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ENRIC MIRALLES BENEDETTA TAGLIABUE EMBT Barcelona, Spain 2009 +34.93.412.53.42 Intern ArchitectConceptual design for Ikoyi House through formal studies with models, shop drawing for facade panels for Spanish Pavilion [2010 Expo].

ARCHI-TECTONICSNew York, NY 2011212.226.0303 Intern Architect Schematic design, design development, and material research for Siki Im Pavillion, SD for Ports 1961 Paris.

RANDY BROWN ARCHITECTS Omaha, NE 2010-2014402.551.7097 DesignerTasks include managing construction drawing and design development drawing sets for commercial and offi ce projects, schematic design for a single family residence, and schematic design for multiple international design competitions.

MORPHOSISNew York, NY 2011212.675.1100 Intern Architect Assisted on design development and construction drawing sets, presentation drawings, and model building for Gates Hall at Cornell University.

CRAB STUDIO London, England 2012 0044.207.846972 Intern ArchitectDesigner for a master plan competition for Aalto University in Finland, furniture design/shop drawings for the interior of Vienna Law School.

CV resume

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MARK RYAN STUDIOPhoenix, AZ [ freelance ] 2013-2014212.226.0303 Freelance Designer Schematic design proposals for Sho-Pai Headquarters and MarketplaceONE through design drawings, modeling, and presentation design.

STARKJAMESPhoenix, AZ 2013-2014480.994.7340Architect-In-Training / Superintendent GC Worked as project designer and general contractor superintendent on Lisa Sette Gallery and a 5,000 sf modern home in Phoenix. Tasks included programming, schematic design, design development, construction drawing, construction administration, shop drawings, and sub-contractor management and supervision.

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M.ARCH 2013Arizona State University Capstone Thesis Design Excellence Nomination Research: collaborator for the book ENRIC MIRALLES: CONTINUING CONVERSATIONS by Catherine Spellman [ Jan-Sept 2012 ]

PROFICIENCIESAdvanced : Rhinoceros, AutoCAD, Adobe Design SuiteIntermediate : Grasshopper, V-RayBasic : Bentley Microstation, Graphisoft ArchiCad

Randy Brown, FAIA Randy Brown ArchitectsChris Lasch 646.496.2349 chris@arandalasch.comPrincipal, Aranda/Lasch

402.250.5292 randy@randybrownarchitects.com

212.675.1100 s.lee@morphosis.netScott LeePrincipal, Morphsosis Architects

99 Eldert Street, Unit 2Brooklyn, NY 11207hjgillway@hotmail.com

JEFF GILLWAY

01 . 520 . 827 . 0757

REFERENCES:

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cornellikoyi housesiki pavilionports 1961 parisellipse houseriver labsaalto universitysho-paicasa nitaperformanceaperture housebishopsgatelightworkslaw and society

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morphosisembt

archi-tectonicsrandy brown

crab studiostarkjames

professional work

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Gates Hall is the Computing and Information Sciences Building at Cornell University, in which fi ve months of my internship were spent working on the design development phase. My responsibilities included preparing drawings for a DD drawing set, redlines, preparing presentation drawings, and building numerous models of varying scales. I worked with a small team to build a detailed section atrium model, which served as a tool for our client to wholistically understand all that the atrium entailed.

g a t e s h a l l cornell university

Location: Ithaca, nym0rphosis architects

m0rph cornell

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project team: Thom Mayne, Scott Lee, Ted Kane, Alayne Kaethler, Go Woon-Seo, Debbie Chen, Matt Lake, Jeff Gillway,

Pavlo Kryvozub

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In Nigeria, a symbol of status is the roof of one’s home. The client had us design a sculpture of a proposed roof structure. The poetry behind the form is a rooted in how the sensuality of the curves bond the fractured planar pieces, and how the geometries lead you through the home.

As a part of the design team, I built a series of models from conceptual forms to structural manifestations. In the fi nal model, we built all primary beams in basswood, designed/detailed all secondary structural beams in cherry wood, and fi nished by modeling all curved and planar surfaces in balsa wood.

i k o y i houseLocation: NigeriaEMBT Arquitectes

y g pwood.

embt ikoyi

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project team: Benedetta Tagliabue [princpal in charge], Danny Rossello [project manager], Jeff Gillway

[conceptual]

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Siki Im pavilion is a temporary installation at the Mode Fashion Biennale in Arnhem. The form was derived from the cut patterns of sleeves from the fashion designer’s new line. By taking the shapes and wrapping/manipulating them, a negative is sculpted that allows one to inhabit the inverse of fashion. My involvement in the project included schematic design, design development, material research, and presentation drawings.

s i k i i m pavilion

Location: Arnhem, NLArchi-Tectonics

at siki im

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project team: Winka Dubbeldam [principal in charge], David Barr, Seong Mo, Jeff Gillway, Matt Choot [built]

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To further relate the architecture to fashion, Concrete Canvas was the material used. The material allows free form complex geometries as a result of stitching planar sheets. After the canvas is draped, it is saturated for hardening before the fi nal fi nish details are made. With assistance from the manufacturer, I worked to develop details and connections between the Concrete Canvas and steel frame structure.

c u t s a t u r a t e d

d e t a i l e d

:realized

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While at Archi-Tectonics, I worked with Winka Dubbeldam (principal in charge) on schematic design for the Ports 1961 Paris store. Design was inspired by the 20th century French art nouveau movement. From my research and observation of that outline, I conceived the ideology of using “stolen geometries”. This entailed sculpting asymmetrical forms, repeated curves, and common radaii that were mirrored across the space intuitively to create specifi cally programmed niches of retail experience. These niche zones gave groups of shoppers a properly dimensioned space for browsing and socialization, creating an intimate boutique atmosphere in a large fl agship store.

p o r t s 1 9 6 1 : paris

Location: ParisArchi-Tectonics

at ports

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project team: Winka Dubbeldam [principal in charge], Jeff Gillway, David Barr, Matt Choot, Wil Rodriguez

[conceptual]

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Ellipse house is nestled in a large wooded lot, adjacent to a scenic meadow along Hidden Creek. Form and geometry of the house are experiments at sweeping circulation along engaging architectural forms, directing to and creating a dialogue with views and contextual pulls. Second fl oor gallery space houses client’s art collection, reaches an armature to landscape, and offers an interstitial space to social program below.

My involvement in the project ranged from schematic design to design development, and included process modeling, process drawing, and presentation drawing.

ellipse houseLocation: Omaha, Nebraska

Randy Brown Architects

published in GA Houses 125 Project 2012

project team: Randy Brown [principal in charge] and

Jeff Gillway

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RBA was commissioned by the University of Nebraska at Omaha Aquatic Toxicology Laboratory to design a series of on-site labs on each of the seven major rivers in Nebraska. Structures include a program of specimen tanks, water testing equipment, computer workspace, satellite feed, video log space, and private living/sleeping area for short visits by the researchers.

Conceptual design derived from the folding planar form of fl at keel river boats, which were key tools in the settlement of early townships in Nebraska. My tasks for this project included physical modeling and various forms of presentation drawing.

r i v e r probesLocation: Elkhorn, NebraskaRandy Brown Architects

[built]

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Conceptual design derived from the folding planar form of fl at keel river boats, which were key tools in the settlement of early townships in Nebraska. My tasks for this project included physical modeling and various forms of presentation drawing.

PublicationsGA Houses 120 Project 2011

Architectural Record, May 2012Interior Design, December 2012

AwardsNebraska AIA Merit Award 2011

sleeping loft

bath/kitchenette

tanks

video log

workstationrba river

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project team: Randy Brown [principal in charge] Chris

Turner, Meg )’Mara, Jon Olsen, and Jeff Gillway

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Our submission for the masterplan competition of the Otaniemi Campus of Aalto Unversity was centered on the concept of animated coherence. The primary element of formal language is the connectivity created by the bicycle tracks, linking all department buildings together with gravity around a singular node- a cycling ring containing a circular pond. Each of the department buildings share a scaled formal language which are the “noses” of the architecture. Each building expresses a different formal nose, each with unique identity, which contains the vertical circulation.

My involvement in this project entailed conceptual development, facade articulation, modeling (physical and digital), and presentation drawing.

Otaniemi Campus A a l t o UniversityLocation: Espooo, FinlandCRAB Studio

[competition]

project team: Sir Peter Cook, Ting Na Chen, LaureneFaure, Jeff Gillway, Tim Tai, Garrett Santo, and Lorenzo Bertolotto

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BASE - LOCAL STONE WALLS

ANCHOR - COUNCIL CHAMBERS

LIGHT - VIEW TO SKY

SHELTER - SINGLE SLOPE ROOF

The Sho-Pai Tribal Headquarters building is municipal and community building for the Shoshone Paiute Native American nation. Program includes tribal leader offi ces, council chambers, exhibit/event space, and various community personel offi ces. The base of the buidling is composed of local stone, and above that is a large clearstory volume that offers a connection to the sky. The council chambers becomes a unique architecture- a conical form, oriented on the spiritually signifi cant east/west axis, and penetrating through a large single sloped roof.

S h o - P a i T r i b a l H e a d q u a t e r sLocation: Elko County, NevadaMark Ryan Studio

project team:Mark Ryan, Jeff Gillway

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Casa Nita is a single family residence designed by Weddle Gilmore Architects. With Starkjames, I served as the general contractor superintendent on the project. The architecture consists of an Integra block envolope, structural steel components, wood framing, and glazing set into custom steel buckets and frames. Tasks include management of sub contractors, shop drawings, construction site management, and location verifi cation of all components from sub grade through rough-in.

c a s a n i t ac a s a n i t aLocation: Paradise Valley, AZLocation: Paradise Valley, AZ

5,000 sf residence5,000 sf residencebudget: $1.1millionbudget: $1.1million

StarkjamesStarkjamesdesigned by Weddle Gilmore Architectsdesigned by Weddle Gilmore Architects

nita starkjames

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project team: project team: Wesley James, Wesley James,

Chris Cordell, and Jeff GillwayChris Cordell, and Jeff Gillway

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law and society

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law and societyLocation: phoenix, arizona300,000 sf law school and research institutionM.Arch capstone thesis studiocritic: Rick Labonte

independent law

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The Arizona Center for Law and Society consists of rather unconventional program components. In addition to classroom, faculty, administration, and library spaces, there are program elements that mix students, faculty, and the legal community. They include the legal clinics, community legal services, and institutes. The a-typical has become the heart of the building.

The legal institutes are proactive in dealing with progressive topics such as native american law and immigration reform. Yet, they are serving in one of the most reactive and conservative states. The a-typical program is housed by an a-typical architecture- structurally, materially, and experientially. The architecture refl ects a living geometry, one that changes and evolves-yet is caged.

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The “egg” is an indoor/outdoor membrane. It is composed of a tension system, suspended by vierendahl trusses above, and wrapped in a PTFE tenfl on fabric. The apparatus within is a compostion of rotated boxes on legs, allowing rooftop access on top of the box below.

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The buidling uses a fritted glass double facade system. Panels are fractured vertically, tapereing from 9’ wide to 3’, and rotate to the north- allowing each offi ce to have a view to unfi ltered, northern sky.

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from NORTH

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academic arts

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By extruding visual art aspect of the program away from the performing arts form, a void is carved and pedestrian path is engaged. The resultant void becomes the multipurpose and trans-programmable lobby space, while the solid is inversely the fi xed, rigid program.

fort worth communitya r t s c e n t e r

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Location: Fort Worth, Texas250,000 sf performing arts centerADE 522 5th year studiocritic: Tom Powers

project team:Jeff Gillway, Stacey McClure, Alex Ruiz

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Dwelling units are part of the masterplan for ASU LightWorks research retreat facility. Roof is used to choreograph light according to programmed area- energizing zones at differing times of day. Bedroom roof is angled with articulated apertures for morning sun, while living room/kitchen roof aligned for penetration of late afternoon sun.

a p e r t u r e houseLocation: Boyce Thompsen Arboretum Superior, Arizona500 sf [12 prototypical units]ADE 521 5th year studio

academic aperture

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The Bishopsgate masterplan is a mixed use development in Shoreditch, East London. Located on the derelict site of the old Bishopsgate Goods Yard, the new development includes offi ce, residential, educational, small/creative business, and recreational commercial. The adaptive reuse of the overgrown Braitwaite Viaduct vaulted structure is the primary project component- appropriated as an elevated urban landscape engaged by new residential development.

b i s h o p s g a t e masterplanLocation: Shoreditch London, UK3 million sf masterplan and adaptive reuse ADE 621 6th year studiocritic: John Meunier

academic bishopsgate

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leisure

educational

cultural

offi ce

parkscape

residential

creativelandscape

small business

cultural

residential

business

skip-stop elevators are used in the residential building to maximize east/west light, which is ideal in London- as north light is minimal and south light silhouettes urban views.

encloseoverground station

trim to context scale

slenderize engage landscape

connect

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The project is an architecture that works with natural systems of ecology, sun, geology, and water. Spanning a desert wash, the building offers a rare elevated experience of these systems. Located along a circulation path between living and working spaces within a masterplan, there is an inlet and outlet to the building [with all circulation between spaces being outdoors]. The inlet is accepting and receiving of the landscape and groundplane, while outlet refl ectively is a dialogue in which the fl oorplate meets the natural in a delicate and humble way.

l i g h t w o r k s Location: Boyce Thompson Arboretum Superior, Arizona11,000 sf research facility ADE 521 5th year studiocritic: Chris Lasch

academic light

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page 5499 Eldert Street, Unit 2

Brooklyn, NY 11207hjgillway@hotmail.com

JEFF GILLWAY

01 . 520 . 827 . 0757