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© - 2013/09 - Jazz Podium - Klaus Hübner © - 2013/09 - Jazz Podium - Klaus Hübner © - 2013/09 - Jazz Podium - Klaus Hübner CD jazzwerkstatt 148 Uwe Kropinski Trio ELF ELFEN BLUES CD jazzwerkstatt 145 Unity 6 ROT LP West Wind 0016 CD West Wind 2016 Eric Dolphy - LAST RECORDING jazzwerkstatt › CD/LP Presse Rezensionen / 09 - 12.2013 jazzwerkstatt › CD/LP Presse Rezensionen / 09 - 12.2013 Seite 1

Jazzwerkstatt cd lp presse neu 12 2013

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© - 2013/09 - Jazz Podium - Klaus Hübner © - 2013/09 - Jazz Podium - Klaus Hübner © - 2013/09 - Jazz Podium - Klaus Hübner

CD jazzwerkstatt 148 Uwe Kropinski TrioELF ELFEN BLUES

CD jazzwerkstatt 145 Unity 6ROT

LP West Wind 0016CD West Wind 2016Eric Dolphy - LAST RECORDING

jazzwerkstatt › CD/LP Presse Rezensionen / 09 - 12.2013

jazzwerkstatt › CD/LP Presse Rezensionen / 09 - 12.2013 Seite 1

© - 2013/10 - Jazz Podium - Klaus Hübner

© - 2013.10.18 - Frankfurter Allgemeine Zeitung - Ulrich Olshausen

LP West Wind 0006CD West Wind 2006Archie SheppBIRD FIRE

jazzwerkstatt › CD/LP Presse Rezensionen / 09 - 12.2013 Seite 2

jazzwerkstatt › CD/LP Presse Rezensionen / 09 - 12.2013 Seite 3

© - 2013/11/12 - Jazz Thetik - Klaus Hübner

THE NEW YORK STREET PERCUSSIONISTLP - jazzwerkstatt 10014

HENRIK WALSDORFFTRIOLP - jazzwerkstatt 10135

GAYLE/PARKER/ALITOUCHIN‘ ON TRANELP - jazzwerkstatt 10024

ULRICH GUMPERT WORKSHOP BANDBERLIN/NEW YORKLP - jazzwerkstatt 10142

BRÖTZMANN/KONDO/PARKER/DRAKE AOYAMA CROWSLP - jazzwerkstatt 10060

CD jazzwerkstatt 141Helga Plankensteinerfeat.Matthias Schriefel& Gerhard GschlößlPLANKTON

2 CD PHIL. 06026Steffen SchleiermacherJOHN CAGE PIANO WORKS

© - 2013/11 - Westzeit - Klaus Hübner

© - 2013 - Il Manifesto (Italien)

© - 2013.12.14/15Leipziger VolkszeitungDr. Ulrich Steinmetzger

PAT METHENY & THE HEATH BROTHERSTHE MOVE TO THE GROOVE SESSIONSWEST WINDWW 0130 (LP)WW 2130 (CD)

jazzwerkstatt › CD/LP Presse Rezensionen / 09 - 12.2013 Seite 4

© - 2013.12/ JazzPodium› Klaus Hübner

© - 2013.12/ JazzPodium› Klaus Hübner

HERBIE HANCOCK OUT OF THIS WORLDWEST WINDWW 0135 (LP)WW 2135 (CD)

DIE ANREICHERUNGDIE ANREICHERUNGJAZZWERKSTATTJW 132 (CD)

ADAM PIEROŃCZYK THE PLANET OF ETERNAL LIFEJAZZWERKSTATTJW 149 (CD)

jazzwerkstatt › CD/LP Presse Rezensionen / 09 - 12.2013 Seite 5

ADAM PIEROŃCZYK - The Planet Of Eternal LifeEnglische Übersetzungen aus dem Polnischen/English Translation from Polish

www.jazzpress.pl I do not exaggerate , and certainly will not be original if I write that Adam's latest album Pieronczyk The Planet Of Eternal Life , it's just a real Ewenement . It was because he recorded entirely solo soprano saksofo - not , without the addition of effecting any subsequent paths , and this still is not a traditional , control - rylnym studio, but in the fourteenth - century tower located in the German Pe- itz . The idea , I must admit , a surprise and very courageous. Nothing surprising there are emerging again and again solo albums pianists , also for guitarists is the -mat to bear. But the saxophone solo for 60 minutes is a completely different matter. Using the instrument , which can be played exclusively melody is not so easy to keep the listener's attention during a long musical expression . No support rhythmic and harmonic monicznego immediately reveals even the finest tripping , including even temporary lack of focus music . Convention so- ester playing only melodic instrument therefore requires enormous inventiveness , a -ing clear and coherent vision of artistic and considerable self-confidence. Adam Pieronczyk additionally hinder - constituted itself is already backbreaking job and decided to record an album in its entirety on soprano saxophone , which as a rule is not obeyed him afte - gujacemu musician , as cho - ciazby his tenor relative who far more likely subjected to any saxophone artificial Mobile this album , however, shows that Pieronczyk mastered the instru- ment to the extent that it completely free for not conducting via the musical narrative .

www.radiojazz.fmWhile listening to the disc , we repeatedly see that no technical obstacles for the saxophonist simply do not exist ( altissimo! !). It only restricts his own imagination . However, immediately calm down - at The Planet Of Eternal Life is the most important melo - dia and the story of attenuated by Pieron - tuna . Technical proficiency is only an expression. The musician does not flood us cascade of sounds, ni- do not prove and shows off . Instead, it constructs beautiful melodies , building suitable for - dress . This demonstrates his musical maturity and experience. Additionally, he very consciously uses the space in which the recording was made . Pieronczyk respects so quiet , often playing almost on the verge of a whisper , also uses natural -tion in such buildings reverb . Fortunately, however, the same recording was made in a trans - thinking. So we hear the saxophone ( and sometimes even the artist himself ) very closely , and said reverberation already been tamed so that it does not blend into each other phrases and individual notes , which are completely re - clear. It adds only to the whole recording space and breath , and noble - he inserted saxophone Pieron - Tuna - naturalness and warmth. The album artist posted almost exclusively original compositions, except for two standards :"Cherokee" and double -recorded - it "Giant Steps"."The music on the album is at the very com - katywna and - what is not clear at this kind of recordings - eager to get her back . The aim of the artist was not because , fortunately, the surprise for the audience - connection at all costs and recorded his experiment -ing on the strength of something that did not exist before , but only - and even ( ! ) - On - playing beautiful music and self-expression through the soprano saxophone . I wondered at first whether it would be a good option if Pieronczyk reached on several tracks on the Saxon - fon tenor , to break one nostajnego sound board . Doszed - lem , however, ultimately concluded that the consistency of the album and the prevailing mood on it could at the same time strongly affected .Note, however, that muse -ka included on the album will be released only when the listener in the full ver-sion glory when he devotes her on - lezyta attention. While listening to the latest album by Adam Pieronczy -ka worth because to focus exclusively on her. I guarantee anyone who devote some of your time and carefully listens well that in return will receive an excellent experience artistic tangents , plus mute and even for a moment forget about rushing around everyday.

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© - 2014.01/02Jazz Thetik Joachim Weis

DAVID MURRAY BLACK SAINT QUARTETLIVE IN BERLINJW 10035

DEMIAN KAPPENSTEIN/DJ ILLVIBECHRISTOPHER RUMBLE GOD́S COMMANDJW 10137

jazzwerkstatt › CD/LP Presse Rezensionen / 09 - 12.2013 Seite 7

© - 2013.12.28.Leipziger VolkszeitungDr. Ulrich Steinmetzger

© - 2014.01/02Jazz Thetik Klaus Hübner

© - 2013.12Jazz PodiumGodehard Lutz

ULRICH GUMPERTERIK SATIEPhil.harmoniePhil 06025 (CD)