Upload
others
View
0
Download
0
Embed Size (px)
Citation preview
Diversity SPEAKS!
Dr. Bhuvaneswar grew up in New York City in a
largely South Asian and multiracial working class
community, obtained scholarships for a magnet
school and for an undergraduate degree at Yale
University, then post graduation at Oxford
University. She studied medicine on the West
Coast and finished her residency at Harvard
University. Currently, Dr. Bhuvaneswar is serving
as an attending in a variety of inpatient psychiatry
roles which she says has “given me a structured
enough practice to care for my children before and
after specific hours caring for hospitalized
patients.” Dr. Bhuvaneswar’s debut short story
collection, WHITE DANCING ELEPHANTS, out
from Dzanc Books on Oct 9 2018 was a Buzz Books Fall 2018 selection from Publisher's
Marketplace, and will be included in the forthcoming anthology EVERYDAY PEOPLE, ed.
Jenn Baker (Atria, 2018). She was the winner of DZANC BOOKS SHORT STORY
COLLECTION PRIZE and the winner of NARRATIVE MAGAZINE "TOP FIVE STORIES OF
THE WEEK" for 2017. Her book has received glowing reviews that have included the
following blurbs, “Chaya Bhuvaneswar is a master of literary stealth. Seduced by her
luminous, intimate voice, I was unprepared for the shattering force of her honesty and
insight. Authentic, fearless and wholly original, WHITE DANCING ELEPHANTS is a
knockout collection” (Jillian Medoff, author of THIS COULD HURT) and “A magnificent
collection of stories that defy conventions, stereotypes, and reveal the universal
complexity we all share as humans—gifted and flawed individuals, who struggle to
reconcile the mixed signals of our own hearts” (Jamie Ford, author of HOTEL ON THE
CORNER OF BITTER AND SWEET).
A Newsletter brought to you by the Diversity Mentoring Workgroup
Welcome to the 8th issue of our diversity newsletter. We hope this
newsletter will inspire conversation and action to promote
diversity of perspectives and experiences in the pursuit of academic
excellence in training, research, teaching and service. The Diversity
SPEAKS newsletter is sponsored by the Diversity Training
Committee of the Brown Clinical Psychology Training Consortium
and the Center for Alcohol and Addiction Studies.
:
My interest in writing and publishing a book of stories grew at first out of wanting to describe what seemed like unique experiences – often being the first woman of color in a given role (I.e. I was the first woman of color Medical Director of a 10,000-patient community mental health organization; I was only the second-ever American Rhodes Scholar of South Asian descent, and one of the first women of color to receive
this scholarship; I was one of only two women of color philosophy majors at Yale my year; certainly the first woman
of color psychiatry resident to receive NIH funding during residency and prior to my program creating any kind of research track; and so on.) I felt that my own resilience, as well as the ability of others to find comfort in the fact that they are not alone in the various forms of aggression (micro and macro) that we as women of color face constantly in these roles, would be greatly enhanced by writing. But it’s definitely not all that conscious a process either. James Baldwin
described the feeling so well when he wrote: “You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was books that taught me that the things that tormented me most were the very things that connected me with all the people who were alive, who had ever been alive.” I think we write for the same reasons we read.
I am very grateful to be publishing
with the same press, Dzanc Books,
that has been publishing incredible
writers, including Brown
University’s own Robert Coover. I
strongly encourage anyone wanting
to support Brown writers (no pun
intended) to check out
www.dzancbooks.org where you
can also find the work of Charles
Johnson, only the second African
American writer (after Ralph
Ellison of Invisible Man) to receive
an American Book Award. My
book presents stories of the
#MeToo movement from the
diverse perspectives of women of
color and LBGTQ women. It also
features willful androids, strange
orphanages, 16th century Indian-
Portuguese slaves who outwit their
captors, and the Buddha's birth
story.
“you think your pain
and your heartbreak
are unprecedented in
the history of the world,
but then you read”
Stories are often written over many
years, and like many clinicians
who write – the social worker/
therapist Amy Bloom among them
(whose work I strongly
recommend) – so much of writing
stories is about snatching time, and
stories more than longer works do
lend themselves to being written in
an afternoon, at least the first draft!
I think one strong impetus was
accepting, after my second child
reached preschool age, that it was
not going to mean she needed me
less, that if anything the parenting
had to deepen, and so I just had to
accept that I was not going to have
large blocks of time to write, and I
would just have to grab what I had
which were slices of time in
between other things.
Definitely. Several of the stories
feature people struggling
with mental illness –
whether an artist with
schizophrenia living in
India, a character based
on an uncle of mine, or a
young woman in therapy –
sparked by my realizing one day
how much social media and the
Internet have really changed the
scope of how we think about the
psychotherapeutic frame. I value
the thoughtfulness that goes along
with training in, and practicing
medicine and psychiatry, though
more than anything, it is a joy to
explore the world of the
imagination and I really enjoyed
writing the science fiction stories
as well.
I think the story of a young
woman surviving a brutal rape was
probably the hardest to write – not
because I flinched from the terrible
reality of what she had
experienced, but because I wanted
to do justice to the complexity of
her emotions, in this case, the
genuine playfulness and plain
human curiosity that had made her
vulnerable to a man who turned out
to be a rapist though she never
could have predicted that.
On work life balance... “...had to accept that I was not going to have
large blocks of time to write, and I would
just have to grab what I had which were
slices of time in between other things. “
It really speaks to the resilience of
the human spirit, how every time
we make something – whether a
work of art, a piece of writing, or
for many of us, a vibrant
organization that serves other
people or that functions as a
research unit or that successfully
carries out some needed act of
political organizing and unity – we
are creating something that could
survive beyond our individual
lives, we are connecting to
something larger. I am grateful to
have a small way to participate in
that kind of very positive and
healing activity and more grateful
still that since writing can be done
with a minimum of equipment and
in the corner spaces of a full house,
I feel like hopefully I could
continue as long as possible.
I think the gatekeepers of
publishing – publishing executives,
editors, literary agents (the people
who sell writers’ manuscripts to
publishers, the intermediaries
between writers and publishers)
just need to get more diverse.
There are many initiatives in this
regard. People certainly realize that
more stories need to be told, and
there are readers eager to embrace
stories of others who are different
but recognizable and relatable in
their human struggles and joys.
Here is a wonderful though brief
selection relating to mental health –
enjoy!
Everything Here is Beautiful
by Mira T Lee
The Collected Schizophrenias
by Esme Wajun Wang
Sick by Porochista Khakpour
Freshwater Akwaeke Emezi
Tracks by Louise Erdrich
“there are readers eager to
embrace stories of others
who are different but
recognizable and relatable
in their human struggles
and joys”
1. Mix chickpeas, tuna, red onion, and black olives in a bowl
2. Season with salt, pepper, and olive oil as desired
3. Slice boiled eggs and place over the other ingredients
4. Sprinkle the parsley over the top 5. Enjoy! Note: You can also add cubed boiled potatoes. Typically served with white rice.
Tuna and chickpea salad –a typical dish in
Cape Verdean and Portuguese cuisine
1 8oz can of tuna in oil
2 cups of chickpeas (cooked and drained)
2 boiled eggs
1/4 C red onion (finely chopped)
1/4 C parsley (chopped)
1/4 C black olives (pitted)
Salt, pepper, olive oil, to taste
June 7-10
Where: Downtown Providence, RI
Description: Providence’s art festival that combines art, culture, and culinary delights featuring music, dance, food, and art installations
Website: www.pvdfest.com
June 14 Where: Multiple Locations; see description for details
Description: The Office of Women in Medicine and Science conference offers skills and strategies for academic advancement, with additional goals of promoting diversity, mentoring, and collaboration
Website: http://med.brown.edu/cme/brochure/OWMS_2018.pdf
June 9-10
Where: Alex and Ani Rink, Providence, RI
Description: A celebration of Portuguese history, language, and culture with a Portuguese-themed WaterFire
Website: www.ridayofportugal.org
June 16
Where: Downtown Providence, RI
Description: The parade aims to promote a positive and safe environment and to celebrate the diversity of the LGBTQIA+ community
Website: www.prideri.org/parade
June 19; July 24; August 14; August 28
Where: McCoy Stadium, Pawtucket, RI
Description: As part of a new outreach initiative with the Latino community, for Tuesday home games in 2018, the PawSox will change their name, wear different uniforms, provide video board information, announcements, and lineups in Spanish, and feature Hispanic music and food.
Website: www.milb.com/pawtucket
June 30
Where: Roger Williams Park Zoo, Providence, RI
Description: The Roger Williams Park Zoo’s largest single-night fundraiser featuring food from fantastic local restaurants, live music, and dancing
Website: www.rwpzoo.org/zoobilee
June 27-28,30; July 7, 10, 13, & 27 (more dates TBA)
Where: Venues vary by date (Providence, Pawtucket, Central Falls)
Description: Free bilingual productions of Shakespeare’s The Tempest offered by Trinity Repertory Company in partnership with Rhode Island Latino Arts (RILA)
Website: www.trinityrep.com/shows/other-productions/teatro-en-el-verano
July 8
Where: India Point Park, Providence, RI
Description: A celebration featuring traditional music, dance, and food, cultural health/wellness and educational tents, arts and crafts
Website: https://www.facebook.com/events/2081984518703377/
Lauren Connell, Maria Teresa Coutinho, Cara Murphy,
Von Marie Rodriguez-Guzman, & Caron Zlotnick
Diversity SPEAKS! A Newsletter brought to you by the Diversity Mentoring Workgroup
The Diversity Committee periodically identifies articles to promote reflection on important topics within diversity.
Source: Bonanno, G. A., Galea, S., Bucciarelli, A., & Vlahov, D. (2007). What predicts psychological resilience after disaster? The role of demographics, resources, and life stress. Journal of Consulting and Clinical Psychology, 75(5), 671-682. doi:10.1037/0022-006X.75.5.671
Abstract: A growing body of evidence suggests that most adults exposed to potentially traumatic events are resilient. However, research on the factors that may promote or deter adult resilience has been limited. This study examined patterns of association between resilience and various socio-contextual factors. The authors used data from a random-digit-dial phone survey (N= 2,752) conducted in the New York City area after the September 11, 2001, terrorist attack. Resilience was defined as having 1 or 0 posttraumatic stress disorder symptoms and as being associated with low levels of depression and substance use. Multivariate analyses indicated that the prevalence of resilience was uniquely predicted by participant gender, age, race/ethnicity, education, level of trauma exposure, income change, social support, frequency of chronic disease, and recent and past life stressors.
Review: As we face different natural disasters and stressful situations along our life, it is important to have knowledge about how can we promote resilience. This study underlies different implications for future research and interventions in this area. The most interesting implications of this study is to re-think about how we define resilience. The article explains the importance of including sociocontextual factors as variables that might potentially inform resilience outcomes after a disaster. Some examples mentioned in the manuscript are: family interactions, community support services and interactions.