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DEMO SCORE
JAMBO AFRICA Mario BürkiDAS WERKWährend meiner Afrikarundreise wurde ich doch sehr beeindruckt von der Landschaft, der Tierwelt und den Menschen. In dieser Komposition versuche ich, einige meiner Eindrücke der Länder Tanzania, Kenya und deren Nationalparks wie der „Serengeti“ des „Lakes Manyara“, der „Massai Mara“ oder des „Ngorongoro Kraters“ wiederzugeben.
Folgende Bilder habe ich in meiner Komposition beschrieben:
Sunrise in the Serengeti - Sonnenaufgang in der SerengetiDas Wort „Serengeti“ ist abgeleitet aus der Massai-Sprache und bedeutet „das endlose Land“.Die Serengeti ist einer der grössten Nationalparks der Welt. An einem Tag waren wir nahezu 14 Stunden im Auto auf Safari. Eindrücklich war der Moment des Sonnenaufgangs: Der ganze Himmel erstrahlte in den verschiedensten Farbtönen!
Long Roads and far Skyes – Lange Strassen und die weite des HimmelsNirgendwo sonst hatte ich das Gefühl der Verlorenheit wie auf den endlosen Strassen der Serengeti. In alle Richtungen das gleiche Bild: Steppe, soweit das Auge reicht!
Wildlife at Lake Manyara – Die wilden Tiere beim Lake Manyara Unzählige Elefanten und Löwen sind am Lake Manyara zu bewundern. Der See nimmt ungefähr einen drittel der Nationalparkfläche ein. Ein fröhliches Schauspiel der natur, wie die Jungtiere der Löwen herumtollen!
Zebras and Gnus Das Zebra und das Gnu ziehen immer gemeinsam durch die Steppen, dies wohl aus dem Grund, dass das Zebra hervorragende Augen besitzt und das Gnu mit einem starken Geruchssinn ausgestattet ist. Unzählige Tiere lassen sich beim Weiden zuschauen. Oft fuhren wir mitten durch die Herden hindurch, ohne das sich die Tiere stören liessen!
The Jambo SongIn jeder Lodge und bei jeder Gelegenheit wurde einem dieses Lied zu Ohre getragen, so dass ich nicht daran vorbeikam, es in diese Komposition einfliessen zu lassen:
Jambo bwanaJambo, Jambo Bwana, Hallo, Hallo Mister,Habari gani, Mzuri sana. Wie geht es Ihnen? Sehr gut!Wageni, mwakaribishwa, Urlauber, Ihr seid willkommen!Kenya yetu Hakuna Matata In unserem Kenya gibt es keine Probleme!
DER KOMPONISTMario Bürki wurde am 26. Oktober 1977 geboren. Er studierte Blasmusikdirektion am Konservatorium in Bern und erreichte am Diplom sowie dem Höheren Studienaus-weis das Prädikat „Sehr Gut“. Bürki besuchte Meisterkurse bei U.P. Schneider (Komposition) und Toshiyuki Shimada / Andreas Spörri (Dirigieren). Sein erstes grosses Werk - Szenen aus: Max und Moritz - erreichte am Kompositions-wettbewerb der World Association for Symphonic Bands and Ensembles (WASBE) in Luzern den zweiten Preis und seine Komposition Indian Fire wurde am Wettbewerb Flicorno d’Oro Junior (Italien) mit dem Spezialpreis für das orginellste Konzertstück ausgezeichnet. Zwei seiner Werke (Cap Hoorn und 1405: Der Brand von Bern) wurden an der Mid-Europe in Schladming uraufgeführt. Im November 2005 wurde 1405: Der Brand von Bern vom weltbekannten spanischen Blasorchester „La Artistica Buñol“ in Valencia aufgeführt.Mario Bürki ist Musikschulleiter an der Musikschule der Jugendmusik Ostermundigen. Als Instrumentalist spielt er Trompete, Klavier und Orgel. Mario erhält regelmässig Kompositionsaufträge.
D
DEMO SCORE
E JAMBO AFRICA Mario BürkiTHE COMPOSITIONOn a recent trip I collected many impressions of Africa’s nature, its animals, and its people. In this composition I am trying to describe some of my impressions of the countries Tanzania, Kenya, and their national parks, as well as my impressions of the „Serengeti„ the „Lakes Manyara„, the „Massai Mara„ or the „Ngorongoro Crater”.
I am describing the following impressions in my composition:
Sunrise in the SerengetiThe word „Serengeti„ derives from the Massai-language and means „the land with no end“.The Serengeti is one of the world’s biggest national parks. One day we spent nearly 14 hours in the car on safari. Really impressive was the sunrise. The entire sky was shining in all different colours!
Long Roads and far SkyesNever before did I have such a forlorn feeling than when traveling on the never ending streets of the Serengeti. The same view, no matter what direction. Steppe, all the way to the horizon!
Wildlife at Lake ManyaraCountless elephants and lions can be admired at Lake Manyara. The lake covers about a third of the entire size of the national park. It is a happy display of nature, watching the young lions play!
Zebras and Gnus Zebras and gnus always travel through the steppe together. Probably because zebras have great vision and gnus have a great sense of smell. We witness countless animals grazing together. Often the animals didn’t let themselves be bothered by us, carefully driving through the middle of the herd!
The Jambo SongThis song was being sung in every hut we stayed in at every opportunity. I had no choice but to include it in my composition. Jambo bwanaJambo, Jambo Bwana, Hello, Hello Sir,Habari gani, Mzuri sana. How are you? Very fine!Wageni, mwakaribishwa, Foreigners, you’re welcome!Kenya yetu Hakuna Matata In our Kenya there is no problem!
THE COMPOSER
Born the 26 October 1977, Mario Bürki studied wind orchestral conducting at the Berne conservatory. He also followed courses in composition with Urs Peter Scheider and conducting under the direction of Toshiyuki Shimada and Andreas Spörri. His first grand scale work Scenes of Max and Moritz gained a second place in the composition contest in Lucerne organized by the World Association for Symphonic Bands and Ensembles ( WASBE). During the Flicorno d`Oro junior contest (Italy), Indian Fire was awarded a special prize in acknowledgement of its originality. Mario Bürki is regularly commissioned to write for Wind and Brass Band. Two of his works (Cap Hoorn und 1405 : Der Brand von Bern) were premiered at the Mid-Europe Conference in Schladming and several have been chosen as set test-piece for contests. Alongside his composing he conducts various Wind Bands and teaches trumpet and theory. Mario himself plays the trumpet, the piano and the organ.
DEMO SCORE
JAMBO AFRICA Mario Bürki
Dauer / Durée / Duration: 8.12´´Schwierigkeitsgrad / Degré de difficulté / Grade: 3
Blasorchester / Musique d´harmonie / Wind Band
Piccolo1st Flute2nd FluteOboeBassoonClarinet Eb1st Clarinet Bb2nd Clarinet Bb3rd Clarinet BbBassclarinet Bb1st Alto Saxophone Eb2nd Alto Saxophone EbTenor Saxophone BbBaritone Saxophone Eb1st Cornet Bb2nd Cornet Bb1st Trumpet Bb2nd Trumpet Bb3rd Trumpet Bb1st Horn Eb/F2nd Horn Eb/F3rd Horn Eb/F1st Trombone Bb/C 2nd Trombone Bb/C3rd Trombone Bb/CEuphonium Bb/CTuba Bb/Eb/CContra BassTimpaniPercussion 1Percussion 2Mallets
musikverlag frank, Industriestrasse 30, CH-4542 Luterbachphone +41 (0)32 685 48 80 fax +41 (0)32 685 48 [email protected], www.musikverlag-frank.ch
Inst
rum
enta
tion
© 2008 by
DEMO SCORE
Sunrise in the Serengetifreely (q=60)
© 2008 by musikverlag frank, Schulhausstrasse 22, CH-4528 Zuchwil, Switzerland
Mario BürkiJAMBO AFRICA20 Jahre Musiklager Seeland
ermöglicht durch die Burgergemeinde Orpund
Soprano Cornet Eb
Solo Cornet Bb
Repiano Cornet Bb
2nd Cornet Bb
3rd Cornet Bb
Flugelhorn
Solo Horn Eb
1st Horn Eb
2nd Horn Eb
1st Bariton Bb
2nd Bariton Bb
1st Trombone Bb
2nd Trombone Bb
Bass Trombone C
Euphonium
Bass Eb
Bass Bb
Timpani
Percussion
Percussion
Xylophone
f p
pp
3 3 3 3 3 3
pp 3 3 3 3 3 3
pp
3 3 3 3 3 3
pp
pp
p
Reversed Cymbal on Timpani
p
Bell Tree
Rain Stick
p
p
Various Serengeti Sounds: play freely on Cymbals, Woodblocks, etc.
DEMO SCORE
4
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Timp.
Perc.
Perc.
Xyl.
f p f p f p
f p
f p
3 3 3 3 3 3
3 3 3 3 3 3
3 3 3 3 3 3
2
DEMO SCORE
7Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Timp.
Perc.
Perc.
Xyl.
f
Humm
sing: f p f p
f
f
Humm
sing:
mf
3 3 3 3 3 3
mf3 3 3 3 3 3 3
mf
3 3 3 3 3 3 3 3
Humm
sing:
p
Humm
sing:
Humm
sing: p
Humm
sing: p
Humm
sing: p
Humm
sing: f p f p
sfz
p
sfz
p
sfz
sfz
B.D.
mf p
p
Various Serengeti Sounds: play freely on Cymbals, Woodblocks, etc.
3
DEMO SCORE
11
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Timp.
Perc.
Perc.
Xyl.
f p
f p f p f p
f p
f p f
f p f
3 3 3 3 3 3
3 3 3 3 3 3
3 3 3 3 3 3
f p f
f p
f p f
f p f
f p f
f p f p
f p f
Change to Marimba
4
DEMO SCORE
14 Long Roads and far SkiesModerate q. =120
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Timp.
Perc.
Perc.
Mar.
sfz p
cue Sop.
sfz p
sfz p
p
p
p
p
Clap Hands
p
Clap Hands
p
Clap Hands
p
Clap Hands
Clap Hands
Clap Hands
Clap Hands
p
Clap Hands
f
f
Floor Tom
f
Egg Shaker
Marimba (or Xylo wiht soft sticks)
f
5
DEMO SCORE
20 22Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
CL
Perc.
Perc.
Mar.
f
f
play
f
f f
f
f
sfz p f
f
f
f
sfz p f
6
DEMO SCORE
26 30Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
CL
Perc.
Perc.
Mar.
7
DEMO SCORE
32
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
CL
Perc.
Perc.
Mar.
Timpani
8
DEMO SCORE
3842
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Pk.
Perc.
Perc.
Mar.
f
f
p f
f
f
p f
f
f
f
p f f
p ff f
sfz sfz f
sfz sfz f
sfz sfz
sfz sfz f
sfz sfz f
sfz sfz f
sfz sfz f
f
f
f
9
DEMO SCORE
44
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Pk.
Perc.
Perc.
Mar.
10
DEMO SCORE
50
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Pk.
Perc.
Perc.
Mar.
11
DEMO SCORE
56 57 Wildlife at Lake ManyaraFast African Beat q. =144
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Pk.
Perc.
Perc.
Mar.
sfz
sfz
sfz
sfz
sfz
sfz
sfz
f
f
Congas
f
f
Floor Tom
f
Spoons (or Tambourine)
12
DEMO SCORE
60
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Congas
Perc.
Perc.
Mar.
Sing:
Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Sing:
Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Sing:
Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Sing:
Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Sing:
Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Sing:
Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Sing:
Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam
Sing:
bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam
Sing:
bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam
Sing:
bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam
Sing:
bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam
Sing:
bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam
Sing:
bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam
Sing:
bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
(play)
mf
Jam
Sing
bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
13
DEMO SCORE
64
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Congas
Perc.
Perc.
Mar.
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
14
DEMO SCORE
68 69Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Congas
Perc.
Perc.
Mar.
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo-
play
f
Jam bo-
play
f
Jam bo-
play
f
Jam bo-
play
f
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
15
DEMO SCORE
72
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Congas
Perc.
Perc.
Mar.
Jam bo-
f
Jam bo- ff
div
mf
mf
mf
mf
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-Jam bo- Ma nya- ra- Jam bo- Jam bo,- Jam bo- Ma nya- ra- Jam bo- Jam bo,-
Jam bo-
Xylophone
f
16
DEMO SCORE
76 77Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Congas
Perc.
Perc.
Mar.
mf
sim.
f
mf
sim.
mf
sim.
mf
sim.
f
Jam bo- Ma nya- ra-
play
mf
sim.
Jam bo- Ma nya- ra-
play
mf
sim.
Jam bo- Ma nya- ra-
play
mf
sim.
Jam bo- Ma nya- ra- f
Jam bo- Ma nya- ra- f
Jam bo- Ma nya- ra-
mf
play sim.
Jam bo- Ma nya- ra-
play
mf
sim.
Jam bo- Ma nya- ra-
play
mf
sim.
f
mf
H.H. (foot)
B.D.H. Tom M. Tom
mf
sim.
17
DEMO SCORE
80
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Congas
Perc.
Perc.
Mar.
18
DEMO SCORE
84 85Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Congas
Perc.
Perc.
Mar.
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
19
DEMO SCORE
88
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Congas
Perc.
Perc.
Mar.
f
f
20
DEMO SCORE
9293
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Congas
Perc.
Perc.
Mar.
sfz
f
sfz
sfz f
sfz f
sfz
mf
mf
mf
mf
mf
mf
mf
mf
mf
f
21
DEMO SCORE
96
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Congas
Perc.
Perc.
Mar.
22
DEMO SCORE
100 101Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Congas
Perc.
Perc.
Mar.
Shout: Jambo! Jambo Bwana! Habari gani!
mute
p
mute
p
mute
p
p
p
p
p
p
p
p
Guiro
mf
23
DEMO SCORE
104 105Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Congas
Perc.
Perc.
Mar.
Hakuna Matata!mf
mf
Sing:
Ha ku- na- ma ta- ta-
Sing:
Ha
Sing:
Ha ku- na- ma ta- ta-
Sing:
Ha
Sing:
Ha ku- na- ma ta- ta-
Sing:
Ha
Sing:
Ha ku- na- ma ta- ta-
Sing:
Ha
Sing:
Ha ku- na- ma ta- ta-
Sing:
Ha
Sing:
Ha ku- na- ma ta- ta-
Sing:
Ha
Sing:
Ha ku- na- ma ta- ta-
Sing:
Ha
Sing:
Ha ku- na- ma ta- ta-
Sing:
Ha
Sing:
Ha ku- na- ma ta- ta-
Sing:
Ha
mf
mf
mf
mf
mf
mf
mf
24
DEMO SCORE
108 109Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Congas
Perc.
Perc.
Mar.
f f
mf
mf
ku na- ma ta- ta-
Sing:
Ha ku- na- ma ta- ta-
Sing:
Ha
ku na- ma ta- ta-
Sing:
Ha ku- na- ma ta- ta-
Sing:
Ha
ku na- ma ta- ta-
Sing:
Ha ku- na- ma ta- ta-
Sing:
Ha
ku na- ma ta- ta-
Sing:
Ha ku- na- ma ta- ta-
Sing:
Ha
ku na- ma ta- ta-
Sing:
Ha ku- na- ma ta- ta-
Sing:
Ha
ku na- ma ta- ta-
Sing:
Ha ku- na- ma ta- ta-
Sing:
Ha
ku na- ma ta- ta-
mp mf
ku na- ma ta- ta-
mp mf
ku na- ma ta- ta-
mp mf
mf
mf
mf
mf
mf
mf
mf
mf
25
DEMO SCORE
112 113Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Congas
Perc.
Perc.
Mar.
mp
mp
ku na- ma ta- ta- mp
ku na- ma ta- ta- mp
ku na- ma ta- ta- mp
ku na- ma ta- ta- mp
open
mf
open
mfmf
open
mfmfmf
ku na- ma ta- ta- mf
ku na- ma ta- ta- mf
mp mf mf
mp mf mfmp mf mf
mf
mf
mf
mf
mf
Spoons (or Tamb.)
mp
26
DEMO SCORE
116
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Congas
Perc.
Perc.
Mar.
27
DEMO SCORE
120 121Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Congas
Perc.
Perc.
Mar.
f
mp
mp
mp
mpmp
mp
f
28
DEMO SCORE
124
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Congas
Perc.
Perc.
Mar.
29
DEMO SCORE
128 130 Zebras and Gnus Powerful q=144
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Congas
Perc.
Perc.
Mar.
f
ff
f ff ff
ff f
ff f
f
ff
ff
ff
f
ff
f
ff
f
ff
f ff
f
f ff
f
f
f f
Timpani
f f
f
S.D.
B.D.
f
30
DEMO SCORE
134136
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Timp.
Perc.
Perc.
Mar.
ff
ff
ff
ff
ff
ff
ff
f
ff
f
ff
f
ff
ff
ff
f
ff
f
ff
f
ff
ff
f
ff
f
f
ff f
Cymb.
B.D.
ff
to Congas
f
31
DEMO SCORE
139
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Timp.
Perc.
Congas
Mar.
f
f
f
f
f
f
32
DEMO SCORE
145
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Timp.
Perc.
Congas
Mar.
ff
ff
ff
ff
ff
ff
33
DEMO SCORE
151 156Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Timp.
Perc.
Congas
Mar.
f
f
f
f
f
f
f
ff
ff
ff
f
f
f
f
f
f
f
f
f
f
f
f
34
DEMO SCORE
157
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Timp.
Perc.
Congas
Mar.
f
f
f
f
35
DEMO SCORE
163 166Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Timp.
Perc.
Congas
Mar.
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
36
DEMO SCORE
169
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Timp.
Perc.
Congas
Mar.
f
f
f
f
f
f
f
f
f
f
f
ff
f
f
f
37
DEMO SCORE
rit.176 180 The Jambo Song Freely q = 86
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Timp.
Perc.
Congas
Mar.
blow like Windppsh...
f
blow like Windppsh...
f
blow like Windppsh...
f
blow like Windppsh...
f
blow like Windppsh...
f
blow like Windppsh...
f
blow like Windsh...pp
f
blow like Windppsh...
f
blow like Windppsh...
f
blow like Windppsh...
f
blow like Wind
ppsh...
f
Solo (off stage)
f
blow like Wind
ppsh...
f
blow like Wind
ppsh...
f
p
play on reversed cymbal on Timpani
p
Rain Stick
sus. Cymb.
pp
f
38
DEMO SCORE
183 rit.187 African Beat q=120
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Timp.
Perc.
Congas
Mar.
mf
cue Trb. sim.
mf
cue Trb. sim.
mf
sim.
mf
sim.
mf
sim.
mf
mf
Egg-Shaker
mf
mf
Conga
mf
Xylo (soft Mallets)
39
DEMO SCORE
190
195Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Shaker
Perc.
Congas
Mar.
f
f
f
f
f
f
f
f
f
play
f
play
f
2nd time only
f
2nd time only
ff
2nd time only
f
f
f
f
Egg Shaker
f
f
f
40
DEMO SCORE
196
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Shaker
Perc.
Congas
Mar.
41
DEMO SCORE
200
203Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Shaker
Perc.
Congas
Mar.
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
42
DEMO SCORE
205
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Shaker
Perc.
Congas
Mar.
f
Solo
43
DEMO SCORE
211Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Shaker
Perc.
Congas
Mar.
f
f
44
DEMO SCORE
216 219Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Shaker
Perc.
Congas
Mar.
Solo
cup mute
p
one, cup mute
p
one, cup mute
p
one, cup mute
p
f
45
DEMO SCORE
220
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Shaker
Perc.
Congas
Mar.
46
DEMO SCORE
224 227Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Shaker
Perc.
Congas
Mar.
Jam
sing!
bo,- Jam bo- Bwa na,- Ha ba- ri-
mf
others, mute
sing!
Jam bo,- Jam bo- Bwa na,- Ha ba- ri-
mf
others, mute
others, mute
mf
sing!
Jam bo,- Jam bo- Bwa na,- Ha ba- ri-
sing!
Jam bo,- Jam bo- Bwa na,- Ha ba- ri-
sing!
Jam bo,- Jam bo- Bwa na,- Ha ba- ri-
sing!
Jam bo,- Jam bo- Bwa na,- Ha ba- ri-
sing!
Jam bo,- Jam bo- Bwa na,- Ha ba- ri-
sing!
Jam bo,- Jam bo- Bwa na,- Ha ba- ri-
sing!
Jam bo,- Jam bo- Bwa na,- Ha ba- ri-
sing!
Jam bo,- Jam bo- Bwa na,- Ha ba- ri- sing!
Jam bo,- Jam bo- Bwa na,- Ha ba- ri-
sing!
Jam bo,- Jam bo- Bwa na,- Ha ba- ri-
mf
mf
mf
47
DEMO SCORE
229
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Shaker
Perc.
Congas
Mar.
ga ni,- M zu- ri- sa na.- Wa ge- ni- mwa ka- ri- bish wa,- Ken ya- ye tu- Ha ku- na- Ma
ga ni,- M zu- ri- sa na.- Wa ge- ni- mwa ka- ri- bish wa,- Ken ya- ye tu- Ha ku- na- Ma
ga ni,- M zu- ri- sa na.- Wa ge- ni- mwa ka- ri- bish wa,- Ken ya- ye tu- Ha ku- na- Ma
ga ni,- M zu- ri- sa na.- Wa ge- ni- mwa ka- ri- bish wa,- Ken ya- ye tu- Ha ku- na- Ma
ga ni,- M zu- ri- sa na.- Wa ge- ni- mwa ka- ri- bish wa,- Ken ya- ye tu- Ha ku- na- Ma
ga ni,- M zu- ri- sa na.- Wa ge- ni- mwa ka- ri- bish wa,- Ken ya- ye tu- Ha ku- na- Ma
ga ni,- M zu- ri- sa na.- Wa ge- ni- mwa ka- ri- bish wa,- Ken ya- ye tu- Ha ku- na- Ma
ga ni,- M zu- ri- sa na.- Wa ge- ni- mwa ka- ri- bish wa,- Ken ya- ye tu- Ha ku- na- Ma
ga ni,- M zu- ri- sa na.- Wa ge- ni- mwa ka- ri- bish wa,- Ken ya- ye tu- Ha ku- na- Ma
ga ni,- M zu- ri- sa na.- Wa ge- ni- mwa ka- ri- bish wa,- Ken ya- ye tu- Ha ku- na- Maga ni,- M zu- ri- sa na.- Wa ge- ni- mwa ka- ri- bish wa,- Ken ya- ye tu- Ha ku- na- Ma
ga ni,- M zu- ri- sa na.- Wa ge- ni- mwa ka- ri- bish wa,- Ken ya- ye tu- Ha ku- na- Ma
f
48
DEMO SCORE
234 235Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Shaker
Perc.
Congas
Mar.
ta ta.-
play
open
f
ta ta.-
play, open
f
open
f
open
f
ta ta.-
play
f
ta ta.-
play
f
ta ta.-
play
f
ta ta.-
play
f
ta ta.-
play
f
ta ta.-
play
f
ta ta.-
play
f
ta ta.-
play
f
ta ta.-
play
f
ta ta.-
play
f
f
f
f
f
f
49
DEMO SCORE
238
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Shaker
Perc.
Congas
Mar.
50
DEMO SCORE
242 243Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Shaker
Perc.
Congas
Mar.
51
DEMO SCORE
246
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Shaker
Perc.
Congas
Mar.
52
DEMO SCORE
250
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Trb C
Euph.
Bass in Eb
Bass in Bb
Shaker
Perc.
Congas
Mar.
f
fp f
fp f
fp f
fp f
f
f
f
f
f
f
f
ff
f
f
f
f
ff f
f
53