“Jenifer”

Originally Published (black and white): “Creepy”, issue 63, Warren Publishing, July 1974

Color Version: “Berni Wrightson, Master of the Macabre”, issue 2, Pacific Comics, August 1983

Writer: Bruce Jones

Art: Bernie Wrightson

Editor: Bill DuBay

Submitted by: E.M. Tonner

Preface

I consider Jones and Wrightson’s “Jenifer” the greatest horror comic story of all time. If

you can bring forth its better, you will have my undying gratitude. Originally published in

1974 deep inside Creepy issue 63, these ten pages were the darkest secret in horror

comics for years. It was never a huge sensation, just a story in a magazine that you

couldn’t forget. Reprinting the story in color nine years later (Pacific Comics) didn’t

make the artwork any better, but it did expose the tale to a whole new generation. Dario

Argento also brought a version to screen in 2005 for “Masters of Horror”.

Warning:

The following content is intended for mature readers. It may contain scenes of extreme

violence, obscenities, nudity, sexuality and adult situations.

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Afterword

If ‘Jenifer’ were to have a knock against it as the greatest horror comic story ever, an

argument could be that it was not of key significance to the industry. It didn’t launch any

congressional hearings or spark a revolution. It did catapult Bruce Jones’ career in comics

and provide the basis for a ‘Masters of Horror’ episode thirty years later, so it is

significant to some degree. It’s also an example of Bernie ‘Berni’ Wrightson at his peak.

As a man, I find this story especially frightening. There’s an element of seduction that

brings our instincts to their basest levels, directly into Jenifer’s clutches. From the neck

down, she’s stunning. But it’s from the neck up where she’s most dangerous and

terrifying. She uses men in a tragic cycle of mayhem and violence like her kin in

mythology, the lamia and succubae. She preys upon the vulnerability of male compassion

and passion for her own ends. This is the ‘damsel in distress’ formula as the trap. It is her

actions that tell us that she is not a deformed human, but truly a monster. And we are

powerless to stop her.

This is how ‘Jenifer’ strikes home. It is the tragedy of a hapless man trying to save a life.

By this good deed, he begins a downward spiral, trapped by the woman he tried to save,

used as a disposable pawn. I doubt this story hits the same notes of fear with women,

which may be its only true criticism.

"Some Cupid kills with arrows, some with traps."

- William Shakespeare,

“Much Ado About Nothing”

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