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About great indian play bhagavatajjukam
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Transformations in the BhagavadajjukamDECEMBER 21, 2011 BY GR!rint "riend#$Both the %&tradh'ra of the (rast'vana and the !arivr'jaka of the (#a$ (ro(er indu#ge in (ra)ti)a# demonstrations to tea)h their dis)i(#es * the +id&shaka and ,'ndi#$a, res(e)tive#$, so mu)h so that the +id&shaka intuitive#$ #earns -hat the !rahasana is #ike and ,'ndi#$a ha((ens to see the (o-er of Y.ga/ 0n order to do this the %&tradh'ra has to go through t-o #eve#s of transformation/ 1t the 2rst #eve#, he transforms himse#f into the !arivr'jaka, -hereas at the se)ond #eve# the !arivr'jaka transforms himse#f into the )ourtesan/ 1nd just as the %&tradh'ra sa$s 3suggestive#$ though4 that he -ou#d transform himse#f into the !arivr'jaka, so does the !arivr'jaka sa$ that he -ou#d transform himse#f into the Courtesan 3506## inje)t m$se#f into this )ourtesan6s 7od$8 19:4/ ;hen the !arivr'jaka announ)es his de)ision to transform himse#f into the )ourtesan, he 7e)omes, for the time 7eing, the %&tradh'ra, on)e again, 7e)ause he has to dire)t himse#f -ith regard to the theatri)a# rea)t#$ (eo(#e die4 and the Courtesan6s shouting at the Do)tor for the mistake he makes 350diot Do)torF You6ve gro-n o#d in vainF You have no idea ho- )reatures die/ Te## us -hat kind of snake ki##ed her8 2G0/4/ ;e ma$, then, safe#$ sa$ that just as the +id&shaka transforms himse#f into ,'ndi#$a, the Messenger of Yama 3the universa# +id&shaka4 transforms himse#f into the Do)tor/Transformations1/ %&tradh'ra * !arivr'jaka * %&tradha * Courtesan *!arivr'jaka * %&tradh'ra2/ +id&shaka * ,'ndi#$a * +id&shaka:/ Courtesan * !arivr'jaka * CourtesanG/ Messenger of Yama * Do)tor * Messenger of Yama * %&tradh'ra * %(e)tator * Do)tor * Messeger of Yama * %&tradh'ra * Messenger of Yama