Jazz Guitar/ PIANO Chords Chart.

Major Abr C Db D Eb E F Gb G Ab A Bb B

6th 6 R       3     5   6    

6th add 9th 6add9 R   9   3     5   6    

6th flat5 add 9th 6(-5)add9 R   9   3   b5     6    

7th 7 R       3     5     b7  

7th flat 5th 7(-5) R       3   b5       b7  

7th flat 9th 7(-9) R b9     3     5     b7  

7th flat 5th flat 9th 7(-5-9) R b9     3   b5       b7  

9th 9 R   9   3     5     b7  

11th 11 R   9   3 11   5     b7  

13th 13 R   9   3 11   5   13 b7  

Maj 7th M7 R       3     5       7

Maj 9th M9 R   9   3     5       7

Maj 11th M11 R   9   3 11   5       7

Maj 13th M13 R   9   3 11   5   13   7

Minor Abr C Db D Eb E F Gb G Ab A Bb B

min 6th m6 R     b3       5   6    

min 6th add 9th m6add9 R   9 b3       5   6    

min 7th m7 R     b3       5     b7  

min 7th flat 5th m7(-5) R     b3     b5        b7  

min 9th m9 R   9 b3       5     b7  

min 11th m11 R   9 b3   11   5     b7  

min 13th m13 R   9 b3   11   5   13 b7  

min Maj 7th m(+7) R     b3       5       7

min Maj 9th m9(+7) R   9 b3       5       7

Aug & Dim Abr C Db D Eb E F Gb G G# A Bb B

aug + R       3       #5      

7th aug 7+ R       3       #5   b7  

7th aug flat 9th 7+(-9) R b9     3       #5   b7  

9th aug 9+ R   9   3       #5   b7  

dim ° R     b3     b5     bb7    

Suspended Abr C Db D Eb E F Gb G Ab A Bb B

6th sus 4th 6sus4 R         4   5   6    

6th sus 4th add 9th 6sus4add9 R   9     4   5   6    

7th sus 4th 7sus4 R         4   5     b7  

9th sus 4th 9sus4 R   9     4   5     b7  

Maj 7th sus 4th M7sus4 R         4   5       7

Maj 9th sus 4th M9sus4 R   9     4   5       7

Notes Formula Chord Name Symbol

1 C    E    G    B 1     3     5    7 C major 7 Cmaj7

2 D    F    A    C 1   b3     5    b7 D minor 7 Dm7 or D-7 or Dmin7

3 E    G    B    D 1   b3     5    b7 E minor 7 Em7 or E-7 or Emin7

4 F    A    C    E 1     3     5    7 F major 7 Fmaj7

5 G    B    D    F 1     3     5    b7 G dominant G7

6 A    C    E    G 1   b3     5    b7 A minor 7 Am7 or A-7 or Amin7

7 B    D    F    A 1   b3   b5    b7 B half diminished Bm7b5 or Bmin7b5

Chord Type Added Note Symbol  

Major

2 Cmaj9  

4#4

/Cmaj7#11

avoid note#11 fromlydian scale

6 C6 no 7

Minor

2 Cm9  

4 Cm11  

6 Cm6 no 7

Dominant

2b2#2

C9C7(b9)C7#9

b2 and #2 from altered scale

4 C7sus4  

6b6

C13C7(b13)

b6 comes fromaltered scale

Chord Type Chord Formula

Major Triad 1     3     5

Minor Triad 1    b3     5

Diminished Triad 1    b3    b5

Augmented Triad 1     3    #5

Major 7 1     3     5     7

Minor 7 1    b3     5    b7

Dominant 7 1     3     5    b7

Half Diminished 7 1    b3    b5    b7

Diminished 7 1    b3    b5   bb7

Augmented 7 1    3     #5    b7

Suspended 4 1    4      5    b7

minor/major 7 1    b3     5     7

Tritone Chord SubstitutionShown in  ii - V - I - VI  TurnaroundChart excerpted from  Basic Musicianship

Key ii    (tritone) V    (tritone) I VI    (tritone)

C Dm7    (Abm7) G7    (Db7) C A7alt    (Eb7alt )

Db Ebm7   (Am7) Ab7   (D7) Db Bb7alt   (E7alt )

D Em7    (Bbm7) A7    (Eb7) D B7alt    (F7alt )

Eb Fm7    (Bm7) Bb7   (E7) Eb C7alt    (Gb7alt )

E F#m7   (Cm7) B7    (F7) E C#7alt   (G7alt )

F Gm7    (Dbm7) C7    (Gb7) F D7alt    (Ab7alt )

Gb Abm7   (Dm7) Db7   (G7) Gb Eb7alt   (A7alt )

G Am7    (Ebm7) D7    (Ab7) G E7alt    (Bb7alt )

Ab Bbm7   (Em7) Eb7   (A7) Ab F7alt    (B7alt )

A Bm7    (Fm7) E7    (Bb7) A F#7alt   (C7alt )

Bb Cm7    (Gbm7) F7    (B7) Bb G7alt    (Db7alt )

B C#m7   (Gm7) F#7  (C7) B G#7alt   (D7alt )

Jazz Soloing Scales & ChordsChart excerpted from  Basic Musicianship

In the Key of C

Major Chords Scales

CMaj7, CMaj9, C6, CC Major, C lydian, C Major bebop,

C Major pentatonic, G Major pentatonic

CMaj7(+11) C lydian, B in sen

Minor Chords Scales

Cm7, Cm9, Cm11, Cm

C dorian, C minor bebop, C minor pentatonic,

F Major pentatonic, Bb Major pentatonic,

Eb Major bebop, C blues, C minor

Cm6, Cm

C dorian, C melodic minor, C minor pentatonic,

F Major pentatonic, Bb Major pentatonic,

C minor bebop, Eb Major bebop, D in sen

Cm(+7) C melodic minor, C harmonic minor, Eb Major bebop

Cm7(-6) C minor, Ab Major pentatonic

Cm7(-9) C phrygian, C phrygian (+6)

Dominant Chords Scales

C7, C9, C13, CC mixolydian, C lydian dominant, C dominant bebop,

C blues, C Major pentatonic

C7sus, Csus, C11 C mixolydian

Bb/C, Gm7/C C suspended pentatonic, F Major pentatonic

C7(+11), C7 C lydian dominant

C7alt, C7(+9+5), C7(+9) C altered, F harmonic minor, F melodic minor

C7(-9-5), C7(-9) HW diminished, F harmonic minor, F melodic minor

C7+ C whole tone

Diminished Chords Scales

Cm7(-5) C locrian (+2), C locrian

Cdim7 C WH diminished

Other Chords Scales

Cphryg C phrygian, C phrygian (+6), C Spanish phrygian, C in sen

CMaj7(+5) C lydian augmented, C Major bebop

C7sus(-9) C phrygian (+6), C phrygian

Jazz Seventh ChordsChart excerpted from  Basic Musicianship

Chord Name Construction

Dominant Seventh Dominant degree of the major, harmonic & melodic minor scales.

Major Seventh The triad and the seventh are major.

Minor Seventh The triad and the seventh are minor.

Diminished Seventh The triad and the seventh are diminished.

Half Diminished Seventh The triad is diminished, but the seventh is minor.

The name given to major, minor & diminished seventh chords isdetermined by type of triad & seventh interval which they are built.

Chord NameScale & Degree Where Found

Major Natural Minor Harmonic Minor Melodic Minor

Dominant Seventh V VII V IV, V

Major Seventh I, IV III, VI VI  

Minor Seventh II, III, VI I, IV, V IV II

Diminished Seventh     VII  

Half Diminished Seventh VII II II VI, VII

Jazz Modes ChartChart excerpted from  Basic Musicianship

From the Root of C

MODES C Db D Eb E F Gb G Ab A Bb B C

mC   Ionian R   2   3 4   5   6   7 8 

mD   Dorian R   2 b3   4   5   6 b7   8

mE   Phrygian R b2   b3   4   5 b6   b7   8

mF   Lydian R   2   3   b5 5   6   7 8

mG   Mixolydian R   2   3 4   5   6 b7   8

mA   Aeolian R   2 b3   4   5 b6   b7   8

mB   Locrian R b2   b3   4 b5   b6   b7   8

Jazz Chord ProgressionsChart excerpted from  Basic Musicianship

using three-triad cadences

SCALE CHORD PROGRESSION

Major IV-V-I ii-V-I V-ii-I V-IV-I iii-ii-I iii-IV-I

Aeolian v-iv-i bVII-iv-i bVI-bVII-i iv-bVII-i bVI-v-i iv-v-i

Harmonic Minor iv-V-i V-iv-i bVI-V-i V-bVI-i    

Harmonic Major iv-V-I V-iv-I iii-iv-I      

Melodic Minor (asc) IV-V-i ii-V-i        

Melodic Major (desc) v-iv-I bVII-iv-I        

Double Harmonic Major iii-bII-I          

Double Harmonic Minor bVI-vii-i          

Tangga nada dan Kunci Diatonikmol kres

mayor minor mayor minor0 C a C a1 F d G e2 B ♭ g D b3 E ♭ c A f ♯ 4 A ♭ f E c ♯ 5 D ♭ b ♭ B g ♯ 6 G ♭ e ♭ F ♯ d ♯ 7 C ♭ a ♭ C ♯ a ♯

                    huruf kecil adalah minor                        

angka menunjukkan jumlah mol atau kres pada tangga nada (F = 1 mol, f = 4 mol, dst)

 Artikel bertopik musik ini adalah sebuah rintisan. Anda dapat membantu Wikipedia dengan mengembangkannya.

Jazz Scales ChartChart excerpted from  Basic Musicianship

From the Root of C

SCALES C Db D Eb E F Gb G Ab A Bb B C

Major R   2   3 4   5   6   7 8

Natural Minor R   2 b3   4   5 b6   b7   8

Harmonic Minor R   2 b3   4   5 b6     7 8

Melodic Minor (asc) R   2 b3   4   5   6   7 8

Melodic Minor (desc) R   2 b3   4   5 b6   b7   8

Enigmatic R b2     3   b5   b6   b7 7 8

Chromatic R b2 2 b3 3 4 b5 5 b6 6 b7 7 8

WH Diminished R   2 b3   4 b5   b6 6   7 8

HW Diminished R b2   b3 3   b5 5   6 b7   8

Augmented R     b3 3     5 b6     7 8

Whole Tone R   2   3   b5   b6   b7   8

Mixolydian R   2   3 4   5   6 b7   8

Lydian Dominant R   2   3   b5 5   6 b7   8

Lydian Augmented R   2   3   b5   b6 6   7 8

Pentatonic Major R   2   3     5   6     8

Pentatonic Minor R     b3   4   5     b7   8

In Sen R b2       4   5     b7   8

3 Semitone R     b3     b5     6     8

4 Semitone R       3       b6       8

Blues R     b3   4 b5 5     b7   8

Bebop Major R   2   3 4   5   6 b7 7 8

Bebop Minor R   2 b3   4   5 b6   b7 7 8

Accords MAJOR(Do):

C7 = Do Mi Sol SibC7M = Do Mi Sol SiC= Do Mi Sol SiC6 = Do Mi Sol LaC9 = Do Mi Sol Sib Ré

Cb9 = bémol Do Mi Sol Sib RébC#9 = Do Mi Sol Sib Ré#Cb5 = Do Mi Solb SibC#5 = Do Mi Sol# SibC11# = Do Mi Sol Sib Fa#C13 (une 6ème sur un accord de 7) = Do Mi Sol Sib LaC4 (la quarte remplace la tierce) = Do Fa Sol

Accords MINOR (Do)

C7 = Do Mib Sol SibCm7M = Do Mib Sol SiC6 = Do Mib Sol LaC9 = Do Mib Sol Sib RéC4 = Do Fa SolC11 = Do Mib Sol Sib Fa

Autres notations à connaître

C Δ = Do maj 7Csus = Do, Fa, Sol (sus = accord suspendu = pas de tierce)C7sus = Do, Fa, Sol, Sib CO = Do diminué = la tierce, la quinte et la septième sont diminuées = Do, Mib, Solb, SibbCØ = Cm7b5 = Do demi diminué = Cm7+quinte diminuée = Do, Mib, Solb, Sib G/B = Sol basse si - Gm/Bb = Sol mineur basse SibG+ = triade avec quinte augmentée = Sol, Si, Ré#add 9 = omission de la 7ème = 1+3+5+9

The most usual guitar/ Piano techniques:

Technique How to Tab

Bend

Play the first note, then bend the string with the playing finger (helped eventually by the other fingers) until you hear the next

note (in the tab example, a whole step bend, from E to F#). There are also 1/2, 1 1/2, 2 steps bends.

Bend/Release Bend then release back to the first note.

Hammer-on Pluck only the first note, then hammer the second at a higher fret.

Pull-off Pluck only the first note, then pull the second at a lower fret.

SlideFret a note (or notes) and then move (slide) to another fret without

taking the pressure off your finger (fingers) as you move.

VibratoRepeatedly bend the pitch up slightly, and then let the note back

down to the original pitch.

Tapping Tap with the index or midfinger at the written fret.

Natural Harmonic

Touch the string lightly (don't press down) over the fret bar then pluck.

Pinch Harmonic

Pick the string, then touch the edge of your right hand thumb.

Palm Mute Touch the string slightly with the palm of your right hand.

Recommended Modes

CHORDS EXTENSIONS MODE REFERENCE

SCALE

STEPS from the

REFERENCE SCALE

Major

maj7 Ionian Minor 0-3 6 Ionian Minor 0-3

#11 Lydian Minor 0+4 b5 Lydian Minor 0+4 #11 Lydian#11 Melodic 0-3 b13 Lydian#11 Melodic 0-3

Minor m7,9 Dorian Minor 0-5 m7,9 Aeolian Minor 0 m7,9 Blues Blues 0 m6,9 Melodic Melodic 0 m6,9 Dorian Minor 0-5

m7(b9) Phrygian Minor 0+5 m#7 Harmonic Harmonic 0 m#7 Melodic Melodic 0

m7b5 Locrian Minor 0-2 m7b5(9) Locrian #2 Melodic 0+3

Dominant

7,9 Mixolydian Minor 0+2 7,9 Blues Blues 0

7b9(b13) Phrygian Major

Harmonic 0+5

7#11 Whole - tone Whole - tone 0 7+ Whole - tone Whole – tone 0

7#9,13 1/2 1 1/2 1 0 7#9(#11, b13) Superlocrian Melodic 0+1

7,9,#11 Lydian b7 Melodic 0+7 7,9b13 Mixolydian b6 Melodic 0+5

Suspended

sus7,9 Mixolydian Minor 0+2 sus7 Mixolydian Minor 0+2 sus7 Phrygian Minor 0+5 sus7 Blues Blues 0

sus7b9 Dorian b2 Melodic 0-2

Diminished 0, dim 1 1/2 1 1/2 0 0, dim VII Harmonic Harmonic 0+1

 

Piano Scales ChartChart excerpted from  Basic Musicianship

From the Root of C

SCALES C Db D Eb E F Gb G Ab A Bb B C

Chromatic R b2 2 b3 3 4 b5 5 b6 6 b7 7 8

Spanish 8 Tone R b2   b3 3 4 b5   b6   b7   8

Flamenco R b2   b3 3 4   5 b6   b7   8

Symmetrical R b2   b3 3   b5 5   6 b7   8

Diminished R   2 b3   4 b5   b6 6   7 8

Whole Tone R   2   3   b5   b6   b7   8

Augmented R     b3 3     5 b6     7 8

3 semitone R     b3     b5     6     8

4 semitone R       3       b6       8

SCALES C Db D Eb E F Gb G Ab A Bb B C

Ultra Locrian R b2   b3 3   b5   b6 6     8

Super Locrian R b2   b3 3   b5   b6   b7   8

Indian R b2   b3 3     5 b6   b7   8

Locrian R b2   b3   4 b5   b6   b7   8

Phrygian R b2   b3   4   5 b6   b7   8

Neapolitan Minor R b2   b3   4   5 b6     7 8

Javanese R b2   b3   4   5   6 b7   8

Neapolitan Major R b2   b3   4   5   6   7 8

Todi (Indian) R b2   b3     b5 5 b6     7 8

Persian R b2     3 4 b5   b6     7 8

Oriental R b2     3 4 b5     6 b7   8

Phrygian Major R b2     3 4   5 b6   b7   8

Double Harmonic R b2     3 4   5 b6     7 8

Marva (Indian) R b2     3   b5 5   6   7 8

Enigmatic R b2     3   b5   b6   b7 7 8

SCALES C Db D Eb E F Gb G Ab A Bb B C

Locrian Natural 2nd R   2 b3   4 b5   b6   b7   8

Natural Minor R   2 b3   4   5 b6   b7   8

Harmonic Minor R   2 b3   4   5 b6     7 8

Dorian R   2 b3   4   5   6 b7   8

Melodic Minor (Asc) R   2 b3   4   5   6   7 8

Hungarian Gypsy R   2 b3     b5 5 b6   b7   8

Hungarian Minor R   2 b3     b5 5 b6     7 8

Romanian R   2 b3     b5 5   6 b7   8

SCALES C Db D Eb E F Gb G Ab A Bb B C

Locrian Major R   2   3 4 b5   b6   b7   8

Hindu R   2   3 4   5 b6   b7   8

Ethiopian R   2   3 4   5 b6     7 8

Mixolydian R   2   3 4   5   6 b7   8

Major R   2   3 4   5   6   7 8

Mixolydian Augmented R   2   3 4     b6 6 b7   8

Harmonic Major R   2   3 4     b6 6   7 8

Lydian Minor R   2   3   b5 5 b6   b7   8

Lydian Dominant R   2   3   b5 5   6 b7   8

Lydian R   2   3   b5 5   6   7 8

Lydian Augmented R   2   3   b5   b6 6 b7   8

Leading Whole Tone R   2   3   b5   b6   b7 7 8

Rock 'n Roll R     b3 3 4   5   6 b7   8

Hungarian Major R     b3 3   b5 5   6 b7   8

SCALES C Db D Eb E F Gb G Ab A Bb B C

Balinese R b2   b3       5 b6       8

Pelog (Balinese) R b2   b3       5     b7   8

Iwato (Japanese) R b2       4 b5       b7   8

Japanese R b2       4   5 b6       8

Hirajoshi (Japanese) R   2 b3       5 b6       8

Pentatonic Major R   2   3     5   6     8

Egyptian R   2     4   5     b7   8

Pentatonic Minor R     b3   4   5     b7   8

Chinese R       3   b5 5       7 8

Tritone Chord SubstitutionShown in  ii - V - I - VI  TurnaroundChart excerpted from  Basic Musicianship

Key ii    (tritone) V    (tritone) I VI    (tritone)

C Dm7    (Abm7) G7    (Db7) C A7alt    (Eb7alt )

Db Ebm7   (Am7) Ab7   (D7) Db Bb7alt   (E7alt )

D Em7    (Bbm7) A7    (Eb7) D B7alt    (F7alt )

Eb Fm7    (Bm7) Bb7   (E7) Eb C7alt    (Gb7alt )

E F#m7   (Cm7) B7    (F7) E C#7alt   (G7alt )

F Gm7    (Dbm7) C7    (Gb7) F D7alt    (Ab7alt )

Gb Abm7   (Dm7) Db7   (G7) Gb Eb7alt   (A7alt )

G Am7    (Ebm7) D7    (Ab7) G E7alt    (Bb7alt )

Ab Bbm7   (Em7) Eb7   (A7) Ab F7alt    (B7alt )

A Bm7    (Fm7) E7    (Bb7) A F#7alt   (C7alt )

Bb Cm7    (Gbm7) F7    (B7) Bb G7alt    (Db7alt )

B C#m7   (Gm7) F#7  (C7) B G#7alt   (D7alt )