Index [] index contains: [1] ... ‘q GUITAR’ under ACOUSTIC means See under GUITAR for page numbers relating to ... Bartók, Béla 10, 13, 67, 93,

Tagg Musicrsquos Meaningsmdash Index 653

Index

ExplanationsCONTENTS This index contains [1] proper names occurring in the main text and inthe footnotes [2] principal topics in main text and footnotes [3] selected technicaland theoretical terms [4] other terms marked for indexing on at least three separatepages The acknowledgements and reference appendix have not been indexed forthis book To find items not included in this index please use the e‐book version(PDF) obtainable via taggorgmmmspNonMusoInfohtm SYMBOLS q = See another main entry = See subentry under another main entry = See also another main entry or other entries ˆ = in relation to or as opposed to Notethat main entries referred to are always in THIS FONT subentries in this fontEXAMPLES [1] lsquoq GUITARrsquo under ACOUSTIC means See under GUITAR for page numbers relating toACOUSTIC GUITAR [2] lsquoq MODE maqāmrsquo under ARAB means See the subentry MAQĀM un‐der the main index entry MODE to find the pages where the modes of Arab music are men‐tioned [3] To find more page references to topics relating to ACCOMPANIMENT See also un‐der BACKGROUND (lsquo BACKGROUNDrsquo) [4] The subentry lsquoˆ femalersquo under the main entryMALE means that the two concepts MALE and FEMALE are considered in relation toeach other (on pp 18 86 357 etc) rather than separately [5] lsquoˆ male q MALE ˆ FE‐MALErsquo under FEMALE means See the subentry lsquoˆ FEMALErsquo under MALE for the samepage references (pp 18 86 357 etc) ABBREVIATIONS def = definition mus = music[al] repres = representation

____________________________________

Numbers007 qJAMES BOND12‐bar qBLUES1900 (film) 4951984 (Bowie) 3412001 (film) 93 269 55532‐bar q JAZZ jazz standard433 (Cage) 40678 rpm audio discs 536 5378‐bar qPERIOD

Aa cappella 579AABA 388 392 395 396 397ndash401 404 414

abandon 49 209 264 380 492

Abba 103 127 176 199 245 246 259 287 365 385 386ndash393 397 401 414 415 478 516 519 522 526 527Fernando 476‐7 479ndash482

Abo Klevor 459Aboriginal qAUSTRALIAabsoluteabsolutist

defined 91ndash94music 4 12 89ndash115 133 147ndash148 154

postmodernist 101ndash115ACDC 295 440 464 465 accelerando 291accent[uation] 367

agogic 293

dynamic 292metric tonic 293

accompaniment 265 335 426 440 BACKGROUND MELODY‐ACCOMPANIMENT

accompanimental music (Hegel) 89

accordionaccordeacuteon 306musette 163 526 547

Accra 461acoustic AURAL STAGING

distance 347 444environment

qSOUNDSCAPEqGUITAR horizon 439

654 Tagg Musicrsquos Meanings

instruments 188 277 513recording 134 536qSPACE

acoustics 47 48 61 119 192 269 277 366 375 436 469

acrobatic 380Across the Plains 79Adagio for Strings 407Adams Bryan 380adaptive music 533 534Adorno Theodor W 97 105 107 139ndash143 469

ADSR qENVELOPE advertadadvertisingad‐vertiser[s]commercials 1 2 27 35 39 60 83 93 99 111 112 115 138 168 184 185 192 196 212 214 242 267 269 270 281 307 344 354 356 359 360 362 380 382 437 438 443 489 497 498 502 507 521 529 533 574 587 590 596Philishave 497ndash498RAC 438TV 39 93 269voices in 359ndash360

aeolian qMODE aeolianaerobics 442 443Aerosmith 413aesthesicaesthesis 305 344 354 391 529 579competence 119 119ndash120 128 197

descriptors 300 357ndash360focus 196ndash198ˆ poiumletic 116 118ndash120 529

aesthetic[s]qABSOLUTEABSOLUTIST Adorno 142 469buzzwords 95qCANON[S]China 86extensional 107 272 411 412 586

ˆ intensional 272

India 87intensional 107 412 589

ˆ extensional 272of failure 445opinion confused with scholarship 142

postmodernist 101ndash115recording 370relative 135 136rock 183 300 409 437 444 445authenticity 141

semiotic problems 148use value 175

affect 72 75‐76 85 209 336Baroque theory 94 97gestural 319intervallic 324ndash325

Africa 212 321 330East 179notions of 467Sub‐Saharan 70 123 294 456ndash463 597

West 50 295 459 489African‐American 191 320 466 467 471 481 527 597

Afro‐Caribbean 463Agawu Kofi 459Agitato No 3 544Ahmad Jamil 356Ainrsquot No Mountain High Enough 476Ainrsquot That A Shame 476Ainsley John Mark 400air

conditioning 434qGUITAR= tune 365

Air (Bach) 413airborne (melody) 365airport[s] 35‐36 212 240 423 549aksak 295Al Fārābi q FĀRĀBIAla N et al 35alabaster busts 96Albert Hall 403

Aldeburgh Festival 12aleatoric 404 579Alfveacuten Hugo 245alienation 95 100 130 133 171 183 188 210 365 405 437 596All Along The Watchtower 341All Together Now 342 413allemande 412Allende Salvador 388allrovicom 564Allwood Jens 49alogogenic 84 115 120 579Also sprach Zarathustra 269 389

altiplano 388 390Altman Rick 552Ambassadors (Holbein) 429Ambolley Gyedu Blay 461American Beauty 359 543Amethysts for Esmeralda 495Amos Tori 450Amours perdues Les 373amplification 299 369 370Amtrak 362amygdala 68An die Musik 490anacrusis 293 519 520 579analysis

classes 16ndash17music 5 14 15 16 91 101 106 117 119 120 123 148 149 154 173 195ndash261 268 529ndash578

narrative 3object qAOvisual 117

anaphone 306 308 486composite 509ndash514instrumental timbre 308ndash313

holokinetic 499ndash500 589kinetic 303 486 498ndash502 508ndash509 513 518‐519 546 590

linguistic 489ndash491


non vocal 488ndash489paralinguistic 492ndash494social 417 419 467ndash474 514 600sonic 27 487ndash494 498 547 600

spatial 486 500ndash502tactile 308 486 487 494ndash498 511 546 601

transscansion 489ndash490vocal 489ndash494

anaphora 580Andalucia q SPAINAnderson Laurie 439 446 Andersson Stig 415AndesAndean 187 306 307 330 388 390 477 479‐481 526‐527 582 596

Andregrave Fabrizio de 373angel[s]angelic 249 341 357 432 573harps 389

Anglo‐US 106 351angryanger 9 58 67 68 73 188 281 282 344 347 351 357 359 365 440 472 598

Angst 176 177 308 357 524anguish 427 574

ambitus 325management 314

angular 259 356 501 509 513 552

anhemitonic 330 331 580 583

animal music 54ndash58animated film 540Anka Paul 342Antarctica 418 419anthropology 5 105 119 133 144 364 433 441

anthropomorphism 55anticipation

film music 550Antigone 471antihero 438antiphony 471 580

AO (analysis object) 146 200 230ndash231 580choice of 202 203defined 230

aperiodic sound 275Appalachian 320 330appoggiatura 389 580appropriation of popular music by state power 103Arab[‐ic‐ian]

hegemony 53 q MODE maqāmheterophony 338 452metre 295music 425 452 519 520

Western notions of 176 419 520 526

nouba 593scholarship 52 85 88tonality 321 330 332 334 335 526

arbitrary sign qSEMIOTICSlsquoAre you talking to mersquo 347ndash350

aria 382da capo 400

aristocracy qCLASS Aristotle 52Armstrong Jared 8arpeggio 432 580arrange[‐r‐ment] 469 540Arrival of a Train at La Ciotat 535

lsquoarsehole artrsquo 99Asafyev Boris 46 151 439Associated Board 10 14At Last 342Atkinson Max 147atmos 581atonal 276attack q ENVELOPEaudience 2 38 71 72 79 86 90 91 93 94 111 112 129 130 139 149 178 180 182 192 196 198 199 200 201 204 214 245 249 267 270 286 303 351 362 369 390

391 393 408 438 441 461 469 477 521 525 528 531 535 536 541 548 550 551 554 555 597 599 601

Audio Bullys 356Audiovisual Personality Cues 377

auditory cheesecake 62Auf Fluumlgeln des Gesaumlnges 365Auld Lang Syne 317aural staging 122 299ndash303 381 448 473 515 536 560 581 598lateral position panning etc 301‐302

frontalretral 301‐302surround sound 301vertical position 301 303

Australia[n] 43Aboriginal 176 526Doors The 382National Film and Sound Archive 552

TV 381 382Austria 9 89 529

and shampoo 167 168 169 172 189 191 208 502 506

auteurcentrism 198authenticity 87 106 126 131 141 480 523singer‐songwriter 374

authorityBBC as voice of 361

authorship 198autobiography 6 7ndash16Auto‐Tune 374 581Autumn Leaves 397 399avant‐garde 403 404Ave Maria 432 474Axt William 537

Bbabbling brook 308Ba‐Benzeacuteleacute 466 baby‐boomers 110Bach J C 125


Bach J S 11 96 206 245 264 323 338 382 406 413 447 448 449 454 455 473 488 524 525

Bach P D Q 382 456 471Bacharach chords 340back catalogue 102background 438

accompaniment 335 337 426 432 433 440 461 462 475 481 517 585

figures 208film 554harmony 426music 35 139 199 408soundnoise 59 178 236 237 270 272 300 315 425 434 435

underscore 556 561 603visual 168 423 429 504

Background Music for Home Movies 495backing 182 426 472 474

disco 527heavy metal 440track 388 389 426 444vocals 121 426 467 470 472 523 597

Bad For Me 400Baddeley Alan 273 Badinerie 264bagpipe[s] 8 47 48 176 306 328 333 337 526baiatildeo 333 405Bailey Bill 380 381Baker Street 307balalaika 526Bali Harsquoi 543Balkans 134 295 321 330Ball Philip 43 62 68 71 72 ballad 294 402

metre 405wistful 202

ballet 539Bamba La 341band q ENSEMBLEbandish 412

Bangles The 382bar (drink) 35 36 40 211 485bar (mus) 122 284ndash287 293ndash296 379ndash389 518 539 540 58112‐bar q BLUES4‐bar 284 285 342 5188‐bar 285 342 398 404 516

bar line 599edit 554

Barber Samuel 407barbershop 467 468 522Barbie doll 351bard 51 52 53 374Baroque

affect theory 94 97counterpoint 454 457monody 425 477opera 299 399

Barron Anne 125 126Barsky R F 108Bartel Dietrich 73 94Barthes Roland 108Bartoacutek Beacutela 10 13 67 93 134 245 246 472 483 553

Basarwa 466Basket Case 413bass 153 274 301 312 313 318 328 331 422 438 440

q DRUMfunk 465ground 382 413guitar 272 300 475ndash476line 153 256 296 318 413 444 447 456descending 413

player 475register 337slap 466subbass 312 337tiptoe 389

Bassey Shirley 104bathroom 298Battel The 539battle 544Baudrillard Jean 108

BBC 35 37 103 137 311 361 366 408 474 478 512 513 574

Beastie Boys 128 297beat 283 288ndash294

biological functions 289bpm 284ndash285 288ndash291 293 294 342 398 399 409 458 482 518 539 540 581 METRE METRONOME SPEED

cross‐beat 457 464downbeat 123 289 293 295 296 554 ACCENT

edit 554heartbeat 281offbeat 289pulse 47 48 68 273 444 445 458

skipping 287subbeat 291 293‐295 458‐460 463‐464 600

tone beat 232upbeat 293 295

Beatles The 11 102 135 295 310 342 382 388 397 400 401 402ndash403 406 464 478

Beaud Paul 139bebop q JAZZbedroom 298Bee Gees 390Beethoven L van 102 129 149 292 330 382 407 411 413 488 524 525 538Begleitmusik 89Bell Canada (lsquoEmilyrsquo) 362bell[s] 36 270 279 310 435 436 501 567 belfry 36 436chimes 36 292 396

dingdong 368 498door 292 368

pattern qTIME linetubular 235

Bells The 488 539Belz C 106 141


Bengtsson Ingmar 426Benis A M 381Benning Annette 359Bereite dich Zion 264Berg Alban 368Berger John 427 429Berlin (band) 442Berlin (city) 102 137Berliner Emil 134Berlioz Hector 407 419Bernstein Leonard 151 295 Bertrand Simon 532 572Best of Italian House 407Beuron 450Beverly Hills Cop 466Beyond The Fringe 382bhāva 72Bhosle Asha 372BiAka 466Bickle Travis 347Biemans Monique 377Biermann Wolf 373 374big band 307 468 597Big Time (Gabriel) 311Big‐Ass Purse 380bike[r] q MOTORBIKEBikini Kill 375 467Billboard Hot 100 406bio‐acoustic 45 47 48 281biometric voice printing 350biomusicology 57biorhythms 281birdsong 55 56 211 270 422 424 487 572 591flutes 572

Birmingham school q CCCSBitches Brew 466bitter 496 497

bitter‐sweet chord 340Bizet Georges 538 407 526Bjoumlrnberg Alf 151 401Black Panthers 141Black Power 466Black Sabbath 311 439 497Black Snake Moan 381Blacking John 43 151

Blacksmith The 330Blaenwern 453Blazing Saddles 368Blindlight 354 358Bliss Arthur 103Blood Sweat amp Tears 477Blowinrsquo In The Wind 373Blue Angels 442Blue Danube 93Blue Moon 342 397‐399 585blue notes 122Blue Tango 110Blue Yodel 1 286Blueberry Hill 476bluegrass 321 382blues 47 123 135 318 321 330 412 472 493 52312‐bar 286‐7 342 396 400 412 414 518‐9 522

8‐bar 342country 286shouter 375urban 47 286

body 69 88 92 101 106 140 141 176 191 211 274 286 311 317 355 377‐8 433 443 461‐2 478 483 CORPOREAL SOMATICbodyism 110‐5 190 442language 147 346 347 349

posture 64 152 345 349 350 352 357 377 378 379 550

type 359Body And Soul 397 399Bodyform 380Bodyguard The 312Boeumlthius 52 81Boilegraves Charles 151Boleacutero 597bolero drums 389Bolinger Dwight 147Bollywood 372 375Bon Jovi 415Bonanza 509

boom‐boom factor 290Boosey amp Hawkes Recorded Musichellip 224Born to be Wild 436Borodin A P 420Bosch Hieronymus 427bossa nova 340 551Bothy Band 264 414Botkin B A qLOMAX ANDhellipbottle lobbing 356 358Bouchard Vincent 353Boulez Pierre 149 404Bourdieu Pierre 108boureacutee 412bourgeois[ie] q CLASS

consumers 125 127 129homes 429 539ideology 124revolution 94 95 98 111subjectivity 95 101 113 433 454

bouzouki 526Bowen Caroline 377Bowie David 89Bowlly Al 375 398 400boy band 380bpm q BEAT Brackett David 151 465Bradby Barbara 352Bradley Dick 108Bragg Billy 380Brahms Johannes 538 541brain 68ndash71Brandeis 141Brandenburg Concerto 406Brando Marlon 437brass

band 214 468 575instruments 277brassy 357

Brassed Off 468Brave Goose The 554Braveheart 306Brazil 333 375 405

rock 405break (mus) 471


breakdown notes 552 553 562 581breathbreathing 1 45 47‐ 8 272 283‐4 289 307 352 356 357 369‐370 378‐9 421 426 572ventilation cycle 281 283

Brecht Bertolt 548Brel Jacques 373 374 380 Breslow Diane B 377bridge 74 77 288 551

euroclassical 411filmTV 406 521 551 601 middle 8 395 396ndash401 414 415 517 582 591

Bridge Over Troubled Water 388

Bright William 233British 357 495

establishment 361lsquofolkrsquo 382Isles 321 330 333 519public 184rock 47

Britten Benjamin 382broad‐band

drone 434sounds 438 440

broadcast 1 35 39 56 92 137 172 187 361 370 381 575

Brocken Mike 437Brodie Phil 269Broken Playground 446Brothers In Arms 313Brown James 13 297 465 466 467

Brown Stephen 54 62Bruckner Anton 407Bruegel Pieter 427‐428Bruton Music 224Buarque Chico 597buffalo 423 424Bulgaria[n] 180‐182 320 634

diaphony 320 372bureaucracy 71Burns Gary 396

Burns Robert 491Burrell C 424Buxtehude Dieterich 96Buzz Roar Click Crash 497‐8By the Banks of the Nene 8Byrd Jerry 496Byrd William 413 455 456 459 468 488 539

Byrds The 597

Ccabaret 368 382Caccini Giulio 425cacophony 402cadence 70 318 336 396 403 410 411 431 456 520 523 FINALITYeuroclassical 70

Cage John 44 406Cain Jeffrey 341California 341call and response

q RESPONSORIALITYcalliope 382calm 67 73 74 75 423 461 479 480 542 548restful 494stasis 208 287 337

Calvert Eddy 464CAM 224Cambodia 407Cambridge 10‐13 242 459Camino del Indio 373Campin Jack 333Candle In The Wind 71canon

authenticity 141contrapuntal 454canonisation 102 113dominant 135euroclassical 96 136 148 150

poprock 104 106 115cantata 399Cantata per lrsquoEuropa 267cantautore 373 375cantillation 367

cantometrics 373 470capitalism 38 61 70 97 99 100 103 110 114 137 139 148 186 363 429 442 445Capriccio Espagnol 526Carcass 1990 375Careless Whisper 307Caresses by Candlelight 79Caribbean 465caricature 380Carmen (Bizet) 407 526Carmina burana 548Carreras Joseacute 369Carstens Nico 464 Cascone Kim 445Cash Johnny 373 374castanets 526Castlevania 206cathedral 298cavalry march 294CCCS 582ceilidhceilidh band 285 414celesta 308cello 252 278 469 522Celtic 176 333 354 357 526central perspective 428centre and periphery

diataxis 392centrifugal process 393centripetal process 392Fernando 394

Century of Progress 79chaconne 342 413chalga 264Chan Chan 296chansonnier 375chanting 366chaos 88 210 403 446 495 512 514Charakterstuumlcke 539charango 306 388 525 582Chartier Roger 126charts (record sales) 102Che farograve senza Euridice 265cheesecake 62Chernoff J M 457 466


Chicago 509Chiffons The 254 341child

childhood 308childish 77 364 368childlike 357children 36 60 77 99 176 189 211 214 217 274 314 316 343 344 345 363 365 377 408 436 458 544 545

Chile 388chimes q BELLChina 85ndash86 526Chion Michel 552Chocolate City 466choir 9 14 36 46 183 254 339 453 455 468 469 470 471 566 579 580 597chorus 234 236male voice 467‐9 522

Chopin F 317 341 520choppy 282 283 497 509

chopscratch guitar 465choral qCHOIR HARMONYchord

bitter‐sweet 340changes 412

truckerrsquos gear 397 414ndash415 603

detective 116 339 340loops 341ndash342 582power 328 497porno 340progressions 340ndash342romantic pathos 340shuttles 341 582spy 116 339 340suspense 202tetrad triad 339types 339ndash340

choro 407chorus CHOIR

audio effect 48 311episode 30 177 214 234 287 338 395 ff 409 414 415 596

in Greek drama 395jazzrock episode 413refrain 386 389 391ndash7

defined 395Christgau Robert 141Christian[ity]

evangelical 70non‐conformist 453

Christmas 308carols 407

Christmas Oratorio 524church 124 308

q MODECIA 388cigarettes 374 382circus 308civil rights 466Clapton E 103 310 438 443Clarida Bob 15 17 30 97 137 171 208 290 333

clarinet 252 280concerto (Mozart) 93

Clarkson Gary 273classclasses 47 99 135 103

aristocracy 103 139 212bourgeois 88 94 95 100 191 212

difference 429 435highupper 12 53 84 85 97 99 100 124 212 307 332 357 358 428 495

lower 212 433lumpenproletariat 103merchant 53 103 429middle 106 199 212nouveau riche 103popular 99 140 163 348proletarian 180 184 236 333 525 547

ruling 53 85 86 97 99 120 332

social aspirations 9working 110 137‐139 212 357‐358 535

classical 84‐101 390 ABSOLUTISM AESTHET‐

ICS CANON CHINA CLASS

EUROCLASSICAL INDIA art music 87high‐class status 12 99ossification 96 103social aspirations and 9

clave patterns 463 464click track 540 553Clinton George 466clock ticking 292Cloonan M 37 38 441clubs 13 36 40 211 270 352 365 379 451 467 574Clueless 269cluster[s] 180 339 402 583Coal Mining Women 451Cochran Eddie 521cocktail

lounge 340party effect 537

coda 396 404 410 411codal incompetence 179ndash182 370

codal interference 182ndash189 370Code Napoleacuteon 98Cohen Leonard 373 374Cohen Stanley 108Cold Sweat 465Coleman Ornette 407Colgate 536collectors (folk music) 135college of music

qCONSERVATORY

Collins Karen 102 204 292 308 444 534

Collins Phil 312 341Colombo Joseph 526colonisationcolonialism 2 51 97 103 572 574 585

coloratura q VOICEcolour and music 65Come Together 310comedy 466Coming to America 380comment (Lissa) 548


commercial 112 185aesthetic ˆ 175media 138propaganda q ADVERTradio 2recording 137TV 269 348 382 521value judgement 98

Commercial Classics 185commodity 39

fetishism 360 596music as 125 126 127 128 131 148 150 594 603

common time qMETREcommotion 535 536communication 172‐192

cross‐cultural 49model 174ndash178paramusical 268process 195‐197 200studiestheory 5 6 107 173 154 173 530

community 61 64 109 110 123 172 179 204 231 266 463 467 492 514 587Community Songbook 451commutation 253ndash256 340 522Fernando 391 403 481film music 542ndash543 545vocal persona 347ndash350 351 353

Compay Segundo 296competence 5 13 72 118ndash120 172

qCODAL INCOMPETENCEcomposers 9 13 53 72 89 90 91 94 95 96 103 104 116 125 126 128 129 130 131 134 154 175 178 196 197 198 208 249 339 404 409 421 455 468 469 530 532 538 540 553 555 556 557 600busts of 96UK honours 104

composition 10 44 53 72 86 125 251 297 384 417 428 529 533 540definition 297visual 428

Composition X 214compression 312 314Comptonrsquos Most Wanted 297concept album 405concert

hall 36 40 95 96 236 270 307 469 500 574

pitch 316repertoire in France 96

concerted simultaneity 286 447 452 453 456

concerto form 413grosso 382

Concerto for Orchestra 245Concierto de Aranjuez 526conduct[‐or‐ing] 469 540confidentconfidence 49 75 151 209 283 347 357 377 480

Confucius (孔丘 ) 81 86conjunct motion qMOTIONconjunto 468 469Connerton Paul 97Connery Sean 354connotation 46 47 48 49 92 583art music 87 92colour 65icons indices 161ndash163metaphor 79paramusical q PMFCre‐recordings 112social 118 119steel guitar 158synaesthesis 65

connotative hijacking 185intersubjectivity 200spheres 176somatic ˆ 189ndash191

conservationpop and classical 103

conservatory 96 103 119consonance 264 320Constable John 423constrained q PITCH range consumerism 39 83 103 115 359 362 521cultural studies and 110propaganda ADVERT

containment 76contextual metadiscourse 119ndash120

Conti Bill 490continuant 277 309 367

definition 583timbre 278ndash279

contrapuntal qCOUNTERPOINTcontrary motion q MOTIONcontrol 93 94 101 183 209 283 318 346 352 357 436 438 441 492audio 314group 204mechanism 251remote 242

Cooke Deryck 151 152 171 237 322 325

Cooper Alice 438Copland Aaron 422copyright 30ndash31cor anglais 290Cocircr Cymraeg 453Corbett John 380cornfield 423 506‐508 587Cornfield The 423corporation[s] 1 36 60 71 102 307 350 361 362 461corporate marimba 543

corporeal[‐ity] 45 46 80 101 103 140 191 195 442 598oblivion 115rock music 101

Corps de ballet 381corridor 298Costello Elvis 341


costume q VOCAL costumecouncil estate 356 358counterpoint 338ndash339 454ndash456 583polyphony 429ndash432 film music 548 550

countryside 303 418coup (military) 388couple (malefemale) 18courante 295 412Covent Garden 381cover band 242Cowan Nelson 273cowboy 210 418 485Craft Robert 90Cream (band) 310 438creamy 495 496 497credibility

singer‐songwriter 374credits q TITLE MUSICCreedence Clearwater 488crescendo 515 517 523crooner q VOICE croonerCrosby Bing 299cross rhythm 425 456ndash465Cross Ian 62cross beat q BEATcross‐domain repres 26 62ndash68 75 78 266 271 364

Crossley‐Holland P 85‐86cross‐rhythm 294 295cross‐testing 203Cruise D A 147Cryinrsquo 413Crystals The 317CSI Effect The 70Cuba 463ndash464cuckoo 162 424cuddly 351cue 553

list 553 557 558ndash562point 553 583sheet 553 583

cueca 264 294 295 459

cultural location 199relativity 135ndash136problems with aesthesic descriptors 357ndash358studies 106ndash111 138 143 154

Curtis Jamie Lee 442Cwm Rhondda 184 453cyclical processes 392ndash394Cymanfa Canu 453

Dda capo 394 400 412 584Da Doo Ron Ron 317Dahlhaus Carl 94 97Dale Dick 330Daleks 311Dallas 521dance 37 45 46 49 61 63 69 81 86 93 101 140 151 179 213‐214 260 284ndash286 287 295 296 384 395 400 403 459 461 462 499 521 538 554 588 603band(s) 399 400floor 285forroacute 405foxtrot 284Gay Gordons 284ndash285hall 390jenka 264jig 264 294 284 412jive 284lambada 264music 47 180 281 284 289 341 390 405 407music (electronic) 289 312 313 418 444ndash445 470 484 520 523electro‐dance 254

polka 294polska 264samba 284rumba 465Scottish country 10 153 284ndash285

steps 272 285suite 406 414 412syrtos 264waltz 163 284 412 547

Viennese 294Dancing In The Street 476Dancing Queen 397danger 307 308 THREATdanseuses 381Daphnis et Chloeuml 419Dapieve A 405Daquin Louis‐Claude 488daredevil q ROCK daredevil Darin Bobby 342Dark Side of the Moon 341Darke Graham 305Darkness (Gabriel) 300Davies Stephen 151Davis Angela 141Davis Bette 495Davis Bob 464‐466Davis Miles 466 526Day In The Life A 402ndash403 404 416

De Andregrave Fabrizio 374De Niro Robert 348Deary I J 355death 265 370 371 512 572

drum 559 572 574metal 348 356 440 597

growler 375in music 49ndash50 546

DeBruine Lisa 377Debussy Claude 499decay q ENVELOPEdecibels 313 314deconstruction 109Deep Purple 542Dees Rick 381degenerate 374Delacroix Eugegravene 429Delalande Franccedilois 151delay q ECHODeleuze Gilles 108Delibes Leacuteo 538


delicacydelicate 75 153 172 177 183 287 303 308 432 495 496

Dembrow Michael 552demographics 47 74 77 81 138 154 199 200 204 215 216 267 268 357 362 467vocal persona 379voice 355 357 358

demonstrations (polit) 367denim 199 437Denisoff R Serge 267denotation 95 584

arbitrary sign 163connotation ˆ denota‐tion 164ndash166 170ndash171

language 145 163musical structure 10 11 19 115ndash120 128 191 216 256ndash260 305

of emotion 74 75 77points in time 33primacy of 146 147 233semiotics of 146‐147

density (mus) 420ndash423 431depression 264 377 deprivation effects on mu‐sical habits of 98

Derbal Solegravene 577Derek and the Dominoes 443 474

Derrida Jacques 108 109descending bass line 413desert 212 334 497design 270desirable 551desolate 287detached 264detective 340 CHORDDetroit 476development (sonata) 410‐411devotion 335 389 390 432diabolus in musica 322Diana (Anka) 341Diana (Princess) 71diaphony 372 584

diataxemes 515ndash522 EPISODIC

diataxis 19ndash20 146 150 383ndash416 417 515 521 584AABA 397‐401 409cyclical 392‐394extensional 404‐415narrative form 383ndash416 non‐recursive 401‐415popular song 395‐405sonata form 409‐412strophic 395ˆ syncrisis 19ndash20 383type of lsquoformrsquo 383‐385verserefrain 395

diatonic 584 MODEdiction 147 369 378diddley‐diddley factor 290Diderot Denis 93diegetic music 551 554 549diffusive effects 311digeridoo 526Digging In The Dirt 300diminuendo 517dingdong q BELL chimeDion 342Dire Straits 437 473 497 dirge 294 574Dirty Dancing 443Dirty Love 407disciplinesdisciplinarity 146 159problems of 5ndash7

Disclosure (1994) 267disco 176 211 270 310 381 477 527discothegraveque 554soft 390

Disco Duck 381discomfort 75 76 180 376discordant 372disembodied 310disjunct motion 319 585disjunctive flooding 325Disney 308Dissanayake Ellen 54

dissonance 181 264 320Dissonance Quartet 411distance 502 504 505 506 508 SPACEacoustic 162 176 290 298 299 300 302 347 348 361 389 421 434 449 479 480 536

distancing (Verfremdung) 72 405 548

distinct 356counterpoint 454drumming 465echo 298rhythm 335 424timbre 187 434visual 428

distortion incl fuzz over‐drive saturation etc162‐3 203 308 309 guitar 153 187 436ndash442 488 497ndash498

disyllabics 368diva 381Dixie (Emmett) 432 474DJs 289 445Do You Love Me 341Dockwray Ruth 299doctrine q MUSIC doctrinaldog photo 156ndash158Dolcenera 373Domingo Placido 369Domino Fats 390Don Juan (Warner) 537Don Juan (R Strauss) 451Donrsquot Call Me Nigger 466Donrsquot Stand So Close 414lsquoDonrsquot worry about mersquo 345ndash346

doomsday megadrone 483door chime qBELL chimedoo‐wop 585dorian qMODEdormant mode qSEMIOTICSDouble Indemnity 495Dowland John 12 407


downbeat q BEATDr Jekyll amp Mr Hyde 206Dr Qui 380Dr Strangelove 548Dr Who 380Dr Zhivago 495Dracula 176 206dramatic ballad star 375dream dreamy etc 402 495Dream Lover 341Dream of Olwen 508Dreams (Van Halen) 442Dreigroschen Opfer 368Driven By You 443drone 321 337 372 585drooping shoulders 350drum[s] 44 50 176 232 277 290 291 300 312 389 461 465 526 566 568basskick 214 275 279 289 312 313 444 447 460 464 475 524

break 581death 559 573darbuka 526distant 389drumkit 272 390 444 501 522 527 598

fill[s] 518 524 586roll 162 232 308snare 275 460 464 475 527

solo 461 471steel 526talking 489timpani 232 308

drummer[s] 232 309 450 462 524

drunk[enness] 334 572foreign drunks 269

Drunken Landlady The 414dual consciousness 2 6 16 100 104 376 377 578 585

dub mix 263dubbing (doubling) 311Dubliners The 264Ducati 308 497

Duelling Banjos 473duet 473dum diddle dum etc 290Duncan Trevor 542duration[s] 33 281ndash288 473

giga‐ 281equidurational 586macro‐ 281mega‐ 288meso‐ 283micro‐ 281ndash283

Durex Play‐O 380Dvořaacutek A 407 527 538dyad 339 585Dylan Bob 341 352 373 374 405

dynamic qACCENT LOUDNESSdynamite 436Dynasty 490dystopia 308

EEagles 382Early Music Consort 466 earthquake 274 308 488Easy Rider 436 437 442Eazy E 375echo 48 203 298‐9 309 455

delay 299 456 500echoplex 456in Italian 216q reverbslap 203speech shadowing 243tape 273 456

Echo Sonata (P D Q Bach) 471eclecticism 10 12Eco Umberto 146 149 159 165 166 269

eCommerce 362ecstasy 73 176 209 283 357 380 492 RELIGION

Edison Thomas A 314education 5 13 14 15 18 39 40 61 84 88 102 106 115 119 120 128 129 138 151 173 204 267 358 487

529 578 TEACHING SCHOOLS STUDENTSinfants 61

Edwards Michael 517Edwards Paul 401Edwin Hawkins Singers 254 341

effects units 309ndash313Eguumles Richard 463Einstein Alfred 81Einstuumlrzende Neubaten 406Eisler Hanns 392 393 488Eisner Thomas 56El condor pasa 388electric

amplified instruments 277

q BASS GUITARq GUITARhum 438

electro‐acoustic 548electro‐mechanical 137electronic

q DANCE musiclsquoelegant musicrsquo (雅乐 ) 86Elgar Edward 103 407 538elitism 84 99 139Elizabeth II Queen 103Ellington Duke 494lsquoelsewherersquo 390 393Elvira (chalga artist) 264Elvira Madigan 93embarrassed 75 76 376 377emicetic 117lsquoEmilyrsquo (Bell Canada) 362Eminem 351Emmerdale Farm 490 542ndash3Emmett Dan 432emotion 1 44 57 61 62 68 69 71ndash78 89 94 100 101 111 113 140 156 166 168 172 199 205 208 209 312 345 346 370 379 443 492 535 550 554animals 57definition 72ndash73


heightened 365mood and 73ndash74performance of 71ndash72words describing 74ndash78

emotional 91 95 96 103 195 250 283 299 325 350 355 357 366 566domain of repres 64state of 352

empathy (film music) 550emphasis 292ndash293empiricism 15 138 143 150 154 198 207 377 564empiriphobia 141lack of 105 109 142

Emsheimer Ernst 142E‐Musik 87enclosed q SPACEending q CADENCE FINALITY TITLE MUSIC FILM MUSIC

Englishlanguage rhythm 490National Opera 400

Enlightenment 94ensemble sizetype 467ndash474Entwistle John 475 476envelope (ADSR) 277 585

attack 264 277 278 279 293 305 309 312 313 353 440 494 497 510 511 CONTINUANT

decay 47 216 273 277 278 279 305 309 312 353 440 494 583 584

release 277 278 305 309 440 596

sustain 277 600envy 75 76episode (mus) 287ndash399 386 392 393 400‐401 585

episodic determinant 515ndash516 585marker 516ndash521 585in film 550‐551time position 203

epistemology 2‐7 20epistemic dissociation 1epistemic fissure 6of music 83ndash132

EQ 310 500 501 586equalisation q EQerhu 526Erik B amp Rakim 297Erika och Cecilia 264Ermutigung 373establishing shot 393eternal essence 115ethereal 176 177 267 287 313 357 472 483ethnicrsquoethnicrsquoethnicity 120 175 267 347 355 603connotation 74 77 78 81 199 208 388 390 419 477 480 525 526

connotations 332flute 47 568 573folk lute 17 187instrument 187 572 574stereotyping 306 388 390 547

vocal costume 371woodwind 572

ethnocentrism 19 136 176 216 276 320ethnographicethnography 142 198 199ndash200 229 268 ethnomusicology 43 107 133ndash136 142 143 144 147 154 179

eticemic 117etymophony 159 588Euclidean space (sonic) 301euroclassical music 9 11 12 70 77 86 88ndash101 104 115 130 134 144 147 148 150 245 264 270 276 281 288 293 307 320 321 322 323 325 329 334 342 389 400 404 405 408 410 412 413 414 429 430 450 454 476 519 520 523 524 525 527 534 541 574 580 582

587 597 CLASSICAL CADENCEuse of in film 538ndash541

Eurovision 401 414 415Ever After 562Everett Betty 472evergreen q JAZZ (STANDARD)Everyday Tonality 315 321 340

evolution (human) 54ndash58 62Ewe 43 45 50‐1 450 459 461exceptions prove rules 149exclamation 374exotic 17 144 180 188 325 332 390 392 467 480expanseexpansive SPACE

expanses 485expansive 75

melody 451pitch range 317‐9texture 421

gesture 303scenery 212 420 479 485

exposition (sonata form) 410extended present 20 272ndash3 281 283 285 335 342 586

extensional q AESTHETICS extramusical time 393extravert 209 357 377 492Eyes Wide Shut 93

FFabbri Franco 37 108 190 216 266ndash268 277 292 373 374 388 389 395 401 402 404 522 587 600 608

Facci Serena 144 178facial expression 147 233 270 345 347 349 350 352 377 378 379

fade‐out 393 403 415 483fadofadista 375 407Faith Percy 490Falk D 54Falls theme (Mission) 267falsetto q REGISTERFaltermeyer Harold 466 519


Famous Flames 467fanfare 481 567Fanon Frantz 2 585fan[s] 12 37 40 92 101 130 182 183 198 204 270 297 441

Fārābi Abu Nasr Al 52Fargone Beauties The 382Faria N 333Farm The 342 413Farnabye Giles 413Faroeste caboclo 405Fascination 267fascism 137 139 204 388 477

fashion 494model 418 551

fast q SPEEDfateful q OMINOUS Favoritos del Norte 468feedback sessions 556ndash564feeling definition 73Feld Steve 43 151Fellows Joanne 39female 210 506 551

effeminate 334ˆ male q MALEˆFEMALEfeminine 334 351 495heroine q HERO heroinemusicians 467secretary 362q VOICE

Fenton George 562Fernando 199 287 386ndash391 393 394 397 403 416 476 477 479ndash482 516 519 522 526 527mixes of 392

Freon Anne‐Laure 577feudal 98 103 125feudalism 94 95field

paramusical q PMFCrecording 134 179 466semanticsemiotic 51 53 79 167 189 202 595

sociocultural 159 173

174 175 177 195trip 134

field (rural) 252 298 507Fields Of Donegal 380figureground 300 425ndash484Filipstad 11fill[s] (mus) 426 472‐473 476 477 478 481 493 494 501 518 524 586 590film music 90 267 529ndash578 MOVING IMAGEanalysis project 556ndash578functions of 546‐550ending 551euroclassical 538ndash541narrative cohesion 401origins 534ndash541silent 74 76 155 532 533 534ndash541 553 584project 543ndash546

soundtrack 299 563q title music

filter effects 310final chorus (trad jazz) 338 452

finality 288 318 367 393 410 411 413 415 431 456 520 523 531 CADENCE

finance capitalism 114 442Offensively‐Kerr Quintet 11FinlandFinnish 51Fishermanrsquos Lilt 414Fisk Robert 442flamenco 526

mode 330 332flanging 203 311Flash and the Pan 310 341Fleetwood Mick 461Fletch 466floating 287 341Flores Sergio 307Floros Constantin 90flowflowingfluidity 167 168 189 191 213 283 335 367 494 495 496 497 502 506 507 508 513

flute 47 251 252 280

alto 274Andean 187 307 388 477 480 481 525 526

ethnic 572 573 596Neanderthal 54ney 526piccolo 274 424

Flucircte indienne La 388flutter 66 213 423 432 474flying 365

saucer 337 418Fogbound 79foghorn 352Foley 586folk

lute 187music 98 133revival songster 375rock 321song 382

Folk Song Style and Culture 373

Fonda Peter 437 442Fontane di Roma 420 548food production

ˆ voice type 373Fools The 27 488football (soccer) 359 365

hooligans 358Forceville Charles 78foreboding q OMINOUSforeground

figuremotif 425foreign drunks 269forest 181 212 240 252 418 567form (mus) 19ndash20 146 235 259 265 272 288 315 342 383ndash416 417‐484 586 603

q DIATAXISq SYNCRISIS

format radio q RADIOForschungszentrum pop‐ulaumlre Musik 102Forty Days and Forty Nights 152ndash153

Foster Jenkins Florence 370


Foucault Michel 108Four Seasons 342lsquofour to the floorrsquo 289 292Four Tops The 476Fourteen Ways of Describing Rain 488

fourth estate 98 103Foxy Bingo 269frame counts 33Frampton Peter 310 494France 163 306

concerts in 96 102French

q ACCORDIONhorn 164 242 243 278 307 325 451 476 480 481 482

Revolution 98Theory 108

Francegraves Robert 90 91 150 151 152

Frankfurt School 105 140Franklin Aretha 381Franks Simon 356Fratellone Stephen 399Freak Out (1965) 382Freberg Stan 381 382Frechette R 307freersquofreersquofreedom 102

of choicersquo 111market 99 111 will 95

French q FRANCE French and Saunders 382frequency spectrum 279 280Frescobaldi Girolamo 455fridge 298 303Friedland door chimes 368Frith Simon 4 15 71 106 578

Froumllunda 434From Me To You 397frontal axis q AURAL STAGINGFuck Shit Stack 380fugue 206 338 382 413 448 449 455 457 582

full 264‐blooded 374‐bodied 309 356‐throated 370

fundamental q PITCHfuneral 49 71 72 152 196 211 265 289 294 365 371 461 572 582Fuumlnf Saumltze fuumlr Streichorch 407funk 407 465ndash467 476Funk Brothers 476Funkadelic 465 466Funky Broadway 465Funky Drummer 232 297fusion q JAZZFuture Shop 102fuzz q DISTORTION

GGabriel Peter 299 300 311 312 370Gabrielrsquos Oboe 317 574ndash575Gabrieli Giovanni 299Gaelic 491Gainsborough T 427 429Gainsbourg Serge 373 374 galliard 294 295Gallone Alessandra 363gallop[ing] 424 509ndash510gamelan 244 320 468 520 523 526

games 214 300 532 534games (computer) q GAMINGgaming 1 36 37 92 140 192 196 214 244 299 300 354 358 443 444 529 530 532 533 533 554 581 gammaldans 180Gandalf 354gangsta rap 375Garden of Earthly Delights The (Bosch) 427

gastroenterology q VOICEgat 412gated reverb q REVERBGauthier Franccedilois 577

gay (meanings of) 112 VOICE

Gay Gordons 284ndash285Gaye Marvin 476Gaynor Gloria 381Geele Tim van 534Geldof Bob 103 104gender 17 204 210 211 347 355 379 444 546 603 FEMALE MALEpolitics 380relations 381q VOICE 377

Generation 356generic annexing 586Genesis 404 597genre 266ndash268 587

definition 266ˆ style 266ndash268synecdoche 268 306 388 477 485 486 522 524ndash528 548 587

vocal descriptors 356vocal identity 371ndash375vocal costume 373ndash375

gentle 495 496Gentle Giant 403ndash404German[y] 124 142

cabaret 382Deutscher Maumldel 451lang 50 88 99 276 495musical language 103music theory 94romanticism 94 97 102 126

gesture gestural[‐ity] 44‐45 57 61 75‐76 147 164 168 182 183 190‐191 195 206 233 241‐243 266 270 272 303 318 321 335‐336 345 347 349 377 393 423 441 478 483 547 550 586audio‐gestural 242gestural affect q AFFECT

gestural interconversion 502ndash509 587

Gesualdo Carlo 455


Get Ready 476Ghana 50 459ndash463

Dance Ensemble 462Gibbons Orlando 265 406Gimeacutenez Francisco 296Gimme All Your Loving 342Gimme Shelter 406 438Gipsy Kings 365Girl In Blue 495girlfriend q VOICE lsquogirliersquo q VOICE Glass Securit 373Glaucon 334Glazunov Alexander 541glissando 318 402 403glitch 445 446 522glockenspiel 308Gluck Christoph W 265gobbledygook 117 325Gobet Fernand 273God Rest You Merry Gentlemen 264God Save The Queen 330 Godt Irving 455Goethe J W von 544Goldberg Variations 413Goldenberg Billy 406 419 475 476 540

Goldschmidt Harry 426Goldsmith Jerry 456gong 275 277Gonzaacutelez‐Saacutenchez M 296Gordon Robert M 366gospel 381

jaw 312 587princess 380singer 375

Got To Go Through It To Get To It 465

Goumlteborg 3 11 14 35 49 124 142 252 337 434 443

Gracyk Theodore 139Graham Larry amp Gra‐ham Central Station 465 467

grainy 497ndash498

Granada 414graphic score 568ndash571graphocentric 588grass 18 167 168 418 502 506 507 587

gratificationimmediate 103postponed 103

Great Pretender The 382GreeceGreek 187 338 526

drama 351 395 425 471mode names 332μουσική 88

Green Day 413Green Heritage 79Green Lucy 135Gregorian plainchant 450 522 548

Grieg Edvard 538 539gringa 390groin fixation 443groove 11 256 284 286 287 291 292 296 296ndash298 338 401 415 432 433 459 465 470 476 477 478 484 499 588 597funk 465

Grossberg Lawrence 101gross‐motoric q MOTORICground bass q BASSgroup

dynamics 467identity (vocal) 371ndash375manifestations 467ndash474 TARGET

Grundrisse 101Guantanamera 341Guaraniacute 574Guide me O Thou Great Re‐deemer 453

guide pattern q TIME lineguilt 75 76guitar 116 234 236 237 277 278 279 292 447 450 464 475 478 526acoustic 450air guitar 242

amp 276band 522bass q BASS guitarbottleneck 526chop and scratch 465q DISTORTIONdobro 526fill[s] 473 493 586electric 497ndash498 Fender Strat 116 339flamenco 526hero 438 450lead 441motorbike 308playing technique 309q RIFFsring modulator 311solo 242 396 403 404steel 158 496 527strum 337 390twangy 257 259violining 313wah‐wah 310

gustatory q TASTE (sense of)Guthrie Woody 451guttural 378Gypsy mode 330 332

HHaagse Post 4habanera 465Hageman Richard 495Haitian Divorce 310Haley Bill 395Halfyard Janet K 555Hallelujah (Cohen) 373Hallelujah chorus 406Halliday Michael A K 147Hamburg 224Hammer films 206Hammond q ORGANHammond John 134Hancock Herbie 466Handel G F 96 103 265 342 400 406 413 524 525Hang On Sloopy 341Hanslick E 89 114 537


Happy Birthday 36 317Happy Birthday Sweet 16 341happyˆsadmajorˆ mi‐nor 264ndash265haram 366Harley Davidson 162 308 437harmonic q HARMONYharmonics 279Harmonious Blacksmith 413harmony 264 335 339ndash342

choral[e] 453ndash454four‐part 453ndash454harmonic matrix 342harmonic narrative 415harmonic rhythm 291 LOOP MODE SHUTTLE

Harper Valley PTA 493harpsichord 307Harris Rolf 382Harris Roy 147Harrison G 103 254 341harsh 180 264 309 320 356 372 433 497

harvest song 180 181Hassan Kuban Ali 406Hasta Mantildeana 397 415Hatch Tony 490 512 542 haute bourgeoisie q CLASSHava Nagila 264Hawkettes The 465Haydn Josef 95 342 406Hayes Isaac 310 464 466 Hayes Pozo 461He was despised 265Hersquos So Fine 254 341head q REGISTERHeadhunters 466hearing

damagethreshold 314range 316

Heartbreak Hotel 382heavy metal q ROCK heavy Hebdige Dick 108Hebrides 338 452Hegel G W F 89 95 99Heinlein 152

helicopter 436Hellrsquos Angels 162 163Hellenic period 53Hellgring Einar 377Helsjoumln 3hemiola 295 457ndash459 588hemitonic 331 588Hendrix Jimi 310 341 438 494 499

heptatonic q MODEhermeneutics 15 152hero[es]heroism 307 354 356 359 451 485 550anti‐ 466guitar 438 441 450heroic 164 210 243 244 335 451 476 480 481tenor 369

heroine 357 359 369 550 554

Herrmann Bernard 264 510ndash512 549

Hershey Dawn 354 358Hertz 274 316heterophony 265 338 452 588

hexatonic 326 330 589Hey Pocky Away 465hiccup 318 466Hickman Aubrey 13high q CLASS PITCH

art 107high‐brow 98high‐heeled sax

qSEX sexophonehi‐hat 274 275 279 291 390Hijaz q MODE maqāmHill Joe 186hillbilly 135hills 167 169 212 303 422 502 503 504 506 507 508 542 587

Hindemith Paul 72Hindewhu 466hip‐hop 401hirajoshi q MODE

Hirsch Richard 147Hispanic SPAINSPANISHhit point 553 589Hitchcock 264 510 512 549Hitler Adolf 71 139hocket 465ndash467Hoeckner B 152Hoffman A 141Hoffmann E T A 95Holbein Hans 429hold music q TELEPHONEHoliday Billie 299 355Holland Kristen 266Holly Buddy 351Hollywood 3 181 214 306 307 330 333 354 358 469 477 495 513 527 532 533 541 549 562

Holman Libby 381holokinetic q ANAPHONEHolst Gustav 407home

and away 391key (harmony) 411worship 338 452

homophony 338 ff 448 589Honegger Arthur 90Honey Honey 397hook (mus) 386 396 399 402 416 589

Hooker John Lee 286Hooper Celia R 377Hopkins Lightninrsquo 286Hopper Denis 437hoquetus q HOCKET horn

bursts 465q FRENCH hornriff 396

Hornbostel Christian 134hornpipe 264horse[s] 211 423 424 449 509ndash510riding 485

horticultural societies 373Hound Dog 110


house music 292 406 444House The Street The Room The 403ndash404

Houston Whitney 312 588 Hozien Muhammad 52huayntildeo 388 527Huckvale David 151Hughes John 453Hughes Susan M 350Hughes Suzanne 377human sounds 60humanism 388 574humour 380 368humpback q WHALEsHunchback of Notre Dame 436HungaryHungarian 90 134 330 418 485

hunting 47 48 49 164 307communities 373

Huron David 54 57hyena 179hymns 290 453hypothetical substitution

q COMMUTATION

II Am The Walrus 406I Have The Touch 311I Hear You Knockinrsquo 476I Heard It Through The Grapevine 476I Walk The Line 373I Want You To Get Under My Skin 382Irsquoll Go Crazy 13IASPM 5 297 589ice 61 418

cubes 408Ice T 297Icelandic 51 52 53icon q SEMIOTICSidentity

collective 45ndash46 57connotative 264corporeal 46 80figureground 477

genre 266absolute 91 108

grouppersonalsocial 2 175 182 183 184 345 346 350 351 360 371 375 451 466 national 133 134 164 236 371 525

mus episode 516mus structure 334mus style 522 523mus work 126 251 252 272 288 406 595

IFPI 589Imam Abu Hanifah 366Imberty Michel 145 151immediacy q EXTENDED PRESimpersonation 378ndash380improvisation 10 87 96 124 128 281 338 399 400 403 413 590 597In Dreams 401In saeculum 466In The Air Tonight 312 341In The Gallery 473 493incidental music 539index[‐ical] q SEMIOTICSIndia 86‐87bhāva 72film 372 BOLLYWOODmusic from 86‐87 295 306 321 334 372 526

rāga 87 334 412 472 597rasa 50 72 334 335Rig Veda 125sangita‐śāstra 87

IndianAndean 479 572 573indios 390Native American 176

indigenous rights 574Indonesia 526industrial music 204 444inexorable 176 292 313 438 445 501 512

infancy infant[s] 54 62 366Infinity (band) 407

Innes Neil 382innocence 389innovation angst 130insects 55 61 208 428 499institutionalisation (of mu‐sic and musical learning) 4 6 7 11 77 81 83 84 88 89 90 94ndash96 100 101 102 103 104 105 109 110 115 119 120 123 127 128 130 131 133 135 138 141 143 147 148 150 151 198 236 246 256 265 340 411

instrumental music 152Intel Inside 543intensional q AESTHETICSInternationale 317internet

reception tests 201‐2interobjectivity 229ndash261 589 IOCM

interpretant 156 196 198 199intersubjectivity 1 80 130 195ndash228 229 240 377interval[s] 322ndash325 589

pitch step 276leaps 325octave 316ndash9 322 325 593semitone[s] 180 181 182 276 372 414 599 603table of 323whole tone 276 323 414 603 MODE

intimateintimacy 1 172 302 350 357 361 369 370 376 422 450 468 494 501 538

ˆ public 369ndash370opera voice ˆ 369

intonation crisis 46intra‐ ˆ extra‐generic 46ndash47intros 396 411 437 474 477ndash479 490 517

introvert 190 209 357 377 492Intruder (Gabriel) 312intuition ˆ instinct 69ndash70


Inuit 50 318 526invisible music 529ndash530IOCM 229ndash261 589ionian q MODEIphigenia in Brooklyn 382IPM 589Iraq ( (عراق

q MODE maqām war 443

Ireland 65 134 333 526melodic rhythm 520Irish 333 380

tonality 333Gaelic 491

Irishness 291Irish Street Ballads 333Iron Maiden 407Iron Man 497Isaac Heinrich 455Istanbul 366ItalianItaly 267 360 363

genres 375house music 406language 76 88 216 279 282 365 395 472 490

opera 244iTunes 246 247

JJackendoff Ray 145jackhammer 308Jacks Terry 415Jackson Bruce 286Jackson Mahalia 381Jackson Michael 443Jagger Mick 104Jamerson James 475 476James Bond 205 218 340 555 566chord 339theme 28 116 257 258 259 260

James Etta 342Japan 306 382 526 547

music concept 50 51musical archetype 306 331 332 548

Jara Victor 388jargon (musopoiumletic) 26 117 142 251 256 261 263 315 325 344

Jarre Maurice 342 495jazz 103 104 123 139 140 176 214 281 296 297 307 321 380 412 454 457 471 472 520 527 532 599bebop 149 244 340 450club 352combos 468rsquofreersquo 408fusion 405‐408 593improvisation 399jazz standard 9 288 342 388 396 397ndash401 402 409 410 414 516 517 582

jazzo 12 589mainstream 375 407modern 403musician[s] 10 93 128 310 399 400 467

performance 119 338repertoire 334post‐bebop 467solo 413trad 10 340 452vocalist 375

Jazz Singer The 537JBs The 465jealousy 75 76jeans 111 184

baggy 199Jefferson Blind Lemon 493 Jelinek Hanns 529jerk[y] 47 213 264 465 480 513

Jesuits 574Jewel Aka 461Jhon Come Kisse Me 413jig q DANCEjingle 35 59 171 230 288 324 406 407 488 489 490 512

Jiraacutenek J 151

jive q DANCEJobim A C 475Joel Billy 401John Elton 71 103‐104 286 450

Johnson Bessie 381Johnson Brian 440Johnson Bruce 123 138 441 598

Johnson Mark q LAKOFF amp J jollity 335Jones Arthur M 459Jones Tom 104Jordan Louis 597 Josquin des Pregraves 455journalism 141joy 49 74 75 76 151 210 217 264 334

jump music 597Just The Way You Are 401

KKaae Jesper 534Kahn Madeleine 368Kalinka 264Kaluli 43Kaoma 264Kapsalis Terri 380karaoke 36 40 365 549Karbušicky Vladimir 151Karelia Suite 406Karlstad 3Karras Vasilis 407Karshner Roger 2 267katajjaq 318 526Katz E q LIEBES amp KATZKauer Ferdinand 539Kawasaki 437Kay John 437Kaye Peter D 291 354Kazakhstan 425keening 526Keil Charlie 50Keiler Allan 145Kenny G 307 599


key ( TONALITY) 276change 414ndash415keynote 322 TONIC

Key Change Songs 329Keynesian policy 111Khan Chaka 351Khatchaturian A 495 555khoumloumlmi (хөөмий) 318Khorakhanegrave 373kick drum q DRUMkick‐ass q ROCK kiddie‐speak q MOTHERESE kinetic (incl kinesis) 44 61 63 64 65 75 78 172 206 241 283 294 298 303 313 340 355 361 411 485 486 487 497 507 509 510 511 512 520 537

q ANAPHONEeffect 294parameters 270

King Kong 495King Albert 473King B B 473Kingrsquos College Cambridge 12 459

Kitchener (Ontario) 102Kivy Peter 151Klangfarbe 277klezmer 264Kneif Tibor 152knighthoods 103Knopfler Mark 313 473 493Knudsen Thorkild 338 452Kodaacutely Zoltan 134 343Kojak theme 15 288 340 406 419 474 476 477 479ndash482 540commutations 340

Kolland Dorothea 138Korngold W E 11 90 541koto 332 526 547KPM Music Library 224Kraftwerk 310 494Krahmer E 377Kramer Lawrence 151

Kress Guumlnther 147 Kretzschmar Hermann 152Krims Adam 444Kristeva Julia 108Kristianstad 3Krohn Tarek 546Kronberg Margit 67Kubrick Stanley 13 93 269 548 553 555

Kuhnau Johann 539 Kulțūm Um 452Kuntz Andrew 333

LL L Cool J 297laboratory assistant 371Lacan Jacques 108Lacasse Serge 203 299 300 302 351 353 501 581 594 600 603Lachrimae Amantis 407Lady Gaga 40Ladzekpo C K 457Lagaan 372lager louts 184 185 199 357 358 360

Laing Dave 4 15 106 107Lajoie Jon 380 381lake q WATER (lake)Lakoff George amp Johnson Mark 32 78 97 147

lambada q DANCELambert Andreacute 577Lamennais H de 99lament 306 356 455 491Landau Jon 106 141Landskrona 3Lane Dave 11Lange Stevie Van 380Langey Otto 544language[s]linguistic[s] PROSODYbody 147 346 347 349identifier q ANAPHONEin relation to music 57linguistic[s] 145‐147

q ANAPHONEdomain of repres 64

metalang 115 120 241rhythm 490ndash491sociolinguistics 350 362teaching 14tonal 276

Lara Agustiacuten 414Language Is A Virus 446Lararsquos Theme 495Largo (Handel) 265Lark Ascending The 474Lasso Orlando di 455Last James 297Lastfm 246ndash247lateral

placement 302thinking 201 376

Latin America[n] 18 123 215 245 388 392

laughter 269 335Laura 495law

Bach v Longman 125notation and the 125 ffNewton v Diamond 128

Lawrence of Arabia 419layer (mus) 448ndash449Layla 443 474lead

drummer 450 461flute 481guitar 441 522 524guitarist 426 440instrument 475 597lead‐in q ANACRUSISsinger 182 214 426 427 470 472 597

vocalist 260 440 475vocals 467 501 523

learning q EDUCATIONleather (bikes) 437 438Leavis Q D 138Led Zeppelin 381 401 440Lee Peggy 543Leech Charles 269Leeuwen Theo van 151 370


legato 282 496Legiatildeo Urbana 405Lehmann Willy 631Lehtinen Rauno 264Lennon John 402 403Lenya Lotte 368Lerdahl Fred 145Levitin Daniel 69 273Levy Claire 181lexical[ity] 75 76 164 167 168 169 276 279 298 345 378 590 596

Leys School 10liberation of the ego 95 103liberation of the id 103Liberteacute guidant le peuple 429lsquolibertyrsquo of individual 102library music 74 76 77 79 177 200 223‐227 229 239 244 250 494 495 496 534 542 590

Libya 65lick (mus) 590Lick My Baby Back Behind 382Liebes T amp Katz E 111Lieder 92 406 407 539Ligeti Győrg 93 555light music 97lightning and thunder 7Like A Rolling Stone 405lilting 363limiter 312Lindgren Erika 264line dancing 140Ling Jan 14 52 85 88 95 96 102 124 142 151

lingua franca (mus) 103linguistic[s] q LANGUAGElinks (film music) 551Lissa Zofia 222‐3 546ndash50listen[‐ing]

mode 94 97 98 100 134 139 149 177 199 268 409

venue 199

listener[s] 15 17 32 73 116 130 135 146 148 150‐1 164 167 176 179 180 182 185 189 201‐206 286 287 299 300 302 306 311 314 350 369 376 389 406 408 414 481 483 495 500 501 524 548 563 AUDIENCE

Liszt Ferenc 407literary criticism 141Little Miss Muffet 382Lively Up Yourself 407Liverpool 16 43 51 180 352 437 501 503 531 562 589

Liverpool FC 365 450 451Living On A Prayer 415Livingston Jay 509Llangollen 504Lobos Los 341locomotive 535logocentric 84 497 590logogenic 74 75 76 77 78 171 493 590 ALOGOGENIC

Lomax Alan 134 286 353 373 470and Botkin B A 320

London 224Lone Ranger The 509lonely 17 48 71 151 169 176 287 480 492Long And Winding Road 401loop (definition) 590Lord Mansfield 125Lord of the Rings 354Lost Soul The 320Loth To Depart 413loudmouth 183loudness 47 48 165 177 182 257 265 271 274 279 282 290 292 298 302 305 312 313ndash315 357 421 423 434ndash441 482 510 535 548 567 597control knob 314volume 101 147 265 277 312 313

love 17 18 43 49 67 79 93 161 167 168 189 191 209 210 215 217 307 334 365 366 369 398 495 506 538 544 545 587duet 370falling in 366metaphors 78theme 538 550

Love divine 453Love To Love You Baby 381Loversquos Theme 310low‐brow 98Lugn Kristina 67Lukaacutecs Győrgy 596Lull James 101lullaby 36 47 160 161 176 217 294 549Lullaby Of The City 494 496Lumiegravere brothers 535‐536Lund 3lute tablature 12luxur‐y‐ious 308 551 552lydian q MODELyngstad Annifrid 389Lynn Loretta 407Lynn Vera 548Lynyrd Skynyrd 342Lyotard Jean‐Franccedilois 108lyricallyricism 283 294 307 587

lyrics 22 182 184 185 203 249 251 260 266 270 286 287 357 370 378 379 381 388 398 402 403 405 408 452 467 474 478 493 512 521 523 539 574

MMacDorman Karl F 247Mad TV 381 382Madame Butterfly 370Madison Avenue 267madness 274 572Madonna 443madrigal groups 468madrigalism 472 473 590


Madzhare 181magic 308Magic Flute 380Mahler G 90 406 407 541mainstream 47 475 585

audience 390 477CampW 158 159 527epistemic 83q JAZZmedia 149national culture 187

major q INTERVALSˆ minor 264ndash265 327 334 414

relative 414Major Mood Music 224malaguentildea 264Maacutelamas Sokraacutetes 373 374Malandro O 597male 164 210‐1 218 357 480

activity 498behaviour 357 358ˆ female 18 86 357 362 372 381 444 469 506 597

gang 199 364hero 481maleness 498motorbikes 437music 244singer‐songwriter 373ndash4q VOICE choir

Manchester 13Mandell Steve 473mandolin 187 188Mangeshkar Lata 372maqām q MODEmarch 289 294 297 412 414

cavalry 294funeral 317 341marching 286 287

band 549Marche funegravebre 317 341Marconi Luca 146 151Marcuse H 105 140 141mariachi 526

marimba 543Marley Bob 407Maroacutethy Jaacutenos 151 425marriage 453Marseillaise 234 236 297 317 Marslen‐Wilson W 243Martha (Waits) 373Martha amp the Vandellas 476Martin Dean 365Martin George 103 104Martiacutenez J‐L 151Marx Adolf Bernhard 89 95 97 99 102

Marx Karl 101 109 596mass observation studies 138Massacre of the Innocents 428Massive Attack 300 501Matchbox Blues 493mating rituals 390Matsys Quentin 429Mattelart Armand 108‐111Matthew Passion 11 245 488

May Brian 103 443Mayall John 477Mayfield Curtis 466MBE 104McCartney Paul 103 104 402 403 475

McCoys The 342McHugh‐Munier C 355McKellan Ian 354McNamee David 311McPherson Eve 353McTell Ralph 413meadow 93 167 168 191 252 418 502 506 508 587

measure q BAR (mus)mechanical 402media

commercial 138corporations 1industries 267studies 103

medieval 466 548

melisma ˆ syllabic 336Mellers Wilfrid 107 151melodic

anaphora 580cadence 520flow 472hook 478line[s] 413 425 432 440 447 452 454 477 493 513 588 590 591 600

minor 327movement 583 585ornamentation 412patternprofile 328 372 454 490 491 583 603

phrase 186 383 389 448 482 586

polyphony 338sophistication (non‐Eu‐ropean) 334

statement 478melody 48 52 56 68 74 87 89 122 164 172 232 234 235 236 252 264 284 317 318 325 335ndash336 338 343 367 381 392 421 425‐484 489 492 496 519 524 550 551 592airborne character of 365definition 426

melody‐accompaniment dualism 425ndash484

Melodyne 374 581 590Mendelssohn Felix 171 237 365 538 539

Mendoza David 537mercantile 53merchandising 40merchant boroughs 53Mercy Street (Gabriel) 311Merker Bjoumlrn 54Merwe Peter van der 495Mesopotamia 84ndash85Messiaen Olivier 424 488Messiah 265 406 524metadata 250 407


metadiscourse 11 119 266contextual 119ndash120 142musical 88 119ndash120 247metatextual 142

meta‐identity 12 346 591metalanguage 115 120 241Metallica 407 423 597metallophone 308metaphor 78ndash80 147 190 215 417 418 479 493 497source and target 78q VOCAL

metaphysicalmetaphysics 12 53 85 86 88 95 97 99 100 102 113‐114 120 126 139

metatheoretical 109Meters The 465 467Methodist Hymnbook 152metonymy 79metremetric 69 70 75 245 271 284 289 291 293ndash298 340 344 346 367 384 389 390 413 415 422 457 459 460 463 465 475 515 518 581 588 603

q ACCENT metric asymmetric 295cross‐rhythm 294 295common time 294inversion 459ndash463monometric 295 457poetic 405polymetricity 295 457regularity of 389 391senza misura 367 599symmetric 294

metronom‐e‐ic 288 289 290 292 444 458 512 539 540 553 576 582 BEAT

Mexico‐an 469 485 526Meyer Leonard B 73 266Meyerbeer Giacomo 538Meyers Owen C 247Miceli Sergio 90Michael George 307

Michelsen Morten 90 101 106 141

mickey‐mousing 437 591microphone[s] 137 440middle eight q BRIDGEmiddle‐aged 354middle‐class 135 199Middleton Richard 97 151 190 191 296 590

MIDI sequencing 273Mighty Mighty Spade 466Milan 362Miley Bubber 494military 254 389 414Milius S 55 56Milkmaid The 429milksap 341Miller Glenn 597Miller Sue 463milliseconds 33Mingus Charles 408minor MODE

keymode 401ˆ major 264 322 327 264ndash265 334 414

relative 414sixth seventh 323third 323 368

Minor 7 5 Montage 340minuet 412 414mise‐en‐scegraveneqAURAL STAGINGMission The 267 388 551 559 561 567‐575Misty 397 399Mitsui Toru 51mixing 178 187 203 231 299 310 311 312 336 392 427 475 481 500 534 536 600

mixolydian q MODEMixtur 311Moaninrsquo Low 381mobile phone q SMARTPHONEmode 276 325ndash335 591 TONALITY

aeolian 327 414 582shuttle 341

Bayati 334bimodal 591church mode 582diatonic 584dorian 327 333 334 582

shuttle 341ecclesiastical 582heptatonic 326ndash330 332 334 588hirajoshi 331ionian 327 329 334 414 582

lydian 327 334 582maqām 330 332 334 335 526 (Hijaz Rast etc)

mixolydian 326 327 333 342 582

octatonic 330pelog 320pentatonic 326 330ndash331 422 423 526 594

phrygian 327 334 414 526 582slendro 320whole‐tone 8 403 603

Modugno Domenico 365modulation

audio effect 310ndash311key change 410

Moel Famau 503Molino Jean 116 579 595Mona Lisa 429Monelle Raymond 145 147monetarism 111money 98

deification of 101spent on music 37ndash40

Money (Pink Floyd) 341Money For Nothing 437 497Money or the Gun The 381Moneylender and his Wife The (Matsys) 429

Mongolia[n] 318 526Mongols 418 485

monk (copyist) 124


monocentrism 425ndash433monody 335 591monometric q METREmonophony 592montage 554 592Monteverdi Claudio 425Montreacuteal 16 531 532 407montuno 296 463mood 73ndash74 LIBRARY MUSIC

labels 74 77 225 544Moore Allan 299Moore Dudley 381 382moral[s]morality 100 442

dilemma 99turmoil 573

Morales Luis de 506Morissette Alanis 382Morley Thomas 456Morning Star The 414Morricone Ennio 11 90 197 267 317 388 495 499 509 574

Morrison Van 103Morse code 512Morton Eugene 56Mosaiumlque 365Mossberg Frans 353motherese 244 363 368motif 284 292

leitmotif 551Motion Picture Moods for Pianists and Organists 224 538 543 544motionmovement

DISTANCE KINETIC MO‐TORIC SPACE SPEED 45 47 57 60‐61 63ndash64 74 76‐77 80‐81 89 92 101 114 120 153 160 168 189 202 206 208 212 242 245 270‐271 274 284 285‐303 308 311 313 335 338 339 359 421‐423 432‐ 433 441 461 466 475 478 480 482 485‐486 487 497 509ndash513 541 543 546 548 585 588‐593

conjunct 319 389 583contrary 453 583motionless 298oblique 453parallel 453 593sound as intrinsic to 535underlining in film 543

motivation research 267motorbike[s] 423 424 436ndash442 488 497 498

Motorhead 440motoric 59 61‐66 75 78 127 284 290 499ndash500 513 MOTIONMOVEMENTfine 63 66 499ndash500 513gross 63 64 66 284‐286 290 499ndash500 513

Motown 475 476mourning 8 49 179 265Move Your Body 407movement MOTION MOTORIC KINETICpart of euroclassical work 230 281 288 405 406 407 409 410 414

moving image (music and) 6 149 203 529ndash578analysis project

feedback 562‐564film choice 558cue list 558‐560graphic score 568‐571

theme list 565‐566text 564‐575

cinematic terms 552‐556course overview 532ndash3functions 546‐550history 534‐541invisible music 529‐531q TITLE MUSIC

Moylan W 300 302 552Mozart W A 9 10 93 95 96 167 307 342 380 406 407 409 411 414 454 473 519 K467 93 587K550 67 410 411

Mr and Mrs Andrews 429Mr Nice‐Guy 375MTV 3 35 184muezzin 366multiple choice 204ndash206multiplicity (mus) 424ndash425multi‐track 46 475 500

mixing 536recording 299 370

Murder on the High Cs 370Murdock Graham 105 107Murena T 526musememusematicdefs 232ndash238 592film music 560 567 572table of occurrence 387stack 417 592string 592

music 1‐650q ABSOLUTEbox 308cerddoraeth 51editor 554 592concepts of 50ndash53definitions 44ndash50departments of 103doctrinal 87 125 130‐1importance of 35‐82mousikē (μουσική) 51 52q MOVING IMAGEmusica 51coltaculta 87erudita 87humana 88 124instrumentalis 88mundana 88

mūsiqā 52musique savante 87ongaku 51sangita‐śāstra 87soittolaulu 51stage 399supervisor 554video 214 260vugrave baacute 50

Music for Strings Percussion and Celesta 13 553


musical metadiscourse 119ndash120notation 106phrase 272 283‐285stage 397q STRUCTUREtaste 1 100 188 196 266 267

musicology 1‐650 3‐7 15 97 99 105 107‐8 119 136 140 143 145 147‐8 150 170 181 197 232‐3 241 252 266 320 325 337 354 446 470 546 595conventional 7 107 113‐4 150 233 320 595

departments of 103of society 445 470

Musik amp Gesellschaft 137 138Musik fraringn Bulgarien 181 320Muslim 366muso[s] 3ndash7 12 18 26 106 127 142 176 189 196 340 530 577 592

q JARGONmusic 197 403 593non musos and 530ndash531peer group 530

musocentric 170musogenic 17 19 27 61 65 73 74 75 76 77 78 171 202 206 208 215 218 346 479 493 502 593scenes 418ndash425

Mussorgsky M 407 419Muybridge E 510Muzakreg 40 405 434 522 549My Favourite Martian 269My Funny Valentine 397 399My Generation 476My Sweet Lord 254 341

NName Of The Game 401‐2Napoleacuteon 81

Code Napoleacuteon 98

narcissistic‐aggressive 381narrative 202 233 259 265 288 315 321 549cohesion in film 401context 346 347 349cyclical 392 394dramatic 97Fernando 386form DIATAXIS 146 150 383ndash416 417 515 521

gaming 533genre 74 77 485 534harmonic 340long‐term 69musical v visual 3paramusical 89 203 208 270 286

video 5visual 184 521visual v musical 531 537 541 542 547 549 550 551 554 556 557

vocal 603vocal roles 356

national anthem 294 407 454

commutations 269costume 199

Nationalteatern 341Native American 134 176 330 388 546

Nattiez Jean‐Jacques 51 116 123 145 147 151 233 579 588 595

nature 17 126 214 546 574 602in music 546ˆ nurture 69ndash70

Naylor Ken 9ndash10 12 152 448

Nazi 142 267 451 509Ne me quitte pas 373Neanderthal 54neo‐liberalism 111Nettl Bruno 233

neurology 6 54 57 65 68ndash71 81 364 594

neurons 69 75 81 123neutral music 545 546Never Mind the Buzzcocks 474Neveu de Rameau Le 93Neveu Eacuteric 108 109 110 111New Horizons in Music Ap‐preciation 382

New Order 297New Orleans 465

RampB 342New World Symphony 527New York 224 408 418 419 512

Newman Thomas 543news 59 152 214

music 512ndash513readers 361

Nields The 351Nielsen Media 35Nietzsche Friedrich 269Night amp Day 397Night on a Bare Mountain 419Nightingale Sang In Berkeley Square A 400

Nine Inch Nails 297Niro Robert De 347Nirvana 341 444Nketia J H K 460 466 No More Mr Nice Guy 438Noble Ray 398noise SOUND

ambientbackground 59 178 236‐7 270 272 300 315 425 434‐5

Non lascerai 267non‐diegetic music 554non‐muso 3ndash7 12 18 26 105 107 108 118 189 197 253 256 320 321 339 340 344 530 531 577 593

normal = strange 403 NEUTRAL

Norman Monty 258North American 390


North Street in Snow Storm 8North Alex 555Northern Europe 390nostalgia 17 161 180 209 287 308 340 495notation 107 121ndash129 149

ethnomusicol 134ndash135film sync and 539ndash541law and 125‐129non‐notatable parameters and 150

notational centricity 149 150

sheet music 86 125 127 128 129

subjectivity and 124‐129usefulness of 121ndash122

note (mus) definition 273 593names 275

nouba 408 593nouveau riche q CLASSnovelty song 381Novotney Eugene D 459now sound q EXTENDED PRESNow Voyager 495npm 593NTSC 593nursery rhyme 36 338NWA 297NYPD Blue 290 406 474

OO Paalanhaare 372OBE 103 104object

q AO (analysis object)Peircean 116 156 159 160 163 175 177 178 186 198

relations 113ˆ sign ˆ interpretant 160ndash161

oblique motion qMOTION

oblivion 101 106 115oboe 252 308 317octatonic q MODE

octave q INTERVALoffbeat q BEAT Oh Happy Day 254 341Oh Carol 341oil tanker 83 132Okell Monica 10Olrsquo Man River 397olden times 307 308 390olfactory 497Oliveira Leite C A de 405Oliver Paul 286ominous 206 210 250 341 501 542 548 572 THREATfateful 210 287 341 572foreboding 287 572

On the Steppes of Central Asia 420One Nation Under A Groove 466One Note Samba 475Onedin Line 495ongaku 51onomatopoeia 64 170 279 510 536 585

open q SPACEmarket 125lsquosoundrsquo 321

opening (film) 551 555opera 92 98 214 244 281 299 399 539diva 356 375lovers 370 371voice 367 369ndash371 372 374 375

house 40 96 307 369singing 312

conventions 370‐1dislike of 369 370‐2

Opeacutera de Paris 381operetta 98optical sound 537oratorio 367 399Orbison Roy 400 401orchestra 9 214 245 254 402 422 515 539gamelan 468string 264

symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574

pit 369 529orchestration 267 374 469 540 551Orfeo ed Euridice 265Orff instruments 14organ 10 48 152ndash153 173 176 186‐188 206 214 245 308‐309 447 450 539 545 549 579concerto 342Hammond 153 214 318organ trio 447organist[s] 9 154 172 313 318 447 490 529

registration 318organology 134orgasm 357 380‐381ornamentation 412Orquesta Tiacutepica Imperial 468Osbourne Ozzie 104oscillatory effects 311ndash312Oumlsterholm Cecilia 264Otello 370Oundle 8out‐of‐body experience 483Over The Rainbow 397overdrive q DISTORTIONovertones q HARMONICSoverture 411 412Owner Of A Lonely Heart 300 501

Oumlzdemir Elif 364

PPA system 36 366 593Pachelbelrsquos Canon 342 413Paddison Max 469Padre Padrone 93PAL 593Palestrina G P da 12 340 455Palmer Christopher 264Pandora 246ndash247panning q AURAL STAGING


panorama 485Panorama 407panpipes 388 572Pantegravene 507Paparsquos Got A Brand New Bag 465

paradise 60paralinguistic 266ndash270

q ANAPHONEparallel motion q MOTIONparameters of expression 263ndash484durational 281‐298ethnomusicology and 136musical 271ndash484paramusical 268ndash270spatial 298‐303temporal 281ndash298timbral 305‐315tonal 316‐342vocal 343‐381

paramusical 229 593field of connotation

q PMFCsound 270synchronicity 260

Paranoid 311paratextual 145Paravonian Rob 342Paris 163 224 306 526 547Parker Charlie 10 399Parkinsonrsquos disease 377Parks Richard 493parlando 367 389 594Parliament (band) 465parlour 127

song 70 454 489 539parody 9 27 380ndash382 488Parra Violeta 388Parry C H Hubert 103 495Parson Erwin R 377Part Of The Union 198partials q HARMONICSparticipant (mus) 447ndash449Party at the Palace 103passacaglia 342 413

passaggio 318passionate 374pastiche 382 PARODYpastoral 290 291 308 524 542 547Pastoral Symphony 488 525Pata Pata 341patronage 94 125Pavarotti Luciano 369payador 375Pears Peter 382pedal steel q GUITAR steelpeer group 120 183 364 376 594musos 530

Peer Ralph 134Peirce C S 155 160 198pelog q MODEpentildea 388Pentildealosa David 457 462Penderecki Krzysztof 572pentatonic[ism] q MODEpenthouse 551 552Penthouse Affair 494 496Percival Allen 10Pegravere Ubu 171Perec Georges 596Perfect 442performance 71

instructions 270of emotion 71ndash72squad 467ndash469

performing arts 103period q PERIODICITY

q WAVE soundperiodicity 284ndash287 367

asymmetrical 389eight‐bar 284 398irregular 286ndash287 389regular 286 389symmetrical 284 286twelve‐bar q BLUES

persona VOCAL PERSONAdefinition 343ndash344 351descriptors 355ndash358public 89 197

personality 344voice and 350 351 352 377

tropes 356lsquoperverse disciplineacute 269

music semiotics as 146 148 159

Peter Gunn 340Peterson Oscar 407 468Peterson Richard A 267Petrović Gajo 596Phantasien uumlber die Kunst 94phasing 311Philishave Tracer 497ndash498phonation 318 369phone q TELEPHONEphoneme 594phonetics 31 32 117 276 278phonogram [s] 135 594phonographic staging

q AURAL STAGINGphonological loop 273 594photos amp vocal identity 350phrase 272 283‐285 292

length 48 264 265 283 367 426

phrasing 47 122 234 282‐3phrygian q MODEPiaf Eacutedith 406Pian Rulan Chao 86piano 7 8 9 10 14 47 96 127 162 163 214 251 255 274 277 278 279 280 339 404 407 447 450 464 474 539 544 545accomp 433 465 488concerto 93 342 587groove 465keyboard 55 242 316 317 321 322 326 327 328 330 331 482 584 599

reduction 129 431Piazza degli affari 292pibroch 306 526Picardy third 414piccolo 274


Picket Wilson 465piece of music (def) 272piercing 165 187 213 264 309 356 359 431 434 435 436 497 510 511

Pink Floyd 127 341 404 407Pinker Steven 62Pinochet Augusto 388Piove 267pipa 526piped music q MUZAKregPirenne Christophe 404pitch 59 274 279 316ndash318 354 359 378 434 595

q AURAL STAGINGcontour 265 335def 274ndash275fundamental 232 275 276 279 280 316 353

pool 325range 265 317ndash318 367 378constrained 317 319hearing 316

placement in three di‐mensions 301ndash303

q REGISTERpizzicato 309plainchant 124plains 485Plant Hill Comprehensive 13Plant Robert 440Placircs Berwyn 504plasticity 71Plato 334plectrum 277PMFC 229ndash261 270 386 480 595

poetry 51 52 53 55 367Poetry In Motion 341Poidevin Robin Le 273Ποια με καταράστικε 407poiumleticpoiumlesis 197 344 529 595competence 119 127 197focus problems 196ndash198

ˆ aesthesic 116 118ndash120 529

vocal descriptors 352pole dancing 308Police (band) 414political power 102polychorality 299polyphony 337ndash342polyrhythm 295polysemy q SEMIOTICSpomorockology 101ndash115 438 598

ponticello 318Poole Brian 295Pop Song (Lajoie 2009) 380popular music 47 87 99 102 104 105 107 108 139 141 139 142 150 191 247 412 413 414 418 444 452 456 464 466 474 477 478 479 484 524analysis 5 332 344‐4 501education 135characteristics148ndash149knighthoods 103song 267studies 3 5 6 7 14 15 103 111 119 138 139 149 154 297

Popular Music (journal) 5Porter Cole 400Porter Roy 126Portrait of a Gentleman 429post office 517Post Mike 290 291 475postmodernism 115 POMOROCKOLOGY

Postmodernism Generator 109postponed gratification 103posture 64 76 77 152 345 347 349 350 352 357 377 379 550

pot‐pourri 406power

agendas 84ndash91 94ndash102q CHORD 328 497

pragmatics q SEMIOTICS

prairie 212 418 422 485preacher 374prehistory 54present

q EXTENDED PRESENTPretenders The 382preverbal 366primates 54Πριγκηπέσα 373Prince 297Princess Diana 71prison 298

prisoner 418private public 1 2 75 99 369ndash370 376 450 585

privatisation 381privileged class q CLASSprocessuality 392ndash394Procol Harum 413production music

q LIBRARY MUSICprofession ˆ voice 356‐357Professor Longhair 464profile rhythm melody 264prog rock q ROCK (prog)programme music 90 539projection vocal 369proletariat q CLASSpropaganda 267 359 362 521 ADVERT

propulsive reiteration 282 518ndash520

prosody 44 45 46 64 78 147 171 195 233 279 343 344 345 364 364 489 490 491 492 596neurological basis 364

prostitutionalisation 381protestantism 452ndash454proto‐funk 465proto‐music 62psalm 367pseudo‐personalisation 362Psycho 264 510ndash512 524Psycho Chicken 27 488Psycho Killer 488


psychological AFFECT EMOTIONfilm music 549ndash550q VOCAL descriptorsq VOCAL PERSONA

psychopathic 264psycho‐somatic links 377Psychotic Transients 79Public Enemy 297public

persona 89 197ˆ private q PRIVATEspeaking voice 363

Puccini Giacomo 370Pulp Fiction 330pulsating 312pulse q BEATpunk rock 405Purcell Henry 382 406Puszta 485

Qquartet 412Quasimodo 435 436 Quatro Suzi 438Queen (band) 286Queen of the Night 380Queenrsquos Jubilee (2002) 103quena 306 388 390 525 596quick q SPEEDquiet 47 210 252 257 313 314 315 421 422 432 435 494 567Quittinrsquo Time Song 1 320quodlibet 404 596quotations (famous) 81 Qurʹān 52 367

RRampB 10 11 13 296 342 465racism 191radio 35 36 39 92 93 99 137 186 214 267 312 361announcers 361format 2 39 92 196 266

Radio Taxi 8585 362Radioactivity 310

Radiohead 407 444Rafferty Gerry 307rāga 87 281 334 335 407 408 412 472 597

Rage Against the Machine 407Rahman A R 372railway stations 366rain 308Raksin David 495rallentando 291Rameaursquos Nephew 93range 367

dynamic 314hearing 316q REGISTER

Rankin Sisters 333rap 367 375 380 401 444Rapeacutee Ernő 74 224 538 539 543 544 545rasa q INDIARast q MODE maqāmRat Bat Blue 542rave music 444ndash445Ravel Maurice 419 597Reach Out (Irsquoll Be There) 476Reactor Test 79Reagan Ronald 110reality as surreal 403rebetiko (ρεμπέτικο) 407recapitulation 398 400 410‐1receivers 197 268reception test[s] 5 200ndash2 564

environment 202instructions 206ndash207problems of context 203

recitative 367 389 402 596recommender systems 246ndash247

recomposition 251ndash253recorder 14 183 187recording 121 123 124 127 128 129 133 134ndash136 137 149 150 154 162 178 179 186 188 203 230 231 242 256 257 259 298 299 300 301 302 309 311 314 320

361 370 372 373 374 407 427 440 444 451 468 475 500 501 529 536 545 553 556 576 581 583 586 590 594 600 602acoustic 536ˆ notation 134engineer 187 243 392electro‐mechanical 137ˆ ethnomusicology 135field 134 179 466session 122technology 134ndash136

recreational 390reel 264 284 294refrain q CHORUSreggae 405register 265 368 RANGE

bass 337chest 317 378falsetto 317‐8 378 586head 317 378mid 317vocal fry 318whistle 318

regression 366regular 264reification 114 596Reject All‐American 467rejection (personal) 351relax[‐ed‐ing‐ation] 47 57 64 287 334

release q ENVELOPErelentless 64 274 294 313 418 438 444 455

Reliable Source Music 224religion‐ious 35 50 60 84 85 88 99 135 175 176 203 211 365 463 480 484 558chanting 366ecstasy 381

Renegades Of Funk 407repertoire CANON

euroclassical 9 11 67 96 147 264

French concerts 102poprock canon 104


relevance to AO 245relevant as IOCM 243stagnation of 102variation of 11 143

repetition 59 264 517 517Republic The 334Respighi Ottorino 420respondents 17 18 19 32 49 167 168 172 189 207 208 215 240 248 471 485 502 506 587

responseclassification 208ndash226restrictions 150

responsoriality (incl call and response) 338 342 470ndash4 492‐3 514 580 596‐7

restraint 492 547retral axis q AURAL STAGINGReturn of the Saint The 554reveille function 555reverb[eration] 48 187 298 302 309 339 366 390 402 439 440 494gated 312templates 500

revolutionbourgeois 94 95 98

Reynolds Joshua 429Reynolds Simon 101 106rhapsodicrhapsody 287 597 rhythm 11 68 265 283 291‐8

and blues q RampBirregular 59profile 264 335rhythmic lock 465

Rhythm Of The Heat 311Richard III 71Richard Cliff 103 104Richardson Kay 515Richter Sviatoslav 448Riding D 353 377Riemann Hugo 99Riemenschneider A 454 riff[s] 11 403 426 474 597

guitar 272 284 474rock 474 517 518 597

second‐line 390 GROOVE

Rig Veda q INDIARighteous Brothers The 245Riley Jeannie C 493Rimsky‐Korsakov Nikolai A 499 526

ring modulation 310Ring Of Fire 373ringtones 37 40 144 575Rio Grande 388Riot Grrls 375 467Rising Low 476ritornello 395ritual 365river q WATERRivera Juan 468robot 281 282Rochon Gaston 287rock 47 110 382 437 597‐8

1990s 444and roll 101 598anthem 286ballad 176 286band 14 314 467 469 484

bodyism 114canon 141clothing 199concert 119 177conservatoire 104contrapuntal 338criticism 105 106 107 111 595

cross rhythm in 457daredevil biker trope 309 437‐438 498

definitions 597‐598diataxis 401 404‐5 412‐3drumming 518endings 520fans 270folk 321groove 296 465guitar 242‐3 310 437ndash442 450 497

heavy metal 182 328

382 407 436ndash442 497history 141institutionalisation of103 104 110

intensionality 114 272intros 474journalism 106kick‐ass 177 182loudness 101 314metre 294musicians 11 187rsquonrsquo roll 176 598no appoggiature in 389q POMOROCKOLOGYpower chord 498prog 288 404‐407 593punk 405rebellion 438repertoire stagnation 102q RIFFsromanticism 444speed metal 149 177 597subjectivity 182syncrisis 475 478 501tonality 333track duration 281 vocals 412 238 336 440 441 493

Rock Around The Clock 395‐6Rock Around The Stephen Foster 382

rockers 12Rocking In The Free World 341rockology q POMOROCKOLOGYRoumlda Kapellet 11Rodgers Jimmie 286Rodgers Nile 380Rodgers Richard 342 397‐8Rodrigo Joaquiacuten 526Rogetrsquos Thesaurus 497role play q VOCAL rolling 167 217 465 507 508 513 587Rolling Stone 40 106 141Rolling Stones 13 272 284 292 309 382 406 438 474 478 597


Romafest Gypsy Ensemble 264

Roman counting 322Roman Empire 79romance 18 93 167 189 209 215 216 217 264 307 340 390

romantic 495pathos chord 340strings 264

romanticism 129 130German 94 97 102 126rock 444

rondo 412Ronstadt Linda 351Rosen Charles 95 97Roumlsing Helmut 151Ross Diana 476Rossini Giacchino 509Rothenbuler Eric 2 267Rouget de Lisle C‐J 297rough 264 441 497ndash498Rousseau J‐J 99Route 66 13Rowlands William P 453Roacutezsa Mikloacutes 11 90rules ˆ exceptions 149ruling class[es] q CLASSRun‐DMC 297running 289rural 47 98 164 176 188 212 390 422 480 526 547 548 584

rush hour 303Russia 134 318 354 519 526Rutles The 381 382

SSabicas 264sadsadness 17 49 67 68 203 210 334minor ˆ major 264ndash5songs 151

Sahlstroumlm Erik 264Saint Patrickrsquos Hymn 317Saint Tropez 554

Saker Marilyn 295Salonia Giovanni 366Sam‐Ang Sam 244Sami 330Sanders Ernest H 466Sanders S T 382Sandpipers The 341sangita‐śāstra q INDIASapp Craig Stuart 331Sarduy Dimet Carlos 296 sartorial 199Satie Eacuteric 499Satin Doll 397satin strings 496 SILKSatisfaction 272 284 292 309 474 597

Satsuma Frank 382saturation q DISTORTION Saunders Jennifer 382Saussure F de 155 159saxophone qSEXOPHONESay It Loud Irsquom Black And Irsquom Proud 466

scale 323 598 MODEScandinavia 134 321 330 519Schafer R Murray 48 435Scherer Klaus R 377scherzo 412Schickele Peter 381 382Schlemowitz Joel 552Schleptet in E Major 382Schmalz 495scholarship + opinion 142scholasticism 404Scholes Percy 495Schoumlnberg Arnold 368 382Arnie amp his School 382

school[s]junior 162music 14music in 9 10 183 186primary 363 450secondary 13

Schoolʹs Out 438Schopenhauer Arthur 99

Schubert Franz 406 432 490 538 539 544

Schumann Robert 538 539science fiction 310 548scopocentrism 123 127 497 598

ScotlandScottish etc 134 285 306 330 333 337 338 country dance 10 153 284ndash285

snap 292 490 526Scotland The Brave 306Scott Bon 440scratch score 555screeching 264Scriabin 407scribal[ity] 84 120 266 270 598Se telefonando 267sea q WATER

shanty 286Seasonings The 382Seasons In The Sun 415SEacuteCAM 598second‐line q RIFF section q EPISODEsecurity industry 350Sedaka Neil 342Seeger Charles 232‐233 594Seeger Pete 341Seinfeld 466Selected Sounds 224Selector 407Sellers Peter 382self‐harm 314semantic[s] q SEMIOTICSsemicircle q STEREOsemiotic[s] 145ndash151 154 155ndash193 198ndash200 269 485ndash528 532 533 541 563 564 572 590 593 596 598 599 601

q ANAPHONE arbitrary sign 163ndash164 580

q CONNOTATION


q DENOTATIONq DIATAXEMEq EPISODIC determinantq EPISODIC markerdormant mode 231q GENRE synecdocheq GESTUREGESTURALicon 161ndash162 469 589index 162ndash163 469 589q INTEROBJECTIVITYq INTERSUBJECTIVITYlinguistics 145‐147main problems of 148polysemy 167ndash171popular music 148ndash150pragmatics 146‐8 158precision 195

denotation 146 147primacy 233semantics 145 146 148 158ndash159 598

semantic gesture 190semiology 133 159 598semiosis 14 19 79 114 116 195 198 200 203 229 231 235 587 599syncritic 470

sign system 3 4 37 84 106 121 130 154 155 158 159 171 178 192 193 241 596sign types 155 173 193 195 343 580 585 587musical 485‐528Peircean 161ndash164

signifiantsignifieacute 156 160q STYLE flagsyntax 146 148 158 601

fixation 412semitone q INTERVALsenso‐motoric 59sensory dislocation 361Sequence for Sentimentalists 495Sergeant Pepper 102 135acuteserious‐businessrsquo q VOICEService Tom 380

set piece (in film) 554 599sex 1ndash2 381 551 BODY BODYISMgroin fixation 443sexophone 307 589 599sexual exuberance 351

Shadows The 464Shaft 310 464 466Shakespeare W 43 214 360Shakira 382shakuhachi 526 547shampoo 167 168 169 171 172 189 191 205 208 214 502 507 587

shape note singing 453shared subjectivity

q INTERSUBJECTIVITY sharp 59 497Shave Jonathan 577shaver advert 497ndash498Shazam 247sheet music q NOTATIONSherry 342Sherwin Manning 400shimmer 311 496Shine On You Crazy Diamond 404Shining The 13 93 553Shoot To Thrill 295 464shop 35 36 40 434 435Shopsko 181Shore Leave 373Sibelius Jean 406sickness 572Siegfried 451sighing sixthssevenths 325sign q semioticssignature tune q TITLE MUSICSilan fabric conditioner 269silence 44 177 232 257 272 282 293 377 406 421 520 595

silencer 437silent film q FILM MUSICsilksatin 418 495 496Sill Beverley 351

silver strings 496Silver Swan 265Simon and Garfunkel 388Simon Paul 512Simpson Mike 70 320 324simultaneity 213 CON‐CERTED SIMULTANEITY

Sinatra Frank 382sincerity 71 389 390sinfonia concertante 473singalong 286 390 391 395 403 599

singer‐songwriter 373ndash375Singh Gracy 372singing q SONGsing‐song q VOICEsingularity (mus) 424ndash425Sir q KNIGHTHOODsitar 526Sketches of Spain 526Skog I 52Skurup 3slap bass q BASSslap echo q ECHOSleepy Cossack The 79Sloboda John A 37slogans 315 287 367slow q SPEEDSly and the Family Stone 465 467

smartphone 36 40 93 256 257 289 328

smell (sense of) 497smoke alarm 44 165‐166Smoke Gets In Your Eyes 397lsquosmoke means firersquo 164ndash166smooth 47 66 122 160 161 189 191 210 252 264 283 287 308 313 356 360 375 432 474 483 494 495 496 501 505 506 507 508 513 542 551 566 587

SMPTE 555 599Smurf 351snare q DRUM Snow Mark 456


soap opera 214 495 521 542social

aspirations q CLASSICALdeprivation 98domain of repres 64science 5 103 105 119 142 143

socialisation 433‐446 470bourgeois 98‐101infants 58ndash62

societymusicology of 445 470

sociocultural 2 99 143 245 366 446context 92 108 144 145 161 177 197 198 268 269

difference 182groups 92identity 346 LANGUAGELINGUISTICSnorms 174 175 182 183 188 192 195 268

status 12sociology 3 5 6 92 105 106 107 110 119 133 137ndash144 147 154

Socrates 334Soumldertaumllje 3soft 47 160 189 191 210 264 287 313 356 357 422 494 495 496 513 542Soil Festivities 488solemn 274 418Solidaritaumltslied 393solitude 492solo 287 306 313 418 447 471 597drum 461fugue 448guitar 242 310 311 396 403 404

horn 451improvis 281 399 413instrument 186 472 473jazz 413mandolin 187

ˆ unison 449ndash450violin 422vocal 367 369 373 390 395 432 452 470 472

woodwind 252soloist 182 427 472Soloviov‐Sedoy V 519somatic 45 66 139 140 190 191 357 369 377 BODYvoice as intrinsically 366

Something In The Way 341son 463sonata form 272 342 400 404 409ndash412 413 414song VOCAL VOICE

lsquoa song and dancersquo 366special occasions 365ˆ speech 365ndash369

sonic q ANAPHONE crowding 440headache 274power 435ndash446

sophisticated 354 495 551Sophocles 471soprano 318 369 372SOS 397 414soul 10 476Soul Glo 380soul music 381sound[s] 1‐578

descriptors 60 306‐313 489‐489 492‐493

engineer 300 RECORDING

speed of 298voice descriptors 355 356

q WAVE soundsoundbox 299soundscape 438ndash442

domestic 60power and 434ndash442urban 434 439 441 500

soundtrack 299 444 540 555 563 565 574album 203

source (for metaphors) 78source music 543 549 551Source The 254Sousa J Ph 414South America

mus repres of 388South L A 199South Pacific 543Southern Man 341space 63‐4 75 153 206 210 216 230 236 298ndash303 309 311 313 317 348 361 388 433 439 450 452 478 486 498‐9 500 520 521 547‐548 551 581 601 SPATIALacoustic 48 98 120 178 230 298 348 361 435 439 450 500‐2 521 551 581

q ANAPHONE spatialbreathing 421confined 75 210 419cosmos 164 212empty 168 SPACE openenclosed 419 501 572lateral placement 302melodic 481open 48 63 167 176 211 212 298 302 337 419 421 461 479 480 485 501 521

overcrowded 303three‐dimensional placement 301ndash303

time‐space 212visual art 384

SpainSpanish 134 88 279 392 443 526Andalucia 526Hispanic 389language 490

Sparshott Francis 364 366sparsity (mus) 420ndash423Spartacus 495spatial[‐ity] 44 48 68 69 75 78 81 208 298 299 421 485 522 SPACE


memory 241perception 303

speaker placement 301Spears Britney 382specious present

q EXTENDED PRESENTSpector Phil 135speech 335 PROSODY

shadowing 243ˆ song 365ndash369speed 47 48 164 208 274 288ndash291 294 346 347 350 384 412 421 426 436 458 465 466 478 485 509 510 513 518 533 546 596 BEAT DISTANCE DURA‐TION

bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418

speed metal q ROCKspeed of sound 298surface rate 47 265 289ndash291 325 421‐2 424 426 432 444 482 518‐9 542 548 593tempo 48 263 265 272 283 287 288ndash291 294 296 325 341 364 422 424 426 456 482 539 540 542 548 581click track 540

Spem in alium 299 457Sperber Dan 62Spinal Tap 381 382lsquospirited underdogrsquo 106Spivey Victoria 381

spoken costumes 361ndash364sports 35 40 196 211 290 365 382 512Sportnytt 512Sportsnight 290 512

spotting session 555 600Sprechgesang‐stimme 368 382Springsteen Bruce 382Sprint (lsquoClairersquo) 362spy chord 116 339St Augustine 52stabbing 264 510ndash512staccato 282 367Stairway[s] to Heaven 382Stalinist 267stand‐alone equipment 600standard q JAZZ (standard)Standing in the Shadows of Motown 476

Stanford Charles V 103Stanwyck Barbara 495Star Wars 27 164 243 436 451Starkey Richard 103Star‐Spangled Banner 234 236stasis qCALMstate power 103statistics (music) 35ndash40Staying Alive 390steel drums 526 DRUMSsteel guitar q GUITARSteeleye Span 329 330 333 597

Steely Dan 310Stefani Gino 146 151Steiner Max 495 541step[s] q DANCEsteppe 422Steppenwolf 436 437stereo q AURAL STAGINGSterne Lawrence 27stillness 337 421 423 478Stilwell Robynn 151Stockfelt Ola 67 95Stockhausen K 40 311 404Stockholm 3

Stockmeier Wolfgang 539 stock‐phrase homology 491Stoned Guest The 382Stormy Six 292 407Stormy Weather 397Storr Anthony 81straight ˆ swung 283strand (mus) 299 446 600Strauss J 93 520 538 555Strauss Richard 93 269 389 451 555

Stravinsky Igor 10 89 90lsquostrawberry jam of musicrsquo 495Strawbs The 198Strawser Dick 469street 168 287Streets Of London The 413stress 402

metre 170 283 295 594 psych 48 259 289 402 422 458 513 542

strings 264psychopathic 264romantic 264sick 572 573string pad 290 308 390 422 494ndash497

strolling 167 289 298 418 458 502 587

Stroumlm Pierre 451strophic 395ndash397 402 405

ballad 403structure (mus) 230ndash238

avoidance of 141Strunk Oliver 52Stubblefield Clyde 297students EDUCATION TEACHING 3‐5 11 15‐16 18 37 69 77 106 140‐1 154 173 254‐5 320 329 332 340 343 352‐3 376 454 498 530‐2 534 541‐3 552 556 558 560 562 577 578pupils 13 14 90 178 183 541 573

Stumpf Carl 134stuttering 283 513


style 266ndash268 600definition 267flag 268 522ndash524history (film mus) 534indicator 268 388 415 486 522ndash524 548

stylisation (sonic) 547subbass qBASSsubbeat q BEATsubculture 108 110 141 476

subcultural theory 438 URBAN

subdominant 411subjectivity 78 81 94ndash95 100‐102 110 113 115 124ndash131 135 175 418 435 435ndash446bourgeois 95 433

Sub‐Saharan q AFRICASubterranean Homesick Blues 373

subversivesubversionof the self 101underdog 111 114

sudden[ly] 202 213 264 347 466 508 511 512 520Suddenly Itrsquos Folk Song 382Sugar Plum Fairy 308sugary 495 496Suite in B minor 264summer 19 93 167 168 191 212 418 506Summer Place A 490Summer Donna 381Summertime Blues 521Sundberg Johan 353Sundui 526sunlight 274sunrise 303 386 389sunset 303superiority 100supermarket 35 212 360 366Supperrsquos Ready 404suprasocialqTRANSCENDENCESupremes The 476

surface rate q SPEEDsurreal as real 403surround q AURAL STAGINGsuspicion 75sustain q ENVELOPESuzanne 373SwedenSwedish 3 14 18 35 38 49 67 180 186 187 188 199 214 215 245 252 436 512 519language 51 276 535

Swedish Rhapsody 245sweet 494 495 496Sweet Home Alabama 342swimming costume 360swing 283

swung ˆ straight 283syllabic ˆ melismatic 336symbolic system 266Symphonie fantastique 419symphony 412 413 414

orchestra 469organisation 468

Symphony in G minor (Mozart) 410 414

synaesthesia 26 65 92 225synaesthesissynaesthetic 62ndash68 75 78 80 92 161 201 271 274 305 355 356 359 486 494 496 508 525 529sync synchronisation etc 213 236 452 453 458 475 586 589 601lip 349 350 372 537moving image 534 537 538 539ndash541 542 553 554 586 589

point 533post‐sync 552synchronicity 260 313synchrony 453 456 459

synchronic 20 233 339 384 417 419 421

syncopation 295ndash296syncrisis 19ndash20 235 236 265 417ndash484 601

social aspects of 449ndash483synecdoche

q GENRE synecdoche syntax q SEMIOTICSsynthesiser 277 494syrupy 495 496

Ttactiletactility 44 56 65 75 78 81 172 195 206 313 355 361 507 509 529 536

q ANAPHONEmemory 241ndash242sense of touch 494ndash498

tail 288 406 521 551 601Taj Mahal 473Take My Breath Away 442Talbot Michael 126talent show 374 407Tales From Topographic Oceans 404

talk box 310talking ˆ singing 365ndash369Talking Heads 488 Tallis Thomas 299 457Tanzania 466tape echo q ECHOtarantella 264 407Tarasti Eero 146 147 151target

group 138 214 267 360in metaphors 78 79

tartanry 306 360taste sensory mode 496ndash497Taviani brothers 93Taxi Driver 347ndash351taxonomy

sign types 160‐164 485‐528

vocal personas 359VVAs 208ndash226

Tchaikovsky P I 71 308 538teaching EDUCATION STU‐DENTS 3 5 6 7 8 9 10 13 14 15 16 27 43 61 97 104 106 115 119 130 141 152 162 183 242 343 344


354 366 376ndash380 408 411 448 463 490 498 530 531ndash578

techno music 292 444technology 61 105 442

notation as 124ndash129sound 47 134 137 192 361 374 439 444 475 488 581film 534 536 537 540

teenage[r] 351angel 341pop 382

Teenager In Love 341Tekk Gnosis 446telecommunications 362telegraphy 512telephone SMARTPHONE

filter 203 310hold music 36 40lsquointeractiversquo systems 362voices 361ndash363

television q TVTema di Ada 495temp trackscore 555 601tempo q SPEEDtemporal q TIME DURATION SPEED SPACE

Temptations The 476Ten Little Title Tunes q TLTT tenor q VOICE Termignoni exhaust 308terminology 11

film music 552ndash556problems in music stud‐ies 19ndash20 383ndash385

lsquoternary formrsquo 400 401terror 511test q RECEPTION TESTtetrad q CHORDtext (work) definition 601text denial 101 111ndash115 143texture 494 496Thatcher[ism] 110 388theme TITLE MUSIC

and variations 306 412 412ndash413

classical 410‐412 448jazz 413spotting 154 386 411

theme park 13This is the Record of John 406This Land Is Your Land 450 Thomas Dave 171thrash metal 202threat OMINOUS 7 64 102 120 133 152 165 179 202 210 307 337 418 479 480 481 535 542 550 567 574Threnody for the Victims of Hi‐roshima 572

threshold of auditory pain 314of human hearing 314

throat singing 318 526thunder 7 8 61 162 308 437 488

Tieck Ludwig 94 99 97 101Tillotson Johnny 342Tim Pop con Birdland 597timbre 11 147 264 298 301 302 305ndash313 314 315 317 344 473 496definition 277ndash280instrumental 306ndash315ˆ tone 276synaesthetic descriptors of 305

vocal 318 345 346 353 364 369 372

time DISTANCE DURA‐TION SPEEDirreversibility of 394unidirectional 392line (bell pattern) 460sense in music 281signature 293 294spent on music 35ndash36temporal parameters 281ndash298

timecodetimings 30 33 256ndash259 260 534 552 553 555 558 560ndash562 566 568 576 600

Timotei 168 502 587timpani q DRUMS Tim‐Pop con Birdland 296tin whistle 526tinsel 308Tiomkin Dimitri 541Tipitina 464Tippett Sir Michael 103tiptoe bass q BASStitle music TITLE THEMES 5 15 17 215 235 436 456 489 509 540 549 555ndash556 602end titles 555functions of 555ndash556openingmain titles 555

title themetheme tune[s] TITLE MUSIC 15 27 35 116 127 167 185 186 187 188 198 203 209 243 257 281 288 290 310 340 380 405 406 419 451 456 464 466 469 475 477 478 485 490 495 502 540 509 550 551 556 main theme 209 410 412 451 566 567 574

signature tunes 180 186 188 307 509 542TV themes 93 140 230 288 406 407 474 478 490 509

q KOJAKq NYPD BLUE

Tiv 50Tkachenka V 332TLTT 15 16 17ndash19 106 107 113 114 186 189 191 198 203 207 235 264 290 307 308 322 325 340 485 490 502 507 513 546 566 572 602ToccataFugue in D minor 206Tomkins Thomas 430 455tonaltonality 276 319‐325 337ndash342 602 MODElanguage 45 276


polyphony 337ndash342problems of denoting 320reference point q TONICvocabulary 325ndash334 335 526

tone 602colour 276 277definition 275ndash276poems 539quality 277v timbre 276

tonic 276 322 325ndash334 602q ACCENTmain tonic 411tonal ref point 337 585tonical 276 602

Toot Fugue 382Top Gun 442Top Notes The 295 464torch ballad 375Torode Brian 352Toronto 199totalitarian 267touch q TACTILEtrad jazz q JAZZTrades Description Act 150traffic 61 212 303 428 434 436 438 439 441

tranquillity 287transcendence 12 43 53 92 98 100 120 124 130 365 366 389 390 602

transmitters 196‐198 268transmodal descriptors 355 356 602

transposition 10 602transscansion 489ndash490 602trauma sufferers 377Travis Bickle 347 348Travolta John 442tremolo 312 339Tretow Michael B 392triad q CHORDtrickster 466Trinidad 526trio 414 603

Tristram Shandy 27tritone 322 546Trivialmusik 97Troggs The 341trope[s] 269

of personality 356sexophone 307 589 599

Troubles with Tonal Terminology 320

troubadours 53 375truckerrsquos gear change 397 414ndash415 603

Trukeros Los 264trumpet 280Tsourdolakis Yannis 264Tu ca nun chiagne 267tubular bells q BELLStune q MELODY TUNING

set (ceilidh) 414tuning

equal temperament 323equal‐tone 321just‐tone 321out of tune 236 237 320system 321

Turkey 295 338Turn unto the Lord 430turnaround 603Tuvan throat singing 526TV 3 15 17 35 36 37 38 39 70 93 110 112 120 127 184 196 206 214 215 234 242 290 307 337 358 361 374 381 443 453 485 495 512 529 533 581 590 593 598 599

q ADVERTproduction 337 512 533 582

programme 149 180series 214 243 249 288 311 381 521

show 382 554theme q TITLE THEMEtropes 414 415viewers 1 35 39 152 180 521 548 565

TV‐nytt 512twangy folk chords 340twelve‐bar q BLUESTwist And Shout 295 341 464twitter 356 423 424 449typology of musical signs 485ndash528

Uud 526uileann pipes 526Um Kultum q KULȚŪMunderdog q SUBVERSIVEunderlining movement q MOTIONMOVEMENT

underscore 13 35 69 93 184 287 320 342 438 469 483 543 548 549 550 553 554 556 558 574 587 599definitions 556 603psychological 543

undulation 191 213 432 504 505 506 507 508 587

unemployment 212 434 435 443Unfinished Sympathy 300 501unguided association 204ndash207

Unidad Popular 388unidirectional

sweep 516time axis 392

uniform q VOCAL costumeunison 85 164 322 323 338 448 450ndash452 473 589

unpredictability 402urban 35 60 137 212 380 390 433 479 480 481 508African‐Amer 466 467alienation 171 BLUES

loneliness 169 176 SOUNDSCAPE

subculture 476urgency 59 152 259 287 440 482 512 513


USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103

Uschanov T P 40 51 77

VV (TV series) 419valium voice 363 433Valse Anastasie 495valses musettes 199vamp 603

until ready 341 517 582Van Eyck Jan 117Van Halen Eddy 438 442Van Van Los 296 597Vangelis 488Vaughan Williams Ralph 103 419 424 499

Vegimite Reggae 382Veloso Caetano 373 374velvetyvelouteacute 494 497ventilation q BREATHverbal‐visual association

q VVAverbunkos 264Verdi Giuseppe 370Verfremdungseffekt 548Vermeer Jan 427 429verse 395ndash401 402

defined (diataxis) 395q JAZZ jazz standard 399ˆ chorus 414ˆ refrain 387ndash391 395 396 405

q STROPHICvertical placement of sound

q AURAL STAGINGvibrato 311 312 372Vickers Earl 314Victoria Tomaacutes Luis da 455video 3 7 35 36 159 257 347 348files 256poprock video 5 107

videogram 603

Vigneault Gilles 287Vinci Leonardo Da 429viola 267 469 522violin 178 252 277 278 279 309 311 313 432 450 522 559solo 422concerto 473

violining q GUITARVirgin and Child 506Virgin Mobile USA 362Virginian The 290 419 485 490Virgo (motet) 466virtual reality 299Virtual Reality 267virtuoso 106 412 424 450 520viscosity 495 496vision 69 497 548Visitor The 461visual 270

arts 421ndash432Vitaphone 537Vitry Philippe de 457Vlakche 264vocal[s] 343ndash380 SONG VOICE VOCAL PERSONA

q ANAPHONEacrobatics 381attractiveness 377q BACKING vocalscasting 358ndash359close‐up 370correlation with photos 350costume 360ndash369

spoken 361ndash364sung 365ndash369uniform 360 373

descriptors 350ndash360ethnic identity 371external ˆ internal 300genregroup identity 371ndash375

hybrid modes 367imitation 378internal ˆ external 300

q LEAD vocalsmetaphors 355ndash360mood indicators 377personality and 344 350 351 352 377

production 203projection 369range 317q REGISTERrole play 351 364staging 300 603technique 182 318track 299training 13verbs 356vocalists 356

vocal persona 311 343ndash380 523 PERSONA VOCAL VOICEBBC 361best‐friend 359lsquoClint Eastwood is Dirty Harryrsquo 359

commutations of 347 350counsellor 354demographics of 379De Niro 347‐351descriptors of 352‐360dirty old man 374lsquoDonrsquot worry about mersquo 345‐347

football coach 359gay 380girlfriend 363ndash364girlie 372 375 526heroic 369impersonating 378ndash380intimate 370lips‐in‐your‐ear 360location 379lsquomatter‐of‐fact young motherrsquo 360

parent 363princess (gospel) 380psychologist 363secretary 362acuteserious‐businessrsquo 359Taxi Driver 347ndash351


teacher 363valium 363 433witch 354

Vocecirc eacute linda 373vocoder 310 494voice[s] 343ndash380 VOCAL VOCAL PERSONA SONGadvertising 359ndash360authentication 350Bollywood 372 375Bulgarian 180‐182 320 372

chest register q REGISTERcoloratura 318 380crooner 375 382death metal growler 375female 354 359 372 375 381 390 481 511 584 588

gastric disorders 377gender variation 377genre specificity of 356 371ndash375

grain of the 101male 274 347 369 373 440 444 523

Mongolian хөөмий 318nasal 378opera 369ndash371overtone singing 318personality and 350printing 350‐351psychological

descriptors of 355traits of voice 357

lsquorecognitionrsquo 350 362q REGISTERsing‐song 368soft spoken 357somatic aspects of 366 377 telephone 361ndash363tenor (heroic) 369type of ˆ food produc‐tion 373

voice mail 352voiceover 353 354 DUBVolare 365Volga Boatmen Song 286 382

volume q LOUDNESSvoluptuous 308 495Vos H J 496vugrave baacute 50vulnerability 351 374VVAs 79 189 201 202 204 205 206 207 229 240 485 486 506 603classification 208ndash226definition 200taxonomy 19 209ndash222 564

WWackenroder W 94‐95 97‐98 101 106 126 139 408

Wagner Richard 13 99 407 451 538

WaGogo 466wah‐wah 310 493 494Waits Tom 373 374 450Waldteufel Eacutemile 538WalesWelsh 51 503 504

diaspora 453hymn singing 184 453

walking 458Walking The Dog 13wall of sound 439ndash440Wall Street Shuffle 341Walser Rob 151Walton William 103waltz q DANCEwar 47 49 211 308 443Warren Harry 342Washington Post 297 414Watching The Detectives 341water 61 212 255 263 418 499 559lake 239 240 250 251 252 255 418 507

river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508

Watermelon Man 466Watson Doc 320Watson Janet 431Watts Reggie 380 381

wavesound 257 271 274‐5 279‐280 310 313periodic 275 279 sine 279

water 61 449 493 504 505 506 507 508wavy UNDULANT167 189 191 213 318 501 504 505 507 508 513 536

Wayne John 495Wayneʹs World 438We Will Rock You 286Wersquoll Meet Again 548Wersquore Only In It For The Money 382

Weber Max 137Weber William 96Webern Anton von 407wedding 453Weelkes T 264 455 456Weill Kurt 368 382Weissberg Eric 473welfare state dismantled 114Wellek Albert 273Well‐Tempered Clavier 323 448

Welsh q WALESWeltanschauung 50West Side Story 295Western (USA) 351 485whales 55 56 316 317 487rsquoWhat did you sayrsquo 281ndash283What Shall We Do With The Drunken Sailor 264Whatrsquos my Melodic Line 382Whatever Donʹt Matter 382When A Man Loves A Woman 111When David Heard 455Wherersquoer You Walk 400Whipper Snappers The 382whisper 217 311 350 370 498Whispering Thunder 341


whistle 36 61 275 356 436 456 REGISTER TIN

Whitburn Joel 102White Barry 310Whiter Shade Of Pale A 413Who The 475 476Whole Lotta Love 401whole tone q INTERVAL whole‐tone scale q MODEWhose Line is it Anyway 490Wicke P 99 102 107 139Wicks S A 338 452Widerberg Bo 93Wikipedia 24 37 65 243 247 295 296 306 309 310 314 334 366 431 457 471 476 548 590Wild Thing 341Williams Charles 419Williams John 27 451Williams Richard 135Williamson D S 247Williamson J G 90Willis Paul 108Wilson Brian 103Wilson Philips 351wind 61 212 274 449 499 506 507band 307instrument 14 447players 313woodwind 252 277 572

windows of silence 421wine tasting 497Wings of Song 365Winwood Stevie 104Wir Maumldel singen 451Wise Tim 526With A Little Help From My Friends 342

Withrow G 81Witness 342Wittgenstein L 77wobble‐ing‐y 312 358Wohltemperierte

q WELL TEMPERED

Wolff J 466Wood Alexander 280Word of God The 366word[s] LYRICS VERBAL

painting 10 152ndash153lsquothe words are impor‐tantʺ 389

work song 286 287working class q CLASSlsquoworld musicrsquo 388Wowie Zowie 382Wozzeck 368written language 270Wyman Irma 479

XX‐Factor 374 407X‐Files theme 456xylophone 277 278

YYardbirds The 438Yes 300 404 501Yesterday 400 401Yin and Yang 86Yirkalla 43yodel 526You Canrsquot Hurry Love 476You Didnrsquot Try To Call Me 382Yoursquoll Never Walk Alone 365 450

Young Angus 295 438 464Young Michael 273 281 283Young Neil 341Your Song 286Yupanqui Atahualpa 373‐4

ZZambezi 464Zamfir Gheorghe 340zampontildeas 306 525Zanin Fabiano C 296Zappa Frank 381 382Žižek Slavoj 108Zohar Israel 264

Zoltai Deacutenes 89 94 95 97Zoolander 269zoomusicology 57Z Z Top 342



instruments 188 277 513recording 134 536qSPACE

acoustics 47 48 61 119 192 269 277 366 375 436 469

acrobatic 380Across the Plains 79Adagio for Strings 407Adams Bryan 380adaptive music 533 534Adorno Theodor W 97 105 107 139ndash143 469

ADSR qENVELOPE advertadadvertisingad‐vertiser[s]commercials 1 2 27 35 39 60 83 93 99 111 112 115 138 168 184 185 192 196 212 214 242 267 269 270 281 307 344 354 356 359 360 362 380 382 437 438 443 489 497 498 502 507 521 529 533 574 587 590 596Philishave 497ndash498RAC 438TV 39 93 269voices in 359ndash360

aeolian qMODE aeolianaerobics 442 443Aerosmith 413aesthesicaesthesis 305 344 354 391 529 579competence 119 119ndash120 128 197

descriptors 300 357ndash360focus 196ndash198ˆ poiumletic 116 118ndash120 529

aesthetic[s]qABSOLUTEABSOLUTIST Adorno 142 469buzzwords 95qCANON[S]China 86extensional 107 272 411 412 586

ˆ intensional 272

India 87intensional 107 412 589

ˆ extensional 272of failure 445opinion confused with scholarship 142

postmodernist 101ndash115recording 370relative 135 136rock 183 300 409 437 444 445authenticity 141

semiotic problems 148use value 175

affect 72 75‐76 85 209 336Baroque theory 94 97gestural 319intervallic 324ndash325

Africa 212 321 330East 179notions of 467Sub‐Saharan 70 123 294 456ndash463 597

West 50 295 459 489African‐American 191 320 466 467 471 481 527 597

Afro‐Caribbean 463Agawu Kofi 459Agitato No 3 544Ahmad Jamil 356Ainrsquot No Mountain High Enough 476Ainrsquot That A Shame 476Ainsley John Mark 400air

conditioning 434qGUITAR= tune 365

Air (Bach) 413airborne (melody) 365airport[s] 35‐36 212 240 423 549aksak 295Al Fārābi q FĀRĀBIAla N et al 35alabaster busts 96Albert Hall 403

Aldeburgh Festival 12aleatoric 404 579Alfveacuten Hugo 245alienation 95 100 130 133 171 183 188 210 365 405 437 596All Along The Watchtower 341All Together Now 342 413allemande 412Allende Salvador 388allrovicom 564Allwood Jens 49alogogenic 84 115 120 579Also sprach Zarathustra 269 389

altiplano 388 390Altman Rick 552Ambassadors (Holbein) 429Ambolley Gyedu Blay 461American Beauty 359 543Amethysts for Esmeralda 495Amos Tori 450Amours perdues Les 373amplification 299 369 370Amtrak 362amygdala 68An die Musik 490anacrusis 293 519 520 579analysis

classes 16ndash17music 5 14 15 16 91 101 106 117 119 120 123 148 149 154 173 195ndash261 268 529ndash578

narrative 3object qAOvisual 117

anaphone 306 308 486composite 509ndash514instrumental timbre 308ndash313

holokinetic 499ndash500 589kinetic 303 486 498ndash502 508ndash509 513 518‐519 546 590

linguistic 489ndash491








Angst 176 177 308 357 524anguish 427 574


angular 259 356 501 509 513 552











aria 382da capo 400



391 393 408 438 441 461 469 477 521 525 528 531 535 536 541 548 550 551 554 555 597 599 601





TV 381 382Austria 9 89 529

and shampoo 167 168 169 172 189 191 208 502 506






Bach J S 11 96 206 245 264 323 338 382 406 413 447 448 449 454 455 473 488 524 525


accompaniment 335 337 426 432 433 440 461 462 475 481 517 585

















BBC 35 37 103 137 311 361 366 408 474 478 512 513 574



















posture 64 152 345 349 350 352 357 377 378 379 550

















broadcast 1 35 39 56 92 137 172 187 361 370 381 575





Byrds The 597














Chopin F 317 341 520choppy 282 283 497 509


















ruling 53 85 86 97 99 120 332









qCONSERVATORY

Collins Karen 102 204 292 308 444 534














hall 36 40 95 96 236 270 307 469 500 574













Cooke Deryck 151 152 171 237 322 325










cueca 264 294 295 459








drum 559 572 574metal 348 356 440 597



























fill[s] 518 524 586roll 162 232 308snare 275 460 464 475 527


drummer[s] 232 309 450 462 524




























decay 47 216 273 277 278 279 305 309 312 353 440 494 583 584

release 277 278 305 309 440 596






























174 175 177 195trip 134







flute 47 251 252 280

alto 274Andean 187 307 388 477 480 481 525 526

















q ACCORDIONhorn 164 242 243 278 307 325 451 476 480 481 482





















Gesualdo Carlo 455







Goumlteborg 3 11 14 35 49 124 142 252 337 434 443


grainy 497ndash498























heroine 357 359 369 550 554




















q COMMUTATION







































Jiraacutenek J 151






















Latin America[n] 18 123 215 245 388 392





vocalist 260 440 475vocals 467 501 523







mode 94 97 98 100 134 139 149 177 199 268 409

venue 199








lyrics 22 182 184 185 203 249 251 260 266 270 286 287 357 370 378 379 381 388 398 402 403 405 408 452 467 474 478 493 512 521 523 539 574


















medieval 466 548




phrase 186 383 389 448 482 586

























mixolydian 326 327 333 342 582









monk (copyist) 124













































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED

















Angst 176 177 308 357 524anguish 427 574


angular 259 356 501 509 513 552











aria 382da capo 400



391 393 408 438 441 461 469 477 521 525 528 531 535 536 541 548 550 551 554 555 597 599 601





TV 381 382Austria 9 89 529

and shampoo 167 168 169 172 189 191 208 502 506






Bach J S 11 96 206 245 264 323 338 382 406 413 447 448 449 454 455 473 488 524 525


accompaniment 335 337 426 432 433 440 461 462 475 481 517 585

















BBC 35 37 103 137 311 361 366 408 474 478 512 513 574



















posture 64 152 345 349 350 352 357 377 378 379 550

















broadcast 1 35 39 56 92 137 172 187 361 370 381 575





Byrds The 597














Chopin F 317 341 520choppy 282 283 497 509


















ruling 53 85 86 97 99 120 332









qCONSERVATORY

Collins Karen 102 204 292 308 444 534














hall 36 40 95 96 236 270 307 469 500 574













Cooke Deryck 151 152 171 237 322 325










cueca 264 294 295 459








drum 559 572 574metal 348 356 440 597



























fill[s] 518 524 586roll 162 232 308snare 275 460 464 475 527


drummer[s] 232 309 450 462 524




























decay 47 216 273 277 278 279 305 309 312 353 440 494 583 584

release 277 278 305 309 440 596






























174 175 177 195trip 134







flute 47 251 252 280

alto 274Andean 187 307 388 477 480 481 525 526

















q ACCORDIONhorn 164 242 243 278 307 325 451 476 480 481 482





















Gesualdo Carlo 455







Goumlteborg 3 11 14 35 49 124 142 252 337 434 443


grainy 497ndash498























heroine 357 359 369 550 554




















q COMMUTATION







































Jiraacutenek J 151






















Latin America[n] 18 123 215 245 388 392





vocalist 260 440 475vocals 467 501 523







mode 94 97 98 100 134 139 149 177 199 268 409

venue 199








lyrics 22 182 184 185 203 249 251 260 266 270 286 287 357 370 378 379 381 388 398 402 403 405 408 452 467 474 478 493 512 521 523 539 574


















medieval 466 548




phrase 186 383 389 448 482 586

























mixolydian 326 327 333 342 582









monk (copyist) 124













































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED











Bach J S 11 96 206 245 264 323 338 382 406 413 447 448 449 454 455 473 488 524 525


accompaniment 335 337 426 432 433 440 461 462 475 481 517 585

















BBC 35 37 103 137 311 361 366 408 474 478 512 513 574



















posture 64 152 345 349 350 352 357 377 378 379 550

















broadcast 1 35 39 56 92 137 172 187 361 370 381 575





Byrds The 597














Chopin F 317 341 520choppy 282 283 497 509


















ruling 53 85 86 97 99 120 332









qCONSERVATORY

Collins Karen 102 204 292 308 444 534














hall 36 40 95 96 236 270 307 469 500 574













Cooke Deryck 151 152 171 237 322 325










cueca 264 294 295 459








drum 559 572 574metal 348 356 440 597



























fill[s] 518 524 586roll 162 232 308snare 275 460 464 475 527


drummer[s] 232 309 450 462 524




























decay 47 216 273 277 278 279 305 309 312 353 440 494 583 584

release 277 278 305 309 440 596






























174 175 177 195trip 134







flute 47 251 252 280

alto 274Andean 187 307 388 477 480 481 525 526

















q ACCORDIONhorn 164 242 243 278 307 325 451 476 480 481 482





















Gesualdo Carlo 455







Goumlteborg 3 11 14 35 49 124 142 252 337 434 443


grainy 497ndash498























heroine 357 359 369 550 554




















q COMMUTATION







































Jiraacutenek J 151






















Latin America[n] 18 123 215 245 388 392





vocalist 260 440 475vocals 467 501 523







mode 94 97 98 100 134 139 149 177 199 268 409

venue 199








lyrics 22 182 184 185 203 249 251 260 266 270 286 287 357 370 378 379 381 388 398 402 403 405 408 452 467 474 478 493 512 521 523 539 574


















medieval 466 548




phrase 186 383 389 448 482 586

























mixolydian 326 327 333 342 582









monk (copyist) 124













































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED

















posture 64 152 345 349 350 352 357 377 378 379 550

















broadcast 1 35 39 56 92 137 172 187 361 370 381 575





Byrds The 597














Chopin F 317 341 520choppy 282 283 497 509


















ruling 53 85 86 97 99 120 332









qCONSERVATORY

Collins Karen 102 204 292 308 444 534














hall 36 40 95 96 236 270 307 469 500 574













Cooke Deryck 151 152 171 237 322 325










cueca 264 294 295 459








drum 559 572 574metal 348 356 440 597



























fill[s] 518 524 586roll 162 232 308snare 275 460 464 475 527


drummer[s] 232 309 450 462 524




























decay 47 216 273 277 278 279 305 309 312 353 440 494 583 584

release 277 278 305 309 440 596






























174 175 177 195trip 134







flute 47 251 252 280

alto 274Andean 187 307 388 477 480 481 525 526

















q ACCORDIONhorn 164 242 243 278 307 325 451 476 480 481 482





















Gesualdo Carlo 455







Goumlteborg 3 11 14 35 49 124 142 252 337 434 443


grainy 497ndash498























heroine 357 359 369 550 554




















q COMMUTATION







































Jiraacutenek J 151






















Latin America[n] 18 123 215 245 388 392





vocalist 260 440 475vocals 467 501 523







mode 94 97 98 100 134 139 149 177 199 268 409

venue 199








lyrics 22 182 184 185 203 249 251 260 266 270 286 287 357 370 378 379 381 388 398 402 403 405 408 452 467 474 478 493 512 521 523 539 574


















medieval 466 548




phrase 186 383 389 448 482 586

























mixolydian 326 327 333 342 582









monk (copyist) 124













































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED



















broadcast 1 35 39 56 92 137 172 187 361 370 381 575





Byrds The 597














Chopin F 317 341 520choppy 282 283 497 509


















ruling 53 85 86 97 99 120 332









qCONSERVATORY

Collins Karen 102 204 292 308 444 534














hall 36 40 95 96 236 270 307 469 500 574













Cooke Deryck 151 152 171 237 322 325










cueca 264 294 295 459








drum 559 572 574metal 348 356 440 597



























fill[s] 518 524 586roll 162 232 308snare 275 460 464 475 527


drummer[s] 232 309 450 462 524




























decay 47 216 273 277 278 279 305 309 312 353 440 494 583 584

release 277 278 305 309 440 596






























174 175 177 195trip 134







flute 47 251 252 280

alto 274Andean 187 307 388 477 480 481 525 526

















q ACCORDIONhorn 164 242 243 278 307 325 451 476 480 481 482





















Gesualdo Carlo 455







Goumlteborg 3 11 14 35 49 124 142 252 337 434 443


grainy 497ndash498























heroine 357 359 369 550 554




















q COMMUTATION







































Jiraacutenek J 151






















Latin America[n] 18 123 215 245 388 392





vocalist 260 440 475vocals 467 501 523







mode 94 97 98 100 134 139 149 177 199 268 409

venue 199








lyrics 22 182 184 185 203 249 251 260 266 270 286 287 357 370 378 379 381 388 398 402 403 405 408 452 467 474 478 493 512 521 523 539 574


















medieval 466 548




phrase 186 383 389 448 482 586

























mixolydian 326 327 333 342 582









monk (copyist) 124













































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED














Chopin F 317 341 520choppy 282 283 497 509


















ruling 53 85 86 97 99 120 332









qCONSERVATORY

Collins Karen 102 204 292 308 444 534














hall 36 40 95 96 236 270 307 469 500 574













Cooke Deryck 151 152 171 237 322 325










cueca 264 294 295 459








drum 559 572 574metal 348 356 440 597



























fill[s] 518 524 586roll 162 232 308snare 275 460 464 475 527


drummer[s] 232 309 450 462 524




























decay 47 216 273 277 278 279 305 309 312 353 440 494 583 584

release 277 278 305 309 440 596






























174 175 177 195trip 134







flute 47 251 252 280

alto 274Andean 187 307 388 477 480 481 525 526

















q ACCORDIONhorn 164 242 243 278 307 325 451 476 480 481 482





















Gesualdo Carlo 455







Goumlteborg 3 11 14 35 49 124 142 252 337 434 443


grainy 497ndash498























heroine 357 359 369 550 554




















q COMMUTATION







































Jiraacutenek J 151






















Latin America[n] 18 123 215 245 388 392





vocalist 260 440 475vocals 467 501 523







mode 94 97 98 100 134 139 149 177 199 268 409

venue 199








lyrics 22 182 184 185 203 249 251 260 266 270 286 287 357 370 378 379 381 388 398 402 403 405 408 452 467 474 478 493 512 521 523 539 574


















medieval 466 548




phrase 186 383 389 448 482 586

























mixolydian 326 327 333 342 582









monk (copyist) 124













































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED





















hall 36 40 95 96 236 270 307 469 500 574













Cooke Deryck 151 152 171 237 322 325










cueca 264 294 295 459








drum 559 572 574metal 348 356 440 597



























fill[s] 518 524 586roll 162 232 308snare 275 460 464 475 527


drummer[s] 232 309 450 462 524




























decay 47 216 273 277 278 279 305 309 312 353 440 494 583 584

release 277 278 305 309 440 596






























174 175 177 195trip 134







flute 47 251 252 280

alto 274Andean 187 307 388 477 480 481 525 526

















q ACCORDIONhorn 164 242 243 278 307 325 451 476 480 481 482





















Gesualdo Carlo 455







Goumlteborg 3 11 14 35 49 124 142 252 337 434 443


grainy 497ndash498























heroine 357 359 369 550 554




















q COMMUTATION







































Jiraacutenek J 151






















Latin America[n] 18 123 215 245 388 392





vocalist 260 440 475vocals 467 501 523







mode 94 97 98 100 134 139 149 177 199 268 409

venue 199








lyrics 22 182 184 185 203 249 251 260 266 270 286 287 357 370 378 379 381 388 398 402 403 405 408 452 467 474 478 493 512 521 523 539 574


















medieval 466 548




phrase 186 383 389 448 482 586

























mixolydian 326 327 333 342 582









monk (copyist) 124













































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED
















cueca 264 294 295 459








drum 559 572 574metal 348 356 440 597



























fill[s] 518 524 586roll 162 232 308snare 275 460 464 475 527


drummer[s] 232 309 450 462 524




























decay 47 216 273 277 278 279 305 309 312 353 440 494 583 584

release 277 278 305 309 440 596






























174 175 177 195trip 134







flute 47 251 252 280

alto 274Andean 187 307 388 477 480 481 525 526

















q ACCORDIONhorn 164 242 243 278 307 325 451 476 480 481 482





















Gesualdo Carlo 455







Goumlteborg 3 11 14 35 49 124 142 252 337 434 443


grainy 497ndash498























heroine 357 359 369 550 554




















q COMMUTATION







































Jiraacutenek J 151






















Latin America[n] 18 123 215 245 388 392





vocalist 260 440 475vocals 467 501 523







mode 94 97 98 100 134 139 149 177 199 268 409

venue 199








lyrics 22 182 184 185 203 249 251 260 266 270 286 287 357 370 378 379 381 388 398 402 403 405 408 452 467 474 478 493 512 521 523 539 574


















medieval 466 548




phrase 186 383 389 448 482 586

























mixolydian 326 327 333 342 582









monk (copyist) 124













































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED


































fill[s] 518 524 586roll 162 232 308snare 275 460 464 475 527


drummer[s] 232 309 450 462 524




























decay 47 216 273 277 278 279 305 309 312 353 440 494 583 584

release 277 278 305 309 440 596






























174 175 177 195trip 134







flute 47 251 252 280

alto 274Andean 187 307 388 477 480 481 525 526

















q ACCORDIONhorn 164 242 243 278 307 325 451 476 480 481 482





















Gesualdo Carlo 455







Goumlteborg 3 11 14 35 49 124 142 252 337 434 443


grainy 497ndash498























heroine 357 359 369 550 554




















q COMMUTATION







































Jiraacutenek J 151






















Latin America[n] 18 123 215 245 388 392





vocalist 260 440 475vocals 467 501 523







mode 94 97 98 100 134 139 149 177 199 268 409

venue 199








lyrics 22 182 184 185 203 249 251 260 266 270 286 287 357 370 378 379 381 388 398 402 403 405 408 452 467 474 478 493 512 521 523 539 574


















medieval 466 548




phrase 186 383 389 448 482 586

























mixolydian 326 327 333 342 582









monk (copyist) 124













































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED













fill[s] 518 524 586roll 162 232 308snare 275 460 464 475 527


drummer[s] 232 309 450 462 524




























decay 47 216 273 277 278 279 305 309 312 353 440 494 583 584

release 277 278 305 309 440 596






























174 175 177 195trip 134







flute 47 251 252 280

alto 274Andean 187 307 388 477 480 481 525 526

















q ACCORDIONhorn 164 242 243 278 307 325 451 476 480 481 482





















Gesualdo Carlo 455







Goumlteborg 3 11 14 35 49 124 142 252 337 434 443


grainy 497ndash498























heroine 357 359 369 550 554




















q COMMUTATION







































Jiraacutenek J 151






















Latin America[n] 18 123 215 245 388 392





vocalist 260 440 475vocals 467 501 523







mode 94 97 98 100 134 139 149 177 199 268 409

venue 199








lyrics 22 182 184 185 203 249 251 260 266 270 286 287 357 370 378 379 381 388 398 402 403 405 408 452 467 474 478 493 512 521 523 539 574


















medieval 466 548




phrase 186 383 389 448 482 586

























mixolydian 326 327 333 342 582









monk (copyist) 124













































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED


















decay 47 216 273 277 278 279 305 309 312 353 440 494 583 584

release 277 278 305 309 440 596






























174 175 177 195trip 134







flute 47 251 252 280

alto 274Andean 187 307 388 477 480 481 525 526

















q ACCORDIONhorn 164 242 243 278 307 325 451 476 480 481 482





















Gesualdo Carlo 455







Goumlteborg 3 11 14 35 49 124 142 252 337 434 443


grainy 497ndash498























heroine 357 359 369 550 554




















q COMMUTATION







































Jiraacutenek J 151






















Latin America[n] 18 123 215 245 388 392





vocalist 260 440 475vocals 467 501 523







mode 94 97 98 100 134 139 149 177 199 268 409

venue 199








lyrics 22 182 184 185 203 249 251 260 266 270 286 287 357 370 378 379 381 388 398 402 403 405 408 452 467 474 478 493 512 521 523 539 574


















medieval 466 548




phrase 186 383 389 448 482 586

























mixolydian 326 327 333 342 582









monk (copyist) 124













































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED




















174 175 177 195trip 134







flute 47 251 252 280

alto 274Andean 187 307 388 477 480 481 525 526

















q ACCORDIONhorn 164 242 243 278 307 325 451 476 480 481 482





















Gesualdo Carlo 455







Goumlteborg 3 11 14 35 49 124 142 252 337 434 443


grainy 497ndash498























heroine 357 359 369 550 554




















q COMMUTATION







































Jiraacutenek J 151






















Latin America[n] 18 123 215 245 388 392





vocalist 260 440 475vocals 467 501 523







mode 94 97 98 100 134 139 149 177 199 268 409

venue 199








lyrics 22 182 184 185 203 249 251 260 266 270 286 287 357 370 378 379 381 388 398 402 403 405 408 452 467 474 478 493 512 521 523 539 574


















medieval 466 548




phrase 186 383 389 448 482 586

























mixolydian 326 327 333 342 582









monk (copyist) 124













































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED














q ACCORDIONhorn 164 242 243 278 307 325 451 476 480 481 482





















Gesualdo Carlo 455







Goumlteborg 3 11 14 35 49 124 142 252 337 434 443


grainy 497ndash498























heroine 357 359 369 550 554




















q COMMUTATION







































Jiraacutenek J 151






















Latin America[n] 18 123 215 245 388 392





vocalist 260 440 475vocals 467 501 523







mode 94 97 98 100 134 139 149 177 199 268 409

venue 199








lyrics 22 182 184 185 203 249 251 260 266 270 286 287 357 370 378 379 381 388 398 402 403 405 408 452 467 474 478 493 512 521 523 539 574


















medieval 466 548




phrase 186 383 389 448 482 586

























mixolydian 326 327 333 342 582









monk (copyist) 124













































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED
















Goumlteborg 3 11 14 35 49 124 142 252 337 434 443


grainy 497ndash498























heroine 357 359 369 550 554




















q COMMUTATION







































Jiraacutenek J 151






















Latin America[n] 18 123 215 245 388 392





vocalist 260 440 475vocals 467 501 523







mode 94 97 98 100 134 139 149 177 199 268 409

venue 199








lyrics 22 182 184 185 203 249 251 260 266 270 286 287 357 370 378 379 381 388 398 402 403 405 408 452 467 474 478 493 512 521 523 539 574


















medieval 466 548




phrase 186 383 389 448 482 586

























mixolydian 326 327 333 342 582









monk (copyist) 124













































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED



















heroine 357 359 369 550 554




















q COMMUTATION







































Jiraacutenek J 151






















Latin America[n] 18 123 215 245 388 392





vocalist 260 440 475vocals 467 501 523







mode 94 97 98 100 134 139 149 177 199 268 409

venue 199








lyrics 22 182 184 185 203 249 251 260 266 270 286 287 357 370 378 379 381 388 398 402 403 405 408 452 467 474 478 493 512 521 523 539 574


















medieval 466 548




phrase 186 383 389 448 482 586

























mixolydian 326 327 333 342 582









monk (copyist) 124













































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED















q COMMUTATION







































Jiraacutenek J 151






















Latin America[n] 18 123 215 245 388 392





vocalist 260 440 475vocals 467 501 523







mode 94 97 98 100 134 139 149 177 199 268 409

venue 199








lyrics 22 182 184 185 203 249 251 260 266 270 286 287 357 370 378 379 381 388 398 402 403 405 408 452 467 474 478 493 512 521 523 539 574


















medieval 466 548




phrase 186 383 389 448 482 586

























mixolydian 326 327 333 342 582









monk (copyist) 124













































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED




























Jiraacutenek J 151






















Latin America[n] 18 123 215 245 388 392





vocalist 260 440 475vocals 467 501 523







mode 94 97 98 100 134 139 149 177 199 268 409

venue 199








lyrics 22 182 184 185 203 249 251 260 266 270 286 287 357 370 378 379 381 388 398 402 403 405 408 452 467 474 478 493 512 521 523 539 574


















medieval 466 548




phrase 186 383 389 448 482 586

























mixolydian 326 327 333 342 582









monk (copyist) 124













































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED


























Latin America[n] 18 123 215 245 388 392





vocalist 260 440 475vocals 467 501 523







mode 94 97 98 100 134 139 149 177 199 268 409

venue 199








lyrics 22 182 184 185 203 249 251 260 266 270 286 287 357 370 378 379 381 388 398 402 403 405 408 452 467 474 478 493 512 521 523 539 574


















medieval 466 548




phrase 186 383 389 448 482 586

























mixolydian 326 327 333 342 582









monk (copyist) 124













































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED















mode 94 97 98 100 134 139 149 177 199 268 409

venue 199








lyrics 22 182 184 185 203 249 251 260 266 270 286 287 357 370 378 379 381 388 398 402 403 405 408 452 467 474 478 493 512 521 523 539 574


















medieval 466 548




phrase 186 383 389 448 482 586

























mixolydian 326 327 333 342 582









monk (copyist) 124













































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED


























medieval 466 548




phrase 186 383 389 448 482 586

























mixolydian 326 327 333 342 582









monk (copyist) 124













































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED





























mixolydian 326 327 333 342 582









monk (copyist) 124













































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED






















































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED































neurology 6 54 57 65 68ndash71 81 364 594
















sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED














sheet music 86 125 127 128 129
















symphony 39 103 186 233 234 235 236 243 254 307 468 469 484 527 549 574



Oumlzdemir Elif 364






















length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED






























length 48 264 265 283 367 426





























































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED




































































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED












































guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED




















guitar 272 284 474rock 474 517 518 597








heavy metal 182 328



















Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED
























Schubert Franz 406 432 490 538 539 544






q CONNOTATION
















smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED

























smartphone 36 40 93 256 257 289 328



















descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED


























descriptors 60 306‐313 489‐489 492‐493


















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED















bpm q BEATquick 47 164 213 260 274 281 290 303 347 419 458 460 465 496 510 513 516 518 540 546 551 604

slow 48 93 160 168 213 252 289 290 432 456 474 496 542motion 18 507pan 418









metre 170 283 295 594 psych 48 259 289 402 422 458 513 542


strolling 167 289 298 418 458 502 587




















synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED

























synchronic 20 233 339 384 417 419 421










sign types 160‐164 485‐528




354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED











354 366 376ndash380 408 411 448 463 490 498 530 531ndash578
















vocal 318 345 346 353 364 369 372






q KOJAKq NYPD BLUE
























undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED
































undulation 191 213 432 504 505 506 507 508 587









USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED











USA 35 36 37 38 47 92 103 106 137 139 158 235 247 306 341 383 442 466 512 526 527 546 585imperialism 103









videogram 603



















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED















grain of the 101male 274 347 369 373 440 444 523






WWackenroder W 94‐95 97‐98 101 106 126 139 408





river 8 167 504 507 559sea 61 77 167 212 273 495 499 505‐508












q WELL TEMPERED















q WELL TEMPERED











Documents

Index [] index contains: [1] ... ‘q GUITAR’ under ACOUSTIC means See under GUITAR for page numbers relating to ... Bartók, Béla 10, 13, 67, 93,