James Hambly Portfolio

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    Selection of Works2008 / 2009

    Over the ollowing pages you will fnd a selection ographic and web design work I have completed overthe last two years. Thank you or your time.

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    Adhibit: Biringing Art to Public SpacesImage 1 of 3

    Roll old leafet that demonstrates the concept behind thecampaign as well as acting as promotional material.Acetate overlay held within two windowed leafet panels.

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    Adhibit: Biringing Art to Public SpacesImage 2 of 3

    Roll old leafet that demonstrates the concept behind thecampaign as well as acting as promotional material.Acetate overlay held within two windowed leafet panels.

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    Adhibit: Biringing Art to Public SpacesImage 3 of 3

    Roll old leafet that demonstrates the concept behind thecampaign as well as acting as promotional material.Acetate overlay held within two windowed leafet panels.

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    Adhibit: Biringing Art to Public SpacesImage 1 of 3

    Web Site designed to promote and provide information on thecampaign. Artists can upload and vote on artwork, the mostpopular of which will be displayed through the installations.

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    Adhibit: Biringing Art to Public Spaces

    Image 2 of 3

    Web Site designed to promote and provide information on thecampaign. Artists can upload and vote on artwork, the mostpopular of which will be displayed through the installations.

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    Adhibit: Biringing Art to Public SpacesImage 3 of 3

    Web Site designed to promote and provide information on thecampaign. Artists can upload and vote on artwork, the mostpopular of which will be displayed through the installations.

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    Design for Elegant FrugalityImage 1 of 4

    Two books were created as part of an innovative response toa RSA brief that called for a the graphic design industry toconsider its impact on the environment.

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    Design for Elegant FrugalityImage 2 of 4

    Two books were created as part of an innovative response toa RSA brief that called for a the graphic design industry toconsider its impact on the environment.

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    Design for Elegant FrugalityImage 4 of 4

    Two books were created as part of an innovative response toa RSA brief that called for a the graphic design industry toconsider its impact on the environment.

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    Bay Hotel SuitesImage 1 of 3

    Bespoke web site design for sea front hotel in Lyme Regis, Dorset.All graphics and web development required, as well as customisedenquiries form and photo gallery.

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    Bay Hotel SuitesImage 2 of 3

    Bespoke web site design for sea front hotel in Lyme Regis, Dorset.All graphics and web development required, as well as customisedenquiries form and photo gallery.

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    Bay Hotel SuitesImage 3 of 3

    Bespoke web site design for sea front hotel in Lyme Regis, Dorset.All graphics and web development required, as well as customisedenquiries form and photo gallery.

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    The Flower Consultant

    Image 1 of 2

    Bespoke corporate branding or a newly-ounded forist inDevon. Original brand image was created and applied tobusiness cards and company web site, as requested.

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    The Flower Consultant

    Image 2 of 2

    Bespoke corporate branding or a newly-ounded forist inDevon. Original brand image was created and applied tobusiness cards and company web site, as requested.

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    Devon LettingsImage 1 of 2

    Business card design for Crediton-based lettings agent. Originalcorporate branding juxtaposed with modern styling andconsidered typography, as requested by client.

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    Devon LettingsImage 2 of 2

    Business card design for Crediton-based lettings agent. Originalcorporate branding juxtaposed with modern styling andconsidered typography, as requested by client.

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    Devon Safeguarding Children BoardImage 1 of 1

    Ongoing web site design for local government initiativeconcentrating on the well-being of the countys infants andchildren. Design approved and awaiting content.

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    Get Ur Voice Heard

    Image 1 of 1

    Ongoing web site design for local government initiative that allowsyoung people to have their say about important issues and becomeinvolved in democracy.

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    Once Upon a Tea Party

    Image 1 of 1

    Bespoke web site for newly-founded business offering a tea partyservice in Devon. Floral theme as requested by client.

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    Tea Screen Print

    Image 1 of 1

    Print created during Experimental Screen Print class at theArts Institute at Bournemouth. Vector illustration created inIllustrator before being printed and applied to a screen.

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    The Bishopric of DevonImage 1 of 2

    Roll old leafet and bespoke illustrations designed to housetext-heavy literature or a religious estival celebrating andcommemorating the Bishopric o Devon.

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    I

    n the year 909 Dunstan, future Archbishop of

    Canterbury, was born in the West Country. As Abbot

    of Glastonbury he reformed monasticism. Later, as

    scholar, artist, craftsman, musician, leader and indeed

    politician, he was a powerful influence on the tenth

    century church.

    The great King Alfred had died ten years before.

    The Danish threat had not gone away, but the kingdom

    was stronger and self-confident. It was a time of

    consolidation and flowering in the Church.

    By the end of the tenth century we can get a snapshot

    picture of what the church was like.

    Parisheswere well established as ecclesiastical units.

    The local Church was normally the property of the lord.

    Churches had differing status, being (as now!) either

    principales or mediocres.

    Priests, described as altar thegns, were often local

    men with rudimentary education, simple in taste. A

    good few still married, despite the strictures of the

    reforming Saint Dunstan.

    Peoplewere instructed to observe the Lords day

    from Saturday lunchtime till Monday breakfast.

    They were encouraged to make their communion

    regularly (including each Sunday of Lent) and received

    communion in both kinds, the wine through a silver

    or ivory straw. And no man to take the housel after he

    hath broke his fast.

    Children were given careful and regular instruction.

    Teaching resources included books of homilies. The

    Blickling Homilies, for instance, were written to

    prepare everyone for the end of the world in 1000.

    Dunstan and other leaders set high standards of reform,

    worship and Christian life. Clearly forms of paganism

    and heathen practices persisted, for laws of the time

    forbid the worship of fountains, necromancy, auguries

    and enchantments, soothsaying and legerdemain or

    resorting to special stones and trees as holy places.

    T

    he very things that had worried Saint Boniface

    two hundred years before were still prevalent.

    Apostle of Germany, Boniface had grown up

    in mid Devon and was well aware of the nymets, the

    woodhenges around sacred pools which formed the

    holy places of the old religion.

    To this day local names recall them: Kings Nympton,

    Nymet Tracey, George Nympton and so on.

    In cutting down Thors Oak at Geismar in Germany,

    Boniface was deliberately confronting the old religion

    with the new.

    His stern faith and abiding love for the English kept

    him anxious for the church that had nurtured him.

    He sent a request to King Aethelherd for a monastery

    to be founded at the place called Creedie. Thus his

    birthplace is construed to be Crediton. In 739 a minster

    was established in Crediton and gifted to Forthere,

    Bishop of Sherborne.

    The whole of the West Country was part of the Diocese

    of Sherborne and so it remained until 909. At that time

    it was split into county dioceses: Wells for Somerset,

    Crediton for Devon, St. Germans for Cornwall.

    Why Crediton rather than Exeter?

    First, surely, because of the popular cult of Boniface.

    Second it stood at the centre of Devon, an important

    crossroads. Third, perhaps because the rich manor

    and monastic lands could fund a bishopric. Lastly, the

    bishops seat in Saxon times was not necessarily in the

    main centre of population or the County town.

    So for 150 years the see was based at Crediton. That it

    was a significant and influential holding is clear, as we

    know that Ethelred the Unreadys son, Alfwold, held

    the see at the turn of the millennium. (The good bishop

    kept a large galley manned by slaves at Topsham to row

    him around the diocese).

    A

    bout 1040 the dioceses of Cornwall and Crediton

    were united under Bishop Lyfing of Crediton and

    then in 1050, his successor Leofric, petitioned

    King Edward the Confessor and Pope Leo IX to transfer

    the see to Exeter.

    Why Exeter rather th an Crediton?

    Since 50 AD when Isca Dumnonii was founded by the

    Romans as their westernmost station, it had been the

    regional capital. It was a walled city and had already

    withstood Viking raids. It had a well-established and

    flourishing Benedictine house and Minster. It was also

    a port.

    So it was that Leofric, last bishop of Crediton and first

    bishop of Exeter was enthroned in a splendid ceremony

    in Exeters Minster Church. Edward the Confessor

    and his beautiful young Queen Eadgyth acting as

    supporters.

    It is intriguing to learn from William of Malmesbury

    that even at this date, nearly four hundred years afterthe Synod of Whitby, two integrities existed in Exeter.

    St Sidwells was a Saxon Church, following the

    mainstream Roman rite, whilst St. Petrocs followed the

    Celtic rite.

    A British bishop, we believe, remained embedded in

    a monastic foundation at Par in Cornwall even as lands

    around Padstow funded the Crediton bishops.

    Eleven hundred years on, the great cruciform

    Collegiate Church in Crediton reflects in its

    stones the reddish purple of the Devon earth;

    and the ravishing wedding cake that is Exeter Cathedral

    sits proud on its hill in the new, open cityscape.

    These are the physical signs of a rich and living heritage

    encompassing British, Roman, Saxon and Norman

    Christians. And us.

    The Bishopric of DevonImage 2 of 2

    Roll old leafet and bespoke illustrations designed to housetext-heavy literature or a religious estival celebrating andcommemorating the Bishopric o Devon.

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    Skate Bournemouth

    Image 1 of 6

    Concertina book created to catalogue or a collection o skatinglocations in Bournemouth. Each location is rated by difcultyand its location mapped. Printed on 110GSM Matt substrate.

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    Skate Bournemouth

    Image 2 of 6

    Concertina book created to catalogue or a collection o skatinglocations in Bournemouth. Each location is rated by difcultyand its location mapped. Printed on 110GSM Matt substrate.

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    Skate Bournemouth

    Image 3 of 6

    Concertina book created to catalogue or a collection o skatinglocations in Bournemouth. Each location is rated by difcultyand its location mapped. Printed on 110GSM Matt substrate.

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    Skate Bournemouth

    Image 4 of 6

    Concertina book created to catalogue or a collection o skatinglocations in Bournemouth. Each location is rated by difcultyand its location mapped. Printed on 110GSM Matt substrate.

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    Skate Bournemouth

    Image 5 of 6

    Concertina book created to catalogue or a collection o skatinglocations in Bournemouth. Each location is rated by difcultyand its location mapped. Printed on 110GSM Matt substrate.

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    Skate Bournemouth

    Image 6 of 6

    Concertina book created to catalogue or a collection o skatinglocations in Bournemouth. Each location is rated by difcultyand its location mapped. Printed on 110GSM Matt substrate.

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    Devon LettingsImage 1 of 1

    Quarter-page newspaper advertisement for Crediton-basedlettings agent. Considered typography used to deliver text-heavy content, as requested by client.

    Devon LettingsL I M I T E D

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    Selection of Works2008 / 2009

    www.jameshambly.com