32
2018 2017 IN THIS ISSUE MAY / JUNE 2018 Title Page 2 Cast 3 Letter from Artistic Director David Ivers 4 Letter from Managing Director Billy Russo 5 The Cast 6 The Creative Team 10 Executive Leadership 15 About Arizona Theatre Company 17 2018/2019 Season Announcement 18 ATC Board of Trustees 20 Donors 21 ATC Staff 28 ATC 2017/18 Season Artists 30 Theater Information 32 Cover art by: ESSER DESIGN The Herberger Theater Center, Arizona Theatre Company’s home in downtown Phoenix 1

IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

  • Upload
    others

  • View
    0

  • Download
    0

Embed Size (px)

Citation preview

Page 1: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

I N T H I S I S S U E

MAY / JUNE 2018Title Page 2Cast 3Letter from Artistic Director David Ivers 4 Letter from Managing Director Billy Russo 5The Cast 6The Creative Team 10Executive Leadership 15About Arizona Theatre Company 172018/2019 Season Announcement 18ATC Board of Trustees 20Donors 21ATC Staff 28ATC 2017/18 Season Artists 30Theater Information 32

Cover art by: ESSER DESIGN

The Herberger Theater Center, Arizona Theatre Company’s home in downtown Phoenix

1

Page 2: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

In association with GEVA THEATRE CENTERMark Cuddy, Artistic Director, Christopher Mannelli, Executive Director

THE DIARY OF ANNE FRANKBY Frances Goodrich and Albert Hackett

ADAPTED BY Wendy Kesselman

The sets, costumes and props used in this production were created by Geva Theatre Center production staff

PRODUCTION SPONSOR: APS

MEDIA SPONSOR: ARIZONA JEWISH LIFE

2017 / 2018 SEASON SPONSORS: I. MICHAEL AND BETH KASSER

David Ira Goldstein . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DIRECTOR

Bill Clarke . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SCENIC DESIGNER

Mimi Maxmen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .COSTUME DESIGNER

Ann G. Wrightson . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LIGHTING DESIGNER

Dan Roach . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SOUND DESIGNER

Brian Jerome Peterson . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RESIDENT SOUND DESIGNER

Adriano Gatto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VIOLENCE CONSULTANT

Becca Poccia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DRAMATURG

Elissa Myers Casting, Paul Fouquet, CSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CASTING

Glenn Bruner* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PRODUCTION STAGE MANAGER

Timothy Toothman* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ASSISTANT STAGE MANAGER

Billy RussoManaging Director

David IversArtistic Director

The Diary of Anne Frank (Adaptation by Wendy Kesselman) is presented by special arrangement with Samuel French, Inc.

2

Page 3: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

C A S T

(IN ORDER OF APPEARANCE)

Cell phones and other devices that make a noise can greatly disturb your fellow audience members and the performers. PLEASE TURN THEM OFF before the performance.

Emma DeVore ASSISTANT TO THE STAGE MANAGER

ADDITIONAL STAFF

To learn more about The Diary of Anne Frank, please visit the Learning & Education page on our website at arizonatheatre org for a comprehensive free Play Guide The Play Guide contains historical information, cultural context, and more

Anna Lentz* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anne FrankSteve Hendrickson* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Otto FrankNaama Potok* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Edith FrankDevon Prokopek* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Margot FrankBrenda Jean Foley* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Miep GiesGus Cuddy* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Peter Van DaanHarold Dixon* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mr. KralerAnn Arvia* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mrs. Van DaanJohn G. Preston* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mr. Van DaanMichael Santo* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mr. DusselDrake Sherman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . First ManRicky Quintana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Second ManNicolas Holguin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Third Man

*Denotes members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

THERE WILL BE ONE FIFTEEN-MINUTE INTERMISSION.

3

Page 4: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

L E T T E R F R O M A R T I S T I C D I R E C T O R D AV I D I V E R S

2 0 1 82 0 1 7

It’s extraordinary that we are here, concluding our 2017/2018 season with the powerful and important The Diary of Anne Frank. Thank you for your tremendous support, your heartfelt encouragement, and your welcoming spirit. We love being in Arizona and remain committed to serving you and serving up the kind of theatre our cities deserve. We are already in the thick of planning next season, hiring artists, moving toward design meetings, and crafting new initiatives as we not only raise funds, but seek to “raise the bar!” I won’t go on too much about all that, other than to say we are here because of you and we will be responsible stewards moving forward. So, thanks.

Without a doubt, ATC is known for its breadth of programming and its excellence in execution. Here, you’ll experience no less: a production chosen and directed by my predecessor, David Ira Goldstein. It is crafted with love, determination, and joy: the same qualities shared by the people and characters who appear in this tragic, hopeful, and powerful journey.

To be truthful, I can’t read or watch or witness much more injustice, hate, and discrimination in the world. I don’t have the capacity to sit through rehearsals of The Diary of Anne Frank without a pocket-ful of Kleenex. I don’t have the fortitude at the moment to even visit our memorials and institutions that pay homage to past tragedies without losing it. Maybe I see my kids in the children on stage and on television and in the pictures at the Jewish Holocaust Museums. Maybe I’m just worn out with tragedy. Maybe I thought I had some answers and could quell the fears of my boys, who are starting to ask deeper questions as I hurry to turn off the news before they digest something Dad can’t explain.

Still, I know I must watch and do watch and grow stronger from learning from the past, even as our country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne, fortified with love and forced too young to muster a courage born out of evil. I wish I had something more eloquent to say here, but I stumble to find words. Maybe that’s the point? Maybe I’ll take my cue from those kids and offer this:

Just a bit of respect. A long silence to remember.

And somewhere in that silence, I’ll still whisper a “thanks.” A thank you and an offer of love to survivors and victims of the Holocaust as once again we turn to the stage to remind us of the stories of our time.

Much love,

David Ivers Artistic Director [email protected]

4

Page 5: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

L E T T E R F R O M M A N A G I N G D I R E C T O R B I L LY R U S S O

Here we are at the final production of our 2017/ 2018 season. It’s hard to imagine that it was nine months ago that David Ivers and I began our tenure as the leadership of Arizona Theatre Company. It feels like yesterday, and at the same time I’m amazed about how much has transpired since then.

I am humbled by the warm welcome my other half, Richard, and I received from Arizona Theatre Company’s family of subscribers, audience, donors, board, and staff. In fact, we felt embraced by the community of Phoenix as a whole.

When I look back at the season, I am very proud of the accomplishments the organization has achieved:

• Chapter Two brought Marsha Mason here to direct the play for which she was the inspiration.

• The River Bride allowed us to introduce Marisela Treviño Orta (a winner of ATC’s National Latino Playwriting Award) and her magical play to Arizona audiences, in a brand new production.

• Man of La Mancha was an experiment in meld-ing the world of flamenco with the classic Amer-ican musical. I know I am biased, but I think it was a resoundingly successful experiment.

• Outside Mullingar (our own Artistic Direc-tor’s directorial debut in Arizona) captured the hearts and imagination of our audiences, taking its place in the top five best-selling dramatic plays in ATC history.

• Low Down Dirty Blues had a group of the best, most authentic blues singers and musicians I’ve ever seen on a theatrical stage.

• The Diary of Anne Frank, directed by the much-loved David Ira Goldstein, arrives on our stage now, at a time when it has another layer of resonance in light of recent events.

• Our education department is thriving, and introducing innovative new programs for students and veterans.

We continue to have significant increases in ticket sales, had a fantastic fall Gala, where the “Fund the Future” auction appeal raised nearly four times as much as the previous season. We remain humbled by the continued and increased support from a large swath of our donor base. We’ve welcomed ten new employees to our company in our effort to properly staff the organization and build its capacity.

We continue on the road of financial recovery that began last season and remain firm in our belief that a commitment to work of virtuosic quality will be the cornerstone of the efforts to put Arizona Theatre Company on firm financial footing and to continue its work in being the leading professional producing theatre creating work for and in Arizona.

It’s no secret we need the support of the citizens, government, foundations, and corporations of this fine state to carry that mission out, and in a spirit of partnership, it is a responsibly we gladly take on.

Thank you for allowing us to be on this journey with you.

Billy Russo, Managing Director [email protected]

5

Page 6: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

THE CAST

Anna Lentz (Anne Frank) is thrilled to be making her Arizona Theatre Company debut! Regional theatre credits include The Many Deaths of Nathan Stubble-field (2017 Humana Festi-val), Midsummer’s Eve,

Fifth Third Bank’s A Christmas Carol and Gratu-itous Nudity and the Undisclosed Costs of Question-ing Surveillance Rather than Bad Broccoli (Actors Theatre of Louisville). Anna is a former member of the Professional Training Company at Actors Theatre of Louisville and received her B.F.A. from Rutgers University, Mason Gross School of the Arts.

Steve Hendrickson (Otto Frank) is delighted to return to A r i z ona T he a t re Company, where he was last seen in Ten Chimneys. He has appeared across the country at the Folger, Chicago and Orlando

Shakespeare Theatres, ACT, Geva, Asolo and Yale Reps, Guthrie, Barrington Theatre Company, the Old Globe, Cincinnati Playhouse, and Arena Stage. He received a 2005 Ivey Award for Cyrano de Bergerac at Ten Thousand Things and shared a 2009 Ivey Award for Tyrone & Ralph at the History Theatre. In 2001 he became the first performer to receive the Dayton-Hudson Distinguished Artist Fellowship at Carleton College. He is the founder of Audio-Visceral Productions. Learn more at www.audio-visceral.com.

Naama Potok (Edith Frank) makes her Arizona Theatre Company debut in The Diary terof Anne Frank. Theatre credits include Rivkeh Lev, Anna Schaef-fer and Rachel in My Name is Asher Lev (Off-Broadway,

Penguin Rep, Florida Studio); Scheherazade in Arabian Nights (BAM, Actors Gang, Steppenwolf

- Lookingglass Tour); Greek Princess in Mirror of the Invisible World (Goodman Theatre); Kather-ine in Henry IV and Pia Shim in History of the Devil (Next Theatre); Eileen Rafferty in Slides (Williamstown Theatre Festival, dir. Geraldine Fitzgerald); Manke in God of Vengeance (A Contemporary Theatre, World Premiere Adapta-tion); Hindle, God of Vengeance (Target Margin), Helen in Helen of Troy and Debbie in The Real Thing (StageWest), Gila Marhouni in Haram! Iran! (TADA Festival of New Plays); Sylvie in Captains and Courage, and Christine in Two Moth-ers at a Roadside Cafe (Schreiber Studio); Marjory in The Education of Marjory (Strawdog Theatre); and Beatrice in A View from the Bridge (Oxford University Drama Society). Film credits include Christie in Waiting for Marion Cotillard (Medi-ane-Art & Communication); The Chosen (20th Century Fox); Carol in Reindeer Games.

6

Page 7: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

Devon Prokopek (Margot Frank) is pleased to return to A r i zona Theat re Company after her turn as Shprintze in Fiddler on the Roof. She is currently a senior B.F.A. Musical Theatre student at the

University of Arizona. Credits include Hands on a Hardbody (Kelli) and Rent (Mimi u/s) for Arizona Repertory Theatre; and The Importance of Being Earnest (Cecily) and Biloxi Blues (Daisy) for Desert Stages Theatre.

Brenda Jean Foley (Miep Gies) is delighted to be making her Arizona Theatre Company debut. Arizona credits: By the Way, Meet Vera Stark, Love Disorder (iTheatre Collaborative), Now.Here.This (A/C Theatre

Company), August: Osage County, The Full Monty, Carousel (MET), The Sound of Music (DBFRT), readings with Phoenix Theatre & Stray Cat. NYC: Emma (NYMF), Almost, Maine, One Thing I Like to Say Is (Access Theatre), Iolanthe (NYGASP). Regional: As Thousands Cheer (New Harmony), The Secret Garden (Fulton), Grease (Rockwell), The Mousetrap (Forestburgh). National Tour: Big. International: Tokyo Disney, Norwegian Cruise Lines. Films include Tombstone-Rashomon, dir. Alex Cox, Monsoon with Eve Plumb and Scott Lowell. Co-founder: The Bridge Initiative: Women in Theatre (bridgeinit.org). BFA Musical Theatre & BA English, University of Michigan. Proud member of Actors’ Equity.

Gus Cuddy (Peter Van Daan) ATC: Debut. He has performed in New York City and regionally. He has also performed in produc-tions at Geva Theatre Center (Rochester, NY), the Cape Playhouse (Dennis, MA),

and Fordham University (New York, NY). guscuddy.com

Harold Dixon (Mr. Kraler) ATC: King Charles III, Ella, Streetcar Named Desire, Much Ado About Nothing, others; Off-Broadway: 92nd St Y, Kirk Theatre on Theatre Row; National Tour: Ella; Regional: The

Guthrie, Long Wharf, Arena Stage, Pittsburgh Public, Cincinnati Playhouse, Actors Theatre of Louisville, Rep Theatre of St. Louis, Geva The-atre Center, Laguna Playhouse, Gloucester Stage, The Tempest, Hamlet, Measure For Measure, and Richard III at Kingsmen Shakespeare, Southwest Shakespeare, Shakespeare Sedona, King Lear at Arizona Repertory Theatre, Phoenix Theatre, The Goat at Actors Theatre of Phoenix, Phoenix Sym-phony, and Invisible Theatre. Harold has also appeared in film, television, and commercials. He is Distinguished Professor Emeritus and found-ing artistic director of the Arizona Repertory Theatre at the School of Theatre, Film, & Televi-sion at the University of Arizona, where the Harold Dixon Directing Studio is named for him. Proud member of Actors Equity since 1973.

THE CAST

7

Page 8: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

Ann Arvia (Mrs.Van Daan) ATC: Debut. New York credits include Vineyard Theatre’s New York premiere of Kander and Pierce’s Kid Victory (Gail), Mary Poppins ( B i rd Wom a n), L e s Misérables (Mme. Thénar-

dier), Beauty and the Beast and Time and Again at Manhattan Theatre Club. National tours include Les Misérables (1st and 3rd National) and Ragtime. Regionally, Ms. Arvia has appeared as Golde in Fiddler on the Roof and Nettie in Carousel (Helen Hayes Award Nominee) at Arena Stage; Meg in Damn Yankees (Connecticut Critics Circle Award Nominee) and Marie in The Most Happy Fella at Goodspeed Opera House; Carlotta in Phantom of the Opera (Barrymore Nominee) and Mother Abbess in The Sound of Music at Walnut Street Theatre; Rose in Gypsy at Drury Lane Oakbrook; and Mother in Ragtime and Alice Beane in Titanic at Maine State Music Theatre. Ms. Arvia has a thriving vocal studio in NYC. Find out more at www.annarvia.net.

John G. Preston (Mr. Van Daan) makes his Arizona Theatre Company debut in The Diary of Anne Frank. Most recently, he appeared as Scrooge in A Christmas Carol at Actors Theatre of Louisville. Other roles

include Capulet in Romeo and Juliet, both Dukes in As You Like It and Henslowe in Shakespeare In Love at the Utah Shakespeare Festival; Charles Strickland in Race at the Philadelphia Theatre

Company; Bart Henely in So Help Me God at the Mint Theater; and Lord Leonard Astor in Peter and the Starcatcher at La Jolla Playhouse. He has also been seen in Rough Crossing at Yale Rep, As You Like It at the New York Shakespeare Festival, Taming of the Shrew at The Denver Center, The Constant Wife at Asolo Rep, Les Liaisons Dangere-uses at Syracuse Stage, Pure Confidence at The Cincinnati Playhouse, and Othello at Georgia Shakespeare. He was an Associate Artist and Resi-dent Company Member at the Alabama Shake-speare Festival for many years directing productions of Bill Irwin’s Scapin, and Triumph of Love.

Michael Santo (Mr. Dussel) is delighted to return to Arizona Theatre Company. Regional credits include Sherlock Holmes in Holmes & Watson at Milwaukee Repertory Theater; Antonio in The Tempest at American

Conservatory Theater; Welch in God of Hell at Magic Theatre; Andre Said in …said Said at Alli-ance Theatre; Walter in The Price at the Aurora Theatre; Oliver in Pentecost at the Old Globe; Matt in Talley’s Folly at Pasadena Playhouse; and Cyrano in Cyrano de Bergerac at Marin Shake-speare Festival. Other theatres include San Jose Repertory Theatre; Geva Theatre Center; Seattle Repertory Theatre; Intiman Theatre; Empty Space; Denver Center Theatre Company; Cincin-nati Playhouse in the Park; Cleveland Play House; Shakespeare Theatre; Hartford Stage; Portland Stage and Great Lakes Theatre Festival.

THE CAST

8

Page 9: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

Drake Sherman (First Man) i s beyond excited to make his first appearance with Arizona Theatre Company. Originally a Tucson native, he moved to Tempe to pursue a BM in Vocal Performance.

Credits in the Phoenix area include Emmett Forrest (Legally Blonde), Gordon Schwinn (A New Brain), Tony (West Side Story), and Robert Martin (The Drowsy Chaperone).

Ricky Quintana (Second Man) is an MFA in Perfor-mance candidate at ASU, where he’s appeared in The Compass  and  Six Stories Tall  this past season. A Chicago native,  credits include Not About Nightin-

gales (Raven Theatre), the Chicago Premiere of The Feast (Red Theater Chicago), King of Cimbri (Reading, Steep Theatre Co), in addition to work with No Stakes, Profiles Theatre, Blue Goose, and many more. He holds his BFA from Long Island University.

Nicholas Holguin (Third Man) is from Las Cruces, New Mexico, and he’s humbled to be working on an ATC production for the first time. He currently attends Arizona State Uni-versity pursuing an MFA

in Performance. He received his Bachelor’s degree from New Mexico State University, and some of his credits include: Victor Frankenstein (Fran-kenstein), Florindo Aretusi (Servant of Two Mas-ters), Sebastian (Twelfth Night), and Trip Wyeth (Other Desert Cities). He’s also had the privilege of attending the Art of Acting (Stella Adler) Sum-mer Conservatory in Hollywood.

Arizona Theatre Company operates under agreements between the League of Resident Theatres (LORT) and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States; Stage Directors and Choreographers, an independent national labor union; and United Scenic Artists Local USA-829, IATSE.

The Scenic, Costume, Lighting and Sound Designers in LORT Theatres are represented by Union Scenic Artists Local USA-829, IATSE

The Director is a member of the Stage Directors and Choreographers Society, an independent national labor union

The Actors and Stage Managers employed in these productions are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States

THE CAST

9

Page 10: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

T H E C R E AT I V E T E A M

Frances Goodrich and Albert Hackett (Adaptors) The husband-and-wife team of Albert Maurice Hackett (born in New York City on February 16, 1900) and Frances Goodrich (born in Belleville, New Jersey, on December 21, 1890) began their joint career as Broadway playwrights in the 1920s. The success of their comedy, Up Pops the Devil, brought them to Hollywood to work on the 1931 screen version. They went on to write some of the most popular films of the 1930s and 1940s, including Easter Parade (for which they won the Writers Guild of America Award); The Thin Man and its sequel, After the Thin Man; Father of the Bride; Seven Brides for Seven Brothers (all of which were nominated for Academy Awards for screenwriting); In the Good Old Summertime; The Long, Long Trailer and It’s a Wonderful Life (co-written with Frank Capra and Jo Swerling). The Diary of Anne Frank won them the 1956 Pulitzer Prize for Drama, the Tony Award® for Best Play, and the New York Drama Critics’ Circle and Writers Guild of America awards. Goodrich died on January 29, 1984, and Hackett on March 16, 1995.

Wendy Kesselman (Adaptor) Besides her Tony Award®-nominated adaptation of The Diary of Anne Frank, Wendy Kesselman’s plays include The Executioner’s Daughter; The Notebook; The Foggy Foggy Dew; The Last Bridge; I Love You, I Love You Not; Maggie Magalita; Merry-Go-Round; The Shell Collec-tion; My Sister in This House, A Re-imagined Version (Deaf West Theatre); The Graduation of Grace and Spit. She also wrote the book, music and lyrics for The Juniper Tree, A Tragic Household Tale; A Tale of Two Cities; Becca and The Black Monk: A Chamber Musical. Among other honors, she has received the Susan Smith Blackburn Prize; the AT&T Onstage Award; The New England Major Award for Outstanding Creative Achievement in the American Theatre; the first annual Playbill Award; the Roger L. Stevens Award; the Jane Chambers Playwriting Award; the Lecomte du Noüy Annual Award; Meet the Composer Grants; Guggenheim, McKnight and National Endowment for the Arts Fellowships; and a Writers Guild of America Award for her screen adaptation of John Knowles’s A Separate Peace. Her other screenplays include Sister My Sister (adapted from My Sister in This House) and I Love You, I Love You Not.

David Ira Goldstein (Director) is Artistic Director Emeritus of ATC. His tenure as Artistic Director spanned 26 seasons from 1992 to 2017, a period that saw unprecedented growth in artistic program-ming, attendance, and state-wide support. During that period, ATC developed dozens of initiatives in education, the humanities, community outreach, diversity, and new play development, winning scores of awards and honors for its work onstage and in the community and David himself received the 2003 Governor’s Arts Award for his contributions to the arts. Here at ATC, he produced over 250 mainstage plays, workshops, readings and presentations including acclaimed appearances by the Royal National Theatre of Great Britain and the Theatre Royal Bath. David has personally directed over 45 mainstage productions for ATC ranging from classics to new plays to musicals, including Fiddler on the Roof, Disgraced, Next To Normal, How I Learned to Drive, Hair, Much Ado About Nothing, My Fair Lady, Valley Song, The Illusion, Xanadu, The Pajama Game, Side Man, [title of show], The Mystery of Irma Vep, The Two Gentlemen of Verona, The Pirates of Penzance, Willi, The Heidi Chronicles, and A Midsummer Night’s Dream. World premieres originating from ATC and his deft touch include The Kite Runner, by Khaled Hosseini; Sherlock Holmes: The Final Adventure (winner of the Edgar Award

10

Page 11: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

T H E C R E AT I V E T E A M

from the Mystery Writers of America); Inventing van Gogh; Rocket Man; Private Eyes; Over the Moon and Dracula by Steven Dietz; and Holmes & Watson, Ten Chimneys, Dr. Jekyll and Mr. Hyde (Edgar Award nominee), and Sherlock Holmes and the Adventure of The Suicide Club (Edgar Award nominee), by Jeffrey Hatcher. David has been a guest director at theatres all across the country including Ari-zona Opera, Geva Theatre Center, Berkeley Rep, Seattle Rep, Kansas City Rep, Northlight Theatre, Village Theatre, Pasadena Playhouse, Repertory Theatre of St. Louis, Mixed Blood, The Children’s Theatre Company, and Illusion Theatre. His musical A Marvelous Party: The Noël Coward Celebration has played extensively across the U.S., winning many awards including four Jeff Awards in Chicago (including Best Director), the Elliot Norton Award in Boston, several Bay Area Critics Awards and the Los Angeles Drama Critics Award for Best Production. Before coming to ATC, David was As-sociate Artistic Director of ACT Theatre in Seattle. His many productions there included the world premieres of God’s Country by Steven Dietz and Willi by John Pielmeier, as well as a joint Soviet-American production of The Falcon. He holds an MFA from the University of Minnesota. David is a proud member of the Stage Directors and Choreographers Society, and Actors’ Equity Association.

Bill Clarke (Scenic Designer) is pleased to make his debut at Arizona Theatre Company. Broad-way: A Walk In The Woods. Off-Broadway: Lemon Sky (Keen Co), So Help Me God (Lortel), Misal-liance (Pearl), Secret Order (59E59), Eccentricities of a Nightingale (T.A.C.T.), The Daughter-In-Law and Power Of Darkness (Mint), June Moon (Drama Dep’t), Queens Blvd, Ann Magnuson’s You Could Be Home Now (NYSF), and new plays at Manhattan Theatre Club and WPA. Regional: Geva Theatre Center, Seattle Rep, Old Globe, A.R.T., Huntington, McCarter, Milwaukee Rep, Pioneer Theatre, Denver Center, Indiana Rep, Portland Center Stage, Cincinnati Playhouse, Cleveland Play House, and Asolo Rep. He is a graduate of the Yale School of Drama, an Honorary Board Member at Milwaukee Rep, and the recipient of Merrimack’s Artistic Achievement Award, an IRNE (New England) Award, a San Diego Theater Critics’ Circle Award and a Hollywood DramaLogue Award.

Mimi Maxmen (Costume Designer) is excited for her debut at Arizona Theatre Company. New York credits include The Norwegians, The Frogs, Uncle Vanya (Tom Courtenay, James Fox), Vieux Carré, The Seagull, A Midsummer Night’s Dream, Twelfth Night, A Shayna Maidel, Inadmissible Evidence, A...My Name Is Alice, The Incredibly Famous Willie Rivers, Virgil Thomson’s Lord Byron (Alice Tully Hall) and The Mother of Us All. Five years as resident designer for the Roundabout Theatre.  Current New York: The Stone Witch with Dan Lauria. Additional theater: Manhattan Theatre Club, Geva Theatre Center, Second Stage, Cleveland Play House, Mark Taper Forum, Santa Fe Opera, the New York City,  Joffrey, and Metropolitan Opera Ballet companies. Films credits include The Lightkeepers (Richard Dreyfuss, Blythe Danner), Tumbleweeds (Janet McTeer), and The Mesmerist (Neil Patrick Harris, Jessica Capshaw). She currently teaches at Parsons School of Design and serves on the Advisory Board of tdf/The Costume Collection.

Ann G. Wrightson (Lighting Designer) is pleased to be returning to Arizona Theatre Company where she designed Souvenir in 2007. She just designed Anne Frank, The May Queen and Sylvia at Geva in Rochester and other recent projects include HIR and The Rembrandt at Chicago’s Steppenwolf

11

Page 12: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

T H E C R E AT I V E T E A M

Theatre; The Three Musketeers at Indiana Repertory, Georama: A Musical, Constellations and Caught at St Louis Rep and A Streetcar Named Desire at Portland Center Stage. She designed the Broadway pro-duction of Souvenir and was a Tony Award® nominee for her work on Tony Award®-winning August: Osage County, which she designed for Broadway, London, Sydney and the National Tour. Past projects include The Unmentionables at Yale Repertory Theatre; Tracy Letts’ The Man from Nebraska at Step-penwolf; and ten seasons at Oregon Shakespeare Festival. Other work has been seen at the Guthrie, the Alliance, Arena Stage, Cleveland Play House and the Eugene O’Neill Theater Center’s National Playwrights Conference. Awards include, a 1997 Backstage Garland Award, for Magic Fire at Oregon Shakespeare Festival, a 2009 IRNE Award for Best Lighting for Fences at Huntington Theatre and a 2014 PAMTA Award for Fiddler on the Roof at Portland Center Stage.

Dan Roach (Sound Designer) has, since 1988, worked on sound for numerous productions at Geva Theatre Center, NTID’s Theatre for the Deaf, SUNY Brockport, and Keuka College. Most recent productions at Geva include At Wit’s End; Private Lives; To Kill a Mockingbird; Miracle on South Division Street; Red; The Mountaintop; Katherine’s Colored Lieutenant; The Odd Couple; Stranded on Earth; Last Gas; The Agony and the Ecstasy of Steve Jobs; Freud’s Last Session; You Can’t Take It With You; Perfect Wedding; On Golden Pond; Over the Tavern; Almost, Maine; Dracula; the Shape of Evil with PUSH Physical Theatre; Evie’s Waltz; Dial M for Murder; The Underpants; Nine Parts of Desire; Doubt and A Christmas Story. He studied sound at Berklee College of Music in Boston and has been applying that knowledge to theatre over the past 30 years. He is a resident of Brighton where he lives with his beautiful wife Jing.

Brian Jerome Peterson (Resident Sound Designer) celebrates his 31st season at ATC, where he has designed 83 productions, including Outside Mullingar, Chapter Two, La Esquinita USA, An Act of God, King Charles III, Fences, Disgraced, Five Presidents, Wait Until Dark, Around the World in 80 Days, The Importance of Being Earnest, The Sunshine Boys, Jane Austen’s Emma, The Great Gatsby, God of Carnage, Ma Rainey’s Black Bottom, Lost in Yonkers, Ain’t Misbehavin’, George is Dead, Somebody/Nobody, Enchanted April, Touch the Names, I Am My Own Wife, Twelfth Night, Tuesdays with Morrie, Crowns, Macbeth, The Pirates of Penzance, The Immigrant, A Streetcar Named Desire, Oh Coward!, Copenhagen, Fully Committed and The Mystery of Irma Vep (for which he won an ariZoni Award) and the world premieres of Sherlock Holmes and the Adventure of The Suicide Club, Dr. Jekyll and Mr. Hyde, Sherlock Holmes: The Final Adventure, Invent-ing van Gogh, Rocket Man, Minor Demons and The Holy Terror. His designs have been heard in many theatres including Geva Theatre Center, Berkeley Repertory Theatre, Seattle Repertory Theatre, The Cleveland Play House, Northlight Theatre, Portland Center Stage, Actors Theatre of Louisville, San Jose Repertory Theatre, Milwaukee Repertory Theatre, and the Bay Street Repertory Theatre.

Adriano Gatto (Violence Consultant) Adriano’s work as a Fight Director has been seen in over 100 productions across the country, most recently at the Irish Classical Theatre Company and the Kavinoky Theatre, where he is the Resident Fight Director. As an internationally certified Fight Instructor with the Academy of Fight Directors Canada, he has taught stage combat and choreographed for various institutions, including the AFDC National Certification Conference in Calgary, AB, the Eastman School of Music, SUNY Buffalo State and Niagara University, where he currently serves as the Artist

12

Page 13: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

in Residence.  As an AEA member, regional acting credits include productions with the Folger Theatre, Indiana Repertory Theatre, Olney Theatre Center, Round House Theatre, and the Shakespeare Theatre Company, DC. Sincerest gratitude to the entire team here at Geva! Love to ROH2.

Becca Poccia (Dramaturg) is in her sixth season at Geva Theatre Center, where she has served as dramaturg for The Lake Effect, Miracle on South Division Street, The Road to Where, Katherine’s Colored Lieutenant, Tinker to Evers to Chance, and All Your Questions Answered; as stage manager for the Late Nite Catechism plays, the Plays in Progress series and the Festival of New Theatre; and as venue manager for the KeyBank Rochester Fringe Festival. Becca holds an M.F.A. in Dramaturgy from Columbia University and also works as a freelance dramaturg; favorite credits include Goliath (Planet Connections Theatre Festivity) and the world premieres of AK-47 Sing Along (New York International Fringe Festival), Lifetime Fairytale (Columbia Stages), Dirt: Part 1 (Enthuse Theater) and Foreign Wars (Random Access Theatre).

Elissa Myers Casting, Paul Fouquet, CSA (Casting) has been in operation for over 30 years. Projects include: For PBS “Poisoner’s Handbook,” “Becoming Helen Keller,” and the mini-series

“Mystery of Matter.” Other PBS projects include “The Abolitionists,” “Dolly Madison,” “Alexander Hamilton,” “John and Abigail Adams,” “Benjamin Franklin” (Emmy Award), “Liberty” (Peabody Award), “God in America,” “People vs. Leo Frank,” “Louisa May Alcott,” as well as PBS “Great Per-formances” (Artios Award in “Outstanding Achievement in Casting”), “Murder of a President” for American Experience, and “Edgar Allan Poe: Buried Alive.” Additionally, three “Movies of the Week,” as well as five pilots. Feature films include Hank and Asha (Audience Award at Slamdance 2013 and five other festival awards), and The Union. Theatre includes seven Broadway shows, including the Tony Award®-nominated Having Our Say, as well as twenty-six Off-Broadway shows. Regional theatre casting in the past two years includes Denver Center Theatre, Geva Theatre Center, Cleveland Play House, Alabama Shakespeare Festival, Magic Theatre, Arena Stage, Alley Theatre, George Street Playhouse, Cape Playhouse, Oregon Shakespeare Festival and Arizona Theatre Company. The office has so far received sixteen nominations and has won three Artios Awards for “Outstanding Achieve-ment in Casting.”

Glenn Bruner (Production Stage Manager) is in his 21st season at ATC where he has stage man-aged over 60 productions, including Chapter Two, La Esquinita USA, An Act of God, Of Mice and Men, Romeo and Juliet, Other Desert Cities, The Mountaintop, Clybourne Park, The Sunshine Boys, Next to Normal, The Great Gatsby, Hair, and the world premieres of Rick Cleveland’s Five Presidents, Jef-frey Hatcher’s Holmes and Watson, Sherlock Holmes and the Adventure of the Suicide Club and Ten Chimneys, and Steven Dietz’s Sherlock Holmes: The Final Adventure, Rocket Man, Inventing van Gogh, and Over the Moon. Mr. Bruner has worked at Kansas City Repertory Theatre, Alley Theatre, Dallas Theater Center, Pasadena Playhouse, Centerstage, Studio Arena Theatre, and Maine’s Portland Stage Company. He was the Assistant Stage Manager for the world premiere of On the Waterfront at The Cleveland Play House and stage managed the Off-Broadway premiere of Alan Ayckbourn’s Season’s Greetings. He has been the voice for many radio and television commercials, and worked on-air for Texas Public Radio in his hometown of San Antonio. For the past nineteen summers Mr. Bruner has been a member of the entertainment production staff for Major League Baseball’s All Star FanFest.

T H E C R E AT I V E T E A M

13

Page 14: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

He was the 2012 recipient of the Lucy Jordan Recognition Award, presented annually by the Western Region of Actors’ Equity Association. Mr. Bruner has been a member of AEA since 1981.

Timothy Toothman (Assistant Stage Manager) is the Artistic Associate at ATC and has also stage managed over 20 ATC productions since the 2002/03 season, most recently King Charles III, Fences, and Wait Until Dark. He has also stage managed ATC co-productions at Geva Theatre Center, Kansas City Repertory Theatre, and San Jose Repertory Theatre. Mr. Toothman spent five seasons as the Production Stage Manager for the Geva Theatre Center in Rochester, NY, and was then Company Manager for five years for Sunshine Too, a national touring ensemble of deaf and hearing actors. He has also managed producing and presenting theatres in Indiana and Maryland. Prior to moving to Arizona, Mr. Toothman spent eleven years as a program and grants director for the Maryland State Arts Council and the Connecticut Commission on the Arts. Mr. Toothman stage managed the Na-tional Heritage Awards Program for the National Endowment for the Arts for ten years and was the Production Stage Manager for six seasons at the Vineyard Playhouse on Martha’s Vineyard.

Emma Devore (Assistant to the Stage Manager) served as Assistant to the Stage Manager for ATC’s productions of Man of La Mancha, Holmes and Watson, Ring of Fire, Fiddler on the Roof, King Charles III,

…Discord, Of Mice and Men, Fences, Disgraced, A Weekend with Pablo Picasso, Romeo and Juliet, Murder for Two, Vanya and Sonia and Masha and Spike, Around the World in 80 Days, Xanadu, The Importance of Being Earnest, Clybourne Park, Freud’s Last Session, Lombardi, God of Carnage, and The Great Gatsby. Regionally, she has worked at the Utah Shakespeare Festival, Phoenix Theatre, Gulfshore Playhouse, and Southwest Shakespeare Company. She was the Production Stage Manager for E&M Theatrical’s Las Vegas production of The D*Word: A Musical, and has toured with the vaudeville troupe Handsome Little Devils, and with The Magic of David Copperfield.

Geva Theatre Center (Mark Cuddy, Artistic Director and Christopher Mannelli, Executive Director) Founded in 1972, Geva Theatre Center is a not-for-profit, professional theatre company dedicated to creating and producing professional theatre productions, programs and services of a national standard. As Rochester’s leading professional theatre, Geva Theatre Center is the most attended regional theatre in New York State, and one of the 25 most subscribed in the country, serving up to 160,000 patrons annually, including more than 16,000 students. The 516-seat Elaine P. Wilson Stage is home to a wide variety of performances, from musicals to American and world classics. The 180-seat Ron & Donna Fielding Stage is home to Geva’s own series of contemporary drama, comedy and musical theatre; Geva Comedy Improv; Geva’s New Play Reading Series and the Hornets’ Nest - an innovative play-reading series facilitating community-wide discussion on controversial topics. In addition, the Fielding Stage hosts visiting companies of both local and international renown. Geva Theatre Center offers a wide variety of educational, outreach and literary programs, nurturing audiences and artists alike. Since 1995, the organization has been under the artistic direction of Mark Cuddy.

T H E C R E AT I V E T E A M

14

Page 15: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

E X E C U T I V E L E A D E R S H I P

David Ivers (Artistic Director) began his tenure as Artistic Director on July 1, 2017, and is honored to be part of this vibrant and inspiring community. In partnership with the inimitable and insightful Managing Director Billy Russo, he is hard at work creating community-based initiatives, advanced-planning procedures, and staff-focused partnerships aimed at fostering institutional stability. Other immediate goals include improving our patron / donor relations and executing the finest slate of programming in our buildings as we honor our loyal audiences and seek

to engage with new ones. He arrives in Arizona after seven seasons as Artistic Director of Tony Award®-Winning Utah Shakespeare Festival, having acted in or directed over fifty-five productions over twenty seasons. As Artistic Director, he helped usher in a forty million dollar expansion of facilities including two new theatres, a new rehearsal hall, costume shop, and administrative offices. His tenure is marked by a significant re-brand of the organization and several key initia-tives including the launch of WORDS (cubed) new play program, which recently featured the World Premiere of Neil LaBute’s How to Fight Loneliness.

Earlier in his career, Mr. Ivers was the Associate Artistic Director of Portland Repertory Theatre while continuing to collaborate with Portland Center Stage, the Oregon, Alabama and Idaho Shakespeare Festivals, and others. He also spent ten years as a resident artist involved with over forty productions at the acclaimed Denver Center Theatre Company. He has acting credits in Seattle, Portland, Utah, Denver, Chicago, Massachusetts, Alabama, California, including: Salieri in Amadeus, a nightly “audience choice” rotation of Oscar and Felix in The Odd Couple, Scapin in Scapin, Truffaldino in A Servant of Two Masters, Richard in Richard II, Tony Wendice in Dial M for Murder, Benedick in Much Ado About Nothing, Jake in Stones in His Pockets, Gary in Noises Off, Jonathan in A Prayer for Owen Meany, and has been involved with over one hundred other productions at LORT A, B+, and B institutions.

In the last several seasons, his directing work has been seen with The Utah Shakespeare Festival, The Guthrie Theatre (where he directed Blithe Spirit this past November), Berkeley Repertory Theatre (Hand to God, One Man Two Guvnors), The Oregon Shakespeare Festival (The Coconuts, Taming of the Shrew), South Coast Repertory Theatre, Pioneer Theatre Company, here at Arizona Theatre Company with Outside Mullingar, and more. In addition, Ivers has taught at several colleges and universities and gave his first TEDx talk in 2015. He is thrilled at the opportunity to join Arizona Theatre Company and would like to extend his gratitude to the board and staff. He is eager to live with his wife, Stephanie, and boys, Jack and Elliot, in such a thriving and culturally rich community. Email anytime, he’d love to hear from you (really, he would) [email protected].

15

Page 16: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

E X E C U T I V E L E A D E R S H I P

Billy Russo (Managing Director) has served as Acting Managing Director of Arizona Theatre Company since 2015 and permanently took on the position beginning on July 1, 2017.

Previously, he was the Managing Director of American Repertory Theatre at Harvard University, where during his tenure they produced All The Way, starring Brian Cranston, and Finding Neverland. He served as the Managing Director of New York Theatre Workshop, a major Off-Broadway

Theatre company in New York, where he lead a financial turnaround of the organization, retiring an organizational deficit and rebuilding cash reserves. During his time there, he produced the original productions of the musical Once and the play Peter and the Starcatcher, both of which transferred to Broadway in the 2012 season, garnering 13 of the 26 competitive Tony Awards® handed out that year. He also served as General Manager of Playwrights Horizons in New York, where he helped oversee the construction of a new six-story facility in the heart of Times Square. Notable productions during that period were the world premieres of I Am My Own Wife (Tony Award® for Best Play and Pulitzer Prize for Drama), and the musical Grey Gardens. He was also the Associate General Manager at Manhattan Theatre Club.

While in London, Mr. Russo was the Associate Producer with David Pugh, Ltd. There, he produced, among others, the English Language Premiere of Yasmina Reza’s Art in the West End, starring Albert Finney, Tom Courtenay, and Ken Stott.

Mr. Russo was an adjunct assistant professor for Columbia University’s Theatre Producing and Management MFA Program, where he taught Advanced Theatre Budgeting. He received a BFA from New York University’s Tisch School of the Arts.

16

Page 17: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

A B O U T A R I Z O N A T H E AT R E C O M P A N YA B O U T A R I Z O N A T H E AT R E C O M P A N YA B O U T A R I Z O N A T H E AT R E C O M P A N YA B O U T A R I Z O N A T H E AT R E C O M P A N YA B O U T A R I Z O N A T H E AT R E C O M P A N Y

Under new leadership – and now celebrating its 51st-season – Arizona Theatre Company boasts the largest subscriber base of any performing arts organization in Arizona, with more than 130,000 people each year attending performances at the historic Temple of Music and Art in Tucson, and the elegant Herberger Theater Center in downtown Phoenix.

Each season of carefully selected productions reflects the rich variety of world drama – from classic to contemporary plays, from musicals to new works – as audiences enjoy a rich emotional experience that can only be captured through live theatre.

ATC is the preeminent professional theatre in the state of Arizona. Under the direction of Artistic Director David Ivers in partnership with Managing Director Billy Russo, ATC operates in two cities – unlike any other League of Resident Theaters (LORT) company in the country.

ATC shares the passion of the theatre through a wide array of outreach programs, educational opportunities, access initiatives, and community events. Through the schools and summer programs, ATC focuses on teaching Arizona’s youth about literacy, cultural development, performing arts, specialty techniques used onstage, and opens their minds to the creative power of dramatic literature. With approximately 450 Learning & Education activities annu-ally, ATC reaches far beyond the metropolitan areas of Tucson and Phoenix, enriching the theatre learning experience for current and future audiences.

The Herberger Theater Center, Arizona Theatre Company’s home in downtown Phoenix

17

Page 18: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

“We’re ecstatic about the six plays and the artists attached to them. You’ll find something for everyone and some new flavors added to the mix.”

- David Ivers, Artistic Director - Billy Russo, Managing Director

2018/2019 Season Sponsors: I. Michael and Beth Kasser

SUMMER ON STAGE - June / July 2018 Arizona Theatre Company’s signature immersive program for high shool students will present POLAROID STORIES, a visceral blend of mythological stories told through the eyes of American street youth, and AMERICAN IDIOT, a rock opera based on Green Day’s Grammy-winning concept album For more information and registration, visit arizonatheatre org

NATIVE GARDENS by Karen Zacarías / directed by Jane Jones

A hilarious new comedy that’s anything but neighborly! A delicate disagreement over a long-standing fence line soon spirals into an all-out, laugh-out-loud comic border dispute

ERMA BOMBECK - AT WIT’S END by Allison and Margaret Engel directed by Casey Stangl

Our beloved Erma comes home to Arizona in this touching and hilarious romp celebrating this pioneering American icon

THE MUSIC MAN book by Meredith Willson and Franklin Lacey music and lyics by Meredith Willson directed by David Ivers

The irresistible musical tribute to the power of make-believe marches onto the ATC stages - with trumpets blaring This quintessential American musical features some surprise community initiatives

TWO TRAINS RUNNING by August Wilson / directed by Lou Bellamy

ATC continues to bring the work of literary giant August Wilson to Arizona audiences Two Trains Running explores a time of extraordinary change – and the ordinary people who get left behind

AMERICAN MARIACHI by José Cruz González / directed by Christopher Acebo

A heartwarming and hilarious new comedy about music’s power to heal and connect, featuring gorgeous live mariachi music that will send your heart soaring

THINGS I KNOW TO BE TRUE An AMERICAN PREMIERE by Andrew Bovell / directed by Mark Clements

Produced by ATC and Milwaukee Repertory Theater, a beautiful and painfully perceptive portrait of a family and the frictions that arise when grown-up children try to push beyond the confines of their loving parents’ expectations

18

Page 19: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7WHEN YOU SUBSCRIBE TO ATC, YOU’RE FAMILY!

6-PLAY FULL SEASON SUBSCRIPTION THE ROLLS ROYCE OF SUBSCRIPTIONS! For the true theatre connoisseur, you get to sample everything that ATC has to offer

WHEN YOU RENEW OR PURCHASE A 6-PLAY, YOU RECEIVE:

• Guaranteed best seats for the shows you can’t wait to see

• Unlimited free exchanges

• Priority renewals and seating upgrades

• Lost ticket insurance

• Early-bird access to special add-on productions

• The satisfaction of knowing you’re at the head of the class when it comes to helping keep fully professional theatre in Arizona thriving

BUILD-YOUR-OWN SUBSCRIPTION JOIN THE ATC FAMILY ON YOUR TERMS! Our 3, 4 and 5-Play subscriptions offer almost all the benefits of our 6-Play subscription for a fraction of the price of single tickets!

WHEN YOU RENEW OR PURCHASE A 3-PLAY, 4-PLAY, OR 5-PLAY PACKAGE, YOU RECEIVE:

• Guaranteed best seats for the shows you can’t wait to see

• One free exchange per show

• Lost ticket insurance

• Early-bird access to special add-on productions

• The satisfaction of knowing you’re helping keep fully professional theatre in Arizona thriving

FLEX PASSES TRUE FLEXIBILITY! Enjoy subscriber benefits without the commitment!

WHEN YOU RENEW OR PURCHASE A FLEX PASS, YOU RECEIVE:

• Best seats in ANY section at the time of pass redemption

• Flexibility to redeem passes in any combination you choose

• Lock-in pricing for any tickets for the entire season at a big savings over single ticket prices

• The satisfaction of knowing you’re helping keep fully professional theatre in Arizona thriving

WE DON’T WANT YOU TO MISS ONE THRILLING SCENE!Arizona Theatre Company offers a variety of subscription options for all the shows you want to see, when you want to see them.

602-256-6995 / ARIZONATHEATRE.ORG/SUBSCRIBE HERBERGER THEATER CENTER, 222 EAST MONROE ST, PHOENIX, ARIZONA 85004

VISIT, CALL OR GO ONLINE!

19

Page 20: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

2 0 1 7 / 2 0 1 8 B O A R D O F T R U S T E E S

BOARD OFFICERSLynne Wood Dusenberry

Chair

Susan Plimpton Segal Chair-Elect

Kevin Gebert Vice Chair (Tucson)

Mary Hamway Vice Chair (Phoenix)

Robert Taylor Secretary

Jeffrey Gold Treasurer

BOARD OF TRUSTEESCameron C. Artigue, Past Chair

Michael Flatt

Jay Glaser

Jeff Guldner

Liz Hernández

David Ivers

Priscilla Márquez

Sandra C. Maxfield

Joseph Mollica

Keith Murfee-DeConcini

Linda “Mac” Perlich

Karen Peters

Billy Russo

*Deceased

EMERITUS TRUSTEESPaul Baker, Katie Dusenberry, Darryl Dobras, Carol DuVal Whiteman, Shirley Estes, I. Michael Kasser, Donald Nickerson*, Marilyn Papp*, George Rosenberg*, Dr. John Schaefer, F. William Sheppard

HONORARY TRUSTEESBob Begam*, Betsy Bolding, Joan Kaye Cauthorn, Jack Davis, Slivy Edmonds, Norma Feldman, Catherine (Rusty) Foley, Joe Gootter, Carol Kraemer, Jessica Lazarus, Sally Lehmann, Gerry Murphy, Emily Rosenberg Pollack, Nina Trasoff, Janos Wilder, Ruth A. Zales

A special note of thanks to the partners and staff at Lewis Roca Rothgerber for hosting ATC’s Board of Trustees’ meetings

David Ira Goldstein Artistic Director Emeritus, Jessica L. Andrews Managing Director Emeritus

20

Page 21: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

CORPORATE, FOUNDATION, AND GOVERNMENT PARTNERSATC IS PROUD TO ACKNOWLEDGE SUPPORT FROM THE FOLLOWING COMMUNITY PARTNERS

JULY 1, 2016 TO APRIL 19, 2018

CORPORATIONS / ORGANIZATIONS

Anonymous (1)Ken and Kelley Abrhams Charitable

Fund at The American Gift Fund of RBC Trust Company

Affinity Eye CareAloft HotelsAmerican ExpressAPSASU GammageBallard Spahr LLPThe Barber Family Legacy Fund

at Vanguard CharitableBeachFleischman PCThe Benevity Community Impact FundBerg Charitable Advised Fund

at Fidelity CharitableDenice Blake and John Blackwell

at Vanguard CharitableJohn and Susan Bowers Charitable

Fund at Schwab CharitableBreak-Away ToursCamelback Hotel CorporationCapital Charities Inc.The Carriage HouseCDG ArchitectsThe Coris Family Charitable

Trust at Fidelity CharitableCourtyard by Marriott -

Phoenix DowntownCox Charities at Arizona

Community FoundationCox CommunicationsCrest Insurance GroupSamuel Denmark Family Fund

at Fidelity CharitableThe DesertLeafDowntown Kitchen + CocktailsDRD Investment Group LLCM. and J. Dumont Family Charitable

Trust at Fidelity CharitableThe Employee Community

Fund of Boeing ArizonaExxonMobil Foundation

Matching Gifts ProgramFidelity Charitable Gift FundMelissa Fitzgerald Advised

Fund at Schwab ChritableThe Gissing GABE Group Fund

at Vanguard CharitableThomas Godfrey Charitable

Fund at Fidelity CharitableGolden Family Fund at

Fidelity CharitableTom Good and Mary McCaslin-Good

Advised Fund at Fidelity Charitable

Debbie Goodman-Butler and Patrick Butler Advised Fund at Schwab Charitable

Gordon Family Fund at Fidelity Charitable

Loring and Susan Green Charitable Trust at Fidelity Charitable

Gust Rosenfeld P.L.C.Michael J. and Charlotte A.

Harris Philanthropic Fund at the United Way of Tucson and Southern Arizona

Monica and Jim Hart Advised Fund at Schwab Charitable

Hecker PLLCHerberger Theater CenterThe Hitchcock Bowart Daterra

Family Foundation at Smithfield Trust Company

Holualoa Arizona, IncHoneywell InternationalHotel CongressHotel Tucson City CenterIBM Matching Grants ProgramJim Click Automotive TeamRalph A. and Anna Laura

Jackson Charitable Fund at Fidelity Charitable

Mack Jones Advised Fund at Schwab Charitable

I. Michael and Beth Kasser Foundation at the United Way of Tucson and Southern Arizona

KXCI Community RadioLaw Office of Bernadette RuizStanley Lehman Fund at

Schwab CharitableLewis Roca Rothgerber Christie, LLPLightwave Technical ConsultingLincon EnterprisesArlene Lurie Advised Fund at

Capital Charities Inc.Maynard’s Market and KitchenGretchen and James McGill Family

Giving Fund at Fidelity CharitableMcGraw Hill FinancialMeijer, Inc., Subsidiaries and AffiliatesAllan and Alfie Norville Philanthropic

Fund at the United Way of Tucson and Southern Arizona

Ogletree DeakinsOsborn Maledon, P.A.Harry and Rose Papp Advised

Fund at Schwab CharitablePICOR Commercial Real

Estate ServicesVirginia G. Piper Charitable Trust

Donald Pitt Family Foundation at the United Way of Tucson and Southern Arizona

Raymond James and AssociatesThe Rea Charitable TrustThe Rein Family Fund at

Schwab CharitableResolution Copper MiningRenaissance Phoenix DowntownResidence Inn by Marriott –

Phoenix DowntownRiggins Farms, Ltd.RLI Charitable Gift Fund at

Fidelity CharitableSchwab Charitable FundScottsdale Cultural CouncilScottsdale League for the ArtsRita and Harvey Simon Charitable

Trust at Fidelity CharitableSmithfield Trust CompanySnell & Wilmer L.L.P.Larry Soller Donor Advised Fund

at Fidelity CharitableSRPSteptoe and Johnson, LLPSean Sweat/Intel at The Benevity

Community Impact FundThe Greenleaf/Molberg Family

Fund at Schwab CharitableTheater League Inc.TownePlace SuitesUnited Way of Tucson and

Southern ArizonaUNS Energy Corp.Valley of the Sun United WayVanguard Charitable

Endowment ProgramDr. Richard and Madeleine Wachter

Fund held at the Community Foundation for Southern Arizona

Watermill Financial GroupElliott and Wendy Weiss Charitable

Gift Fund at Schwab CharitableWilson Property Services, IncZazu Pannee Park Regent

FOUNDATIONS

Absolon FoundationActor’s Equity FoundationAkron Community FoundationJohn and Laura Almquist Advised

Fund at the Community Foundation for Southern Arizona

Andrew Family FoundationApplied Materials FoundationArizona Community Foundation

Arizona Community Foundation of Cochise

Arizona Community Foundation of Flagstaff

Arizona Community Foundation of Yavapai County

AYCO Charitable FoundationBank of America Charitable

FoundationBD2 Donor Advised Fund at

the Community Foundation for Southern Arizona

Jeffrey F. Berg and Debra H. Paget Fund at the Cornell University Foundation

Leonard J. and Irene Brown Foundation, Inc.

Joan Kaye Cauthorn Advised Fund at the Community Foundation for Southern Arizona

Francis Chapin FoundationAlan and Gail Cohn Foundation, Inc.Community Foundation for

Southern ArizonaCornell University FoundationNancy M. and Peter E. Davis

Community Fund at the Community Foundation for Southern Arizona

The Bill and Donna Dehn Charitable Fund at the AYCO Charitable Foundation

Diamond Family Donor Advised Fund at the Jewish Community Foundation

Feldman Family FoundationJoanie Flatt Family Foundation at the

Arizona Community FoundationMichael Flatt Charitable Fund at the

Arizona Community FoundationMary Jo Ghory Advised Fund at the

Greater Cincinnati FoundationDavid and Anne Hameroff at the

Jewish Community Foundation of Southern Arizona

The Harold and Jean Grossman Foundation

The Herberger FoundationHerbst Family FoundationThe Molly and Joseph

Herman FoundationThe Connie Hillman Family FoundationHirsch Family FoundationMargaret Mellon Hitchcock

FoundationHolsclaw Advisory Endowment Fund

at the Community Foundation for Southern Arizona

The HSLopez Family FoundationJewish Community Foundation

of Greater Phoenix, Inc.

21

Page 22: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

INDIVIDUAL DONORS

Jewish Community Foundation of Southern Arizona

Jewish Federation of Southern Arizona

Leonard and Marcelle Joffe Donor Advised Fund at the Jewish Community Foundation of Southern Arizona

Bill and Kathy Kinney Philanthropic Fund at the Community Foundation for Southern Arizona

Alvin and Janice Kivel Philanthropic Fund at the Jewish Community Foundation of Southern Arizona

The Lehmann Family Foundation at Arizona Community Foundation

Sam and Judy Linhart FoundationDavid C. and Lura M.

Lovell FoundationSandra Maxfield through

The Frances Chapin Foundation at The United Way of Southern Arizona

McCulloh McTavish FoundationPhyllis and Leonard Miller Advised

Fund at Jewish Community Foundation of Greater Phoenix

The Minneapolis FoundationMargaret E. Mooney FoundationThe John and Helen

Murphey FoundationMyers Vitkin Foundation, Inc.PICOR Charitable FoundationDonald Pitt Family FoundationVirginia G. Piper Charitable TrustRochester Area Community

FoundationRuss and Carolyn Russo FoundationSalt River Community

Children’s FoundationShapiro Family Philanthropic

FoundationThe Shubert FoundationSarah B. Smallhouse Advised Fund

at the Community Foundation for Southern Arizona

Shoshana and Robert Tancer Advised Fund at Jewish Community Foundation of Greater Phoenix

Evelyn G. and Daniel J. Simon at the Jewish Community Foundation of Greater Phoenix, Inc.

The Eliot Spalding Foundation

The Stocker FoundationStonewall FoundationTexas Instruments FoundationToday is a Good Day FoundationThe Tolchin FoundationTorosian FoundationTucson FoundationsTucson Osteopathic

Medical FoundationTucson Realtors Charitable

FoundationUniversity of Arizona FoundationThe Dale Wasserman FoundationJames D. Wezelman Donor Advised

Fund at the Jewish Community Foundation of Southern Arizona

Joseph and May Winston Foundation

GOVERNMENTArizona Commission on the ArtsArts Foundation for Tucson

and Southern ArizonaCity of Tempe Arts and CultureCity of Tucson

National Endowment for the ArtsPhoenix Convention

Center and VenuesPhoenix IDAPhoenix Office of Arts and CultureScottsdale ArtsScottsdale League for the Arts

ANGELS $25,000 AND UP

Anonymous (1)Paul and Alice BakerShirley EstesJoanie FlattI. Michael and Beth KasserRichard and Sally LehmannBill Lewis and Rick UnderwoodHumberto and Czarina LopezAnn Lovell and Tom WarneDolly and Jim MoranAllan NorvilleCarol and Lex SearsMelissa and Robert TaylorChef Janos and Rebecca Wilder

PLAYWRIGHT’SGUILD $10,000-$24,999

Anonymous (1)Jessica L. Andrews and

Timothy W. ToothmanChristine and John AugustineMary Jan and Paul Bancroft

Mr. A. Frederick Banfield and Ms. Eileen M. Fitzmaurice

In Memory of Rick CallJudie CosentinoDonal DrayneBruce and Katie Dusenberry Bruce L. and Lynne Wood DusenberryMichael FlattJay GlaserEllyn and Jeff GoldDavid Ira Goldstein and Michele

Robins GoldsteinPaulette and Joe GootterJeff Guldner and Sydney ReedDavid HawkansonCourtney JohnsonCarole and Richard KraemerSandra and Dr. Robert Maxfield Rosanna MillerJoseph A. Mollica and Dottie SellersSusan and Jeffrey ReinJill and Herschel RosenzweigGreg SchoenRichard E. Schoen Revocable TrustRon and Patricia SchwabeEnid and Michael SeidenJanie Shapiro and Slobodan Popovic

Nancy SwansonSusan Tarrence and Stephen GoldenJack Wahl and Mary Lou Forier

PRODUCER’SCIRCLE $5,000 - $9,999

Anonymous (1)Roberta AidemFran and Jim AllenCarmela and Michael BlankBetsy BoldingDr. Jose and Frances BurruelJoan Kaye CauthornDino J. and Elizabeth

Murfee DeConciniDarryl and Mary Ann DobrasNorma and Stanley G. FeldmanTed and Barb FrohlingGail and Patric GiclasBruce and Edythe GissingDavie Glaser in loving memory

of David H. GlaserRob and Laurie GlaserLauren and Michael GordonPamela Grissom

Eric HamburgerMary and Geoffrey HamwayJeffrey HatcherTheresa and William HawgoodBob and JoAnne HungateRebecca and Albert JohnsonDrs. Steven and Marta KetchelTandy and Gary KippurDrs. Paul and Mary KossLori MackstallerJill and Kevin MaddenElyce and Mark MetznerJack and Becky MoseleyLyn Papanikolas and

David MackstallerMary and Matthew PalenicaMac and Russ PerlichKaren Peters and Chris ThomasMary Beth and Gerald RadkeRobert SarverDrs. John and Helen SchaeferSusan P. SegalF. William Sheppard and

Range P. ShawSarah B. SmallhouseMichael WilloughbyLinda Wurzelbacher

CORPORATE, FOUNDATION, AND GOVERNMENT PARTNERS

22

Page 23: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

DESIGNER’SCIRCLE $2,500 - $4,999

Anonymous (1)Kelley and Ken AbrahamsLaura and John AlmquistMary and Cameron ArtigueChar and Alan AugensteinConnie and Rodney BoorseSusan and Brian BoylanEd and Arlene CohenJacklyn Connoy and William MaguireVanne and Robert CowieBill and Donna Dehn Jennifer Hecker DuVal and Fred DuValDeanna Evenchik-BravCatherine “Rusty” FoleyLois and Harry GarrettHarry George and Cita ScottDr. Mary Jo GhoryLaurie and Chuck GoldsteinJennifer Gross and Jerry LeFevreLeslie Hall and Ted JarviAnne and David HameroffElliott and Sandra HeimanMack JonesDrs. Steven and Marta KetchelHotchy KieneCarol and Foster KivelDrs. George and Maria KnechtMr. and Mrs. Mark LandayJanice and Robert LeffSusan and Stacy LitvakSteven LynnCaroline and Peter MorseDeborah Moss and Stephen CollinsTrudi and Robert MurchKeith Murfee-DeConciniJohn and Helen MurpheyDr. and Mrs. Charles W. OttoSandy and James PeeblesValerie and Herschel RichterJody Summerset RollTom and Eileen RotkisKen and Judy RyanTrisa and Andrew SchorrJudy SeinfeldJoanne SibleyIngeborg and Ralph SilberschlagCol. Mary Pat SullivanSean D. SweatDanielle and Steven ThuBarbara VogenDr. Richard and Madeleine WachterMartha Wasserman

Ronald and Diane WeintraubNancy and Jeff WernerJames Wezelman and Denise GrusinGary Wolff and Sandy Gibson

DIRECTOR’SCIRCLE $1,750 - $2,499

Anonymous (2)Judy Ackerman and Richard EpsteinMara and Keith AspinallJudy Balan-PearlMary Ellen and Emery BartleBarbara and Franklin BennettBarbara and William BickelDenice Blake and John BlackwellMarel and Bryan BradyBarry D. BrownVirginia Clements and Tom RogersShelley M. Cohn and Mollie C. TriversLen and Doris CorisLeslie Dashew and Jack SalisburyNancy M. and Peter E. DavisDon and Jonae DeLongMarnie and Harvey DietrichZoe and Andrew DowdRebecca Driggs and Dan CampbellMelissa and Gene EinfrankEllis F. Friedman and Irene

Stern FriedmanLinda FulgenziBecky and Dave GasparMary and Robert GillettDr. Robert W. GorePam and Glen HaitPauline and Gene HechlerDr. and Mrs. Arthur L. HerbstLiz HernándezRobert Hershey-LearDeborah and Jeffrey JacobJulianna KasperSandy and Richard KauffmanRobyn Kessler and Jeff TimanDr. and Mrs. Ronald KolkerMarlene and Lanny LahrJudy and Sam LinhartElaine LitvackPhil and Nora MazurElsa McTavishConstance MelendezBruce Meyerson and Mary

Ellen SimonsonDrs. Richard and Yvonne MorrisPeggy and Gerry MurphyPat and Wayne Needham

Jean and Jordan NerenbergPatti Norville SpectorSusan and Donald PittMallory and Donald RieggerDavid and Bobbi RubinCarol and Randy SchillingLinda and Reid SchindlerCathy ShellEvelyn G. and Daniel J. SimonRichard StahlShoshana and Robert TancerStephen and Susan ThompsonRichard WalkerJohn and Connie Ann

Nygaard WareingMary and Bill WayRuss and Kay WeedTaryn and Mark WestergaardEllen Wheeler and David NixAllan and Diana Winston

BACKERS $1,000 - $1,749

Anonymous (9)Amy and Bob AdamsJoanne and Howie AdamsFlorence and Larry AdamsonJudy and Rory AlbertCorbett and Pat AlleyNeil Ampel and Nancy MarchJeannette and Robert BarnesNancy and Dave BaxterBarbara and Mathis BeckerJoAnn and Dave BeckerSusan BergPaula and Edwin BiggersSandy and Chuck BonstelleMartha BrightwellPatrick Butler and Debbie

Goodman-ButlerRay CarrollSara and Cristiano CastelliniShirley ChannAmy Charles and Steve McMillianKathleen ChurchJan CopelandBarbara and John CummingsMarjorie and George CunninghamDrs. Clara Curiel and Kai

LewandrowskiA. Ennis DaleDr. and Mrs. William H. DantzlerCarol David and Hillary WylerJulie and Mark DeatherageGina and Rick DeGraw

Anne and John DuffyKaren and Lionel FaitelsonSteven FassMargaret and Dennis FesenmyerRonna Fickbohm and Jeff WillisPatricia FluhrerPamela FrameMr. and Mrs. John FrancesconiMichael and Eleanor FraserElizabeth and Dietmar GannMichael GardinerMichael Garrison and John J. LopezKevin Gebert and Whitney Sheets Renee and Peter GerstmanLouise and Jim GlasserAngela and Jeffrey GlosserMonica and Terry GoddardKathryn and Edwin GossDonita GrossBetty and Leonard GuarraiaRebecca and Todd HanleyCristine and Ed HansenSarajean and Jeri HarwoodSoozie Hazan and Michael BurnsJulie and Larry HeckerStephen and Amanda HeitzPat and Fred HenningPeggy HitchcockEd and Sandy HollandCathy and Michael HolmbergLee and Patrick HoweJohn HudakJacqueline Hufford-JensenJohn Paul Jones IIIDenice JustJamie and Bill KelleyMartha and George KellnerMr. and Mrs. Joseph KendhammerJanice and Alvin KivelDon KlompJoan KoppenbrinkLynne Lagarde and Bob StankusEileen and John LamseSally LanyonMary and John LeavittMarianne and Bill LeedyStanley Lehman and Susan ChaikinChristiane G. LesliePhoebe LewisDr. Howard LuberMs. Edith E. LutyAnne and Ed LymanMatthew and Jo Ann MadonnaMr. and Mrs. Thom MansurPriscilla and Edmund MárquezKit and Joan Marrs

INDIVIDUAL DONORS

23

Page 24: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

Dorothy and Roy MayeskeJerry MettesIrene MonsonDonnasu and Jim MoodyShirley G. MuneyNina and Brian MunsonRuth Murphy and John HayCarolyn and Carl NauDouglas NgAnn Patterson-BartonJayne and Todd PetersonLinda PulaskiTeresa Kim and Mark QualeDrs. Thomas Elliott and Cindy RankinSandra RauschChuck and Terri RoehrickRandee RossDr. and Mrs. Sanford H. RothMayor and Mrs. Jonathan RothschildRuss and Carolyn RussoDrs. Adib and Vivi SabbaghMichael and Enriqueta SalvoJudy and Harold SamloffAnne and Elmon SappClaire SargentBetty Anne SarverRita and Steven SchlosserEllie and S.L. SchorrMarc and Tracy SchwimmerDeborah and Robert SharpeSteve and Shelly SilvermanPeg and Lee SkoldEddie and Susan SmithLinnet and Robert SpanglerBruce SpencerPhyllis E. and Richard D. SternRandy SternaMs. Susan M. SwickCindy TraylorKarla Van Drunen and Fred LittooySally Van SlykeDawn and David VeldhuizenEmily and Bob VincentBert WhiteheadJanet and Barry WinklerNancy and Ted WolterMarilyn and Peter WoodsPunch and Casey WoodsJulianne and Raymond WoosleyMargaret WunderRuthie Zales and Ken Greenfield

PATRONS $500 - $999

Anonymous (7)Michelle and Tim AbrahamJoseph AckerGail Adams and Jay GoodfarbRebecca Albrecht and Norris LivoniSusan and Larry AllenAl and Janet AndersonLori Angus Wilson and Jay AngusJudy and Ned ArmstrongJudy and Bob AtwellStephen R. and Suzanne K. BarberMichael BassRichard BatesJohn BechmanTrudie and Peter BeestrumDr. and Mrs. Michael BeltonTony and Maria BeramJudy BermanDavid and Bonnie BickfordNed and Sue BloomfieldSusan and Richard BookspanKay BoumaDiane and Donald BristowCarol and Daniel BronteSuzanne and Dan BrownSylvia and Herb BurtonJean and Michael ButterfieldHanna and Don CallaghanTyna Callahan and Dimitri

VoulgaropoulosBrian and Lauren CantoniDavid CohenElaine and Sidney CohenKris and Earl CohenSara CohenMary Kathleen CollinsArlan Colton and Kirk SmithSusan G. ConnellJoe CoyleMargaret and James CoyleGayla and Harlan CrossmanAlicia and Jon CrumptonDr. and Mrs. David DavenportDavid DeConciniPatricia and Dennis DeConciniPhil Derkum and Flora YeeJan and Leo DresselKimberlyn Drew and Andy MooreGail E. DunlapMary Durham-PflibsenMartha DurkinJohn DysterJanet and Harold Eastin

Lawrence and Judith EffkenStevie and Karl EllerPenelope EwenFred Farsjo and Patti PayneDr. Nelson FauxTom Feeney and Carmen BermudezHelen V. FisherMary Jo FitzgeraldJudy and Richard FlynnDenise Andre FordPatricia and Gary FridleyDrs. Margot W. and J.D. GarciaKathy and Bruce GarrettGary and Gini GethmannRoberta GillilanLeslie and Richard GlazeCathleen and Thomas GodfreyMichael GodnickMuriel and Marc GoldfederRoberta GoldsteinThomas Good and Mary

McCaslin-GoodStephen GraffSusan and Loring GreenTom and Nancy GreenDwaine GreerEdna and Gary GrossCas GrossmanJerome and Anita GutkinSara and Andrew GyorkeRita HagelMichael Hamant and Lynnell GardnerRobin and John HarrisElizabeth and Jerrold HatcherKathy and James HaunSuzanne and Lester HaytSusan HetheringtonMichael Heimbuch and

Mitchell BuntingSharon and Louis HekmanTom and Sandy HicksSharon and Jesse HiseDarlinn and Sidney HollanderCatherine HornessElaine Hoyne and Lisa RempeLori and David IaconisBrian IndrelunasLisa and Gary IsraelMargaret IversonDr. Ralph A. and Anna L. JacksonAbe JacobFrank and Caroline JankDonald E. JenksHelen and Robert JennetteMarcelle and Leonard JoffeCelinda JohnsonRobert and Susan Johnstone

Karen and Charles JonaitisLeianne JonesMarcia JonesJohn JordanNathan JosephJulie Karcis and James SewardRobert KaulPhilip KellerKathryn KellnerNancy and Burton KinerkKim and David KingRoberta King and Richard BroderickSusan and Everett KingJohn KnappJo and Bob KoeperKathryn LammJane Langenfeld and Duncan ChangJim and Gloria LawrenceAnne Leary and Bill HemeltKwan S. LeeMaxine and Jeffrey LeonardJim LeValley and Nancy PhilippiDr. Alan Levenson and

Rachel K. GoldwynCarol and Norman LevineLori Levine and Gary BennaNanci and Doug LevySharon Lewis and Mayor ShankenDon LivesayDebi Chess Mabie and Clint MabieLaura and Barry Mac BanBrendan Mahoney and Gordon StreetClementa Mannarelli and

Gary MolendaBarbara and Martin MannleinSusan and Ron MarkDejan and Susan MarkovichLorene MartinRudy and Maria MathewsCecelia MatsonAndy McKnightKathryn and Richard MerkelFrances MerrymanDouglas and Jane MetzgerMarilyn and Robert MetzgerMichelle and Joseph MillstoneHelene and Michael MironRoger MorrisJudee MorrisonChristine MuldoonEssie NadlerAnn NicholsMargie NicholsonParviz Nikravesh and Agnes

StahlschmidtRandi and James NultyPeggy Odendahl

BACKERS(continued) $1,000 - $1,749

INDIVIDUAL DONORS

24

Page 25: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

INDIVIDUAL DONORS

Deborah Oseran and Bobby PresentNorizan Osman and John IrbyRose and Harry PappJane and William PearsonAlyce PenningtonKathie and Bill PetersonLaura and Tom PewTad and Linda PfisterBrian PrackoSheila and Robert PressWilliam Rapp and Kathy KolbePaul RathjenPenny RauziBecky and Norman RebenstorfAnn H. ReddingDrs. Linda Riordan and David SiegelDouglas and Arlene RipleyJoan RobertsJenni and Todd RockoffChristina and James RonstadtBobbe RosenbergSusan Rotkis and Patrick DeConciniBrenda and Jim RowlandBernadette and Joaquin RuizJune RussoDavid and Sonja SaarSarah and Noel SaltAnnette and Bob SandlerBarbara Sattler and Ken HeglandEve SchocketJacqueline and Paul SchulzBruce SchumacherRobyn and Edward SchwagerArleen and Fred SchwartzArlene and Morton ScultPolly and Joe SeegerBarbara and George SeperichMary Jo Sheldon-DiVito

and William DiVitoKelley ShorePierre SiceDr. Marbin Siegel and

Ms. Eileen BloomHarvey and Rita SimonDiane and Ken SkotakCarol and Barry SmithRichard Snodgrass and Merrie BrucksAlice and Joel SteinfeldDarryl and Helen SternSusan and Mark StodolaMolly Stranahan and Tom Curtin

Herbert and Kerry StratfordOlga and James StricklandMark StrumphCarolyn and John StuartJay SykesJohn SzafranskiJeanne Taylor and Frank MasciaSandra and Barry ThallCarol and Charles ThompsonHugh and Allyn ThompsonMr. and Mrs. Richard TofelCarrie TothGayle A. TraverVera TuckerCatherine and Bruce UhlDavid and Nancy UlmerSusan and Evan UngerBarbara and John WalkerJulia Waterfall-Kanter

and Brian KanterWendy WatsonSteven and Linda WegenerRonald and Mary WeinsteinMel WeiserWendy and Elliott WeissMaggie WhiteBarbara WichLois and Martin WienshienkKathleen and Robert WinderMichael WintersSteven Wool

FRIENDS $250 - $499

Anonymous (9)Harold AblesAudrey and Daniel AbramsPauline AlbertKristin AlmquistDr. and Mrs. Joseph AlpertOvadan Amanova-Olsen and Irina KirilovaShirley and Thor AndersonAlma and Dan AngeloJulia and Neal ArmstrongSusan Johnson-Ash and Gregory AshRae and Peter AustMarianne and James AyresEva and Martin BacalPamela and Frank BangsDr. and Mrs. Peter BankoffJackie and Emery BarkerEllen and John BarnesMartha Baron

Kathryn BatesCheryl BeardDr. Cash and Susanne BeechlerLarry BerleKathleen and Bill BethelMary Bielski and Hal HolmanBetsy and Henry BogenJoyce and William BohnertMary and Daniel BooneBetsy and Bill BowenSusan and John BowersSharon and Barry BriskmanRichard Broderick and Roberta KingMartha BrodersenCorrine BrooksJohn BrooksThe Honorable and Mrs. Michael J. BrownJeanne and Eugene BryanSharley and Graham BryceDavid BuellBonnie and David BurnettKaren L. Campbell and Joseph TylutkiJennifer and Michael CaplanElaine and Morton CederbaumNancy and Paul CellaJudith ChapmanMr. and Mrs. D. ChavezAl and Sharyn ChesserMaureen and John ChestnutAnne and Fred ChristensenJoyce A. and Richard S. ClarkFrances CohenJoyce Cohen and Doris DeGrootJoyce Cohen and Leon SmithPriscilla CohenShirley and Mark CohenLorraine CrawfordJanice S. CrebbsVic and Ronald CroweMichael CrumlyLyndle CummingsJoanne CurtisSherry DaileySusan DaleSandra and Anthony DalessandroJames Darling and Gina Murphy DarlingAugusta DavisJudith and Chauncey DaytonJeff DeConciniPennie DeHoff and Larry WurstThomas DelgadoTom Dinwiddie and Jackie KeithKathy DixonMaedell and Harold Dixon

Aimee and Stephen DoctoroffPatricia and Ronald DonnellCathy DresbachJacques DumontNann and Tony DurandoJackie and Tom EdwardsJames EichmanLee and Spencer ElliottMargorie EngelElaine and Mario EspericuetaAnn and Charles FinaNancy and Richard FintzyMarcia FisherLaurie FitzgeraldSherman and Sarilyn FogelRobin Hiller and Tim FullerJane GellmanCleona GenzerM. Joyce GeyserAmi and John GiardinaLynn and Gary GieserTobey GitellePatricia and R. Terry GloverElaine and John GoetzAnn and Arthur GoldbergBarbara and Gerald GoldbergElaine and Stanley GoldbergMidge and Gerald GolnerRita GolubVeronica and Arthur GonzalesMary and John GornyJanet GraceEllen GurewitzRobert Haddock and Ann StantonTerrence HansonAthia HardtHurley HarrellBonnie and Michael HarrisLynn and Michael HarrisMonica and Jim HartMichael and Phyllis HawkinsCandy and Jeffrey HazenJames HerzfeldLee and Kathleen HesslerDonna Hetler and Richard NewmanBethany and William HicksMarcia and Gregory HilliardDolores and Doby HillenbrandLynn HoffmanMarta and Robert C. HollGerri and Barry HoltCaroline and Thomas HooleCharlotte HoweyDarrell and Frances HutchinsonSusan and Richard ImwalleFrank and Stephanie Jacobson

PATRONS(continued) $500 - $999

25

Page 26: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

Deborah Jamieson and Scott DeWaldLinda and Ralph JensenDavid JohnsonKimberly JohnsonMary and Thomas JohnsonRichard JohnsonBeverly and Robert JonesRobin and Michael KaisermanHy Kaplan and Sue VardonLynn and Chris KarabinasSonia and Michael KayeLendre and King KearnsDonald KellerCarol and Allen KernDale KeyesSandra A. KilkutsCarolyn KinneyDon and Susan KjerlandMarsha and Donald KleinLinda and Bill KnoxKaren and Sherwin KoopmansKay and Philip KornNina and Michael KotinJessica and Stephen KozloffLynn Krabbe and Bruce KilbrideBarbara and Theodore KraverLoren KrebsTamar Rala Kreiswirth and John DeLucaKaren and Arvie LakeLarry LarsonJoan Le FevreEllen and Philip LeavittPatricia and David LebowitzMark and Susan LederAdrienne and Keith LehrerBertie Levkowitz and Thomas HerzMary Jane LipshieJennifer Lohse and Jason DePizzoTiffany LopezSharon LudwigMark LuprechtGypsy and David LyleCarol and Phil LyonsSuzan MakausWilliam MakiJackie ManningStan MarksIrene MarshLoraine Martin

Michael MatichShirley and Stanley MatlickNaomi and Gene MatusowAnn and George MavkoGretchen and James McGillKenneth and M. McQuadeEmma and Gregory MelikianLynda MenisGloria and Walter MerkelDarrel and Ann MerwinJeffrey MessingKim and Forrest MetzD.B. and Margaret MichelPhyllis and Leonard MillerJoyanne and Fred MillsMr. and Mrs. George MinkJeanne Miyasaka and Joseph RyanPhyllis MorganSusan MossMelvin E. MountsJohn MunicJordan MunicDana and Rick NaimarkEleanor NellemannAlice and Edward NeuwirthRichard Newman and Donna HetlerMichael and Patricia OreMarilyn and Michael OrensteinShana and Richard OseranStephen OttSusan and Chuck OttAlisha OwensGreg Parston and Judith HargadonEllie PattersonClyde and Jane PerleeKaren and William PetersonThomas Pickrell and Barbara ZippelMargo and Steven PikeDavid Plane and Katharine JacobsElodee PortigalEmily Rosenberg PollockBrian PopadakRobert PrattLeslie and Alan PrinceLu and Jim ReffkinKurt ReinkeJanet and Roger RobinsonAlice RoeAnne RoedigerElaine RomeroPhilip RosenbergGerald RosenquistDeborah and Daniel RoweCarol and Arnold RudoffBilly Russo and Richard GiulianiDee Ann and James Sakrison

Ellen and Stephen SaltonstallSally A. SampleSarah Sandford-MillerJennifer and Charles SandsJon Sands and Joyce GrossmanTom and Chris SchatzmanJennifer SchneiderDr. Howard and Trudy SchwartzAnn and Perry SellsJoy and Donald SemroSusan and Mark SendrowNeelam and Gulshan SethiRobin ShafmanBeverly and Herb SheathelmRobert SheelyDr. Caren SiehlAmy and Lee SilverthornPatricia SimpsonMary SmithRichard Snyder and Linda JensenSara and Larry SollerLois and Lowell SorensonJan and Paul SpaethGail SpieglerGloria and Mark SpiesRica and Harvey SpivackConnie StapletonLinda StaubitzLona and James StauffacherClaire SteigerwaldAnna SteinerDiane and David SterleLorraine and Adolph SternDan and Jill StevensonChristopher StocksBecky and Harold StrainChris SwahnLinda and David TansikShirley and Ted TaubeneckMr. and Mrs. Hans J. ThielePatricia and Martin ThomasMarjorie and Neil ThorntonCheryl and Howard ToffMarlene TompkinsDiane and Dale TretschokDavid and Kathryn UngerRick Unklesbay and Margaret NoremAustin UrtonJoan and Gerald VandevoortClague Van SlykeCharles and Ruth WaldronLeigh and Gregory WaterfallGary WaughMarion WeberSharon and Marc Weisel

Louise and James WeissLovable Bill and Ann WelchMarjorie and Lester WestphalAnn and Steven WheelerConstance Whitehead and M. CappSteven WiesenbergerPamela and Dennis WinstenDavid WohlBarbara and Michael Wright

THE ENCORE CIRCLEHONORS THOSE FRIENDS OF ATC WHO HAVE ESTABLISHED A GIFT THROUGH A BEQUEST, TRUST ARRANGEMENT, OR OTHER ESTATE PLAN PROVISION

Anonymous (1)Cameron and Mary ArtigueHelen and Robert BegamDr. and Mrs. James F. Blute, IIIBetsy BoldingMr. and Mrs. Vincent Buonomano*Joan Kaye CauthornTom CampbellThomas ChapmanSteven Cohen and Michael GodnickJacklyn Connoy and William MaguireLen and Doris CorisVirginia Dayton*Mrs. Dorothy D. DeMiller*Lorenzo and Slivy Edmonds CottonNancy and Bob EschrichCarol FinkTed and Barb FrohlingHarry and Lois GarrettDr. Mary Jo GhoryMr. Terrance M. HansonMr. and Mrs. Edward J. HarrisonMrs. Arthur Henderson*Andrew F. HoltzMs. Tana JonesMrs. Theodosia P. JoyceI. Michael and Beth KasserEverett King*Bill and Kathy Kinney Philanthropic

Fund held at the Community Foundation for Southern Arizona

Maxine and Jonathan Marshall*Les and Phyllis MinsukJoan A. MorrisMelvin E. MountsPeggy and Gerry Murphy

INDIVIDUAL DONORS

FRIENDS (continued) $250 - $499

26

Page 27: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

Don* and Peg NickersonMartha and Terry Allen Perl

Endowment for the ArtsJohn D. Ratliff, Jr. and Vicki RatliffRonald Robinette and

Sharon RoedigerArnold and Carol RudoffRobert V. Schauer*Rick Schoen*William C. and Deborah

Chisholm ScottF. William SheppardDaniel J. and Evelyn G. SimonGeorge E. and Margorie

G. Springer*Robert and Shoshana TancerRoy Van NoteJessica Spencer Walker*Taryn and Mark WestergaardMaggie WhiteLinda and Richard H. Whitney

YOUNG PATRONSA GROUP OF THEATRE-LOVERS 45 AND UNDER WHO SUPPORT ATCKevin Gebert and Whitney SheetsKim and David KingKeith Murfee-DeConcini

THEATRE BUFFSTHOSE WHO SUPPORT ATC WITH MONTHLY DONATIONSMartha BrightwellJeff Guldner and Sydney ReedPauline and Gene HechlerJulia Waterfall-Kanter

and Brian KanterDrs. Steven and Marta KetchelKim and David KingLynne Lagarde and Bob StankusEileen and John Lamse

Mary and Dennis McMackenMichael and Patricia OreRita and Steven Schlosser

GIFTS IN MEMORY OFClara Gay Ashton by Nancy

and Jerry WilliamsMartin Bacal by Eva BacalRick Call by AnonymousMary-Lynn Carmichael by Janet

Arnold and Tom Rees, David Ira Goldstein and Michele Robins Goldstein, Cathy Dresbach

Don Conn by Margot ConnGayla Crossman by

Kathleen ChurchTadeusz and Stefania

Eminowicz by Miss TillieDavid Fisher by Marcia FisherGwendolyn Fletcher by

Barbara F. WentzDavie Glaser by Mary BielsikRose Gottlieb by AnonymousJeffrey James Gross by Edna

and Gary Gross, Juliana Prue, Skylar Gross and Trevor Gross

Roy L. Gross by Donita GrossSandy Hatfield by Shirley EstesAnne and Paul Hochberg

by Davie GlaserHal Holman by Mary BielsikLisa Katich by Teresa SmithKyle Lawson by Janet

and Tom ReesBob Maxfield by Dr. and

Mrs. Ronald KolkerJack McConnell by

Margie McConnellAlfie Norville by Anonymous,

Regina and Gregory Byrne, Kimberly Anne Clements and Scott Mackenzie, Stevie and Karl Eller, Lynn and Gary Gieser, Michael J. Charlotte Harris Philanthropic Fund, Allan and Alfie Norville Philanthropic Fund, and Carol and Jacob Strubles

Judy Oswald by Ms. Edith E. LutyGeorge Rosenberg by Debby

and Doug Kennedy

John Schroeder by Ann-Marie and David Cristofani

Paulita Sedgwick by Henrietta S. Barassi

Larry Smith by Frank Davis, F. William Sheppard and Range P. Shaw

Mary Stofft by Robert StofftDiane Carol Stone by Bruce MaachIn memory of Sarah WichJessica Grace Wing by

Jennifer Schneider

GIFTS IN HONOR OF

Dino DeConcini by Susan Rotkis and Patrick DeConcini

William Dehn by Kathryn MyersMary Ann and Darryl Dobras by

Nancy and Reese WoodlingLynne Wood Dusenberry

by Joe CoyleShirley Estes by Pauline and Gene

Hechler, Beverly and Morris FineJudith and Ken Falewicz

by Jeff FalewiczStanley Feldman by Deborah

Oseran and Bobby PresentStanley and Norma Feldman

by Susan Tarrence and Stephen Golden

Jay Glaser by Linda and Jordan Brickman

Rob and Laurie Glaser by Deborah and Jeffrey Jacob

David Ira Goldstein by Roberta Aidem, Jeanne and Eugene Bryan, Joan Kaye Cauthorn Advised Fund, Jay Glaser, Lori and David Iaconis, Frank Jacobson, Jennifer Lohse and Jason DePizzo

Grandchildren Mason Kelber, Jacob Kelber and Nadia Hutchinson by Alice and Marty Kelber

Great Theater! by Michael HylandShannon Harral by Tad

and Linda PfisterSandy Hatfield by Shirley EstesPauline Urbano Hechler by

Sant Singh and Sant Kaur Khalsa, William Finley

David Ivers by Howard Allen, Paulette and Joe Gootter, Emily Rosenberg Pollock, Susan Tarrence and Stephen Golden

Mike and Beth Kasser by Joan Kaye Cauthorn Advised Fund, Eglin & Bresler Architects, Harry George and Cita Scott, Frances Merryman, Law Office of Bernadette Ruiz, Judy Seinfeld and Sarah B. Smallhouse

Pat King by Kathleen FlaschMary and Paul Koss by Aline

and David PashkowSandy Maxfield by Joan Kaye

Cauthorn Advised FundJack McConnell by

Margie McConnellHugo Molina by Marcela MolinaJohn Moore by Edward LevenPhoenix Box Office PersonnelJeffrey Rein by Meijer, Inc.Janice and Howard Richard by

Betsy and James MorrowGeorge and Bobbie Rosenberg by

Quinta and Philip RosenbergBilly Russo by Paulette

and Joe Gootter, Emily Rosenberg Pollock

Rae Silberman by Karen and Lionel Faitelson

Herb Stratford by Dejari and Susan Markovich

Range Shaw and Bill Sheppard by Keith Bevan, Shirley Estes, Susan Watchman and Terry Corbett

Rick Small by Edward LevenSummer on Stage by Vicky LoebelMary Swallow and Jerry

Turner by Ruth ReimanJulia Waterfall-Kanter by

Nancy and Stuart Mellan

*Gifts have been actualized

THE ENCORE CIRCLE(continued)

INDIVIDUAL DONORS

27

Page 28: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

S TA F F

ARTISTIC

ARTISTIC ASSOCIATE Tim Toothman

COMPANY MANAGER John Geertsen

ASSISTANT COMPANY MANAGER Shannon Harral

PLAYWRIGHT-IN-RESIDENCE Elaine Romero

RESIDENT COSTUME DESIGNER Kish Finnegan

RESIDENT SOUND DESIGNER Brian Jerome Peterson

CASTING ASSOCIATE Matthew Wiener

LEARNING & EDUCATION

DIRECTOR OF LEARNING & EDUCATION Israel Jimenez

LEARNING & EDUCATION ASSOCIATES Holly Ann Garner, Jasmine Roth

TEACHING ARTISTS Kate Haas, Mark Swinerton, Jessi Young, Rania Zeineddine

TEACHING ARTIST APPRENTICES Shana Brewer, Elizabeth Broeder, Heather Lee Harper, Jamie Hogan, Darryl Ordell, Christine Peterson, Nicholette Shaffer

PRODUCTION MANAGER Jennifer Smith

ASSOCIATE PRODUCTION MANAGER Christopher Gerling

PRODUCTION INTERNS Evan Forbes, Amber Moldrem, Ashley Wright

STAGE MANAGEMENT

PRODUCTION STAGE MANAGER Glenn Bruner

STAGE MANAGER Bruno Ingram

ASSISTANTS TO THE STAGE MANAGER Emma DeVore, Tajh Oates

STAGE OPERATIONS

STAGE CARPENTER (PHX) Scott Wagner

DECK CREW Emily Dinkel

SCENERY

TECHNICAL DIRECTOR Phillip Blackwood

ASSISTANT TECHNICAL DIRECTOR Dominic DeRiso

MASTER CARPENTER Arthur Potts

STAFF CARPENTERS Nick Fleming, Scott Greenleaf, Sara Hill, Jeffrey Pankow

CHARGE SCENIC ARTIST Brigitte Bechtel

STAFF SCENIC ARTIST Mallory Harwell

PROPERTIES

PROPERTIES MASTER Paul Lucas

ASSISTANT PROPERTIES MASTER Jason Dearing

COSTUMES & WARDROBE

COSTUME SHOP MANAGER Darcy Elora Hofer

COSTUME DESIGN MANAGER Kish Finnegan

STAFF DRAPER Phyllis Davies

WARDROBE SUPERVISOR Sandahl Tremel

LEAD DRESSER (PHX) Paul Elliott

WIG MASTER Athena Hagen-Krause

LIGHTING & PROJECTIONS

LIGHTING & PROJECTIONS SUPERVISOR Kat Seaton

MASTER ELECTRICIAN Lexy Canon

STAFF ELECTRICIAN Thomas Goldkuhl

LIGHT BOARD OPERATOR (PHX) Sawyer C Stroud

SOUND

SOUND SUPERVISOR Brian Jerome Peterson

PRODUCTION SOUND ENGINEER Mathew DeVore

SOUND BOARD OPERATOR (PHX) Billy Lopez

PRODUCTION

David Ivers, Artistic Director Billy Russo, Managing Director

28

Page 29: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

S TA F F

ADMINISTRATION

ADMINISTRATIVE ASSISTANT Angela Aldrin

FRONT OFFICE VOLUNTEERS Pat Boysen, Elizabeth Claiborne, Barb Dominick-Price, Mary Donovan-Popa, Ellen Gurewitz, Cindy Morseth, Lynda Rigoletti, Wendy Sander, Linda Vogel

ACCESSIBILITY

ACCESSIBILITY COORDINATOR Eileen Bagnall

DEVELOPMENT

DIRECTOR OF DEVELOPMENT Julia Waterfall-Kanter

INDIVIDUAL GIFTS OFFICER Carley Elizabeth Preston

STEWARDSHIP COORDINATOR Elizabeth Westrick-Von Ogden

GRANT PROGRAM MANAGEMENT Smith & Dale

FINANCE

DIRECTOR OF FINANCE & ADMINISTRATION Carrie Toth

SENIOR ACCOUNTANT J Ratcliffe

ACCOUNTING ASSOCIATE Maria G Moreno

MARKETING

DIRECTOR OF MARKETING Sue DeBenedette

MARKETING MANAGER Colin Buck Columna

PATRON RELATIONSHIP MANAGER Ron May

ONLINE ENGAGEMENT COORDINATOR Erin Treat Schauer

PUBLIC RELATIONS The Kur Carr Group, Inc

GRAPHIC DESIGN Richard Giuliani

PROGRAM BOOK COORDINATOR Chloe Loos

FACILITIES – TUCSON

TEMPLE MANAGER Kellie Ann Murphy

FACILITIES MANAGER Horace Ashley

MAINTENANCE TECHNICIANS Dean Morgan, Andrew Baker

TICKET SALES & HOUSE MANAGEMENT

BOX OFFICE OPERATIONS MANAGER Geri Silvi

BOX OFFICE MANAGER (TUC) Michi Yamasaki

ASSISTANT BOX OFFICE MANAGER (PHX) Linda Schwartz

ASSISTANT BOX OFFICE MANAGER (TUC) Carrie Luker

CUSTOMER SERVICE REPRESENTATIVE (TUC) Sara Kavitch

BOX OFFICE AGENTS (TUC) Ellie Fimbres, Mirella Majalca, Sarah Smiley

HOUSE MANAGER (TUC) Bill Bethel

SUBSCRIPTION SALES REPRESENTATIVE Karen Cuthbert

CONSULTANTS

AUDITORS Beach, Fleischman & Co

IT SUPPORT Lightwave Technical Consulting

WEBSITE P S Studios

TEMPLE MANAGEMENT CONSULTANT Herb Stratford

29

Page 30: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

WRITERSFrances GoodrichAlbert HackettWendy KesselmanRandal MylerJohn Patrick ShanleyNeil SimonMarisela Treviño OrtaDale WassermanDan Wheetman

DIRECTORSDavid BennettDavid Ira GoldsteinDavid IversMarsha Mason Randal MylerKinan Valdez

COMPOSERS AND LYRICISTSJoe DarioMitch Leigh

CHOREOGRAPHERSKathryn Van Meter

FLAMENCO DANCE SPECIALISTSAmelia MooreJose Luis “El Nino” Uz

MOVEMENT CONSULTANTBrent Gibbs

MUSIC DIRECTORSTim SymonsDan Wheetman

ASSOCIATE MUSIC DIRECTORGreg Fulton

DESIGNERSWilliam BloodgoodMelanie BurgessBill ClarkeDavid Lee CuthbertDon DarnutzerScott DavisKish FinneganRegina GarciaMary Louise GeigerLauren HelpernAbe JacobMimi MaxmenRose PedersonBrian Jerome PetersonXavier PierceDan RoachVicki SmithEmiliano ValdezAnn G Wrightson

FIGHT CHOREOGRAPHERBrent Gibbs

VIOLENCE CONSULTANTAdriano Gatto

DRAMATURGBecca PocciaErin Treat Schauer

CASTINGElissa Myers Casting,

Paul Fouquet, CSAGeoff Josselson, CSARosalinda Morales and

Pauline O’con, CSA

VOICE AND DIALECT COACHESMicha EspinosaDavid Morden

STAGE MANAGERSGlenn BrunerBruno Ingram

ASSISTANT STAGE MANAGERSBruno IngramTimothy Toothman

AT C 2 0 1 7 / 1 8 S E A S O N A R T I S T S

30

Page 31: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

ACTORSShake AndersonAnn ArviaBlair BakerCassandra BissellLarry BullSean BurgosLeandro CanoHugo E CarbajalPatrick ConnaghanGus CuddyMichelle DawsonHarold DixonSean William DupontFelicia P FieldsBrenda Jean FoleyJoaquin GallegosAlex GossardConnor GriffinAdam GrodmanSteve HendricksonPhilip HernandezBen HuberJohn HuttonCalvin JonesAnna LentzCarlos LopezJohn Patrick LowrieSamuel Flores MaciasChic Street ManAna Marcu

Dena MartinezDavid MasonMiguel MejiaKara MikulaAmelia MooreSarita OcónDiana PappasNaama PotokJohn G PrestonDevon ProkopekMax Anton ProtzenPaula RebeloRobynn RodriguezMarissa SalazarMichael SantoSteve SchmidtMichael SharonAlexander SovronskyLouis TucciJose Luis “El Nino” UzLauren Villegas

MUSICIANSMichael Thomas Leonard

UNDERSTUDIESAlec Michael ColesAdam GrodmanMarissa Medina MunterMarissa Salazar

ASSISTANT DIRECTORNoah GilbertAva Spanier

ASSISTANTS TO THE DIRECTORMarissa Salazar

ASSISTANT DESIGNERSTony AndreaJoe C KlugTori MaysKen Phillips

ASSOCIATE DESIGNERSWilliam KirkhamGregory W Towle

ASSISTANTS TO THE STAGE MANAGERSEmma DeVoreTajh Oates

PRODUCTION ASSISTANTSBeverly IhliAmber Moldrem

AT C 2 0 1 7 / 1 8 S E A S O N A R T I S T S

31

Page 32: IN THIS ISSUE...country’s kids RISE up to teach us adults once again. Strange to watch The Diary of Anne Frank and then watch the news; there’s Emma González, just like Anne,

2 0 1 82 0 1 7

T H E AT E R I N F O R M AT I O N

F E E L T H E M O M E N T 2 0 1 5 / 2 0 1 6 S E A S O N

T H E AT E R I N F O R M AT I O N

HERBERGER THEATER CENTER

BOX OFFICE INFORMATIONMonday – Friday: 10:00 am to 5:00 pm Saturday & Sunday: 12:00 pm to 5:00 pm Evenings: One hour prior to performance

LOCATIONThe Box Office is located on the southeast side of the building, near the corner of 3rd and Monroe Streets.

PURCHASING TICKETSTickets can be purchased in person at the Box Office, by calling 602-252-8497, or through our website at www.HerbergerTheater.org.

PAYMENT METHODS ACCEPTEDThe Herberger Theater Center accepts cash, personal checks, American Express, Discover, MasterCard, and Visa.

REFUND POLICYRefunds are offered for canceled performances only.

GROUP & DISCOUNT INFOPlease contact Arizona Theatre Company for group discounts.

FACILITY INFORMATION

CHILDRENChildren under 3 years of age are not permitted in the theaters, unless otherwise specified by the performing company.

EMERGENCY EXIT NOTICEEmergency exits are indicated by the red Exit signs located above certain doors. Please check the location of the nearest exit after you have taken your seat. It may not be the same way you entered.

RESTROOMSRestrooms are located in the first- and second-floor lobbies between Center Stage and Stage West.

SERVICES FOR PATRONS WITH DISABILITIESThe Herberger Theater Center strives to be accessible to all patrons. Request special service when purchasing tickets or arriving at the theater. Infrared assistive listening headsets are available in the lobby. Arizona Theatre Company provides audio-described performances for the visually impaired and ASL interpretation for the hearing impaired. Call the Box Office for dates and performance times.

LATECOMER SEATING POLICYPatrons arriving after a performance has begun may be asked to wait in the lobby. At the appropriate time, latecomers will be escorted to available seating near the back of the orchestra or to the balcony, and may proceed to their ticketed seats at intermission.

CELL PHONES & PAGERSPlease turn off all cell phones, pagers, and watch alarms before entering the theater.

LOBBY REFRESHMENTSPut A Fork In It Catering sells beverages as well as light and delicious food items 60 minutes prior to performances and during intermission. Beverages purchased in the lobby are permitted in the theater.

To avoid intermission lines, you can pre- purchase your food and drinks and have them ready when intermission begins.

SMOKINGSmoking is prohibited in the Herberger Theater Center. In the event of smoking onstage, non-nicotine electric cigarettes or non-nicotine herbal substitutes will be used, and a sign will be posted in the lobby.

LOST & FOUNDPlease call 602-254-7399 x0 regarding items left at the Herberger Theater Center.

EMERGENCY TELEPHONE CALLSPlease leave your name and seat location with our Patron Services Manager if you are expecting emergency calls during the performance, and leave the phone number 602-254-7399 x0 with your telephone service.

TOURSThe Herberger Theater Center provides free tours of the facility by appointment. Call 602-254-7399 x197.

PARKING PASSESPurchase your parking pass from the Herberger Theater’s Box Office or online prior to the performance and park at the Arizona Center Parking Garage for only $6.00.

Located at 5th Street & Fillmore Street. Valid Monday – Friday, from 5:00 pm to 4:00 am and all day on Saturday and Sunday.

HTC CONTACT INFORMATION

222 E. Monroe Street Phoenix, AZ 85004

ADMNISTRATIVE OFFICES602-254-7399

BOX OFFICE602-252-8497 Fax 602-258-9521

www.HerbergerTheater.org

THE VIDEO AND/OR RECORDING OF THIS PERFORMANCE BY ANY MEANS WHATSOEVER ARE STRICTLY PROHIBITED.

31 32