Index From Venice and the Cultural Imagination

8/2/2019 Index From Venice and the Cultural Imagination

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INDEX

A la Recherche de Venise Perdue (Proust), 26Ackermann, Rudolph, 46Adams, Henry, 143, 148

Adonaïs (Percy Shelley), 31Adriatic Sea, 49

Age o Innocence, Te (Wharton), 109, 123Alcott, Louisa May, 118Alma-adema, Lawrence, 7, 128, 134annuals (publications), 46–9

Anonymous Venetian, Te (lm), 160anti-Semitism, 8, 143, 148, 152

Antonio and Mellida (Marston), 145, 147 Antony and Cleopatra (Shakespeare), 40, 146 As You Like It (Shakespeare), 40Aschenbach, Gustav von ( Death in Venice

character), 36–7, 38, 39, 41, 144, 160 Attila (Verdi), 64Auber, Daniel, 66

Bacarolle (Chopin), 69, 70, 182n18 Banquet o Cleopatra, Te (iepolo), 113,

114 Batoni, Pompeo Girolamo, 17 , 18–19, 21,

24, 25Beatty, Bernard, xi, 4–5, 11–26

Beethoven, Ludwig van, 68 Beggars, Te (Whistler), 135, 136Bellini, Vincenzo, 6, 63–4Belmont, 14–15, 23

Beppo (Byron), 14, 18, 23, 25, 38, 39–40Berlioz, Hector, 68

Bianca e Falliero, o sia Il Consiglio dei re (Rossini), 74–5

Birch, Dinah, xi, 6–7, 95–108 Blackwood’s Magazine, 98 Blue Boy (Gainsborough), 48Boito, Arrigo, 75Bonaparte, Napoleon see Napoleon

Brideshead Revisited (V adaptation), 9,158, 170

Bridge o Sighs, Ducal Palace and Custom House, Venice: Canaletti Painting (urner), 45, 46, 52

Bronzino, Agnolo, 7, 130–1, 133

Browning, Robert, 7, 85–94 By the Fireside , 87 In a Gondola , 6, 86, 87–8 Pippa Passes, 86–7Sordello, 2, 85–6, 149–50Te Statue and the Bust , 87

A occata o Galuppi’s, 6, 7, 88–93, 113,145

wo in the Campagna, 87Buchanan, Robert, 76

Burbank with a Baedeker: Bleistein with aCigar (Eliot), 8, 143, 144–9

Burney, Charles, 66Byron, George Gordon, 6th Baron Byron, 3,

4–5, 8, 22, 28, 32, 158Augusta Leigh scandal, 37

Beppo, 14, 18, 23, 25, 38, 39–40Cain, 25Childe Harold’s Pilgrimage, 11–12, 13,

16, 22, 23, 24–5, 32–5, 36–7, 38,55–6, 102

Page numbers printed in italics reer to gures and those including ‘n’, e.g . 204n7reer to notes.



206 Venice and the Cultural Imagination

comparison with Mann, 36–7, 38–9 Don Juan, 16, 37, 40 Epistle to Mr Murray, 38images o Venice in writings, 20–6

Lara, A ale, 37 Marino Faliero, 16, 22–3, 24, 25, 55, 75Ode to Venice, 23, 24, 29, 41

poeticizing o history, 40–1Ruskin, inuence on, 97Sabellicus, reerence to, 22, 23, 24sexual intrigue in poetry, 40urner, inuence on, 55–6

Te wo Foscari, 23, 24, 55, 56–7, 75

Cain (Byron), 25Calvino, Italo, 79, 145Cameron, James, 160Campo Santo (urner), 53Canaletto, 16, 19, 22, 46, 134, 147Cantos, Te (Pound), 142, 149, 150–3, 155castrati, 59, 63Cavos, Alberto, 60–1censorship, 61, 65Ceremonial City, Te (Fenlon), 3, 6Childe Harold’s Pilgrimage – Italy (urner), 56Childe Harold’s Pilgrimage (Byron), 11–12,

13, 16, 22, 23, 24–5, 32–5, 36–7, 38,55–6, 102Children, Te (Wharton), 110, 125Chopin, Fryderyk, 6

Bacarolle, 69, 70, 182n18Christ Driving the raders om the emple

(urner), 51Cimarosa, Domenico, 61Civilisation and Its Discontents (Freud), 96,

107Coles, Cecil, 76, 77 Comort o Stangers, Te (lm), 158, 162,

163, 164, 170Communist Maniesto (Marx), 81

Contarini, Gasparo, 23Cosmopolitan (periodical), 119Crouzet-Pavan, Elisabeth, 3Cybele (earth goddess), 21, 22, 23

Danaë (Klimt), 133–4D’Annunzio, Gabriele, 71Daru, Pierre, 24, 25

De Rerum Natura (Lucretius), 21 Death in Venice (Mann), 5, 36–42, 139, 144lm adaptation, 158, 160, 162, 167Delius, Frederick, 6

A Village Romeo and Juliet , 72, 73Dell’Agata, Michele, 60Dibble, Jeremy, xi, 6, 59–77Dickens, Charles, 2, 23, 79–85

Little Dorrit , 6, 9, 81–5, 94, 158, 170 Pictures om Italy, 6, 80–1‘strange Dream upon the water’ concept,

2, 23, 80, 96–7, 157

Doge Marrying the Sea, Te (urner), 50Doges, 2, 28, 49Domett, Alred, 88

Don Juan (Byron), 16, 37, 40Donizetti, Gaetano, 6, 63, 64

L’elisir d’Amore, 66 Marino Faliero, 75 Don’t Look Now (Du Maurier), 8–9,

157–71lm adaptation, 158, 160–2, 166–71Doody, Margaret, 2dreams, 81Du Maurier, Daphne

Don’t Look Now, 8–9, 157–71

Ganymede, 8, 157, 162, 163, 165 I’ll Never Be Young Again, 162 Venice, perception o, 161–2, 170 Venice, use as code word or lesbianism,

162 Dunciad, Te (Pope), 16

Eagles, John, 98Eglin, John, 15, 20

Elida (Paisello), 61Eliot, . S., 8, 79, 142

anti-Semitism, 143, 148 Burbank with a Baedeker: Bleistein with

a Cigar , 8, 143, 144–9

Henry James, inuence o, 143–6, 148Wasteland, Te, 30

Emma di Resburgo (Meyerbeer), 63 Epipsychidion (Percy Shelley), 32, 86 Epistle to Mr Murray (Byron), 38 Ernani (Verdi), 64eroticism, 28–9, 91

European ravel or Women ( Jones), 117



Index 207

Fauré Gabriel, 6, 70 Les Berceaux , 67 , 68

Fenlon, Iain, 3, 6 Field o Waterloo (urner), 55lms

Te Anonymous Venetian, 160 Brideshead Revisited (V adaptation), 9,

158, 170Te Comort o Stangers, 158, 162, 163,

164, 170criticism o, 159

Death in Venice, 158, 160, 162, 167

Don’t Look Now, 8–9, 158, 160–2,166–71 Little Dorrit (V adaptation), 9, 158,

170Othello, 160Summertime, 159, 160techniques, 158Venice: Te Vanishing Lady (documen-

tary), 160Venice: Teme and Variations, 159Te Wings o the Dove, 128, 132–5,

137–40, 159, 170 Foregone Conclusion, A (Howells), 117,

120–1

Forget-me-Not, a Christmas and New Year’s Present or 1823 (Ackermann), 46

Foscarini, Marco, 18, 19–20, 25 Fra Giacomo (Buchanan and Coles), 76–7,

77 Freud, Sigmund, 96, 107

Friendship’s Ofering (anthology), 5, 46

Gainsborough, Tomas, 48Ganymede (Du Maurier), 8, 157, 162, 163,

165Gautier, Téophile, 8

Variations on the Carnival o Venice, 145Giudecca, la Donna della Salute and San

Giorgio (urner), 53Giulietta e Romeo (Zingarelli), 61Gli Orazi e i Curiazi (Cimarosa), 61Glimpses o the Moon (Wharton), 124Goethe, Johann Wolgang von, 13, 20, 25Gondelahrer (Schubert), 68gondolas, 38–40gondoliers’ songs, 6, 40, 66, 68, 71

Gondoliers, Te (Gilbert and Sullivan), 76gothic architecture, 100, 103–7grotesqueness, 106–7Grand Canal, Te (urner), 50, 51Grand our, 16, 46, 66Gros, Antoine-Jean, 24Guardi, Francesco, 19Guild o St George, 108

Hakewill, James, 50 Handbook or ravellers in Northern Italy

(Palgrave), 81Harding, Jason, xi, 8, 141–55Hepburn, Katharine, 159

History o the Italian Republics (Sismondi),24

Hobhouse, John Cam, 22, 23homoeroticism, 37

House o Mirth (Wharton), 110, 123, 126Howard, Deborah, 4Howells, William Dean, 117, 118, 120Hugo, Victor, 65

Human Lie (Rogers), 54

I Giuochi D’ Agrigento (Paisiello), 60, 61 I Vespri Siciliani (Verdi), 64, 66 Il Bravo (Mercadente), 75 Il Crociato in Egitto (Meyerbeer), 63 Il Fuoco (D’Annunzio), 71 Il Matrimonio Democratico (Sogra), 61 Il Re eodoro in Venezia (Paisello), 66, 74 In a Gondola (Browning), 6, 86, 87–8 Italian Backgrounds (Wharton), 110, 111,

112–13, 116, 117 Italian Hours (James), 2, 7, 112, 127, 129 Italian Villas and Teir Gardens (Wharton),

122–3 Italy (Rogers), 46, 53Ivory, James, 159, 162

James, Henry, 2, 3, 7–8, 9, 127–40, 159Te Art o Fiction, 128Te Aspern Papers, 127, 145, 146association o Venice with death, 139Casa Alvisi, 138cinematic qualities o writings, 140concept o the writer as a painter, 128–9,

130, 140




disenchantment with Venice, 138, 144dislike o tourists, 138, 144Te Grand Canal , 138, 157inuence on . S. Eliot, 143–6, 148

Italian Hours, 2, 7, 112, 127, 129 La Serenissima, 144Venice: an early impression, 129Te Wings o the Dove, 7, 127, 128,

130–5, 137–40, 146, 158, 159, 165,170, 191n45

James I, King o England, 15 Jessica (urner), 47 , 48, 50

Jones, Mary Cadwalader, 117 Jonson, Ben, 14, 15 Julian and Maddalo (Percy Shelley), 29–32, 41 Juliet and Her Nurse (urner), 51, 54, 98

Keepsake, Te, 5, 46, 48–9, 50, 51Klimt, Gustav, 7, 128, 133–4Knights, Pamela, xi, 7, 109–26

La Bacarolle (Auber), 66 La Battaglia di Legnano (Verdi), 65 La Biondina in Gondoletta (Lamberti), 68La Fenice (opera house), 60–4, 65

La Giaconda (Ponchielli), 6, 75, 76, 76 La Lugubre Gondola (Liszt), 70 La Morte di Mitridate (Zingarelli), 62 La raviata (Verdi), 65 Lago Maggiore (urner), 48 Lake Albano (urner), 48Lamberti, Antonio, 68landscape artistry, 43–4

Lara, A ale (Byron), 37 Last Man, Te (Mary Shelley), 32–5, 41Lawrence, Sir Tomas, 44, 48

Le Roi S’Amuse (Hugo), 65Lean, David, 159Lee, Vernon, 115, 120Leighton, Frederic, 7, 128

L’elisir d’Amore (Donizetti), 66Lepanto, Battle o (1571), 3, 15 Les Berceaux (Fauré), 67 , 68 Les Contes d’Hofman (Ofenbach), 76lesbianism, 162

L’étoile du Nord (Meyerbeer), 66light, inuence o, 31–2, 33, 41, 158, 160

and water, 2–3, 139, 151, 178n38

Lines Written upon the Euganean Hills (Percy Shelley), 23, 31

Liszt, Franz, 6, 68 La Lugubre gondola, 70

Little Dorrit (Dickens), 6, 81–5, 94, 163V adaptation, 9, 158, 170

Loredan, Leonardo (Doge), 18Lucretius, 21

Maclise, Daniel, 86Malatesta, Sigismundo, 150–3, 152, 155Mann, Tomas, 5, 28

comparison with Byron, 36–7, 38–9 Death in Venice, 5, 36–42, 139, 144, 158,

160, 162, 167 Margherita d’ Anjou (Meyerbeer), 63 Marino Faliero (Byron), 16, 22–3, 24, 25,

55, 75 Marino Faliero (Donizetti), 75Marston, John, 145, 147Marx, Karl, 81, 106Mendelssohn, Felix, 6

Venetianisches Gondolied , 68Mercadante, Saverio, 63, 64

Il Bravo, 75 Merchant o Venice (Shakespeare), 13, 14–15,

23, 48, 50, 147Meyerbeer, Giacomo, 6 Emma di Resburgo, 63 Il Crociato in Egitto, 63 L’étoile du Nord , 66 Margherita d’ Anjou, 63

Mickiewicz, Adam, 26 Modern Painters (Ruskin), 95Monet, Claude-Oscar, 157–8Moore, Tomas, 21, 24, 97Morpeth, Lord, 48–9Morris, William, 95, 105

Mysteries o Udolo (Radclie), 20, 21–2,23

Myths o Venice: the Figuration o a State (Rosand), 4

Napoleon, 24, 28, 74banning o castrati, 59invasion o Venice, 12–13

Nature o Gothic, Te (chapter rom TeStones o Venice, Ruskin ), 103–7



Index 209

Nietzsche, Friedrich, 1, 41, 71, 157 Nuptials o the Doge o Venice with the Adri-

atic Sea (Morpeth), 49

ocean, inuence in poetry, 33, 34–5Ode to Venice (Byron), 23, 24, 29, 41Ofenbach, Jacques, 76On the Extinction o the Venetian Republic

(Wordsworth), 28–9On the Lagoon (Walker), 119O’Neill, Michael, xii, 6, 79–94opera, 6, 59–77

bacarolle, 66–70, 67 , 69censorship, 61, 65liberetti, 60–1opera seria, 61–2, 64

politics, inuence o, 64–5as propaganda, 61–2, 74–5

Otello (Rossini), 68Otello (Verdi), 75, 76Othello (lm), 160Othello (Shakespeare), 13, 15Otway, Tomas, 5, 13, 16Paisiello, Giovanni

I Giuochi d’Agrigento, 60, 61 Il Re eodoro in Venezia, 66, 74

Palazzo Barbaro, 131–2Palazzo Barbaro circle, 7–8, 128Palgrave, Sir Francis, 81Peake, Elizabeth, 118Pemble, John, 20

Pen Portraits o Europe (Peake), 118Pepoli, Alessandro, 61Piave, Francesco, 64–5

Pictures om Italy (Dickens), 6, 80–1 Pilate Washing His Hands (urner), 50–1 Pippa Passes (Browning), 86–7 Pisan Cantos, Te (Pound), 8, 153–4 plague, 3, 32Ponchielli, Amilcare, 6

La Giaconda, 75, 76, 76 Pope, Alexander, 5, 16, 18, 20Pound, Ezra, 3, 8, 141–2, 149–55, 154 , 159

anti-Semitism, 152Browning, inuence o, 149–50Te Cantos, 142, 149, 150–3, 155death, 155

A Dra o the Cantos 17–27 , 151

Dras and Fragments, 154 A Lume Spento , 141Te Pisan Cantos, 8, 153–4

Poetry, 149in prison, 152–4San rovaso Notebook, 142

Present State o Music in France and Italy, Te(Burney), 66

Princess Casamassima, Te (Robinson), 149Proust, Marcel, 3, 26Pugin, A. W. N., 100

Quincy, Tomas Pension de, 80

Radclife, Ann, 20, 21–2, 23Rembrandt, 50

Rhymes on the Road (Moore), 21rhythmn in poetry, 90

Rigoletto (Verdi), 64, 65, 182n14Ritchie, J. Ewing, 101–2Robinson, Hyacinth, 149Roeg, Nicholas, 158–9, 160–1, 167–70, 171Rogers, Samuel, 55

Human Lie, 54 Italy, 46, 53

Rosand, David, 4Rossini, Gioachino, 6, 62, 63

Bianca e Falliero, o sia Il Consiglio dei re,74–5

Otello, 68Soirées Musicales, 68William ell , 64, 66

Ruskin, John, 1, 2, 3, 6–7, 8, 13, 95–108,148–9, 158–9

Byron, inuence o, 97early visits to Venice, 98–100early writings, 97, 98–9and gothic architecture, 100, 103–7Guild o St George, 108inuence on Edith Wharton, 112–13

later writings, 106–7, 108 Modern Painters, 95 Nature o Gothic, Te (chapter rom Te

Stones o Venice), 103–7 personal lie, 96, 107 Praeterita, 99Romaniticism, inuence o, 102




Seven Lamps o Architecture, Te, 100,103, 149

Stones o Venice, Te, 7, 44, 96, 100,102–3, 104, 142, 148, 151

study o Venetian architecture, 95, 96theory on dehumanization o the worker,

105–6urner, inuence o, 97–8Unto this Last , 148

views on restoration o Venetian build-ings, 99–100, 106

Sabellicus, Marcus Antonius Coccius, 22, 23, 24Salerno, Enrico Maria, 160San Biagio (Whistler), 137 Sandy, Mark, xii, 5, 27–42Sargent, John Singer, 8, 128, 134–5, 192n55

Street in Venice, 135Scarpa, iziano, 79Schopenhauer, Arthur, 71Schubert, Franz, 6

Gondelahrer , 68Schwanengesang , 68

Schumann, Robert, 6, 68Schwanengesang (Schubert), 68Serenade, Te (Maclise), 86

Seven Lamps o Architecture, Te (Ruskin),100, 103, 149sexual intrigue in poetry, 86–8, 146Sgambati, Giovanni, 70Shakespeare, William, 5, 8, 26

Antony and Cleopatra, 40, 146 Merchant o Venice, 13, 14–15, 23, 48, 50, 147Othello, 15, 40

As You Like It , 40Shelley, Mary

contributions to annuals, 48Te Last Man, 32–5, 41Valperga, 29

Shelley, Percy Bysshe, 3, 5

Adonaïs, 31 Epipsychidion, 32, 86 Julian and Maddalo, 29–32, 41 Lines Written Among the Euganean Hills,

23, 31Ode to Liberty, 104Te Sensitive Plant , 87

Shylock ( Merchant o Venice), 147

Simon Boccanegra (Verdi), 65Sismondi, Jean Charles Léonard de, 24, 25socialism, 106Society or the Protection o Ancient Build-

ings, 106Soley, Iain, 7, 128, 132–3Sogra, Simeone, 61–2

Il Matrimonio Democratico, 61Soirées Musicales (Rossini), 68Sordello (Browning), 2, 85–6, 149–50Staneld, Clarkson, 46Venice om the Dogana, 52

Stokes, Adrian, 151Stones o Rimini (Stokes), 151Stones o Venice, Te (Ruskin), 7, 44, 96, 100,

102–3, 104, 142, 148, 151Strauss II, Johann, 75Street in Venice (Sargant), 135Summertime (lm), 159, 160Suspira De Proundis (de Quincy), 80

adzio ( Death in Venice character), 38, 41ennyson, Alred Lord, 92Te Dogana, San Giorgio, Citella, om the

Steps o the Europa (urner), 52theatres, 59–60, 62

see also La Fenice (opera house)iepolo, Giovanni Battista, 113, 123Te Banquet o Cleopatra, 113, 114

intoretto, Jacopo, 7, 130itian, iziano Vecelli, 7, 127, 134, 147, 152occata o Galuppi’s, A (Browning), 6, 7,

88–93, 113, 145tourism, 7, 46, 109–10

representations o tourists, 116–17, 138, 144 writers as tourists, 118–19

ourist Gaze, Te (Urry), 109ristan und Isolde (Wagner), 71–2, 72riumph o Venice, Te (Batoni), 17 riumph o Venice, Te (painting, Batoni),

17 , 18–19, 21, 24ropic o Venice (Doody), 2urner, J. M. W., 5, 22, 23, 25, 43–58, 51–2,

95, 161biblical works, 50–1

Bridge o Sighs, Ducal Palace and Custom House, Venice: Canaletti Painting , 45,46, 52



Index 211

brown paper studies, 51Byron, inuence o, 55–6Campo Santo, 53Childe Harold’s Pilgrimage – Italy, 56Christ Driving the raders om the

emple, 51Te Dogana, San Giorgio, Citella, om

the Steps o the Europa, 52Te Doge Marrying the Sea, 50dreamlike quality o Venice paintings,

57–8 Field o Waterloo , 55

Giudecca, la Donna della Salute and SanGiorgio, 53Te Grand Canal , 50, 51illustrations in annuals, 46–8

Jessica, 47 , 48, 50 Juliet and Her Nurse, 51, 54, 98 Lago Maggiore , 48 Lake Albano, 48landscape artistry, 43–4

paintings celebrating ellow artists, 52 Pilate Washing His Hands, 50–1Rembrandt inuences, 50–1Rhine drawings, 44Ruskin, inuence on, 97–8

secretive private lie, 57urner Bequest, 49–50, 57Venice, om the Canale della Giudecca,

Chiesa di S. Maria della Salute, 51–2Venice: the Bridge o Sighs, 54–5, 54 Venice (the Dogana and San Giorgio Mag-

giore), 51 vignettes or literary works, 53, 54 water, inuence o, 53 watercolour, use o, 44

wo Foscari, Te (Byron), 23, 24, 55, 56–7,75

Un Ballo in Maschera (Verdi), 66

Urry, John, 109

Valley o Decision, Te (Wharton), 121–2Valperga (Mary Shelley), 29Venetian Lie (Howells), 117, 121Venetian Night’s Entertainment, A (Whar-

ton), 122

Venetian Views, Venetian Blinds: English Fantasies o Venice, 4

Venetianisches Gondolied (Mendelssohn), 68Venezia E’Un Pesce (Scarpa), 79

Veniceambassadors to England 1603, 15architecture, 4, 95–108archives, 23–4Austrian occupation, 13, 62Bridge o Sighs, 45, 54 carnivals, 13, 14, 61comparison with England, 102

decline, 102–3lm and television portrayals, 158–60,158–61, 168–9, 170, 171

French occupation, 12–13, 61Grand Canal, 50, 51, 58, 157–8historical image, 23–4La Fenice (opera house), 60–4, 65labyrinthine nature, 13–14, 137, 146,

163, 164, 165, 166, 170, 176n1Lagoon, 53, 119Lido, 30, 124as a model o government or Great

Britain, 15opera, 59–77

Palazzo Barbaro, 131–2 plague, 3, 32 portrayals o decay, 32–4, 36, 37, 41, 71,

135, 137, 148, 151, 162as a psychological space, 8–9, 157, 158,

160, 169republican system, 74restoration 1840s, 99–100, 106revolution 1848, 64–5Rezzonico Palace, 124St Mark’s Basilica, 51, 106, 127, 129, 144‘strange Dream upon the water’ concept,

2, 23, 80, 96–7, 157theatres, 59–60

orcello mosaics, 154 , 155 Victorian imagination, 79–94

Venice Desired (anner), 3Venice Disputed: Marc’ Antonio Barbaro and

Venetian Architecture (Howard), 4Venice (Domett), 88




Venice, om the Canale della Giudecca,Chiesa di S. Maria della Salute (urner), 51–2

Venice om the Dogana (Staneld), 52Venice Preserv’d (Otway), 13, 16Venice Reconsidered: the History and

Civilization o an Italian City State1297–1797 , 4

Venice Rediscovered (Pemble), 20Venice (the Dogana and San Giorgio Mag-

giore) (urner), 51Venice: Te Vanishing Lady (documentary),

160Venice: Teme and Variations (lm), 159Venice riumphant: the Horizons o a Myth

(Crouzet-Pavan), 3 Verdi, Giuseppe, 6, 56, 64–5, 75

Attila, 64 Ernani, 64 I Vespri Siciliani, 64, 66 La Battaglia di Legnano, 65 La raviata, 65 Macbeth, 64Otello, 75, 76

Rigoletto, 64, 65, 182n14Simon Boccanegra, 65

Un Ballo in Maschera, 66 Veronese, Paolo, 7, 131, 134 Viganò, Onorato, 60Village Romeo and Juliet, A (Delius), 72, 73

Visconti, Luchino, 158, 160, 167Volpone (Jonson), 14, 15, 23

Wagner, Richard, 6, 70–1 Mein Leben, 71–2ristan und Isolde, 71–2, 72

water, inuence o, 2–3, 80, 167 see also light, inuence o

Watteau, Antoine, 7, 130 Welles, Orson, 160

Wharton, Edith, 7, 109–26Te Age o Innocence, 109, 123becomes disillusioned with Venice,

124–5Te Children, 110, 125cliché, use o, 121

descriptive passages, 112 False Dawn, 123–4Ghosts, 125–6

A Glimpse, 125Glimpses o the Moon, 124Te Great American Novel , 124–5

House o Mirth, 110, 123, 126 Italian Backgrounds, 110, 111, 112–13,

116, 117 Italian Villas and Teir Gardens, 122–3Te Last Giustiniani, 121Te Marriage Playground , 125

mechanical sightseer, concept o, 111,112, 116Te Muse’s ragedy, 121

paintings, descriptions o, 113, 115Ruskin, inuence o, 112–13

A uscan Shrine, 116unknown tourist, concept o, 110Te Valley o Decision, 121–2

A Venetian Night’s Entertainment , 122Te Vice o Reading , 117

Whistler, James Abbott McNeill, 8, 9, 128,137, 192n60

Te Beggars, 135, 136San Biagio, 137

White, Rebecca, xii, 8–9, 157–71William ell (Rossini), 64

Wilton, Andrew, xii, 5, 43–58Wings o the Dove, Te (James), 7, 127,

130–2, 146, 158, 165lm adaptation, 128, 132–5, 137–40,

159, 170, 191n45 Wool, Virginia , 159 Wootton, Sarah, xii , 7–8, 127–40 Wordsworth, William, 5, 20, 23, 27–9, 32,

33, 41On the Extinction o the Venetian Repub-

lic , 28–9 World Columbian Exposition, 1893,

119–20, 119, 143World’s Fair (Walker), 119

Zingarelli, Nicolò, 60Giulietta e Romeo, 61

La Morte di Mitridate, 62

Documents

Index From Venice and the Cultural Imagination