JAY MERRYWEATHERLate 2011 Portfolio Teaser

ESL ARTS ADVANTAGE BRAND DEVELOPMENTBrand Identity and Develop-ment for ESLAA’s Summer 2011 Campaign. MATERIAL: Adobe Creative Suite | 2011 LOCATION: Cedar City, UT

URBAN EXIT ARTIST RESIDENCY, SOUTHERN UTAH Promotional Materials: Hybrid digital and sculpted illustration using digital and traditional techniques. MATERIAL: Mixed Media | 2011 LOCATION: Cedar City, UT | Credits: Merryweather Studios

STOP DEPLOYMENT SCHLEP-PING ARC-USER MAGAZINE Publication Design: Hybrid illustration using digital and traditional techniques. MATERIAL: Graphite, Colored Pencil, Digital | 2010 LOCATION: Redlands, CA | Credits: ESRI

UNFILTERED ARC-USER MAGAZINE The insurgence of media.Publication Design MATERIAL: Digital painting, Corel Painter | 2010 LOCATION: Redlands, CA | Credits: ESRI

PACIFIC STUDIO ONLINE MOTION GRAPHICSDigital illustration and Animation. MATERIAL: Photoshop and Flash, Digital | 2010 LOCATION: Los Angeles, CA

ICON SETS ESRIOver a 5 Year Period I have Illustrated and De-signed over 5000 Unique Icons for ESRI, a small sampling is shown here. MATERIAL: Digital, Illustrator | 2011 LOCATION: Redlands, CA | Credits: ESRI

Right: Keeping up with the times, the Motorola Droid and Apple iPad were added to the mix this last summer.

OFF COURSE INSTALLATIONMATERIAL: Wood, Cast plastic, Cloth, Paint | 2009LOCATION: Claremont, CA

A8 PROMOTIONAL MATERIAL AUDIMATERIAL: Leather and printed material | 2005LOCATION: Los Angeles, CA

GRASP GEODATABASE JANE GOODALLMETHOD: Web Design | 2008LOCATION: San Diego, CA

RICHARD SAUL WURMAN PRESENTATION DESIGNESRI UC 2010 STAGE DESIGN

METHOD: Environmental Design | 2010LOCATION: San Diego, CA

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GUDBIJORG THE 10 DAYS PROJECT A global collaborative of creatives all amalgamated into a series of paintings. MATERIAL: Ink and Oil on Panel | 2010 LOCATION: Iceland | Credits: Bunny Gunner Art Gallery, Rothic Art Haus

VASILISA THE 10 DAYS PROJECT Vasilisa is a painter and photographer from London. MATERIAL: Ink and Oil on Panel | 2010 LOCATION: London | Credits: Bunny Gunner Art Gallery, Rothic Art Haus

GEORGE WASHINGTON’S GRILL FREE REIN George Washington had multiple sets of false teeth, including a solid gold pair. MATERIAL: Ink and Oil on Panel | 2010 LOCATION: Pomona, CA | Credits: Bunny Gunner Art Gallery

below:Gunners, 2009, Oil and Ink on NickleUncle Sammy, 2009, Oil on White Bronze

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OBAMA-LINCOLN FREE REINA comparative statement of the current political landscape. MATERIAL: Oil on Panel | 2010 LOCATION: Pomona, CA | Credits: Bunny Gun-ner Art Gallery

THE SAME TOY This triptych was first exhibited in The Same Toy exhibition. Each painting is rendered on a medal sub-strate and are approximately 4’x8’. MATERIAL: Oil on Medal | 2010 LOCATION: Los Angeles, CA | Credits: Bunny Gunner Art Gallery

from left to right:Common Thomas, The Veteran Cosmic Rocker, 2010, Oil on BronzeThe Walrus, 2010, Oil on BronzeFly Girl, 2010, Oil on Bronze

5 STUDIES BROWN BEAR, BROWN BEARExaggerated figure studies. MATERIAL: Oil and Acrylic on Panel | 2010 LOCATION: Pomona, CA | Credits: Bunny Gunner Art Gallery

THIRTY SISTERS WHERE THE EDGES MEETProblems and Investigations in identity. MATERIAL: Acrylic and Ink on Panel Silk Screen | 2009 LOCATION: Los An-geles, CA | Credits: Peggy Phelps Gallery

below:Eden Citizen, 2010, Acrylic and Ink on Panel Silk Screen | Again, 2010, Acrylic and Ink on Panel Silk Screen

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SHORTCOMINGS & IMPASSESProblems and Investigations in identity. MATERIAL: Acrylic and Ink on Panel Silk Screen | 2011 LOCATION: Cedar City, UT

10/4 DIVA BROWN BEAR BROWN BEARProblems and Investigations in identity. MATERIAL: Acrylic and Ink on Panel Silk Screen | 2010 LOCATION: Pomona, CA | Credits: Bunny Gunner Gallery

THE OLD MAN AND THE SEEINTERNAL TRANSITIONS The Internal Transitions exhibition was a study in Curvilinear Branding. MATERIAL: Oil on Canvas | 2005 LOCATION: San Bernardino | Credits: Gallery 106, CSUSB

Above: Tuesday Afternoon, 2005, Oil on Canvas The Muse becomes Her, 2005, Oil on Canvas

THE PORTFOLIOOver the last several years I have been working diligently in the practice of

Fine Art and Design. The work contained here-in is a sampling of some of

the bodies of work I have developed in that time. It begins with a breadth of

Design work. It also covers a range of traditional and experimental work, as

well as traditional painting and print making processes. It contains painted

and illustrative work done through digital design processes. I hope you

enjoy looking through this work as much as I have enjoyed making it.

— Jay Merryweather(760) 900-9574