Abrey, E., 335, 338, 340Acland, Henry Wentworth, 92, 106,

110Adams, Francis W. L., 392Adams, Robert Dudley, 311Afghan Committee, 306Agnew, Joan, 196Agnews, see Thomas Agnew & SonsAgnew, T., 294, 355Agnew, W., 355Agresti, Antonio, 413, 416, 417, 422,

423, 429Agresti, Olive, see Rossetti, OliviaAguilar, Edward, 315, 318Aguilar, Grace, 362Aitken, Charles, 443Albert, Prince, 141Alcock, J. P., 340, 341, 347, 356, 359Alcock, Rutherford, 148Alger, William Rounseville, 330Allen, George, 128; see also George

Allen & SonsAllen, James, 309, 311Allingham, William (WA), 44, 78,

82–7, 90, 92, 97, 99, 100, 106,108, 119, 123, 124, 125, 128–9,130, 131, 133, 135, 138, 150, 151,158, 160, 163, 167, 169, 177, 214,245, 274; The Ballad Book, 84,169, 177; Day and Night Songs, 85;Music Master, 84, 92; NightingaleValley, 119, 124–5

Allport, Roland, 411All Saints Sisterhood of Mercy, 96,

126, 135, 147, 261, 262, 263, 264,272, 275, 277, 281, 283, 284, 285,

286, 287, 303, 321, 330, 338, 367,402, 444

All Saints Sisterhood of the Poor, 119All Souls Church, 6, 7American Exhibition of British Art,

51, 110, 113Anderson, Charles, 88Andrieu, Jules, 249, 355Angeli, Gastone, 427, 428Angeli, Helen Maria Rossetti, 144,

314, 347, 348, 358, 369, 371, 376,396, 400, 408–12, 414–16,418–20, 422–31, 433–8, 439, 441;

literary works: Dante Gabriel Rossetti,431; ‘The Life and Work ofDante Gabriel Rossetti’, 422

Angeli, Imogene Lucy, 428, 429, 430,434, 435

Anster, John, 83Anthony, Henry Mark, 81, 106, 170Appleton, Charles E., 235, 237, 303Armstrong, William, 261Arnold, Matthew, 200Artists’ Volunteer Rifle Corps, 124, 132Arundel Club, 188Arundel Society, 99, 100Ashburton, Lady Louisa, see Baring,

Louisa CarolineAttenborough, George, 302, 303Austen, Jane, 229Authors’ Syndicate, 421, 423Aylott & Jones, 46, 55Aytoun, William Edmonstoune, 86

Bailey, Philip, 292, 299Baillie, Joanna, 125

445

Index

Bold page references indicate an outline of multiple titles for the same work.With the artworks of Dante Gabriel Rossetti, bracketed numbers beginningwith S (e.g., S.55) refer to the catalogue number in Surtees, A CatalogueRaisonné.For a list of abbreviations used in the index, please see page xiv.

Banting, William, 215Baring, Louisa Caroline Mackenzie

(Lady Ashburton), 155, 270Baring, Mary Florence, 270Barraud, Hilton Percy, 394, 400, 401,

415Bateman, Edward Latrobe, 44, 65, 67,

78, 315Bates, Edmund, 311, 312, 313, 315,

316, 317, 319, 321Bath, Lady, see Thynne, HarrietBaudelaire, Charles, 169Baynes, R. H., 170Becker, Lydia Ernestine, 245Bedford, Herbert, 382Bellamy, G., 52, 54Bell, Henry MacKenzie, 26, 397, 404,

405, 406, 407, 410, 412, 413, 414,416

Bendyshe, Thomas, 199Beresford, Louisa Anne (Marchioness

of Waterford), 82, 93, 196, 213Bernhard Tauchnitz, 260, 334Binyon, Laurence, 438Birchington-on-Sea, 337, 338, 339,

340, 341, 345, 351, 356, 357, 358,395, 432

Birket Foster, Miles, 145, 199Birmingham Art Gallery, 349, 386Blackmore, William, 161, 163, 193Blackwood, William, 227Blake, William, 319; ‘The Rossetti

Manuscript’, 32, 130, 138, 342;see also Gilchrist, Alexander

Blanchard, Auguste, 249Blanchard, Edward, 61Blanchard, Sidney, 71Blind, Karl, 233Blind, Mathilde, 220, 238, 247, 295,

317, 326, 348Blunt, Wilfrid H., 170Bodichon, Barbara, see Leigh Smith,

BarbaraBodichon, Eugene, 148, 149Bodley, George Frederick, 104Bolton, Sarah Knowles, 342, 361, 362Bonaparte, Napoleon I, 3, 7, 152Bonaparte, Napoleon III, 144–5, 257Bonham, Edward Walter, 190

Bourget, Paul, 354, 378Bowden, see Ward, Lock & BowdenBowen, Charles, 110Bowman, Sir William, 212, 217, 291Boyce, George Price (GPB), 42, 71, 82,

83, 98, 99, 100, 107, 112, 114,118, 122, 125, 129, 147, 148, 149,151, 156, 157, 164, 171, 176, 180,201, 214, 266, 274, 341

Boyce, Joanna Mary, see Wells,Joanna Mary

Boyd, Alice (AB), 152, 190, 215, 219,223, 229, 231, 232, 288, 338, 344,388

Boyle, Eleanor Vere, 70, 81–2, 196,213

Braila, Peter, 201Brass, Lot, 252, 301, 356Brayshay, William Hutton, 254, 266,

301Brett, John, 104, 108, 114, 126, 127,

134, 157Brett, Rosa, 134Bright, Henry Arthur, 113Bright, Jacob, 245British Institution, 52, 134British Museum, 31, 52, 74, 199, 201,

207, 255, 279, 314, 350Bromley, Helen, 29, 367Bromley, Lizzie, see Cooper, LizzieBrontë, Emily, 210Brookes, Warwick, 208Brook, Stopford, 423Brough, Robert Barnabas, 96, 128Brown, Arthur Gabriel Madox, 101,

107, 108, 109Brown, Catherine Madox (CMB), 88,

207, 217, 229, 253, 256, 348, 350,367, 371, 396

Brown, Elisabeth Madox, 29Brown, Emma Matilda (EMB), 72, 82,

87, 99, 100, 101, 188, 256, 275,371, 384

Brown, Ford Madox (FMB), 29, 36–9,42, 49–52, 58, 61–2, 64–5, 67–70,72, 74, 81, 87–8, 93–4, 98, 100–4,106–10, 112–14, 117–18, 121,124, 135, 154, 165, 172, 177–8,184–5, 187–8, 196, 199, 205–7,

446 Index

213, 215, 227, 236, 239, 246, 248,250–1, 253–4, 256, 264, 266, 270,273–4, 275, 281, 284, 293–4, 307,335, 337–8, 340–2, 348, 351–2,356–7, 363, 365, 373, 394, 396–8,408, 437

artworks: Architecture, 165; Chaucer,61; Christ Washing Peter’s Feet,65, 101; Cordelia at the Bedsideof Lear, 43; Cromwell on hisFarm, 260; Cromwell Protector ofthe Vandois, 295; GeoffreyChaucer Reading to Edward IIIand his Court, 61; Jacob andJoseph’s Coat, 190; Jacopo Foscariin Prison, 226; Last of England,196; Seeds and Fruits of EnglishPoetry, 58; Seraph’s Watch, 37;Work, 103

Browning, Elizabeth Barrett (EBB), 63,94, 107, 127, 130, 137, 138, 210,333, 342

literary works: Aurora Leigh, 104,123, 130; Poems, 429; Poemsbefore Congress, 127; ‘Romauntof Margret’, 27, 38; ‘Sonnetsfrom the Portuguese’, 335

Browning, Pen, 301Browning, Robert (RB), 63, 94, 97, 99,

101, 102, 107, 113, 119, 123, 125,129, 144, 171, 174, 183, 209, 220,250, 301, 342, 380, 440

literary works: ‘Bishop Orders hisTomb at St Praxed’s Church’,99; Blot in the ’Scutcheon, 42;Christmas Eve and Easter Day,56; Colombe’s Birthday, 73;‘Evelyn Hope’, 98; Fifine at theFair, 257; ‘Fra Lippo Lippi’, 94;Men and Women, 95; Paracelsus,41; Pauline, 31, 33; ‘PippaPasses’, 39; The Ring and theBook, 257; Sordello, 41, 127;‘Two in the Campagna’, 98;‘Waring’, 45

Brown, Lucy Madox (LMB), 19, 29,52, 76, 98, 164, 180, 196, 203,210, 217, 229, 234, 242, 249, 259,260–3, 265–71, 273–8, 283,

285–7, 290–3, 308–9, 314, 321,326, 328–9, 344, 347, 350–3, 355,357–8, 361–3, 366, 368–9, 373–5,379–80, 382, 384, 391, 394,396–401, 424

artworks: Après le Bal, 226, 409;Broadstairs, 281, 310, 430;Charmouth, Dorset, 300, 310;The Dancing Faun, 225; TheDuet, 226, 232, 233; The FairGeraldine, 237, 244, 409; FemaleNude, 126; Ferdinand andMiranda Playing Chess, 237;Lynmouth, 237; The MagicMirror, 237, 244; Margaret RoperRescuing the Head of her FatherSir Thomas More from LondonBridge, 249, 256, 259; MellikerFarm, 29; Painting, 216;portraits, 245, 256, 308–9, 310,317, 319, 347; Romeo and Julietin the Tomb, 226, 238; Trees,208; The Two Foscari, 226

literary works: ‘Ford Madox Brown’,381; Ford Madox Brown, 397;Mrs. Shelley, 370, 381, 382, 384;‘What am I, what is this I feel?’,180

Brown, Oliver Madox (OMB), 196,202, 207, 215, 217, 233, 234,249, 268, 270, 271, 274, 344,348; Gabriel Denver, 247, 249,261, 263

Brucciani, Domenico, 341, 363Bruce, Henry Austin, 98, 106, 119,

124, 139, 222, 223, 224, 265Bryant, William Cullen, 125, 361,

388, 389, 400Buchanan, Robert, 195, 215, 243, 244,

247, 248, 249, 251, 272, 282, 283,284, 318, 325, 328, 342

Burcham, Robert Partridge, 79, 92Burchett, Richard, 36, 178, 275Burden, Robert, 104Burgess, Sophy, 229Burges, William, 104, 114, 126, 138,

215Burlington Fine Arts Club, 198, 202,

206, 208, 345, 346, 347, 348

Index 447

Burne-Jones, Edward (EBJ), 88, 96, 97,100, 104, 105, 106, 108, 109, 113,115, 123, 126, 128, 131, 135, 156,187, 194, 215, 216, 220, 270, 274,303, 327, 340, 341, 388, 393, 412,415, 416, 424; ‘Essay on TheNewcomes’, 97; Golden Stairs, 320

Burne-Jones, Georgiana (GBJ), 127,128, 131, 135, 170, 215

Burne-Jones, Philip, 141Burr, Margaretta, 99Burrows, Anne, see Gilchrist, AnneBurrows, Edward, 391Burrows, Henry William, 61, 186,

229, 266, 302, 336, 388, 391, 394Burton, Frederic William, 197, 212Burton, William Shakespeare, 113,

118, 189Butler & Knight, 137, 166Butterworth, George, 166, 172, 299Butts, Frederick, 143, 155Butts, Thomas, 143Byron, Lord George Gordon Noel, 4,

219, 292

Cadogan, Earl, 145Caine, Lily, 337, 338, 339Caine, Thomas Henry Hall (THC),

299, 305, 306, 311, 313, 315, 317,318, 321–2, 324, 328, 331, 333,335, 339, 340, 341, 346

literary works: Curiosities ofCriticism, 323; ‘Politics and Art’,317, 318; Recollections of DanteGabriel Rossetti, 343, 344;‘Ruskin, Keats and Rossetti’,319; Sonnets of Three Centuries(ed.), 336, 337, 339

Calder Campbell, Robert, 50, 52, 55Cameron, Julia Margaret, 148, 180,

188, 190, 204Campbell, James, 99, 107, 113Campfield, George, 119Carlyle, Thomas, 61Carmichael, Mary, 373Carpenter, William, 145, 151Carrick, John Mulcaster, 81Carroll, Lewis, see Dodgson, Charles

Lutwidge

Cary, Francis Stephen, 17Cassell & Co., 382, 385Cattermole, John, 162, 172Catty, C. Parker, 224Cayley, Arthur, 353, 354, 355Cayley, Charles Bagot (CBC), 31, 52,

83, 85, 88, 98, 125, 126, 139, 151,176, 186, 193, 199, 202, 207, 213,225, 231, 236, 253, 288, 289, 290,316, 334, 335, 347, 349, 353, 354,355, 359

literary works: ‘Ad Sepulchrum’,151, 152; ‘Amicizia’, 203;Dante’s Divine Comedy, 59, 63,196; ‘Epode 2. With QueenMab’, 197; Filippo Malicontri, orStudent-Life in Venetia, 132, 150;The Iliad of Homer.Homometrically Translated, 170,176, 177, 180, 195, 288; ‘Nolime tangere. / EnglishAnapests’, 193; The PrometheusBound of Aeschylus, 197; ThePsalms in Metre (transl.), 125,129; Psyche’s Interludes, 104;‘The Purple of the West’, 152;The Sonnets and Stanzas ofPetrarch, 304, 305, 307

Cayley, Henry, 236Cayley, Sophie, 353Central Committee for Women’s

Suffrage, 245, 246Chapman & Hall, 130Chapman, George R., 150, 156, 168,

194Chapman, George W., 215Charles Whittingham & Co., 114,

330, 331Chatterton, Thomas, 320, 321Chatto, Andrew, 281Chesneau, Ernest, 214, 273, 339Christ Church (Albany St), 18, 20, 25,

42, 70, 83, 110, 163, 226Christie, Manson & Woods, 114, 145,

160, 182, 201, 209, 267, 268, 348,349, 366, 426

Clabburn, William Houghton, 149, 162Clairmont, Claire, 260, 292, 295, 296,

300, 313

448 Index

Clarke, Reginald, 418Clayton, John Richard, 27, 42, 70,

104, 114Cleveland, Grover, 362Clifton, J. T., 36Cockerell, Sydney, 419, 429, 443Cole, Lionel, 358Coleridge, Edith, 371Coleridge, Ernest Hartley, 362Coleridge, Herbert, 89Coleridge, Samuel Taylor, 158, 275,

289, 308, 320Colles, William Morris, 14, 421, 439Collins, Charles Allston, 58, 61, 80,

81, 107Collinson, James, 35, 40, 41–2, 45,

46, 47, 49, 53, 56, 57, 71, 113,326

Collinson, Mary, 46, 47, 328Collinson, R., 347Collins, Wilkie, 339Colvin, Sidney, 207, 225, 246, 248, 254Combe, Martha, 160Combe, Thomas, 61, 64, 91, 117, 129Compton, Lord Spencer, 61Comyns Carr, Joseph, 255, 289Conrad, Joseph, 426Conway, Moncure Daniel, 154, 233,

275, 290Cook, Keningale, 227, 295, 296, 303,

362Cooper, Lizzie, 276, 278Cooper, Samuel, 321Corder, Rosa, 275Cornforth, Fanny (Mrs Timothy

Hughes; Mrs John BernardSchott), 96, 112, 118, 121, 125,128, 142, 149, 152, 153, 158, 168,187, 189, 207, 209, 210, 249, 250,254, 256, 261, 264, 266, 277, 283,284, 290, 294, 300, 314, 333, 334,335, 337, 343, 344, 349, 350, 351

Coronio, Aglaia, see Ionides, AglaiaCottingham, Nockalls, 44Courbet, Gustave, 169Cowan, James Galloway, 88Cowan, Theodora Esther, 411Cowper-Temple, Georgiana (Lady

Mount-Temple) (GCT), 172, 211,

263, 269, 284, 285, 286, 297, 301,311, 375

Cowper-Temple, Juliet, 285, 371Cowper-Temple, William Francis

(Lord Mount-Temple) (WFCT),172, 192, 269, 277, 278, 284, 285,286, 294, 301, 311

Craig, Isa, 142, 151, 188, 189, 197Craven, Frederick W., 169–70, 172,

173, 184, 198, 199, 203, 233,269

Crawshay, Rose Mary, 216Creswick, Thomas, 52, 89Crimean War, 87, 89, 95Crowe, Eyre, 118Cruikshank, George, 189, 201Cullwick, Hannah, 149Cunningham, Allan, 306Cyclographic Society, 36, 37, 38, 39,

40

Dallas, Eneas Sweetland, 92, 99, 134,173, 175

Dalrymple, Arthur, 190Dalziel Brothers, 98, 103, 187, 239,

240, 242, 243, 248, 264, 276, 395,422

Dalziel, Edward, 90Dannreuther, Edward, 39Dante Gabriel Rossetti Society, 342Dante Society (London), 389Darmesteter, Jacques, 362, 373Darmesteter, James, 378Davenport, Ira Erasmus, 171, 173Davenport, William Henry, 171, 173Davies, Emily, 163, 197Davies, William, 142, 309, 316, 352,

393Davis (printer), 328, 346Davis, William, 103, 258, 393de Buillaumet, Charles, 337de Hirsch, Baron Maurice, 191de Hirsch, Clara, 191della Gattina, Fernando Petrucelli,

249de Llanos, Fanny, 306de Morgan, Augustus, 170de Morgan, Sophia, 170de Mortara, Rose, 14

Index 449

Dennis, William, 36Des Garets, Marie-L., 441de Vere, Aubrey, 131Deverell, Walter Howell, 17, 36, 50,

55, 56, 60, 61, 81, 82, 83, 193,231; Twelfth Night, 50, 55, 71, 82,205–6

Dickens, Charles, 15, 56, 150Dickinson, Emily, 384Dickinson, Lowes Cato, 85, 100, 103,

106, 124Dickinson, Robert, 54, 55Dilke, Charles, 310Dixon, Richard Watson, 88, 96, 97,

104, 121, 274Dixon, Thomas, 152, 208Dodgson, Charles Lutwidge (Lewis

Carroll), 159, 160, 166, 179, 182,185, 192, 203, 353, 357, 362, 363,368

Dodsworth, William, 11, 12, 20, 59Donovan, Cornelius, 59–60, 125D’Orsey, Sarah Anne, 246Downey, see W & D DowneyDoyle, Richard, 81Dragonetti, Domenico, 13Dudley Gallery, 200, 216, 217, 226,

237, 238, 256, 422Dunlop, Walter, 165, 167, 173, 184Dunn, Henry Treffry (HTD), 157, 197,

202, 207, 223, 230, 240, 252, 258,264, 266, 276, 277, 280, 281, 284,285, 293, 294, 295, 311, 313, 314,317, 318, 331, 337, 338, 341, 342,344, 346, 350, 352, 357, 359, 427,437

Dyce, William, 85

Earle, Beatrice, 368Eastlake, Sir Charles Locke, 29, 31, 85,

300Eckley, Sophia May, 214, 218, 219Edward, Amelia, 252Edward Moxon & Co., 96–7, 100, 101,

107, 188, 214, 227, 237, 246, 249,254, 256, 297, 307; see alsoMoxon, Edward

Edwards, Amelia Blanford, 260, 298Edwards, Henry Sutherland, 73

Edward VII, King of the UnitedKingdom of Great Britain andIreland, 439

Egg, Augustus, 45, 113, 114Eliot, George, 84, 216, 283, 362Elliott & Fry, 201, 422Ellis & Elvey, 374, 378, 381, 384, 386,

395, 414, 416, 417, 420, 421, 426,431, 434, 436, 438, 440, 441, 442

Ellis & Scrutton, 366Ellis & White, 338, 341, 343, 346,

351, 355, 361Ellis, Frederick Startridge, 187, 215,

228, 229, 230, 231, 232, 233, 243,264, 301, 311, 364, 419

Ellis (publisher), 225, 227, 229, 230,231, 233, 237–8, 324, 328, 330,331, 334, 335; see also Ellis &Elvey; Ellis & Scrutton; Ellis &White; Ellis, F. S.

English Picture Publishing Company,280, 289

Epp, Ellen, 108Epp, John, 108

Fairfax Murray, Charles (CFM), 187,197, 216, 226, 228, 229, 236, 312,317, 331, 357, 368, 380, 418, 422

Faithfull, Emily, 157Fantin-Latour, Henri, 153, 162, 168–9Faulkner & Linton, 145Faulkner, Charles James, 109, 121,

135, 141, 270Faulkner, Lucy, 171Feilding, Col. Percy Robert Basil, 169,

193Feilding, Lady Louisa, see Thynne,

Lady LouisaFerdinand I, King of the Two Sicilies,

4, 5Fields, Annie Adams, 342, 370Filopanti, Enrico, 183Fine Art Society, 195, 320, 332, 352,

420, 428, 437Folio Club, 81, 82, 86, 120Ford, Ford Madox, see Hueffer, Ford

MadoxFord, James, 169Ford, Marie, 157, 172

450 Index

Forman, Henry Buxton, 15, 221, 222,247, 306, 313, 325, 343

Forsyth, William, 152Foster’s, see H. E. FosterFrancis, John Deffett, 216Franco-Prussian War, 234, 237Franklin, Percy Faraday, 397Fraser, Arthur Francis, 240Free Exhibition, 43, 44, 55Frere, John Hookham, 5, 6, 8, 14, 21Frome day school, 72, 75, 76, 77, 79Fry, Clarence E., 275, 278, 282, 283,

286, 288, 290, 291, 306, 347Fry, Mrs Clarence E., 387Furnivall, Frederick James, 89, 101,

134, 219, 238, 365

Gabriel, Mary Ann Virginia, 170Gambart, Ernest, 82, 110, 114, 129,

137, 138, 144, 156, 165, 172, 178,185, 195, 196, 203, 206, 245, 249

Gamberale, Luigi, 299, 325Garibaldi, Giuseppe, 165, 198Garnett, Richard, 89, 120, 129, 216,

308, 350Garrett, Mary, 352Garrick Club, 175, 178Gaskell, Elizabeth Cleghorn, 121, 122,

133, 141Gaskell, Lady Catherine, 311Gautlier, Bon, 58Gemmer, Caroline (CG), 35, 125, 177,

255, 257, 310, 315, 338, 339, 413George Allen & Sons, 421The Germ, 45, 47, 49, 50, 51, 52, 53,

54, 55, 56, 62, 77, 88, 97, 350,351

Gilchrist, Alexander (AG), 130, 135,136, 138, 139, 140, 141; The Lifeof William Blake, 136, 138, 142,143, 153, 155, 158, 159, 160, 163,190, 317, 319

Gilchrist, Anne Burrows (ABG), 143,153, 155, 157, 169, 171, 204, 218,220, 317, 319, 364

Gilchrist, Herbert Harlakenden, 341,363, 370, 421

Gillum, William, 113, 125, 126, 130,164

Gilman, Daniel C., 246Girton College, 246Glyn, Isabella Dallas, 53, 57, 123Goodwin, Albert, 207Gosse, Edmund, 145, 225, 240, 255,

258, 263, 284, 345, 349, 352, 355,394

Governesses’ Benevolent Institution,353, 359

Graham, Amy, 265Graham, Edward Fergus, 24Graham, John, 372Graham, William, 172, 207, 209, 210,

211, 216, 223, 224, 226, 229, 237,245, 250, 251, 252, 256, 260, 261,263, 264, 266, 267, 278, 281, 283,288, 298, 299, 301, 314, 318, 324,325, 326, 330, 340, 341, 366

Graham, Willie, 226Green, Nathaniel Everett, 36Greenwell, Dora (DG), 153, 159, 161,

199, 210, 275, 276Grosart, A. B., 280Grosvenor Gallery, 280, 289, 291,

293, 301, 309, 324, 327Grove, George, 323Gull, William Withey, 212Guppy, Elisabeth, 210Gurney, Alfred, 350, 353–4, 359Gurney, Russell, 166Gutch, Charles, 402, 444

Haden, Francis Seymour, 202Haines, William, 157Hake, Edmund, 261, 266, 279Hake, George Gordon (GGH), 250,

251, 252, 253, 254, 258, 260, 274,275, 276, 277, 278, 279, 284,289–90, 291, 363; literary works:The Mermaid’s Wedding, 278;‘Robinson Crusoe’s Dog’, 283;‘Tarquin’, 283

Hake, Henry, 352Hake, Rose, 404, 405Hake, Thomas Gordon (TGH), 223,

232, 250, 251, 252, 259, 275, 283,290; literary works: Legends of theMorrow, 306; Madeline and OtherPoems and Parables, 237;

Index 451

Hake, Thomas Gordon (TGH) –continuedNew Symbols, 275, 279; On thePowers of the Alphabet, 349;Parables and Tales, 253, 258;Vates, or the Philosophy ofMadness, 22

Hake, Ursula Christina, 363, 383Hallam, Arthur, 92Hallé, Charles Edward, 289, 301Halliday, Michael Frederick, 81, 92Hamerton, Philip G., 165Hancock, John, 30, 36, 38, 45Hannay, James, 58, 62, 69, 70, 77, 78,

80, 85, 88, 99, 168, 265Hannay, Margaret, 69, 98Hardinge, William Money, 378, 386,

422Harding v. Baxendale, 254Harmsworth, 421Harris (doctor), 340, 341Harrison, Annie, 114Harrison, Connie, 343Hastings of Silsden House, 155Hatch, Edwin, 110Hawtrey, Wilfred John, 285Haydon, Benjamin Robert, 319Haydon, Mary, 134Haydon, Samuel J. B., 274, 335Hayward, Ann, 199Heaton & Brayshay, 258Heaton, Ellen (EH), 90, 95, 98, 99,

101, 117, 141, 148, 157, 159,161, 166, 168, 172, 208, 211,302, 311

Heaton, John Aldam (JAH), 135, 139,227, 264, 271, 300, 341

Heaton, Mary Margaret, 139, 306Hedderly (photographer), 346, 361H. E. Foster, 401, 402Heimann, Adolf, 16, 75, 109, 146,

151, 158, 186, 200, 269Heimann, Amelia Barnard (ABH), 18,

108, 111, 123, 135, 146, 151, 165,167, 174, 186, 285, 288, 327, 373

Heimann, Charles, 168Heimann, Golde, 151, 198, 242Heimann, Henrietta, 151, 198, 295Hemans, Felicia, 125

Heraud, John Abraham, 52Herbert, John Rogers, 36, 47Herbert, Louisa Ruth, 98, 111, 114,

115, 132, 323Hervey, Thomas Kibble, 53Heugh, John, 163, 173, 184, 260Hiffernan, Joanna, 150, 188Higgins, G. Porter, 435Highgate Cemetery, 84, 144, 347,

356, 367, 371, 382, 428, 444Highgate Penitentiary for Fallen

Women, 105, 118–19, 128, 139,140, 142, 329, 388

Hill, George Birkbeck, 110, 411Hilliard, Mary Constance, 196Hodge-Podge, 18, 19, 20–1Hogarth Club, 113–14, 116, 117, 118,

120, 121, 124–5, 126, 134, 141Hogarth, William, 87Hogg, Jane, 247Hogg, J. Farrell, 105, 110, 134, 138Holding, Henry James, 254Holiday, Henry, 114Holman Hunt, Edith, 432, 444Holman Hunt, William (WHH), 31,

37, 38, 39, 40, 41, 43, 44, 45, 49,50, 58, 61, 65, 67, 70, 71, 72, 73,78, 79, 81, 82, 85, 87, 89, 90–1,92, 97, 100, 104, 106, 107,116–17, 134, 141, 196, 212, 266,313, 319, 339, 373, 432, 434,439

artworks: The Afterglow of Egypt,135; Claudio and Isabella, 77; AConverted British Family, 50, 55;The Eve of St Agnes, 35; Findingof the Saviour in the Temple, 135;Flight into Egypt, 319; TheHireling Shepherd, 67; Lady ofShalott, 430; Light of the World,67, 79, 428; The Miracle of theHoly Fire in the Church of theSepulchre at Jerusalem, 418; OurEnglish Coast, 77; Porphyro andMadeleine Leaving the Castle, 71;Rienzi Vowing to Obtain Justice,40; Shadow of Death, 258;Valentine Rescuing Sylvia fromProteus, 63, 117

452 Index

literary works: ‘Memories ofRossetti’, 383; ‘Pre-RaphaeliteBrotherhood: A Fight for Art’,366; Pre-Raphaelitism and the Pre-Raphaelite Brotherhood, 429, 431

Home, Daniel Dunglas, 162, 194Hope, Beresford, 112Hopkins, Ellice, 278Hopkins, Gerard Manley, 166, 317Horder, William Garrett, 332Horne, Herbert Percy, 379Horsley, John Calcott, 89Hotten, John Camden, 194, 195, 208,

211, 227Houghton, Alfred Boyd, 195, 206Housman, Lawrence, 392, 394Howard, Lady Isabella, 15Howell, Charles Augustus (CAH), 105,

111, 178, 184, 185, 194–5, 203–4,207, 209, 212, 214, 215, 217, 221,223, 224, 231, 251, 252, 253, 256,258, 260, 261, 264, 265, 266, 268,269, 270, 271, 274, 277, 278, 279,280, 281, 282, 283, 286, 301, 306,320, 349

Howell, Edwin Henry, 224Howell, Frances Catherine (‘Kate’ /

‘Kitty’) (KH), 183, 184, 185, 202,203–4, 239

Howitt, Anna Mary (AMH), 67, 73,78, 81, 83, 84, 357

Howitt, Mary, 67, 72–3, 78, 80, 82, 96Howitt, William, 73, 79, 82Howorth, Henry, 337Hueffer, Ford Madox, 263, 397, 408,

426; literary works: ‘ChristinaRossetti’, 441; ‘Dante GabrielRossetti’, 441; Ford Madox Brown,397; Rossetti: A Critical Essay onhis Art, 408, 423

Hüffer, Cathy, see Brown, CatherineMadox

Hüffer, Franz, 207, 215, 235, 247,253, 255, 281, 333, 341, 345, 350,367, 378

Hughes, Arthur, 61, 81, 82, 86, 88, 89,91, 96, 104–5, 107, 113, 135, 171,200, 215, 234, 240, 242, 243, 267,270, 403, 407, 439

Hughes, Timothy, 125, 254Humphreys (publisher), 442Hunt, Alfred William, 113, 118Hunt, Emily, 114Hunt, Margaret Raine, 300, 302Hurst & Blackett, 357, 366, 421Huth, Frederick, 195Hutton, Richard Holt, 146, 232

Illustrated Scrap-Book, 20, 21Inchbold, John William, 81, 97, 107,

149, 162, 215, 217, 245Ingelow, Jean, 161, 168, 169, 170,

171, 173, 176, 188, 201, 204, 396Ingram, John, 339, 341, 348, 349,

350, 368, 373International Exhibitions, 145, 148,

150, 151, 415, 422International Society of Fine Arts, 195Ionides, Aglaia, 301, 313, 322Ionides, Alecco, 201, 322Ionides, Constantine Alexander, 301,

313, 318, 320, 324Ionides, Luke, 201Ireland, Alexander, 337

Jackson, James, 218Jackson, Richard C., 377Jackson, Thomas, 139James, Henry, 360Jamrach, Charles, 172Jarves, Isable Kast, 218Jeaffreson, John Cordy, 350Jenner, William, 196, 225Jervis, Agnes, 12Jervis, Swynfen, 12, 13, 67, 68, 103Jewett, Sarah Orne, 342, 346Jones, Ebenezer, 36, 305Jones, H. Clapp, 52Jopling, Louise, 200

Katahara, Yumei, 427Keats, Fanny, 308Keats, John, 178, 308Keene, J. B., 37Keightley, Thomas, 8, 51, 87, 92, 141,

175Kelmscott Press, 392, 395, 397, 414Kemble, John Philip, 343

Index 453

Kennedy, William Denholm, 53Kingsley, Charles, 90Kingsley, Frances Grenfell, 364Kirkup, Seymour, 126, 192, 201, 208,

211, 218, 219Kitton, F. G., 353Knewstub, Walter John, 150, 153,

155, 165, 172, 197, 286, 287, 335Knight, Joseph, 216, 234

Lamb, Charles, 343Landor, Walter Savage, 126Landseer, Edwin Henry, 89Lane, Charlton G., 113Lascaridi, Peter, 304Laurie & Son, 325Layard, George Somes, 397Layard, Sir Austen Henry, 99Leader, Charles Temple, 18Lear, Charles Hutton, 53Lear, Edward, 68Leathart, James, 122, 124, 135, 137,

151, 156, 161, 162, 202, 204, 213,409

Leathart, Maria, 152Lecky, William E. H., 233Leech, John, 81Leeds, National Exhibition of Works

of Art, 204, 208, 211, 213Lee, Vernon, see Paget, VioletLegros, Alphonse, 126, 153, 161, 162,

163, 176, 184Leicester Galleries, 437Leifchild, Henry, 209Leifchild, Paul, 88Leigh Hunt, James Henry, 30, 34, 37Leigh Hunt, Marianne, 343Leigh Smith, Barbara (BLS), 78, 81,

83, 84, 93, 101, 109, 120, 124,129, 135, 140, 148, 163, 227, 246, 251, 252, 254, 273, 423

artworks: Deserted Garden, 291; Mist,291; Prickly-Pear Thicket inAlgeria, 111; Sunset, 291

Leigh Smith, Isabella, see Ludlow,Isabella

Leighton, Lord Frederic, 96, 120, 342Leland, Charles, 233Levy, Amy, 360

Lewis, Arthur James, 118Lewis, George, 344Lewis, John, 103Lewis, Matthew ‘Monk’, 9Leyland, Fanny (Mrs Stephenson

Hamilton), 312Leyland, Frederick, 184, 193, 197,

199, 205, 209, 210, 212, 219, 236,245, 247, 254, 256, 257, 258, 259,262, 263, 265, 267, 268, 269, 271,275, 277, 283, 284, 289, 290, 291,293, 294, 297, 298, 304, 305, 310,312, 320, 321, 322, 323, 325, 327,328, 338, 340, 341, 390, 391

Lind, Jenny, 33, 166Lindsay, Lady Frances, 95Lindsay, Sir Coutts, 280Linnell, John, 143Linton, William James, 103, 107, 141Literary Society, 38, 39Literature, 414Littledale, R. Frederick, 161, 204, 298,

327, 359Liverati, Chevalier C. E., 192Liverpool Academy of Arts, 101, 108,

114, 138, 163Liverpool Exhibition of Pictures, 111,

122, 332, 333Liverpool Municipal Gallery, 324Llandaff Cathedral, 91, 97, 98, 107,

108, 124, 138, 139, 166, 168, 193;see also Rossetti, Dante Gabriel,artworks: Seed of David

Locker, Frederick, 318Logan, John, 124London Zoo, 120, 122, 184, 200, 398,

435Longfellow, Henry Wadsworth, 61, 344Longman & Co., 355, 359, 364, 369,

373, 377, 384, 386, 391, 396, 397,398, 399

Losh, Alicia Margaret, 213, 214, 221,248

Louisa Anne (Marchioness ofWaterford), see Beresford, LouisaAnne

Lowell, James Russell, 195Low, Frances H., 399Lucas, Samuel, 136, 179

454 Index

Lucy, Charles, 71, 91Ludlow, Isabella, 179Ludlow, John, 179Lushington, Jane, 184Lushington, Vernon, 89, 96, 126, 155,

301, 341Lyell, Charles, 6, 7, 8, 14, 16, 22, 26,

31, 41, 49, 413Lyell, Sir Leonard, 346, 413Lyster, Alfred Chaworth, 92

McCallum, Andrew, 112MacCarthy, Denis Florence, 235, 297McClure, Edmund, 393, 397, 400MacColl, Norman, 328McConnell, T. H., 204MacCracken, Francis, 69, 71, 72, 74,

77, 78, 83, 91Macfarren, Sir George A., 217Macgregor, Georgina, 7McLennan, John Ferguson, 82MacLennan, John Ferguson, 85McLennan, John Ferguson, 225Maclise, Daniel, 89Macmillan, Alexander (AM), 85, 101,

105, 114, 133, 134, 135, 140, 141,145, 146, 147, 150, 152, 153, 154,155, 157, 158, 159, 160, 161, 164,166, 168, 169, 170, 174, 175, 176,177, 178, 179, 180, 186, 189, 190,202, 210, 219, 227, 228, 229, 244,265, 267, 269, 270, 273, 276, 278,279, 287, 297, 316, 329, 330, 332,343, 395

Macmillan Publishers, 136, 145, 153, 162, 171, 173, 175, 191,202, 206, 273, 274, 297, 309,313, 316, 318, 330, 346, 355,361, 365, 370, 374, 377, 378,382, 383, 385, 388, 393, 395–6,396, 398, 407, 410, 412, 415,425, 426, 428, 430

Macmillan’s Magazine, 133, 134, 135,137, 147, 154, 155, 156, 157, 159,161, 164, 169, 171, 178, 180, 188,189, 194, 196, 209, 210, 213, 217,277, 282, 343, 348

Maenza, Clarissa, 21, 23, 127, 132,298, 306

Maenza, Guiseppe, 21, 23, 24, 25,127, 128, 132, 211

Maenza, Peppino, 21, 25Main, David, 317, 320Maitland, Pelham, 191Maitland, Thomas, see Buchanan,

RobertManchester Art Treasures exhibition,

108Manchester Public Gallery, 387Manet, Edouard, 169, 326Manetti, Agnes, 151, 155Manley Foster, Richard, 427Marks, Henry Stacy, 205, 209Marks, Murray, 194, 205, 251, 252,

266, 267, 273, 279, 281, 311Marshall, Frank A., 235Marshall, John, 78, 144, 212, 251,

256, 313, 339, 340Marshall, Peter Paul, 135, 154, 156,

162, 196, 235, 270, 271, 274Marshall, Thomas Falcon, 112Marshall, William, 100, 130, 148Marston, John Westland (JWM), 53Marston, Philip Bourke (PBM), 295,

305, 307, 324Martin, Arthur Patchett, 388, 389, 390Martineau, Robert Braithwaite, 88, 92,

99, 107, 114Martin, Eliza, 200Martin, Elizabeth, see Rovedino,

ElizabethMartin, Sir Theodore, 58, 106, 143Martin, William Edward, 340, 341Marzials, Théophile, 245Masson, David, 67, 77, 85, 133, 134,

135, 154, 350Matthews, Charles Peter, 203, 206,

208Matthews, Elkin, 438, 439Maurice, Frederick Denison, 87Mayor, Gustav, 162Mazzini, Guiseppe, 14, 16, 52, 66, 198Medieval Society, 104, 114Medwin, Thomas, 90Melville, Helen, 199Mendel, Samuel, 185, 261Meredith, George, 136, 139, 146, 148,

151, 156, 158

Index 455

Meredith, Isabel, 425Millais, Sir John Everett (JEM), 31, 42,

44, 52, 53, 65, 68, 79, 81, 82, 85,99, 100, 107, 121, 122, 124

artworks: Departure of the Crusaders,89; Dreams of the Past, 107;Isabella, 41; James Wyatt and hisGranddaughter, 52; John Ruskin,77; Order of Release, 77; Returnof the Dove to the Ark, 62

Miller, Annie, 100, 125, 155Miller, Joaquin (Cincinnatus Heine),

237, 241, 255, 258Miller, John, 72, 82, 138, 144, 145,

163, 167, 184, 206Millet, François, 169Milner, George, 280Milnes, Richard Monckton (Lord

Houghton) (RMM), 23, 39, 59Milsand, Joseph, 95Minto, William, 393Mitchell, John, 165, 193, 230Moeller, Felix, 242Moeller, Golde, see Heimann, GoldeMoore, Albert, 162, 184Moore, Thomas, 90Morley, John, 214, 227Morris & Co., see Morris, Marshall,

Faulkner & Co.Morris, Jane (JM), 104, 111, 113, 114,

121, 125, 128, 131, 132, 180, 182,183, 197, 201, 209, 212, 214, 217,219, 223, 226, 230, 233, 234, 241,250, 261, 262, 264, 271, 272, 273,274, 276, 278, 279, 282, 296, 302,305, 311, 316, 317, 319, 322,323–4, 327, 330, 331, 333, 335,340; portraits of, 164, 180, 209,221, 231, 233, 234, 235, 238, 246,263

Morris, Jenny, 241, 265, 274, 282Morris, Marshall, Faulkner & Co.,

132, 134, 135, 142, 143, 148, 154,155, 156, 163, 169, 172, 173, 174,176, 216, 220, 226, 256, 270,270–1, 274, 317, 381

Morris, May, 241, 254, 265, 274, 282Morris, William (WM), 88, 96, 97,

100, 101, 102, 104, 105, 106, 109,

113, 115, 121, 124, 125, 131, 133,134, 135, 164, 196, 201, 202, 209,213, 214, 219, 220, 221, 225, 227,231, 232, 264, 266, 270, 271, 274,284, 346, 392, 410, 419; Defenceof Guinevere and Other Poems, 113;La Belle Iseult, 268

Mortara, Cavalière, 14, 19, 33Morton, Thomas, 118, 194, 195Moulton, Louise Chandler, 284Moxon, Edward, 89, 96, 100, 101; see

also Edward Moxon & Co.Mullins, Michael, 12Mulready, William, 85, 89Munby, Arthur Joseph, 113–14, 134,

148, 149, 156–7Munro, Alexander, 37, 53, 56, 61, 71,

72, 77, 81, 89, 95, 105, 109, 160,166

Munro, Annie, 285Murray, James, 434Murray, John, 64, 193, 195, 198, 201,

227

Nash, J. John Glendenning, 367, 404,405, 407, 415, 416

National Academy of Design (New York), 110

National Gallery, 12, 112, 300, 366,443

National Gallery of British Art, 412National Institution, 55National Portrait Gallery, 144, 315,

386, 407, 408, 409Nesfield, William Eden, 205Nettlefield, John Trivett, 207New Gallery, 393, 403, 410, 411, 412,

413, 418Newton, Emily Rebecca, 184, 185Nicholson, Mary, 102, 206Nightingale, Florence, 84Niles, Thomas, 188, 204, 218, 224, 239Noble, James Ashcroft, 321North London School of Drawing and

Modelling, 71North, William, 39, 60, 66Norton, Charles Eliot, 115–16, 124,

125, 143, 189, 217, 218, 230Norton, Susan (née Sedgwick), 146, 158

456 Index

Notes & Queries Society, 305, 311Nottingham Museum and Art Gallery,

388

O’Connor, William Douglas, 220Old Water-Colour Society, 64, 69, 72,

103, 165Olivieri, Agostino, 359, 367, 372Orchard, John, 45Orme, Charles, 58Orme, Eliza, 58, 70Orme, Emily Rosaline, 58, 66, 71, 73,

77, 133Orme, Helen, 58Ormsby, John, 103, 148, 265Orrinsmith, H., 330Orrinsmith, Lucy, see Faulkner, LucyO’Shaughnessy, Arthur, 207, 215,

326Oxford Union murals, see Oxford

University; Rossetti, DanteGabriel, murals

Oxford University, 97, 105, 109, 110,115, 117, 121, 129, 224

Oxford University Museum of NaturalHistory, 136, 137

Oxford University Press, 442

Paganini, Niccolò, 8Paget, Violet, 331, 373Page, William, 94, 97, 99, 119Palgrave, Francis Turner, 202, 377, 415Palmer, Samuel, 311Paris, Gaston, 378Parke, Louisa, 51, 184, 188Parkes, Bessie Raynor (BRP), 84, 89,

91, 101, 102, 148, 149, 157, 159Parry, Sir Hubert, 373Parsons, John Robert, 183, 214, 216,

254, 258, 263, 265, 299Pasteur, Louis, 374, 380, 385Patmore, Coventry, 22, 41, 47, 50, 56,

58, 59, 62, 73, 85, 95, 108, 111,130, 135, 274

Patmore, Gurney, 234Paton, Allen Park, 169Paton, Joseph Noel, 273, 282Patten, George, 53Paul, Benjamin Horatio, 65, 80, 86

Payne, J. Bertrand, 210, 217, 254Payne, John, 207, 302Pearson, Charles Henry, 144, 146Peel, Sir Robert, 52Penkill Castle, 187, 190, 203, 213,

215, 219, 221, 231, 313, 314, 344Pennell, Henry, 265Pepoli, Carlo, 13, 218Peppina (companion of GR), 4, 5Peterborough Cathedral, 142Philographic Society, 112Philological Society, 89Piccadilly Gallery, 177Pierce, Anna Maria, see Polidori, Anna

MariaPietrocola-Rossetti, Achille, 358Pietrocola-Rossetti, Isabella, 218, 267,

353, 358Pietrocola-Rossetti, Teodorico (TPR),

60, 83, 96, 218, 267, 304, 308,309, 325, 350, 358; ‘Il Mercatode’ Folleti’, 197; Prophecy of theNineteenth Century, 80

Pilgeram & Lefèvre, 250Pinti, Raphael, 252Pistrucci, Filippo, 11Placci, Carlo, 337Planché, Gustave, 93Plint, Thomas E., 100, 101, 102, 103,

104, 108, 109, 111, 120, 122, 137,138, 145; estate of, 162, 166, 167,170, 183, 192, 194

Polidori, Anna Maria, 3, 44, 73Polidori, Charlotte Lydia (CP), 22, 28,

37, 44, 46, 53, 61, 63, 75, 76, 77,83, 86, 100, 126, 151, 198, 226,241, 271, 292, 333, 341, 346, 359,360, 367, 371, 372, 373, 376, 381,382

Polidori, Eliza Harriet (EP), 13, 18, 28,66, 83, 87, 89, 96, 100, 198, 271,329, 346, 358, 359, 360, 367, 371,378, 382, 385, 386, 394

Polidori, Francesco, 70, 72, 298Polidori, Gaetano (GP), 3, 4, 6, 9, 15,

22, 33, 38, 39, 69, 70, 72, 76, 77,79, 298, 343, 371

Polidori, John, 4, 5, 190, 292, 384,407, 421, 433

Index 457

Polidori, Luigi, 388Polidori, Maria Margaret (MMP), 8,

21, 57, 75, 83, 199, 200, 226, 287Polidori, Philip Robert, 164Pollen, John Hungerford, 105, 108,

178, 208, 232Polydore, Henrietta (HP) (daughter of

HFP), 43, 72, 80, 83, 120, 131,138, 167, 170, 174, 192, 203, 218,219, 231, 241, 252, 254, 258, 259,269, 359, 360

Polydore, Henrietta (wife of HFP), 80,83, 201, 218, 306, 310, 360

Polydore, Henry Francis (HFP), 17, 63,80, 83, 90, 97, 126, 170, 198, 203,261

Portfolio Society, 110, 120, 124, 129,137, 139, 140, 150, 152, 156, 158,163, 179

Poynter, Edward, 150PRB Journal, 350Pre-Raphaelite Brotherhood (PRB), 40,

41, 43, 44, 45, 49, 50, 51, 52, 54,55, 56, 58, 59, 60, 61, 62, 63, 64,65, 69, 71, 78, 97, 111, 214, 443

Pre-Raphaelite Exhibition, RussellPlace, see DGR, exhibitions

Preston, Margaret Junkin, 255Price, Cormell, 110Prichard & Seddon’s, 139Prick of Liverpool, 254Prinsep, Valentine Cameron (VCP),

105, 108, 114, 118, 120, 123, 143,215, 357, 391, 427

Proctor, Adelaide Anne, 120, 168, 233Proctor, Bryan W., 200Proctor, Ellen A., 316, 364, 406Prudhomme, Sully, 378Pusey, Edward Bouverie, 92Pyne, Kendrick, 337, 348

Radcliffe, Ann, 348–9, 350, 351, 352Rae, George, 161, 164, 168, 170, 173,

181, 186, 187, 245, 256, 258, 269,270, 271, 291, 295

Rainford, Edward W., 38Ralston, William R. S., 129, 148, 149,

235, 249Rathbone, Harold, 281, 348

Rathbone, Philip Henry, 307, 324Reach, Angus B., 56Read, Elizabeth, 28Read, Harriet, 395, 402, 404, 405Read, Thomas Buchanan, 63, 102Red Lion Mary, see Nicholson, MaryRicciardi, Conte Guiseppe, 218, 223,

233Rintoul, Henrietta, 89, 97, 116, 123,

131, 149, 150, 170, 173, 429Rintoul, Robert Stephen, 64, 73,

112Riviere, William, 121Rivington & Co., 237, 238, 239, 244,

247, 323, 367, 369, 373Rivington, R. A., 192, 203Roberts Brothers, 161, 188, 200, 202,

204, 218, 230, 232, 239, 240, 241,246, 248, 256, 282, 290, 309, 329,330, 332, 334, 336, 338, 347, 355,364, 365, 368, 370, 371, 374, 378,382, 385, 389, 393, 399

Robertson, Eric, 352Robinson, Agnes Mary Francis, 281,

344, 372, 373, 375, 378Robinson, George T., 281Robinson, Mabel, 281, 373, 436, 437Romney, George, 311, 424Rose, James Anderson, 133, 149, 150,

151, 154, 155, 156, 161, 162, 189,201, 217, 251

Rossetti, Arthur, see Rossetti, GabrielArthur

Rossetti, Christina Georgina (CGR)artworks: 51, 73, 74, 75, 76, 90,

136; ‘Bitter for Sweet’, 42contributions: The Complete Works

in Verse & Prose of EdmundSpenser, 280; Imperial Dictionaryof Universal Biography, 80, 96,104, 109, 117, 123, 154

literary works: ‘Acme’, 100;‘Advent’, 65, 114, 377; ‘AfterAll’, 68; ‘After Communion’,189, 197; ‘After Death’, 44, 134;‘After the Pic-nic’, 115; ‘After apicture in the Portland Gallery’,68; ‘After This the Judgement’,103, 176; ‘An Afterthought’,

458 Index

95; ‘Alas for me!’, 170; ‘“AlasMy Lord”’, 264, 267; ‘AllSaints’, 66; ‘An Alphabet fromEngland’, 277; ‘Amen’, 99;‘Amicizia:/”Sirocchia sond’amore”–’, see ‘Il Rosseggiardell’Oriente’; ‘“Amico e più cheamico mio”–’, see ‘Il Rosseggiardell’Oriente’; ‘AmorDomente?’, see ‘Il Rosseggiardell’Oriente’; ‘Amore eDispetto’, 30; ‘Amor Mundi’,175, 179, 182, 258, 279; ‘Amorsi Sveglia?’, see ‘Il Rosseggiardell’Oriente’; ‘Anne ofWarwick’, 34; ‘Annie (“Annie isfairer than her kith”)’, 58;‘Annie (“It’s not for earthlybread, Annie”)’, 77; AnnusDomini, 264, 266, 267;‘Another Spring’, 110, 214; ‘AnAnswer’, 103; ‘An Apple-Gathering’, 111, 137; ‘AnArgument’, 35, 54; ‘Ariadne toTheseus’, 23; ‘“As cold watersto a thirsty soul, so is goodnews from a far country”’, 117;‘“As a king … unto the King”’,154; ‘Ash Wednesday’, 120,162; ‘At Home’, 115, 133; ‘ATirsi’, 25; ‘The AudienceChamber’, 165; ‘Autumn’, 113;‘Autumn Violets’, 213, 276; ‘AnAwakening’, 184; ‘Ballad’, 81;‘Ballad of Boding’, 333; ‘Beautyis Vain’, 163, 199; ‘A Bed ofForget-Me-Nots’, 100; ‘Beforethe paling of the Stars’, 122;‘Behold I stand at the Door’,140; ‘“Behold, I stand at thedoor and knock”’, 65; ‘A BetterResurrection’, 108; ‘Better so’,141; ‘Birchington Churchyard’,341, 343; ‘Bird or Beast?’, 168,178; ‘A Bird’s-Eye View’, 156,157, 178; ‘A Bird Song’, 256;‘Birds of Paradise’, 169; ‘ABirthday, 111, 134, 140, 171,195; ‘A Blank’, 111; ‘“Blessed

are they that mourn for theyshall be comforted”’, 55; ‘Theblood of Jesus Christ cleansethfrom all sin’, 82; ‘“Blumine”Risponde’, see ‘Il Rosseggiardell’Oriente’; ‘Books in theRunning Brooks’, 68; ‘TheBourne’, 81, 155, 156, 179;bouts-rimés, 31, 35, 39, 46, 47;‘A Bride Song’, 273; ‘BrotherBruin’, 362, 364; ‘“A bruisedreed shall He not break”’, 67;‘Burial Anthem’, 25; ‘ABurthen’, 116; ‘By the Sea’,117, 178, 187, 264; ‘By theWater’, 97; ‘By the Waters ofBabylon’, 141; ‘By the Watersof Babylon. / B.C. 570’, 165,194, 377; ‘By Way ofRemembrance’, 225; Called tobe Saints: The Minor FestivalsDevotionally Studied (CS), 287,298, 316, 324, 329, 331, 334,342; ‘“Cannot Sweeten”’, 189;‘Cardinal Newman’, 383; ‘Case2: Folio Q’, 126, 130, 133, 134;‘Charade’, 26; ‘Charity’, 23, 24;‘Charon’, 403; ‘The Chiefestamong ten thousand’, 100;‘Chiesa e Signore’, 125;‘Child’s Talk in April’, 90; ‘AChill’, 159; ‘A Chilly Night’,98; ‘The Chinaman’, 16, 403;‘Christian and Jew. / ADialogue’, 116; ‘A ChristmasCarol’, 122, 162, 370, 377; ‘AChristmas Carol, For MyGodchildren’, 102; ‘AChristmas Carol (“In the bleakmid-winter”)’, 243, 246; ‘AChristmas Carol / (On theStroke of Midnight)’, 43;‘Christmas Carols’, 343, 370;‘The City of Statues’, 32; ‘ACoast-Nightmare’, 110;‘Cobwebs’, 94; ‘“Come cheerup, my lads, ’tis to glory westeer!”’, 24; ‘Come Unto Me’,162, 164; ‘Commonplace’, 229;

Index 459

Rossetti, Christina G. – continuedCommonplace and Other ShortStories, 65, 88, 225, 229, 230,231, 232; ‘Conference betweenChrist, the Saints, and theSoul’, 97, 153; ‘Confluents’,279; ‘Consider’, 156, 171, 188;‘“Consider the lilies of thefield”’, 78; ‘The ConventThreshold’, 116, 167; ‘CorMio’, 354; CorrispondenziaFamigliare, 66, 67; ‘Corydon’sLament and Resolution’, 19,20; ‘A Counsel’, 34; ‘CousinKate’’, 124; ‘Dante, An EnglishClassic’, 204; ‘Dante. The PoetIllustrated out of the Poem’,349, 355; ‘A Daughter of Eve’,184; ‘Day Dreams’, 110, 150;‘“The day is at hand”’, 69;‘Days of Vanity’, 254; ‘Deadbefore Death’, 88; ‘The DeadBride’, 30, 89; ‘The Dead City’,32; ‘Dead Hope’, 177, 210;‘Death’, 38; ‘“Death isswallowed up in victory”’, 37;‘A Death of a First-Born’, 388,392; ‘Death’s Chill Between’,34, 41; ‘The Dervise’, 12;‘Despair’, 23; ‘Despised andRejected’, 169, 377; ‘Did AnyBird Come Flying’, 377; ‘DingDong Bell’, 113; ‘A Dirge’, 60,185, 265, 342; ‘A Discovery’,68; ‘Divine and HumanPleading’, 28; ‘Dost Thou NotCare?’, 171; ‘A Dream’, 62;‘Dream Land’, 44, 46, 52;‘Dream Lands’, 154; ‘Dream-Love’, 85, 86, 153; ‘A Dumb Friend’, 156; ‘TheDying Man to His Betrothed’,29; ‘Earth and Heaven’, 24;‘“Earth has clear call of dailybells”’, 116; ‘Easter’, 165;‘Easter Even’, 82, 134, 162, 179;‘Easter Monday’, 165; ‘EasterMorning’, 23; ‘Echo’, 88, 170;‘An Echo from Willowwood’,

376, 384; ‘E. F.’, 183; ‘Eleanor’,33; ‘The Eleventh Hour’, 77,163; ‘Ellen Middleton’, 38; ‘An End’, 43, 52, 119, 124, 177;‘The End of the Year’, 103; ‘TheEnd of Time’, 26; ‘An EnglishDrawing-Room, /1865’, 183,187, 264; ‘Enrica, 1865’, 183,187, 264; ‘En Route’, 181;‘[Eppure Allora Venivi]’, see‘Il Rosseggiar dell’Oriente’; ‘An Escape’, 156; ‘Esther’, 377;‘Eva’, 32; ‘Eve’, 174, 377;‘Exultate Deo’, 376; ‘“Eye hathnot seen”’, 67; Face of the Deep:A Devotional Commentary on theApocalypse (FD), 369, 388, 389,392, 393, 417; ‘“Faint, yetpursuing”, 164, 389; ‘“Fairerthan younger beauties, morebeloved”’, 282; ‘Fair Margaret’,24; ‘“A fair world tho’ afallen.”–’, 64; ‘The Fairy Princewho arrived too late’, see ‘ThePrince’s Progress’; ‘The FaithlessShepherdess’, 23; ‘A FarmWalk’, 168; ‘Fata Morgana’,107; ‘A fight over the body ofHomer’, 101; ‘Finestra miaorientale’, see ‘Il Rosseggiardell’Oriente’; ‘The First SpringDay’, 90; ‘Floral Teaching’, 37;‘“The Flowers appear on theEarth”’, 91; ‘Folio Q’, see ‘Case2: Folio Q’; ‘For Advent’, 43;‘Forget Me Not’, 23; ‘For H.P.’,120; ‘For a Mercy received’,154; ‘For One Sake’, 110;‘Freaks of Fashion’, 298–9;‘Friends’, 175; ‘From theAntique’ (“It’s a weary life, it is;she said”), 85; ‘From theAntique’ (“The wind shall lullus yet”), 69; see also ‘OneSea-Side Grave’; ‘From House toHome’, 118, 170, 171; ‘FromMetastasio’, 104; ‘From Sunsetto Star Rise’, 175; ‘The German-French Campaign’,

460 Index

279; ‘The Ghost’s Petition’,165, 178; ‘Goblin Market’, 121,133, 134, 176, 197, 235, 315,318, 362; Goblin Market, 431,436, 441; Goblin Market andOther Poems (GM), 132, 138,140, 141, 142, 145, 146, 152,157, 161, 166, 169, 170, 171,173, 174, 175, 176, 177, 178,180, 190, 228, 244, 265, 273,330, 392, 394, 397, 431, 438;see also DGR, illustrations;Goblin Market, The Prince’sProgress, and Other Poems, 271,274, 276, 297, 307, 309, 313,316, 318, 374; ‘God be mercifulto me a sinner’, 135; ‘GoldenHolly’, 244; ‘Gone Before’, 101,159; ‘Gone For Ever’, 30, 179;‘Goodbye’, 115; ‘Good Friday’,147, 162; ‘Grown and Flown’,170; ‘Grown Old’, 38;‘Guesses’, 85; ‘“The half wasnot told me” said Sheba’sQueen’, 377; ‘A Harmony onFirst Corinthians 13’, 298, 309;‘“Have I not striven, my God,and watched and prayed?”’,159; ‘Have Patience’, 43; ‘HaveYou Forgotten?’, 43; ‘“Theheart knoweth its ownbitterness”’, 69, 109; ‘Heart’sChill Between’, 34, 41;‘Heaven’s chimes are slow, butsure to strike at last’, 86;‘Helen Grey’, 156, 189; ‘“A Helpmeet for Him”’, 374;‘Henry Hardiman’, 201; ‘Hero:A Metamorphosis’, 134, 188,204, 224; ‘Hold Thou me up’,151; ‘A Holy Heavenly Chime’,343, 344; ‘Holy Innocents’, 76;‘A Hope Carol’, 375; ‘Hope inGrief’, 26; ‘Hope is like aharebell’, 359; ‘A HopelessCase. / (Nydia.)’, 38; ‘The Hourand the Ghost’, 101; ‘TheHouse of Dante GabrielRossetti’, 388, 390; ‘How

long?’, 99; ‘“How manyauthors are my first!”’, 44;‘How One Chose’, 48;‘Husband and Wife’, 183, 298;‘A Hymn for Christmas Day’,23; ‘Hymn (“To the God whoreigns on high”)’, 19; ‘Iddioc’illumini!’, 203; ‘“I do set mybow in the cloud”’, 35; ‘If’,165, 189; ‘If I Had Words’, 168;‘If Only’, 175; ‘“I have donewith hope”’, 123; ‘“I havefought a good fight”’, 33; ‘“I have a message unto thee.” /(written in sickness.)’, 91;‘I Know You Not’, 100, 162; ‘“I look for the Lord”’, 68; ‘IlRosseggiar dell’Oriente’, 152,154, 197, 201, 204, 207, 208,209, 210, 212; ‘Immalee’, 34;‘An “Immurata” Sister’, 181; ‘InAdvent’, 103; ‘In An Artist’sStudio’, 103; ‘In a CertainPlace’, 189; ‘In Captivity’, 167;‘In the days of the Sea Kings’,103; ‘“The Iniquity of theFathers Upon the Children”’,175, 176, 177, 178; ‘InPatience’, 164; ‘In Progress’,146, 179; ‘In the Lane’, 100; ‘Inthe Round Tour at Jhansi, June8, 1857’, 109, 122;‘Introspective’, 108; ‘Is andWas’, 55; ‘Isidora’, 33; ‘“Is itwell with the child?”’, 185; ‘“Itoiled on, but thou”’, 271, 354;‘“I Will Lift Up Mine Eyes Untothe Hills”’, 97, 100, 153, 179;‘Jessie Cameron’, 168, 178; ‘Jessand Jill’, 156; ‘A King Dwelt inJerusalem’, 377; ‘The Knell ofthe Year’, 103; ‘Lady Isabella’(“Heart warm as summer”), 34, 179; ‘Lady Isabella’ (“Lady Isabella”), 28; ‘LadyMontrevor’, 37; ‘The Lambs ofGrasmere 1860’, 128; ‘TheLambs of Westmoreland 1860’,128; ‘A Lament’, 34;

Index 461

Rossetti, Christina G. – continued‘Lamentation & Consolation’,30; ‘Lassù fia caro il rivederci’,see ‘Il Rosseggiar dell’Oriente’;‘“Lassuso il caro fiore”’, see‘Il Rosseggiar dell’Oriente’; ‘The Last Answer’, 35; ‘The LastComplaint’, 43; ‘The LastHope’, 34; ‘The Last Look’, 91;‘Last Night’, 171, 178, 180;‘The Last Words of St.Telemachus’, 25; Later Life, 182,354; ‘L.E.L.’, 120, 156, 178;‘“Let patience have her perfectwork”’, 98; Letter and Spirit:Notes on the Commandments(LS), 336, 345, 347, 349, 350;‘“Let them rejoice in theirbeds”’, 72; ‘Life and Death’,156, 200; ‘Life Hidden’, 45; ‘A Life’s Parallels’, 287, 289;‘Light Love’, 102, 155; ‘“Like aswe are”’, 72; ‘L’Incognita’, 65;‘Lines / Given With aPenwiper’, 34; ‘Lines InMemory of Schiller’s “DerPilgrim”’, 37; ‘Lines to My Grandfather’, 26; ‘LisettaAll’Amante’, 30; ‘Listening’, 87;‘Lo! Newborn Jesus’, 374; ‘LongBarren’, 175; ‘Long Enough’,86; ‘Long Looked For’, 86;‘Looking Forward’, 45; ‘“Lookon this picture and on this”’,101; ‘Lord Thomas and FairMargaret’, 25; ‘The Lost Titian’, 88, 99, 100, 204; ‘TheLotus-Eaters: / Ulysses toPenelope’, 34; ‘Love andDeath’, 23; ‘Love and Hope’,21; ‘Love Attacked’, 29; ‘LoveDefended’, 29; ‘LoveEphemeral’, 25; ‘Love from theNorth’, 103; ‘“Love is allhappiness, love is all beauty”’,32; ‘Love Lies Bleeding’, 256,279; ‘“The love of Christ whichpasseth knowledge”’, 117; ‘TheLowest Place’, 377; ‘The Lowest

Room’, 101, 158, 177, 279;‘“Luscious and sorrowful”’,203; ‘Maggie a Lady’, 175, 200;‘Maiden-Song’, 158, 178, 213;‘“Man’s life is but a workingday”’, 164; ‘Margery’, 160, 178;‘The Martyr’, 29; ‘A Martyr’, 99;‘Martyrs’ Song’, 156, 171, 176;‘Mary Magdalene’, 28; ‘TheMassacre of Perugia’, 122–3;‘Maude’, 45, 51, 63, 225;Maude, 410, 412; ‘MaudeClare’, 111, 121, 124; ‘May’, 95;‘Meeting’, 166; ‘Memory’, 111,175; ‘Methinks the ills of life’,39; ‘“Me you often meet”’, 44;‘Michael F. M. Rossetti’, 347;‘Mirage’, 128; ‘Mirrors of Lifeand Death’, 290, 291; ‘MonnaInnominata’, 333, 365; ‘TheMonths: A Pageant’, 311, 343;‘Moonshine’, 67; ‘Mother andChild’, 28; ‘Mother Country’,188, 209; ‘Mr. And Mrs. Scottand I’, 121; ‘My Dream’, 90;‘My Friend’, 111, 169; ‘My Ladyof the Manor’, 175; ‘MyMouse’, 289; ‘“My oldadmiration before I wastwenty”’, 340; ‘Ne’ sogni tiveggo’, 35, 381; ‘New Enigmas’,51; New Poems (1896), 68, 408,412; ‘New Year’s Eve’, 103;‘Next of Kin’, 72; ‘Nick’, 65, 77,78, 110, 204, 224; ‘Night andDeath’, 34; ‘No, Thank You,John’, 126, 279; ‘Noble Sisters’,124; ‘“None with him”’, 166;‘Nonsense’, 111; ‘“Non son iola rosa ma vi stetti appresso”’,see ‘Il Rosseggiar dell’Oriente’;‘“Nostre voluntà quieti virtù dicarità”, see ‘Il Rosseggiardell’Oriente’; ‘Notes on TudorHouse’, see ‘The House of DanteGabriel Rossetti’; ‘“Not yoursbut you”’, 102; ‘The Novice’,33; ‘“Now they desire”’, 101;‘Now they desire a better

462 Index

country’, 97; ‘A Nun’, 43;‘“O Christ our all in each, ourall in all!”’, 151; ‘An OctoberGarden’, 295; ‘“O death whereis thy sting?”’ 35; ‘The Offeringof the New Law’, 135–6, 153;‘Of My Life’, 190; ‘Oggi’, see ‘IlRosseggiar dell’Oriente’; ‘“Ohforza irresistibile/Dell’umilepreghiera”–’, see ‘Il Rosseggiardell’Oriente’; ‘Oh Lady Moon’,359; ‘Oh what comes over thesea?’, 191; ‘Old and New YearDitties’, 103; ‘On Albina’, 23;‘Once’, 55, 86; ‘Once in aDream’, 152; ‘Once ForAll./(Margaret.)’, 188, 207; ‘On the Death of a Cat’, 28;‘One Certainty’, 45; ‘One Day’,108, 141, 161; ‘One of theDead’, 35; ‘One Sea-Side Grave’,72, 355, 356; ‘On Keats’, 43;‘Only believe’, 116; ‘“On thenote you do not send me”’, 53;‘On the Wing’, 152; ‘OurHeaven’, 81; ‘“Our heavenmust be within ourselves”’, 81;‘“Our life is long. Not so, wiseangels say”’, 99; ‘Our WidowedQueen’, 141; ‘“Out of theDeep”’, 152; A Pageant andOther Poems (P), 316, 320, 324,329, 331, 332, 333, 338, 346,347, 355, 361, 365, 370, 374,378, 382, 385, 388, 428;‘“Palmbuds” for blessed grief’,383; ‘Paradise’, 82; ‘Paradise: ina Symbol’, 169, 215; ‘“Partingafter Parting”’, 115, 166;‘Passing away, saith the world,passing away’, 131, 205;‘Patience of Hope’, 325;‘A Pause’, 75; ‘A Pause ofThought’, 37, 54; ‘A Peal ofBells’, 108; ‘A Peep at theGoblins’, see ‘Goblin Market’;‘Per Preferenza’, see ‘IlRosseggiar dell’Oriente’; ‘Pitia aDamone’, 23; Poems (1866),

187, 194; Poems (1872), 245;Poems (1876), 279, 280, 282,285, 290, 309, 332; Poems(1882), 336, 337, 345, 347, 355,361, 365, 370, 374; Poems(1888), 374, 378, 382; Poems(1890, 1891, 1892), 381, 383,385, 388, 393, 398, 407; ‘ThePoor Ghost’, 158; ‘The Portrait’,32; ‘A Portrait’, 58; ‘Portraits’,74; ‘Praise of Love’, 32; ‘TheP.R.B. is in its decadence’, 79;‘Present and Future’, 30; ‘ThePrince’s Progress’, 139, 156,159, 171, 173, 174, 176, 177;The Prince’s Progress and OtherPoems (PP), 174, 178–9, 180,186, 190, 191, 228, 244, 265,297, 434; ‘The Prince whoarrived too late’, see ‘ThePrince’s Progress’; ‘PromisesLike Piecrust’, 135; ‘The Queenof Hearts’, 154, 159, 279;‘Queen Rose’, 46; Redeeming theTime: Daily Musings for Lent,425; ‘Reflection’, 110, 150;‘Refuge’, 129; ‘Remember’, 45,347; ‘Repining’, 35, 54; ‘Rest’,44; ‘Resurgam’, 336, 338, 341;‘Resurrection Eve’, 32;‘Retribution’, 14; ‘A Return’,165; ‘A Ring Posy’, 156;‘Ripetizione’, see ‘Il Rosseggiardell’Oriente’; ‘River Thames’,97; ‘Rosalind’, 19, 20; ‘TheRose’ (“Gentle, gentle river”),28; ‘The Rose’ (“Oh rose, thouflower of flowers”), 32, 80; ‘A Rose Plant in Jericho’, 271;‘Roses and Roses’ (“Where shallI find a white rose blowing?”),356; ‘A roundel seems to fit around of days’, 373; ‘TheRound Tower at Jhansi’, see‘In the Round Tour at Jhansi’;‘A Royal Princess’, 139, 151,153, 176, 178, 279; ‘The RuinedCross’, 29, 67; ‘A SafeInvestment’, 205, 224;

Index 463

Rossetti, Christina G. – continued‘St Andrew’s Church’, 38; ‘StElizabeth of Hungary’, 58, 67;‘Sapessi pure!’, see ‘Il Rosseggiardell’Oriente’; ‘Sappho’, 30;‘Seasons (“Crocuses andsnowdrops wither”)’, 79;‘Seasons (“In Springtime whenthe leaves are young”)’, 77;‘Seasons (“Oh the cheerfulbudding-time”)’, 155, 196; ‘[Se così fosse]’, see ‘IlRosseggiar dell’Oriente’; Seekand Find: A Double Series of ShortStudies on the Benedicite (SF),307, 310, 311, 312, 313;‘Seeking Rest’, 48; ‘[Se fossiandata a Hastings]’, see ‘IlRosseggiar dell’Oriente’;‘Serenade’, 26; ‘A shadow ofDorothea’, 117; ‘Shall I forget?’,175; ‘Shut Out’, 97; ‘A SickChild’s Meditation’, 360; Sing-Song: A Nursery Rhyme Book(SS), 215, 228, 229–30, 231,232, 236, 237, 239, 240, 241, 242, 243, 244, 245, 248, 276,304, 305, 308, 309, 312, 358,376, 383, 392, 395, 396, 422;‘“The sinner’s own fault? So it was”’, 160; ‘Sir EustaceGrey’, 30; ‘Si Rimanda la Tocca-Caldaja’, see ‘IlRosseggiar dell’Oriente’; ‘Sirs, ye are Brethran’, 225; ‘Sir Winter’, 103; ‘Sit Down inthe Lowest Room’, 101, 164; ‘A Sketch’, 168; ‘Sleep at Sea’,78, 86; ‘“Sleeping at last, thetrouble and tumult over”’, 397;‘“Sleep, sleep, happy one”’, 41;‘A Smile and a Sigh’, 189, 210;‘Soeur Louise de laMiséricorde’, 290; ‘Sognando’,see ‘Ne’ Sogni ti Veggo’; ‘TheSolitary Rose’, 32; ‘Some Prosand Cons About Pews’, 203,204; ‘Somewhere or Other’,159; ‘Song (“I have loved you

for long years Ellen”)’, 68;‘Song (“I saw her; she waslovely”)’, 30; ‘Song (“It is notfor her even brow”)’, 59; ‘TheSong of the Star’, 32; ‘Song(“Oh roses for the flush ofyouth”)’, 43, 54; ‘Song (“Ohwhat comes over the sea?”)’,191; ‘Song (“She sat and sangalway”)’, 42; ‘Songs in aCornfield’, 168, 176–7, 178,186, 217; ‘Song (“When I amdead, my dearest”)’, 42, 235,240, 382, 407; ‘Sonnet / Fromthe Psalms’, 34; ‘Sonnet / OnLady Isabella’, 32; ‘Sonnet(“Some say that love and joyare one: and so”)’, 43; ‘Sonnet(“The stream moaneth as itfloweth”)’, 34; ‘“Son,Remember”’, 380; ‘“Sorrow notas those who have no hope”’,118; ‘Sound Sleep’, 46; SpeakingLikenesses (SL), 256, 264, 265,267, 268, 269, 270, 273;‘Spring’, 120, 122; ‘SpringFancies’, 115, 171, 178; ‘SpringQuiet’, 31; ‘A Study. (A Soul.)’,81; ‘Summer’, 26, 163;‘Summer (“Come, cuckoo,come”)’, 155; ‘A SummerEvening’, 78, 80; ‘“The summeris ended”’, 68; ‘A SummerWish’, 63; ‘Sunshine’, 166;‘“Surely He hath borne ourgriefs”’, 72; ‘Sweet Death’, 43,54; ‘Symbols’, 43, 86; ‘Tassoand Leonora’, 30; ‘ATestimony’, 46, 54; ‘“Then theythat fear the Lord spake oftento one another”’, 122; ‘“Thenwhose shall those things be?”’,116; ‘There is a buddingmorrow in midnight’, 377;‘There remaineth therefore arest’, 81; ‘“There remaineththerefore a rest to the people ofGod”’, 76, 81; ‘“These all waitupon Thee”’, 71; ‘“They Desire

464 Index

a Better Country”’, 217; ‘“Thouart the same, and Thy yearsshall not fail”’, 325; ‘The ThreeEnemies’, 63; ‘Three Moments’,55; ‘Three Nuns’, 43, 56; ‘ThreeSeasons’, 79, 199; ‘ThreeStages’, 37, 86; ‘“Thy friendand thy father’s friend forgetnot”’, 122; ‘“Till thou return”’,101; Time Flies: A Reading Diary(TF), 32, 55, 360, 362, 363, 364,371; ‘The Time of Waiting’, 30;‘To a Murderer’, 30; ‘Today andTomorrow’, 115; ‘Today’sBurden’, 336; ‘To E.R.’, 28; ‘ToLalla, Reading My VersesTopsy-Turvy’, 43; ‘To MaryRossetti’, 369; ‘Tomorrow?’,157; ‘To My Fior-di-Lisa’, 388;‘To My Friend Elizabeth’, 28;‘To My Mother on HerBirthday’, 16; ‘To the End’, 95;‘To what purpose is thiswaste?’, 71; ‘Treasure-Trove’,see Seek and Find; ‘The Trees’Counselling’, 35, 80; ‘A Triad’,103; ‘A Trio’, 103; ‘True in theMain: Two Sketches’, 342; ‘ATrue Story’, 31; ‘Twice’, 166;‘Twilight Calm’, 54, 78, 80;‘Twilight Night’, 157, 168, 208;‘Two Pursuits’, 44; ‘“The twoRossettis (brothers they)”’, 78;‘Two Thoughts of Death’, 55;‘Under the Rose’, 176, 177;‘Under Willows’, 168; ‘Undine’,37; ‘Unforgotten’, 95; ‘Up and Down’, 124; ‘Up-Hill’, 115, 134, 260; ‘Vanity ofVanities’, 116, 179; ‘Venus’s Looking-Glass’, 253, 256, 279;Verses (1847), 24, 28, 31, 32,33, 41, 179, 376, 415, 431;Verses (1893), 55, 392, 393,395, 396, 397, 398, 400, 426;‘Versi’, 48, 64; ‘The Watchers’,56, 86; ‘The Water Spirit’sSong’, 22; ‘The Waves of thisTroublesome World’, 201, 204;

‘The Way of the World’, 401;‘Weary in Well-Doing’, 169;‘“Weigh all my faults andfollies righteously”’, 82;‘What?’, 74; ‘What comes?’,191; ‘“What good shall my lifedo me?”’, 116, 122; ‘“What is itJesus saith unto the soul?”’, 55;‘“What is that to thee? followthou me”’, 165; ‘What SapphoWould Have Said Had Her LeapCured Instead of Killing Her’,42; ‘“Whatsoever is right, thatshall ye receive”’, 109; ‘What toDo?’, 184; ‘What Would IGive?’, 163; ‘When Harvestfailed’, 110; ‘When I am dead,my dearest’, see ‘Song (“When Iam dead, my dearest”)’; ‘WhenI was dead my spirit turned’,133; ‘“When my heart is vexedI will complain”’, 84; ‘WhitsunEve’, 74; ‘“The whole head issick, and the whole heartfaint”’, 35; ‘Who Shall DeliverMe?’, 164, 188; ‘“Who wouldwish back the saints upon ourrough”’, 141, 152; ‘Wife toHusband’, 136; ‘Winter: MySecret’, 111; ‘Winter Rain’, 120;‘A Wintry Sonnet’, 343, 348;‘Wishes: / Sonnet’, 33; ‘Withinthe Veil’, 141, 215; ‘TheWorld’, 85; ‘The World’sHarmonies’, 34; ‘A Yawn’, 117,178; ‘“Yea, I have a goodlyheritage”’, 384; ‘A YearAfterwards’, 54; ‘A Year’sWindfalls’, 156; ‘“Ye haveforgotten the exhortation”’,84; ‘Yet a little while’, 116;‘Yet a little while’ (“Heaven isnot far, tho’ far the sky”), 296,300; ‘Young Death’, 185;‘“Young men aye were ficklefound / Since summer treeswere leafy”’, 34; ‘Young Plantsand Polished Corners’, seeCalled to be Saints;

Index 465

Rossetti, Christina G. – continued‘Zara (“I dreamed that lovingme he would love on”)’, 89;‘Zara (“The pale sad face of her Iwronged”)’, 38; ‘“Zion Said”’, 95

memorial window: 356, 357, 415,416, 417

musical settings: 171, 192, 195,199, 203, 217, 235, 247, 315,318, 322, 362, 382

periodical contributions: Argosy,188, 189, 208, 256, 258, 265,273; Atalanta, 374, 376, 384;The Athenaeum, 41, 290, 291,295, 336, 338, 341, 343, 347,351, 383; Blackwood’s Magazine,86, 130; The Bouquet, Culledfrom Marylebone Gardens, 64,65, 66, 67, 72; Century GuildHobby Horse, 370, 375; CenturyMagazine, 349, 355, 356;Churchman’s Shilling Magazine,201, 203, 204, 205; CornhillMagazine, 126, 133, 134, 210;The Crayon, 99, 100; The Dawnof the Day, 342; DublinUniversity Magazine, 296, 300,303; English Woman’s Journal,137, 140, 159; Fraser’sMagazine, 87; Harper’sMagazine, 344; Literary Opinion,388, 389, 390; Magazine of Art,376, 384, 401; NationalMagazine, 110; ‘New and Old’;For Seed-Time and Harvest, 374,380; Notes & Queries, 157, 258;Once a Week, 121, 122, 124,149; Our Paper: A Monthly Serial,89; St Nicholas Magazine, 277,359; Scribner’s Monthly, 243,246, 254, 256; ShillingMagazine, 179, 182; VictoriaMagazine, 163; Wide-Awake,334, 343, 362, 364

pseudonyms: 53, 54, 64, 65spiritualism: 161, 171, 173translations: ‘“Animuccia,

vagantuccia, morbiduccia”’,280; Mallet du Pan, Jacques, 65;

‘“Soul rudderless, unbraced”’,280; The Terra-Cotta Architectureof North Italy, 187, 193, 195,198, 201

Rossetti, Dante Gabriel (DGR) artworks: The Annunciation (S.69),

118; see also Ecce AncillaDomini!; furniture design anddecorative art, stained glass;Arabian Nights (S.7), 14; Arthur’sTomb (S.73), 93, 94, 122, 172,299; Aspasia Teaching Socrates toDance (S.176), 163, 184; AspectaMedusa (S.183), 172, 203, 205,206, 208, 209, provenance,210, 357; Astarte Syriaca(S.249), 272, 275, 278, 280,281, 288, 289, 290, 308, 347,348, 357, exhibits, 291,provenance, 275, 278, 313,387; Ballad of Fair Annie (S.68),88; Beata Beatrix (S.168), 161,162, 196, 216, 245, 252, 253,256, 289, 304, 310, 315, 317,337, provenance, 192, 237,306, 349, 352, 375, 386;Beatrice Meeting Dante at aMarriage Feast, Denies him herSalutation (S.50), 60, 61, 63, 98,125, exhibits, 69, 98,provenance, 95; Beatrice(S.256), 308; Before the Battle(S.106), 113, 115, 124; Belcolore(S.160), 157, 207; Bella e Buona,see Il Ramoscello; The Beloved(S.182), 125, 153, 161, 169,172, 179, 256, exhibits, 189;Bethlehem Gate (S.159), 60, 142,148, 153; Blanzifiore (S.227),256; The Blessed Damozel(S.244), 216, 256, 272, 278,280, 281, 285, 288, 298, 301,302, exhibits, 310, models, 277,provenance, 103, 237, 259,283, 318, 319, 320, 322, 323,324, 325; The Blue Bower(S.178), 178, 185, 261, 310; TheBlue Closet (S.90), 105, 107,129, 164; The Boat of Love

466 Index

(S.239), 52, 88, 245, 264, 283,provenance, 165, 184, 247,263, 324, 325, 349; Boatmenand Siren (S.63), 70, 83; BoccaBociata (S.114), 122, 123, 126,129; Bonifazio’s Mistress (S.121),96, 125, 131; Borgia (S.48), 51,83, 112, 118, 126, 153,exhibits, 120, provenance, 66;Bottles (S.31), 37; The BowerGarden (S.112), 119; The BowerMaiden, see Marigolds; The BowerMeadow (S.229), 245, 247, 250;Bruna Brunelleschi (S.251), 301,304; Burd Alane (S.144), 129,145; Carlisle Wall (S.60), 75;Cassandra (S.127), 132, 172,246, 313; Chapel Before the Lists(S.99), 97, 105, 164, 173; AChristmas Carol (S.98), 111,122; (S.195), 199, 291; Countessof Carlisle (S.280), 226; (S.281),233; The Damsel of the SanctGrael (S.91), 105, 164, 269, 271;Dante at Verona (S.55), 66;Dante Drawing An Angel on theFirst Anniversary of the Death ofBeatrice, see First Anniversary ofthe Death of Beatrice; Dante’sDream at the Time of the Deathof Beatrice (S.81), 99, 159, 160,164, 206, 230, 234, 251, 257,261, 269, 291, 310, 311, 312,314, 317, 321, 330, 334, 339,348, 361, exhibits, 107, 111,245, 256, 332, 335, 354,models, 98, provenance, 101,210, 249, 261, 264, 278, 283,303, 304, 305, 310, 313, 324,333; Dante’s Vision of MatildaGathering Flowers (S.72), 93, 94;Dante’s Vision of Rachel andLeah (S.74), 93, 95, 98; DantisAmor (S.117), 125; TheDay-Dream (Vanna Primavera)(S.259), 308, 311, 314, 317,318, 321, 322, 324,provenance, 313; Death ofBreuze Sans Pitié (S.101), 105,

164, 173; The Death of LadyMacbeth (S.242), 272, 280;Desdemona’s Death-Song (S.254),226, 264, 272, 280, 299, 308,314, 317, models, 312, 330,333, provenance, 258; DîsManibus, see Roman Widow;Dorothy and Theophilus (S.43),42; Dr Johnson at the Mitre(S.119), 128, 137, 145; TheDulcimer (S.248A), 289; Eatingof the Passover (S.78), 80; EcceAncilla Domini! (TheAnnunciation) (S.44), 44, 50, 55,57, 58–9, 71, 72, 306, 310, 367,exhibits, 55, 63, models, 49, 50,51, 55, provenance, 91, 267,366; Fair Rosamund (S.128),137, 145; The Farmer’s Daughter(S.158), 142, 145, 214; Faust:Faust and Margaret in Prison(S.82), 96; Faust: Gretchen andMephistopheles in the Church(S.34), 36, 38; Faust: Margaret inthe Church (S.35), 36; Faust:Mephistopheles outside Gretchen’sCell (S.17), 29; Fazio’s Mistress(S.164), 159, 161, 201;Fiammetta (S.192), 196; see alsoA Vision of Fiammetta; FirstAnniversary of the Death ofBeatrice (S.42), 40, 41, 42, 61;(S.58), 68, 74, 77, 91, 117, 160;The First Madness of Ophelia(S.169), 165; Forced Music(S.247), 289; Found (S.64), 80,82, 85, 86, 87, 88, 90, 131,138, 226, 231, 277, 281, 310,314, 317, 323, 326, 327, 346,401, exhibits, 124, 324,models, 96, provenance, 74,135, 137, 202, 204, 224, 283,324; Fra Angelico Painting(S.694), 71; Fra Pace (S.80), 94,97, 98; The Gate of Memory(S.100), 105, 163; Genevieve(S.38), 39; The German Lesson(S.603), see portraits, JM;Giorgione Painting (S.695), 71;

Index 467

Rossetti, Dante Gabriel (DGR) – continued

Giotto Painting the Portrait ofDante (S.54), 50, 66, 69, 119,355; Girl at a Lattice (S.152),145, 148; The Girlhood of MaryVirgin (S.40), 39, 41, 45, 53, 79,exhibits, 43, models, 41, 45,provenance, 44, 119, 169, 193;Girl Singing to a Lute (S.59), 70,75, 120; Golden Water (S.107),112; Hamlet and Ophelia(S.108), 86, 112, 120; (S.189),187, 313; The Heart of the Night,see Mariana in the South;Heartsease (S.194), 187; Helen ofTroy (S.163), 153, 155, 157,163; Hermia and Helena (S.26),27; Hero 291, 298, 323; HesternaRosa (S.57), 66, 70, 170, 172;‘Hist!’ said Kate the Queen (S.49),39, 44, 60, 100; How Sir Galahad,Sir Bors and Sir Percival were Fedwith the Sanc Grael (S.94), 105,162; see also murals, OxfordUnion; How They MetThemselves (S.118), 60, 128,133, 162, 201; Il Ramoscello(Bella e Buona) (S.181), 172,256; Joan of Arc (S.162), 149, 151, 155, 162, 335, 337, 339,provenance, 150, 168, 201,306; Jolie Coeur (S.196), 197;Joseph Accused Before Potiphar(S.122), 125; King Arthur and theWeeping Queens (S.84), 96, 117;King René’s Honeymoon (S.175),165; see also furniture designand decorative art; La Bella Mano (S.240), 271, 273,275, provenance, 279, 281; La Belle Dame sans Merci, (S.32),37; (S.76), 52, 88, 99, 119, 126;La Bionda del Balcone (S.114R1), 213, 291; The Laboratory(S.41), 42; La Donna dellaFiamma (S.216), 216, 226, 254;La Donna della Finestra (S.255),226, 289, 302, 310, 312, 325,

provenance, 311, 318, 401;Lady in a Blue Dress (S.260D),245; Lady Greensleeves, see MyLady Greensleeves; Lady Lilith(S.205), 162, 173, 187, 198,211, 283, models, 209,provenance, 193, 254, 343,401; The Lady of Shalott (S.85),96, 106; La Ghirlandata (S.232),256, 262, 275, 281, exhibits,310, models, 260, 261,provenance, 260; La Pia de’Tolomei (S.207), 172, 198, 208,211, 214, 226, models, 201,209, provenance, 209, 247,260, 262, 275, 321, 323; LaTomba (S.11), 18; Ligea Siren(S.234), 257, 258, 260, 324;Love’s Greeting (S.126), 132; The Loving Cup (S.201), 197,201, 245, 257, 266, 350;Lucrezia Borgia (S.124), 125,132, 209, 236, 254, 256,exhibits, 126, provenance, 268,269; Madonna Pietra (S.237),264, 275; Maids of Elfen-Mere(S.67), 86, 89, 90, 92, 97, 165;Mariana (S.213), 148, 207, 211,224, 226; Mariana in the South(The Heart of the Night) (S.86),96, 103, 142, 269; Maries at theFoot of the Cross (S.52), 66;Marigolds (The Bower Maiden)(S.235), 250, 256, 260, 265;Mary in the House of St John (S.110), 74, 112, 116,117, 118, 119, exhibits, 120,provenance, 352; MaryMagdalene at the Door of Simonthe Pharisee (S.109), 75, 85, 120,172, 281, 345, models, 115,provenance, 74, 119–20, 258,270; Mary Magdalene Leaving theHouse of Feasting (S.88), 105;Mary Magdalene (S.250), 198,289, 313; see also stained glass;Mary Nazarene (S.87), 105, 107;The Meeting of Dante andBeatrice in the Garden of Eden,

468 Index

see The Meeting of Dante andBeatrice in Paradise (S.116D);The Meeting of Dante andBeatrice in Paradise (S.116D), 58,70, 71; see also furniture designand decorative art; TheSalutation of Beatrice; TheMerciless Lady (S.177), 172;Michael Scott’s Wooing, 198,236; (S.56), 70; (S.222), 216,222, 226; The MiraculousDraught of Fishes (FRC 102), 13;Mnemosyne (S.261), 280, 284,310, 327; Monna Pomona(S.171), 164; Monna Rosa(S.153), 142, 263; (S.198), 202;Monna Vanna (S.191), 193, 256;Morning Music (S.170), 162,197; The Ms at Ems (S.605), seeportraits, JM; My LadyGreensleeves (S.113), 119;(S.161), 156, 182; The Nativity(S.71), 92, 94; Orpheus andEurydice (S.243), 272, 275;Pandora (S.224), 216, 236, 301,308, 309, models, 214, 217,provenance, 224, 275; Paoloand Francesca da Rimini (S.75),27, 50, 71, 99, 142, 201,exhibits, 98, provenance, 95,98, 151, 164; Passover in theHoly Family (S.78), 50, 93, 95,97, 356, 359; Penelope (S.210),220; Perlascura (S.225), 236,289, 303; Physical Condition andMental Attitude, 196; ThePortrait (S.212), 216;

portraits, AB, 152; ACS, 128, 132;Alderson-Smith, Mrs, 272;AMH, 71; Beyer, Mrs, 142;Burrell (child), 132; Burton,Miss, 176; CAH, 172; CalderCampbell, Robert, 42–3; CBC,70; CGR, 27, 31, 36, 52, 68,142, 180, 187, 193, 277, 294,295, 407; Cornforth, Fanny,122, 125, 142, 149, 152, 187,207, 264; Coronio, Aglaia, 225;Coronio, Calliope, 216; CP, 44,

75; Dalrymple, Lady, 112;Deverell, Ruding W., 79;Deverell, Wykeham, 81; EBB,94; EES, 51, 66, 70, 79, 80, 84,86, 90, 92, 95, 101, 125, 132,136, 195, 348, 357, 418, 419;EMB, 74, 130, 196, 256; EP, 66,96; FMB, 99, 196, 408; FMLR,68, 71, 74, 80, 85, 189, 193,208, 294, 295, 407; GCT, 285;GGH, 245, 252; GP, 38, 74;GPB, 118; GR, 70, 74, 346;Graham, Frances, 216; Graham,Willie, 224; Heaton, Mary, 139;Heaton, Winifred, 139; Herbert,Louisa Ruth, 112, 118; HFP, 91;Hopley, Susan, 15; HP, 41, 153;JEM, 60, 70; JM, 105, 110, 112,131, 164, 172, 180, 207, 209,216, 220, 221, 226, 231, 233,234, 235, 238, 246, 254, 256,263, 272, 273, 276; KH, 216;Leathart, Maria, 142, 152; LMB,196, 269, 394; Lyster, AlfredChaworth, 92; Maenza,Guiseppe, 127; Manetti, Agnes,142; Marks, Mrs Murray, 207;Marshall, Peter Paul, 196;Miller, Annie, 125, 126; Morris,May, 245, 254; MS, 221;Nicholson, Mary, 96;Northampton, Marchioness of,264; Orme, Emily Rosaline, 66;Parke, Louisa Jane, 88; Pearce,W. W., 70; Pollen, Mrs JohnHungerford, 105; RB, 94, 95;Robertson, Miss, 187; Ruskin,John, 88, 115, 132; Smith,Ellen, 156, 180, 198; Tebbs,Emily, 226; Tennyson, AlfredLord, 94, 419; TGH, 252, 253;Thompson, Margaret, 69; TPR,69; TWD, 264; Vernon, Ada,153; WA, 82; WaringtonTaylor, George, 196; WBS, 68,294; Wells, Joanna Mary, 137;WHH, 60, 70, 73, 196; Wilding,Alexa, 187, 201, 207, 245, 256;WM, 105, 196;

Index 469

Rossetti, Dante Gabriel (DGR) – continued

WMR, 27, 70, 71; Woolner,Thomas, 52, 67, 70; Zambaco,Maria, 216, 226;

Princess Sabra Drawing the Lot(S.146), 299; see also stainedglass; The Prisoner’s Daughter(S.218), 226; Proserpine (S.233),236, 256, 262, 263, 264, 265,266, 270, 275, 283, 309, 335,337, 339, exhibits, 302, models,258, provenance, 258, 260,261, 265, 269, 297, 301, 304,305, 306, 333; Queen of Beauty,180, 181, 186; The Queen’s Page(S.66), 85, 166; The Question(S.241), 274, 275, 334–5, 340;Rachel and Leah, see Dante’sVision of Rachel and Leah; TheRaven: Angel Footfalls (S.19), 29,31; ‘Red Lion Mary’, seeportraits, Nicholson, Mary;Regina Cordium (S.120), 125,129, 132, 144; (S.129), 139;(S.190), 187; Resolution; or TheInfant Hercules, see portraits,WM; Retro me Sathana (S.37),31, 38; The Return of Tibullus toDelia (S.62), 60, 63, 70, 88, 96,132, models, 65, provenance,173, 199, 203, 209, 214, 357;Reverie (S.206), 207, 208; Rienzi,the Last of the Tribunes (FRC77), 15; Risen at Dawn (S.253),207, 296, 305, 306, 337; Romande la Rose (S.126 R1), 162;Roman Widow (Dîs Manibus)(S.236), 260, 262, 264, 266,267, 269, 275, 283; Romaunt ofMargaret (S.25), 27; Rosa Triplex(S.238), 172, 198, 265, 269,337; The Rose Garden (S.125),140; The Roseleaf (S.215), 226;The Rose (S.199), 197;Rossovestita (S.45), 50, 51, 55,69; Ruth and Boaz (S.70), 88; StCatherine (S.89), 105, 114, 119;St Cecilia (S.83), 96, 102, 105,

256; St George and the PrincessSabra (S.151), 141, 144; see alsostained glass; The Wedding of St George and the PrincessSabra (S.97); St John Comforting the Virgin at the Footof the Cross (S.104), 105, 148; St Luke the Painter (S.102), 105;The Salutation of Beatrice(S.116), see furniture designand decorative art; TheSalutation of Beatrice (S.260),280, 317, 318, 324, 337, 338,356, provenance, 328; SanctaLilias (S.257), 256, 269, 285,315; The Saracens Seizing Isaac,the Jew of York, by order of Front de Boeuf (FRC 76), 12; A Sea-Spell (S.248), 275, 283,289, 291, 304, 310, 338, 344,provenance, 305, 306, 348; Seedof David (S.105), 96, 115, 119,132, 138, 162, 166, 193,exhibits, 118, 139, models, 128;see also Llandaff Cathedral; self-portraits, 32, 70, 71, 93,125, 139, 196, 226, 407; SibyllaPalmifera (S.193), 163, 187,207, 211, 224, 226,provenance, 186, 219, 252,401; Silence (S.214), 226, 233,253, 254, 289; Sir Galahad andan Angel (S.96), 105; Sir Galahadat the Ruined Chapel (S.115), 96,103, 122, 123; Sir Galahad, Sir Bors and Sir Percival Receivingthe Sanc Grael, see murals,Oxford Union; Sir Lancelot inthe Queen’s Chamber (S.95), 105,120; Sir Tristram and La BelleYseult Drinking the Love Potion(S.200), 204, 256; Sister Helen(S.220), 226; The Sleeper (S.29),27; Sorrentino (S.10), 18, 22; TheSpirit of the Rainbow (S.245),280; ‘The Sun May Shine and WeBe Cold’ (S.33), 38; Sweet Tooth(S.123), 142; Taurello’s FirstSight of Fortune (S.39), 42;

470 Index

Tennyson Reading Maude, seeportraits; Tessa la Bionda(S.203), 198; Three Sang of LoveTogether (S.184), 172; ‘To CaperNimbly in a Lady’s Chamber’(S.47), 51, 83, 118; Touchstoneand Audrey (S.20), 30; TroyTown (S.219), 226; The Tune ofthe Seven Towers (S.92), 105,164; Two Mothers (S.53), 66,267; Ulalume (S.30), 31; ‘UncleTom’ (S.593), 66; Valancourt(FRC 108d), 13; VannaPrimavera, see The Day-Dream;Venus Astarte, see AstarteSyriaca; Venus Verticordia(S.173), 153, 166, 173, 198,211, 230, provenance, 165,168, 209, 372; Veronica Veronese(S.228), 245, 270, 275, 283,289, 304, provenance, 247,277, 426; Virgin and Child(S.689), 69; The Virgin Marybeing Comforted (S.51), 66; AVision of Fiammetta (S.252),196, 289, 299, 301, 302, 304,models, 297, provenance, 297,305; Washing Hands (S.179),170, 184; Water Willow (S.226),236, 295, 297, 302; TheWedding of St George and thePrincess Sabra (S.97), 105, 111;The Wedding of St George(S.150.R1), 165; William andMarie (FRC 83), 15; WomanCombing her Hair (S.174), 162;Woman in Yellow (S.165), 153;Wood Nymph (S.223), 226;Writing on the Sand (S.111),115, 119, binding designs, 172,173, 174, 180, 217, 225, 227,231, 239, 240, 253, 330

exhibitions: Burlington Fine ArtsClub, 345, 346, 347, 348;Dudley Galleries, 422; EighthAnnual Loan Exhibition, 374;Free Exhibition, 43, 44, 55;Henry James Holdingsubscription-exhibition, 254;

Hogarth Club, 116, 118, 120,121, 126; InternationalExhibition, 148, 150; Leighton House, 422, 423;Liverpool, 111, 122, 332, 333; Manchester, 302, 354;New Gallery, 411, 412, 413;Nottingham, 388; Pre-Raphaelite Exhibition, 107,108–9; R.A., 342, 345, 347, 348;‘The Rossetti Gallery’, 349

furniture design and decorative art:102, 109, 115, 125, 132, 148,150, 154, 162, 165, 166, 167;Dantis Amor (S.117), 172, 357;The Salutation of Beatrice (S.116),102, 121; Threshing (S. 154), 142

illustrations: Day and Night Songs(WA), 85; GM (CGR), 138, 140,141, 145, 147, 175; MusicMaster (WA), 84, 92; Poems byAlfred Tennyson (Moxon), 96,101, 103, 106, 107, 117; PP(CGR), 179, 186, 189, 191

literary contributions: The Life ofWilliam Blake, 138, 142; see alsoGilchrist, Alexander

literary works: ‘Adieu’, 280; ‘After the French Liberation of Italy’,119, 238; ‘After the GermanSubjugation of France’, 238;‘Aladdin, or The WonderfulLamp’, 9; ‘Alas, So Long’, 325; ‘Amiens’, 49; ‘Antwerp toGhent’, 49; ‘Ardour andMemory’, 316, 318; ‘Ashore atDover’, 49; ‘Aspecta Medusa’,172, 203; ‘Astarte Syriaca’, 289,291; ‘At Boulogne. Upon theCliffs: Noon’, 47; ‘At the Stationof the Versailles Railway’, 49; ‘At the Sun-Rise in 1848’, 36;‘An Autopsychology’, 55;‘Autumn Idleness’, 51, 222;‘Autumn Song’ (‘The Fall of theLeaf’), 40, 290; ‘Ave’, 31;Ballads and Narrative Poems byDante Gabriel Rossetti, 392, 395,397, 414;

Index 471

Rossetti, Dante Gabriel (DGR) – continued

Ballads and Sonnets (B&S), 325,328, 329, 330, 331, 334, 335,337, 343, 365, 425; ‘BambinoFasciato’, 272; ‘Barcarola’, 272;‘Barren Spring’, 226, 233;‘Beauty and the Bird’, 88;‘Beauty’s Pageant’, 236;‘Between Ghent and Bruges’, 49; ‘Between Ightham andSevenoaks’, 58; ‘The Birth-Bond’, 86; ‘Blake’, 42; ‘TheBlessed Damozel’, 31, 34, 37, 51,54, 94, 102, 108, 233; ‘BlightedPromise’, 228; ‘Body’s Beauty’,211; ‘Boulogne to Amiens andParis’, 47; bouts-rimés, 45; ‘BridalBirth’, 215; ‘Bride-ChamberTalk’, 42, 46, 50, 52, 130, 138;see also ‘The Bride’s Prelude’;‘The Bride’s Prelude’, 36, 119,335; ‘Broken Music’, 66, 217;‘The Burden of Nineveh’, 58, 80, 101; ‘The Can-Can atValentino’s’, 48; ‘The Card-Dealer’, 42, 68, 222, 233; ‘The Carillon (Antwerp andBruges)’, 49, 54; ‘Cassandra’,222; ‘Chimes’, 299, 334; ‘TheChoice, 36; ‘The Choice II, 233;‘The Church-Porches’ (I & II),70, 334; ‘Cleopatra’s Needle inLondon’, 326; ‘Cloud andWind’, 236; ‘The CloudConfines’, 246, 257, 334; ‘Conmanto d’oro’, 197; ‘CzarAlexander II’, 329; ‘Dante atVerona’, 36, 54, 141, 215, 224,228; ‘Dante in Exile’, 42; ‘DantisTenebrae (In Memory of myFather)’, 132; ‘A Dark Day’, 89;‘Dawn on the Night-Journey’,95; ‘The Day-Dream’, 322; ‘A Day ofLove’, 225; ‘Death-in-Love’, 215;‘A Death-Parting’, 280; ‘Death’sSongsters’, 226; ‘Del mare ilsusurro sonoro’, 299; ‘Dennis

Shand’, 51, 230, 344; ‘Der ArmeHeinrich’, 380; ‘Deuced Odd; Or the Devil’s In It’, 60; ‘TheDoom of the Sirens’, 215, 235;‘During Music’, 60; ‘EdenBower’, 221, 222, 226, 376; ‘The End of It’, 26; ‘EnglishMay’, 215; ‘The EnglishRevolution of 1848’, 36;‘Epitaph for Keats’, 31; ‘EqualTroth’, 236; ‘Et les larmes’, 272;‘Even So’, 119, 228; ‘Farewell tothe Glen’, 222; ‘Fiammetta (For a Picture)’, 305; ‘First LoveRemembered’, 215; ‘First Snow’,see ‘Sonnet to Thomas Woolner’;‘Five English Poets’, 322; ‘For aMarriage of St. Catherine, by theSame’, 49; ‘For an AllegoricalDance of Women, by AndreaMantegna’, 48; ‘For anAnnunciation, Early German’,31; ‘For a Portrait of Mrs WilliamMorris’, 207; ‘For a VenetianPastoral, by Giorgione’, 48; ‘Fora Virgin and Child, by HansMemmelinck’, 49; ‘For the HolyFamily, by Michelangelo’, 324,325; ‘For Our Lady of the Rocks,by Leonardo da Vinci’, 36; ‘ForRuggiero and Angelica, by Ingres’,48; ‘For Spring, by SandroBotticelli’, 324; ‘For The Wine ofCirce, by Edward Burne-Jones’,228, 233; ‘Found’, 327; ‘4Hours’, 49; ‘The FreeCompanions: A Tale of the Daysof King Stephen’, 18; ‘From theCliffs: Noon’, 54; ‘From Dawn toNoon’, 255; ‘From Paris toBrussels’, 48; ‘The Gay Goshawk’, 85; ‘Geniusin Beauty’, 236; ‘Gioventù eSignorìa’, 236; ‘The Girlhood ofMary Virgin’, 41; ‘A goldenrobe’, 197; ‘Gracious Moonlight’,236; ‘A Ground-Swell’, 215; ‘AHalf-Way Pause’, 49; ‘Hand andSoul’, 50, 51, 52, 55, 108, 224,

472 Index

230, 235, 376, 380, 410, 417; ‘Heand I’, 226; ‘The Heart of theNight’, 255; ‘Heart’s Compass’,236; ‘Heart’s Hope’, 236; ‘HerGifts’, 236; ‘Hero’s Lamp’, 272;‘Herself’, 324; ‘The Hill Summit’,76, 87, 222; ‘Hoarded Joy’, 226;‘The Honeysuckle’, 76; ‘HopeOvertaken’, 236; The House ofLife (HL), 228, 319, 324, 326,330, 331, 335, 413, 416, 417,425; ‘Il faut que tu le tiennespour dit’, 272; ‘Inclusiveness’,215, 217; ‘Insomnia’, 325; ‘Inthe Train, and at Versailles’, 49;‘Jan Van Hunks’, 339, 340, 365,409, 440; ‘Jenny’, 36, 112, 130,215, 223, 224, 325, 417; ‘JohnKeats’, 318; see also ‘Five EnglishPoets’, ‘The King’s Tragedy’, 324,327, 328, 334; ‘The Kiss’, 215;‘Known in Vain’, 71, 217; ‘LaBella Mano’, 269, 272, 276; ‘TheLady’s Lament’, 36; ‘The Laird ofWaristoun’, 132; ‘The Lamp’sShrine’, 236; ‘The Landmark’,80, 217; ‘La Soeur Morte’, 45;‘The Lass of Lochroyan’, 85; ‘ALast Confession’, 42, 222, 224,228, 233, 299, 325; ‘Last Fire’,236; ‘Last Sonnets at Paris’, 48;‘The Last Three from Trafalgar’,299, 323; ‘Last Visit to theLouvre’, 48; ‘Last Visit to theLuxembourg’ (‘For Roger RescuingAngelica’), 48; ‘L’Envoi: Brussels,Hôtel du Midi’, 49; ‘Life theBeloved’, 255; ‘Life-in-Love’,226; ‘Lines and Music’, 51; ‘ALittle While’, 119; ‘London toFolkestone’, 47; ‘Lord Thomasand Fair Annie’, 84; ‘Lost onBoth Sides’, 85, 217; ‘Lost Days’,142, 217; ‘Love and Hope’, 236;‘Love Enthroned’, 236; ‘TheLove-Letter’, 225; ‘Love-Lily’,219; ‘The Love-Moon’, 215;‘Love’s Baubles’, 225; ‘Love’sFatality’, 236; ‘Lovesight’, 215;

‘Love’s Last Gift’, 236; ‘Love’sLovers’, 215; ‘Love’s Nocturn’,80, 108, 221; ‘Love’s Testament’,215; ‘Love-Sweetness’, 225; ‘MacCracken’, 78; ‘Maclise’sCharacter-Portraits’, 306; ‘MaryMagdalene at the House ofSimon the Pharisee’, 222; ‘AMatch with the Moon’, 80, 222;‘Mater Pulchræ Delectionis’, 31,34; ‘Memory’, 317; ‘MichaelScott’s Wooing’, 215, 281, 331,409; ‘Michelangelo’s Kiss’, 324,326, 327; ‘Mid-Rapture’, 236;‘The Mirror’, 51; ‘Mnemosyne’,317; ‘The Monochord’, 226; ‘TheMoonstar’, 236; ‘The Morrow’sMessage’, 215; ‘My Sister’sSleep’, 31, 34, 38, 40, 46, 50, 52,222; ‘Nearest of Kin’, 86; ‘New-born Death’ (I–II), 215, 217; ‘ANew Year’s Burden’, 119, 228;‘Nuptial Sleep’, 215, 221, 328,334; ‘Offering to Lancashire’,153; ‘Of Life, Love and Death:Sixteen Sonnets’, 217; ‘Old andNew Art (Not as These; St Lukethe Painter; The Husbandmen)’,36, 42, 322; ‘An Old SongEnded’, 215; ‘On a Handful ofFrench Money’, 71; ‘OnBrowning’s Sordello’, 61; ‘OnCertain Elizabethan Revivals’,182, 495; ‘The One Hope’, 325;‘On Leaving Bruges’, 71; ‘OnMary’s Portrait’, 44; ‘On theField of Waterloo’, 70; ‘On theRefusal of Aid between Nations’,66; ‘On the Road’, 70; ‘On theRoad to Waterloo’, 70; ‘On theSite of a Mulberry-Tree, Plantedby William Shakespear’, 110,342, 482; ‘On the Vita Nuova ofDante’, 94; ‘The Orchard Pit’,215, 222, 223; ‘Pandora’, 217;‘Parted Love’, 221, 222; ‘PartedPresence’, 272; ‘Passion andWorship’, 225; ‘The Passover inthe Holy Family’, 197, 222;

Index 473

Rossetti, Dante Gabriel (DGR) – continued

‘Pax Vobis’, 56; see also ‘World’sWorth’; ‘Penumbra’, 70, 222,228; ‘Percy Bysshe Shelley’, 320,329; ‘Place de la Bastille, Paris’,48, 325; ‘Pleasure and Memory’,316; ‘Plighted Promise’, 172;Poems (1870), 102, 128, 130,131, 225, 226, 227, 228, 230,231, 232, 233, 234, 235, 238,242, 299, 328, 442; Poems(1872), 245; Poems (1873), 255;Poems (1881), 315, 324, 325,326, 328, 329, 330, 334, 335,338, 351, 361, 365; ‘ThePortrait’, 31, 131, 207, 228;‘Possession’, 325; ‘A Prayer’, 27;‘Pride of Youth’, 236, 317;‘Proserpina’, 245, 269, 276; ‘TheQuestion’, 340, 365, 409, 441;‘Retro me, Sathana!’, 31;‘Returning to Brussels’, 49; ‘Robe d’or’, 197; ‘Roderick andRosalba: A Story of the RoundTable’, 14, 18; ‘Rose Mary’, 307,318; ‘Run and Won’, 217; seealso ‘The Vase of Life’; ‘Sacred tothe Memory of Algernon R. G. Stanhope’, 33; ‘St Agnes ofIntercession’, 52, 55, 86, 108,226, 340, 380; ‘St Luke thePainter’, see ‘Old and New Art’;‘Samuel Palmer’, 272; ‘SamuelTaylor Coleridge’, 320; see also‘Five English Poets’; ‘The Sea-Limits’, 42; ‘A Sea-Spell’,215, 291; ‘Secret Parting’, 215;‘Seed of David’, 162; ‘SeveredSelves’, 236; ‘Shakespear’, 42;‘Silent Noon’, 236; ‘Sir Hugh theHeron’, 15, 18, 368, 380, 414;‘Sir Peter Paul Rubens’, 49; ‘SisterHelen’, 60, 80, 85, 104, 221, 223,233, 313, 319, 334; ‘The Slave’,9; ‘Sleepless Dreams’, 215, 217;‘The Song of the Bower’, 125;‘Song and Music’, 42, 222; Songsof the Art Catholic, 34, 440;

‘Songs of the Beryl Spirits’, 318;‘The Song-Throe’, 319; ‘TheSonnet’, 318, 320; ‘Sonnets forPictures’, 56; (see also individualtitles: ‘For a Marriage of St.Catherine, by the Same’; ‘For anAllegorical Dance of Women, by Andrea Mantegna’; ‘For aVenetian Pastoral, byGiorgione’; ‘For a Virgin andChild, by Hans Memmelinck’);‘For Ruggiero and Angelica, byIngres’; ‘Sonnet to the P.R.B.’,48; ‘Sonnet to Thomas Woolner’(‘First Snow’), 72, 73; ‘Soothsay’,317; ‘Sorrentino’, 20; ‘Soul-Light’,236; ‘Soul’s Beauty’, 187, 211;‘The Soul’s Sphere’, 255; ‘SpheralChange’, 325; ‘Spring’, 258, 268;‘The Staff and Scrip’, 47, 60, 66,103; ‘The Staircase of NotreDame, Paris’, 48; ‘StillbornLove’, 226; ‘Stratton Water’, 75,87, 221; ‘The Stream’s Secret’,222; ‘Sudden Light’, 84; ‘SunsetWings’, 259; ‘The Sun’s Shame’,215, 255; ‘A Superscription’,207; ‘A Superstition’, 217;‘Supreme Surrender’, 225;‘Thomæ Fides’, 215; ‘ThomasChatterton’, 320, 321; see also‘Five English Poets’; ‘ThreeShadows’, 280; ‘Tiber, Nile andThames’, 326; ‘To Mary inSummer’, 31, 222; ‘To PhilipBourke Marston (in answer)’,305; ‘Transfigured Life’, 255‘Trees of the Garden’, 272; TrialBooks, 216, 223, 226; ‘TroyTown’, 222, 226; ‘True Woman’(I–III), 324; ‘Twas thus’, 36;‘Untimely Lost’, 271; ‘VainVirtues’, 217; ‘The Vase of Life’,215; see also ‘Run and Won’;‘Venus Verticordia’, 208, 211;‘Venus Victrix’, 236; ‘Verses toJohn L. Tupper’, 51; ‘VoxEcclesiæ, Vox Christi’, 42;‘Wellington’s Funeral’, 69, 131,

474 Index

230; ‘The White Ship’, 299, 319,320, 321, 322, 325, 425;‘William Blake’, 320, 324; seealso ‘Five English Poets’;‘William and Marie: A Ballad’,15, 419; ‘Willow-wood’ (I–IV),214, 217; ‘Winged Hours’, 215,217; ‘Winter’, 255, 268; ‘Withgolden mantle’, 197; ‘WithoutHer’, 236; ‘The Woodspurge’, 96;‘Words on the Window-pane’,70; ‘World’s Worth’, 42; see also‘Pax Vobis’; ‘A Young Fir-Wood’,58; ‘Youth and Lordship’, 236;‘Youth’s Antiphony’, 236;‘Youth’s Spring-Tribute’, 225; seealso ‘Five English Poets’

memorials, 345, 351, 352, 355, 356,357, 358, 359, 360, 362, 363,364, 365, 367, 373

mesmerism, 69, 162, 233, 286murals: Oxford Union, 105, 109,

111, 112, 115, 129 musical settings: 40, 235, 290, 418; periodical contributions: Academy,

237, 341; The Athenaeum, 68,144, 185, 259, 268, 271, 276,291, 303, 309, 325, 329, 341;Cornhill Magazine, 130, 133; TheCritic, 58; Fortnightly Review,217, 246, 258; New Monthly LaBelle Assemblée, 40; NorthAmerican Review, 308; Notes &Queries, 227, 305; Oxford andCambridge Magazine, 101, 102,103; Pall Mall Gazette, 218; PallMall Magazine, 397; TheSpectator, 61, 64; The Times, 128

spiritualism, 113, 161, 162, 171,185, 187, 210, 233, 250, 315

stained glass, 132, 139, 140, 142–3,148, 154, 155, 156, 163, 173,216, 226, 256, 317, 343

translations: Angiolieri Cecco daSiena, 42, 228; Boccaccio,Giovanni, 305; Bürger, GottfriedAugust, 23, 419; Dante and hisCircle, 258, 264, 388; DanteAlighieri, ‘Francesca da Rimini’,

299, 309; Il Convito, 46; ‘La Pia’,317; La Vita Nuova, 59, 64, 133,187, 442; EIP, 24, 58, 86, 101,114, 115, 122, 132, 133, 135,136, 137, 139, 140–1, 141, 143,166, 177, 259, 264; GP, 70;Hugo, Victor, 31; Leopardi,Giacomo, 215; Mallet du Pan,Jacques, 60, 65; Nibelungenlied,26; old French, 215; Polidori,Francesco, 70; Roman de la Rose, 51, 440; Sappho, 215;Tommaseo, Niccolo, 36, 268;Villon, François, 218, 226; vonAue, 27, 429; von Goethe,Johann Wolfgang, 187

Rossetti, Dora (née Lewis), 422, 424,432, 437

Rossetti, Elizabeth, see Siddal,Elizabeth Eleanor

Rossetti, Frances Maria Lavinia(FMLR)

literary works: 4, 5, 21, 95, 138,274, 287, 297; diary: 12, 23, 24

Rossetti, Gabriel Arthur Madox, 290,348, 369, 371, 372, 398, 400, 422,432, 437, 444

Rossetti, Gabriele Pasquale Giuseppe(GR)

literary works: 149, 191, 224, 308,320, 348; Discorso Inaugurale perla Cattedra di Lingua eLetteratura Italiana bel Collegiodel Re, 8; Disquisitions on theAnti-Papal Spirit which Producedthe Reformation, 9; Iddio el’Uomo, Salterio, 8; Il Corsaro,Scene melodrammatiche con cori,tratte dal Corsaro di Lord Byron,8; Il Mistero dell’Amor Platonicodel medio evo derivato dai misteriantichi, 14, 16, 383; Il tempo,ovvero Dio e l’Uomo, salterio, 18,35, 371, 386; Il Veggente insolitudine, poema polimetro, 28,191; ‘Impromptu Toast’, 7;Inferno: La Divina Commedia:Con commento analitico, 6; LaBeatrice di Dante, 16;

Index 475

Rossetti, Gabriele Pasquale Giuseppe(GR) – continued

L’Arpa Evangelica, 66, 77, 191,371; La Vita Mia, 438; ‘Lettersto Ricciardi’, 308; ‘Lisa edElviro’, 18; Medora e Corrado:Cantata Melodrammatica concori: Tratta dal Corsaro di LordByron, 8; Poesie scelte, 36, 132;Roma verso la Metà del Secolodecimonono; considerazione, 14;Sei pur bella, 5; Sullo SpiritoAntipapale che produsse laRiforma, 8; Versi, 3, 32, 371

Rossetti, Geoffrey William, 424Rossetti, Harold, 437Rossetti, Helen Maria M., see Angeli,

Helen RossettiRossetti, Lucy Madox Brown, see

Brown, Lucy MadoxRossetti, Lucy Margaret, 432Rossetti, Maria Francesca (MFR)

literary works: Aneddoti Italiana,198, 390; ‘Daughter of Jairus’,15; ‘Epitaph on a Thrush’, 11;Exercises in Idiomatic Italian,174, 198, 200, 213, 390; Lettersto My Bible Class on Thirty-nineSundays, 126, 131, 245, 246, 249; ‘Pews: a Colloquy. “Onewith Another”’, 256; TheRivulets, 20, 28, 30, 380; AShadow of Dante, 229, 235, 237,238, 239, 240, 241, 242, 244,247, 248, 251, 252, 285, 304,323, 347, 367, 369, 373, 376,382, 384, 386, 387, 391, 397,399, 403, 404; Vision of HumanLife, 20

periodical contributions: Academy,288; The Athenaeum, 288; ‘Newand Old’; For Seed-Time andHarvest, 256; North AmericanReview, 251; Notes & Queries, 152

translations: Campana, G. P., 15,28, 33; The Day Hours and OtherOffices as Used by the Sisters ofAll Saints, 272; GR, 16; Malletdu Pan, Jacques, 65

Rossetti, Mary Elizabeth, 329, 358,371, 396, 400, 418, 428, 429, 435,436, 439, 444

Rossetti, Michael Ford M., 329, 346,347

Rossetti, Olivia (‘Olive’) Frances, 276,277, 302, 303, 309, 317, 319, 348,361, 368, 369, 371, 372, 377, 380,390, 396, 399, 400, 405, 407, 411,412, 413, 416, 418, 423, 425, 429,432, 434, 436, 444

Rossetti, William Michael (WMR) artworks: 30, 60, 73, 75, 110, 239,

370; Maude’s Madness, 45contributions: Encyclopaedia

Britannica, 281, 300, 330, 337,345, 354, 360, 365, 430;Imperial Dictionary of UniversalBiography, 104; Life of Blake,143; Oxford English Dictionary,89, 105, 173; Political, Religiousand Love Poems, 188; QueeneElizabethes Achademy, 216;Studies in European Literature,420; Thames Set, 217

literary works: 45; ‘Abstract andNaturalism in Art’, 106; TheAdonais of Shelley (ed.), 385,425; American Poems (ed.), 246;‘Animal-Design and Landscape’,154; Artists’ Dicta on Art, 206;‘The Bandieras’, 327;‘Bibliography of the Works ofDante Gabriel Rossetti’, 424,425, 430; ‘Blake at theBurlington Club’, 282; bouts-rimés, 31, 39; ‘BritishInstitution’, 53; ‘Cavaignac,327; ‘Census Paper’, 330;‘Chartism’, 327; ‘CheapPostage’, 326; ‘The ChineseOpium War’, 327; Christianity ofChrist, 212; The Collected Worksof Dante Gabriel Rossetti(CWDGR) (ed.), 364, 366, 368,369, 370, 372, 374, 378, 381;The Complete Poetical Works ofJohn Greenleaf Whittier (ed.),308; The Complete Works of

476 Index

Shakespeare (ed.), 308;‘Contrasts of Old and ModernArt’, 204; Cor Cordium, 245,308, 338, 473; ‘Cordelia’, 54;‘Czar Nicholas, 328; DanteGabriel Rossetti: Classified Lists ofHis Writings with the Dates (ed.),431; Dante Gabriel Rossetti: HisFamily Letters with a Memoir, vol. I (FLM) (ed.), 364, 401, 402,404, 406, 408, 420; DanteGabriel Rossetti: His FamilyLetters with a Memoir, vol. 2(FLDGR) (ed.), 366, 401, 402,404, 406, 408, 420; DanteGabriel Rossetti as Designer andWriter (DAW), 337, 345, 360,378, 379, 382, 385; ‘DanteGabriel Rossetti as Translator –Two Letters’, 437; Dante and hisConvito, 438, 439, 440; ‘DanteRossetti and Elizabeth Siddal’,425; ‘DemocracyDowntrodden’, 42, 46;Democratic Sonnets, 238, 325,326, 329, 330, 338, 430, 433;The Diary of John WilliamPolidori 1816 (ed.), 421, 433,440; Dicta of British Artists onSubjects of Art, 257; The DwaleBluth, Hebditch’s Legacy, andother Literary Remains of O. M. Brown, 281; ‘EnglishOpinion on the American War’,189; ‘English Painters of thePresent Day’, 234; ‘Exchange ofNews’, 48; ‘Exhibition of theSociety of British Artists’, 55;‘Externals of Sacred Art’, 107,118; The Family Letters ofChristina Georgina Rossetti(FLCGR) (ed.), 433, 434, 440;‘Fancies at Leisure’, 54; ‘FeliceOrsini’, 328; ‘Fenians’, 327; FineArt, Chiefly Contemporary, 198,202, 206; ‘Fine Art of theInternational Exhibition’, 150;‘The First Season’, 52; ‘FordMadox Brown: Characteristics’,

366; The Germ, 421; ‘Görgei’,327; ‘Heine’, 328; ‘Hood’, 327;The House of Life (HL) (ed.), seeRossetti, Dante Gabriel, literaryworks, The House of Life;‘Hungary and Europe’, 327; ‘Inblue and sheeny surface rollsthe sea’, 190; ‘In the Hill-Shadow’, 40; ‘JapaneseWoodcuts’, 160; ‘Jesus Wept’,56; ‘John Brown’, 328; ‘KingBomba’, 328; ‘La Maison Keys’,275; ‘Lectures by Mr Ruskin’,88; Life of John Keats, 370; Life ofTitian, 257; Lives of SomeFamous Poets, 294, 297, 300,330, 361; ‘The Londonexhibitions of 1861’, 140;‘Manin’, 327; ‘Metternich’, 327;‘Mr Madox Brown’s Exhibition’,180; ‘Mr Madox Brown’sFrescoes in Manchester’, 333;‘Mrs Cameron’s Photographs’,204; ‘Mrs Holmes Grey’, 46,206, 208; ‘Napoleon’s Corpse’,327; New Poems by ChristinaRossetti (ed.), 408; ‘Notes onRossetti and his Works’, 356;‘Notes on the Royal AcademyExhibition’, 211; PermanentPhotographs after the Works ofDante Gabriel Rossetti: WithExplanatory Text, 420; ‘PlainStory of Life’, 53; Poems by theLate John Lucas Tupper (ed.),411; The Poems of Dante GabrielRossetti (ed.), 427; Poems ofWalt Whitman (ed.), 208, 220,365; The Poetical Works ofAlexander Pope (ed.), 256; ThePoetical Works of ChristinaRossetti (PWCGR) (ed.), 412,413, 415, 418, 426, 427; ThePoetical Works of Dante GabrielRossetti (ed.), 384, 385; ThePoetical Works of Felicia Hemans(ed.), 256; The Poetical Works ofHenry Wadsworth Longfellow(ed.), 227;

Index 477

Rossetti, William Michael (WMR) – continued

The Poetical Works of JamesRussell Lowell (ed.), 404; ThePoetical Works of John Keats(ed.), 246; The Poetical Works ofJohn Milton (ed.), 237, 249; ThePoetical Works of Lord Byron(ed.), 219, 227; The PoeticalWorks of Percy Bysshe Shelleywith Notes and a Memoir (ed.),210, 213–14, 216, 219, 220,225, 227, 247, 281, 292, 296,297, 300, 307, 365; The PoeticalWorks of Samuel T. Coleridge(ed.), 246; The Poetical Works ofSir Walter Scott (ed.), 227; ThePoetical Works of ThomasCampbell (ed.), 237, 249; ThePoetical Works of Thomas Hood(ed.), 237; The Poetical Works ofThomas Moore (ed.), 246; ThePoetical Works of William Blake(ed.), 265; The Poetical Works ofWilliam Cowper (ed.), 246; ThePoetical Works of WilliamWordsworth (ed.), 237; ‘ThePortraits of Dante GabrielRossetti’, 378; ‘Pre-Raffaelitism’,106; ‘The Pre-Raphaelite Brotherhood’, 325; ‘A Pre-Raphaelite Collection’, 409; Pre-Raphaelite Diaries andLetters (PRD), 419, 420; ‘Pre-Raphaelitism’, 64, 65; ‘Pre-Raphaelitism. Its StartingPoint and Its Sequel’, 285;‘Raimond and Matilda’, 14;‘The Red Flag’, 327; RossettiPapers: 1862 to 1870 (RP), 421,425; ‘Royal AcademyExhibition’, 149; Ruskin, Rossettiand Pre-Raphaelitism: Papers1854 to 1862 (RRP), 414, 417;‘Ruskin as a Writer on Art’, 217;Selections of Humorous andMiscellaneous Poetry (ed.), 246;‘Shelley in 1812-13’, 237;Shelley lectures, 273, 297, 301,

387; ‘Shelley’s Heart’, 238;Shelley’s Prometheus Unbound,365; Some Reminiscences (SR),422, 431, 432, 433, 440; ‘SomeScraps of Verse and Prose byDante Gabriel Rossetti’, 416;Swinburne’s Poems and Ballads: A Criticism, 188, 199, 248;‘Talks with Trelawny’, 343;Taurello Salinguerra, Muratori,and Browning, 370; ‘To theCastle Ramparts’, 56; ‘TheTransvaal’, 327; ‘Truth aboutShakespeare’, 365;‘Tyrannicide’, 328; ‘Ulfred theSaxon, a Tale of the Conquest’,18, 19; ‘William Bell Scott andModern British Poetry’, 282;‘The Wives of the Poets’, 315,318, 325, 339; The Works ofDante Gabriel Rossetti (WDGR)(ed.), 440, 441

periodical contributions: Academy,216, 248, 254, 256, 268, 275,282, 283, 303, 306, 309; TheArtist, 74, 89, 90; Art Journal,356, 409; Art Monthly Review,285; The Athenaeum, 40, 198,213, 227, 259, 300, 303, 310,340, 343, 346, 354, 355, 357,358, 362, 367, 368, 380;Atlantic Monthly, 189, 325;Bibliographer, 424, 425;Broadway Annual, 208, 217;Broadway Magazine, 198, 205;Burlington Magazine, 425;Century Guild Hobby Horse, 366;The Chronicle, 198, 203, 204;Cornhill Magazine, 198; TheCrayon, 91, 99, 118; The Critic,52, 53, 54, 55; Dublin UniversityMagazine, 294, 295, 301; TheEdinburgh Guardian, 82;Edinburgh Weekly Review, 106,107; Fine Arts Quarterly Review,154, 163; Fortnightly Review,237; Fraser’s Magazine, 132,140, 149, 150, 154, 163, 180;London Review, 132, 143;

478 Index

Magazine of Art, 325, 378;Morning Post, 210; New YorkCitizen, 203; North BritishReview, 216; Notes & Queries,144–5, 210, 216; Pall MallGazette, 173, 365, 416; Portfolio,216, 234; Reader, 154, 160;Revue Contemporaine, 360, 365;Saturday Review, 112; SewaneeReview, 437; The Spectator, 52,58, 61, 62, 65, 81, 85, 86, 88,148; Weekly Critic, 20; Weldon’sRegister, 126, 132

spiritualism, 54, 161, 171, 173, 185,187, 188, 191, 194, 210, 233,244, 250

translations: Boccaccio, Giovanni,245, 273, 345; Dante Alighieri,La Divina Commedia, 66, 105,158, 169, 173, 174, 180, 188,206, 419; La Vita Nuova, 426;Giovagnoli, 276; GR, 412, 421;Mallet du Pan, Jacques, 65

Rothenstein, Alice, 444Rothenstein, William, 436Routledge, Edmund, 205Routledge, George, 83Routledge Publishing, 206, 239, 358Rovedino, Elizabeth Tommasina, 253,

300Rowley, Charles, 277, 280, 289, 296,

300, 304, 307, 321, 438Royal Academy of the Arts (RA), 79,

92, 99, 120, 167, 210, 215, 229,232, 249, 291, 302, 319; artexhibitions, 44, 55, 61, 76, 77,94, 128, 342, 345, 346, 347, 348,389, 421; RA Schools, 20, 27, 29,31, 35, 42

Royal Institute of Painters in WaterColours, 347

Royal Literary Fund, 413Royal Scottish Academy, 145, 282Rumble, Elizabeth, 220Rush, James Blomfield, 73Ruskin, Effie, 84, 121Ruskin, John, 64, 65, 72, 80, 83, 84,

85, 87, 88, 90, 91, 93, 94, 95, 96,97, 98, 99, 100, 101, 102, 103,

104, 105, 106, 107, 110, 112, 115,119, 124, 125, 128, 129, 130, 133,134, 136, 137, 138, 141, 143, 144,150, 157, 161, 164, 172, 183,194–5, 196, 214, 223, 302, 420

lectures: Edinburgh, 78; Oxford, 351literary works: Modern Painters, 60,

92; Pre-Raphaelitism, 63; Stonesof Venice, 75, 77; Time and Tide,202

newspaper/periodical contributions:Academy Notes, 89; Leeds Mercury,202; Nineteenth Century, 306; TheTimes, 62

Russell, Lord John, 52Russell Place exhibition, see DGR,

exhibitions: Pre-RaphaeliteExhibition

Ruxton, Augustus, 110, 185

St John Tyrwhitt, Richard, 110St Katharine’s Church, 13Sala, George Augustus, 119Samuelson, Edward, 324, 330, 361Sands & Co., 421, 423Sandys, Frederick A., 105, 107, 187,

189, 194, 197, 210, 219, 323Sargent, John Singer, 355Sass, Henry, 17Scharf, Sir George, 315Schott, Cecil, 332Schott, John Bernard, 290, 294, 297,

314, 349, 351Scott, Alexander John, 95Scott, C. P., 337Scott, David, 75, 144Scott, Letitia Norquay (LNS), 52, 100,

108, 109, 114, 121, 128, 183, 190,259, 296

Scott, William, 112, 118Scott, William Bell (WBS), 35, 52, 70,

75, 81, 82, 100, 107, 114, 121,122, 127, 135, 149, 190, 202, 210,213, 214, 215, 216, 221, 222, 223,227, 236, 239, 250, 251, 257, 259,260, 267, 270, 274, 275, 277, 278,291, 296, 301, 305, 314, 315, 316,320, 324, 330, 334–5, 338, 340,341, 360, 373

Index 479

Scott, William Bell (WBS) – continuedartworks: After Sunset, 155; Before

Sunrise, 155; Life of Dürer, 222;Palace of Venus, 203; Penkillmurals, 187, 190; Questioningthe Sphinx, 334–5

literary works: AutobiographicalNotes, 388, 392, 398; ‘A Dreamof Love’, 34; ‘Early Aspirations’,53; ‘Mary Anne’, 346; Memoir ofDavid Scott, 299; Memoirs, 393;‘Morning Sleep’, 53; Poems,272; Poems by a Painter, 87;‘Rosabell’, 34, 41, 71; ‘Rose-Leaves’, 340; ‘Tete a tete’, 220;The Year of the World, 34, 335

Seaman, Owen, 408Seddon, John Pollard (JPS), 91, 97, 98,

165, 264, 341, 357, 358, 367; King René’s Honeymoon Cabinet,132, 148, 165; Memoirs and Lettersof Thomas Seddon, Artist, 111

Seddon, Thomas (TS), 69, 71, 79, 89,91, 98, 99, 106; Jerusalem and theValley of Jehoshaphat from the Hill of Evil Counsel, 106; Palmtrees,106; Penelope, 111

Sen, Keshub Chunder, 233Severn, Joseph, 331Shakespeare, William, 170Sharp, Elizabeth, 370Sharp, William, 299, 316, 337, 341,

342, 343, 344, 356, 357, 365, 375Shaw, John Byam, 421Shaw, Richard Norman, 205Shelley, Harriet, 220, 292Shelley, Ianthe Eliza, 273Shelley, Mary, 295Shelley, Percy Bysshe, 210, 216, 218,

219, 220, 224, 246, 247, 259, 292,293, 362, 387

Shelley, Sir Percy Florence, 216Shelley Society, 365, 368, 379, 384,

389Shepherd, Richard Herne, 300, 305,

310Shields, Frederic James (FJS), 40, 166,

169, 170, 174, 221, 223, 230, 236,254, 273, 274, 277, 280, 293, 294,

299, 300, 307, 313, 314, 317, 320,324, 325, 328, 330, 332, 335, 340,341, 345, 346, 362, 380, 402, 431

artworks: DGR memorial window,351, 352, 355, 356, 357, 358,359; Lazarus, 317, 328

literary works: ‘A Note UponRossetti’s Method of Drawingin Crayons’, 382; ‘Some Noteson Dante Gabriel Rossetti’, 368;Song of Songs (transl.), 168

Shipley, Orby, 157, 159Shirley, see Skelton, JohnSibson, Thomas, 126Siddal, Elizabeth Eleanor (EES), 50,

51, 59, 67, 68, 69, 75, 76, 77, 79,80, 82, 83, 84, 85, 86, 87, 90, 91,92, 93, 94, 95, 97, 98, 99, 100,102, 103, 106, 107, 108, 109, 110,111, 112, 113, 117, 127, 128, 129,131, 133, 135, 136, 137, 139, 140,144, 149, 162, 175, 185, 187, 188,195, 227, 250, 397, 403, 419, 437,443

artworks: Clerk Saunders, 103, 357;La Belle Dame Sans Merci, 89;The Lady of Shalott, 80; LoversListening to Music, 90; St AgnesEve, 76, 397; We Are Seven, 89

exhumation of, 221, 222, 223, 226; literary works: ‘Dead Love’, 175;

‘Gone’, 175; ‘Pippa Passes’, 86Siddal, James, 418, 419, 435, 440Siddal, Lydia, 92, 129, 144Silsbee, Edward A., 295, 299Sim, Robert, 191Sisterhood of the Holy Cross, 25Skelton, John, 119, 169, 183, 217,

227, 258, 398Skipsey, Joseph, 305, 320Slack, Henry John, 259, 308, 352Slark, John, 328, 337Smallwood’s Magazine, 11, 15Smetham, James, 59, 136, 142, 153,

186, 190, 209, 263, 300, 301, 302,305, 311, 312, 313, 317

Smith & Elder, 136, 140Smith, Benjamin, 231Smith, Bernhard, 44–5, 51, 67

480 Index

Smith, Ellen, 169, 180, 184, 198Smith O’Brien, Lucius, 167Smith, Roswell, 274Society of All Saints Sisters of the

Poor, 59; see also All SaintsSisterhood

Society of Arts, 320Society of British Artists, 99Society for Promoting Christian

Knowledge (SPCK), 161, 163, 175,246, 249, 287, 310, 311, 325, 329,342, 347, 350, 362, 383, 387, 388,389, 392, 394, 397, 400, 403, 417,426

Society for the Propagation of theGospel in Foreign Parts, 402, 444

Society for the Protection of AncientBuildings, 291, 379

Society for the Protection of Girlsfrom Prostitution, 360

Society for the Protection of Womenand Children, 376

Solomon Rebecca, 299Somerset House Sketching Club, 39Somerset, Lord Henry, 322Sotheby’s, 407, 419South Kensington Art School, 178South Kensington Museum, 310, 349,

365Spartali, Marie (later Stillman) (MS),

203, 221, 227, 234, 238, 286, 297,311, 313, 314, 319, 330, 375

Spartali, Michael, 238Spencer (bookseller), 419, 439Spencer Stanhope, John Roddam,

105, 113, 114, 120, 388Spielmann, Marion Harry, 376Stanfield, Clarkson, 89Stedman, Edmund Clarence, 218Stephens, Frederick George (FGS), 36,

57, 72, 73, 81, 94, 99, 113, 114,170, 202, 234, 253, 257, 265, 291,302, 305, 313, 314, 327, 333, 341,357, 358, 367, 401

Stephens, Holman, 244Stephenson, Sir William, 221Stevenson, Robert Louis, 360Stillman, Bella, 297Stillman, Effie, 297

Stillman, Lisa, 297, 361Stillman, Marie, see Spartali, MarieStillman, William J. (WJS), 99, 149,

198, 227, 229, 230, 238, 243, 414,423

Stock, Elliot, 350Stoker, Bram, 437Stokes, Whitley, 103, 133, 148–9Story, William, 126Stowe, Harriet Beecher, 219Strangeways & Walden, 216, 330Street, George Edmund, 104, 138Stuart, Christina Dudley, 7Stuart, Edward, 59Sumner, Georgina, 285Surtees, Robert, 68Swinburne, Algernon Charles (ACS),

110, 139, 143, 144, 146, 147, 149,150, 151, 156, 157, 158, 160, 168,169, 176, 179, 188, 189, 190, 194,195, 198, 198–9, 202, 205, 210,211, 214, 216, 220, 223, 224, 225,227, 228, 229, 230, 231, 232, 233,244, 263, 274, 283, 284, 323, 333,340, 396, 416, 436, 437, 440

literary works: Age of Shakespeare,436; Atalanta in Calydon, 172,177, 183, 441; ‘A Baby’s Death’,346; ‘A Ballad of Appeal, toChristina G. Rossetti’, 359; ‘ABirth Song’, 277; Bothwell, 281;Caesar Borgia and The Altar ofRighteousness, 423; A Century ofRoundels, 347, 350;‘Chastelard’, 164; Christabel andThe Lyrical And ImaginativePoems Of S. T. Coleridge, 210;Erechtheus, 281, 288; GraceDarling, 396; ‘Had I Wist’, 350;Heptalogia, 317; ‘Hymn toProserpine’, 429; ‘In Guernsey’,350; ‘The Laird of Waristoun’,132; A Midsummer Holiday andOther Poems, 359; ‘A New Year’sEve’, 406; Notes on the RoyalAcademy, 173; Notes on theRoyal Academy Exhibition, 211;‘O Gemini!’, 329; Poems andBallads, First Series, 192, 194;

Index 481

Swinburne, Algernon Charles (ACS) –continuedThe Queen Mother and Rosamund,125, 130, 169; A Record of aFriendship, 438; ‘Sark’, 350;‘Saviour of Society’, 231; Selectionfrom the Works of Lord Byron, 188;‘A Song of Italy’, 200; Songs beforeSunrise, 225, 227, 230, 231, 238;Study of Shakespeare, 316; Tristramof Lyonesse and Other Poems, 342;Under the Microscope, 251; WilliamBlake, 206; Year’s Letters, 189

Swinburne, Lady Jane Henrietta, 190Symonds, Arthur, 387Symons, William Christian, 378

Taine, Hippolyte Adolphe, 378Tatham, Frederick, 143Tauchnitz, see Bernhard TauchnitzTaylor, A. W., 161Taylor, George, 68Taylor, John Edward, 64Taylor, Tom, 106, 114Tebbs, Henry Virtue, 210Tebbs, Henry Virture, 223, 251, 327, 346Tennyson, Alfred Lord, 41, 50, 59, 65,

94, 96, 107, 117, 164, 167, 190,194, 204, 210, 232, 250, 324, 391,440

Tennyson, Emily, 90, 117Thackeray, William Makepeace, 133Thomas Agnew & Sons, 203, 267,

294, 426Thomas, Goring, 362Thomas, William Cave (WCT), 36, 50,

124Thompson, Charles Thurston, 130, 265Thompson, Margaret, see Hannay,

MargaretThomson, David Croal, 367Thomson, Elizabeth Gertrude, 353Thornycroft, Hamo, 352Thursfield, James R., 224Thynne, Charles (Lord Thynne), 22,

26, 29, 33Thynne, Gertrude, 22, 29, 33Thynne, Harriet Frances (Lady

Thynne), 22, 26, 29, 30, 33

Thynne, Harriet (Lady Bath), 22, 44,46, 53, 54, 63, 72, 76, 78, 119, 359

Thynne, Lady Louisa, 53, 193The Times, 291, 303, 372, 406Todhunter, John, 379Tollemarche, Georgiana, see

Cowper-Temple, GeorgianaTomlinson, Charles, 307, 316, 329The Torch of Anarchy, 385Traer, James Reeves, 202Traill, H. D., 320Traventi (composer), 104, 192, 195Trelawny, Edward John, 18, 219, 225,

227, 238, 247, 260, 273, 292, 293,299, 332

Trevelyan, Lady Pauline, 110, 113,114, 115, 116, 117, 118, 129

Trevelyan, Sir Walter, 110, 114Trinity Church, 7, 8Trist, J. Hamilton, 165, 187, 343Trübner, Nicholas, 233Tupper, Alexander (AT), 50Tupper, George (GT), 50, 54, 56, 62,

77, 313, 350Tupper, John Lucas (JLT), 50, 108,

216, 218, 313Turgenev, Ivan Sergeyevich, 235, 334Turner, Francis, 399Turner, Joseph Mallord William, 91,

105, 112, 420Turner, William A., 295, 297, 298,

301, 302, 305, 310, 319Tynan, Katharine (KT), 360, 363, 371,

391, 395, 398, 403, 405–6, 442;‘London Letter’, 405; Louise de laVallière, and Other Poems, 363;Shamrocks, 371

Uffizi Gallery, 437

Valpy, Leonard Rowe, 197, 205, 251,252, 261, 264, 269, 272, 278, 296,301, 303–4, 305, 306, 310, 321,333, 337, 340, 341, 349, 350

Varley, Charles, 320Vasto (Naples), 3, 348, 428Vaux, William Sandys Wright, 105Vernon, Ada, 164Victoria Magazine, 157

482 Index

Victoria Press, 176Victoria, Queen, 372, 412Vintner, J. A., 37Vokins, William, 162, 163, 372

W & D Downey, 157, 172Waagen, Gustav Friedrich, 91Waddington, Samuel, 319, 324Walker Art Gallery (Liverpool), 354,

361Waller, John Francis, 80Wallis, Henry, 113, 114Ward & Lock, 257, 281, 361Ward, Carolyn, 9Ward, Edward Matthew, 143Ward, Lock & Bowden, 410Ward, Lock & Co., 329Ward, Mary, 377Warington Taylor, Florence, 211, 363Warington Taylor, George, 176, 196,

211, 220Warren, Frederick, 90Watkins, T., 37Watson, Edmund Lacon, 433Watts, Anna Mary, see Howitt, Anna

MaryWatts-Dunton, Walter Theodore

(TWD), 226, 255, 257, 264, 269,270, 271, 278, 283, 286, 294, 295,299, 301, 303, 305, 316, 317, 330,333, 334, 335, 336, 340, 341, 343,345, 354, 356, 358, 359, 364, 365,381, 404, 416, 440

literary works: ‘Christina GeorginaRossetti’, 405; Dukkerypen, 357;‘The Life of D. G. Rossetti’, 367,409; ‘Reminiscences ofChristina Rossetti’, 406;‘Rossettiana: A Glimpse ofRossetti and Morris atKelmscott’, 436; ‘Rossetti’sUnpublished Poems’, 409;Selection of Poets, 320; ‘Truthabout Rossetti’, 348; ‘The TwoChristmastides’, 405; ‘TheWood-Haunter’s Dream’, 280

Watts, George Frederic (GFW), 108,124, 138, 225, 263, 275, 284, 390,407

Waugh, Edwin, 307Waugh, Fanny, 197Webb, Philip, 135, 167, 176, 220,

235, 270Webster, Augusta, 298, 373, 382Wells, Charles Jeremiah, 46, 227Wells, Henry Tanworth, 70, 215Wells, Joanna Mary, 137Wentworth, William Charles, 85Wheeler, C. A., 437Wheeler, Eliza, 113Whistler, James Abbott McNeill, 150,

153, 155, 156, 161, 162, 164, 171,184, 188, 195, 202, 206, 208, 217,245, 264, 269, 290, 309, 378, 426,428

Whistler v. Ruskin, 306, 309Whitechapel Fine Arts Exhibition, 348White, David Thomas, 98, 129Whitehead, Walter John, 112Whitman, Walt, 203, 206, 220, 246,

281, 282, 284, 360, 362, 363, 443;Leaves of Grass, 99, 203, 206, 281

Whittingham, see CharlesWhittingham & Co.

Wieland, Florence, see WaringtonTaylor, Florence

Wilde, Oscar, 337, 357, 373Wilding, Alexa, 175, 178, 201, 205,

209, 252–3, 258, 260, 266, 268,277, 289, 291

Wilkinson, James John Garth, 82, 83,102

Williams & Norgate, 198, 200, 390Williams, Edith, 310Williams, Llewellyn, 223Williams, William Smith, 46, 47, 58Wilson, Lisa, 360, 405, 407, 416Windus, B. G., 209Windus, William Lindsay, 100, 107, 234Wise, Thomas J., 17, 344, 376, 380,

395, 425, 428, 429, 438, 442Wolf, Joseph, 81, 107Woodward, Benjamin, 88, 90, 92, 98,

104, 105, 108, 136, 137, 163Woolner, Thomas, 38, 44, 45, 50, 51,

58, 67, 71, 72, 73, 82, 85, 87, 89,92, 107, 113, 154, 202, 213, 219,257, 274, 351

Index 483

Working Men’s College, 87, 89, 91,96, 106, 110, 114, 117, 136, 143,412

Wornum, Ralph N., 91, 202, 206Wyndham, Percy, 303

Yeats, William Butler, 379, 384, 439Youatt, Elizabeth, 40Young Women’s Friendly Society,

245

484 Index