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impulso atávico - CCRMAmarod/web-data/score-samples/... · 2012. 12. 26. · Castanets Whip Plastic Megaphone (non-amplified) Violoncello [Cello] Half-harmonics Middle-pressure fingering

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Page 1: impulso atávico - CCRMAmarod/web-data/score-samples/... · 2012. 12. 26. · Castanets Whip Plastic Megaphone (non-amplified) Violoncello [Cello] Half-harmonics Middle-pressure fingering

// impulso atávico //

Page 2: impulso atávico - CCRMAmarod/web-data/score-samples/... · 2012. 12. 26. · Castanets Whip Plastic Megaphone (non-amplified) Violoncello [Cello] Half-harmonics Middle-pressure fingering

Normal sound quality

The symbol must be played with a loudness level between piano ( ) and forte ( ).

~ 8’ 45”

Tremolo and vibrato are irregular. Play tremolo as fast as possible. The velo-city of vibrato can vary according to the drawing:

Accidentals at same octave are retained for entire measure unless explici-tly annulled.

PercussionGlockenspielVibraphone + bowWhistle or small balloon (use any of the two in a given passagebut not both)SandpaperStonesCastanetsWhipPlastic Megaphone (non-amplified)

Violoncello

[Cello] Half-harmonics Middle-pressure fingering on the string

Tenor Trombone + harmon mute

ŗ

[Cello] Nail pizzicato with left hand

Fast iterative articulation

[Percussion/Cello] Circular motion

Always a semitone above the indicated pitch. In cases of extreme difficul-ty, a whole tone may be substituted. To be executed as fast as possible.Trombone plays slide trill whenever it possible.

[Cello] Gettato Bounce the bow in a parallel motion along the string. Bouncing can be either upwards or downwards according to the graph

ŗ

[Percussion/Trombone] In percussion, damp the sound with the fingertip while striking the bar with the given mallet. Slap-tongue for trombone. Written pitch should be somewhat audible

À

á

[Cello/Trombone] Over-press the bow/lips until producing a rough sound with extreme distortion but recognizable pitch

Ð

[Percussion/Trombone] Æolian Sound (breathing or air sound) emitted using the syllable: ( e.g. as in hotel but over-pressuring with the throat and as in book ). [Trombone]: Although notated with specificpitches, this is for convenience only. The written pitch does not sound

tr

F p

f

Soft mallet

Hard mallet

Hard mallet + sleigh bells

Fingertip

Metal bar

Wire brushes

Soft mallet + sleigh bells

Slow (between 4 and 8 modulations per second)

Medium (between 8 and 12 modulations per second)

Fast (between 12 and 16 modulations per second)

Block the stem of the mute with the hand

Unblock the stem of the mute

Fast alternation between blocked and unblocked mute

Gradual transition between two states

Sudden transition between two states

Moderate Pause (between 1 and 4 seconds)

Long Pause (between 4 and 6 seconds)

Extra-long Pause (between 6 and 8 seconds)

Play the highest possible pitch

Damp any resonance

U

U

U

Page 3: impulso atávico - CCRMAmarod/web-data/score-samples/... · 2012. 12. 26. · Castanets Whip Plastic Megaphone (non-amplified) Violoncello [Cello] Half-harmonics Middle-pressure fingering

& & &

1

8

ŗ

π

Œ

^

∏ π π

5:4

p

#

^

&

w0

π

˙ .

^

œ

π

á^

&

– .

∏ ∏

Ð – œ ˙ ≠

¬

L

& &&

>

π f

œ.

>

>> >

π

>

. .

3:2

&

˙ ˙> >

ππ

^

p

>

π

3:2

&

œ.

5:7

¿ œ.

π

œ

œ

j

œ

3

œ

π

œ

j

˙

π

¬

L

+ +

Ö Ö

vibraphone + bow

molto sul ponticello

mute on

vibraphone + bow sandpaper + stone

Percussion

Violoncello

Trombone

Per.

Vlc.

Trb.

²

8va

8va

œ

8

œ

œ œ

œ

œ

j+

3:2

ø

π pπ

Ö Ö Ö

n

œ

œ œ

#

vibraphone + bow

vibraphone + bow castanets

sandpaper + stone glockenspiel

^

œ

j++

œ œ

p p

≈≈

6:7

‰ ‰‰

œ

j

œ œn

¿ ‰

π p

œ

œ

j

#

n

À À

∏∏

¿ ¿ ¿#

. .. .

π

p

° *

° *

° *

. .

˙ ˙ ˙

..

.

whistle or balloon

whistle or balloon

=jœ 44 =j

œ 48

=jœ 44

Page 4: impulso atávico - CCRMAmarod/web-data/score-samples/... · 2012. 12. 26. · Castanets Whip Plastic Megaphone (non-amplified) Violoncello [Cello] Half-harmonics Middle-pressure fingering

- 2 -

&

5

π

^ ^.

π

¿

>> ¿>

5:6

J

¿¿

∏∏ ∏

œ

œ¿ ¿

π

4:5

¿#

J J

>¿n

5:4

¿

^

J

&

œ œ^

p

>

F F F F

Œ

·+^ œ# ·0 ^

·>

·+ +>

π π

œ#

^

J

œ

J

œ

^

p

œ0> –#

^ ^· ··0 >>>

# 0 á –#>

5:4

&

Ó ¿ ¿ – .œ œœœn

– –+j

4:3

¿

∏F F Fp

¿+ œ

.

π

œ œœ

œ

π

œœ

π

5:3

¿n

¬

L

&

œ#

F

J

¿ œ

π

J

¿

p

œ^

p pF

J

¿>

π π

¿ œ##

.

>

π

3:2

&

œ0 ^

p

œ#

>0> œ#

^

π

œ0^ œ^

ĥ>

œ# œ+>

π

œ#>

œ0^

pp

5:4

·0^ œ+ .

p

–#

^

π π

· œ0> œ# ·0 . œ#

>œ0^

á

.

œ+ .œ^

p

œ>

J

–n

.

p

œ

^

F F

4:3

œ+^

p

·

^

· –>

·+>

π

3:2

&

– œ

j

œ œ

.

p

À

π

j

¿ 0

5:4

œn.

œ

.

œ

.

j

œ

3

¿ .

F F

œ

f f

œ‰

¿0

π

œ

ϭ

p

≈ ≈

3

π

œœ

π

≠ ≠ ¿œ

œ+ œ–

j

3:2

¿ œ

œ0 œn

¬

L

œ#

JJ

Ö

glockenspiel

Per.

Vlc.

Trb.

8va

Per.

Vlc.

Trb.

8va

J

.

¿¿

œ

‰≠

j

3:2

J J

ø

ø

¿ ¿

F p p

^

p

+ j

>

––

œ

+

¿^ ^ ^

F

Ö

œ

>

f fπ

stones

tr

œ

j

n

+n

+

p F

^

.

p

sandpaper + stone sandpaper + stone

. ...

n

. .

Œ ˙ ˙

Œ Œ

. . .

=jœ 60sub. =j

œ 72sub.

=jœ 72sub.=j

œ 60 =jœ 60

#

Page 5: impulso atávico - CCRMAmarod/web-data/score-samples/... · 2012. 12. 26. · Castanets Whip Plastic Megaphone (non-amplified) Violoncello [Cello] Half-harmonics Middle-pressure fingering

- 3 -

&

9

^

p F

ˆ

f

J

¿

.

π

5:4

>

∏ Fπ π

&

–0>

–œ0> œ#

.

œ0^

F

·#

^

p

œ^

F

J

·+^

· ·#

.

p

œ0 .

–^

π

5:4

&œ –0 0∏

¿

3:26:5

‰ Ó

5:3

œ –

π F

œœ

π

¬

L

& & &

œ

.

f

œ

.Ŗ ¿

p f f

6:45:4

& &

á

p

á

p

^

^

F

^

p

^

^

3:23:2

^

˙

^

&

.

ƒ

œ

F

œ

j

6:4

œ0

f

j

¬

L

Per.

Vlc.

Trb.

8va

Per.

Vlc.

Trb.

8va loco

¿¿ ≠

Ö Ö

œ

.

œ

.

Œ

.

á

j

œ œ œ+ Ŗ tr

˙

#

^

œ

glockenspiel

·

^

Œ

Ó Œ ŒŒ

tr tr

.

stones

œœ

j

sandpaper + stone

sandpaper + stone

tr

øπ

j

≈.

F

j

+

‰.

ø

Œ

?

? ?

.

.

ø

^^

^^

^^

œ

^

œœ

œœ

œ#+

+

œ œ¿

ø F

œ^

p

^

6:5

œœ

glockenspiel glockenspielglockenspiel

Œ Œœ ¿ ¿

Ö Ö Ö Ö

f

p ƒ

. .

j

f ƒf

≈ ≈.

.¿

j

¿¿

¿¿

¿¿

##

^^ ^^ ^^^castanets

.

Ŗ

whip whip

ƒ

=jœ 48 =j

œ 44sub.

=jœ 60sub. =j

œ 48

Page 6: impulso atávico - CCRMAmarod/web-data/score-samples/... · 2012. 12. 26. · Castanets Whip Plastic Megaphone (non-amplified) Violoncello [Cello] Half-harmonics Middle-pressure fingering

- 4 -

13

ƒ f p Ff

&

··+

F

·# ·0 . ·#

^

Ï

·0> ·> >

Ï

·#

^

·+ ·>

5

·

^

≈ ≈

·

π

·

^·n

^

f ƒ ƒ

JJ

··

^

· ·

^

·#

^

·

œ#

^

f ƒ

–+> á

.

Ï

·+>

?

ŗ#

F

ŗ+ +œ Ð0¨

Ï

Ð

.

f

œn

.

œ

.

F

¿^

5:4

ŗ+ +œ0 ŗ#

ƒ

f

– –0 ..

.

–#

ƒ

4:3

‰œ

.

p

œ0 .

π

œ

œ+

ƒ

ŗ+>œ0 œ+¨

f

œ+ .

Ï

‰‰¿

.

π

œ+ Ðn

F

‰ ‰œ0 œ#

p

ŗ

ƒ

4:3

π

œ.#

F

¬

L

p

J

F

F

p f

&

·^

f f

·+ . ·>·0^ ·

^

p

·

^

· ·+

F F

Ð

3:2

·#.

F

·

^

p

·0^ ·+ . ·0^

f

·> >

·n ·+^

∏ ∏π

3:2

?

œ

f

ŗ+ Ðŗ Ж+

.‰

¿ œn

f

3:2

¿ œ# œ+>ŗ

^

ŗ

p

ŗ0 œ

œ œ.

π π

33:2

ŗ+

f

J

ŗ0^ ^ ^ ^

F

œ

f

ŗn

p

ŗ# ŗ+

F

œ0

pp p

3:24:3

Ð

‰ ‰

¿#

JJ

ϭ

JJ

3:2

¬

L

·

^

F

·+^ ·n>

f

·+ +.·^ ^

®

·

^

π π

J

Ð# ·>

·

.

·n

^

·^

3:2

·+^

p

·n

>·> >

·+>·#

·+^ ·n

^

·

^

·+>

3:2 3:26:5

Ö

Ö

.

>

œ œ

>

œœ

j

Ó

J

f

.

>

œœ

j

j

JJ

stones

Ó

5:4 6:4

Œ Œ Œ ‰.

^

JJ

. .≈ ≈

. .

.>.>

.> .

>+>.>

trtr

Ï

F ƒ f

n

.

p

J

.

F F F

^.>

> trtr

j.

œ

j

+

n

..

.

>

tr

.

Ð

j

>

>

. .

^

trtr tr

n +

Per.

Vlc.

Trb.

Per.

Vlc.

Trb.

J

.

œ

j

+

F

>

>

ƒ

œ

j

¨

Œ

. .

.

J

·0J

‰ ‰

œ

5:4

.

>

>

> >

Œ

ø

π

p

tr

F Ff

+ .

&

whip

Œ Œ

whistle or balloon

=jœ 60

=jœ 44sub.

loco

Page 7: impulso atávico - CCRMAmarod/web-data/score-samples/... · 2012. 12. 26. · Castanets Whip Plastic Megaphone (non-amplified) Violoncello [Cello] Half-harmonics Middle-pressure fingering

- 5 -

&

17

.

ŗ#

π

J

& &

&

Ó

Ð+

p

·

^

π

π

·0 ^ ·

^

p

·#

.

6:5

·0 ^

p F

·

>

· ·#>

p F

·0>

π

·#>

5:3

ƒ

Ð

F

Ð

–# ≈¿ Ð Ð+ Ðn

5:4

Ð+ Ð ¿

p

œ+

π

œ#

π

œ0 ¿

ŗ+^

π π π

œ# œ+

∏ ∏

≈ ≈

œ# œ+ œ# œ+ œ#

.

π

œœœœ+ œ##

j

œ+

3

œ# œ0

j

Ð#

F F

ŗ0 ŗ. ≈

3:25:4

œ0 œ

.

ŗ

p

œœ#

œ#

F

œ+œ œ0

33:2

¬

L

&

p

˙

p p p

ŗ

f

ŗ^

J

J

ŗ

ŗ# #

3

ŗ

^ ŗ#

π ƒ ƒ

œ

^ ^

œ¿

. .

¿#

3:2

ŗ

^

¿^ ^

¿

ŗ ¿ ¿ ¿¿

. . .

Ï Ï

3:2 3:23:2

®

¿

¿ ¿^^

^

& &

˙ .>

π

·#

>

ff p

J

‰ ‰

·n>

F

·

^

·0> ·+> ·#

^·+

ƒ

·0 ^

π

·n

^

·#

^

·0

p

·+^

π

6:5

?

Ð#

p

œ

f

œ#

0 –œ

ŗ+ œn œ0Œ

3:2

ŗÐ

^

p

‰Ð+>

p

Ðn

>

π

J

œ

ƒf p

ŗ+‰ .

ŗ+j

ŗ0

p

jj

3:25:4

œ≈ œ

f

œ

3:23

Œ

Ï

œ#

ƒ

œ

Ï

3:26:7

¬

L

œ œ

^^

^^

^ ¨^

œœ

^

œœ

œœ+ +

?

#

Œ Œ

Œ

‰‰

‰ ‰

3:2

. . . .n#

. .Œ

vibraphone + bow

8va·

^

+. . .+

tr tr tr tr

œ

j

+n

·

j

0

Œ

vibraphoneŗ ŗ

n

n

J

ŗ

n

Per.

Vlc.

Trb.

8va

Per.

Vlc.

Trb. . . +^

0j

0#

.

..

#n

F p p p

> > >

∏ p F p F

p

>

f

>

^

^

j+

f

tr

F

F Ï

œ

^

j

> > > >

( (

+

° *

° *

˙

ŗ+ +

U

U

U

U

U

U

=jœ 60sub.

=jœ 60 =j

œ 72sub.

=jœ 36 =j

œ 78

Ö

&

ƒ

œ œ

^^

^^

^ ¨^

œœ

^

œœ

œœ+ + # ‰

3:2

0

loco