in an IP WORLD - LIVE-PRODUCTION.TV · VIDEO ROUTER CAM E RAS AN D M ICROP HON ES . ... SWITCHERS ARE DIFFERENT BECAUSE OF IP NEW SWITCHER DESIGNS USE IP • Scale through Processing

proprietary and confidential | 1 Live Production in an IP World | July 2016

LIVE PRODUCTION

IP WORLD in an

PRESENTED IN PARTNERSHIP BY

JULY 2016


MEET YOUR PANELISTS

VP Product Marketing Global Business Development Manager

CTO Networking KERRY WHEELES JAMES STELLPFLUG BRYAN BEDFORD

@EVSEquipment @Cisco @ImagineCommunications


AGENDA P U T T I N G I T A L L T O G E T H E R

WHEN WHY

HOW WHAT

benefits of IP

components of live production

architecture & design

timing is everything


WHAT

Live Production in an IP World | July 2016

LIVE PRODUCTION COMPONENTS

What are we talking about for Live Production?


WHAT

L IVE PRODUCTION & SDI TODAY

G R A P H I C S Y S T E M S

R E M O T E S O U R C E S

C O N T E N T P L AY O U T

V I D E O S W I T C H E R

A U D I O M I X E R

M U LT I V I E W E R

V I D E O S E R V E R I N G E S T & P L AY B A C K

C O N T R O L S Y S T E M S W I T H C O N T R O L PA N E L

V I D E O R O U T E R

C A M E R A S A N D M I C R O P H O N E S


WHAT

WHAT IS IP ENABLING?


WHAT

WHAT WILL IP ENABLE NEXT? B

RO

AD

CA

ST

CE

NT

ER

S &

ST

UD

IOS

LIV

E E

VE

NT

VE

NU

ES

& S

TA

DIU

MS

OB

PR

OD

UC

TIO

N T

RU

CK

S


WHY


IP BENEFITS

Why are media companies moving to IP based Live Production workflows?


WHY

TRENDS IN MEDIA & BROADCAST

D i r e c t - to - C o n s u m e r E n ga g e m e n t

C o nv e rg e d I n f ra s t r u c t u r e S c a l i n g

A c c e l e ra te d S e r v i c e Ve l o c i t y

D i v e rs i f i e d M o n e t i za t i o n S t ra te g y


WHY

MEDIA TRANSFORMATION

ACQUISITION DISTRIBUTION CONSUMER EXPERIENCE PRODUCTION

Software-Defined Networking

Personalized Experiences

Orchestrated Workflows

Virtualized Data Center

COMPREHENSIVE SECURITY


WHY

NEW EVOLUTION

Why move to IP for your b r o a d c a s t workflows?

Switching technology has evolved…

• Video, audio, metadata, intercom

• Multiple signals per cable

• Bi-directional signals

Live & file based workflows

Dynamic infrastructure (Flex)

New workflow & business models

Virtualization

OTT


WHY

WHY IP BASED PRODUCTION?

SDI-BASED VIDEO ROUTER

IP NETWORK

P R EC I S I O N T I M E F O R SY N C H R O N I Z AT I O N

D E T E R M I N I S T I C N E T W O R K

N E T W O R K S EC U R I T Y

U N C H A N G E D O P E R ATO R W O R K F LOW

FA S T S W I TC H I N G

SYS T E M AVA I L A B I L I T Y

Zero Packet Loss, Ultra Low Latency and Minimal Jitter


WHY

OLD V S NEW | SDI V S IP





A U D I O M I X E R



C O N T R O L S Y S T E M S W I T H C O N T R O L PA N E L

V I D E O R O U T E R

C A M E R A S A N D M I C R O P H O N E S

I P N E T W O R K

R E S T A P I

I N T E R F A C E

N E T W O R K C O N T R O L L E R

S TA N D A R D & O P E N A P I


WHY

BROADCAST + NETWORK CONTROLLER

B R O A D C A S T C O N T R O L L E R

Final authority on all policy decisions and actions.

I P N E T W O R K

Provides connectivity with proven technologies.


Abstracts the Network while providing a flexible interface to the higher layers to Control and orchestrate the Network.


WHAT


IP IN LIVE PRODUCTION

What is available for Live Production, and how is IP changing the game?


WHAT

ENDPOINTS THAT ARE IP READY TODAY





A U D I O M I X E R



C O N T R O L S Y S T E M S W I T H C O N T R O L PA N E L C A M E R A S A N D

M I C R O P H O N E S

I P N E T W O R K

R E S T A P I

I N T E R F A C E




WHAT

SWITCHERS ARE DIFFERENT B E C A U S E O F I P

NEW SWITCHER DESIGNS USE IP

• Scale through Processing modules

• Processors can stack using an IP fabric

• Inputs and outputs are shared

• Processing Power increases with the stack

...

TRADITIONAL S W I T C H E R S a lw ay s have a physical limit.


WHAT

EASILY MANAGE THE IP P IPEL INE


WHAT

ENABLING A NEW WAY OF THINKING

UNCOMPRESSED VIDEO + MULTIVIEWER

DYVI CONTROL

BRIDGED DATA

Production Servers

Production Servers


HOW


ARCHITECTURE

How do you design an IP-based system?


HOW

MARKET ADOPTION O F C O M M O N P R O T O C O L S

a i m s a l l i a n c e . O R G

To foster the adoption of one set of common, ubiquitous, standards-based protocols for interoperability

over IP in the media and entertainment industry.


HOW

AIMS ROADMAP

Baseline for Interoperability

Enable IP Streaming of Audio

Support Split Video and Audio Routing

Add Video Bandwidth

Efficiency to Split Video, Audio and ANC Data Routing

Enable Discovery and Registration of Compliant Streams

SMPTE 2022-6

AES67

VSF TR-04

SMPTE 2022-6 AES67

SMPTE 2059

VSF TR-03 IETC RFC 4175

AES67 SMPTE 291

SMPTE 2059

IS-04

SMPTE 2022-6

AES67 IS-04 SMPTE 2110 SMPTE 2110 (in drafting)

TR04 TR03


HOW

REQUIREMENTS FOR ADOPTION

TECHNICAL ROBUSTNESS

MARKET AWARENESS

GLOBAL ADOPTION

JT-NM


HOW

MARKET ADOPTION


HOW

SDI <> IP HIGH DENSITY GATEWAY

S E L - U C I P • Quad SDIIP + Quad IPSDI • Uses SMPTE 2022-5/6/7 • Frame Synchronizer on IPSDI path • Clean/Quiet Switching between IP feeds

L AT E S T R E L E A S E • Implements VSF TR-04 • SMPTE 2059 “PTP” timing support • AES67 Audio Embed / DisEmbed • Production Audio Breakaway under SDNO

AV A I L A B L E S O O N • Implements VSF TR-03 for HD • ST2022-6 < > TR-03 Gateway

UC

IP

4xSDI TX 4xSDI RX

SMPTE 2022-5/6/7 (SDI over IP)

UC

IP+A

ES

4xSDI TX 4xSDI RX

SMPTE 2022-6/7 AES-67 audio SMPTE 2059 PTP VSF TR-04 system

UC

IP+A

ES

4xSDI TX 4xSDI RX

IETF RFC4175 video AES-67 audio SMPTE 2059 PTP VSF TR-03 system

functionality also available as a Platinum IP3 Module


HOW

UHD

QUAD L INK SD I @ 3G BS P ER COAX ( SMP TE 424M) 2SI = TWO SAMPLE INTERLEAVE

• the forward-going STANDARD way (most new equip)

• Low Latency – only 1 line of inherent delay

SQD = SQUARE DIVISION

• most 1st generation equipment did this

• half-frame of inherent delay

SINGLE LINK SDI @12GBS PER COAX (SMPTE 2082)

EXTEND EXISTING SDI INFRASTRUCTURE

• short cable runs so limited apps (Mobile Trucks)

• supports 2160p60

2160p60


HOW

PUT TING UHD OVER IP

SONY NETWORK MED IA INTERFACE ( NMI) • single multi-cast group per signal

• 2 per 10Gbe allows dest-timed switching

• visually lossless & low latency

TICO ALL IANCE ( RD D 35) • separate multi-cast groups for V&A



Un co mpressed UH D v ia VSF TR - 03 • separate multi-cast group per essence

• 2 per 25Gbe / 3 per 40Gbe allows dest-timed switching

• not available yet

NMI – SONY NETWORKED MEDIA

3 D I F F E R E N T W AY S

TICO – TICO ALLIANCE

VSF TR-03 UNCOMPRESSED


HOW

GATEWAYS FOR SONY NMI

SONY NETWORK MED IA INTERFACE ( NMI) • single multi-cast group per signal



NMI – SONY NETWORKED MEDIA

4C

QS

UHD (4x3G) 2SI or SQD


UH

D1

+SIP

L

SDI (HD/3G) Sony NMI/IP UHD (4x3G) 2SI mode

UH

D1

+ SIP

L

SDI (downconvert)

4x3G (UHD) 2SI mode

Sony NMI/IP

FRAME SYNC FOR EXTERNAL NON-IP FEEDS HD/3G-SDI, UHD QUAD LINK HD/3G-SDI <> SONY NMI UP/DN CONVERTER

UHD QUAD LINK <> SONY NMI


HOW

GATEWAYS FOR T ICO

4C

QS


UHD (4x3G) 2SI or SQD FRAME SYNC FOR EXTERNAL NON-IP FEEDS

HD/3G-SDI, UHD QUAD LINK HD/3G-SDI <> TICO UP/DN CONVERTER

UHD QUAD LINK <> TICO TR-04 / TR-03

TICO ALL IANCE ( RD D 35) • separate multi-cast groups for V&A



TICO – TICO ALLIANCE

UH

D1

+TIC

O

SDI (HD/3G) TICO + AES67 UHD (4x3G) 2SI mode

UH

D1

+TIC

O

4x3G (UHD) 2SI format

TICO + AES67


HOW

ARCHITECTING Y O U R I P - B A S E D P R O D U C T I O N





A U D I O M I X E R



C O N T R O L S Y S T E M S W I T H C O N T R O L PA N E L C A M E R A S A N D

M I C R O P H O N E S

I P N E T W O R K

R E S T A P I

I N T E R F A C E




WHEN


TIMING IS EVERYTHING

When should you move to IP-based Production?


W H E N

WHEN TO MOVE TO IP F O R L I V E P R O D U C T I O N

Any major re-design or expansion or green-field site.

Adding support for UHD.

Now that market has adopted common standards.

When you can use the business advantages provided.


CONCLUSIONS

WHEN WHY

HOW WHAT

benefits of IP

components of live production

architecture & design

timing is everything


KEEP IN TOUCH

VP Product Marketing Global Business Development Manager

JAMES STELLPFLUG BRYAN BEDFORD CTO Networking

KERRY WHEELES

Booth 4.A01

@ImagineCommunications

www.imaginecommunications.com

Booths

@EVSEquipment

www.evs.com

Booth 1.A71

@CISCO

www.cisco.com

VIS IT US AT IBC 2016 CONFERENCE 8-12 SEPT 2016 EXHIBITION 9-13 SEPT 2016 RAI AMSTERDAM

8.B90 8.A96


LIVE PRODUCTION

IP WORLD in an

JULY 2016

Documents

in an IP WORLD - LIVE-PRODUCTION.TV · VIDEO ROUTER CAM E RAS AN D M ICROP HON ES . ... SWITCHERS ARE DIFFERENT BECAUSE OF IP NEW SWITCHER DESIGNS USE IP • Scale through Processing