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Intermediality between Games and Fiction: The “Ludology vs ... · Intermediality between Games and Fiction... 173 However, on the research level there has been observed an animosity
I. Academic Career - static.uni-graz.at · 11/2017– Chair of the Department of American Studies, University of Graz, Austria 07/2014– Director of the Centre for Intermediality
Intermediality, Intertextuality, and Remediation: A ... · intermédialités † no 6 automne 2005 43 Intermediality, Intertextuality, and Remediation: A Literary Perspective on Intermediality
INTERMEDIALITY IN ELIZABETH BISHOP´S POETRY Solange
Rajewsky - Intermediality, Intertextuality, and Remediation: A Literary Perspective on Intermediality.pdf
Red Aesthetics, Intermediality and the Use of Posters in ...eprints.lincoln.ac.uk/31841/1/Red_Aesthetics_Intermediality_and_the_Us.pdfRed Aesthetics, Intermediality and the Use of
Intermediality Revisited: Reflections on Word and Music ... · PDF fileIntermediality Revisited Reflections on Word and Music Relations in the Context of a General Typology of Intermediality
Area rugs for INTERART your favorite spots - tretford.eu · one that is polygon shaped? How about an area rug that features the interplay of different carpet structures? tretford’s
Intermediality and “Art for All” in the Work of Walter Crane
Cinema and Intermediality-Sample Chapter
Introduction. Intermediality Is the Map as Much as the
Intermediality and Translation: Pedagogical Possibilities … 1.pdfTranslation Today, Volume 12, Issue 2 Intermediality and Translation: Pedagogical Possibilities TUTUN MUKHERJEE Abstract
Narratologia From Comic Strips Contributions to Narrative ... Gabriele, Lukas Etter... · GABRIELE RlPPL AND LUKAS ETIER (Bern) Intermediality, Transmediality, and Graphic Narrative1
STM-Online vol. 15 (2012) – Mats Arvidson: Music …portal.research.lu.se/ws/files/4079988/5322752.pdfMats%Arvidson Music and Musicology in the Light of Intermediality and Intermedial
MUSIC, SEMIOTICS, AND INTERMEDIALITYstudi-italiani.fltr.ucl.ac.be/icms12/Welcome_files/MANIFESTO-ICMS... · MUSIC, SEMIOTICS, AND INTERMEDIALITY ... Ian Cross (Guitar Recital) Bernardo
de livres d’art En octobre 2019 chez Interart · de livres d’art En octobre 2019 chez Interart ... Rembrandt, Tiepolo, Goya, Vuillard, Picasso, et bien d'autres ... l'estampe,
DOI: 10.1515/ausfm-2016-0016 History, Cultural Memory and ... · History, Cultural Memory and Intermediality in Radu Jude’s Aferim! 91 Aferim!, greeted as “something new in Romanian
1. Theorien und Methoden von Intermedialität - fink.de · PDF fileand the Intermediality of Cinema at the End of the Millennium Jens Schröter Das ur-intermediale Netzwerk und 579
kinectic.netkinectic.net/wordpress/.../uploads/2014/12/iMorphia-a… · Web viewIntroduction – Practise as Research. Art as a Mode of Enquiry. Research Overview. Intermediality
Modelling an innovative approach to intermediality within
Thinking Intermediality in Mexico through Artistic Input · twentieth century through practices such as those proposed by intermediality, have become increasingly accepted within
Intermediality as Metalepsis in the “Cinécriture” of … · Intermediality as Metalepsis in the “Cinécriture ... examples for such a hypermediated experience in which
Philipp Schweighauser 25 LiteraryAcoustics · Philipp Schweighauser 25 LiteraryAcoustics Abstract: Bringing together sound studies and intermediality theory, this essay revis-its
Intermediality and film consciousness in Gao Xingjian’s
Intermediality and Media Historiography in the Digital · PDF file · 2010-06-25intermediality leads us for instance to the development of the humanities, the ... Even if the contours
Intermediality in Film.a Historiography of Methodologies_Agnes Petho
Interculturality and intermediality in the Hindu/Jewish relationship
Intermediality and Spectatorship in the Theatre Work of
WORKSHOP 4 INTERART 7 WORKSHOP SERIES A … · recycled objects. The New York Times recognized Ms. Merdjan and her students for their involvement in this project in connection with
CFP: Medium, Immediacy, Intermediality Postmodern Culture · composite of institutional knowledges, objective materials, and subjective practices. “New media” cannot just be the