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Journal of Marketing Education http://jmd.sagepub.com/ Five Principles for Workable Client-Based Projects: Lessons from the Trenches Tará Burnthorne Lopez and Renée Gravois Lee Journal of Marketing Education 2005 27: 172 DOI: 10.1177/0273475305276840 The online version of this article can be found at: http://jmd.sagepub.com/content/27/2/172 Published by: http://www.sagepublications.com Additional services and information for Journal of Marketing Education can be found at: Email Alerts: http://jmd.sagepub.com/cgi/alerts Subscriptions: http://jmd.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://jmd.sagepub.com/content/27/2/172.refs.html >> Version of Record - Jul 5, 2005 What is This? Downloaded from jmd.sagepub.com at SAM HOUSTON STATE UNIV LIBRAR on October 18, 2011

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Page 1: Journal of Marketing Education...trenches” of our own experiences in planning and managing client-based projects. Between the two of us, we have facili tated CBPs in Marketing Principles,

 

  

    

 

 

 

 

 

 

 

Journal of Marketing Educationhttp://jmd.sagepub.com/

Five Principles for Workable Client-Based Projects: Lessons from the Trenches Tará Burnthorne Lopez and Renée Gravois Lee

Journal of Marketing Education 2005 27: 172 DOI: 10.1177/0273475305276840

The online version of this article can be found at: http://jmd.sagepub.com/content/27/2/172

Published by:

http://www.sagepublications.com

Additional services and information for Journal of Marketing Education can be found at:

Email Alerts: http://jmd.sagepub.com/cgi/alerts

Subscriptions: http://jmd.sagepub.com/subscriptions

Reprints: http://www.sagepub.com/journalsReprints.nav

Permissions: http://www.sagepub.com/journalsPermissions.nav

Citations: http://jmd.sagepub.com/content/27/2/172.refs.html

>> Version of Record - Jul 5, 2005

What is This?

Downloaded from jmd.sagepub.com at SAM HOUSTON STATE UNIV LIBRAR on October 18, 2011

Page 2: Journal of Marketing Education...trenches” of our own experiences in planning and managing client-based projects. Between the two of us, we have facili tated CBPs in Marketing Principles,

ARTICLEAUGUST 2005JOURNAL OF MARKETING EDUCATION

Five Principles for Workable Client-Based Projects: Lessons from the Trenches

Tará Burnthorne Lopez and Renée Gravois Lee

Despite the wide-ranging benefits of using client-based pro­jects (CBPs) in the classroom, such projects can be over­whelming for instructors, and many shy away from the con­siderable workload and time commitment often required by CBPs. This article is designed to help marketing educators overcome such apprehensions and provide them with con­crete tools to simplify CBPs and make them easier to manage. The authors discuss five principles they have developed for creating and implementing workable client projects. Their principles come directly “from the trenches” of their own experiences in planning and managing client-based projects across multiple courses. They address, for example, ways to customize CBPs to fit within specific course and professor time constraints, tips to manage the client relationship and students’ expectations, and strategies to streamline the feed­back process. They offer workbench-level insights and prac­tices drawn from their own experiences that instructors can put into practice immediately.

Keywords: experiential learning; client projects; course design; marketing education; business education

Client-based projects (CBPs) are a powerful pedagogical tool. The opportunity for students to apply their marketing knowledge to the needs of an actual client provides a rich, hands-on learning experience. The benefits of CBPs are many, such as

• Facilitating active, experiential learning (Gremler et al. 2000; Razzouk, Seitz, and Rizkallah 2003)

• Fostering skills such as problem solving, critical thinking, communication and teamwork—relevant skills that students need in the workplace (Barr and McNeilly 2002; Kennedy, Lawton, and Walker 2001)

• Adding realism to the classroom (Razzouk, Seitz, and Rizkallah 2003)

• Heightening students’motivation, through knowing that their recommendations may be used in an actual business context (Fox 2002; Goodell and Kraft 1991)

In our own experiences, client-based projects help course concepts come to life and greatly enhance students’ owner­ship of the learning process. CBPs are beneficial to students, professors, clients, universities, and communities (Easterling and Rudell 1997; Fox 2002; Haas and Wotruba 1990; Linrud and Hall 1999).

However, despite support among marketing educators for the value of client-based projects, many instructors avoid integrating them into their courses. Some reasons for this hes­itancy include struggles or uncertainties finding good clients, challenges grading projects that require so much feedback, and concerns about the considerable time commitment (Razzouk, Seitz, and Rizkallah 2003). Essentially, some instructors avoid CBPs because they view them as just too big to manage and not worth the trouble (Goodell and Kraft 1991).

These concerns are understandable and real. Our article is designed to help marketing educators overcome such appre­hensions and provide them with new ideas and inspiration about how to effectively put client projects into practice. We offer the following five principles for developing and imple­menting workable CBPs.

1. Select clients with care (not all clients are good ones). 2. Design projects of varying scope (semester-long projects are

not the only option).

Tará Burnthorne Lopez, D.B.A., is an assistant professor of marketing in the Department of Management and Marketing, College of Business, at the Uni­versity of Southern Mississippi, Box 5091, Hattiesburg, MS 39406; phone: (601) 266-4631; e-mail: [email protected]. Please direct correspondence to this author. Renée Gravois Lee, Ph.D., is a professor in the Department of Marketing and Advertising, School of Business, at Quinnipiac University, 275 Mt. Carmel Ave., Hamden, CT 06518; phone: (203) 582-8285; e-mail: [email protected]. The authors presented parts of this arti­cle during the 2004 American Marketing Association Summer Educators’ Conference, Boston, Massachusetts (Lopez and Lee 2004). We are very grateful to our colleagues who shared advice, teaching tools for client-based projects, and/or commented on earlier drafts of this article, especially Bryan Hayes, Lawrence Silver, Katie Tuttle, Leila A. Fecho, Tracy Suter, and Deb­bie McAllister.

Journal of Marketing Education, Vol. 27 No. 2, August 2005 172-188 DOI: 10.1177/0273475305276840 © 2005 Sage Publications

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JOURNAL OF MARKETING EDUCATION 173

3. Invest in advance planning (which will save you time and trouble).

4. Manage and set high expectations (for students as well as clients).

5. Provide periodic and productive feedback (which benefits everyone involved)

The key concept of our paper is workable. Our article shows that yes, client projects are doable, and we offer numerous concrete tactics for how to make them workable. For instance, we provide insights about how to customize CBPs to fit within specific course and professor time constraints, and we address topics such as streamlining the feedback process, providing students with user-friendly templates, and estab­lishing high standards. We provide examples and tools from our own client-based projects that professors may wish to use and adapt within their own courses.

Existing research has addressed the benefits of CBPs (Haas and Wotruba 1990; Kennedy, Lawton, and Walker 2001; Kolenko et al. 1996), how to implement CBPs (de los Santos and Jensen 1985; Laughton and Ottewill 1998; Linrud and Hall 1999; Razzouk, Seitz, and Rizkallah 2003), case examples of CBPs (Gujarathi and McQuade 2002; Haas and Wotruba 1990; Kennedy, Lawton, and Walker 2001; Kolenko et al. 1996), and integrating a CBP across multiple courses (Elam and Spotts 2004). Our five principles build on these works by helping professors simplify CBPs to fit more com­fortably into their schedules without being overwhelming, while still accomplishing course objectives and contributing to enhanced student learning.

The principles we have developed come directly “from the trenches” of our own experiences in planning and managing client-based projects. Between the two of us, we have facili­tated CBPs in Marketing Principles, Marketing Research, Marketing Management/Strategy, Integrated Marketing Communications, and Advertising courses. We have also directed CBPs in noncredit settings such as extracurricular workshops and student organizations’ projects. Some of our clients have included a regional library system, Domino’s Pizza’s largest franchisee with more than 160 locations, a local outdoor outfitter, a local ice cream parlor, a new product start-up, a professional hockey team, a local Chamber of Commerce, a regional convention and visitor bureau, a re­gional substance abuse council, a nonprofit environmental activist group, a student-run radio station, a university smoking-cessation campaign, and a university School of Business.

Not only have we conducted client projects in a variety of contexts, but we have also experienced the highs, lows, and in-betweens of facilitating the projects. We have experienced the overwhelming and all-consuming projects, the mediocre ones, and the knock-your-socks-off stellar ones. Throughout these experiences, we have learned a variety of tactics to sim­plify the workload, while maintaining and enhancing positive student and client outcomes.

In the remainder of the article, we discuss our five princi­ples for workable CBPs. For each principle, we offer a range of simple strategies and practical tips to simplify CBPs and make them easier to manage. In the conclusion of the article, we reinforce the importance of making CBPs work for you as the instructor.

PRINCIPLE 1: SELECT CLIENTS WITH CARE

Two fundamental challenges in implementing workable CBPs are recruiting and selecting good clients (Razzouk, Seitz, and Rizkallah 2003). Finding the right client can signif­icantly enhance learning outcomes and save the professor a great deal of frustration and time.

Recruiting Clients

Sometimes clients simply fall into the instructor’s lap. The client contacts the university, is recommended by another fac­ulty or staff member, is an acquaintance, or meets the instruc­tor at an industry event. Other times, the instructor must actively seek out clients. Finding clients need not be diffi­cult—a variety of sources of potential clients exist. Former students, other faculty, university advisory boards, industry trade associations, Chambers of Commerce, the yellow pages, the newspaper, small business development centers, and on-campus service learning centers all represent oppor­tunities to find good clients. We find that most companies are eager to work with the university and students.

Always have your radar on for potential clients. No one has the time or inclination to go to every university, trade association, or Chamber of Commerce event; however, going to one event each semester that attracts practitioners can be sufficient to provide you with clients continuously. One author attends the back-to-school luncheon for the College of Business advisory council each semester. The business pro­fessionals on the council are proud supporters of the univer­sity and are excited to have the opportunity to take on a more direct role in the students’learning experiences. They are also happy to see that professors are bringing the business world into the classroom. The more contacts you make, the more potential clients you have to choose from; thus, you can be more selective and have a better chance of finding a client that fits your course needs.

Selecting Clients

Once you have identified potential clients, then you must determine whether or not they are appropriate for the course. Selecting the right client will help you greatly in designing a workable CBP. Some clients make for better class projects than others (Goodell and Kraft 1991; Papamarcos 2002; Swan and Hansen 1996). “Bad” clients may want to be overinvolved or underinvolved. They may have wildly exag­gerated ideas of what the students can accomplish in one semester (Laughton and Ottewill 1998). They may take on the

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174 AUGUST 2005

TABLE 1 Questions to Consider in Evaluating Clients

• Will the client project allow students to apply one or more of the major lessons covered in this course? • Does the client have a clearly identifiable problem that the class can address? Sometimes, the client has a clear idea of the problem; other

times, the instructor may need to help the client define the problem in terms students can comprehend (Goodell and Kraft 1991). • Is the time required by the project appropriate given the anticipated learning outcomes? • Will the client be available to the instructor and students during the course of the project? • Does the client seem interested and/or enthusiastic about the project? A client who may only be doing the instructor a favor may view the

project as a chore. • Is the client willing to share necessary information? • Does the client have a positive outlook about working with students? • What is the client’s reason for participating in this project? Does the client actually plan to use the results? Will the client take the project

seriously? • Does the client have realistic expectations? Does the client understand that he or she will be working with students who may have limited or

no professional experience, technical skills, and resources? Does the client understand that these are students and it is possible (although unlikely based on the authors’ experience) that he or she may not get anything worthwhile as a result of the project?

• Does the client have an open mind with respect to the outcome of the project? Avoid projects in which the client appears to have some investment in a predetermined outcome. In other words, is the client simply looking for his or her original idea to be reinforced by the stu­dents’ work? This can cause problems, particularly if the students’ work does not support the outcome desired by the client.

project for the wrong reasons. For example, one of our clients did not actually plan to use the results (which we learned after the fact) and did not take the project seriously. He turned out to be merely humoring the students by asking them to work on the project. In actuality, he wanted to teach the students himself and had aspirations of teaching at the university as an adjunct instructor. He was using the project for his own ends and ended up being a high-maintenance client for the instructor.

Fox (2002) identified several types of clients that at best require some accommodation and at worst should be avoided. The talker likes to talk and easily sways off the subject. The instructor may need to guide the students by suggesting they allocate additional time when meeting with the client and encouraging them to keep the client on the subject while not being rude. The overaccommodator does not provide solid directions to the class but is happy with whatever he or she gets. The instructor may have to work to get specific objec­tives from this client. The undecided argumentative client is one in which the client’s firm has internal disagreement over the outcomes desired. As a result, the students may get a dif­ferent directive each time they meet with the client. This type of client is best avoided. The add-on client is constantly thinking of new ideas to add to the project, and thus the pro­ject’s scope continually expands. The instructor must inter­vene and explain to the client that while all of the ideas may be worthwhile, it is not possible to accomplish them all in a single semester.

“Good” clients, on the other hand, are a pleasure for both the professor and students to work with. CBPs are much more doable when the instructor takes the time to identify good cli­ents. Good clients understand that they are working with stu­dents and that the quality of work is not controllable, yet still convey that they have high expectations of the students and

are eager to receive the project deliverables. They are enthusi­astic about the opportunity to work with students and treat students with respect. Good clients understand that their per­sonal level of involvement and the level of transparency they offer with respect to their business practices will affect the quality of the project. Finally, good clients accept that the instructor has specific learning objectives and the project may need to be adapted somewhat to best suit the teaching and learning purposes.

We have found that nonprofits make particularly good cli­ents. Charities, local theater groups, museums, and cause-related organizations or events such as Mothers Against Destructive Decisions, a local American Heart Association heart walk, an anti-teen-smoking rally, or a local environmen­tal cause are only a few of the possibilities. Nonprofits expose students to alternative business philosophies and marketing methods (Arnett, German, and Hunt 2003), build skills such as working with no or very small budgets, and can get stu­dents involved in a project that touches them personally. Nonprofits help facilitate reciprocal learning between stu­dents and the organization, particularly since nonprofit work­ers may be marketing novices or lack marketing training (Klink and Athaide 2004). Moreover, in our classrooms, con­trasts between nonprofit and for-profit firms have led to stim­ulating discussions among our students. For example, one nonprofit client told the class that the organization, a library, did not have any competition. This was an eye-opener for the students, who, after the client left, became eagerly involved in a discussion about competition and the dangers of being myo­pic. The professor’s job is easier and more enjoyable any time students become more interested in a project.

Sometimes the instructor is the person who makes the dif­ference between a good and a bad client. Instructors who inadequately screen clients and/or set expectations too high

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JOURNAL OF MARKETING EDUCATION 175

or low can cause a potentially good client to be a bad one. Meeting with clients (preferably in person) to assess fit and convey expectations is very important. See Table 1 for a list of questions to consider when evaluating clients.

PRINCIPLE 2: DESIGN PROJECTS OF VARYING SCOPE

One of the reasons some educators hesitate to implement client-based projects is because they can seem so large and overwhelming. Yet comprehensive, semester-long, capstone-type projects are not the only model for CBPs. It is possible to create CBPs that are small, medium, or large in scope. The needs of real businesses have wide-ranging scopes, thus it is important that students gain experience working on business problems of varying size and scale. In doing so, students are exposed to issues that real businesses face and have the opportunity to apply marketing theory to those issues. In this section, we discuss several small- and medium-scale project options that can still offer the benefits of working with a real client while taking up less course time than a semester-long project.

A significant benefit of varying the project size/scope is to give instructors the flexibility to tailor the project to fit the course content, learning objectives, and time available for the project. Here are several additional benefits of small and medium CBPs (Lee and Tuttle 2004):

• Tightly defined parameters are more easily managed by stu­dents, instructors, and clients.

• Smaller CBPs offer flexibility for both instructors and stu­dents and still allow for a variety of learning outcomes and deliverables.

• When multiple small projects are used, students can gain a variety of project experiences and portfolio-building opportu­nities, not just one “big” deliverable such as a marketing plan.

• Addressing real marketing challenges with short lead times is a business world reality and a challenge for which students must be prepared.

• Clients see tremendous value in the immediacy of the results.

Even when a client needs a large-scale project, we have found that the client is still very happy if the instructor is only able to select a small part of the project to use in the course.

Tables 2 and 3 list several examples of small and medium CBPs that could be integrated into marketing courses. The projects vary in size, type of client, course, learning objec­tives, and deliverables. In particular, the examples illustrate how smaller-scale projects can offer the instructor flexibility in terms of when, where, and/or how to incorporate smaller CBPs into a course. The tables are designed to offer readers a wide range of possible project options and to encourage readers to think beyond the “comprehensive-semester-long­project” model as the only option. Moreover, Table 3 demon­

strates how projects of varying sizes can be linked to meet the needs of one client.

While classifying a project as small, medium, or large is subjective, the following general time frames have worked in our courses. Small projects can generally be completed in 1 to 2 weeks, and the instructor can incorporate multiple projects within one semester. Medium projects range from 3 to 6 weeks of work; we have found that two medium projects can fit comfortably within one semester. Large projects range from 7 weeks of work to the entire semester.

An additional consideration related to project scope is pro­ject complexity. Projects that are too simple will not chal­lenge students and/or will not achieve the course learning objectives. On the other hand, projects that are too compli­cated can frustrate and demotivate students. For example, if a client’s business is overly complex, it may take the students too much time to grasp the business model (Haas and Wotruba 1990). One of us had an experience in which the dean requested that a regional medical clinic be taken on as a client for a Marketing Management class. The medical clinic was located approximately 4 hours away. The lead doctor at the clinic had developed a revolutionary (according to the clinic’s owner) surgical method for correcting back problems that required very little recovery time and only a tiny incision. The complexity of this project scope resulted in several problems:

• Because of the distance, only a few students actually visited the facility. The remaining students did not have a good understanding of the business.

• The owner of the clinic was heavily biased with respect to the services offered. Therefore, it was challenging for the stu­dents to weed through the information he provided to deter­mine which information was reality and which information was an overzealous sales pitch.

• Primary market research was necessary for students to truly assess the situation, but it took them too long to learn the industry. By the time they realized they needed to do some primary market research, it was too close to the end of the semester.

A good balance is a project scope that challenges students to the point that learning outcomes are maximized.

PRINCIPLE 3: INVEST IN ADVANCE PLANNING

Advance planning is critical to successful and workable CBPs. The time you spend in the beginning of the project will save you much, much more time in the end. Keep in mind the old adage about how working smart is better than working hard. In this section, we offer a number of advance planning strategies geared to help instructors spend their time in ways that are most “profitable” and make CBPs easier to manage.

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ect

that

can

be

acco

mpl

ishe

d w

ith v

ery

little

back

grou

nd w

ork

requ

ired

by s

tude

nts.

By

narr

owin

g th

e fo

cus

to d

isco

unt

prog

ram

s fo

r co

llege

-age

ski

ers,

stu

dent

ssh

ould

be

able

to q

uick

ly g

rasp

the

con­

cept

s an

d ju

mp

right

into

the

proj

ect.

Lit­

tle a

dvan

ce p

repa

ratio

n w

ork

is n

eede

d,an

d th

e sc

ope

is n

arro

w. T

he ti

me

fram

efo

r th

is p

roje

ct c

ould

be

as s

hort

as

3 to

4w

eeks

.

Thi

s pr

ojec

t will

be

chal

leng

ing

to s

tude

nts

but i

s st

ill a

ccom

plis

habl

e w

ithin

3 to

6w

eeks

.

176

Page 7: Journal of Marketing Education...trenches” of our own experiences in planning and managing client-based projects. Between the two of us, we have facili tated CBPs in Marketing Principles,

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Med

ium

CB

P: M

arke

t ana

lysi

s an

d fe

asi­

bilit

y st

udy

Clie

nt n

eeds

:Clie

nt w

ants

to e

nter

a n

ewm

arke

t or

open

a n

ew lo

catio

n an

dne

eds

mar

ketin

g gu

idan

ce to

ass

ess

the

feas

ibili

ty/p

repa

redn

ess

of th

em

arke

tpla

ce.

Lar

ge

or

smal

l CB

P: C

usto

mer

sat

isfa

c­tio

n an

d cl

ient

ret

entio

n pr

ogra

m T

his

exam

ple

illus

trat

es p

roje

ct c

ompo

nent

sth

at c

an w

ork

toge

ther

(as

a la

rge

orm

ediu

m p

roje

ct)

or s

epar

atel

y (a

s a

smal

l pro

ject

) .

Clie

nt n

eeds

:Clie

nt s

ees

a de

clin

e in

cus

­to

mer

loya

lty. C

lient

nee

ds to

take

a m

ore

in-d

epth

look

at s

atis

fact

ion

leve

ls a

ndde

term

ine

next

ste

ps to

pre

serv

e an

dgr

ow it

s m

arke

t sha

re.

To le

arn

abou

t sev

eral

res

earc

h re

sour

ces/

sour

ces

of in

form

atio

nTo

und

erst

and

how

var

ious

inte

rnal

/org

aniz

a­tio

nal a

nd e

xter

nal e

nviro

nmen

tal f

acto

rsaf

fect

the

feas

ibili

ty o

f clie

nt e

nter

ing

the

mar

ket

To a

ppre

ciat

e th

e ch

alle

nges

of e

nter

ing

a ne

wm

arke

t and

/or

sele

ctin

g a

loca

tion

To u

nder

stan

d th

e va

lue

of e

xist

ing

cust

omer

s(v

s. n

ew c

usto

mer

s) to

the

firm

To u

nder

stan

d th

e ch

alle

nges

of m

easu

ring

cust

omer

sat

isfa

ctio

n an

d bu

ying

hab

its/

mot

ivat

ion

To r

einf

orce

the

impo

rtan

ce o

f tar

gete

d pr

o­gr

ams

and

prop

erly

iden

tifyi

ng a

ppro

pria

tebu

yers

to ta

rget

Ass

ignm

ent:

Pro

ject

mig

ht in

clud

e th

e fo

llow

­in

g: D

eman

d as

sess

men

t Mar

ket s

ize

asse

ssm

ent R

evie

w o

f geo

grap

hic

and

econ

omic

bar

riers

Pric

e po

int a

naly

sis

Ana

lysi

s of

the

com

petit

ion

Ana

lysi

s of

com

petit

ive

ad s

pend

ing

Del

iver

able

s:R

epor

t and

pre

sent

atio

n of

optio

ns a

nd fe

asib

ility

Ass

ignm

ent:

Ele

men

ts o

f the

pro

gram

mig

htin

clud

e th

e fo

llow

ing:

Con

duct

inte

rcep

tsu

rvey

s at

the

poin

t of s

ale

to u

nder

stan

dbu

ying

hab

its/m

otiv

atio

n E

nhan

ce d

ata­

base

by

cate

goriz

ing

and

codi

ng c

usto

mer

san

d le

ads

Del

iver

able

s:D

evel

op a

war

rant

y-ba

sed

pro­

gram

to b

ette

r ta

rget

rec

ent b

uyer

s C

reat

ere

tent

ion-

base

d di

rect

mai

l cam

paig

n to

rene

w c

usto

mer

sup

port

Thi

s pr

ojec

t will

be

chal

leng

ing

to s

tude

nts

but i

s st

ill a

ccom

plis

habl

e w

ithin

5 to

7w

eeks

.

Thi

s pr

ojec

t is

com

preh

ensi

ve a

nd c

an b

eus

ed to

dem

onst

rate

and

app

ly m

arke

t­in

g th

eory

thro

ugho

ut th

e se

mes

ter.

177

Page 8: Journal of Marketing Education...trenches” of our own experiences in planning and managing client-based projects. Between the two of us, we have facili tated CBPs in Marketing Principles,

TAB

LE

3V

aryi

ng

th

e S

ize

and

Sco

pe

of

Clie

nt-

Bas

ed P

roje

cts

(CB

Ps)

for

the

Sam

e C

lien

t

Clie

nt:C

reat

or o

f a N

ew B

BQ

Sau

ce

Clie

nt N

eeds

:The

clie

nt h

as d

evel

oped

a n

ew p

rodu

ct, a

BB

Q s

auce

, and

see

ks h

elp

ente

ring

the

regi

onal

mar

ket.

Pro

ject

Le

arni

ng O

bjec

tives

A

ssig

nmen

t/Del

iver

able

s W

hat M

akes

Thi

s a

Suc

cess

fully

Siz

ed C

BP

?

Downloaded from jmd.sagepub.com at SAM HOUSTON STATE UNIV LIBRAR on October 18, 2011

Sm

all C

BP

(1)

: Des

ign

a la

bel f

orth

e ne

w p

rodu

ct

Sm

all C

BP

(2)

: Tas

te te

st

Sm

all C

BP

(3)

: Pos

ition

ing

exer

cise

Med

ium

CB

P (

1): D

esig

n a

labe

lfo

r th

e ne

w p

rodu

ct b

ased

on

envi

ronm

enta

l ana

lysi

s

Med

ium

CB

P (

2): D

esig

n an

dev

alua

te a

labe

l for

a n

ewpr

oduc

t

To r

einf

orce

pac

kagi

ng a

nd la

belin

g co

ncep

tsTo

enc

oura

ge s

tude

nts

to s

ee th

e m

arke

ting

stra

tegi

es b

ehin

d la

bels

(no

t jus

t the

des

ign

stra

tegi

es)

To in

spire

stu

dent

s to

be

crea

tive

To le

arn

abou

t the

mul

tiple

fact

ors

cust

omer

sus

e to

eva

luat

e pr

oduc

tsTo

app

ly a

mar

ketin

g re

sear

ch te

chni

que

To s

tren

gthe

n re

port

/rec

omm

enda

tion

writ

ing

skill

s

To u

nder

stan

d th

e co

ncep

t and

impo

rtan

ce o

fpo

sitio

ning

To u

nder

stan

d ho

w p

ositi

onin

g su

ppor

ts a

firm

’s o

vera

ll m

arke

ting

stra

tegy

To d

evel

op a

n un

ders

tand

ing

of th

e m

arke

ting

envi

ronm

ent a

nd a

pply

that

to a

mar

ketin

gta

sk

To g

ain

expe

rienc

e in

the

crea

tive

proc

ess

incl

udin

g ev

alua

tion

of c

reat

ive

idea

sTo

app

ly m

arke

ting

rese

arch

met

hods

Des

ign

labe

l opt

ions

Pre

sent

opt

ions

and

rat

iona

le to

clie

nt

Eac

h te

am c

ondu

cts

tast

e te

sts

com

parin

g cl

ient

’spr

oduc

ts w

ith th

e co

mpe

titio

nE

ach

team

writ

es r

epor

t of r

esul

ts. E

mph

asiz

e to

stud

ents

to th

ink

beyo

nd th

e im

med

iate

res

ults

and

cons

ider

que

stio

ns s

uch

as “

Wha

t doe

s th

ism

ean

for

the

clie

nt?”

and

“H

ow s

peci

fical

ly c

anth

e cl

ient

use

thes

e re

sults

?”

Iden

tify

all B

BQ

sau

ce c

ompe

titor

s in

the

regi

onC

reat

e re

port

/cha

rt o

utlin

ing

the

com

petit

ion

’s p

osi­

tioni

ng s

trat

egie

sB

rain

stor

m a

nd d

eter

min

e po

sitio

ning

opt

ions

topr

esen

t to

clie

nt

Ana

lyze

com

petit

or p

acka

ging

Ana

lyze

reg

iona

l cus

tom

er b

ase

Des

ign

labe

lP

rese

nt a

naly

sis,

res

ults

, and

labe

l to

clie

nt

Des

ign

labe

lC

ondu

ct fo

cus

grou

ps to

eva

luat

e ap

peal

of n

ewla

bel

Rev

ise

labe

l bas

ed o

n re

sults

of f

ocus

gro

ups

and

reev

alua

te if

nec

essa

ryP

rese

nt fo

cus

grou

p re

sults

and

labe

l to

clie

nt

Thi

s pr

ojec

t can

be

acco

mpl

ishe

d in

1 to

2w

eeks

. The

pro

ject

cou

ld e

asily

be

appl

ied

tocr

eatin

g a

bran

d na

me

and/

or p

acka

ge s

ize

and

shap

e fo

r th

e pr

oduc

t as

wel

l. T

his

pro­

ject

cou

ld w

ork

in m

any

mar

ketin

g co

urse

s.

Thi

s pr

ojec

t wou

ld w

ork

part

icul

arly

wel

l in

Con

sum

er B

ehav

ior

and

Mar

ketin

g P

rinci

­pl

es c

ours

es. T

he p

roje

ct c

ould

be

acco

plis

hed

in a

s fe

w a

s tw

o cl

ass

perio

ds. C

on­

duct

the

tast

e te

st a

nd d

iscu

ssio

n in

one

clas

s an

d sc

hedu

le th

e pr

esen

tatio

ns o

f stu

­de

nts’

resu

lts in

the

seco

nd.

Thi

s pr

ojec

t wou

ld ta

ke a

ppro

xim

atel

y 2

wee

ks to

com

plet

e. T

he m

arke

t is

suffi

cien

tlyna

rrow

(re

gion

al B

BQ

sau

ce)

to m

ake

it an

easy

pro

ject

for

stud

ents

to ju

mp

right

into

.

Thi

s pr

ojec

t can

be

acco

mpl

ishe

d in

app

roxi

­m

atel

y 4

wee

ks. T

he p

roje

ct c

ould

eas

ily b

eap

plie

d to

cre

atin

g a

bran

d na

me

and/

orpa

ckag

e si

ze/s

hape

for

the

prod

uct a

s w

ell.

Thi

s pr

ojec

t cou

ld w

ork

in m

any

mar

ketin

gco

urse

s.

Thi

s pr

ojec

t can

be

acco

mpl

ishe

d in

4 to

5w

eeks

. It c

ould

eas

ily b

e ap

plie

d to

cre

atin

ga

bran

d na

me

for

the

prod

uct a

s w

ell.

Thi

spr

ojec

t cou

ld w

ork

in m

any

mar

ketin

gco

urse

s.

178

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Downloaded from jmd.sagepub.com at SAM HOUSTON STATE UNIV LIBRAR on October 18, 2011

Med

ium

CB

P (

3): S

elec

t dis

trib

u­tio

n ch

anne

ls b

ased

on

prod

uct

posi

tioni

ng

Lar

ge

CB

P (

1): I

nteg

rate

d m

ar­

ketin

g co

mm

unic

atio

ns p

lan

(IM

C)

Lar

ge

CB

P (

2): S

trat

egic

mar

ket­

ing

plan

Sam

e as

Sm

all C

BP

3, p

lus

the

follo

win

g: T

ole

arn

abou

t var

ious

dis

trib

utio

n sy

stem

s,th

eir

cost

s, a

nd h

ow to

eva

luat

e th

emTo

eva

luat

e di

strib

utio

n ch

oice

s w

ithin

the

orga

niza

tiona

l and

env

ironm

enta

l con

text

To r

einf

orce

the

impo

rtan

ce o

f dis

trib

utio

n

To g

ive

stud

ents

exp

erie

nce

crea

ting

a co

preh

ensi

ve IM

C c

ampa

ign

To g

ive

stud

ents

exp

erie

nce

thin

king

str

ateg

i­ca

lly a

nd c

ompr

ehen

sive

ly a

bout

com

pany

mar

ketin

g ef

fort

s

Sam

e as

Sm

all C

BP

3, p

lus

the

follo

win

g:R

esea

rch

vario

us r

egio

nal d

istr

ibut

ion

met

hods

cli­

ent m

ight

em

ploy

. Con

side

r bo

th lo

gist

ics

and

chan

nels

incl

udin

g W

eb-b

ased

, mai

l ord

er, a

ndtr

aditi

onal

dis

trib

utio

n; d

irect

and

indi

rect

chan

nels

Eva

luat

e ba

sed

on e

ffici

ency

of c

ost a

nd r

each

ing

the

appr

opria

te ta

rget

aud

ienc

eW

rite

repo

rt/r

ecom

men

datio

nsK

eep

in m

ind

the

clie

nt’s

man

ufac

turin

g ca

paci

ty

Det

erm

ine

targ

et m

arke

tD

eter

min

e m

essa

ge a

nd m

edia

str

ateg

ies

Det

erm

ine

mos

t effe

ctiv

e IM

C to

ols

Cre

ate

IMC

exe

cutio

nsC

reat

e IM

C im

plem

enta

tion

sche

dule

Pre

pare

writ

ten

repo

rt a

nd o

ral p

rese

ntat

ion

Pre

sent

to c

lient

Con

duct

an

envi

ronm

enta

l ana

lysi

sD

eter

min

e ta

rget

mar

ket

Det

erm

ine

mar

ketin

g st

rate

gyD

eter

min

e m

arke

ting

prog

ram

Cre

ate

an im

plem

enta

tion

sche

dule

Iden

tify

appr

opria

te m

arke

ting

cont

rol m

echa

nism

sP

repa

re w

ritte

n re

port

and

ora

l pre

sent

atio

nP

rese

nt to

clie

nt

Thi

s pr

ojec

t will

be

chal

leng

ing

to s

tude

nts

but

is s

till a

ccom

plis

habl

e w

ithin

5 to

6 w

eeks

.

Thi

s pr

ojec

t is

com

preh

ensi

ve a

nd c

an b

eus

ed to

dem

onst

rate

and

app

ly th

eory

thro

ugho

ut th

e se

mes

ter.

Thi

s pr

ojec

t is

com

preh

ensi

ve a

nd c

an b

eus

ed to

dem

onst

rate

and

app

ly th

eory

thro

ugho

ut th

e se

mes

ter.

179

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180 AUGUST 2005

Objectives and Deadlines

Establish specific objectives for the project. The first plan­ning step is to outline specifically what you want students to accomplish with the project. CBPs can easily take on a life of their own, particularly if the client is strong-willed. Without specific objectives, the instructor may not even realize if the project has gone off into an unexpected direction. Concrete objectives are essential to make sure the instructor and client have the same vision for the project deliverables. Objectives are also very important for establishing grading guidelines and helping students understand desired outcomes. Some examples of specific learning objectives can be found in Tables 2 and 3.

Thoughtful advance planning will also help ensure that the project and its component activities will indeed lead to mean­ingful learning. The reality-based learning method developed by Smith and Van Doren (2004) offers a set of four standards/ criteria to help professors judge the worthiness of various learning activities, and once chosen, to plan, implement, and evaluate each activity. These standards are that (1) “the pur­pose of each activity is student learning,” (2) “the student is co-responsible for learning in each activity,” (3) “the activity draws on knowledge and skills beyond the classroom and dis­cipline,” and (4) the activity “ensures transferability of learn­ing from the activity to outside the classroom” (Smith and Van Doren 2004, p. 67).

Divide the project into parts and set deadlines. Students are often overwhelmed if the project feels like “one big pro­ject,” and they have trouble getting started when the project seems large and looming. Breaking the project into manage­able parts has several benefits: making the project more man­ageable for both the students and instructor, guarding against students falling behind, keeping procrastinator students from waiting until the end of the course to do the entire assignment, and allowing the instructor to assess students’ progress and offer feedback at multiple points along the way. Students also need firm project deadlines. A time-saver is to consider your other classes when setting deadlines so that you do not have assignments from multiple classes due at the same time.

Written Instructions, Templates, and Samples

Develop written instructions. Students need concrete, written instructions for CBPs. Otherwise, you may be deluged with questions and complaints from confused, frus­trated students. No matter how thorough an instructor’s ver­bal instructions, students still need detailed written ones, in part, because they often have a difficult time dealing with ambiguity. The instructions must clearly specify the deliver­ables students are expected to produce. Writing the instruc­tions will help you clarify your thinking and give solid direction to students.

Prepare samples and/or templates. Showcasing examples of “A” papers can greatly reduce the ambiguity students feel when working on a client-based project. The instructor can simply use, adapt, or condense an “A” paper (with permis­sion) and remove students’names. You might also wish to ask colleagues if they have project samples you could show in class. A byproduct of providing samples to students is that this can be a natural way to begin a discussion of the ethical issue of plagiarism, how to use samples as “idea generators” and not a “cookie-cutter,” and related writing issues.

Creating templates is another useful strategy. We both employ marketing plan templates in our Marketing Manage­ment and Marketing Principles courses. The template out­lines the various types of information and decisions students should consider when preparing a marketing plan. The tem­plate is meant to be flexible. We tell students to eliminate sec­tions that are not relevant to their individual client and/or rear­range sections to find the most effective way to communicate information to the client. A drawback of using templates is that they can stifle creativity—sometimes students feel con­strained by trying to fit their ideas into a structured format. To overcome this, we caution our students that since every client situation is unique and marketing plans are designed to suit individual clients, students must use the template as a guide­line and not a cookie-cutter. As a whole, the template pro­vides students with specific guidelines for their marketing plans and makes it much easier for them to get started.

Evaluation Criteria

Prepare grading rubrics and standardized grading forms to make grading easier. Prepare your evaluation criteria in advance. We both give written evaluation criteria and/or grad­ing forms to our students so they can see the tools we use to grade their projects. The students can also use these forms as a method of self-evaluation. Posting the forms online helps ensure students can easily refer to them.

Because of the subjectivity involved in most CBPs, we make a conscientious effort to be consistent in our grading. We have found grading forms to be very helpful in maintain­ing such consistency. By making these forms available to stu­dents, the students also feel more in control of their grades. Sample grading forms are provided in Appendixes A and B.

Plan a system for others to evaluate student work. Con­sider using self, peer, and client evaluations as a component of students’ grades. In particular, requiring students to reflect on and evaluate their own work is a vital part of the learning process (Keys and Wolf 1988; Kolb, Rubin, and McIntyre 1971). Students can often be more critical than instructors, and sometimes they learn more from identifying their own weaknesses and areas needing improvement than when the instructor pinpoints them. Obtaining multiple evaluations can also make grading easier. For instance, you might use self, peer, and client evaluations as a starting point for preparing

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JOURNAL OF MARKETING EDUCATION 181

comments for each team, reinforce selected comments, and then add your own comments. This prevents the need to prepare the entire set of comments from scratch.

PRINCIPLE 4: MANAGE AND SET HIGH EXPECTATIONS

Managing student and client expectations is important to have a smooth, workable project. Appropriate expectations set the stage for satisfied clients, well-prepared students, and less stressed instructors. Some basic strategies for managing student expectations are to establish high standards, to rein­force the benefits of doing a real project for a real client, and to provide a number of project preparation tools. For manag­ing client expectations, it is important to discuss and define the client’s role in advance and to shape the client’s expecta­tions about what the students and the project can and cannot do. These points are discussed in greater detail below.

Managing Student Expectations

Establish high standards. Establishing and reinforcing high standards is one way to help manage student expecta­tions. Professors can set the stage for high standards by repeatedly reinforcing that students can accomplish much more than they realize if they put forth the effort. Students are sometimes intimidated by CBPs, and this show of faith from the instructor can help give them confidence and keep them motivated.

Written and oral explanations of grading criteria are more concrete ways to communicate high standards. For instance, one of the authors uses the following grading system:

A is reserved for work that is definitely superior in quality. B is earned by turning in work that is consistently good and that

manifests sufficient interest, effort, or originality to lift it above average work.

C is earned by work that is average and that has met the basic requirements of the assignment.

D is earned by work that is below the standard. F is earned by work that is significantly below standard.

Such a grading schematic helps to counter the misperceptions many students have that by simply doing an assignment and meeting all the criteria they have earned an A and/or that they start out with an A and then “lose” points only for errors.

Another way to reinforce expectations is to show students exemplary examples of previous projects. As mentioned in Principle 2, when appropriate, samples and templates can go a long way toward reducing the ambiguity felt by students and reinforcing the quality and type of deliverables the instructor expects.

Reinforce benefits of client projects. Reinforcing the impor­tance of the project to students’ professional development is another key practice for setting expectations and helping keep students’ motivation high. This emphasis helps them recog­nize that the project is not merely a course requirement but an opportunity to build skills, to build their portfolio, to make industry connections, and to benefit a real client. Students are much more motivated by working for a real client and know­ing that the client may use their work than if the project is per­ceived as only an academic exercise. We have found that when we position the work as a consulting project, students deliver better results. Moreover, for some of our students, their work on client projects has led to networking, intern­ship, and/or employment opportunities.

It is also helpful to explain to students that at the end of the project, they will have gained not only enhanced skills but a tangible product such as a marketing plan, a research report, or an advertising campaign that they can show potential employers/recruiters. Recruiters and employers who gradu­ated from programs that relied on traditional classroom lec­tures often do not think to ask students about experiential pro­jects they may have done in the classroom. Many recruiters believe that skills such as leadership, teamwork, time man­agement, and managing real-life business issues are attained outside the classroom only (Barr and McNeilly 2002). By encouraging students to show recruiters examples of their work with real-world clients and use the examples during interviews as a springboard to discuss the skills they gained, we can help students overcome this misconception. Empha­sizing client projects during interviews is particularly impor­tant for those students who do not take part in extracurricular activities.

Provide project preparation tools. To help students hit the ground running on CBPs and deal with some of their issues with ambiguity, we have found it helpful to offer a variety of “project preparation” tools. The sky is the limit in terms of the resources instructors might provide. We have developed tools such as

• a detailed list of library and research resources; • a team action plan and tips for working in teams; • guidelines for preparing effective reports and presentations;

and • tools for interacting with clients, such as strategies for asking

good questions and guidelines for preparing effective meet­ing summaries and progress reports.

Each semester, we refine and add to our set of project prepara­tion tools. Moreover, our discussions with other professors directing CBPs have yielded a number of useful strategies and resources that can help facilitate students’ work. A list of

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tools we use in our courses is provided in Appendix C. Please contact either of the authors if you would like information about, or copies of, any of these tools.

Managing Client Expectations

Uncovering, understanding, and managing client expecta­tions are challenging tasks even for seasoned marketing pro­fessionals (Fecho 2004). Advance meetings with the client are critical to ensure that he or she has appropriate expecta­tions and to facilitate workable, successful CBPs. We meet with the client at least once prior to the beginning of each pro­ject. Topics to address include project objectives, deliver­ables, and timing; the client’s level and/or method of involve­ment; disclosure of client information; and expectations and quality of student work.

Project objectives, deliverables, and timing. Before the project begins, be sure you and the client are clear on the objectives and deliverables. Instructors should also explain the project timing in advance. If the client wants a 3-week turnaround and your plan is for students to work throughout the semester, then this client is probably not a good fit.

Level of client involvement. The instructor and client should discuss and agree on the client’s role in responding to student questions and how often the students will communi­cate with the client. Similarly, clients need to commit to attending a class meeting(s), observing and critiquing student presentations, and/or whatever level of involvement the instructor deems necessary. Clients must also understand that their involvement should not include actually doing any parts of the project for the students.

Disclosure of information. The extent of information the client will disclose to students is another area that needs to be agreed upon. Most companies have information they are uncomfortable releasing to the public; however, the quality of the project will be closely related to the level of disclosure. Get as much information as possible in the beginning of the project. Imagine the adverse consequences if the client offered to share budget information and did not follow through. Avoid working with clients who are overly secretive.

Quality of student work. Share with clients the range of work quality they are likely to see. This discussion can be as simple as explaining that students work at all ability levels and that students produce A, B, C, D, and F work. Moreover, we emphasize to clients that while they will gain many useful ideas from the students’work, the primary purpose of the pro­ject is for the students to learn and apply marketing concepts.

Establishing appropriate expectations for students and cli­ents makes CBPs much more manageable. Some professors create a written contract or “memo of understanding” that outlines responsibilities and expectations of the students and

client (Haas and Wotruba 1990; Hayes and Silver 2004; Klink and Athaide 2004). Setting clear expectations ensures that you can spend your time challenging and mentoring students, rather than dealing with frustrated students or confused clients.

PRINCIPLE 5: PROVIDE PERIODIC AND PRODUCTIVE FEEDBACK

Feedback from the professor is very valuable to students, particularly for CBPs, since students often do not have benchmarks on which to evaluate this sort of original work. One research study suggests that the opportunity to reflect on one’s work is more important than the level of complexity to which students are exposed (Keys and Wolfe 1988). Feed­back from the instructor provides students with that opportu­nity. Moreover, the instructor’s comments and input serve to challenge students to move beyond simplistic thinking and approach the client’s problem from a professional, sophisticated viewpoint.

However, instructors often dread the time that preparing feedback takes, particularly when they endeavor to offer thor­ough, detailed feedback. We believe strongly in the impor­tance of feedback, but we are only human in our desire to avoid spending hours on end grading papers. Below we share a number of strategies we have implemented to streamline the feedback process and make it more manageable, while still providing quality feedback to students.

Project Drafts

One practice we recommend is to encourage or require students to submit parts of the project as drafts and allow them to revise/improve their work on each section before sub­mitting the final paper. As with any experiential exercise, stu­dents need the opportunity to learn from their successes and mistakes to take lessons from them to apply to real business problems (Kolb, Rubin, and McIntyre 1971). Drafts can be required or recommended, and graded or nongraded. We have used all variations of these options. Whatever option you may select, set deadlines for the drafts. Even in those semesters that we have recommended (but not required) drafts, students have recognized the value of obtaining instructor feedback, most of our student teams have turned in the recommended drafts, and some teams have even submitted additional ones.

Responding to drafts may seem like a lot of work, but peri­odic drafts can actually reduce grading time required at the end of the project. We use a system in which we thoroughly review and offer written comments on each draft. We return the original draft with comments to the students and keep a photocopy for ourselves. When students submit the final doc­ument, we save time by referencing our comments on previ-

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JOURNAL OF MARKETING EDUCATION 183

ous drafts and comparing them to the final version. Because we have already reviewed earlier drafts, we can evaluate the papers much more quickly while paying particular attention to see if our earlier comments were adequately addressed. It is only in the extreme case in which the final document is signif­icantly new that the instructor would need to read the final document in painstaking detail.

Two significant benefits of drafts are for students to strengthen their work and for the instructor to shift some end­of-semester grading responsibilities and time to earlier in the semester when time is less scarce. An added benefit is that students are rarely surprised by their performance on the pro­ject. Feedback reduces the number of students who drop by your office surprised at their poor performance. Subjective grading can be trying on an instructor; periodic feedback ensures that students are aware of their progress.

Team Feedback Meetings

Providing verbal feedback can sometimes be more pro­ductive and save more time than written feedback. We give verbal feedback to the entire class and each individual group. Comments that are appropriate for the entire class are announced at a class meeting to prevent having to write the same comment repeatedly on students’ papers. In addition, each of us meets individually with each team at least once per semester. Sometimes these meetings are scheduled during class time; other times, they are scheduled outside of class or during office hours.

One-on-one meetings may seem time-consuming; how­ever, we find that some of the greatest learning opportunities take place in our individual conferences with each team. Meeting with students in person can save time by allowing you to provide detailed explanations without having to explain everything in writing. However, the learning benefits are even greater than the time-saving benefits. We have wit­nessed, repeatedly, the light bulb going off in students’ heads during our one-on-one meetings. During these meetings, the detailed discussions about the students’ work generate a syn­ergy that results in students’asking more and better questions and putting more critical thought into the issues at hand. The opportunity to bounce ideas back and forth also leads stu­dents to further develop and strengthen their ideas. This kind of in-person synergy creates dynamic learning opportunities that do not arise when written feedback is used alone.

There is no question that students leave meetings with a much clearer understanding of the instructor’s expectations and evaluation of their performance. In the long run, this means fewer e-mails requiring long explanations, fewer stu­dents stopping by the office in confusion or frustration, and higher quality projects. However, we find the benefits of the meetings far exceed these practical matters. In our experi­ence, one-on-one conferences are one of the most rewarding

experiences of doing CBPs and not only help guide our stu­dents but are also highly motivating and rewarding for us as educators.

To make the meetings as productive as possible, we rec­ommend holding them after the students have submitted and received feedback on at least one draft. The students need to be far enough into the project that they have enough knowl­edge and progress to engage in an earnest discussion of their work. Furthermore, instructors should impress upon students the importance of being prepared for the meeting. Require them to bring concrete evidence of preparation such as a list of questions, a progress report, previous drafts with feedback, and/or other materials that may be necessary, including a pen and paper for taking notes.

The importance of giving feedback at multiple points dur­ing the semester was reinforced during one of the authors’ first efforts at incorporating CBPs into a Marketing Research course. While some class time was allocated for team meet­ings with the professor, she also encouraged the students to meet with her outside of class and/or to submit drafts of their work for her to review but did not establish specific deadlines for doing so. As a result, none of the student teams met with her individually or submitted drafts. All teams appeared to be on track until the final project was submitted. Many of the reports were plagued with simplistic, amateurish thinking that ignored relevant issues and offered inaccurate data analy­sis. Unfortunately, the students turned in the final project to the client and instructor at the same time. The students did not have the opportunity to learn from correcting their mistakes, and the client received reports with inaccurate findings. That was a lesson learned for the instructor.

Other Tips to Simplify Grading and Feedback

The grading forms we mentioned earlier are very helpful to simplify grading drafts and final projects. Another tip is to create a file that includes your most common comments about students’ project work. Our experience suggests that even though clients may change from semester to semester, the mistakes students make tend to stay the same. By creating a file of your most common comments, you can cut and paste a customized comment sheet for each team, saving the time of having to handwrite all comments or prepare them from scratch. Furthermore, you are more likely to go into greater detail in your “common comments file” than you would if you had to handwrite every comment on every paper. With the comment file, you can create detailed feedback once in the “master” file and then cut and paste comments into a separate page/file for each individual team.

A final recommendation about providing feedback is to reinforce the strengths of the students’ work as well as areas needing improvement. CBPs are often a new method of learn­ing for students, and they can become easily disheartened if

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184 AUGUST 2005

they do not get a pat on the back periodically. Try to incorpo­rate positive feedback as well as constructive criticism into your “common comments file,” too.

CONCLUSIONS

Make Client-Based Projects Work for You

A key closing thought is that planning and implementing workable CBPs means making them work for you as the pro­fessor. Structure projects in a way that fits your teaching style, time available for the project, and other courses and responsi­bilities. And select projects that fit your interests! For instance, CBPs can offer opportunities to dovetail with your research interests and/or learn about a product, service, or industry you may wish to explore in more depth. CBPs should be enjoyable learning opportunities for students and instruc­tors, and to conclude, we offer some ideas for how professors can derive their own benefits from the projects.

Students love to hear war stories—those vivid examples of companies and their mistakes and successes. Many instruc­tors draw on their own professional experiences, but in time, those examples can become dated or even boring to the instructor. Finding the time to learn about new industries is always a challenge given our many responsibilities in and outside the classroom. CBPs give both instructors and stu­dents an excellent opportunity to learn about new industries and best practices. In turn, instructors can expand knowledge and examples from which to draw on for class discussions.

Some CBPs can provide opportunities to work on your research agenda (Elam and Spotts 2004). For the authors, CBPs have provided the impetus for writing a case study, doing a literature review, collecting data for use in academic articles, and writing this article. In addition, the increased knowledge about new industries and interaction with busi­ness practitioners often leads to new research ideas. In this manner, the effort you spend mentoring your students work­ing on CBPs is also going toward your research.

From an external viewpoint, client-based projects address the Association to Advance Collegiate Schools of Business’s (AACSB) call for linking classroom theory with real-world business practices (Porter and McKibbin 1988). In this way, CBPs can contribute to making department chairs and deans

happy. Moreover, CBPs provide good public relations oppor­tunities—for you, your students, your department and School of Business, your university, and your client.

A final recommendation for making client-based projects work for you is to learn from other educators. Seeking out others who do CBPs and reading marketing education articles can provide you with a wealth of useful advice and resources. We have both benefited greatly from our connections with other professors who are willing to offer suggestions and pro­vide project samples, templates, grading forms, and other tools that make our jobs managing CBPs much easier. It is always possible, too, that such connections might lead to research opportunities and partnerships.

Toward Increased Use of Client-Based Projects

A central aim of our article is to give professors a variety of strategies to simplify client-based projects and make them easier to manage, while still enhancing student and client out­comes. To accomplish this, we have offered five key princi­ples for workable client projects, based on our combined years of experience facilitating CBPs across a variety of mar­keting courses. These principles are the following:

1. Select clients with care. 2 Design projects of varying scope. 3. Invest in advance planning. 4. Manage and set high expectations. 5. Provide periodic and productive feedback.

Within each principle, we have provided a range of concrete suggestions and tools that we hope will be helpful to instruc­tors. We invite you to use and adapt these tools for your own courses. Please contact either of the authors if you would like more information about any of these resources (see Appen­dix C).

We hope that our article helps to counter the perception that CBPs are overly difficult to implement and not worth the time or effort. And, ultimately, we hope that our article sparks ideas about ways to incorporate and/or improve CBPs in mar­keting courses, decreases barriers to entry facing faculty members who wish to engage in them, and contributes to increased use of such projects by marketing educators. You can make CBPs work for you.

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186 AUGUST 2005

APPENDIX B Presentation Evaluation Form

Team: ______________________________________________________________________

Well Below Below Average Average Average

Above Average

Well Above Average Excellent

Content 0-10 11 12 13 14 15 16 17 18 19 20 Presented appropriate and necessary

information Offered support and logical justification _____

for statements (write in points) Integrated class material Moved beyond simplistic, superficial

treatment of situation

Responses to questions Responded effectively and professionally 0 1 2 5 6 6.5 7 7.5 8 8.5 9 9.5 10

3 4

Style 0 1 2 5 6 6.5 7 7.5 8 8.5 9 9.5 10 Creative approach to presentation; 3 4

presentation was interesting Presenters spoke clearly and held

audience’s attention Behaved professionally and showed

interest and enthusiasm Made presentation with conviction

and confidence Appropriate interaction with client and class

Organization –5 –2 0 2 4 5 Used time wisely/did not waste time on _____

unnecessary parts (write in deduction Effective organization/flow of or points)

the presentation Ability of audience to follow transitions, etc.

Preparation –5 –2 0 2 4 5 Familiarity with marketing plan _____ Effective visual aids (write in deduction

or points)

Total: ______ /50

Comments:

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JOURNAL OF MARKETING EDUCATION 187

APPENDIX C Summary List of Tools for Workable Client-Based Projects

Project Instructions Advertising plan instructions—example of detailed instructions Integrated marketing communications plan overview—example of short instructions

Templates Marketing plan template

Grading Rubrics and Standardized Grading Forms General grading standards Detailed grading standards Marketing plan grading form—written report Marketing plan grading form—presentation Project preparation tools Presentation hints handout—tips to help students prepare for presentations Research resources master list—fairly extensive list with descriptions of information found in each resource Research resources handout—same as above without the descriptions Asking good questions—tips to help students get relevant information from clients Project start/input forms—forms to help students organize the information they have and need Analyzing competitors’ positioning—list of competitor characteristics to evaluate Team action plan—form to help teams organize their meeting times and individual responsibilities

Feedback Tools Feedback file for marketing plan—list of strengths/weaknesses/issues/concerns that are common among student marketing plans. Com­

ments can be cut and pasted into a fresh document to provide quick and easy feedback to students. Presentation feedback from audience—form allowing audience members (client representatives and nonpresenting students) to give feed­

back to presenters Client feedback form—questions designed to get feedback from clients about the students’ work and the project experience

NOTE: All items on this list are either Microsoft Word or Excel files. Please contact either of the authors if you would like copies of any of these resources.

REFERENCES

Arnett, Dennis B., Steven D. German, and Shelby D. Hunt. 2003. The identity salience model of relationship marketing success: The case of nonprofit marketing. Journal of Marketing 67 (2): 89-105.

Barr, Terri Feldman, and Kevin M. McNeilly. 2002. The value of students’ classroom experiences from the eyes of the recruiter: Information, impli­cations, and recommendations for marketing educators. Journal of Mar­keting Education 24 (2): 168-73.

de los Santos, Gilberto, and Thomas D. Jensen. 1985. Client-sponsored pro­jects: Bridging the gap between theory and practice. Journal of Market­ing Education 7 (2): 45-50.

Easterling, Debbie, and Fredrica Rudell. 1997. Rationale, benefits, and meth­ods of service-learning in marketing education. Journal of Education for Business 73 (1): 58-61.

Elam, Elizabeth L. R., and Harlan E. Spotts. 2004. Achieving marketing cur­riculum integration: A live case study approach. Journal of Marketing Education 26 (1): 50-65.

Fecho, Leila A. 2004. Coaching students to effectively work with clients. Paper presented at the American Marketing Association Summer Mar­keting Educators’ Conference, Boston, August 7.

Fox, Terry L. 2002. A case analysis of real-world systems development expe­riences of CIS students. Journal of Information Systems Education 13 (4): 343-50.

Goodell, Phillips W., and Frederic B. Kraft. 1991. Issues on the use of ‘client’ projects in marketing education. Marketing Education Review 1 (4): 32-44.

Gremler, Dwayne D., K. Douglas Hoffman, Susan M. Keaveney, and Lauren K. Wright. 2000. Experiential learning exercises in services marketing courses. Journal of Marketing Education 22 (1): 35-44.

Gujarathi, Mahendra R., and Ralph J. McQuade. 2002. Service-learning in business schools: A case study in an intermediate accounting course. Journal of Education for Business 77 (3): 144-50.

Haas, Robert W., and Thomas R. Wotruba. 1990. The project approach to teaching the capstone marketing course. Journal of Marketing Education 12 (2): 37-48.

Hayes, Bryan, and Lawrence Silver. 2004. Selecting and recruiting project clients. Paper presented at the American Marketing Association Summer Marketing Educators’ Conference, Boston, August 7.

Kennedy, Ellen J., Leigh Lawton, and Erika Walker. 2001. The case for using live cases: Shifting the paradigm in marketing education. Journal of Mar­keting Education 23 (2): 145-51.

Keys, Bernard, and Joseph Wolfe. 1988. Management education and devel­opment: Current issues and emerging trends. Journal of Management 14 (2): 205-29.

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