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Intuitive Knowledge SUBJECTIVE SCULPTURES & OBJECTS BY KNOWLEDGE OF THE THIRD KIND B H A S K A R H A N D E

Intuitive Knowledge

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Intuitive Knowledge

Subjective SculptureS & ObjectS by

Knowledge of the third Kind

B h a s k a r h a n d e

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2014

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Intuitive Knowledge

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1990Equal

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Knowledge of the third Kind

Intuitive Knowledge

Subjective SculptureS & ObjectS by

B h a s k a r h a n d e

foundation Public art amsterdam

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SubjEctivE SculpturE

A long time ago I had to recollect my senses in order to find out how I had reached the chamber of three dimensions. A chamber with many a lot of objects divided all over on the wall, off the ground, into the wall, hanging from the ceiling. Some objects where shin-ing,… others rather dusty. My glimmerings were just like a bunch of butterflies sitting on each object, finding out their warmth. I hesitated touching those surfaces of substance. Dust might have captured my sense of touch. I have been warned by my other senses not to have contact with those atoms. Its confusing all the way. Why these senses are behaving so weird. May I even say odd or muzzy?

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Currently I don’t know. But I keep touching from time to time. Those atoms got fused and blurred, and that chamber naturally is built to contain many of objects in third dimension. I got lost inside

and had forgotten to come out. Since then my senses possessed the third dimension. Knowledge of the third kind.It is quite helpfull to guide me onto the path within the chamber itself. Intuitive knowledge. Where is this settling down inside me? In my soul or between the senses itself, I ask myself whereas walking on my path. A stretch that vanishes in an optical root; but when some-one walks on it, it never meets the end. Just like a trail of life, as we can touch the heart of a person but never become unified. Or, let us say: getting entwined in senses itself, and afterwards get lost again.

I was talking to a sense … to the knowledge of the third kind as an outcome of spiritual strength. My soul still nestling in the self build castle of the fine art; amus-

ing itself in not only owning a chamber but a whole castle! I myself, being a student of liberal art, finding the fine art sec-tion as the so called chambers and sub chambers; some of them re-ally hidden underneath, like Dutch canal houses with their striking gables and dual entrances. Sometimes, while travel-ling in space, time and history … grammar tells me the story of languages, as well as science simultaneously is reveiling the perspective of innovations. In this world of multiple dimensions, my intellect gath-ers certain points, like picking a lock, and comes face to face with the soul inside that castle. Which sometimes is quite a surprise…

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Somewhere … in or around those secret meeting points, in which men, untill now, never succeeded in finding out yet where and why. By substance, like rubber, wood, diamonds or even dust, I

had been seeing this as part of a unique form. By mode, like a method or tonality in music, I am embedded in invisible energy. By attribute, I am a non-ex-istence creation, complementary of God, though I am likewise soul of sense and conscience of mind. Since I was born I never felt obliged thanking a so called God for showing his Universe. Un-der the impression of Ego I spend my life untill now, whilst creating my universe of the third dimen-sion. (The sculptures appearing in fol-lowing order in the book.) Senses driven with feel-

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ings in a life time with intuition that pumps air in my bubble of Ego, whose place rests inside the body of men. Breath arouse my nods and my flexible flesh gets strength to create stasis position of form. A universe filled with concepts and ideas of many a

kind, and the artist-sculptor tries to understand himself in reflecting his ideas. Materials and understand-ing of physical and psychic world makes the artist more firm. Understanding and caring for literature and history provides grammar and references. Perspec-tives of time sends him a signal. The artist can just go on while trying to understand the universe, planet, atmosphere, environment, surrounding and his own tradition and refinement. Sometimes he refuses the environment and goes to find anything else. He tries to make another platform, another concept

with his ideas: the innovation of another concept. Going into abstract to think it one more time over again. The most enlightened chamber of the castle is Sama-dhi of a yogi.. Samadhi does not reflect on: just after death like mummies in an Egyptian pyramid.

The Sanjeevan Samadhi: Undifferentiated Cognition… the state of a continuing journey of soul. This stage includes a range of the highest spiritual achievements up to Mergence with the Primor-dial Consciousness and with the Absolute. It is The Ultimate Art of yoga expression and meaning. My soul tries to under-stand one’s conscience. The castle is constructed by the subjects of Fine and Liberal Arts. Talent, skills and art are the residence inside. Mind and sense are the guardians of curator mind for holding exhibi-tion into chambers.

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MattEr liMpid

1983

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MattEr liMpid

1983

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1984

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infinitE

1983

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1984

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corE

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by naturE

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by naturE

1992

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1992

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by naturE

2006

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by naturE1992

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1992

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infinitE

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SEEd

1997

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Incumbrance 1997

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1997

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1995dEity

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dEity

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dEvotEE

1997

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dEity1997

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1997

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duality1995

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1995

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1991

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rEaSon1995

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yogi2011

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philoSophEr2013

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2013philoSophy

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SaMadhi1996

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infinitE2009

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Within light 1986

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Era1993

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tranSforM2014

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2012tranSforM

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SaMadhi

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2013

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SaMadhi

2014

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1957 Born in Umbraj, Dist. Pune, state Maharashtra,India;1974 Came to Mumbai, worked as banner painter in film industry;1976-81 Studied at Sir J.J.institute of Applied Art Mumbai, India;obtained G.D.ARTS diploma.in applied art;1979 Forth prize Maharashtra state Award;1981 Second prize Maharashtra state Award;1982 Went to the Netherlands for post gradu-ation;1982-84 Studied at the Royal Academy of Visual Arts the Hague, NL.Obtained diploma in Monumental Painting and Design;1985-87 Studied animation and video at the Free Academy of Visual Arts the Hague, NL;1987 Since than working as independent fine artist in The Nederlands and India.

ExHIBITIONS:70 One man shows in European countries and India130 Group Exhibitions around Globe

PARTICIPATION IN INTERNTIONAL BIENNALE AND TRIENNALE. 1990 SAGA90 FIAC EDITION PARIS, GRAND PALACE PARIS, FRANCE.1993 Binnalle Z.H.Grafiek Manifestatie The Hague,NL Groote Kerk The Hague.1995 Binnalle Z.H.Grafiek Manifestatie The Hague,NL Groote Kerk The Hague1997 Binnalle Z.H.Grafiek Manifestatie The Hague,NL Groote Kerk The Hague1999 Binnalle Z.H.Grafiek Manifestatie The Hague,NL Groote Kerk The Hague2010 8ème MONDIAL de l’ESTAMPE et de la Gravure originale. Triennale de Chamalières France 2011 MEDJUNARODNO TRIJENALE GRAFIKE First International Print Triennale ULUS Belgrado, Serbia;

BIOGRAPHY:Bhaskar hande

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2013 MOHOR, First Pune Binniale Pune, India.2014 9ème MONDIAL de l’ESTAMPE et de la Gravure originale Triennale de Chamal-ières France 2014 MEDJUNARODNO TRIJENALE GRAFIKE Second International Print Triennale ULUS Belgrado, Serbia.

Facimille1 Keleido 1990 presented by Forum Gallery in Grand Palais, Paris; 2 Folio 1992, Artimediar Gallery, The Hague; 3 Dashak 1990 (Decade) Marathi 10 illustrated poems Mumbai;4 10 years in Holland 1983-93, 4 Lithographs, Text in graphicmap Inkt , The Hague, NL;5 Wat Bescheidener en stiller is ook goed 1998, 2 silkscreen and short story Mindert Warre (Ritske de koningh) Utrecht, NL.

Books1989 1 encounter/ontmoeting Forum/GTP Amsterdam, NL ; English/Nederlands Catalogue and poetry, Poet Adriaan Morriën1990 2 DasHak Bapu Nasik, IND Marathi poetry1995 3 Your form is my creation, Vaishwik Pune,IND Marathi/English Artbook/catalogue Text Dilip Chitre /Dr.Sadanand More;1995 4 Budala Gaon Gaon Budala Bapu Nashik,IND Marathi poetry;1996 5 merging colours Warre fine arts English catalogue Artimediar The Hague, NL;1996 6 Your Form is my creation Century Union, The Hague NL Hindi/English artbook/catalogue;1997 7 Holland-india Give and take in art 1, Marathi/Nederlands artbook/catalogue; 8 Prints by Bhaskar Hande Cen-tury union The Hague, NL English/Nederlands part one;

1999 9 BHaskaR1999 Gallery Blackheath London,UK English artbook/cata-logue;2001 10 Holland-europe Give and take in art 2 Vaishwik Pune, IND. Marathi / Nederlands artbook/catalogue; 11 Tirast manera Vaishwik Pune, IND Marathi poetry; 12 encounter with international artist Stg. IHK The Hague, NL; 2006 13 colour saga Exhibition catalogue Fabs Warsaw, Poland; 2008 14 show Your Hope Vaishwik/Arti-mediair The Hague Holland 15 Drawings of Palakhisohala Vaishwik Pune, India.2009 16 325 years Dehu- alandi to Pandharpure Palkhisohala Vaishwik Pune, India; 17 a Black substance Artimediair The Hague, Holland;2011 18 kale Tatva (Marathi) publisher Akshar Manav Pune, India;2013 19 liberal Pursuits in Arts and Phi-losophy English and Dutch (synopsis) Founda-tion Public Art Amsterdam, and vaishwik Pune, India.2014 20 intuitive knowleledge Book

PainTinGs, GRaPHic anD sculP-TuRes in coRPoRaTe collecTion

01 Motorola Bombay, Mumbai, IND; 02 Motorola Banglore, Banglore, IND; 03 Tangerine Computar, Mumbai, IND; 04 Infotec India Haidrabad, IND ;05 Cotten Corporation of India, Mumbai, IND;06 Housing Devlopment and finance Corpora-tion, Mumbai, IND;07 Uday Joshi and associate Architects, Mum-bai, IND;08 Klaus Berning Architect, Iserlohn, GER;09 Stichting Fonds voor Bouwnijverheid, Am-sterdam, NL;

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10 Stichting Surinamse Regionaal Steunpunt, The Hague, NL;11 Artotheek Den Haag, The Hague, NL;12 Gemeente Den Haag, The Hague, NL;13 Artotheek Schiedam, Schiedam, NL; 14 Gemeente Groningen, Groningen, NL;15 Foundation Buitenband, The Hague, NL;16 Warre Fine Art, Utrecht, NL;17 Stichting Lalaroekh, Utrecht, NL;18 Stichting Federatie Eekta, The Hague, NL;19 Stichting voor Surinamers, The Hague, NL;20 Stichting Kunstwerk, Utrecht, NL;

21 Kunstuitleen Vianen, Vianen, NL;22 Galerie Hoogenbosch, Gorredijk, NL;23 Galerie Het Dijkstoelhuis, Wageningen, NL ;24 Inventer, B.V. Amsterdam, NL; 25 Stichting 1940-45, Amsterdam, NL;26 Hotel Motel Surya, Nashik, IND; 27 Sampression Communication, The Hague, NL;28 Datamatic Limited, Mumbai, IND; 29 Artotheek Breda, Breda, NL; 30 FAXX Kunstuitleen, Tilburg, NL;31 Artbank, The Hague, NL;32 Kunstuitleen Regio Helmond, Helmond, NL;33 Artotheek 18, Bergen op Zoom & Roosend-aal, NL;34 Kunstuitleen Bonnefanten Museum, Maas-tricht, NL;35 Stichting Organisatie Hindoe Media, Hilver-sum, NL; 36 Industrial Training Institute, Aundh Pune, IND;37 Kanbay Software India Pvt. Ltd. Pune, India;38 Clover Housing Dev. Pvt. Ltd. Pune, India;39 Metaphore Architects, Pune, India;40 Blackheath Gallery 1997, till 2007 London, UK;41 Y. C. Maharashtra Open University, Nasik, IND;42 Arquiteto Burea Rio de Janeiro, Brazil;43 Gallery Hogenbosch Gorredijke NL.

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1994

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Colophon:Publisher: Conny Bos Foundation Public Art Zwanenbuergwal 178 & 1841011 JH Amsterdam HollandandSandhya Bhaskar HandeVaishwik Art Environment Vaishwik 246/4 D. P. Road, Aundh, Pune 411007 India.

Printer: Swaroop Mudran 678 Narayan Peth, Pune 411003 Design: Abhay VarpeText: Bhaskar Hande

© 2014 Bhaskar Hande [email protected]@yahoo.com

Sculptures and objects have been exhibited and placed in various places in Europe and Inda. Followed organizations involved to held exhibi-tions of these sculptures and objects : 2013 International Social Studies ISS The Hague 2013 Foundation Public Art Amsterdam 2012 First Santsahitya Sammelan Nasik India 2012 Nehru Centre Mumbai. 2009 Pune University Pune 2008 Sant Tukaram 400th birth aniversary Dehu India 2006 Cultureel vrij haven Ruighoord, Amsterdam 2000 Millienium Salone Foundation IO Rotterdam 1999 Tour De Art Paris France 1997 Marathwada Mitra Mandal Pune. 1996 Foundation Quartair, The Hague 1996 Asylum Centre, s´Hertogenbosch NL 1996 Nehru Centre Mumbai. 1996 Pimaa Pune. India 1995 Bhakti Abhyaspeeth Pune 1992 Foundation B141, The Hague 1988 Artimediair The Hague

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1983tiME

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foundation Public art amsterdam