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Indigenous Arts and Crafts and Its Potent Global Market Mildred F. Accad Abraham S. Accad Sultan Kudarat State University Philippines [email protected]

Indigenous Arts and Crafts and Its Potent Global Market

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Page 1: Indigenous Arts and Crafts and Its Potent Global Market

Indigenous Arts and Crafts and Its

Potent Global Market

Mildred F. Accad

Abraham S. Accad

Sultan Kudarat State University

Philippines

[email protected]

Page 2: Indigenous Arts and Crafts and Its Potent Global Market

Mao of the

Mindanao Island

Page 3: Indigenous Arts and Crafts and Its Potent Global Market
Page 4: Indigenous Arts and Crafts and Its Potent Global Market

One town one product or OTOP is one of the

priority programs of the Department of Trade

and Industry and Department of Science and

Technology.

Page 5: Indigenous Arts and Crafts and Its Potent Global Market

Every state university is expected to take part

in the development of research-based

products and matured technologies for the

benefit of instruction, production and

community service.

Page 6: Indigenous Arts and Crafts and Its Potent Global Market

Sultan Kudarat State University , Isulan

Campus is located along Oil Palm Plantation of

KENRAM Philippines.

One of the Research Agenda of the province is

focused on Oil Palm as one of the high values crops.

Sultan Kudarat is looking for original crafts which can

serve as collectibles or souvenir items.

Page 7: Indigenous Arts and Crafts and Its Potent Global Market

Thus, this study investigates the potential

products from the wastes or by-products of the

nearby plantation which could add income or

help promote the province.

Page 8: Indigenous Arts and Crafts and Its Potent Global Market

Significance

This study is one of the immediate response of

the lone University (SKSU) on the environmental

protection, Livelihood generation and tourism

promotion.

The research –based product development and

promotion can enhance the lives of the

community.

Page 9: Indigenous Arts and Crafts and Its Potent Global Market

Methodology

This study made se of development research

and the conduct of appreciative inquiry

research design.

Page 10: Indigenous Arts and Crafts and Its Potent Global Market

Methodology

It focuses on What’s was done, What’s now and What’s then according to Wa-Mbaleka and

Kingston (2018) which bests fit with business

research.

Page 11: Indigenous Arts and Crafts and Its Potent Global Market

Significant Findings

What’s Next

What

was

What’s Now

Page 12: Indigenous Arts and Crafts and Its Potent Global Market

What was

Although the KENRAM management

discouraged the practice of removing the

pre-matured palms, nearby community are

Doing these for a living

Page 13: Indigenous Arts and Crafts and Its Potent Global Market

Within the 15 day gap of harvest time, the wives and

children of the Plantation workers are doing “Kalakat” or woven materials for low cost housing.

Page 14: Indigenous Arts and Crafts and Its Potent Global Market

Shavings are left unattended

and become eye soar

Page 15: Indigenous Arts and Crafts and Its Potent Global Market

They also use the inner fronds as twine for “Palay “ Or rice bundles during harvest season

5 years ago, Palay harvesting Machine

dominated the rice fields and twines

are left behind because manual labor

in harvesting is just an option

Page 16: Indigenous Arts and Crafts and Its Potent Global Market

What's NOW?

Wastes fronds

and food containers

Page 17: Indigenous Arts and Crafts and Its Potent Global Market

What’s Now? Product development and techno-transfer and

Commercialization's are conducted

Page 18: Indigenous Arts and Crafts and Its Potent Global Market

What’s Now? Products underwent series of

improvement and evaluation in terms

of AHA components (Attractiveness,

Handiness and Authenticity)

With the Respondent jurors who are field experts and

consumer type -panel using the 5 point scale

Page 19: Indigenous Arts and Crafts and Its Potent Global Market

What’s Now?

Waste shells after oil

palm kernel extraction

Page 20: Indigenous Arts and Crafts and Its Potent Global Market
Page 21: Indigenous Arts and Crafts and Its Potent Global Market

Ring bracelets for various occasions

Page 22: Indigenous Arts and Crafts and Its Potent Global Market
Page 23: Indigenous Arts and Crafts and Its Potent Global Market

Acknowledgement: Special Thanks to the crafts presented in the study to: Mitchelle J. Fobar, Karen Mae P. Fabrid , Marvel B. Cacho , Myra M. Subaldo,, Xenia C. Diosanta, Rofdin N. Diawe , John Marc D. Cruz and Sahiden G. Palti, also to Doming Sudario

Page 24: Indigenous Arts and Crafts and Its Potent Global Market
Page 25: Indigenous Arts and Crafts and Its Potent Global Market
Page 26: Indigenous Arts and Crafts and Its Potent Global Market

Corsage and leigh

Page 27: Indigenous Arts and Crafts and Its Potent Global Market

Corsage and leigh for local and

international events

Page 28: Indigenous Arts and Crafts and Its Potent Global Market
Page 29: Indigenous Arts and Crafts and Its Potent Global Market

GandaraTM became Official leigh of the

University

Page 30: Indigenous Arts and Crafts and Its Potent Global Market

GandaraTM means (Ganda mula sa Palmera or

Beauty from the Palm Tree)

Page 31: Indigenous Arts and Crafts and Its Potent Global Market

Gandara flowers are made each one UNIQUE

(Not ONE is the same with the other)

Presented in International

Conference in Eastin Hotel,

Makkasan, Bangkok,

Thailand on May 3-7,2018

Page 32: Indigenous Arts and Crafts and Its Potent Global Market
Page 33: Indigenous Arts and Crafts and Its Potent Global Market

References Aligado, Marlon H., and Abraham S. Accad. 2012. Black gold in the

Backyard: Charcoal Briquette into Fuel, Deodorizer and Visual Art

medium. Ilay Publication ISSN 2244-5935

Baclas, Jayson D. and Mildred F. Accad. 2013. Development of African

Oil Palm Fronds, Fruits and Flowers into Corsage and Lei.Ilay

Publication ISSN 2244-5935

Baylaran, Alvin and Mildred F. Accad. 2013. Development of African Oil

Palm Fronds into matting, border and ground for wall décor. Ilay

Publication ISSN 2244-5935

Clark, Garth, And Margie Hughto.1979.A Century of Ceramics in the

United States, 1878–1978.

Weidhaas, Ernest R. 1989.Architectural Drafting and Design, Sixth

Edition , Boston, London, Sydney. Toronto

Page 34: Indigenous Arts and Crafts and Its Potent Global Market

References Cofield, Francis, 1995. National Paint and Coatings Association.USA

Dietz, Ulysses Grant, et al., ed.1997.The Glitter and the Gold: Fashioning America's Jewelry.

Newark, N.J.: Newark Museum

Dudley, Louise, Austin Faricy and James G. Rice.1978.The humanities.Sixth Edition. McGraw-

Hill Book Company

Evelyn Lip. FengShui for the Home,1992. Times Books. Singapore and Malaysia

Hepler, Donald E. and Paul I, Wallach, 1987. Architecture: Drafting and Designing by Gregg

Division NC Graw Hill Book Company

Kardon, Jane, ed.1995. Craft in the Machine Age, 1920–1945. New York: American Craft

Museum.

Leah Myle Magic Art Oil Painting, 1982 Intex, Inc., Scranton Pennsylvania

Nemitz, Carol. 2010. Collection of Prophetic Meaning of Colors. February 25, 2010 at 2:38pm

Salvan, George S.1986 Architectural theories and designs by Goodwill Bookstore, Manila

Sardoma, Jonalyn D. and Mildred F. Accad. 2013.Pliability and Absorbability of African Oil Palm

frond on Natural Coloring Agents.Ilay Publication ISSN 2244-5935

Weidhaas, Ernest R. 1989.Architectural Drafting and Design, Sixth Edition , Boston, London,

Sydney. Toronto

http://www.prestonbailey.com/event-ideas/welcoming-path/

Page 35: Indigenous Arts and Crafts and Its Potent Global Market

The End

Page 36: Indigenous Arts and Crafts and Its Potent Global Market

Gandara leigh of SKSU is in Japan Presented in Bangkok, Thailand