JOEY PRIMO/ENSEMBLE AUDITION PACKET · LIGHTS OUT. Scene 4 INT. “Dupree’s Bourbon Room.” Day. DREW is playing his guitar. He doesn’t notice SHERRIE with a newspaper enter

JOEY PRIMO/ENSEMBLE AUDITION PACKET

BLUE LIGHT PLAYERS

!"#$%#&'()#*+,#*-+-# # */#

HERTZ/ MAYOR/ FRANZ WE (WE’LL) BUILT (RID) THIS CITY!!

ENSEMBLE

TOO MUCH TIME ON MY HANDS

HERTZ/ MAYOR/ FRANZ ON (OF) ROCK AND ROLL!!

LONNY/ DREW/ DENNIS/ FRANZ/ HERTZ/ MAYOR/ GROUPIES

(whispered) TOO MUCH TIME ON MY HANDS TOO MUCH TIME ON MY HANDS TOO MUCH TIME--

HERTZ

Shall I call zee bulldozers?

DENNIS Remember when you tea bagged that baby llama?

STACEE JAXX/ MAYOR I’ll do it. The MAYOR and HERTZ shake hands.

LIGHTS OUT. Scene 4 INT. “Dupree’s Bourbon Room.” Day.

DREW is playing his guitar. He doesn’t notice SHERRIE with a newspaper enter behind him.

DREW

GOT A GIRL WITH LEGS SO LONG WRAPPED AROUND ME, IN THE BACK... OF HER DADDY’S STATION WAGON AND SHE’S GOT A KILLER RACK.

Stupid. DREW (cont’d)

AND SHE’S REACHIN’ FOR MY SACK. God, that sucks.

!"#$%#&'()#*+,#*-+-# # *0#

SHERRIE Reachin’ for your sack, huh?

DREW (startled) Oh, hey! No, that’s just, ah, rock stuff... metaphors. It’s complicated.

SHERRIE (shrug) Nice hook though. Reminds me of Judas Priest’s “Eat Me Alive.” (sings) “...Squealing in passion as the rod of steel injects.”

DREW I love you.

SHERRIE What?

DREW Nothing. What are you doing?

SHERRIE picks up her newspaper.

SHERRIE Dramalogue said they’re having an open call for some movie... “Encino Hot Tub Police.” Figured I’d go down and try out. Not sure what (reads) “suggested fellatio” is but sounds like I better work on an accent.

DREW (Aside) I could probably help you with that. (to her) Wow, right off the bus and hittin’ auditions. Pretty cool.

SHERRIE Well, I ain’t gonna make it sitting on my butt, right? SHERRIE sits and starts applying make-up

DREW Guess that’s true

SHERRIE So where you from, Drew?

DREW Detroit... (raises his right hand and points to his palm) Michigan.

SHERRIE

So, you come out here to be a rockstar, Wolfgang?

!"#$%#&'()#*+,#*-+-# # *1#

DREW Oh, I don’t know. I guess.

SHERRIE Guess? There’s no “guess.” You want something? (putting lipstick on him) You wanna be one of those multi-platinum Gods? You gotta just take it.

DREW (smacking his lips) Okay.

SHERRIE Okay, what?

DREW Sure, yes I’d like—

SHERRIE “Like” nothing. Forceful. Right now. What’s bustin’ out of your heart, Drew? What do you want?

DREW I... (frustrated) I don’t know. I guess I want...

SHERRIE Come on! Don’t think. First thing that comes out of your mouth!

DREW Well...

SHERRIE Say it, Wolfgang!!

DREW (sung a capella) I WANNA ROCK?!

Suddenly, the world around DREW becomes a metal video.

“I WANNA ROCK”

ENSEMBLE ROCK!

DREW

I WANNA ROCK!

!"#$%#&'()#*+,#*-+-# # 24#

PRODUCER Yeah, well... I produce over at Orion Pictures.

The PRODUCER gives her his card.

PRODUCER (cont’d) (pointing to a number) That’s my beach house. I gotta say, I see in you a real Molly Ringwald quality.

SHERRIE You got that from a “two for one” lapdance?

PRODUCER I’m really good at my job. (re: card) Think about it.

As the PRODUCER slowly crosses away, DREW mopes down The Strip, reading a Tiger Beat magazine...

DREW

(sad) I WANNA ROCK

PRODUCER (passing DREW) Let it go.

SHERRIE and DREW bump passing each other.

SHERRIE Jesus! Why don’t you --

Looking up, SHERRIE sees who it is. DREW is equally surprised.

SHERRIE (cont’d)

Drew? Oh my God, I... How are you?

DREW Sherrie. I’m fine. And you?

SHERRIE Good... Great, actually.

DREW Oh yeah? So the acting? That going well?

!"#$%#&'()#*+,#*-+-# # 3-#

SHERRIE Yeah. I was actually just meeting with a pretty big producer at, ah, Orion Pictures. Think it could really lead to... something.

DREW That’s great. Well, you take care, Sherrie.

DREW begins to walk away.

SHERRIE Wait. What about you? Your music?

DREW Um... I got a new band. Street Boyz... with a Z. Gonna be huge. Got a Tiger Beat shoot and everything.

SHERRIE Tiger Beat? That’s... a departure from rock, isn’t it?

DREW (snarky) Yeah well, I guess sometimes people change their minds about things, people they like, wine coolers...

SHERRIE Hold on, you’re mad at me?!

DREW I think I’m entitled.

SHERRIE If you remember you’re the one who turned your back on me the minute I was fired! Buddy, it look me a long time to get over--

DREW Turned my back on you?! Time out! What about when you... (can’t say it) with Stacee Jaxx!

SHERRIE You said we were just “friends!” Y’know, “just drinkin’ wine coolers?!”

DREW I never said that!

Suddenly, LONNY appears.

!"#$%#&'()#*+,#*-+-# # 3+#

LONNY Yeah, actually you did.

Realizing this is a private moment, LONNY slips back off.

LONNY (cont’d) Sorry.

SHERRIE Dammit, I was crazy about you.

DREW You were?

SHERRIE Goodbye, Drew.

SHERRIE begins to walk away.

DREW Sherrie...?

DREW reaches into his pocket and hands SHERRIE a cassette.

DREW (cont’d)

Maybe give it a listen. It’s about you.

SHERRIE I’m scared...

DREW No, it’s good stuff.

DREW begins to exit.

SHERRIE (feeling honest) I’m a stripper. (embarrassed) Exotic dancer. (then) Stripper. Venus club.

DREW My manager dressed me like this and that’s the first demo tape anyone’s taken off my hands.

SHERRIE wants to say more.

!"#$%#&'()#*+,#*-+-# # 3*#

DREW (cont’d) I better go.

SHERRIE Drew. For whatever it’s worth. Street Boyz or whatever. I thought you made a really hot rocker.

The two separate. Once alone...

SHERRIE (cont’d) (to herself) God, you are so stupid.

DREW (to himself) Why did you say “friends!?”

SHERRIE (re: tape) He wrote me a song?

DREW (to himself) She was crazy about me? “HIGH ENOUGH”

SHERRIE I DON’T WANNA HEAR ABOUT IT ANYMORE IT’S A SHAME I’VE GOT TO LIVE WITHOUT YOU ANYMORE

DREW

THERE’S A FIRE IN MY HEART A POUNDING IN MY BRAIN IT’S DRIVING ME CRAZY

DREW/ SHERRIE

WE DON’T NEED TO TALK ABOUT IT ANYMORE YESTERDAY’S JUST A MEMORY CAN WE CLOSE THE DOOR

SHERRIE

I JUST MADE ONE MISTAKE

DREW I DIDN’T KNOW WHAT TO SAY

!"#$%#&'()#*+,#*-+-# # 21#

REGINA Twenty one days and counting, people!! Give yourselves a round of applause!!

The PROTESTERS applaud weakly, as LONNY and DENNIS arrive.

LONNY

(to DENNIS) I think you’re wrong. Phil Collins is kickass sometimes.

REGINA And here they are! Comrades!! Fight on, brothers!!!

DENNIS Please guys, thanks but... Go home. You’ve already been arrested once. Get some sleep.

REGINA No way! I once jumped off the Golden Gate to legalize pot. This is nothing. (to group) Power to the Proletariat!

FRANZ rushes on, sees DENNIS and pulls him aside.

FRANZ

Ah, Mr. Dupre, can I ask a favor? I... We can’t do work with zem still here unt my papa, he... Can you get them to move? Please?

REGINA Wounded Knee, people! Wounded F-in’ Knee!

DENNIS looks at the PROTESTERS.

DENNIS

See? You and your dad are tearing down the last place where these kids had to dream. I imagine they’ll do whatever the hell they want. (signals for a spot light which brightens his face) Because dreams are like rainbows to the child in each one of us!! The child that lives right here… (dramatic) AND YES MAMMA... I NEVER LEARNED TO READ!!!

DENNIS collapses dramatically; a WOMAN in a sequin gown walks out and presents him with an Oscar award. DENNIS exits with the woman; LONNY coldly exits. After a beat…

REGINA

Don’t do this, Franz.

!"#$%#&'()#*+,#*-+-# # 22#

FRANZ Look, I told you! It’s not me.

REGINA It can be. One person. I know there’s more to you than clean, pure, and efficient streets... Dreams. What is your dream, Franz?

FRANZ I don’t...

Dreamy music as FRANZ stares into the heavens.

FRANZ (cont’d) I used to run a confectionery shop in Hamburg? Homemade candies, chocolates...

REGINA Why aren’t you there, Franz?

HERTZ (OFFSTAGE) Franz, wozum teufel bist du geganen? (Franz, where the hell did you run off to?)

FRANZ looks toward the door, where his FATHER is. He has no choice.

FRANZ

I should go.

REGINA You’re a good guy, Franz.

FRANZ Oh God!

With that, FRANZ, torn, runs off. Scene 16 INT. JA'KEITH GILL’s office. Day.

DREW stands before JA'KEITH in a cheesy boy band outfit.

DREW

I don’t know, Ja’Keith. I’m not really a boy band kind of guy, and I don’t usually wear epaulets.

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Anixter Rice Music Service 212-265-3101630 Ninth Ave, NYC 10036

PIANO/CONDUCTOR

I Wanna Rock

[c. 3/10]

#4

Orchestration: Ethan Popp

R-6742/802

Cue: SHERRIE: "Say it Wolfgang!"

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Anixter Rice Music Service 212-265-3101

-2-PC #4. “I Wanna Rock” [c. 3/10]

630 Ninth Ave, NYC 10036

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-3-PC #4. “I Wanna Rock” [c. 3/10]


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- - -

Anixter Rice Music Service 212-265-3101630 Ninth Ave, NYC 10036

PIANO/CONDUCTOR

Waiting For A Girl Like You

[c. 3/10]

#6A

Orchestration: Ethan Popp

DrewSherrieStaceeEnsemble

A3797/802

Cue: LONNY: "So let's set a nice mood, shall we?..."

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-2-PC #6A. “Waiting For A Girl Like You” [c. 3/10]


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33 œ Œ Œ œ œing for a

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34 œ œ œ œ ‰ Jœgirl like you, your

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35 Jœ œ Jœ œ œ œlov ing will sur vive.

wgirl.

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36 .œ ‰ ‰ jœSHERRIE: œ œI've been wait

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37 ˙ Œ ‰ jœing for

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38 jœ œ jœ œ ‰ jœsome one new to

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39 jœ œ jœ œ œ œmake me feel a live.

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40

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41 œb .œ œ œn Óing

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42 ‰ œ œ œ œb œ œ œ œ ‰ Jœfor a girl like you to

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43 Jœ œ Jœ Jœ œ Jœcome in to my life.

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44 œ Œ Ó

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√45 œRhoades-y Sparkle Thingy

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46 œ œ œ œ œ œ œ œwwww

47œ œ œ œ œ œ œ œ˙̇̇ œœœ œ œœœ œœœœ

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48 œ œ œ œ œ œ œ œwwww

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49

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50

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SHERRIE: "I still can't believe you're opening for Arsenal. That is so cool!"

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51


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52

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DREW: "And I owe it all to you." (cont...)

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(Bs)œ œ œ œ œ

œ œ œ œAnixter Rice Music Service 212-265-3101



Documents

JOEY PRIMO/ENSEMBLE AUDITION PACKET · LIGHTS OUT. Scene 4 INT. “Dupree’s Bourbon Room.” Day. DREW is playing his guitar. He doesn’t notice SHERRIE with a newspaper enter