In Memoriam Abel Carlevaro

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    and my hopes for the artistic career. He also spoke of his current and future projects, as someone

    who is talking to a colleague. This humble aspect of Carlevaro's personality deeply impressed me,

    and immediately made me feel at ease, notwithstanding our differences in age and stage of 

    musical development. Finally, he told me he would gladly accept me as his student. I agreed with

    him that I would move to Montevidéo in a few months, as soon as I finished my high school

    studies. I remember that, on my way out, while coming down the elevator, I celebrated with a few

     joyful jumps, but soon controlled myself, fearful of causing damage to an elevator which alreadyshowed clear signs of age.

    The following year, I moved to Montevidéo and entered the undergraduate guitar program at the

    Escuela Universitária de Música, at the class of Eduardo Fernández. While attending the

    University, for the next three years, I had weekly lessons with Carlevaro. I learned a lot from him,

     both about the guitar and about music in general. However, my strongest recollections are of the

    man Abel Carlevaro, always a true gentleman. We discussed extensively about technique and

    interpretation matters, and his posture was always that of someone who is talking to a colleague,

    never demonstrating to be on a superior level or trying to impose his ideas forcefully. He accepted,

    therefore, disagreements with his precepts, as long as they were the result of a thorough reflection,

    allied to subsequent practical confirmation. The respect, care and dedication that he showed to hisstudents are to this today strong references for me, and influence positively my relationship to my

    students and colleagues.

    After the end of my stay in Uruguay, I met Carlevaro on several occasions. All my subsequent

    visits to Montevidéo, to perform or teach masterclasses, included invariably a visit to my former 

    master. He continued showing his respect and attention, sometimes with small gestures, as for 

    example through a phone call he made a few minutes before I went on stage for a recital, just to

    wish me good luck.

    We also spent pleasant moments together in social occasions, as at the wedding of a friend of 

    mine, who had also been a student of the maestro. Carlevaro and his wife were sitting at the sametable as me, along with a few other students of his. It was a most enjoyable evening, filled with

    animated conversations and toasts. At the end of the evening, the maestro joined me and my

    colleagues in a round dance, with a humor and disposition quite impressive for his advanced age.

    The last time I saw him was in 1999, when I was in Montevidéo to perform concerts and deliver 

    courses at the University. When I arrived at his home for a cordial visit, I found the maestro

    distressed by a trouble. He had recently purchased a personal computer and, not having yet learned

    how to handle it properly, was "fighting" a word processor while trying to type the syllabus for an

    upcoming course he was going to deliver in Germany. I promptly offered to help him, and ended

    up teaching the maestro several "secrets" about the handling of a computer, which nowadays seem

    so simple for most of us, but which were true mysteries for Carlevaro. The maestro now took the posture of a child, displaying joy and pleasure at each new learned trick. It was another great

    lesson for me, among the many I learned from the maestro. His desire to learn was constant, be it

    aimed at complex musical knowledge, be it to the use of a simple word processor.

    At the end of my visit, as a sign of gratitude, Carlevaro insisted on accompanying me all the way

    to the sidewalk in front of his building. This time, it seemed that he was the one wishing to jump

     joyfully as the elevator took us downstairs, in celebration of his newly acquired computer skills.

    The death of Carlevaro represents a great loss for the guitar world. I take comfort in the fact that

    the maestro was very active until the end of his life. He passed away in Berlin, where he was

     beginning an European concert tour. However, his legacy still lives, and I have not doubt that the

    fruits of his labor will continue to be a source of constant inspiration for generations to come.

    IN MEMORIAM ABEL CARLEVARO http://www.danielwolff.com/arquivos/File/Carlevaro_Eng.htm

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    © 2002 Copyright by Daniel Wolff. All rights reserved.

    IN MEMORIAM ABEL CARLEVARO http://www.danielwolff.com/arquivos/File/Carlevaro_Eng.htm

    3 di 3 31/05/13 19.07