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33 Jewish Telegraph Friday January 23, 2015 BY ZOE COHEN FROM The Bronx to Britain, American fiction writer Wendy Brandmark is captivating the literary world with her latest novel of an outsider trying to deal with life’s daily struggles. The Stray American (Holland Park Press) follows rootless American Larry Greenberg as he attempts to find his identity and purpose in life. Escaping from his corporate law job in Boston, he sets out on his journey to teach in an American college near London’s Waterloo station. But he must grow up and move on or forever consider himself as an outsider. Wendy said: “The idea first evolved with a group of patriotic Americans leading a group to share discontent to demonstrate against war in Iraq. “The main character, which later on was to be Larry, felt outside of things in Britain, and the rest of the ideas went on from there.” The New York-raised writer described The Stray American as a “comic novel with a dark side”. She added: “The main character is flawed, as well as engaging. He has trouble knowing himself. “The main journey focuses on that, but he still doesn’t find his way by the end. “Something that came out without trying is the suspense of being haunted by something he misses. “He misses his father and is feeling lost with the difficulties from that and from feeling lost in a different culture and finding his way in life.” Wendy grew up in The Bronx with a non-observant upbringing. “But there was a Jewish identity,” she said. “I observed festivals, but had a mixed scepticism, together with a sense of belonging.” Wendy moved to London in the 1980s with British husband Peter Robinson. “When I moved, I felt the Jewish community had a different feeling to Americans,” she said. “Since being here I have been under the Progressive/Reform wing in London. “In the States, Progressive is the largest wing belonging to Reform, but here it looks like the country is more Orthodox. “The community is more low- key and is fitting itself in.” Also a poet and short story writer, Wendy said she was an “avid reader growing up”. She explained: “I always wrote stories and poetry in primary school. “I would always have a book in my hand from a young age, as I am sure many writers did. “When you are captivated from reading stories, you feel like writing your own. “I like making things up and creating something by playing around with it.” She explained that her literary influences can come from anything . . . and everything. “I have read everything from trashy to Jane Austin,” Wendy told me. “My inspiration can come from anywhere. It is hard to pinpoint a few writers.” Her first novel The Angry Gods (2003) described a sense of not belonging within a Conservative Jewish family, and her short stories have been widely published in British and American magazines, including The Massachusetts Review, The Independent and, more recently, The Times Literary Supplement. Underneath the comedy, there is a satire of making fun of both British and American cultures, as well as Jewish culture. She continued: “I hope both sides of the Atlantic will enjoy it. “In some ways people will understand it more in Britain because of the jokes. “There is a Jewish element to it, as the main character is Jewish and he stumbles across other Jews. “Early on in the book, he is having trouble with women, who love him and leave him. “He thinks he needs a Jewish woman, hoping maybe it will make a difference. “In once scene he is invited into the woman’s house, but the whole date goes against him.” She added: “The Stray American is a comic novel, but has a dark side with serious intent. “Although, compared to my other novels, it felt lighter, so it was a nice relief from what I have done before.” Wendy is currently supervising second year students in Oxford University’s Master of Studies in Creative Writing. wendybrandmark.com “I have to find ways to be creative and surround myself with good people, but still find a way to become known. “I know what my priorities are, but I don’t care about being famous.” She added: “My advice to anyone trying to make it in a particular industry is to meet as many people as you can and find a career you like. “Be consistent in showing up on time and be a human because you never know who is going to end up where.” Come Thief, Come Fire is Natalia’s fifth studio album since 2001. Previous albums were Mortal Child, Only One, Brand New Frame and Gas Station Roses. She also released a live album, Gypsies & Clowns, in 2013. http://nataliazukerman.com to bow MIEL de Botton spent nearly a decade in Paris practising psychology. And now she is hoping to return to the French capital — but in a different guise. For the Zurich-born 46-year-old has launched a music career and would love to perform in Paris, where she lived for six years. It would be apt, too, as debut album Magnetic — which will be released in March — features songs in French. Half are self-penned and the other half are Miel’s interpretation of French classics from the 1940s and 1950s, recalled from her childhood in Switzerland. “The songs transported me to an era of wild romance,” she told me. “I could feel the intensity of love, but also its tragic inconstancy, and I wanted to abandon myself to that music.” But it has taken Miel a long time to fulfil her dreams. Raised in St Gallen, she is the daughter of Jacqueline (née Burgauer) and Gilbert de Botton. Her father was born in Alexandria, Egypt, but was among the many Jews who left after experiencing life under dictator Gamal Abdel Nasser. Gilbert went to live and work in Switzerland, where he co-founded an investment firm. Miel’s Swiss-born mother was Ashkenazi, while her father was from a Sephardi family. She recalled: “It was always my dream to sing professionally. My father was musical and he would always ask me to sing Ma Nishtana at Pesach. “I didn’t think it would come up as a possible profession in the world I inhibited.” Dutifully, in her father’s vision, she read at Oxford and went on to qualify as a clinical psychologist at the Ecole de Psychologues Practiciens. Miel had arrived in England as a boarder at Rodean School, East Sussex, and then on to Marlborough College, Wiltshire. Miel, whose brother is writer and philosopher Alain de Botton, will take to the stage on Tuesday at the Purcell Room, London, with band members Sam Swallow (piano), Roman Roth (drums), Mark Jaimes (guitar) and Gareth Davies (bass). And she still battles the nerves before concerts, too. “I do meditation and breathing exercises to help,” Miel revealed. She met and married banker Angus Aynsley in Paris, but moved to London after almost a decade in France for his work. Miel’s father died soon after and, with a one-year old son and much of her father’s estate issues to look after, she took a break. Then, four years ago — and another child later — her marriage fell apart. She explained: “It was at a time in my life when I felt more free. I was always singing and dancing around my home and had a piano teacher, who suggested we sing together. She had a band and we did gigs together.” It led to Miel being introduced to record producer Andy Wright, who has worked with such names as Mick Hucknall, The Eurythmics and Jeff Beck. Miel said of Andy, who has produced her debut album: “He really gets me. We have these amazing moments when I give him my songs and he sits at the piano and starts the chord arrangements. “I cry every time, because what comes out is magical.” Miel, who also speaks German and a “little Italian”, said she had a secular upbringing, but visited Israel regularly and celebrated the High Holy Days. “I go to shul now when I can and take the children,” she added. “We do the festivals, as well — my cultural and religious heritage is important to me.” A committee member of the British Friends of the Art Museums of Israel, charitable efforts regarding the Jewish State are something close to her heart. She performed at The Weizmann Institute of Science’s gala dinner and sang alongside the YMCA Jerusalem Youth Chorus at London’s Aldwych Theatre last month. Miel added: “I was in Jerusalem and asked my friend whether there was a joint- Israeli Palestinian choir. “He said there was and I was taken to meet them. The risk with many Israeli and Palestinian youngsters is they grow up indoctrinated and have barriers raised against each other. With the Chorus, they learn to engage in dialogue — it is something we really need right now.” http://mielmusic.co.uk/home-2 ERA OF WILD ROMANCE: Miel de Botton Miel shares her Magnetic personality with album Brits will connect with Wendy’s jokes DARK SIDE: Wendy Brandmark Zweig makes a comeback OSCAR-nominated film The Grand Budapest Hotel is raising the profile of Austrian-Jewish novelist Stefan Zweig. Director Wes Anderson said Zweig inspired the film’s quirky eastern European setting and several of its characters. A new book, The Impossible Exile: Stefan Zweig at the End of the World, recently won the Jewish Book Council’s National Jewish Book Award for best Jewish biography. Born in 1881, Zweig earned a doctorate in philosophy at the University of Vienna in 1904. He became friends with Theodor Herzl, who published some of his earliest essays in Viennese newspaper Neue Freie Presse. Zweig — whose autobiography was called The World of Yesterday — also became close to Sigmund Freud and even gave a eulogy at Freud’s funeral in 1939. In 1942, Zweig and his wife committed suicide by overdosing on barbiturates. New editions of his fiction, including his collected stories, are being published, with some appearing in English for the first time. Films are being adapted from his writing; a new selection of his letters is in the works; plans to reissue his many biographies and essays are in motion; and his complicated life has provided inspiration for new biographies and a best-selling French novel. The 2013 French film A Promise was based on novella Journey Into the Past, and the Swiss film Mary Queen of Scots based on his novel Maria Stuart. Publishers such as the Pushkin Press have released more than 20 of Zweig’s fictional works in recent years. BY SIMON YAFFE I cry every time as it is magical

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  • 33Jewish Telegraph

    Friday January 23, 2015

    BY ZOE COHEN

    FROM The Bronx to Britain,American fiction writer WendyBrandmark is captivating theliterary world with her latestnovel of an outsider trying todeal with life’s daily struggles.

    The Stray American (HollandPark Press) follows rootlessAmerican Larry Greenberg as heattempts to find his identity andpurpose in life.

    Escaping from his corporatelaw job in Boston, he sets out onhis journey to teach in anAmerican college near London’sWaterloo station.

    But he must grow up and moveon or forever consider himself asan outsider.

    Wendy said: “The idea firstevolved with a group of patrioticAmericans leading a group toshare discontent to demonstrateagainst war in Iraq.

    “The main character, whichlater on was to be Larry, feltoutside of things in Britain, andthe rest of the ideas went on fromthere.”

    The New York-raised writerdescribed The Stray American as a“comic novel with a dark side”.

    She added: “The maincharacter is flawed, as well asengaging. He has troubleknowing himself.

    “The main journey focuses onthat, but he still doesn’t find hisway by the end.

    “Something that came outwithout trying is the suspense ofbeing haunted by something hemisses.

    “He misses his father and isfeeling lost with the difficultiesfrom that and from feeling lost ina different culture and finding hisway in life.”

    Wendy grew up in The Bronxwith a non-observant upbringing.

    “But there was a Jewishidentity,” she said. “I observedfestivals, but had a mixedscepticism, together with a senseof belonging.”

    Wendy moved to London in the1980s with British husband PeterRobinson.

    “When I moved, I felt theJewish community had adifferent feeling to Americans,”she said.

    “Since being here I have beenunder the Progressive/Reformwing in London.

    “In the States, Progressive isthe largest wing belonging toReform, but here it looks like thecountry is more Orthodox.

    “The community is more low-key and is fitting itself in.”

    Also a poet and short storywriter, Wendy said she was an“avid reader growing up”.

    She explained: “I always wrotestories and poetry in primaryschool.

    “I would always have a book inmy hand from a young age, as Iam sure many writers did.

    “When you are captivated fromreading stories, you feel like

    writing your own. “I like making things up and

    creating something by playingaround with it.”

    She explained that her literaryinfluences can come fromanything . . . and everything.

    “I have read everything fromtrashy to Jane Austin,” Wendytold me. “My inspiration cancome from anywhere. It is hard topinpoint a few writers.”

    Her first novel The Angry Gods(2003) described a sense of notbelonging within a ConservativeJewish family, and her shortstories have been widelypublished in British andAmerican magazines, includingThe Massachusetts Review, TheIndependent and, more recently,The Times Literary Supplement.

    Underneath the comedy, thereis a satire of making fun of bothBritish and American cultures,as well as Jewish culture.

    She continued: “I hope bothsides of the Atlantic will enjoy it.

    “In some ways people willunderstand it more in Britainbecause of the jokes.

    “There is a Jewish element toit, as the main character isJewish and he stumbles acrossother Jews.

    “Early on in the book, he ishaving trouble with women, wholove him and leave him.

    “He thinks he needs a Jewishwoman, hoping maybe it willmake a difference.

    “In once scene he is invited intothe woman’s house, but the wholedate goes against him.”

    She added: “The Stray Americanis a comic novel, but has a darkside with serious intent.

    “Although, compared to myother novels, it felt lighter, so itwas a nice relief from what I havedone before.”

    Wendy is currently supervisingsecond year students in OxfordUniversity’s Master of Studies inCreative Writing.

    � wendybrandmark.com

    “I have to find ways to becreative and surround myself withgood people, but still find a way tobecome known.

    “I know what my priorities are,but I don’t care about beingfamous.”

    She added: “My advice to anyonetrying to make it in a particularindustry is to meet as many peopleas you can and find a career youlike.

    “Be consistent in showing up ontime and be a human because younever know who is going to end upwhere.”

    Come Thief, Come Fire isNatalia’s fifth studio album since2001. Previous albums were MortalChild, Only One, Brand NewFrame and Gas Station Roses. Shealso released a live album, Gypsies& Clowns, in 2013.

    � http://nataliazukerman.com

    to bow

    MIEL de Botton spent nearly a decade inParis practising psychology. And now she ishoping to return to the French capital — butin a different guise.

    For the Zurich-born 46-year-old haslaunched a music career and would love toperform in Paris, where she lived for sixyears.

    It would be apt, too, as debut albumMagnetic — which will be released in March— features songs in French.

    Half are self-penned and the other halfare Miel’s interpretation of French classicsfrom the 1940s and 1950s, recalled fromher childhood in Switzerland.

    “The songs transported me to an era ofwild romance,” she told me. “I could feel theintensity of love, but also its tragicinconstancy, and I wanted to abandonmyself to that music.”

    But it has taken Miel a long time to fulfilher dreams.

    Raised in St Gallen, she is the daughterof Jacqueline (née Burgauer) and Gilbert deBotton.

    Her father was born in Alexandria, Egypt,but was among the many Jews who leftafter experiencing life under dictator GamalAbdel Nasser.

    Gilbert went to live and work inSwitzerland, where he co-founded aninvestment firm.

    Miel’s Swiss-born mother was Ashkenazi,while her father was from a Sephardi family.

    She recalled: “It was always my dream tosing professionally. My father was musicaland he would always ask me to sing MaNishtana at Pesach.

    “I didn’t think it would come up as apossible profession in the world I inhibited.”

    Dutifully, in her father’s vision, she readat Oxford and went on to qualify as a clinicalpsychologist at the Ecole de PsychologuesPracticiens.

    Miel had arrived in England as a boarder

    at Rodean School, East Sussex, and then onto Marlborough College, Wiltshire.

    Miel, whose brother is writer andphilosopher Alain de Botton, will take to thestage on Tuesday at the Purcell Room,London, with band members Sam Swallow(piano), Roman Roth (drums), Mark Jaimes(guitar) and Gareth Davies (bass).

    And she still battles the nerves beforeconcerts, too.

    “I do meditation and breathing exercisesto help,” Miel revealed.

    She met and married banker AngusAynsley in Paris, but moved to London afteralmost a decade in France for his work.

    Miel’s father died soon after and, with aone-year old son and much of her father’sestate issues to look after, she took a break.

    Then, four years ago — and another childlater — her marriage fell apart.

    She explained: “It was at a time in my lifewhen I felt more free. I was always singingand dancing around my home and had apiano teacher, who suggested we singtogether. She had a band and we did gigstogether.”

    It led to Miel being introduced to record

    producer Andy Wright, who has workedwith such names as Mick Hucknall, TheEurythmics and Jeff Beck.

    Miel said of Andy, who has produced herdebut album: “He really gets me. We havethese amazing moments when I give himmy songs and he sits at the piano andstarts the chord arrangements.

    “I cry every time, because what comesout is magical.”

    Miel, who also speaks German and a“little Italian”, said she had a secularupbringing, but visited Israel regularly andcelebrated the High Holy Days.

    “I go to shul now when I can and take thechildren,” she added. “We do the festivals,as well — my cultural and religious heritageis important to me.”

    A committee member of the BritishFriends of the Art Museums of Israel,charitable efforts regarding the JewishState are something close to her heart.

    She performed at The WeizmannInstitute of Science’s gala dinner and sangalongside the YMCA Jerusalem YouthChorus at London’s Aldwych Theatre lastmonth.

    Miel added: “I was in Jerusalem andasked my friend whether there was a joint-Israeli Palestinian choir.

    “He said there was and I was taken tomeet them. The risk with many Israeli andPalestinian youngsters is they grow upindoctrinated and have barriers raisedagainst each other. With the Chorus, theylearn to engage in dialogue — it issomething we really need right now.”

    � http://mielmusic.co.uk/home-2

    ERA OF WILD ROMANCE: Miel de Botton

    Miel shares her Magneticpersonality with album

    Brits will connectwith Wendy’s jokes

    DARK SIDE: Wendy Brandmark

    Zweig makes a comebackOSCAR-nominated film The Grand Budapest Hotel israising the profile of Austrian-Jewish novelist Stefan Zweig.

    Director Wes Anderson said Zweig inspired the film’squirky eastern European setting and several of itscharacters.

    A new book, The Impossible Exile: Stefan Zweig at theEnd of the World, recently won the Jewish Book Council’sNational Jewish Book Award for best Jewish biography.

    Born in 1881, Zweig earned a doctorate in philosophy atthe University of Vienna in 1904. He became friends withTheodor Herzl, who published some of his earliest essays inViennese newspaper Neue Freie Presse.

    Zweig — whose autobiography was called The World ofYesterday — also became close to Sigmund Freud and evengave a eulogy at Freud’s funeral in 1939.

    In 1942, Zweig and his wife committed suicide byoverdosing on barbiturates.

    New editions of his fiction, including his collected stories,are being published, with some appearing in English for thefirst time. Films are being adapted from his writing; a newselection of his letters is in the works; plans to reissue hismany biographies and essays are in motion; and hiscomplicated life has provided inspiration for newbiographies and a best-selling French novel.

    The 2013 French film A Promise was based on novellaJourney Into the Past, and the Swiss film Mary Queen ofScots based on his novel Maria Stuart. Publishers such asthe Pushkin Press have released more than 20 of Zweig’sfictional works in recent years.

    BY SIMON YAFFE

    ❝I cry everytime as it is magical