vi ion h n

in hi mom n .

Wi h on ooking w b kw rd,

o n in o h h dow o r nd

p r on m mor , h o k ong n

n v r b r ri mph n or n v

on d n in h w h mod rn pop

ong n v r o n b . ev n wh n i i

pr ing i mo hop n im n ,

h r di ion o k ong o n rri

v in o dn , om im oo p in

o dmi , h know oo w h

w r n ik o v r o r hop

d, no in h w h w

nvi ion h m. a i b , h o k ong

ho d i hop om wh r b w n

orrow nd rning. H r r i

h gr in o b k h pr tects white

r m inn cence.

th r pp r no nd o o r po ib

r min ion on b , nd hi in i

gg h p i q i o b h

dr w on v r onw rd in o h r mo r v ri , vi ion or ong.

th mbo i igni n o b in

J ng i nd work nno b do b d;

nor n i p in i h r o r r

hi or or o r p hi i . y h r

r h d o b h r m in o o

m r nd o h m i , nd h r

i i m h h w m n d o rn

bo o r p ho ogi o b

nd h ir b m rg n rom (or

b id n in o) b k.

From hi p r p iv , on migh

q ion h hoi o bey ndblue h

n m or m jor a r i n org ni ion

d di d o depressi n preventi n.

On hink r h r o Hi m n p In

De ense Melanch lia :

Melanch ly is a given with the planet,

and it needs t be cared r. I n t, it

bec mes clinical depressi n... The j b is t

revert depressi n back t melanch ly, n t

t cure depressi n, n t t li t depressi n

and make us happy, but t increase

ur understanding melanch lia; the

area m d, beauty, l nging, n stalgia,

sadness, and despair.9

1 Hi an, Ja s. Th Azur Vau t: ca uas exp ri n . K yn t addr ss at thI.A.A.P. c ngr ss XVI, Bar na, 2004.

2 Jung, c.G. Mem ries, Dreams Refecti ns (mDR). F a ing , 1986, l nd n,314-15. A th r r r n s t mDRin this ssay r r t this diti n.

3 P qu t d in u in Hi an, Ja s. Th Azur Vau t: ca u as exp ri n .

4 Ibid.5 Hi an, Ja s. The Essential James Hillman:

A Blue Fire.Intr du d and dit d by Th asm r , R ut dg , 1989, l nd n, 154.

6 H nd rs n, R b rt S. Jung and A h y: An Int rvi w with Th as m r , in Nan ycat r ( d.), Spring , 2006 (74), 125.

7 Hi an, Ja s. Th Azur Vau t8 Hi an, Ja s. The Essential James

Hillman: A Blue Fire,154.9 Hi an, Ja s. In D ns m an h ia.

Sy p siu . Pa if a Graduat Institut ,Santa Barbara, ca i rnia, N v b r 7, 1992, qu t d in c tt Kavanagh,T nag G ths: Th B arab Darkn ss B ing. Spring, 1999 (65), 64.

11


12/32

W ong In rod ion o Immornd o G M ngb Craig San R que

I N tHe asIaN r gion on known M h r i n r o r in or ,im on nd q r i mo n in . I i n ob r nd r r vi i d r gion.

Winding mong h im on hi h r i go d b ring riv r.

Ov r ooking h riv r n r m n

known Gua Msang i m ho ow

im on mo n in wi h mo p r-

p ndi r id . I h rpri ing omm nding vi w o di n hori on .

thi mo n in, whi h do no dr w

n ion o i , i mong o h r

r ng wro gh ro k orm ion ,

r mini n o h r n nd n mo n-

in o n i n chin .

G M ng i o pi d now b

chin go d mining n r pr n r . a

i w o o own h r i p io

on r mp known h Temple

M n and Water. In h mp h r

i r m d p n dr wing o h godd

Kuan Yin. th dr wing i ppro im 700 r o d, n rom chin wh n h

mp w d di d o h r gr io

pr n . How did hi r mo mp

om o b i d pr i h r

v n h ndr d r go in r gion

no known o h v b n inh bi d b

chin ? th imm di n w r i h

h r w go d b ring riv r.

How v r, b or h on r mp12


13/32

...A little way ut t wn there is spaci us c ncrete templekn wn as the temple m n and water.

Ph t : R b rt V. m dy

13


14/32

ng ntro Moon nd W r w b i h r w

m r r n w b b mboo mp

h oo o h ho ow hi . thi oo w

d di d o Kuan Yin nd o o h

Nine Imm r tals. B or h b mboo

r r h r d p w o d

wi hin h mo n in. th in rior o hi

mo n in w o pi d b n Immor

who rv d h im on in rior o hi

dimin iv mo n in in ord r o rr

on h work whi h immor do.

th m v rno mo n in i

on ig r d in p r i r m nn r,

nd w r o o vi i i , i wo d

rik o h om hing bo i

on ig r ion nd niq r gr n

in h mo ph r wo d onn i o

o h r hi i wi h whi h o migh b

mi i r or wi h whi h o m ind d

h v n ni .

A Wrd ab ut Imm rtals

IN tHe suBtle wor d o h r m

o chin r whi h o ow hTa h r m b o nd indi ion

o nin b ing o imm rtal q i .

Imm r tal h r r. th ir n m ,

pr n , I h v orgo n, or i i on

on immor pon whom I m nd.

and h mom n h n m I o

id n i hi b ing o bo h m nd

m pp r n i Kuan Tsu. thi

n mino i onv h n o the

c mpassi nate (or n iv ) master

c nnectivity. I i po ib h Kuan Tsu

i o p r oni d Kuan Yin. th i

h r i no h n m , b h work. th

Immor h v k . B ing immor ,

h ir bodi r r n m b . B ing

r n m b , h ir bodi k orm

orm. B ing r n m b , h ir bodi

mov in b wor d , in b im ,

dr m bodi mov in b wor d

nd b im . th Nin Immor ,

h ir on or nd h ir omp nion

pp r in n dr m pp r .

th di pp r in n , dr m

wi di pp r wh n w w k n. B ing

immor h r r n i n , h i

im n o in im gin wor d nd

in b n i r i . sim n o

h r gri nd njo h mo r.

an Immor h b n , ong vi ,

p rpo , in n ion, ivi nd k.

Immor ppor nd m in in h

id o h wor d, h p o h

wor d h onn ivi o h wor d.Immor m in in h n , h f n

nd h ir ion o h br h o

b ing . In chin hi br h i known

chi.

thi work h Nin Immor do

h ppi , h r , b r n , r ,

wi hin h r o i i nd wi hin

ho ow hi , wi hin v o im on ,

o gr ni , o op n w r. th 14


15/32

uct n t mm rta sr v , d in gr iding mi o

m jor riv r , o rib ri .

th Immor h v r i nd ,

omp nion . th r known h

Clan Grey Silk. Grey , b mo

invi ib . Silk, b pp , igh nd

n . I h v om o m om o h

m mb r o h omp n o Gr si k.

I wi o h m ing nd I wi

o on or wo in id n , ori

o m ing wi h h r m rk b m n,

r m rk b wom n.

Wi hin h hi G M ng, in

1421, h Immor or h Immor

omp nion whom I kn w Ku an

Tsu, or Charlie W ng, i mb ing n

ob rv ion po whi h h r r o

dr gon n . K n t i r pon ib

or nin h n , nin i whi h

r p poin in h bod o e r h.

th r poin rom whi h r ion

m n . F r i poin . Nin n ,

p r o h gr ir ion.

l o nd hi m r oo p ingor o r iking I wi r i . th

bod o h r h h p ing poin

in r ink d in on in o mov m n .

I i h k o immor o nd o

h h h o h poin . B vi i ing

h i i i po ib o k h p

o h wor d. From h r n immor

n m k n ob rv ion o h n ir

m, ing h h h o h

dr gon n whi h, in i p ion,

in h vi i o h wor d.

th igh o h wor d. K n t i

r pon ib or nin o h mo ing

i o h h n known wor d.

a K n t mb d h i

ob rv ion hi i in 1421, h

g d o pon hori on o h known

nd h n h r wor d. H g d in o

h hori on o r im , nd gr

o dn m pon him h w h

dir ion or h r . H no d h

in r ing pop ion o h h m n,

nd h r ining o h i o k p

p h h h ir ion o h wor d.

K n t pr p r d r por o h

ob rv ion .

th r w im wh n igh h r d

m in n n o h i w h

w n d d o k p h wor d iv . a

h im h Immor o d ord o

w nd r, h ppi h ing on h ro d

wi h rm r or i ing in g h ring

o wom n. th o d do h ir work,h ppi ompo ing m i nd r i ing.

tim o d b k n b h m n

ov d h ir i nd did no ro b

h m. th ni or dr gon n ,

h ng o h m, roon d o h m,

pr rv d h m nd h i w r b

o work wi h h n rgi o h wor d.

a h im h m n w r w nd

d h ir n . th nim w r15


16/32

ng ntrm n nd h b ood nd br h o h

wor d ir d h ppi . No go d n

g o o r , o n v g , rri ing

nd h r wr n hing w . B

ong di n ow d down

r prod ion, nd h in r m n o

d h w r m n g b .

In ord r o pr rv h onn ivi

nd ir ion o h wor d i b m

pp r n o K n t h h

ir ion o d no d p nd pon h

on in ing i n nd po n o

h ph i i . In K n t vi ion

i b m pp r n h h m jori o

h dr gon n wo d i , r i i

b ob i r d, ho ow mo n in g d,

riv r n g d, rib ri d ro d.

th wor d wo d r rom h r

i r . I hi o d no b pr v n d

h n n rn iv r g o m in in

h h h o h wor d wo d h v o

b in mo ion, nd h ik i r

o b pr p r d or. thi w h b rd no K n t r por .

In 1422, r o h gg ion

rom G M ng h r w m ing o

h Immor nd h ir omp nion .

I w h d in shir , P r i . a r

o h m ing h r b g n b

nd gr d hi in h b n o h

wor d. th p riod o in riori b g n,

o owing K n t gg ion.

K n t gg ion w hi :

In every human heart there is n w a

h ll w m untain t be rmed. In every

human, a drag n nest. In every human

nerv us system there is a river t let f w.

A sl w timeless p wer t be established,

eminine, resilient, t ugh and sl w. In

every human b dy a ery active p int,

masculine, purp sive, c mpassi nate,

enduring.

th i m b r - b i h d, id

K n t , wi hin h in rior wor d o

v r h m n b ing o h , i h o id

ho ow d mo n in i , h in rior

mo n in wi on in . thi wo d b

k or v r ing o or

ri i m o o o omp i h. th

k o in riori ion wo d r q ir , or

p riod, v in r d work o d or

h Immor .

a Nin Immor r d o b

ov rwork d nd h h b g n o

r r i i n , n in r d n worko g n o h Immor . thi

omp n w ion known b

h Immor h ir dearies, or h ir

silkies. Silkies,b ipp r , dearies,

b dearly bel ved.

som r go, ro nd 1933 no h r

m ing ook p , n r d pon m

v o id a i i, I . Fiv h ndr d

r in o h p riod o in riori , K n16


17/32

Ph t Kwan Yinis r pr du d b kind p r issi n R b rt V. m d , e ritus Pr ss r

math ati s, D part nt math ati a and Statisti a S i n s, Univ rsit A b rta and

Adjun t Pr ss r math ati s, Univ rsit Vi t ria, canada. oth r ph t graphi i ag s

b Pr . m d an b s n at: www. ath.ua b rta. a/~rv d /rv ph t /ind x.ht

uct n t mm rta s t nd h immor r vi i d,

r d h p n. Mo o wh i

h pp ning now nd h pp ning o o , in

, i r o h r ion. th

i ion i r gi , d ng ro , po ib

i r .

The C mpany Grey Silk

I RealIse NOW h I h v om o

m om o h omp n o gr i k

or h ir g n . a , p rh p , o h v

o b n m , in m rio , niq

nd r n n m nn r b g n

o h in rior pon hi k o

onv r ing ho ow mo n in .

I did no nd r nd hi i o h

in riori o i n i w mon h

go. I m r o h n

m ing wi h phi o oph r nd h r

on . In h r omp n I ook d b k

ov r m p nd no i d p rn o

whi h I h d b n n w r . No i d h

I h d b n work d pon nd w in rn working pon o h r .

and I n now h or m n ,

m n r , q i , r i i n ho ow

mo n in h b n on r d, riv r

h b g n o ow nd ir ion

b i h d. I h v b n nwi ing ,

n on io p r o p nn d r -

org ni ion o m b ing nd o m

i d o h p o h wor d. I

r gr i h k n m o ong, b ing

oo i h nd ow. I on m o b

o d d whi h r o o r r

nd h rp, in ig n pon h w .

For m hi in rn r org ni ion

m bo hro gh m ing wi h n

g n or n m n ion o K n t ,

known o m Dr ch r Wong,

ho gh hi i nd id n i i r m n .

I ho gh p rh p I migh o i

o wh h h pp n d nd how ch r

Wong work .

Auth r: Dr. Craig San R que is an ana st wh

has pra tis d in l nd n, c ntra Austra ia and

S dn . His st r nt pub i ati ns ar in

th d ps h ana sis and anthr p g .

H is kn wn r v ving unit th atrv nts n th gi a th s, and pr s nt-

d s v ra p ti st ri s Dr W ng and the

G lden Fl wer at ur mar h tur ar i r in

th ar.

17


18/32

TAlKS + WoRKSHoPS

c.G.J ng so i of s dn th c.G. J ng so i of s dn w form d in 1975 o promo di ion of h

id of h swi n nd p hi ri Carl Gustav Jung.e h mon h h so i

rr ng G sp k r o pr n div r r ng of J ngi n opi in h form

of k , work hop nd p i v n , whi h n b fo nd in h fo owing p g . th so i i op n o m mb r of h g n r p b i nd off r ri h nd v ri d

mon h progr m of p k r bo h a r i n nd in rn ion .

18


19/32

all t lk l bl v k L , L v l 2, 484 K n s , s n

satuRDay, 14 July

6.30PM FOR 7.00PM

taLK

Pop ri d b h M r -Brigg t p

Indi or, J ng i min ion o h

p h , i on r ion, op r ion nd

in r ion h b n h o nd ion o m n di ov ri in pp i d p ho og

ov r h p 20 r . No imp

b d ning o r pr r n , J ngi n

p ho ogi p i h b i o mo

im ing p or ion o o r piri

rom o r niq individ gi o

p r p ion nd w r n . I igh

pon o r Dh rm hro gh i n i

po o h individ ion pro

v i b o h o .

Join andr w nd P r w mb rkon bri hi or o p ho ogi

p r rring o om o h gr

pon n o p in d d I b

M r , M ri -lo i von Fr n , John

B b , an hon s v n nd D r

sh rp on o r jo rn o di ov r .

aNDReW GIBsON nd PeteR MaNN r p r n r in h work hop ri

InterPers nality h h J ngi n P ho ogi t p di ov ring o

s ong p h ow rd individ ion.

J ngi n t pund r nding,comm ni ion

nd Individ ion

m $5, N n-m $20, N n-m C nc n $15

G sp k r Andrew Gibs n and Peter Mann

19


20/32

DR. ANNE NooNAN and PRoF. BARBARA CREED discuss Cinema

and Psyche, the images h rr r and trans rmati n in Guillerm del

T r 's lm Pans Labyrinth. Evening chaired by L uise Fanning.

satuRDay, 11 auG

6.30PM FOR 7.00PM

speCiaL eVeNt

bl v k L

L v l 2, 484 K n ss n

GuIlleRMO Del tORO, h wri r,dir or nd prod r o h m Pans

Labyrinth id in r n in rvi w

I really think the m st creative, m st

ragile par t the ch ild that lives

within me is a child that was literally

trans rmed by m nsters. Be they n

the screen, r in myth r in my wn

imaginati n. sIGHt & sOuND MaGazINe Dec 2006

thi v ning v n wi b p n

nd di n di ion in pir d b G i rmo d toro' m Pans

Labyrinth. th m i d rib d a

dark airytale ab ut ch ice nd i

g in h b kgro nd o h horror o

h o ing g o h sp ni h civi

W r n hro gh h o o ng

gir . O r p n wi o r p ho ogi

id ink d o om o h m n

omp nd in rig ing h m h

A Deep PlaceT uched only by

Psyche&Cinema

20


21/32

a GOtHIc ir g in h

po w r r pr ion o Fr n o sp in,

D toro i h i m, hi mo mbi-

io , Pans Labyrinth ombin h

hi ori nd mor h m o hi -

im d sp ni h civi W r gho or

The Devil's Backb ne.

H rn ing h orm h r r-

i i o i o k or o 20 h

c n r nd p , d toro d iv r

im o good nd vi , br v r

nd ri , ov nd o .

Pans Labyrinth n o d hro gh h

o o elia , dr m i gir who

i proo d o r r mi i r o po

omm nd d ov r b h r n w p h r.

Pow r nd on in p o n-

hom b r , O i iv o h r

own d rk b h on ron mon-

r bo h o h rwor d nd h m n.

Pans Labyrinth: s nop i

m rg rom h i m. ann Noon n

k i h horror i bov gro nd or

b ow? ann wi di h m n

h mi op nd on id r h work

o h dir or h mi , hno ogi

nd phi o oph r. B rb r cr d wi k

bo m, b rin h nd h r o

h : h n nn mon r o Pans

Labyrinth.

eVeNTS PRoGRAmme

m $10, N n-m $25, N n-m C nc n $2021


22/32

tHe WORKsHOP wi d mon r h

m hod o mbodi d im gin ion wi h

dr m nd m mori . Rob r Bo n k

wi r p in hi m hod nd h nk m mb r o h di n o pr n

dr m or m mor , whi h wi b

work d b or h gro p.

a r hi pr i m- d mon r -

ion h r i mp im or q ion nd

r m rk b d on h work pr n d.

th nd d work hop h o

on p i i hniq in mbodi d

im gin ion, ombin d wi h bri

r ion in o h m phor m

o h m .

In h 1970 Rob r pion r d

r di n w m hod o mbodi dim gin ion, b d oo on h work o

c.G.J ng, p i on J ng hniq

o iv im gin ion nd hi di

o h m . From h poin o vi w o

h dr ming o mind, dr m

r r v n in r nvironm n .

B d on hi no ion, Rob r Bo n k

d v op d m hod o r - n r dr m

b ind ing h pn gogi (

R OBeRt BOsNaK i D h J ngi n p ho n , nd dip om o hc.G.J ng In i , who r in d in z ri h, swi r nd rom 1971 o 1977. H

h b n in priv pr i in h uni d s , in c mbridg , M h

rom 1977 2002 nd h rr n iv nd work in s dn .

a hor o r in

embodi dIm gin ion Presenter R bert B snak

satuRDay, 1st sePteMBeR

9.00aM FOR 9.30aM 5.30PM

WorKshop

22


23/32

o on io n b w n w king nd

ping) hro gh pro o r

q ioning. Hi hniq r now

pp i d wor dwid , b h r pi , r i ,

or , nd o h r in r d in h

r iv im gin ion.

Hi ir book A Li ttle C urse in

Dreams w r n d in o 12 n-

g g . sin h n h h wri n

Christ phers Dreams: Dreaming and

Living with AIDS nd Tracks in the

Wilderness Dreaming, in whi h h

d rib hi hniq in d i . Hi

n w book d Emb diment: Creative

Imag in at i n in Medicine, Ar t and

Travel, d rib hi work wi h p i n

ring rom ph i i n nd

r m . I o d wi h h work

h h ond d wi h h Ro

sh k p r comp n in s r ord,

eng nd, g in h b kgro nd o

m phor m d riv d rom h

r o h m . Hi in-d p h mbodi d

dr mwork h b n iv bo h in-

divid nd in gro p .

a p pr id n o h In rn ion

a o i ion or h s d o Dr m ,

Rob r Bo n k h pion r d m hod

o p ho h r p b w o In rn

vid o, h ond d In rn voi /

vid ob d dr m gro p in 1997

hro gh www. b rdr mwork. om,

nd In rn w b ing o r in

p op wor dwid .

In 2006 h In rn ion so i or

embodi d Im gin ion w o nd d

on r n in G ng ho , chin .

I wi gov rn h mbodim n r ining

progr m in sh ngh i, lo ang ,

tok o, On in , nd h r progr m

in s dn .

booKiNgs detaiLs:

date: saturday, 1 september time: 9.30 am 5.30pm.

LoCatioN: 'the CeNtre' 14 fraNCes st, raNdWiCK.

$120 members

$100 members CoNCessioN

$160 NoN-members

eVeNt CoNtaCt: LeNore KuLaKausKas

teL: 9365 7750 mobiLe: 0407 170 680 emaiL: l n k@ n .c

s n c r b n k n w k Embodiment v l l c .23


24/32

IN THE FACE oF TESTED THEoRIESG sp k r Heather F rmaini

IN tHIs talK H h r Form ini

p or h imi nd op o

p ho n i h or in r ion o h

ro o mo h r nd h r , in ord r o

id n i wh n d o b k n p r

nd r - min d. sh p r i r

q ion h no ion o h b r w

o h h r whi h i pr n in v r

r di ion o p ho n i H h r

pr n b n i rg m n ow rd

h in whi h h r i oving,

mbodi d h r who i iv in hi d

r h mo h r.

satuRDay, 15 sePteMBeR

6.30PM FOR 7.00PM

taLK

bl v k L

L v l 2, 484 K n s , s n

COURAGE

HeatHeR FORMaINI i J ngi n n wi h priv pr i in Ro .

H r h or i on rn o on g nd r, p r i r m ini , nd h ih hor o h b ing book Men: The Darker C ntinent. H h r PhD

on rn d h gho o h h r in p ho n i , r ing h hi or o h r

h or in h work o Fr d, J ng, l n, K in nd Winni o .

H h r w h o nd r m mb r o h Bri i h org ni ion P ho h r pi

nd co n or or so i R pon ibi i , nd iv mp ign on h po i i

o ir r d nd im h ng . sh o work wi h r g nd m

k r . In h r pr vio i h w bro d r wi h h BBc nd aBc,

p i i ing in h bord r in b w n po i i nd r igion.

m $5, N n-m $20, N n-m C nc n $1524


25/32

G sp k r Marie Makins n

satuRDay, 13 OctOBeR

6.30PM FOR 7.00PM

taLK

The Pig in Myth and DreamsP ig :

IN cHINa nd in m n o h r p r o h

wor d h mbo i m o h Pig i v r

po i iv , mph i ing piri q i i

w w h nd b nd n . In

w rn r how v r i i high

mbiv n nd o rg n h

b om imb d wi h q i i o h

h dow.

th mo ion in n i h o n

rro nd h Pig r v h r h pb kgro nd o r d im g . thi

pr n ion p or h mbo i m

o h Pig nd wi mp o o ow

h vo ion o h mbo in w rn

r . e r r d im g nd

m ho ogi m ri wi r v h

h Pig w on o h mo impor n

mbo o h N o i hi p riod. l r

im g , dr m nd ori provid

bo h mbo b q n

vo ion nd i rr n p in h

o iv . W wi o p or how hmbo o d b p king o bo

h rr n wor d i ion.

Prima Materia

In February this year the Chinese pe ple celebrated their traditi nal new

year with great jubilati n because they had entered that m st auspici us

part the cycle, the Year the Pig.

m $10, N n-m $25, N n-m C nc n $20

bl v k L

L v l 2, 484 K n s , s n

25


26/32

New research n the infuence psych therapy n the immune system in Chr nic Fatigue

IN 2002 h Om g Fo nd ion in

london nd d gro p, in ding h

pr n r, H rv rd M di s hoo , o

ond r r h bo h inf n o

working wi h dr m in p ho h r p

on h imm n m in p i n

ring rom hroni ig .

a r m n prob m , whi h wi

b d rib d, h pr i p r o hr r h w o o r d o chin , wh r

i w rri d o b p ho h r pi

nd r m p rvi ion in G ng ho

nd sh ngh i. th o om how

igni i n po i iv h ng in b ood

b or nd r, r d o po i iv

h ng in h imm n m. s or

in o h r o improv d.

th pr n ion wi pr n h

r r h m ri i w r d nd

p rvi d b h hi r r h r

M h G n r Ho pi inBo on, w wo individ

o p r i ip n in h d .

satuRDay, 10 NOVeMBeR

6.30PM FOR 7.00PM

taLK

bl v k L

L v l 2, 484 K n s , s n

chr o ni F i

G sp k r R bert B snak

m $10, N n-m $25, N n-m C nc n $20

eVeNTS PRoGRAmme

g

26


27/32

satuRDay, 10 NOVeMBeR

FOllOWING tHe ROBeRt BOsNaK talK

FROM 8.30PM

Christmas party

Christmascomes but onc J in us r the seas n's cheer... Please c me and j in us in

celebrating the end the year at ur annual Christmas Party.

Specialists in Sel -Trans rmati n and Healing Mail order Australia Wide C ntact us r the lastest catal gue

Winner City Sydney 2004 & 2005 outstanding Business Award

Christmascomes but oncT HIs yeaR We wi p r RedSalt Restaurant, n w v n or o r

vo r d drinking p h crown P Ho . Wi h vi w ov r ooking

h i , o wi win nd din rom wid ion o o k i n p nd

p r p r , whi r ing wi h ow omp nion nd r v r rom o r

J ngi n omm ni . th J ng so i chri m P r h n r di ion

o w rm onvivi i p pp r d wi h ri h onv r ion . D nt miss ut n a

great night!

host VeNue:

redsaLt restauraNt, CroWNe pLaza hoteL

CorNer of day st aNd bathurst st.Cost : $10 members $20 NoN members

31a G b P int R ad, G b NSW 2037 T . (02) 9566 2157 Fax. (02) 9518 4696

H urs: m nWd 10a 6p ThuFri 10a 7p Sat 10a 6p Sun 10a 5p

e ai . s rvi @ph nixrisingb ks. W b www.ph nixrisingb ks.

27


28/32

Revealing the

WARNING! It ight b th ught th r is a nfi t int r st h r . R b rt B snak is pr s nting

a tur t , and giving a w rksh p r, th Jung S i t and h pr vid d th dra t p his

anus ript r r vi w. Thank u , h w v r, h has writt n a g d b k whi h d s rib s emb died

dreaming practice,its th r and its r ati n t Jungian and p st-Jungian th ught.

tHOse WHO h v d Rob r Bo n k'

hniq , or p r i ip d in on o hi

work hop , m w g in mor rom h

book h n ho who h v no . th o

o d b vir , h book i d p

p ri n i nd gro nd d in pr i ,

nd h w om h r d r

p r i ip ion. I i b no m n dr

d mi om , d pi h ving m n

in r ing id nd r r n o o h r

r r h nd id .

th book op n b d ribing on o

Rob r dr ming work hop in h

v ong h V r Riv r in Fr n ,

howing how h m gni n pr hi orir work, nd h p i , in h

im gin ion o h dr m r . H r

wh r h dr m pr n i

o r wor d wi h p r b ing

whi h ind p nd n o h dr m r

nd r p b o rpri ing h m. th

iv dr m im g no on pr n

h m v ph i in h dr m b ,

wh n ow o d pon, ro rong

ph i r pon in h dr m r bod .

Dr m im g r no hing o ir on ;

h r ind p nd n i n in ig n

whi h w m , whi h nd

whi h h p o r bodi h n h

i mbodi d im gin ion. Rob r

h r dr w n ion o h impor n

di r n b w n on io dir d

on b ion nd h mor pon n o

nd pp r n o h r-dir d mbodi d

im gin ion.

th on q n o Rob r ppro h

op n o r v ion. th dr m i no ,

Fr d wo d h v i , p o b

d od d nd h n r d d o n r d p d ri o omp , nor r

h dr m im g imp bp r o

ni i d s , J ng wo d r ;

h r or o b n o n r d. th

hniq o mbodi d dr mwork im

o h p mp i h or n i h

n b no i d, no j b h m v , b

n work o in di ring p r

o h bod . th m in k o im gin28

Embo


29/32

work i o h v ri o b n iv v b

w r o on no h r. ag in, Rob r in r ing

d p r rom J ng, who nd o p hi or

in rm o bin r oppo i ion nd n h i . In

hi work h or m m ni in mo n

n mb r, nd h r m n v r b n on io

ni ing mbo , v n i h dr mwork r bodi

nd p hi h ng prod iv r h

n o n r.

Whi hi n o n r nd h h ng i prod

i h n r poin o h work, in h o r o h

book Rob r on id r h m in i n i h ori

o dr m , om o whi h rg h dr m r

m ning , imp r ndom n rv ign or

whi h h or br in h ri d o provid n .

u ing h work o M rk so m , Rob r m k

h h m ning orm ion i inh r n in h

dr m i . How v r, i i r wh w n g inrom dr m h d mon r h ir pow r, no

how h ri , nd ho gh i i mp ing o hink

o im g r n ion o n on io or ,

hi work o on h im g n ir h

r v h m v o b (i ph nom no ogi ),

no mp om or om hing .

th book go on o di pp ing h

hniq o r m nd h in n r p i ion o

im g wi h pp r n good r . thi d o

h h ing o mbod ing dr m nd w

r r mind d o h pro o dr m h ing in

h mp o a pi . ano h r h p r m k

o h m phor nd im g whi h h v ri n

in h m , in whi h h h mi m o m

h q i-ph i in ig n vok d in h work

in m r: While the alchemist was identi ed with

emb died substances in the pr cess phen menally

revealing their alien intelligence, the state changes

bserved c uld be in usi ns resh intelligence

arising r m the mutual interacti n between the

alchemist and substances he was c king.a h m

how h impor n o r rr n fi ion nd

h pro o on n r ion o n whi h

n h or r i h m r o di r n v .

Fin w r hown h w in whi h h work

n p nd h mbodim n o h r r nd

in rpr ion in h r in n n o n r wi h hRo sh k p r comp n.

so, in , hi i n n wid -r nging

book wi h om hing o in r or n on who

h o h ir dr m , or h id nd

pr i w J ngi n. yo r bo nd o rn

om hing rom r ding i , nd po ib o m

om o h wor d nd o r dr m in n w

nd h nging w .

Pub ish r: R ut dg 2007

reviewed by J n Marshall

booK reVieW of robert bosNaK's"EMBoDIMENT: CREATIVE IMAGINATIoN IN MEDICINE, ART, AND TRAVEL"

29

ination


30/32

IN FeBRUARy er a R nan, Jun R n ds,

char s P u ridg , lu Dav , R

marsd n and I r pr s nt d th Jung S i t

and ANZSJA at th un ra Jan B a kburn,

H n rariu th c.G. Jung S i t

S dn r 2003 t 2005. Jan pass d awa

n th v ning Sunda 18th F bruar a t r

a ng batt with an r.

Th ugh b rn in canada, Jan was a hi d

th w r d. A t r gr wing up in eng and

sh trav d xt nsiv b r s tt ing in

Austra ia.

Jans xp ri n di a tr at nt

was n t as , but sh r ish d th kind and

t u hing nts that sh xp ri n d with

s h a th pr ssi na s that ar d r h r.

Jan did n t wish t g g nt int that g d

night, but was appr iativ p p s'

n rn. our ast nv rsati n, ik s an ur nv rsati ns, us d n ur gard ns.

A ta nt d gard n r Jan was a wa s tr ing

t r s u r s s, and I nj d h aring

ab ut h r batt s with th kat s, and

h r n rn r a a i p ssu s, whi h

r sid d in h r nativ gard n.

Jan had b n a b r th Jung

S i t r an ars b r sh b a

H n rariu . V r ski d at ad inistrati n

sh d v t d an v untar h urs t

th pra ti a tasks r quir d t run an

rganizati n. This was part Jans d isi n

t ntribut t th unit thr ugh

s rvi t vari us gr ups and rganizati ns.

Sh w rk d in paid and v untar apa iti s

r th P ant S i t , r th pr ssi na

rganizati n t a h rs th A xand r

T hniqu , r th Jung S i t and ANZSJA.

H r ga iv s n at b th ANZSJA and th

Jung S i t in h r ibrar w rk, in th an

s st s and pr dur s that sh intr du d,

and th g dwi that sh stab ish d with

th r gr ups and rganizati ns. on b ha

th Jung S i t and ANZSJA I thank Jan

r a sh ntribut d.

Spectators

c and tak a st p int th unkn wnTa k with and wa k with

l t sh w u visi ns

And pr s nt t urs

F r th ars ar ung

And th e ns wisd pr s nts

F r ur di ati n and insight

T vi w th turnings turning

This is n w ri ndships d ight

Jan B a kburn 1985

A R b r d Fri nd

J n bl ck n 1945-2007Ja inta Fraw

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C.g.JuNg soCiety of sydNeyN w b rs and visit rs ar a wa w . I att nding a tur r th rst ti p as

r t ak urs kn wn t th c itt b rs, th wi b happ t xp ain h w

th S i t w rks and t answ r an qu sti ns. y u ar a s w t r gist r ur ai

addr ss with us r ur nth v nt br ad ast up ing v nts.

history & aimsTh c.G.Jung S i t S dn was r d in 1975 t pr t th id as th Swiss ana st

and ps hiatrist car Gustav Jung (18751961). Th S i t is p n t a b rs th

g n ra pub i and rs a ri h and vari d pr gra nth ta ks and s inars r

Austra ian and int rnati na gu st sp ak rs. In additi n th S i t pr vid s a d di at d

r s ar h and r r n ibrar .

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oURoBoRoS Th sy b c.G.JungS i ty Sydn y is anan i nt Gn sti g yphwhi h th A h ists at r us d t d pi t th natur th ir trans r ing w rk.

Th s ript in th ntr th i ag s ans

sel -digester r sel -digesting ne. Th s -dig stingour b r s s ays its andbrings its ba k t i .It i ustrat s th prin ip hu an r ativity and

th d v p nt p rs na ity as it d v ursits and g n rat s its .

c.G.J ng so i Sydney Tm

exeCutiVe Committee 2007pr n : Sally Gillespie tr r r: M nica R mana n tr r r: Marcel Abarca

m n s cr ry &L r r n: Lucy Davey L n o fc r: June Reyn lds m r o fc r: B R berst n

m r: Lesley Hamlyns c l pr j c o fc r:L uise Fanning b k o fc r: J n Marshall

t c n c l o fc r: Peter Mannh n r r : Len re Kulakauskas C n c n o fc r &gr c d n: Tim Hartridge

31


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the uses of subJeCtiVe experieNCe

JuNgiaN art psyChotherapistJu ia m r witz-Katz ANZATA (ATR) BA Fine Art PG Dip Art Therapy MA Art Psych therapy

Ju ia is an Art Ps h th rapist with v r 20 ars xp ri n w rking with adu ts and

hi dr n in a vari t s ttings. Sh is urr nt training t b a Jungian ana st with ANZSJA.

Sh has a privat pra ti n ar B ndi Jun ti n wh r sh rs individua art ps h th rap

s ssi ns as w as sup rvisi n. Ju ia an b nta t d n 02 9389 8936 r via h r w bsit :

www.s dn artps h th rap . .au

psyChotherapistmar lawr n , B.Ec. Ll.B (H ns.) ANZSJA, IAAP

Train d at th c.G.Jung Institut Zuri h, h r pr ssi na ar r in Austra ia in ud s 20 ars

w rking in th th rap uti unit . H r int r sts n pass th g , art, p tr and

r ativit , and th r that u tur p a s in shaping th b d ind th individua . Sh w rks

with sandp a , dr a s and i ag s in xp ring un ns i us pr ss s.

H r privat pra ti is in Paddingt n. Ph n (02) 9361 3283.

WomeNs disCussioN groupmar lawr n Jungian ana st

mar lawr n is ring a gr up r w n t xp r t g th r issu s r ating t b ing a

w an in t da s w r d. H w an th ps h gi a xp rati n air ta s h p us d this? What

ar ur pri riti s and what is pr v nting u r attaining th s ? What r d s u tur p a in

ur s ns id ntit ? A w : s a gr ups n a t rnat Tu sda s r Tu sda S pt b r

11th r 6 s ssi ns in Paddingt n. F r r in r ati n t ph n in August (02) 9361 3283

NotiCeboarddisCLaimerTh c.G.Jung S i t S dnd s n t tak r sp nsibi it

r s rv i s r d bindividua adv rtis rs n thN ti b ard. W r ivadv rtising in g d aith.cauti n and dis ri inati n inr sp nding is advis d and is ur r sp nsibi it .

Copyright 2007Trans issi n r r pr du ti n pr t t d it s b nd that

a w d b air us as d n din th p right aws r quir sth writt n p r issi n thp right wn rs.

adVertisiNgD ad in r th n xt n ws tt r wi b n 28 N v b r 2007 Ads an b r pr du d n ur w bsit at an ti .

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Th c.G.Jung Institut th Austra ian and N w Z a and

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is us d di r nt a r ss th a ad i and ana ti nt xts

r pr s nt d in th r gi n. Th ai th n r n is t

xt nd ur und rstanding ur wn and a h th rs w rk

thr ugh dia gu .

c ntribut rs in ud : ana sts - margar t cau d, Gi s

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Fu rt n, Sa K st r, Ann N nan, l n P t hk vsk, craig

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and T rri Wadd .

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Jung Society of Sydney Newsletter July to December 2007