James Langley 2011

James Langley/ Fine Painting and Design, Savannah Georgia, USA 912/667-7683

Client: !e Metropolitan Museum of Art Design: !omas Gordon Smith Architects. Artist: James Langley

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Langley Art / Fine Painting and Design, Savannah Georgia, USA 912/667-7683

Client: !e Metropolitan Museum of Art Design: !omas Gordon Smith Architects. Artist: James Langley Commission: Grecian Revival Architectural Ornament and surface decoration. Completed 2006. Plaster walls are painted to resemble ashlar with grisaille panels of paired classical genii and ascanthus rinceaux.

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James Langley architectural decoration located in the Israel Sack Galleries, ground "oor level, American Wing Metropolitan Museum of Art, New York, New York.


MMA

Portrait: Cedric Stratton Ph.D., Professor Emeritus of Physical Chemistry, Armstrong Atlantic State University, Savannah, Georgia. Le#: Charcoal with watercolor wash heightened with white chalk on 30”x22” watercolor paper, signed and dated lower right: Langley 2007$

Right: Oil on Canvas 22”x18”



Signum Magnum&

Right: Conceptual Sketch for Altarpiece. Client: Priestly Fraternity of Sts Peter

and Paul, Denton NE.

Signum Magnum


Le# “A Great Sign Appeared in the Heaven” Cartoon for Altarpiece: 32”x18” graphite and ink with watercolor wash, collection of the artist. Selected to exhibit in 2011 at “Vatican Splendors” Senator Heinz Exhibition Center, Pittsburgh, PA.

Right “Signum Magnum” 16’x9’ oil on canvas Altar Painting installed at the Our Lady of Guadalupe Seminary Chapel of the Priestly Fraternity of St Peter, Denton, NE. 2010

Signum Magnum

Above: Foreshortened view of 16’ Altarpiece. Right: Detail view of Altarpiece.


Signum Magnum'Right: 16’x9’ oil on canvas altarpiece in situ. Client: Priestly Fraternity of St Peter Location: !e Our Lady of Guadalupe North American Seminary Chapel of Sts Peter and Paul, Denton Nebraska Below: Detail view of Roses and architecture of the seminary in the landscape.


Drawing, Design and Color Studies for Stained Glass: Langley Botanical Paintings


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V. Adoramus te, Christe, et benedicimus tibi. R. Quia per sanctam crucem tuam redemisti mundum.

Client: St Paul Catholic Church, Pensacola, Florida

Fourteen 24”x24” oil on canvas quatrefoil panels representing the Passio Domini Nostri Jesu Christi Secundum Jacobi. 2007 Langley Art / Fine Painting and Design, Savannah Georgia, USA 912/667-7683

Via dolorosa

Client: St Paul Catholic Church, Pensacola, Florida Above: Final Painting. Right: Preliminary concept drawings. Fourteen 24”x24” oil on canvas quatrefoil panels representing the Passio Domini Nostri Jesu Christi secundum jacobi. 2007

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Statio III

Iesus procumbit primum sub onere crucis

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Statio IV

Iesus fit perdolenti Matri obvius

Client: St Paul Catholic Church, Pensacola, Florida Above: Drawing in the Faces of Christ Collection. Right: One of Fourteen 24”x24” oil on canvas quatrefoil panels representing the Passio Domini Nostri Jesu Christi Secundum Jacobi. 2007

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Statio XIII Iesus deponitur de cruce

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Statio VI Iesus Veronicae sudario abstergitur

American Artist / Drawing Magazine Fall 2009 Edition: "Express !e Universal" article by Bob Bahr on the drawing of James Langley.

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The Beatus Vir Triptych'Altarpiece commissioned by Templeton Smith Foundation as portable Icon for the private use of Fr. Bede Kotlinski O.S.B., St Andrews Abbey, Cleveland, Ohio. Studies include 22”x30” watercolor painting and 40”x32” charcoal drawing.

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James Langley 2005 oil and egg tempera with clay bole and gold leaf on solid poplar. Side Panels 20” x 8" egg tempera and oil on panel. Triptych open: 20” x 32”

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The Beatus Vir Triptych

Sacra Conversatione with Sts Benedict and Teresa

Benedicta of the Cross

The Beatus Vir Triptych

James Langley 2005 oil and egg tempera with clay bole and gold leaf on solid poplar 20"x32".

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Client: Anathan !eater, Franciscan University of Steubenville James Langley a#er Hyacinthe Rigaud (1659-1743), Louis XIV (1700); oil on canvas, 9’x6’

Painting stolen from studio at West Taylor Street, Savannah Georgia, Jan 2, 2010

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Drawings and concepts for Stained Glass

Client: Bishop Kevin Boland

!eme: Redemptive Su%ering of the Lord.

Project: Stained Glass and Mosaic Concept, Color, Design and Painting for Lumen Christi Perpetual Adoration Chapel, St James Church, Savannah, Georgia

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Drawings and concepts for Stained Glass

Client: His Excellency Bishop Kevin Boland, Diocese of Savannah, GA.

!eme: Pascal Mystery - !e Incarnation of the Lord.

Right: Painted Glass Mosaic with variation above right.

Far Right Below: Concept Sketch for glass mosaic.

Location: Lumen Christi Chapel, St James Church, Savannah, GA

Designs and color concepts for Stained Glass

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•  Top Le#: Glass pattern for triptych window fronted by altar. •  Bottom Le#: Glass triptych of Pascal Mystery / Passion, Death and Resurrection. •  Center: Concept sketch for stained glass; !e Teacher. •  Right: Pattern and color designs for stained glass.

Concepts for Stained Glass Color, Design and Drawing

Le#: Concept Sketch for stained glass; Jesus teaching. Above Right: Detail Drawing for stained glass; female &gure. !"#$%&'"()*$+&,&-.($&/".(0()3&4"5"(("6&7$89)."3&:4;&

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Christ Resurgent Langley &gure drawing and &nal oil on canvas painting, 9’x6’ installed at St John the Evangelist Catholic Church, Clinton Massachusetts 1996.

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Majestas Domini

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Right: Concept Drawing for proposed Fresco:. Christ in Majesty with Saints Peter and John Neumann for the Church of St Peter, Steubenville, Ohio. !is mural for location in the main apse behind the existing marble high altar is designed to integrate architectural with liturgical form . !e entire wall and two adjoining side choir walls are to be painted incorporating faux architectural elements including entablature with inscription from Matthew 16:18 Tu es Petrus, et super hanc petram aedi!cabo Ecclesiam meam et tibi dabo claves regni Caelorum. !e existing wood screen behind the main altar also includes existing sculpture made more prominent against the Venetian Red &eld. Baptismal records at St Peters Church in Steubenville Ohio show that St John Neumann lived there in 1841.

Photo inset: current status with anonymous mural circa 1985.

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Client: Sts Joachim and Anne Church, Fargo, ND

Langley preliminary schematic proposals for sanctuary mural 2007

Concept: !eology of Redemption with Adam and Eve and the Lineage of Christ.

Media: watercolor, collage and ink&

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Client: Sts Joachim and Anne Church, Fargo, ND

Langley Schematic Drawing for proposed sanctuary mural 2007

Concept: !eology of Redemption with Adam and Eve and the Lineage of Christ.

Media: watercolor and graphite on 30”x22” d’Arches Hot Press 140#&

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Client: Murray Hill Place, New York, New York Artist: James Langley Above and Right: Preliminary Drawings for Altar Triptych. Oil on Canvas 78”x96” 2001 Far Right: !e Infancy of Christ: Rest on the Flight into Egypt

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Client: Opus Dei Artist: James Langley Project: Triptych for Chapel at Murray Hill Place, Midtown Manhattan Oil on Canvas 78”x96” 2001

Le#: Drawing for !e Death of St Joseph Center: Complete triptych in situ: !e Hidden Years of Christ Right: Color Study for !e Hidden Years

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Client: Opus Dei

Triptych for Chapel at Murray Hill Place, Midtown Manhattan

Oil on Canvas 78”x96” 2001

!e youth of Christ in the Workshop of St Joseph !e Death of St Joseph

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Client: Opus Dei !e Holy Family and !e Hidden Years of Christ

Artist: James Langley Project: Triptych for Chapel at Murray Hill Place, New York, New York

Oil on Canvas 78”x96” 2001

Langley Art / Fine Painting, Savannah Georgia, USA 912/667-7683

James Langley / Fine Painting, Savannah Georgia USA 912/667-7683

Documents

James Langley 2011