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RODGERS rnd HÂÀ{MERSTEIN
Prcscnt
,,,{ Jr(usical Play
-(hQ
Music $r
RICFI. \RD RODGERS
Bool and Lyics ô1t
OSCAR HAMMERSTEIN XT
Bascd on rhc Novcl "Âsna end thc King of Siem"by
MARGARET LANDON
Dincaà b Jo* vrx Drurrr.r
Scttinçr ad ligbriry â1 Jo lv{rrurxrr
Corrunct &tigcà â1 hrr.rr Ssererr
Cborcogra2b7 â1 Jrroxr Rorrrxr
Oæbcsnaûottt ô1 Rorarr Russnr.,r Bar.rrrarr
lvbticel Dinctn Frrcrrlcr Dvoxcs
VOCAL SCORE(Editcd by De. Âr.rrrr Srnr'rer)
The purchase of this score does not constitute permission to performApplications for performance of this work, whether legitimate,
stock, amateur or foreign should be addressed to:The Rodgers & Hammerstein Theatre Library
229 West 28th Street, l lth floor, New York, NY 10001Telephone: (2 1 2)56.1-.1000; Facsimile : (21 2)268- 1 245
: r . r ^ . ' r i i , r \ i { ' l n R\H oqo . tn r l Ihc K ing , \nd I a re t rademarks used under I i cense f rom. r ) ' . : ' : t ' - ) ^ i r t , i ' , , ' ' , i h | T rus ls . tnc l t_ç t . r te_c o i R i r hard Rodgers and Osc. t r Hâmmcrs te in l l
OVERTI]RE
R I C H A R D R O D G E R S
Piano
Più moderato
J'cspi .
I i - : . , : . : R , i . : . : , . r i t . j ( ) . . . r r l l . t n t n t c r . t e i n J J
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a r rT u t t i p
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simileE S t g s . & W . W .
a l? nclur{y
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f,f.f.fr^
rd-->\7
Opening Act 1(Arr iva l At Bangkok)
2nd) = n s
No. I
Words byOSCAR HAMT{ERSTEIN
Pomltc-,so
13
Music byRICHARD RODGERS
-------.È-----
Piano JJ' c,,,t p*t.- = = = -
= T = T = T 7 =l = t l = t t - = , l l ' Y-: = 7
f = loI
I f=
7 ?l - : t
? , ?l = l
?t =
ë ?l - r
= ?r = l
7 t Y
r = l
=-G.
-.>
ë ?l - t
Capt a i rt speak s (D i a log u,: )
rcpeat od ltb.
c = e- - - -
t5
N o . 2 I ' W . h i s t l e A
Cae: CAPTAIN ORTON: I think you should know.
Charrt of ÀIEN (oJf stoge,a aafieIIa)
0h
Flappy ifune
9 5re pca t ad l ib . un t i l Cue
0 h
whist lel
0h
Eutl of Chant Ctc:LOI] IS:0h, that's n'hy you tr
Alil{A
0h, - When - ev -e r I
Piano
hold mv head e whis-tie a, hap- py tune,rect And So.>
f ù
sus - pect I ' m a - . - - . -I raro -
,'-=---:
While shiv- er - ing
. ----.
r f
my
W.W. & Stss
>
1 6
shocs
.>
pose
>
And whis- t le a hap-py.C-' : '
And
f r I
cep Y fool the
fool my- selfpeo-ple I-
as wel l ! w h i s - t l e a h a p - p y
--^-'
T7
rI'
t une And e v - r y S I N gle t ime The h a p - p i - n e s s l n t he
o 1 1 t 1l >
l , r t r f . r f T t t è rI
Make be - l ieve you're brave take you far.
as you make be
--,---l\-.->
Q) 1 J a I ' [ I I 2 1 1 r r
l l l i
,-1-->tt -T-l rÆi"t . j ) t = - 1
Tempo 19 Dt'alc,gue
ù
ù i. r gs .
p î-Fi r A - A t ?l t à lI I I i ï r r
I
r f r T t 1 - t l -
l 9
LoL : I s : I don ' t t h i nk I w i l l eve r be a f ra id asa in .L O U I S
7IIr
r1T
r ) F ?t \ l l
ANNA aud LOUIS
ll-r
> . . { : .
\ \ ' h r I t\
d t ] - t 1 - F I L iI
+€-II
? E F T? I - ' - / l( ^ l l\
= . 4I
Eu,t a I tl'.tl'.
@
sh iv - e r - ing in my shoes I s t r i ke a care - less posr : And
> - >
o î + r i r # ' q r #
l l ê l.>
; ? r *è l l
I
I-+ ---J
T l ' i "
whis - t le a hup py tune A n d n( r - une eV - e f knorvs I i n a -.----
a I f r f I l - t f r ) ; tl 1
I
; rI
af ra id The re - sult
- - '
of this de t i on i s>
cep -
----+--
L t ] ' I Ei
| + l*r,F à " F Ù Fê t ê 7l r
ù "+ê ? F-TI
a) b -( ^ l
br
? 0
vt)r - y st range to-
fool my - self
t e l l Fr-rr fool the peo-p le.>
whis - t le hap - py tune
fcar I
--7-'
I
fI
a
when I
? i ? + + +t r l - a
êI
n +' 4 >-
--T
? l+ r i r * ' v à f
l l r ^ l
sln NESS
ces me that I'm not
2 l
brave as you make be - l ieve you are.
And the tr ick wil l take you far.
Auua notiets guards. Annal-t.t .Lu ur'sL-a:.j
l l 'h i stl c
S t g s .
You nray be as
I
(uh is t les a lone)t o u h i s t l e t o o .
urgt ' i l9
( t rouis 1 ' r , t i t ts
Ifake be - lieve y0u're brave
/ S t g s
u ' h t s t l i n g )
-=-.-i\-
e t- -1,
Iê Tr l r g-l- - +t ' - ' T [ n ] - r r' r ' i -
T
\
I
Bassoon f - '
. ) . )
\ , , , ; J
. . \ l ! i . i ' i . E T E R ; ( i . , . r l t . r ' c r r i n s ) S i r W c l c o m e t o S i a r n l
. - . ' i : l { , . c r r l l c d 1 o u S i r li \ \ . \ : H L r s h , t l e a r , h u s h l
K H A L A H O M E
f Qn 2axtomdnte)
I \TEI iPRETER: s i r , are you lady u 'ho wi l lbe school mist ress of royal ch i ldren?A \NA: Yes .
Incic lental For Dialosue(Entrance of Kralahome)
L '
I . \TERPRETER: HaT.eA^\NA: I know no o l te
I I iTERPRETER toClar.
you f r ier ids in Bulgkok?in Bangkok at a l l .KRAIAHOME
KRAIAIIOMEBassoon
to INTEBPRETER
f-.l--l
ISTERPRETERt( to Anna) Are you marr ied,s i r?' . \ \ A : I a r r r a u ' i d o w .. \TFIHI ' l iETER: What manner of man - vour deceased husband?-{-).\4: }Iy husband \4'as an officer of Her l lâjesty's Army in. Tell your m4ster his business with me is in nry capacity of: , h t r , . ' l t ra iher to the royal ch i ldren. He has nb r i fh t to p iy in to my personal af fa i rs .
I I iTERPRER to KRALAHOMEv : Æ\Bassoon ATa lahante k ieks IJ t te r l , re tp r
a,I lib.'(
À'r'e A')
\-o. 4Cr r r : Çesd l ye
Piano
\
t
\
t
Exit' I 'Whistle A Happy iDune
Cap t . O r ton .
Tempo 19 ) = f i j
Al iNÀ and LOUIS ( l ' " th u 'h is l l r )
Vhist lc
) rê l' l
\ ll'11 I li
Io.f.f)
------
tTUy attacca
C u rtaitt
\ 7 *
23l{o. 5
Pianr l
Vigne t tes And Danoe
In l f ron t o1 f 'eur t t i r t
t r Presto Qtne bcot l ) = sa
f x > ' t . P i c c . & o t , ? lcggicroIIns.//,^\
a )semPrc stacc.
..---2 i +
. , '1=. 1 '1. {ç 2
L_I I l
) - :
)-t-
\t )
t a '
\v
b
a t--.-J-_t I
; t ;
l - ' r t l
b+
l 1
E
>
a)
1 ' L \
L-i
|..
o - - 1
t - | t l
semPre cresc.
Q'\',:,,:i:',"ffi6.
- z
, a -r i , t 5
l ^'
A f ' '
W.W. & X-v l
"fw.\\'.?
lhl);-----
Ê : t +
? 5
-
\
a
t . +- . f r
l-)--t-t
?-----
t'. t ? )
-->--
"--U
tr
a
t,b; ,* b; r\ -o
,-
t ^ *
-
afr.+
clappittg Ew.w.
a4 ê æ
S t g s . l I n '
h\Ê-_ -+_ è >T
q1 (Curtttîn)
Slorvly Q = )) . l - - zs
1l ; _p
/I:-,--T.- >------.}-àz---F-i
a--=--l t- -r
I
Llt-- Lt-- ryV n s . \
tr)l {P) r U'. ff'- l /
Lw
a Q , a ' -
I -----''a r l r l S t g s .
----î--i',"'frrfiJlt
l l l r , ,---
+' ,G-
cTesc
7 | "l l-l-J Iry , *tL?: tyt-
(Aling interrupting) Iiing dismtsses dancers. Iiing summons.âTalahone.
--.r
lu t tg t tp>À â">- 3 - â
--\7 \ - > \ 7
27My Lord And Master
Cue : KRALAHOME: He i s p leased w i th you . He l i kes you '
Tupt im r ises.
Con mOtO J =rJutttt : The King is Pleased.
TUPTIM (sirgs)
He is pleased withStgs .& rvV.W.
-- Mv Lord and Mas - ter- De-clares he'spleasedwith m}1- what does he
6
Piano
I
, l ;p ) ' : ;F i - . t 3 1951 b l ' R ichard Rodrers and Oscar Hemment€ in I I
When has looked at me, - what has seen?
Some - th ing young, sof t and s l inr , Pain t - ed cheek , tap - ' r ing l inrb,
Smi l - i ng all for him. Eyes that sh ine just for h i rn ,
-'l-a
E
a FI
I I É â' r r l t r Éa l i
l lI F FT , , t t i I I 1 ? ru;" ' ' : , ' t
" " :_
e
jus t for h i rn . __-- Though the nran may t Y
a = F | |l ' - J l : -l r i t ' I Ir - * +
è l Inyf' a temloo
) J J]-rit.
I]-
t-?l c " t . r t ' . u ' .
?' , t tett tJ;ot B r .J
e
_ \ _ /
Ivty Lord a nd te r - Though he n t l y s tud t ] :c -
w.\\ '. & Br.
know
molto'esp ressiao
Inc identa l F or D ia logue
Cuc : ( . 11 ' t e r K i t 6 ' e . t i t s ) TH lA l i c : They th ink you u e a r b i g s k i r t l i - r r t h a t b e c a u s e y o u s h a p e d l i k e t h a t
ANNA: \ \ 'e l l , I ' n t no t . (Sr i r l i l f t s her h t to l ts / r ' i r t )F l u te
, l J ! ' r d i a / o g z t c .
, , , ' ' . ' . \NNA: D r - r you a l l t h i nk w0 lnen a re n lo re
S o l o
I o r r l y t h a n r r r e r r ? F l u t e
30
I t {o.7
{r
'tr-( T h i a n g t r a n s l a t e s
,l/1,, r dialo g u,,: .
r*o. 8
/ r , , ' : À N N A : A n d s h e t s o t t
æiues) C l a r .V ' t t t s shuke heads )
T H I A N G : T o m l ( T r , r r r l ) ( t r a n s l a t e s t o w i a e s )
t : . , : ÀNNA: I u ' as ve rv t r , uch i n l , r ve u i t h my l a te husbaud , T r ,n r .
FIetr lo, Young Loverst h e i r s i d e , e v e n i f s h e s a s c h o u l t c a c h e r .
l l ' i tes sn j 'T t .n !
Andante con motc)
LADY T i I IANGIHe uas l r c t t j ' i n f ace .
J = 8 {
A N N A :0h I 'cs,he was very pret ty i t t face.
Piano
,$ 'NA (s ings)
tr
\
I
i l i i l e , s ' 7 a t t I L t m t m e )
C e i l o
R r . t t S t g l
th ink c, f Tr.rm think a - bout a night whert the earth snlel led of SUl lL-r l ler and thc
sky was streakedwithwhiteAnd the soft
3 1
I
\
I
\
I
\
I
nren - ber th is
new
----y
knc,w Torn and I are a,
t t t i s t o f Er ,g - land was shcp- ing
a l wirJ s
s i i . lnc
Thcre art ;
s e a ,
--=---r/
par t thcrn a l l , And thcy ' re a l l part <-, fof
, , 1f ir
and
It-rv- ers Lor- 'k- ing
ù T ii tf i5 , ùr>
4> e>
)
? . )
young lov - ers, who - ey - er you are, I
S t g s . ! \ ' \ À ' . H p l
r11l' tt.g't t tt
& tenl?o
trou-bles âre few. AII nry good wish-es go with ybu to - night -
l
\
I
hope your
a,) t+ I t r .
u ten4,tr.t
J - + -+
brave, brave and fai th - ful andyoung It-rw your star, Be
t r t t , ' c losc
po( ' o n ï
\
/
\
I
I \ ' e been love l i ke'---//
J o u . - kLron' how i t fee ls to have
You fly down 'ù
chance.-T u t t i
your heels And to lydown a street i n a t r a n c e . -.,ff--
: t reet on the chance that you' l l nteet, And you meet-not real- ly by
II
.---]'-
+ B r .u tempo
7 1 G 'a + D _- r +
+, r r -è 7 7
\\'.\\'. | |< \ S t g s .
x-+ 4.7 # --f' a t I l = T
+
n' ings on
cry, young lov - crs what e r y O uE V do, Don' t cry be - causc l m
A l t uf l r l y tnem - ' r ies a re ^ i , " h f' ! r ' I 5 r ' I 1 ,
poco rL t
l \ 'c had a l r . ,vc of rrry owr), =-._- I 've had a love of ntyr r - 1
A O , 'T r r r t i l l -(L tenpo
I
r e- ç+ .7G:" 1, I--{- E q r l ) 1 -
T ' t î- J - I L , r . j
t + E +
= b
\
---\
t 7
E 1 ' a â ( r S s . t
3 5
\ o . 9
lif tc r
Encore: Ffel lo, Youl lg Lovers
o p p l a u s c .
bLavc , y0ung I o v - 0 r s a r r d
1 r u c ,
st i i r , Bt.--:
C l i n g v c r el t - rsc t r . r er tch oth - i : r t r , r
f . t i t h - f u l i i n r l
Piano
\
\
I
\
l
t i r te r ro tempo
I
a) . . 7
It [ . / ) - 'yL' ,sprcsstu0
, _ r t i
+ C t
/
)
| ') l-,
+ ? ) t
i v t )
b r a v c a n d--.
+ + 1
l ' T iT 1' /
. t tt )
) /p O C o 7 ' t l
-.-_--_
36
I ïe been in love l ike "É-
I know ht- iw i t
a r r ra temPo
i T l i iI
| -r iI w . \ ' l_ilil
i T
mect , And you nreet -
:-i
-_- 'cha nce .ly bv
I\ 'e had
i
Tut t i d tempo
lov - ers, r . r 'h.r t--a
be - cause I 'm a -
--
of my own. ---.-.
t 7
IT7 r r
h u p - É y t o -
r f f i 7 frrTI
t '11t r .
poco r?t
81tq , ôa ,ssa
ttNo. ro The Maroh Of Siarnese Ohildren
A/ te r app luuse th ree gangs.
C u e : K I N G : T h c R c i y a l P r i u c e s a u d P r i r t c c s s e s l
N{oderatc-r-'-z'-
Piancr
---
) | à=\ t". l - Vn.t ' I
A l f t 'p l ) ' l l r S t g s .
\,\'. l1 '. l e -
------ i6==---=- e
=-->i, l J ! n à
l ll l - *
+ + 4
.>
a q
I>
t +
.>l C? !
+ +/+ -++ = 1 =J+
o-
>r l l \ i : I
+ +
t
)
c>
()€>
.Ë.1 1ù.fù
Copyr ight O 1951 by Richard Rodgers and Oscar Hammerstein I I
-:-l
2,J.>
- l l lh à ) J â
\ \ ' . \ \ . n srgs.
6:-------7- er?flg Enlntner t'/ f'rincr = î t : :
+6 +
?
+ +
= { i ; i à + ;
4 0T u t t i
_:>
E + I CVT:
=F--l - , . t - 1
. >+ e+ -++
^ - - - -T --4> 4>
fi>?'5'
. \? ?5E
' l
f----\
ff /----
poco cresc,
4 l
ù -ittO---- - 9 t t # n â î r r
8 . . i
=o\
trast child aVpears
al finesemPre cresc.
12
Postlude to ifhre March Of Siarnese Childrenlùo. llCue : (Anna remooes ha t )
.1e m l ) O I Y d = 9.>
a 2
T u t t i f
. t ? l l l ?
4=ii_-_ *
I+
>-----.,.-\'
l(l J
"r."" I
I{o. 12
<t
>
Scene Before Curtain(Priests And Children)
I n 4 ) = t st r .
al tacca
"'.. ""1
,z__-\
o t ' /
r \ - >
| - = l ' l i
Vv 1 \v/7\ 7 ft
' / | r' - > > - >a
l ( ^q 0 . + \ l l u i â
+\7
o l J
rnf'. t u t t t n I
Ir 1t -
l-J
I4 - h+ )
---------J7 è à
l'T -r -
+ t t t i
+o
S l g s
It
-+& \\'.\\'.
I
c ; o
t 3
C H I L D R L N
Ttl" I i,, l , ortthr: diulogur,pKt,,g attd Prittce.
place l ike A charnr-from the skies seems to ha l low us
there, Which seek through the world, Is ne'er met - with else - where.
44No. tB A Pluzzlernent
Cte : K INGI I do no t know. I an t no t su re .
M o d e r a t o J = e a K I N G :I 'm not sure of anything.
Stgs. W.W,
Piano
World change a
Copyright @ 1951 by Richard Rodgers and Oscar Hsmmerst€in II
Iot
{ 5
me?to mosso
Some things near - ' ly So, Oth - ers near - ly not . There
Â
a r c
âhc
E Vivace ma
I
non troppo
mlt+ l lp ' &
know;
\
I
\
I
con - c lu - s ion I con - c lud - ed long a -f ind con
4 6
I
I
+
47
ta in
- - _ -Is a puzzlement. What, for
\!'hat to tell agrowing sott?
_---_
\
l
\
l
\
I
tr Meno mosso
in - stiince, shirll I say
S t g s .
m:lt
m.olttt crcac.
(
\
I
near-Iv think I don't be-l ieve\-/-
ei th-er! When my
\
I
\
I
\
I
fa - ther was king He was king who knew ex - act - ly what he
1>I
\ \ ' . \ \ ' . & stgs.
50
(
I
brain was not
then, Be
thing, X'or - ev - er swing-ing to and fro, and fro and
my fa - ther and be fu l - l y , un - mov - a -b le and
\1
W.\4r . & Stgs .
right when
Meno mosso
\ a,
with oth - er
a) ++ ++ ,/wrt./ ,t mollo cresc.' /
h ̂ 1 ?
-t-
\
1ù. *
t ec t
pro - tcct
s o t t o ' u l c e
dan - ger
5 3
less sorne d"y, some - bod - y t rust sonre - bod - y , -
noth- ing le f t on ear th ex-cept- ing f ish- es!
There' l l be
\
I
\
I
II
There are
S t g s . & W . W .rryl' u tem1co
al - most think no - bod
* - t -
t r m e s sure of what he a b - s o - l u t e ly
54
b o d - y f i n d c o n - f u - s i o n i n c o n - c l u - s i o n h e c o n - c l u d - e d l o n g
.a
I
\
/
puz - zle
quick - ly
not
(shuutcd)
I ît subito
l
\
l
Some - t imes I think that peo - ple go - ing
Some - times I think that peo - ple not so
\
mat - ter what liv - ing
S l g s . & B r .poL'o
life. As a,
fa - ther to my
of rny king-dom I must go forth
hus - band to
heav - en, Bud - dha, show the
Bud-dha show the 'ry duy I do my
mol to r
puz - zle-ment!
Jr1'l
€ll.ys.
59I{o. 14
Piano
Moderato (Stou, Curtain)CHILDREN and \ r \ IVES (s ta r l I t t s i t tg, L, ' h i td c ur I at ' n)
We work and work fromweek to week at the Roy- al
School - Roorn Scene
J = rro (Curtain)
Bang-kok A-
- r r J C
c a d - e - m y A n d
Eng- l ish words are aII we speak, at the
A\NA (fnterruyting)
Sp read ou t , ch i l d reu .
C h rl iren mla^e duw il stage)
\ -w, that last l ine was 'Engl ish words are a l l r . re speakl I d idr i t qu i tc ut tderstat t t l .
. i : .1 ends of your wort ls . 0uce agaiu, uow, and u ice b ig s t t r i les, because uelo lc our school
\_3
Roy-a l Bang-kok_A - cat l -e - mY.--i-\-, lG
I waut to hear the begiunings(Anna conducls) 0ne, two, three.
1
ù
Lwork and work from week week at the Roy - al Bang- kok A
IL t
"t t ; ,*
at theAnd Eng - Iish words are all we speak,-:r
Roy - al Bang - kok
gra te - fu l fo r those go ld - en years , a t our dear o ld schoo l , The: J
ù F I l rt l
. lr t t l- CTC,\.C.
I
\ -
f, , z - - ,
Roy - a l Bang - kok A
a[ , largando
6rI{o.
Cue:
t6 Getting To I{norv YouI l ike you very much indeed.
Moderato ) = ylAIiNA (rather spoÀ'en)
It's a v e r - y a n - c i e n t
Piano
Olt n true and hon-est thought, That i f
(s ingsl
, I il'ï'
teach - e r ,you be - come
now be-come an
By your pu - pi ls you' l l be taught, A s a
I
teach- er I ie been learn- ing for - give me if I boast) And ITe
\
I
like most, Get-ting to know you.sub -ject
\
I
(You'll
ex- pert, 0n the
rttl ! l
and not fast J = rzo
know
t_T_--]
gct-ting to know all a - bout---\_
Get-t ing to
r-1-1
) 1 }ê l
l ike Jou' get - t ing to hope
--
y 0 u l ike Ge t - t i ng to
r----t------1
o t r t - 1l,---= |
' - r . f rr - 2-.--=.---|
4a-È - -| - ?I r -7 l . 17
t t - ll l
iLTTI
Put- t ing i t n ly
( r ? Fl.r\__/ | ,"r"r".r r
'--Get-t ing to
ær
ly
Get- t ing to fee l free and
--1:-
Get - ting to know r+'hat to
beau-t i - ful and
-'------ y._
-î-1
Whcn I am
-7-
be - cause ofy -.>
? -l-1 î =. +- l
t l '\ ' I 7 l TlJ- .1
âI
poco a Poco cresc.
the things I'm learn-ing a - bout
+ 7 - T- - p l
get- ting to know all-\---
you
à f1 l
hope you
1 = 7 -,''--r r-_f
Put-ting it my \ilay, ruce
r r ? - T - -l=f l--f 7 ? = fl\]--l 1,.r""".
-.î..t.
A N N A T . 5 " , 1
6 5
A L , L
c i s e l y - - - - IIy c u p o f
- - -+ . . | _
;1tà\ --F+ 'Gr t - t r r .q t r . '
a) t : -' l -TYT ,'fr T t -r-l/
t = -'f * \'n- V,îf )ïr
I
i
2
+ J
?
I
Get- t ing to fee l a n d
Get-t ing to kLrow what to
\l'hen I arn
rT1
be-cause of
=II
\_
) 71 l
I= f rl---:-'tl
o =
? ?I z l
Sud- den- ly bright and
r =- l ?- lpoco a poco cresc.
l ' f l - ù
DanceF-'
181 Tulttlnr plays small Cymbals
",!t!t-'
llt:. n.n
JA'r ' J/
n.fl.r-3-r
, R.JT.
\ -
Get-t ing to knt- ,rv
a
?
Get-t ing to feel free an
Get-ting to know what
Sud-den- ly Irn bright
,=-\
y --- Be-cause of
Br. & !\ ' .W.
b e a u - t i - f u l
f /î, v \,-n / ' " ' : l
Get-ting to
69
(-- J-l
know you get- t ing to fee l f ree and eas----/
- y -
€ aWhen I anr
6 d
a r,r'.wf ]- t l-I I P . | |S t g s .
. ,, r---T- , N-
e ? t . j 1 t| |
' t / 7
- , j
r r r rl . . . ' - - , J -
- L-L) -
.}-r n l
I r r F r l - r F r r r F r T l
with Jou, Get-t ing to know t o
f l- |
Sud-den- It--
Ihr bright and breez - y - Because of beau-t i - ful and
get-ting to feel free and eas y -
I r l f f l l 1 r
rnf'
'1
h4',
When I am with you,Q . e @ a
f f f I r l
G-Get-ting loknow what to say, - Hav-ent you
(-7-1
rrr t r l
no - ticed? Sud-den-iy lïnUrigtrt and breez-y Be<ause of all the beau-ti-ful and new
things Iin learn-ing a - bout you
I nc identa l( I i ing)
IllItl/
Slorv ly "so b ig a wor ld . " e tc .
7 ll\o. 16
A-ing'Jhces
Piano
trSlowly
No man bigcnough tobc a lo r re .
No marrb ig t 'nough.
Cr re ; K i t t g d i f f c ren t ,K i t t g t r eed r l o oue ,r rubo t l y a t a l l .
I th ink/i
\
I(c l)
p
Enter ?u1ttim2l.
I
We l{ iss In A Shadorv(Tuptini and Lutt Tha)
you wait for her. (As .Lur, ?ha sits)
. I r )N THA: I f on l y ue cou l t l s top p re tend i r rg .sentrmento r î- - a - 9 7
TUPTIM: Pre tend
Conr(.
LUN THA: (s ings)
Pi
I
(
ano (
(
B
sha - dowWe kiss We hide from the moon,
+ simile
When peo - ple are near, we speak not rL word. -2+^ \
. r é + ( ( l (l
73
one snl i l lng duy t o b e f r ç oF t .
A + ( t 'T 7 l * | f i t =
t t , -
à, )t 1
Be - hold
\
I
l +
LUN THA: Tupt im, when can we meet? T U P T I I I : I t i s n o t p o s s i b l e .
E;-\
a) I al > TI-
:,
-LTr , - f t r
I r r F e-:-
\ r-- fT'- l
I t-_llLi
TUPTIM (sirtgs)
We speak in A - fraid t'o be heard;
lVhen peo-ple are speak not a w0rd .
.G
- S t s s .
Pft u'.u'.
l r
\
/
I nrJ_-
TUPTIM and LUN THA ( tosether)
To kiss the sun - l ight
Be-hold and be - lieve what
And say to the
Be - hold how mY
t Î 1 Y r . .-=
76
'Vtt! u l i l t luu . te , Tupt in t and Iu t Thu /u r t i t c ly enùruee. Iu iy ? l t 'a
l "- = t \ |V l . S o l o
tfl
\ r î r
t f i 7 r' \ - J \
rffi ,ffi
* . t l
tL q J
(as ?uptttn sudden{g LUN THA: What is it?ôreaA's au'uu)
Cello Soldr fÉ | I rtL=rt
-f 1 ôreaf 'sau 'uy) , i i _
o I 7 'I
. t t t l
c 7
- r GS + o s
1Àr.w.
(dïalogue)
TUPTIM (to .Lun ?ha)Please gol Please gol LLun, ?ha eæ/ts)
- __
7 7
T U P T I . V ( s i n t s , t l , t r t e )
l ieve what
I
l ov - e rr.\ loves) a
I
To k iss in thc sun - l ight ÉÊ\_ . And say tu the
| ,,f'--I
Tut t i I a t l ,a rg .
7 8
No. 18 Repr ise : A(Pr ince
trVivace J = t i l r i
(lttrttre eurlain)
Pu zzlernentand Lou is )
"r-"" I7|
' l p ' tT J
impu lse , they shaÀ 'e ha nd s . 0rehestra ùegins to fad.e out on Cue: PRINOE: an l s0 r r v $ ' e
ùI
'1
r-t:Jjust t t r - rw. LOUIS:
Prr'rce and -Lour's enter lfrom optposite stde
near ly fought I a r n t o o .
7 9
TP l i l N C E : A r t : y u u r t a l l y g c i i r r g u n a y ?L O U I S : I l u t h t r J ' l a t r s t u l t a r ' ( i o l r t h t : n t x t s a i l i t r g .P I i I N C E ; I a m t i o I s u r r i m y f a t h t ' r w i l l a l l o r v y u u r r l o t h e r t o g o .L O U I S : I a n r r r o t s u r e u h t t h t ' r n r y n r o t h r r n ' i l l a l l o w y o u r f ; r t h t , r n , . . r t t uP l i lNC ts : rÀ 'hy c l ocs r ro t yu rL r r n ro th r r ad r r r i t t l r a t sh r was \+ re r r rg?L O U I S : I d o u ' t b t l i c v c t h a t r r r o t h r r t l i i n k s s h c $ a s \ \ ' r o l l g :P l i . l N C E : I t b c g i r r s t o l o o k a s i f p t ' o 1 r l e d o n o t k n o w u h u r t l i r , - y a r r r i g h t
h a v e g r o n t r u p .
t u P : ( l ) r m u s i r ) L 0 U I S : I ' r ' e
a l l o w h t ' r t u g u .
o r \ \ ' r 0 l ) g - ev ( ' l l a f t e r t l r t 1 '
Commodo tr
t r o t i c e t l t h a t t o o .
P R I N C E A y : u z z l t ' r r r t ' r r t l \ \ ' l r r r r I l t f t r r r y f a t i r e r a I i t t l c
u ' h i l e a g o , h e a r t l h i n r
t 7
t a l k i n g t t - r h i r r r s e l f . H t s t e m e d u n c e r t a i n a b o u t m a n y
e =
t h i ngs . LOUIS : I don ' t b t ' l i e vc g ro \ r ' nups a rc vc ry c e r t a i n . Thcy on l y t a l k as i f t hey a re
t
. 1 / S t g s r , t 1 1 f , fr T T I ,
a -
I
? + S t g s .
P R I I I C E ;
o - - l ? 7c e r t a i n .
\ r l . \ \ ' . \ \
C ' a ; e =. T
çr r F
' l
The rc i rre t i tnes I al - ruost th ink they a le nut
C' - J
+r ' r T t r l T q: ' i ' i - . ' ! i
8 0
of what they ab - so - lute - ly knffi
? 1 = 1 f t i t l t i t i t i t i t i
l i eve they a re con - fused a -bou t con -c lus - i ons they con - c lud -ed l ong a
f 1 T ' lr - l
PRINcE; El
If my fath-er and your motir-er are not sure of what they
ab-so - lu te - l y Can you tell me why they
fight? They fight to prove that what they do
st . & w. w.
---
lQz v-
1.
Some-t imes I th ink that peo-p le go- ing mad !
Some - t inrcs I th ink that
I
f t ;- l
= _ - - , = _ - _- T : - : 7 ï
t t 'l t T t- l
ù
8 2
PRINcE r E l
no Ilrat-ter what I think, mustButno t so b a d .
I
1l r rl t T- l
go on l iv - ing l i f e , And some-day as a lead- er I must go
Be fath to l )y ch i l -dren and hus-band to each+'
w i fe , E t -
ce t -e r ------
e t - c e t - e r - a and for t h . If nlyX y l . W W .
Î P s t g s .
83
Lord in heav-en, Bud-dha show the w&J,
LOUIS (spoken)
' ry duy I try to a n - t , t h - e r
I f my Lord in heav-en, Bud-dha show the waJ,
#il\
l
d"y.â
tsoys eætt
puz-zle-ment.
I
6'/ttt.
84
l{o.te Shall I Tell You What I Think Of You?
Cur ta t 'n
Allegro
o lLens d t ' se lss ing Anna seated on bed
I = 124 Fl ' I
1
"r""" I
(Anna s ta r ls s ing ingt o ail | m agt r.ar y "Ki fg.) AÀ'NA
(Your
+l -
\ l i ' .W. & l lp.
se r -van t
! r 51 t t R i cha rd Rodse rs and Osca r Hammers te i n I I
though
\
I
\
I
II
pend - en t e n r - p l o y - é ,
wo - man, think l ike ev - 'ry
b ine,
l
Ghort i)
t ine,
t-
How I wish IA ca l led h i rn that , Right to h is f ace ! L i - ber- t ine ! And
.:
a vI S tgs .
P can tab i l e. , 1
bqI
?II
à f , * î l */ rhyt hmicatty
+ \ '.$4'.
cantabi le
j e c t ,
87
B
ù-round th is p lace, That I wish to to l l vou I do no t ad m i - r e . I
(guasi parlando)
n o t l i k e p o l - y - g a - m y , 0r ven mod - 'rate
\
'rhy lhmical[,y
3tgs. t ulw.
clear - ly
frorn civ - i - lized land called Wales, Where rnen l ike you are
8 8
(sentpre pur lando)
kcp t o o u n - t y g a o l s ! In your pur-su i t o f p leas-ure,You havc
mis- t t 'es -ses * 'ho t leas-ure (They ha ,e no ken of oth-er rnen, Be - side whomthey canyou .
7 T T l TI | | | t l- - { l V- f
\
/
\
I
89
I 'm rather glad I didrt ' t saYthat . . . Not w i th the womenrisht there aud the chi ldren.- â
( so lo V io l i n )
not for c h i l - d r e n ,
a tempo p>
, J
@ Assai moderato
ch i l - d ren , c h i l - d r e n , I ' l I
rnat - ter where I aI - ways
li t - t le fac - es look - ing uP at
à:'---.-
get the
S t r g s . & W . W .(uarm/y1. . - . /
Trcmulu slurt s lui l lu anr lthen accclerandt l
-S t g s . F l . & C l .scnpre slq.ccatc)
\--l
I I I& inu d
9 0
II
But late - ly I 've thought one or two have been
---..---
r e a c h .
s ion - a l
molto rat
l i ke h is fa th - er . He 's
(rathe r parlando)
That Pr ince,- Chul -a- long-korn Is
S t r.: s . l l rr . \\'.\\'.
f " Q
v e r - y s tub - bo t ' t t , bu t i r r - r l u i s - i - t i vc And
9 2
(Sung)
l e a v e t h i s p l a c e b t : f t - r rc thcy b r e a h
à -------'.th ,^--
\
Poco mosso
(s l ,oÀ'en) Gor. ' t lncss l I hat l noidea i t u ' as so l a t c lâ
-{>
leave this placc bc - fore they break my
- 4nna a t l l u s t s trsr l ,11
Sha l l I
9 3E G iocoso
(sempre qu,t ts i par lundo)
te l l you what I
con -sc i - ent - ious work-er
cre - dit where it's
think of you? I 0 u r e spo i l ed ! Youi 'e
due , There is much I X o u ' But
But you're sporled.Iil Giv - ing
Ev-'ry -
l ike in
i:;i hp
ean tab i l e
il, tJt f
Ip r r
' re spoiled!that
bod - y's al - ways bpw-ing to
b o d - v h a s t o
Bud - dha you are b lessed,
K ing !
the xgst By your
By your lad- ies youie ca - re$sed, But the
II
I
loves you best
:>
Ip r 1
, f T r I
(is the King.)
9 5
bow - ing and kow - tow - ing To mind you of your roy-a l - ty
I
f ind most t i is - gust - ing ex - hib
S i - am-ese ca t t o
t i on
rnon - s t ra te h is
a,
L
\
I
\ n , , ' . c e r . I i . /f \At rna 1f ' t l ls , , r t i f , t r , ' . - /
1 t ë c ' /
would - n't ask
tak - ing that r i - lous pos
9 6
How rvould Jou like it if you $'ere it, Play-ing the part of a toad?
Crawl-ing a - round 0n your el-bows and Eat-ing the dust in the road !
Yes, your Ma-jes-ty. I{o your Ma-jes-ty! Tell us howlow to go, Your Ma-jes-ty.
\4' .W. Stgs.
\{.W. Tp.
pori 'rt; poro cresc.
Make s'me m.re de-crees, your Ma-jes-ty, Don't let us up off our knees,yt ,ur
Give us a. k ick i f you would your t r Ia- jeS - ty .
\
I
II
k i c k , p leas e
poco al larg. 0hl That u 'as goodYour } la jesty l
al larg.
e8 No. Po Sorneth ing Wonder fu l
C r r e ' A l f l i A : B u t I s i n r p l y c a n n o t
LADY THIA I iG :
Moderato J.
Or""" I
go to
\\'hat
= 6 4
h i m . I w i l l n o t .
more carr I say to you?
LADY THIANG:
is a man who thinks with hea l t ,
Stgs. \-+ \ \-- <
give and for - give, and help and pro
stum-bles fal ls,
Copyright 3 1951 by Richerd Rodgera and Oscar Hammerst€in I I
longr- &s you
Con calore
won - de r - fu l .---
ought-less things he' l l do
\---f(-
He wil l not al - rvays
\_-f tU
ur t and wor - ry you.
\---+ =1 -
tr
won-de r - fu l . He has a thou -sand
Stgs . \ { .W.P tiprttiiro
some-th ing
ç;r 1;n Poco piu mosso
es p rc ss lao
-----___ t.-\-=t
iF, F
lieves in them, and
tha t i c -nough fo r you .t r , I '
You l I a l - ways So a- lor rg,T u t t i l ' - = - - G =
De - fend hinr
l r - - -
a t tt7 t (iTlrl '
,!f
è l t P.. \_-r
f ? Z - i -
| r>-\| - )
n'Iifril7a tem.po 1
r. I
,t--r., 'rtfrnrI l
\=1 t\P'-''l l\--f
CS D TCSS IUU
'!---/
And so he' l l get your love. irran u'ho
---------= : _ -
_---
l o r
needs your love c a n b e w o n - d e r - f u l .
A) LFN r t F 'ê l
'---fI'rtt
I ' / l
cresc,
l & . -
l - l
ft'e \
a l l L t cC r t
t--_---
!
l [o. 2l
Piano
Temp<-r I9
toi t
Change of Scene(Pantomine)
Àtnu and .Lady Th id r tg e t i t .
bà.C zt rt airt
i
r
\ o . 22 Reprise: Sornething Wonderfultr KRALAHO} I8 :
Dir l yuu succt td: (Dla l , ,sxs1
?'t-
g r L d r ( , { c s P r e s s t a 0 )
+ r | : . \ |hT I
D
' _ J r + 1 .
/. \ ' .w.
, ste)- ̂ 4-+
I I - U
crese.
,/----
I i i --T---fvr--q -' > ' 1 r
-:--;
-tF--T-^
! T u t t i
,_ 2
mol to d l ld r [d ) .d0
t , / : iè t I h n . ^ l l +
.yff attaccn
,-F' 'l ri'rr l
'-fl' l ' r ' l) l
'e-=___----'--.,-....- -\--- 'J l l \ \--
P i a n o
1 0 2
tr
-\--..-
She'll al-lvays
----
LADY THIANG:tsut th is I th ink she doesr i t Lnow.
-- , --
De-fend him when he's wrong
ft
>-
al-ways
--F-x] t Fr rr--r f
1 . l
r ) .
- T ^
-l| " Y res prcssiuo) l
f rr l
---'/
\--r
need her he' l l
needs you r love c & n b e won - 'er - fu l .) )r--1 r
No. 23
Piano
Chang e of Scene(Postlude to "something Wonderful")
Molto meno ANNA: Your l\IajestYl Your l\tajestylS t g s .
\ T T- T Tr l
Poco maestosoCurtain l.L
rut t i " f / t tp) .
(King sees Anna)
> -sjg'' ,, più tnosso in tcmpo
,/;.à.?l
Æ\
ro4 l[o. p4
Ci re : K I I iG : You mean d ress t hem in d resses .
Allegro scherzoso ).= Bz(Under Anna atd l{ ing's dtal
Scene(Anna And King Planning Party)
Pi"* I
+ C l s .
Pp sempre
+ F l .
A IJJ LJ.J
t r f rLJ-J t--l-l
h . ? + ?
LJ.j L.J.J
l + h - t +, l -re )
r-re-"-t l. + +
= =
- F - , F a d e u ' h e n s r t a l l e s tchild erauls belueen
King's legs.
r06No. 25
l l 'urniug: Above al l I mustC z e . . E x p l o s i o n .
Bri l lante
Piano
No. 26Cue. ' Bow to him.
Bowl Bowl tsowlBowl
i
Kinçâ--o_<>
Finale Act Iclaps hands
o"""1Tom-Toms
Fireworksnot be d is tu rbed.
Beneat til l Cue* Xtrig"rre ehart begirts on 2nd bar
> > 7 - - > >
S t g s . H p . W . W ..Pade on "stt l l ue do tt"
(-King resumes free chant)
I { u t {
Clul'
Tuttr Jf
KING: 0h, Buddha,give us i l t , l , : 0h, tsuddha, give usr L , , . . : J ^ t - - ^ . . - : . L , , . . : . r . . t - . - . . . -the aid of your the aid of yuur
strength and n'isdol l l w c l q v r
J v u r ' i
strength aud rvisdonr" i
(Iii t g re s umes lfre e c h a n t)
J'r'^{>
KING: Aud help us to prove to thc vis i t i lgEugl ish that we are extra-ordiuaryaud re ruarkab le peop le .
ALL: And he lp us to p rove to thc v is i t ingEngl ish that we arc extra-0rdi traryand renarkab le pcop le .
.E tn6 t1 | ree"ho, , r#21ç . I { t | t tgchat t tsuo ' rdso t to t ten t . l !e .Ensenb lechat l t sU| lsa ,ne t ru !eàsrcs7 t l t t se to I { ing| ' . . # - - - '_____:__-E-_
Ah
to7I{atr t l
c Iu])
Dolce V a . C lslowly
KING: Help also I I rs. Anua to keep awake forscient i f ic sewing of dresses, even thoughshe te only a woman and a Christ ian andtherefore unworthy of your interest.
ALL: Help also I I rs. Anna to keep an'ake forsc ien t i f i c sewing o f d resses ,even thoughshe be on ly a woman and a Chr is t ian andthere fore uuwor thy o f your in te res t .
ù 'bË*,no,And Buddha, I promise you that I shal lgive this unworthy woman..p A house of her own
' ' | - + t - t '\u_r ê
A brick residence
, 7Adjoining the Royal
(King aud, Arnt.a Pan totnirte )
According to agreement
<t-
etcetera, etcetera, etcetera.rl
And Buddha,I promise you that I shal lgive this unworthy woman a house A houseof her own A brick residence, AdjoiningRoyal Palace, according to agreement
i A t t :
MaestosoA.LL:
Et
T u t t i
----
cet -er - a r -_vrl
,^ l
Et c e t - e r - a _ \y
rlE t - c'et
-'----/
/-\ Curtain
-
Eud zlct f
t08
Entr ' Act
Poco maestoso J= rzs
"r""" Ii+11
o ,'y r J ?ruïi fp
A
J 7 / r 1 ' f r + t " vt - -
':-è
7 7 l r_
€>
oH
, _ \ l a ^ .> > - - . 7 > + ' > > ' > \ \
a " l r j I
A -
' 7 V T ' - - : 1 7f
" > > - ; >2 2 : > : > .l- t-+' ++-1- È+- +-Ë
F.-r ri 7:_.' l -à i > > à
ct o
.>t ,+'
-uE Allegretto
r',,, i f I
109
tr-7
d ?I r ù rI br I r r r t f ,, r r t l - t [
I r
A A A I I
Alla barcarolla
S I a *
wT,,tI I n s .
' l t tr i l )
trh
= a
r r r r rr r r
E
a / t r r r 1 7 l f r r r " rl <
\ I - +
t ? l-l l
I
tt2^I
a t ] - tA
l
r rr l
T (
@
ù f l - f r + û f "f ï f 'r ï
- l - 1 ++ 1 +
I
> , > u à , , r ? ]
v=Y\i"â|,A,ê
t18l{o. 27 Opening Act I I
A l l e g r o m o d e r a t o J = f t 2(Curtainl
"r""" ItL Ë=-:
-___T u t t i f f
.t .t
t7- bÉ-I l ' \ -' l
l l l
/<t_-:-/ ------
I
'+'- l bÉ-t -
- -,Q:aJ?' bÉ-
I l - -I
7TI
bF-l -
.b, l bfi-l - t?
I
--Tr=l -
t .- t . a 4 a a . ) a a
)
\eFts
>
e 1 )o e l j >0 Q _
I
tt4
E+ w.ry.
' /1. i r f' L.H.
l-l t l r a ?r t t lr l f-r/l t
a r r i a +t t t, t t lt l
I V r r' $ r t
(Fade here) LADY THIANG: Cattttot move fast in swolleu skirt.
repeat rf ncedcd
l[o. 28
Cue: LADY THIANG:
Piano
Western People Funny
Whatever l [ rs. Anna want us to do is wise and good, but this. . . .
MOderato COn graz ia ) =nz LADY THIANG: Is a puzz lement .
t l 5
LADY TË:.L\Û
F-t t L r tI
?r?
FI
Ê:r r F Ê:r r Êl l l l
prove wele not bar-bar-i-ans, They dress us up l ike sav-ag-es! To prove wete not bar-
r r ÊI
t-+l -
= = -r r -l l
r.nt3t
f : r r F?-çt v
I
r r FI F-t r r r F
We wear a fun-ny skirt! Ah,!GTRLS. ( \ 'VES)
îo prove weTe not bar-bar- i -ans, They+ B r .
F: r r= Ê : r rl l l
=-'+l -
)pII
S t g s . H n s . O b .
r t6
wear a, fun - ny s kirt !
West-ern peo - p le fun
West - ern peo - p le fun
West-ern peo-p le
0f that there 1 S
o -
no
They . feel+ H n s .
t'al,
s a v - a g - e s ! ba r - i - ans ,
doubt. so sen - t i - men bôut the
, =T F' lf = t
, =t +' Ir ?à +' lf = l
LADY THIANG:
+ , +5 - ! = !l - r r î
r JT F
I
-+
t s - tl -
r r 8
bru ise and p inch our l i t - t l e t oes , feet are cramped in leath-er shoes, They'd0 u r
= = , . - 1 3 =l l - l
I r F - r r r
ê- | | F Ê= t I Fl - l l - l
F-f Il -
--^-
Ah!b reak i f we had b r i t - t l e t oes , But now they on hur t ,
WIVES
Ê"fl -
Ê--f I Fl - l
bru ise and p inch our l i t - t le toes, Our feet are cramped in leath-er shoes, They 'd
t o e s ,
West - ern
est - ern
peo - p le fun - nJ,
---\.
lV'est -
t oo fun
ern peo - p le fun
t rue !peo- p le fun - n y t o be They
r20
I e .irn t t-r ttt li ke
TEIA.!iG:
t h c m i s - t a k e Tha t they a re rnak - ing t o o !
Att: They think
/--T0
l e a r n
b
they civ -
make
w h e n - e v -
-.--- f,;
the s a lne mis - t ake at they
v i s e u s . T oer they ad
t o are mak - ing t o o .
6;li-t -ùili
a,they make quite few!
a)
f f r " t t ; attaccq
repeat ad lib.
t2l
I\o. 29
A W I F E : E v i l e Y e , e v i l e Y c !
Piano
Exit Of Wives
T r r t t i
Jt'
t22No. Bo Dance Of Anna And Sir Edrvard
( ' u e : K l i À L A H O M E : Y t r u r c x c l l l c t t c y .
Piuno
Fnin as Â-ing snys: Daucing after tlirrncr.
Slcrn', elegant Valse (unrtr:r rt ialugur) J = 100
-t-
a - l-EP P r r
T f , d- Ç +
r l
t d d- e +
H
I J ) | ) J
te,)
J} J ! J J -t+ JI ] J+ +I
T--i - L l
. t t
I d d' { r +
I
l l
I 4 d: + +r l
1 ' ' 4 I J l
a
I J J } J J l+I J I J . J_ + +
f t A I J J
-.
t23
a r l
} J J) - L +
L
r l JL q I
t l) )I
t lt * 3\ -
iG:
a r l
l , t} J Ë 4ê + e
l - . . -
t l) d l1 + +
lzt- -
. t ll i 4 l ,nhL
f ) ) l l I J J -t .L
a
) l l. . + +
| -
lF--
I J Jt- .l
I J,-ê
Ia- I J J
until Cuet'Dancing after dinner,'
I J f J J
124
No.Bt Exit of Anna, r{ing And Sir Edw.ard
Cue: K INGr Yes , be t te r be go iug in , Anna.
Slow. elegant Valse---G\..
u a r r * t t -
n o " 1 f\4'.\4'. c
r-
t l1 1+ + r l l
: + +
l r| 4 1 r l J I J J
(Curtain)
n*o..3p Incidental "We l{iss
> -
In A Shadolry'"
lN Diolngu" .Latty îhiang artd IuptimTempo IQ J = gz Yiol ' Solo
Piano
R\
Piano
T u t t i.>
a
I J J I JI r l l: + +
L-' \J \{"tf
attacca
;o"l".l''*rLl
) E'L è T i\l =
- ,----Ê- Jr I
-€r' t
l z G - l
I I ' r \ .t t \
. / - - l . I ' ' 1
*-\
? , è b .II
1-
1 . - i l t
\ - r\ . . z , G r
ê f f f 7'
\--, - # ,
? r çî - ,
.È
a t T r \t t
\,.-1-----\ Fr
! ' - ' t
z'î-î\l -=
è ræ
Ef ,un ?ha enters
:-_7
TUPTIM: What will we do?
,--r-\t -
t ) . fI
, . - -
rT J P '
f r nr 4r. : 3f Y r
tT h
Fade at cue.1
a f F r r f q t " r rr r rt f , ^ l
r r t l f r r..-:i
.-1--,
----/
t ? 'l - l
I l{ave Drearned
LUN THA: I can : I t w i l l be jus t as I havep ic tu red i t a mi l l iou t in res .
Slowly
t26No. 33
Urrc i TUPTI t r t ' I cauuot be l ieve i t .
E J = . 0LIjN THA
have---.--
dreamed
"r*"" I "tf,".*n Pls t t ' . t v .w. r tn .
I
Copyricùt O 1951 by Bichtd Rodgtn end Orcrr Eemnrcrttein II
ù l q r .r l lns. .-, I) | l J
the g low of have dreanred-
l i ke to be
I wi l l love be - ing loved by
Poco p iu mosso ) = sz-
tr
J ) . t4-n
stss.w{ +rlr, l. I I
2 + a - +
- P
lTj-.t
lTl-J
lT.t
have dreanred- that vour are Iove- - /
lY,--
have dreamed - what a
r lr l
TJ
w.î11 atemloo , 3 ,
? lÉ
ou' l l
r r t ' t
ev-'ry word you'll
I r f
dreamed - and en - joyed the
rû
loved yo u That
b c - i n g l o v c d
b e - i n g l o v e d
by
wi l l
Iove
>
knorv What
LUN THA
utrrtr:rt,1, _
t l r l
lg2No: 34 Reprise r "Flello,Young Lovers"
Molto moderato J.: sz (under dialogu_ù
Y'* *2'n P .
t r ÂI t ,l , /r r 1 1 \
t 7
a r r r+ B r .
i r l ù
J J
F lI
_____+-+-
r î
t ft /
f ^ - f iI Yr r T 1
ANNA: God b less you bo [h
You f ty down a s t rec t o r r the chance thc . .
-
And you meet- not Don't
+,*:-
) à l v ù * r t #t \ c
-_t*a ' i r r i r î : .? lc
I =r-I
T
to have n' ings ol l yout ' f ly
â\àreal - Iy by chance.
t34
y0ung lov - ers , what ev - er you b e - c a u s e I ï n ' u
-Æ-
r r
hup - py to - n ight ,
f i r7 îI
.17/
r1 +1t t /
---/
No. BE ilhe Srnall Flouse Of I]ncle ilhorïr€rs(Ballet)
; l S i r r r r t ese t r t us i c i u t t en te rs , bea l i ng a gong i n ua lh ing rhy th t t r . I I e i s f o l l oue l by sp r r :c a r r i e s h i s d r u n a n d r a t c h e t . O t h e r s e r c c r r l s l t a c e b e n r : h e s f o r u c h r t r t r s o f g i r l s t t t t d , .f o r t h e n r u s i c i a n o t t o f l o s i t a s i d e s o / t h e s t u g e . W h i l e g o n g b e r t t i r t g c o r t l i r r r l , s , c h o r r t sbou to t he aud ience and t0 ,he the i r l l aces . i hen the t t a r ra to r , Tu l t i r t t , e r t t c r s a t r t l oJ !e rto t he uud ience , s iÉs doær r i n f r on t o f t he cho rus . (Go , ,g . s toy ' s /
-
r5!
w.\4'.I I r r .
Cu r la i t tTUPTIM:Your Majest
Piano
4\
Al legret toCHORUS: { )
r y ^ b . ) 1 . ) - e t a .
I l l ) .
Y- x i r . and honorable guests> 1
â' e
I beg to pu t be fore you"smal lHouse o f Unc le Thonras t t
'u *tà6.
rupiao af'- l I i
= \" l n 3 ll c t i- 5 - F
ô?F
(qzrasi par landos
Small house of Un-clc Thonr- as. Srnall house of Un - cle thonr as .8 1 , d , .
>
8 1 ' d . - - - - - - - _ - _ _ - -:>-
* ' 7 h . c h u r u . s , r h e n e t e r s l t l t À ' t u g u r
L , ; ! . - : , , r - - . / 1 i r ' . s ! , t l h e e r t ! i r r l t u l l l t .ç - r , - , 1 . t . , : t . . r , l ' . \ , r r / , s1 ,uÀ ,e t t . . 4 t
.>
Writ-ten by a wonl-an, Har - r i-ct Bee*her Sto - 'til&. T U I ' T I M :
House is in K iugdom o fKentucky, ruled by mostwicked King in al l Amer-ica, Sinron of Legree.
G
singing iu rhgthrn, teat l l 'uod Bloel 's and Ancient Cgnltals t tn the dorn
apprtt .r in,t l t 'o n, l f ,1t i teh is iud ieqled throughout.
Æ\
r 3 6
Your ) l a j es t y , I begt t - r pu t be fo re youIov i l g f r i ends
CI IOR US: T U P T I M
Allegretto giocoso TUPTIM:L\tcle Thomas enters
,Drutn0?, stuge
,Lit t le Era enters
Thorn - as.F - 1 .
Dear o ld Un - c lu Thc,rrr - as. L i t t l e E
a j pt\
- - ! _ . , 1 , ! -h I I i\'/ t V v r v l--r
T U P T I } t :-Little Topsy
Bless Mis-ch ic f
TUPTIM:
* ( istems to be 2lagod vith l fel t orr si ' i rr .I ) a l . r t t s t e m s t o b e l l a y e d u t t h t a a d h a i t d l e u ) . : . 1 m ( s a m e s t i e k ) .
r t t
@w
(-Lot't'ttg lfriends dance a ha.p?y danee.)
l i r t . . .o tempo
W . W . I I n s . T p t s . I I p .
Hap-py peo-ple!
Hap- py peo - p le !
r38 TUPTIM:Your ÀIajesty, Ibeg toputbefore yo! ong who i-s nothappyi the slave Eliza.
E Ben moderato e lamentosoCI{ORUS:
Poor- E Li - za, Poor- E - Poor un-for - tu-nate
TUPTIM:Eliza's lonlaud master
,1King Simonof Legree.ff
She hates her lord andmaster and fears him.
This King has soltl her.loverto far an'ay province of 0heeo
p
rl.€>
oons î honsta-se;ff i tw
ëonc l,^.----ona'aîenf
fuithstiek)
Love/s namoeis Cleorge.
TUPTIM:Baby in her arms also called George.
TUPTIM:Eliza say she run away,
CHORUS:â
Ge-or -- ge. Ge-or -- ge.rl-æ:
and lookfor lover George.
Allegro
t:yybal
So she b id goodbye to f r ieuds,and Star t on her escape.
T U P T I M :
Andante
r30
.tliza erits
Ge-or - ge.>>^ te + ' - C '
Æ\<>
Batchet û'--....'..-.*.ott. stagc ll
H p . S t g s .
(Eliza enters)
ûF#
/?\.
â
ModeratoCHORUS:p=
Run, - l i - z & , Run , E - l i - zù ,
rl
TUPTIM:Poor Eliza runniugnand run into a raitt storm.
The Journey
p W.-IÀl Stgs.
W i n d W h i s t l e
L.H.:>
l.---L.H.
L.H.
l - .L.H.>
' IIThe storn ,{r 'pa7|s, Eltsu sha/.es lhe rrt iu lJl herself r t n i l h t l t r t ùg
It subitoH n ; S t g s . \ ' . 9 ' .
. 3 ûuys ru i l . un and / c t r n" u m u u , l t d . a t t t ' - TUPTITI :
t r , ' r t tcs a mout t ta in.tr CI IORUS:
Climb,
f01,the 's o t t
8g;-
? 'I H n . r
and climùs doun, 1 ) , ^?a_8g-,,
E Irees come on and form a threst., , TUPTIM:
J = J
| ),----7 ?
rCHORUS:
,û) L
H i d e , E - l i - z a .
s€ceoS : Ê t . H p . T p t s .
Hide from Si mon. Hide in for - est.
142(1s t 0 r r l )P o o r E l i z a !
(t td at rl) 6r.l 0irl)P o o r E l i z a l P o o r E l i z a l
(,tIth 0irl) (5th 0;rt)Poo r E l i za ! Poo r E l i za l
TUPTIM:E l isa vervt i re d .ff (eu)
Poor E - l i - za . l
. >
?he lrees and -El lza ûow und cæit.
Allegro TUPTIM:Your NIajesty, I regretto put before you KiugSimon o f Legree.
l ' , + Trb .
t w .Y.Hp_s l
The l{ing is
.Gcarried un l ty seruunts.
.-b
: /a /> -
* ) A d l r ô r , t r i t , , !
Alregro molto marc.to Simon Of Legree
?he slarses of Simon îu,. or,.^
t 4
a _ g d 9
Stgs. lry.r i l .
=/r r t - l u n t a l t , o t t s
#= :>
r '11 {he churus .
,J
ly dr./ /ererr l girts
r J ' 1 - z
i , - > ( q ) ô 4 > é e { s
A 7 7 a / l l
. L :
\ w.w.B r .S t g s .
- g ' 1 : b
,urrrt. F J
-
sla piî,:it - .fi
? t . rE o ? b o
TUPTIM:Simon clever
a s f f - | |" " I
J_l _
v r + J b -
I ' C c l . I t s .ù Ê t
__ Ottng
f,rr lra I isrr tr" sl t t ! : l
lr{>, I I
" f )
t r l
? + - +----_
I L l t
H e d e c i d e t o h u n t E l i z a , n o ta u d t h e r c b y d i s c o v e r a l l w h o
s o l d i e r s , b u t w i t h s c i e n t i f i c d o g s w h o s n i f f a u d s m e l l ,K i n g .
o n l y w i t hrun f rom
n t l ' T u t r-r^trl
I9
'-J
n tempo, come l :
a,)0ottg B r .
tJ'C o l . I l s .
n I ' ll l
t66 l t
"ff
: l - . f - T e - _ e v - u - v - 7'
DA ' -\---' | -\\--l '
The ChaseE l r J = J lE I iz a eossrs stage, flee i ng 7t
R u n ' E - l i - z a r r u n .
C e l .B 'I l p
. Th -
L)runtt l t t s t t t E '
Run,E - l i - za, run.
l i 5
E h e e . t i t s I t tgs cLt t te ot t s t t iJ f t r tg / t , r l raccs ,J ' 8. , :
Run from Si-mon,run.
Cymbal c7'esc. - . poco
za reettters, crossing stag.e, lfleetng
Run from Si-mon,
--Ê
-taL
@xti
+ + l 7
746
Poor E- l i -za . Run from Si:mon,
Dogs reenter,iftillowed ôy guards,t'n2ursuit o/ -Eltza.
@trruo crosses the stage
a third time lfleeing.
-, f Stet.Tpts.W.W.
CHORUS (sung)
E- l i -za run f rom Si -nron,
T U P T I M :
E - za, run. Poor l i Z'r \ .
? b hç8t'rnttn, Ouarrls and dogs reen.ter in hut pursuit o/ -t l iza.
C I I O R U S :
t 5 t
r . - 1 -
l i - z i t run f r
(shout)\
| --t0 -
Run
Run
E Run frortr Si - nlon.>
Run, E.>
Ii - za, run,
#=
>
, ' . , , , ' ! , / r , / . t , n , l t C t ] r T t t s . r 1 , 1 ) n
Run,
?he r irer, a uhtte st l l / l ' ûand earrt 'ed l , ,y2 rnen sertanls, t 's stretehed aeross thestage.
Z I ,E>
from Si-mon.>
run
#aah.*)
S t g s . W . W . H n s . H p .
b ,aT
"ff m2 su.ôito
T
/-7-
TL ]PT IM:
CT IORUS: TUPTIM:
Poor
.G-: .--
can s&ve her?
Bud- dha, Bud- dha, Bud - dha.0n Bud - dha
cresc. poco & poco
C H O R U S :
Bud - dha,
What will Bud - dha
r|'Curtatn pr i : - ra*. r !a ,çf , i r âraÉatS see ra S r l l l t t r ! - !Âa r * p . {med i t a tnn .
#Ê'TUPTIM:Buddha makea miraclelA
Angel a2pears
 Buduna sendan
hËAngel dowu. Angel make the wind b low co ld .
NIake the river water hard, hard enough to walk upon.CIIORUS: (softlylBudclha make a miraclet
4\g{>
/1-o.<>
haise 'to Bûd-
---
*a---$Ihe at tgel anrtE l t ' za . s l t , tÀ ' ehands solemnly
fce DanceTUPTIM:Angel showher how tuwalt on lrozen water.
t50
€?
cresc. poco
-Tl- 1 ' , 2
t r t t Tt t t lL-l
l r t t 7
I
) . /
SnorlflaA,es are earrt'ed oil lty selr'ailts.
Poco meno
--lJt 'a
TUPTII \ I ;Now as token of his love.
-E
H p .S t g s .\ry.w.
poco rit e dt)nz.
?I legato sempre
Buddha send a new miracle.
Praise Bud - dh--
1 5 2T U P T I M :Scnd f rom Hcaven s ta rs and b losson rs .2t t i 8u/o
Praise t 0
Look l i ke lace upon the sky .ilrd 'Solct
Praise
Bud
Bud - dha -
dh;--'
dhx
olil],uo uibrato)
Praise t o Bud - dha
I ir3
Praise
dim. mat lu
TUPTIM:S o E l i z a c r o s s t h e r i ve r , h i t l den by t h i s I ' c i l o f l a . ce .
Wick- ed
nanre o fForgot to tel l youm i r a c l e : ( t S n o w . t t
Reentratrce oif sinott, guards and dogs. Tlu: snou f lukes t:utt ish. El, iza eri ts.
Tempo di t tChasett
ruprry
0f ir\\ '.w.
c l ' .l t sn , / ' T r t r .
sud-den she can seu Si-nu-rn Lc-grct:
t64
b lood - hounds
Molto marcatoJt 'mon, g'uards und dogs danee grolesrlut ly on iee
> > > ; >
\ y .
Angel a??ears holding the sun.TUPTIM: Wha t has happcned to t he
' b=:--z i. \
Budha has called out the sun.
>
r rJ-lJ-WJr_rE_r LJûr
{ f rnp.
cresc. mollct
->- \
r 5 5
, . T u t t i O o 4 gJ 0n stagc
\
I
drowned.
r56
'fempo IQ
Xvl..L' l iza etrters
> --
TUPTIM:0r r o ther s idc o f r i vc r i s p re t ty c i ty , Cat rada, uhere E l i za sccs loYc ly smal l
house. Ouess who l ive i rr house?
repeat ad lib.
Ltnr: l t Thonts enttrs
U n - c l e T h o m - a s .
> ;
* ?his lranp has to be played anindefinite number ol t imes unti l the utrd eue: " l i t ,e in house" eomes up. This might talei l . t ,re L,r /e.ss ànrs than indieated here, sinee i t depends on ?uptim's nanatiort.
Dear old IJn Thom - as.
Simon and slates eætl
P subito
t62-L t t t le E ta tn tc rs
T U P T I M :CHORUS: I i l l / r 'T r t l sg en ters
. T U P T I M :
Bless - ed Lit
Angtl - Ocorge entcrs
TUPTIM:
Mis - chief mak Tup Lov
1--:
TUPTIM:Who is looking like angel to Eliza. They have all escaped from wicked Sinron and make happy reurrion.
G e - o r - g e .
- €r rIoversy George. Farth - ful
Allegretto
Tt11appygiocoso
Reunion Dance
V n s . F l .
@
allargando molto
à > - -
Finale
Drurn ï xoù staÊ-g[utti
r L ,.
ete.tltroughout march
r 5 9
. TUPTIM:N Topsy g lad tha t S imon
JtzlTopsy dance for joy.! t
die, I tell.you what Harriet BeecherStowa say thatTopsy say.
4\
I specks I se de wickedest cr i t terin de wor ld l
But I do t to t be l ieve Topsy is w icked or i t te r . Because I too amglad for death of King.0f any King who pursues a slave who isunhappy and who w ish to jo in her lover . And your I \ Ia jes ty , Iwish to say to you - - - -
Z\
I w i l l te l l you end o f s to ry .^
4\
w.wHrrs .Hp
Your lrIajesty and honorable guestsl ----
T u t t i
",f!|,I,#,,,,,0 â
Is very sad ending. But l t lha has saved El iza. But with thc blessingsof Buddha a lso comes sacr i f i ce .
r60Lento doloroscrC I I O R U S
(
TUI'TIlt: (speakiug slou'ly )I s BuddhCs u ' i sh t i r a t Eva comc to h im and
) -=l
t + '
thank h in r pe rsona l l y f o r sav i t r g o f arrd baLry. . , l r t t l so shc d ie a t t d go
) l -t 0 l
t o a rms o f Bu t l t l ha '
i 1 '
t u - n a t e
- V â t
b7
Curtain in background oltens. "Buddha". stands
ser t 'a r /s a t tach u ' ings to her .
Po or un - fcrr tu - nate
b
oJ a larldt 'r . Eta sturts a.serndiug to hin rhi leo tt tolt
l 6 l
# t
#t#i
Pra ise t oB u d dha, -
lungo^ -
81 'g - ;(Curtuitt)
Bud - dha.
ft ? +
--4> {> " f _
é +
r+l1
cresc. scmprc
^----è{i> :-
I
?-=.----r-
s; f,o-
=J,\- -J.
,x "":f,:{=
162I{o. 36 Postlude Of Ballet
rtttti .yfmpf, IQult r.* è
0,. stttS'e +
I etc. lo IIL'"o ) I+
>I
a-. L 2
IIe
4^ lQ-
- - /
--1t l
J 2
I4-Te
I4_f
+
n l4
---.1-e
tttS
ù ----f
I-̂ - --i
I ', I
---->
I l+tî - > f
, ! 4 # ) It,-
+
.>
r l l- l # 1 =
;-_ ----/
It
ti_q
F
t64No. l l7
Pi t tno
Incidental(Change Of Scene )
Moderato ) = 12
Fude on diaktgue
.,i | ----T----
d i J I j - f ' ? zSt-
---a ? r ' [Ir Jr ?I t _ a
l l
--J-.!
?
U e
+
lYo. 38 Song Of lfhe l(ing t 6 5
Cuer K ING: A s i l l y co rnp l i ca t i o t r o f a p leasan t s i n rp l i c i t y .
Moderîto J = rrgKINGi{q uu.s t' Ttarlandct)
w o - m à n t sL.H.
fe - male who is ?ru
s igned
hu - man male i s p leased b y m a n - y w o menr_
- -r l c K . -
(Diatogue)
true to one wife on - ly, They
Æ\
f aternpo
7--tpoco
rit
167
i
@KING: (sVol 'en) I t , is l ike o ld Sianrcsc rhynle.
K I N G : ( s i t t g s )
m a n .
gi r l rnust be l ike a blos-som wi th hon - ey for just one
rnan must l ive l ike hon-ey -bee and ga th -e r a l l h e c a n . ;I J
To f ly fronr blos-sorn to blos-som, A hon-ey -bee must be
r68No. 39
C u e : A f a c e . . . i t speaks
Piancl
\
I
Moderate ly î r tsnt t l )= na
Shall We Dance?
â A N N A :
\\'c'v c
/1 c lj u s t b e e n i n - t r o - d u c e d , do no t know you
w ' c l i . B u t w h c n t h c r r t u - s i c s t a r t - c d , s o n e - t h i n g d r e w m e t o y o u r
ù r f r T i r T r { T T T r n ï =
g i r l s
l a r - l y
) -1 lI
Copyright O 1951 bv Richard Rodgers and Oscar Hammerstein I I
169
Gai l y^-
E9 9à =
/1
1II l-l-1
Sha l l w ed a n c e ?
l e I ' t t h r :h a s
say
when the
Shal l/1
we d anc t :?/1 -
0n CL br ight c ioud\
o f mu - s i c sha l l we
o + tmr)
â 4
t f a t *l l l
w.w. ; ;S t g s .
+ l î ' rl r l
>
r f r f r r r r
Sha l I we
n lean
r -r r r
c h a r t c c
t70
mance? 0n the c lear un - der-s tand- ing that th is kind of thing can
dance? Shall dance? Shall we dance?wehap - pen, Shal l we
6
KING: (s1t , tkeu)
Why do you stop?
Go ont Go ont (cctt t t t 'nue diatogue)
f r
t72
rh, \ N N A : ( , : 7 o k t n )
0 t r c . t n ' o . t h r c e a r r d
K I ! i Gtr
t h
? +I Ir l; ;
1) = àl l r
0l Ie, two,
r
r l . \ 1 u ) t I l I C e . t l l t l 0 l l o r l , w o , l n r c c a l ) d o l l e i r v o l h r c c t l t d 0 l t c . , \ N N i \ : ( s i r r ; r . r
->Shal l we
r--?---r
o t ÇT u t t i>
l - ta
i - 'F
, -l i 3 +
rI ) ' / - - \ -
i )€
: o t I c , [ \ v 0 , I n r u c , a l l 0 . . . , K ING: r . l le , two,
dance? 0n & br ight c loud of mu- s ic
- r - - - Ê - r .
shall we fly?.>
u w.u'.1ê T \ + +l l j\ \
* ) f Ft t ^ t l I F f f r r r r = \r;,'
?
three, and K I N G :
Shal l we dance?>
ShaII we then
>
E( s i n g " )
per - chance
say ,,good - night"and mean"good -
?II
;
=II
>
-CI
I;
three, and KING:
when the last.>
l i t - t le
* *l l; ;
/1-
t73
star has leave the sky. Shal l st i l lwe to - geth- er 0u r
| î |
) f ) fr l ê l
arms eacha - round. oth - er, And
T lANNA:
shall you
. . >
be my new ro - mance?
stand
hap- pen, Shal l we dance? Shall we dance? Shall we dance?
1+
t74ANNA: ( teucht 'ng tY ing to dunac)0 n e , t w o , t h r e e , a n d o n e , t w 0 , t h r e e , a u d
E Diulogue at td Dat tce.
Poco p iù mosso
K I N G :0 n e , t w o , t h r e e , o l l e ! t l r ' 0 , t h r e e .
----
--Gt
r-.{h at i s w r o u g ? I k n o w I f o r g e t t t a u d t t
e t c .
- S t g s .
ppw:w.
_----r/---
ù -f T i f '- 1- 'F t r + + + ' ' f i +
17î
ù | i t r I r I r f 1 - l r i l - t 1
L.gJi t i s t r o t r i g h t ! 1 c t c . )
o ' r r r ë , F T T l- r - Tr r ' r
K I N G : N 0 , l l r - r , ] t t . r ,
à >
t r t iJ i "" ;e not holding hands, l ike th is.
.-7-
a) rI
=r+
-+
r r r :l r
r rtp
I
t76
KING:
.----: I
Was like this? No?. >
ANNA; Ycsl
> --lÎ:.I ttn gu^ -
B Anna and l{ ing danee Poll 'a.
T u t t i?
â ^
A ^ ^ Gl - ,G-
a + t *
ff uery marked Potka
a + '
rhythm
'' f r I r f r
177
L4'fl c r u 1y 4 a u,s t ) KING :Cu l r ru , wc d , . r i [ aga i r r l
à â
Eæf-------f------+r-i--=ffir E
a a J + + + + + + + + I T t rl l
t F t r- -
#l--
r - F - ' . ' -
l-l- r I .a-t-13;-
r l
)+
t t l r
. o 1 = -
l r l I I . I
1y Tuttirl 5
178
No.4o Melos: My
Crze TUPTIM; Dead. . . Then I sha l l jo in h im
EMolto moderato a=s+
Lord And Master(Tu7tin seream$)
"rr"" IKRALAHOME:You have destroved him. You
ANNA:I don't understandyou or yourKùrgf
t
I l l never understand him.
--,--
have destroyed. Kjngl,l,ere are three loud tgnpany àeuts;wh i le qrehe s t m eoù t n ut s yla y t' n g )
, ,--:#-
(
KRALAHOME: I wish you have never coll le to Siaml ANNA:\
ANNA: Give this back to his I\Iajestyl
{> <>
I l So doSo do
<>
I I
s-
Continu,c riialo
creEc. poco 4 Poco
T u t t imollo cspressi i tu cd ul largando .f cre$c. molto
Marcia
No. 4l
Pitrno
h iliont oif Curlain.
Process i ona l
-Fade on: The King isvery i l l .
t79
Dialusuc PHRA ALACK:" Captaiu Ortou, your ship
^ , has docked in t ime.He has been i l lfc,r scveral ntonths.
J = 1 2 6
PP repcat ad lib. , l ,f cyu,ttots on stage
Proeession starts
Bright March tempo
T u t t i
i i-"] i i-î_ 1 2 + + + e
)/
\. l
TTWa l -
r-'] I r-'1_ ) + ! 2 + + + --1) -
l - + l n )
i:T r-r l\
> ; ; - >
r-.t-l
l-r-01 Tempo I9- > , à
Pr ince eu ters .
l f r , , t t i
1 8 2
( l r P Your h ighucss , go no fu r th t r l
Ex i t : Cue: PRINCE; Go or t u ' i th processi0 l t . (Prr 'uee
l fusie slops or. cue: INTERPRETER:Your father is u'orse.
et it s)
a 1 , ---L
\d_- + - l r - *? \a-- O O
f f ,*oor, ot , stage.
t83Curtain. (Letter Scene)
a S tgs . ww. l ? -
nQ)
| -o -.. --
- \ r a -
| - . - t t t +
q+ -*-
lar le as Prince euters
I I t
--r_;t u J \JL 43 t - +\zz
- - + 1 - - ; - 1- \ t- .-\-__-
taio' 5
______\7__ _
t u - \ 7 ' t -- \--l
t t t ) t c
q+ \É- ? 1 G o t
--T7-
tzJ ' l r - *
\zt- (a-l -r- i(li a
1 8 4
{eiunc' j
No.4p Reprise, Sornething Wonderful(Le t te r Read ing )
C r r e : P R I N C E : P l c a s e t o r e a d i t t o a l l o f u s .
N{oderato ) -- gz
---.
F-- t--;--.,
-7-
7 àl ô
o t'))r,,,, f #f f Ul;i r rn*r r ) q i ; + ' + -è ' f t t (
, l\ l
a r i r r r r l - t ) ÊI ê I
t ? : ?è l r l' r è l
(Annn s l r t r t s r ( t u l t i l g l r l l r ' r )--/.--_
u r ilnF r ) n p + éè r f r r#*r ( t o t - i (
(
2
a) t i r t ] - ë l - t f r ] * è r r 1 - r -
' u i l )
t . /
j f t r q F f tI ' , r r t r, - l -
. y- -=-r v Fl l
f o r rll,r
f f I-_
,---\
a t r r r I nT (nrten,
LI ' , f I r r#or ro
r85
. t",r.
Ending letter,
And much more d i f f i cu l t than ge t re ra l i t y l
ft,\ T(hr
An u r t e . t i l s . (Cu rto i tt )
.--ù--.:
a t 7 j + ۏ t i t T
v l l r #nF r t i ; > + 5 _c Ff i t 7
/ ( ^ 1 r i r
ù t r t r f;F ? l'I I
t l l r r r ++7I a
' , r r ta)
ct ù r r l '
cre,se,+g E
a
1 + *r l - t
I ) 1 *
' f r r t t i
a llarg. | |
r - t + tF : T F
4 u n i -'-'V:-/l
Iv o
t l l t t c c r t
U rD
t to No. 48
Pi ano
Po lka Do lo rosoIn lfronl r, if Curlrtt 'n.
Enter : ,4nnt , .Lou is , -Lady Th iang and ?r iuee.
Verv slorvlvJ J
.Lad.y Thiang und Prinee you aud the King uere very angry
quasi ditloroio
wi th
-----r
eac.h other.
T r
\-:
187
LOUIS :Was he as good a king as he coukl have beén?
r88ÀI iNÀ:I l ike h im vel 'y much, very much, inc leet l .
Molto meno
Curtain opens.
Meno.Louis enters. Anna en ters .
--,_\ ----\ /-\
a 7 r l
i i
I
?
I I T T r r Iff
f f r t r r
a r r r i r l ::r I F T ' T f rP? meno mosso
L ) .
'r- r
n i l a euT ts l es .^ â--ry
rit
a I ' r
II r z ' I
molto nteno mos
,p _at \ 7
,o
â
$'-
^
-*
l{o.44 Reprise3 r whistle A l{appy TuneTel l us } l issus Anna. \ \ 'hat to do n'hen afraid, you tcach usl
Tempo I^ç 'J=F
\1'hen
tze: CHILDREN:
â
head e
?1, ii5'i.I I n .Piano
eY- e r I hold my
1 5 9
h u p - p y
l r t
pec t l i r r a - t l a t : wh l c s h i v - e r - ln8 ln nly
A -r- ?I
II
i "f'--1 r = + r i r r r
one ev - er knows
190
@ Diologtrt .
: - . ;
\ [ 'h is t le , you show thet t t .
(ttttrtsttrl
ttlL 3 l
Ander dialogue.
t 9 r
a r r r r r r r i 7 ' Ê f tr r r r 1 r 1 r
. i ;
l r !
Finale Ultimo
Cr r t , : , \N l ' i , \ : I hc rpc s0 , ) ' r l u r l l a j cs t y ! I r l o hope so l
IV lo l tomodera to J=so
Piano
r 9 2No. 45
I ' l i l f i C E : U p , r i s c u p c t c .
tr
a r,tri j-fr-+PPIJ
qyn +t* Aar /+' t
(q) e
ù r{r r , q ? + ' + -ê r f ( r#'F ( r o r * i r t i r( (
-1--':
ù t r t r r r r r ) * ? ?è | f l Ff*F r M J ' , e -ê r f rù '\?
?7I
t93
te n.
(Ettd o1f speec/L) PRINCE: Thc
T
.-:- --l-'
a t Éë 7 Êt l
f o r r t'Y r I nr (pr, ten,
" - | ' 7
i FI r l ' ' f
r.'
.l <'
rI
nrake dip, as in Europe.
crL'sc. ntol/o
Lurtg Th tu i l g c u t ' t s ILr j Curtut ' t t .
a
ù 7
) ) J l| / |
allarg. , I
l l l
) + 3 ù
t l t _7 ' _
â
IEurl ryf ,(c't Il
T' U v
rg4
No. 46
Piano
trAllegretto
Exit Mrrsic
> .-'-
ù ' 1' l n t t i
f i r f r 1 tt ?
f l - f , r t r
a -L
?II
I
r t T t - f r Iè l l
ù 1 1 t 1t - ?
I r { rI
I T I T t r t [
f 7 l
/ - - . '
r€>
' , r [ " 1r è J L
I
-T-T-FT
/---t---1
A è T è T è r è rr -1
è r rF I
è r è rt -
B.-----. . /--\. >
t ' ( È t ' r f
L
o è r ë r^ l ) ' -
+ l - at 'I
.I
l _
è I
A 1t i .r-t ?r c
5-__-
/_
i r f r,p
1 1 f 1r i
ù f è ^ -I
I
. f rI
a r r r r r r i i r - ? *r r r r a ? t ?t l t l
I
ETempo di Polka
JJ ruttiuery murked polka rltythm
A A
Ù - [ r f ILffi
. c l
1 U r i'\r j Y t l
\ . >
d + + + ' - t s I T t r I r I r p ? ? +t t l ll ' l l
H
u
ù r l- t l- c./
t l l
ta . 1 +
. t l
)
\--- U
