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The Buzz is your source for the latest festival highlights and best bets for films each day. You can also catch “The Buzz” video program with Meaghan Earley on Facebook or YouTube. For more information visit www.clevelandfilm.org/social. WHAT’S BUZZING AT THE 38TH CIFF Saturday, March 29, 2014; Day 11: Wake up to the booziest, most foul-mouthed uncle any family could ever wish not to have, when “Uncle Nick” plays at 9:30 a.m. The encore screening of the biopic film, “Gore Vidal: The United States of Amnesia,” rolls at 11:25 a.m. Meet a crew of celebrity impersonators at 1:40 p.m. when “Just About Famous” has its second screening. Join us for “Zip & Zap and the Marble Gang” at 3:45 p.m., and explore the spooky depths of the Hope Re-Education Center with the characters from one of Spain’s best-selling comic books. Journey into the Central African Rainforest at 6:20 p.m. with “Song from the Forest,” and follow a writer who turns his back on civilization for almost 30 years. Explore language barriers at 8:45 p.m. with “Dual.” Two women from Denmark and Sweden try to forge a friendship, but the only language they have in common is English, where almost every word has at least two meanings. Join us at 11:30 p.m. for “Coherence.” As a passing comet triggers unexplained mayhem all around them, a small group of dinner guests tries to figure out if they’re in the middle of the end of the world or just a really bad party. Find out the latest information about these films and other festival events by picking up The Daily, reading the festival website and, of course, seeing as many films as you can. The BUZZ The CIFF DAY 11 / SATURDAY / 3.29.2014 Jumping at a Chance to Fly D ocumentarian Catherine Gund has known performance artist Elizabeth Streb for 25 years, since both of them were in college, but their worlds didn’t fully collide until two years ago. Gund was attend- ing Streb’s annual gala when she found out that a necessary component of the perfor- mance needed some help: someone had to climb up a 35-foot truss and drop a bowling ball down to Streb’s emcee, Zaire, as part of the show. Gund volunteered. “I literally jumped at the chance and climbed up the truss,” she recalls, “posed and terrified with a bowling ball heavy in my lap. Just then on either side of me, two other bowl- ing balls were automatically released, hurtling down and plainly eviscerating the cement blocks beneath them. By the time I let the bowling ball fall out of my sweaty hands, I was primed.” When Streb saw how big a thrill it had been for Gund, she invited her to film the team at London’s Cultural Olympiad. For the second time in one night, Gund jumped at the chance and proposed an idea of her own: a full-length feature film. The result is “Born to Fly,” a documen- tary that showcases the vivid and frequently dangerous acrobatics that Streb and her troupe perform. “I don’t think of her pieces individually,” Gund says. “They’re constantly evolving across time as well as in the space of her studio, her stage, her mind. I think of Streb’s work as a process, her drive, unwavering demand, and a willingness—the effort—of the dancers to risk everything and use their bodies in response to each other in the most extreme way possible.” Gund takes the same approach within her own filmmaking, and in her advice to aspiring filmmakers. “I would defi- nitely say just go for it … try something you haven’t tried, push yourself, go further than you imagined possible, no matter where you start, you can always risk more. Filmmaking is a risk . . . My advice is don’t follow rules, don’t hesitate.” She and the CIFF go way back—her uncle, George Gund III, was one of its founders, and the other three films she has directed, “What’s On Your Plate,” “Making Grace” and “Hallelujah! Ron Athey: A Story of Deliverance,” have all played here. She was a Someone to Watch Award recipient in 2005 at the 29th CIFF. “CIFF is a terrific, exemplary, powerhouse of a festival with so many quality films, awesome energy, and [a] vital downtown presence in a dynamic city. I love it,” she enthuses, adding that the festival “grows and innovates with the times and that makes showing films here feel satisfying and celebratory at once.” —Lara Klaber Elizabeth Streb (left) received the John D. and Catherine T. MacArthur Foundation ‘Genius’ Award in 1997. Catherine Gund is one of the founders of the Third Wave Foundation, which champions the causes of young women of color, transgender youths and other marginalized groups. CIFF is pleased to present these films in state-of-the-art theaters with easy freeway access. DETECTIVE DOWNS 5:00 p.m. THAT BURNING FEELING 7:00 p.m. LFO 9:00 p.m. SHOWING TODAY AT VALLEY VIEW BORN TO FLY is playing today at 9:35 a.m. SHOWING TODAY DAY11OF THE FILM FESTIVAL IS SPONSORED BY Photo: Laura Watilo Blake

Jumping at a Chance to Fly The BUZZ D · The CIFF DAY 11 / SATURDAY / 3.29.2014 Jumping at a Chance to Fly D ocumentarian Catherine Gund has known performance artist Elizabeth Streb

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  • The Buzz is your source for the latest festival highlights and best bets for films each day. You can also catch “The Buzz” video program with Meaghan Earley on Facebook or YouTube. For more information visit www.clevelandfilm.org/social.

    WHAT’S BUZZING AT THE 38TH CIFF Saturday, March 29, 2014; Day 11:

    Wake up to the booziest, most foul-mouthed uncle any family could ever wish not to have, when “Uncle Nick” plays at 9:30 a.m.

    The encore screening of the biopic film, “Gore Vidal: The United States of Amnesia,” rolls at 11:25 a.m.

    Meet a crew of celebrity impersonators at 1:40 p.m. when “Just About Famous” has its second screening.

    Join us for “Zip & Zap and the Marble Gang” at 3:45 p.m., and explore the spooky depths of the Hope Re-Education Center with the characters from one of Spain’s best-selling comic books.

    Journey into the Central African Rainforest at 6:20 p.m. with “Song from the Forest,” and follow a writer who turns his back on civilization for almost 30 years.

    Explore language barriers at 8:45 p.m. with “Dual.” Two women from Denmark and Sweden try to forge a friendship, but the only language they have in common is English, where almost every word has at least two meanings.

    Join us at 11:30 p.m. for “Coherence.” As a passing comet triggers unexplained mayhem all around them, a small group of dinner guests tries to figure out if they’re in the middle of the end of the world or just a really bad party.

    Find out the latest information about these films and other festival events by picking up The Daily, reading the festival website and, of course, seeing as many films as you can.

    The BUZZ

    The CIFF DAY 11 / SATURDAY / 3.29.2014

    Jumping at a Chance to Fly

    Documentarian Catherine Gund has known performance artist Elizabeth Streb for 25 years, since both of them were in college, but their worlds didn’t fully collide until two years ago. Gund was attend-ing Streb’s annual gala when she found out that a necessary component of the perfor-mance needed some help: someone had to climb up a 35-foot truss and drop a bowling ball down to Streb’s emcee, Zaire, as part of the show. Gund volunteered.

    “I literally jumped at the chance and climbed up the truss,” she recalls, “posed and terrified with a bowling ball heavy in my lap. Just then on either side of me, two other bowl-ing balls were automatically released, hurtling down and plainly eviscerating the cement blocks beneath them. By the time I let the bowling ball fall out of my sweaty hands, I was primed.”

    When Streb saw how big a thrill it had been for Gund, she invited her to film the team at London’s Cultural Olympiad. For the second time in one night, Gund jumped at the chance and proposed an idea of her own: a full-length feature film.

    The result is “Born to Fly,” a documen-tary that showcases the vivid and frequently dangerous acrobatics that Streb and her troupe perform.

    “I don’t think of her pieces individually,” Gund says. “They’re constantly evolving across time as well as in the space of her studio, her

    stage, her mind. I think of Streb’s work as a process, her drive, unwavering demand, and a willingness—the effort—of the dancers to risk everything and use their bodies in response to each other in the most extreme way possible.”

    Gund takes the same approach within her own filmmaking, and in her advice to aspiring

    filmmakers. “I would defi-nitely say just go for it … try something you haven’t tried, push yourself, go further than you imagined possible, no matter where you start, you can always risk more. Filmmaking is a risk . . . My advice is don’t follow rules, don’t hesitate.”

    She and the CIFF go way back—her uncle, George Gund III, was one of its founders, and the other three films she has directed, “What’s On Your Plate,” “Making

    Grace” and “Hallelujah! Ron Athey: A Story of Deliverance,” have all played here. She was a Someone to Watch Award recipient in 2005 at the 29th CIFF.

    “CIFF is a terrific, exemplary, powerhouse of a festival with so many quality films, awesome energy, and [a] vital downtown presence in a dynamic city. I love it,” she enthuses, adding that the festival “grows and innovates with the times and that makes showing films here feel satisfying and celebratory at once.”

    —Lara Klaber

    Elizabeth Streb (left) received the John D. and Catherine T. MacArthur Foundation ‘Genius’ Award in 1997. Catherine Gund is one of the founders of the Third Wave Foundation, which champions the causes of young women of color, transgender youths and other marginalized groups.

    CIFF is pleased to present these films in state-of-the-art theaters with easy freeway access.DETECTIVE DOWNS 5:00 p.m. THAT BURNING FEELING 7:00 p.m. LFO 9:00 p.m.

    SHOWING TODAY AT VALLEY VIEW

    BORN TO FLY is playing today at 9:35 a.m.

    SHOWINGTODAY

    DAY11OF THEFILM FESTIVAL IS SPONSORED BY

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  • Challenge MatchThe Challenge Match is the CIFF’s annual fundraising campaign, and the only time of the year that we ask for your support (we do not send out solicitation letters at any time). The challenge to you – our audience – is to raise $100,000, which will be matched by Cuyahoga Arts & Culture.

    We are $82,210 closer to reaching our goal of $100,000

    A $10 DONATION QUALIFIES YOU FOR ONE OF THESE FABULOUS PRIZES!!

    A SHOW FOR ALL SEASONS: Experience an unforgettable night downtown for four with dinner at Flannery’s Pub, and VIP seating and Club access to a concert at Jacobs Pavilion.

    IN THE MIX: If you’re a “smoothie” family, or perhaps frozen drinks are your style, you can do it all with a Vitamix, the world’s most durable blender! We’ll also include Market Bonds from the West Side Market for fresh produce.

    Stop by the Challenge Match table in the Tower City Cinemas lobby to donate.

    THANK YOU FOR YOUR SUPPORT!

    Official Airline of the 38th CIFFThe Cleveland International Film Festival receives public support with local tax dollars from Cuyahoga Arts & Culture, to preserve and enrich our region’s artistic and cultural heritage.

    Visit The Daily online edition at www.clevelandfilm.org/festival/the-daily.

    TODAY’S ONLINE VERSION INCLUDES:• Just About Famous (Playing today at 1:40 p.m.)

    Matt Mamula and Jason Kovacsev share the unique story of ordinary people who get paid to impersonate extraordinary public figures.

    • Heart of A Lion (Playing today at 2:40 p.m.) Jasper Pääkkönen discusses playing against type for his controversial role as a Neo-Nazi.

    • Coherence (Playing today at 11:30 p.m.) James Ward Byrkit explains his less-than-coherent production process and how it resulted in his mind-bending science fiction film.

    • Waiting in Line at CIFF Find out some of the best ways to kill time while waiting in line, according to festival patrons.

    THEONLINE

    TOP LEFT: Volunteer Lizann Hudson and her daughter. TOP RIGHT: First-time CIFF volun-teer Wayne Mesker struts his stuff on Volunteer Appreciation Day. LEFT: Lil Routman (right) started volun-teering for the CIFF 35 years ago when it was still at the Cedar Lee. Her daughter, Sherri Routman (left), came on board 12 years ago.

    THE HOME FOR STORIES

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    Festival UpdatesAdded Screenings:Saturday March 29thWaltz for Monica 9:10 amGore Vidal: The United States of Amnesia 11:25 am

    Sunday March 30thThe Yank 9:40 amAntarctica: A Year on Ice 11:45 amThe Ferry 12:15 pmThe Sax Man 4:45 pm

    Late Additions:Saturday March 29thLast Days in Vietnam 12:45 pmTo Be Takei 3:00 pm

    Sunday March 30thLast Days in Vietnam 3:45 pmTo Be Takei 5:00 pm

    Check for the latest festival updates on Twitter or Facebook. Or visit www.clevelandfilm.org/festival/updates

    Thommy T-Shirt Day: Remembering a Legend

    This year, the Cleveland International Film Festival dedicates its annual T-shirt Day to the memory of longtime festival staff member, Thom Duke. He was a constant presence at Will Call, which was renamed the “Duke Desk” in honor of his 70th birthday nine years ago. He was also known for wearing a different t-shirt every day of the festival and for always knowing about every film in the festival. Duke passed away in January 2014, and his absence at the 38th CIFF has been felt.

    “He was my high school history teacher, my CIFF cohort, my AFS colleague and a friend,” says Chris Blake, CIFF Vice President of Strategic Planning. “For me, though, and through CIFF, he will forever be tied to Iceland and his love and fascination with that country and its films.”

    John Farina, CIFF staff member and longtime friend of Duke, adds: “He always knew about every film in the festival. If a guest had a ques-tion about a film, you could always send them

    to Thom. He always had an opinion about every film.”

    Rose DeCapite, a close friend of Duke’s and festival staffer says, “He’s the only person I know who could see all these movies, but that wasn’t the hard part; he remembered them! He remembered their names and what they were about.”

    “But being a history teacher, he had to remember,” responds her husband, Bill DeCapite. “And many of his students came, and always came to the theater here, and always remembered Thom and talked about how great he was as a teacher.”

    Another CIFF staffer, Tim Smith, also remembers Thom as a teacher. “He taught everyone around him about film, about life, about politics, about how to treat people. He was a curmudgeon, but he was also a teddy bear, and he gave to everyone around him.”

    Thank you, Thom Duke, for everything you gave to the CIFF and to this world.

    —Bridget Kriner and Lara Klaber

    Thom Duke wore many hats (and t-shirts!) at the CIFF. As the festival archivist, he worked to preserve CIFF’s rich history.

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